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Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)!, Vol. 3

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By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

This was the best volume in the series to date, mostly as a) it managed to actually get through to its heroine/saint/maid and make her realize that her “aw shucks, this is just normal maid magic” thing is absolute hogwash, and b) it actually started pushing back on her omnipotence and perfection, showing her screwing up several times over the course of the book, and also having another crisis of faith, this one even stronger than the one she had in the second book. Melody loves maids, and loves to be a maid, but at heart this is a heroine reincarnated in a fantasy world book, and nine times out of ten when that happens the main character is a workaholic. Melody does not know what to do with time off. She literally has no outfits other than maid uniforms. And, despite riding her way through an obvious event flag, she remains completely uninterested in romance. She is not here to be a romance heroine, thank you very much.

It’s summer break, and time for Luciana and her entourage of servants to go back to the main estate and tour their lands. Though this journey is thrown off slightly by the arrival of Maxwell, who is here to invite Luciana to the Summer Ball, something that absolutely flummoxes her, and she asks for time to think it over. After this, they head off on the long journey there, and watch Melody literally build a two-story mansion from scratch… and also store it in a snowglobe for later use. You know, just Melody things. Unfortunately, as they’re almost there, an earthquake rocks the land, and her family estate is totally destroyed! Even worse, the three villages that make up what remains of their domain are suffering from a blight AND a poor harvest. Will this finally be a problem even Melody can’t solve?

This has a classic otome game dilemma at its heart, which is that the game’s plotline wants to happen even though Melody has completely broken it. It keeps trying to ruin and kill Luciana, to the point where the poor girl is literally dreaming of the game creators discussing her death, though she has no idea who they are. We meet another love interest here, and he’s a smiling villain if ever there was one, and he also falls hard for Melody (who is uninterested, but less uninterested than she is with everyone else.) Most of all, Melody spends an exhausting night curing all the blight and poor crops… only to have it come back almost immediately. Some dark force wants this family and region destroyed, and I suspect we’ll get more of hat as the series goes on.

So while there is still a lot of ludicrous maid stuff, Melody *and* the series itself are getting more serious. Which is good, as it’s a long-runner, and you can’t get by on oblivious OP maid forever.

Nia Liston: The Merciless Maiden, Vol. 7

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By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

For those people who don’t enjoy seeing me trying to wring 500 words out of a review, you may as well stop now. The book is fine. The end. For those who really love seeing me struggle, welcome to my hell. This is primarily a tournament arc. I had enough trouble writing those up when I did manga reviews here, I don’t need to have to do it with light novels. Boy, that sure was a close fight. Boy, that sure was a one-sided fight. Repeat as needed. Even Nia doesn’t really have a huge presence in this book till near the end, mostly as she is (of course) not allowed to fight. She is there to film the show for magivision, though, so we do get to see some of her fighting rage come as she tries to get fighters to sit for an interview. Oh, and to take out dangerous assassins trying to kill her student.

Now that all the money has been raised and all the preparations have been done, it’s finally time for the fighting tournament. Which is a bit bigger than everyone was expecting. There are over 10,000 entries. Winnowing this down to 300 or so finalists is thankfully not Nia’s problem. Things are helped by dividing the preliminaries into weapons and no weapons tiers, but it’s still a LOT of fights. Some folks don’t know their own strength (Gandolph). Some folks have a very tough time f it (Fressa). Some folks are being overwhelmed by having to be the celebrity poster child of the entire tournament (Lynokis). And some folks are realizing that no matter what the outcome of this tournament, they’ll likely have to flee the country and start a new life somewhere else (Anzel). Needless to say, you can guess who the assassins are after.

One of the better things I liked about this was seeing folks realize how different a fight is when it’s under the pressure of a match, and especially when you aren’t actually supposed to murder your opponent. A few really strong folks end up losing as they struggle to not kill anyone, and Fressa manages to win her fight only because of that rule. Some fighters are going to get better fast. That said, Nia’s students are clearly a cut above the rest, and it shows – the comedic highlights of the book were Gandolph accidentally breaking the leg of his opponent by just putting up a chi defense, and Lynokis realizing that the adventurer she wanted to be like growing up is really just a violent thug, and one-shotting him in horror at her past self’s shallowness. The dramatic highlight is the finale, where we see an old assassin who is very very good at killing anyone he wants to but cannot fight against the horrors of normal aging. I wonder if we’ll see him again.

The 8th volume only came out in Japan last month, so it may be a bit will we get more. Till then, punching things, yay.

Lady Rose Just Wants to Be a Commoner!, Vol. 3

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By Kooriame and Nami Hidaka. Released in Japan as “Lady Rose wa Heimin ni Naritai” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Caroline W.

Content warning: this book is filled with suicide ideation, and has several attempts near the end, though none are successful.

I know that it’s not economically feasible and would not be popular, but sometimes when you get a light novel series like this I wish that it could have been one 800-page book. Or at least have all three come out on the same day. Because this third and final volume of the Lady Rose series really requires you to remember everything from the first two, and the series rewards going back and checking on certain scenes over and over again. That said, if you did what I did, and read the books as they came out, and tried to recall what was going on, you should still be okay here. Fii’s story is done, and she doesn’t even play a major role in this book till near the end. Unfortunately, that’s just in person. In the background, Fii trying to escape her noble life and become a commoner turns out to drive a heroine to dark, depressing thoughts. And that’s just when she’s five years old.

Stop me if you’ve heard this one before, but our protagonist is hit by a truck (while pushing a girl out of the way of the same truck) and winds up in the world of Savior of Nations: Lady Rose. She is THRILLED. She doesn’t even care that she’s in the body of the villainess, Liliana. This means that she gets to see her favorite character, SETH! Immediately deciding to learn reading, writing, and proper etiquette, despite the reactions of her father and servants, she does succeed in meeting Seth, as well as Melvin, who she declares a “friend of convenience”. Unfortunately, when Liliana turns five, Felicia arrives on the scene, and Liliana gets an immediate lesson in the difference between one who tries her hardest and one who is simply perfect. Unfortunately, over the next ten years or so, this means that Liliana gradually loses her grip on reality.

The first few books already had a tinge of psychological horror. With this third book, it goes beyond tinge and gets into the deep waters. I haven’t seen a light novel get so far down the path of fucked-up narration since I Swear I Won’t Bother You Again!. Even when Liliana begins to realize the possible cause for her mindset… grief at her happy, loving life being cut senselessly down by a truck… she rationalizes that it’s too late now. The bulk of this book is Liliana trying to find a way to die. Fortunately, we know how that goes, as we read the second book, but still. This book also has a few surprises in store – notably one of the busiest Truck-kuns I’ve ever seen in an isekai – but for the most part it is best when focusing on Liliana’s desperate attempts to fix things, then fix everyone but herself. The one flaw is the almost total lack of Seth. The author says that having Seth in the book more would have given away the twist, and yeah, I guess, but I still think the impact of the end might have been better if he’d had a larger presence.

This series is now done, though I do wish we’d seen the stories that were only suggested where she apologizes to her maids. Liliana’s inability to really read people at all has affected her maids more than anyone else, and I hope they get some comfort and relief. As for Liliana herself, I think things will be fine now. She’s had magic bread, after all.

Saving 80,000 Gold in Another World for My Retirement, Vol. 8

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By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 8 is the equivalent of the Japanese Vol. 9.)

I mentioned last time that I think the series has gotten into a bit of a rut, and while this volume does not remotely solve that issue, it is nice to see the author deliberately leaning into the rut. The first long-ish chapter has Beatrice reminding Mitsuha that she was promised an even bigger party when she comes of age, which means Mitsuha has to whip out fireworks and light shows and the like. This infuriates Sabine, who notes that when *she* comes of age in three years or so, Mitsuha will need to get even GRANDER! Likewise, Mitsuha’s promise to keep a princess safe are taken as keeping her KINGDOM safe, and Mitsuha deciding to solve the problem using only her own men and minimal deaths means the winning nation can’t take any advantage of it. Mitsuha is a realistic isekai protagonist – in that she never thinks ahead.

This book, like a lot of this series, is divided into chunks that may as well be short stories. 1) The above story, where Mitsuha is asked to pull out all the stops for Beatrice’s coming of age party; 2) Mitsuha talks with an Earth scholar about ways to analyze the other world… and things that she didn’t think of when inviting other scientists over there; 3) The empire who attacked last time is now desperate, and decides to attack a different kingdom… one which has Princess Reina (remember her? Princess Kaa-Kaa-Kaa?), who Mitsuha promised to help if she was in danger, which means we need to resort to attack helicopters; 4) One of Mitsuha’s young noble lady-run businesses is attacked, the young lady has her arm broken and face beaten, and a guard is killed. Sadly, the cops and the nobles are on the side of the company that did this, which means it’s time for Mitsuha to snap and go on a roaring rampage of revenge.

I’ve called this series the “Easy Mode” of the three FUNA series, and I still think that. Compared to Mile, and DEFINITELY compared to Kaoru, Mitsuha gets off very lightly. Her dimensional travel has become so blase she not only talks about how she’s managed to teleport herself while leaving her sweat behind, but has to clarify that she does not leave behind her poop – though she does teleport to Japan to use the toilet every time. These are the little details of Mitsuha’s life that I did not need to know. Likewise, her desire to have as few people die as possible in a dangerous war between nations contrasts nicely with her swearing of total vengeance on the company that murdered and beat employees in her company. Mitsuha may grump about everyone thinking she’s twelve, but she acts like it much of the time, especially when someone goes after anything she cares about. Of the three series, this is the one most likely to end with the world being destroyed by a temper tantrum.

Next time apparently Colette is attacked, so we may see even more of this. You know what I’m about to say. Recommended for FUNA fans.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools ~Side Stories~

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

I like to think that Dahlia in Bloom is a reasonably popular series. It’s gotten a manga and an anime (let’s not talk about the anime). That said, it’s not ludicrously popular with trivia-loving nerds. This is no Re: Zero or A Certain Magical Index. As such, when it comes to wiki power, Dahlia is lacking. Which makes it unfortunate when you’re reading a volume filled with side stories, only a few of which focus on Dahlia and Volf, and I kept thinking to myself “have I seen this character before? Have they been a minor character in the series I’d simply forgotten as they aren’t plot-relevant, or have they been especially written for this volume?”. This is especially true with all the wives we meet in this volume. The main series, and its spinoff, both run on, primarily, an utter lack of romantic progress. Dahlia is oblivious, Lucia is too job-focused. As such, a lot of this book seems devoted to giv9ing us actual happy romantic ends.

This is a short story volume, so there’s no real plot to speak of. The only stories that connect to each other are one or two “we get this from one perspective, then the other side” twofers, and one story where Volf is convinced to buy fancy, scented stationary to send letters to Dahlia, who keeps every single one in her room. You know, like besties do. Other than that, we see how Grato met his wife (she’s been waiting for him to get a clue), how Gildo met his wife (he fell for her, unthinkingly, when she was six years old… no, not like that), Ivano trying to run away from his future wife (he fails), how craftsman Fermo met his wife (she’s the granddaughter of his master, but they’d never seen each other before), how Irma got her husband (the family had to approve), and how Oswald got to be the silver fox (being bullied is different when you’re in a noble society).

That last one is the longest story in the book, and it reminds you that while a whole hell of a lot of light novels deal with nobles and the different tiers between them, none of them quite drench themselves in the culture quite like Dahlia in Bloom. Dahlia herself is finally getting her barony, so might be able to marry Volf… except his family is also getting elevated. Back to square one. Oswald having a girl date him on a bet ends up with the girl AND the two nobles who forced her to do it all getting punished, while the humiliation forces Oswald to throw off his family’s kid gloves and give himself a makeover. Volf is forced to learn about noble etiquette, and he’s absolutely terrible at it. Yes, the main reason this is the slowest of slow burns is because Dahlia’s lack of self-esteem causes her to throw Volf into the friend zone, but there are also real reasons why nothing has happened just yet.

We’re back to the main series next time, as Dahlia finally meets barony. Will this mean anything new? Probably not. Will she get to dance with Volf, and maybe have some really good alcohol? Most definitely.

The Countess Is a Coward No More! This Reincarnated Witch Just Wants a Break, Vol. 3

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By Ageha Sakura and TCB. Released in Japan as “Tensei Saki ga Kiyowa Sugiru Hakushaku Fujin datta” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Bérénice Vourdon.

In this volume, we get a flashback to Aurora’s childhood. She grew up in a village that was terrified of her massive magical power and her insatiable curiosity to use it. Her parents wanted nothing to do with her. The mayor essentially sold her to an elf as a research subject. Fortunately, that went well… till her master just up and left one day, leaving Aurora to handle all the magic requests on her own, taking in three disciples. We meet the third of these disciples in this book, Lance, and he too is a former research subject who was rescued, this time by Aurora. Even now that she’s reincarnated, she had a terrible childhood where she was abused by everyone, and even after getting her memories back struggles with any overtures of affection. The main problem with Aurora *and* her proteges is that they still have the emotional capacity of children a great deal of the time. They don’t know how to ask for help, or forgive.

Things continue to go downhill for Char and Lam. They do manage to escape from her first protege, mostly as he gets into a petty battle with her second protege. Unfortunately, the kingdom wants to pile on more work, reasoning that working mages to death is what people are supposed to do. Oh yes, and the church is still being a thorn in everyone’s side… especially when it turns out that her THIRD protege, Lance, is the head of the church. He couldn’t reincarnate himself with the magic he had, so he simply made a deal to learn how to live for over 500 years. All of them want to show Lam that they’re the best and she should stay with them (though Lance, at least, will allow Char to be first husband). That said, there’s a Big Bad behind all of this, and he turns out to be… wait for it… another protege! Not Aurora’s this time, though.

This was better than the second book, mostly as I was able to see better the reason that everyone in the cast is, to a greater or lesser extent, a whiny manbaby. Char discovering that Aurora is actually Lam went much better than both the reader and Lam herself expected, and he is finally – finally! – able to convey to her by the end of the book that the reason he keeps hugging, kissing, and saying he’s fond of her is he loves her. The second half of the book is less “let’s have a big magic battle” and more “let’s try not to have Lam kill herself the exact same way that Aurora did five hundred years ago”, which relies on convincing her that it’s OK to rely on others and that sometimes they can protect themselves. When you’re used to doing it all, realizing someone else can do it to can be very hard.

The webnovel ended here, but apparently there’s more of this coming. I still prefer the Lady Bumpkin series by the same author, but this was a decent new volume.

Haibara’s Teenage New Game+, Vol. 8

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By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

Stage fright (I’m sorry, I just can’t bring myself to call it “the yips”) is a terrifying thing that can happen to even the most experienced performers, and though it may not always lead to literal fainting spells like what happens in this book, it’s something that can’t really be solved by just pure gumption. Unfortunately, Nanase plans to do just that. She may now be inspired to try to get over her issues and try again, but that doesn’t mean that the same dark fears don’t come to the fore when she makes the effort – and the fears she’s thinking of may not be the ones actually causing the problem. Fortunately, in addition to the magical protagonist powers of Natsuki and Hikari, she has actual medical professional help, which makes this one of the rare Japanese light novel series where there are therapists. I am pleased. Admittedly, that makes the climax of this book a bit less dramatic than a big punch out, but you can’t have that every book.

It’s almost time for our cast’s third year of high school, and as with a lot of Japanese high school, they have to make the choice: science or arts? They know this will mean being separated in some way, but so goes life. As it turns out, Nanase seems to be choosing a different path than in Natsuki’s first life, as she’s going to try again to do a piano competition. She used to be a prodigy, just like her mother, but a couple years ago she got terrified and passed out, and since then she hasn’t been able to play for an audience. But seeing Natsuki’s band has made her want to try again. Speaking of the band, they’re getting offers to open for bigger bands, and Natsuki now has to make a serious decision: does he want to pursue a career in music in this second life?

I must admit, I was *so* relieved when Nanase admittedly that she saw Natsuki as what a big brother must be like. First of all, it made all the NTR and threesome jokes being bandied about in this volume actually funny, as opposed to worrying. For another, I think there have already been a few too many people attracted to Natsuki in this series, and we don’t need more, especially as I’m still worried about his future with Hikari. So is he, in fact, as when he sees she’s chosen a pen name for her books that uses his own name, and he worries that she may come to regret that if they split up. To her, of course, this is a horrifying thing to say, as they’re 2-gether 4-ever and would never split up, but Natsuki has a few more years experience, and has seen teenage love turn sour. That said… I can’t see this series ending that realistically and bittersweet after all the volumes we’ve had. I think they should be fine.

I think the 9th volume is out soon, but it’s likely another 6-7 month wait till the next one. Which will start the “final arc”. Romcom fans should be very happy with this.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 5

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By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Lex Reno.

Content warning: this book’s main plot contains, and my review discusses, pedophilia, grooming, and brainwashing people through drugs and gang rape. The last two are implied but not seen, the first two are definitely seen. Reader discretion is advised.

I’ve called these books difficult to read before, but none of them quite hit like the middle of this book, in which Claudia has to deal with a village of people whose “Chieftess” (does that word get gendered?) is easily one of the worst antagonists in the series to date – see above for why. Fortunately, this is what Claudia and Sylvester are here to fix, though both of them castigate themselves that they didn’t even know it was happening till she conveniently got kidnapped. Sometimes being royalty means finding out about problems that people are deliberately keeping from you. Especially when they’re once again a plan of Nigel’s, the series’ overall big bad, who isn’t in this book but whose presence is felt. Corruption turns out to be – literally – an incredible drug.

By now everyone agrees that the running for the fiancee position is over, and Claudia and Sylvester’s engagement party date is set. Unfortunately, before this can happen, Claudia and Helen – out on the town incognito, with Claudia also disguised as a maid – run into a boy who is dressed as a child detective – because he is one, in fact – and he’s on the run from some goons. They quickly hide in a cart… which then drives off to a remote village, and that village turns out to be the one the boy (Kiel) was investigating. (Helen was able to get away and is getting help.) They find the villagers are all very happy and content… a bit TOO happy and content. The whole village feels a bit like The Stepford Wives. What’s more, people seem to occasionally disappear for no reason. What’s really going on?

So yeah, as indicated earlier, things are very screwed up in this book. What started as a discovery of a pain reliever that allows the village to make a bit of extra cash has suddenly become a village-wide “ritual” when the girls in the village have their first period or the boys have their first “nocturnal emission” to drug them with an aphrodisiac and then have the others in the village rape them till they grow happy with it. The girls in the village who have NOT gone through this yet are quick to side with Claudia and Kiel. The chieftess in particular is a hedonist and pedophile, who literally gropes Kiel to see if his balls have dropped, and openly leers at Claudia. The book is well written as always, and help arrives in the nick of time. But I have to ask, was this trip really necessary?

The series is still ongoing in Japan, and a glance at the blurbs of future books suggests things don’t get easier for Claudia even after her engagement. Hopefully, though, they involve a few less things for me to warn the reader about.

A Tale of the Secret Saint, Vol. 8

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

I’ve talked before about how Fia has this odd canny intuition and ability to connect the dots combined with an absolute ironclad airheaded dumbassness. This may be the volume where the reader’s tolerance of this is pushed to the absolute limit, though things are not helped by others around her also failing to get a clue either. It’s not quite Airheadception, but I was thinking that. The main plotline in this book revolves around Fia simply not understanding, despite seeing evidence of it for the last seven books before this, that the saint powers are a lot less powerful than they were in the past. (Indeed, we hear in a side story that she was ludicrously more powerful in the past as well, but things HAVE decayed.) This means that all her attempts to brush off what she thinks are minor use of saint powers to heal someone up turn out to be astonishing miracles to everyone around her – including a crowd of commoners. She’s VERY close to finally blowing her cover.

We open with Fia and Charlotte meeting the current frontrunner to be Head Saint, Priscilla, and boy, she has a chip on her shoulder and does not like Fia at ALL. Fia barely notices this, of course. Fia then has a bit more of the world explained for her, but not enough to make much of a difference, as she suddenly decides o put on a show when she hears that Commander Saviz will be marrying a saint soon. And who better to ask for ideas about how to entertain then the jesters we met in the previous book… who are the literal king and the top duke in the country, but Fia barely pays attention to this. They have their own agenda, however, which is to dress Fia like a saint and parade her around. Their goal is to get more info about how she found the rose that supposedly had been extinct since 300 years ago, but everything goes to hell when they run into a noble with a dying daughter – a noble that the two jesters seem to hate.

As ever with this book, I tend to appreciate the moments when it gets a bit more serious. We hear about Duke Alcott’s younger sister, who supposedly died ten years past but in reality is in a coma, and is also the reason that the king has been getting younger by the year. We get a few flashbacks with Colette, and honestly she reminds me a lot of Fia – I bet they’d get along great. Unfortunately, when Colette was dying, an earl opposed them using the powers of a saint to try to heal her. As a result, now that the earl has a dying daughter (who is also a saint) himself, their first thought is petty revenge. Fortunately, Fia may be an airhead but she’s also airhead Jesus, so you know there’s no way she’s going to do anything other than heal her using ridiculously powerful magic and then hem and haw about how she did it. Fia is Big Dumb, but also Big Good.

Things are left a bit cliffhangerey, so it’s not clear if Fia is going to be able to wake up Colette, or if this is finally the straw that breaks the camel’s back and gives away that she’s a reincarnation. Recommended to those who love to see the most powerful tennen boke in the world.

Mercedes and the Waning Moon: The Dungeoneering Feats of a Discarded Vampire Aristocrat, Vol. 2

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By Fire head and KeG. Released in Japan as “Kaketa Tsuki no Mercedes: Kyūketsuki no Kizoku ni Tensei Shita kedo Suteraresō nanode Dungeon wo Seiha suru” by TO Books. Released in North America by J-Novel Club. Translated by Maddy Willette.

This series, I think, knows that it has to work harder to make me really enjoy it. Normally, if I’m reading something about two extremely unlikable assholes competing to see who can outdo the other, I’m likely to wander off the reservation before long. Mercedes at least knows that she lacks any empathy (and was much the same in her prior life), but does not seem to care enough to actually fix it – well, consciously, at least. But in this volume we get the character this series has desperately needed, which is a big shiny ball of honesty and “why can’t everyone just get along” that is in awe of our protagonist and determined to befriend the hell out of her. It’s not going anywhere, but I ship them. Secondly, this author has just the right amount of sass in their narration. If you name a character Hannah Burger, you’d better follow through, and they do.

Mercedes knows the secrets of this world, and also knows that it runs on RPG cliches to an extent, so she and the reader should not be surprised at where we’re headed next: yup, it’s off to the academy to have to deal with arrogant nobles and … well, more arrogant nobles. That said, “quiet school life while I learn more about how this country actually functions” is exactly Mercedes’ goal, so she’s quick to agree. On the way there, she casually saves the fifth prince of the country from certain death, and it turns out he’s the only other student in her grade that might hold a candle to her. She even has a goody roommate whose name sounds delicious. (See above.) Unfortunately, her father has Big Plans for her, and those big plans do not involve the first son Felix, who knows he’s lost but doesn’t know what to do about it yet. Will he follow the same path as his brother did in the first book?

No, thankfully, and it might be the best scene in the book that doesn’t involve Mercedes or the prince. Felix is confronted with a “aren’t you a bit jealous, don’t you want to show them all?” decision. Even better, the villains even know he’s not going to accept so outright tell him they’re going to mind control him to do it. I like when everyone lays out not just their evil plans but also their backup evil plans. That said, Felix is NOT his brother, and while right now I have no idea how he’s going to prevail in this battle, at least he doesn’t fold like a card table. As fr the rest of the book… honestly, Mercedes reminds me of Mile from MMAA if Mile were a stoic sociopath. They’re even both nerdy about weird things and have weird naming sense. I wonder if the author has read FUNA?

I agree with the main premise of this volume, which is that rather than “get stronger grr”, Mercedes needs friends in order to survive in this world. Unfortunately, so far she only has the one. we’ll see what happens next time.

Invaders of the Rokujouma!?, Vol. 47

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Warnis.

I’ve talked before – in fact, I think it was the last review – about how this series started as a romantic comedy and then became a battle manga, but really, this is shonen in every possibly way. Its entire reason for being is “whatever teenage boys want”, be that a series where about a dozen different women all fall for the hero, or a space battle with lots of pew-pew light shows. Here we also see that it’s a baseball series much of the time, as Koutarou and Kenji end up experimenting with psychic powers and pitching. And it’s also a giant robot show, as the new, extra special Blue Knight craft is a literal transforming giant robot, mostly as everyone thinks it’s really cool. About the only thing this doesn’t have that a teenage boy would want is fanservice – frankly, this remains one of the most G-rated series ever. As for the volume itself? It’s one of those “win the battle, lose the war” type books.

After a brief downtime in which, as noted, Koutarou experiments with super-powered baseball, and Nalfa tries to work up the courage to nudge her way into this polycule, everyone heads over to the debut of the brand new battleship, which is absolutely huge, has all the new bells and whistles, and inspires a spirited conversation about what the difference is between the bridge and the sub-bridge. Immediately after its inauguration, though, there’s an emergency, and they have to go off to rescue an embattled outpost. Unfortunately, this all turns out to be a plot devised by the Grey Knight. In fact, it’s three different plots devised by the Grey Knight, and while two of them fail, the most important one does not. Now Koutarou is going to have to go to war with… well, let’s face it, the reader has known who the Grey Knight really is for a while now.

After several books where she was barely present, I am delighted to announce the return of the “Yurika Watch”, where I gush about my favorite character some more. I had to laugh that we got the “he he, Yurika is goofy comedy relief” scene over with within half a page, but it’s a good thing we did, as she really has to pull out all the stops this time around. Of note, every time she’s serious and planning ahead, the others look concerned (with the exception of Nana). Yurika being an airhead is their bellwether of “all is well”, so seeing her this competent and skilled makes them a bit sad. Not me, though, praise her more. The others all do well, of course, and everyone gets to show off their fighting skills. Unfortunately, their desire to get the non-combatants out of the action comes back to bite them in the ass. On the bright side, it might allow Nalfa to find a way into that polycule a bit faster once this is over.

I hate to say this, kids – we’re caught up with Japan. Fortunately, this was a very good volume to go out on. The next book is the 50th, counting the two .5 volumes, so I expect they want to do something special.

Private Tutor to the Duke’s Daughter: The False God That Deceived the World

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

This is a long series already – this is the 16th volume – and we’ve just covered everything that’s happened since Allen got baited to flunk out of the academy. I’ve talked before about how I wish we could have seen Allen and Lydia’s years at the academy, and we have finally gotten a few decent flashbacks showing that, though we’re still missing most of the actual important scenes. But it can be easy to forget that this is not a world that has been at peace for years and it’s only with this generation that the world is going to hell. This is a world in a constant state of hell. There’s a reason all of the parents and grandparents of our heroines have fancy titles and superpowers of their own, and that’s because they’re needed all the time in order to make sure that things don’t just explode. Unfortunately, we’re near one of those explosion points again, and even as Allen gets some exposition explaining what happened long ago in the last, the enemy is a step ahead of him.

Battles, battles, everywhere! There are so many battles, in fact, that you’d think we wouldn’t have time for the usual harem banter, but rest assured we do, as even in the most dire of circumstances the girls cannot help but try to get Allen to praise them and say how lucky he is to have them. More lucky than usual this time around, as it turns out he needs almost the full group of potential love interests (sorry, Ellie, you’re still being sidelined) because the bad guys are also bringing their full force of bad guy-ness to bear. There’s corrupted former princesses, ghosts of long dead founders, and of course that pesky wyrm, which doesn’t stay frozen for long, and has to be put down again. To do so, they’ll need to have yet another spell gain sentience and turns into a cute girl… because let’s face it, that’s also the sort of series this is.

There’s a cliffhanger which suggests that one of the good guys is about to be killed off, but I’m not too worried – I think if the author had meant to kill them they’d have done that as the cliffhanger. Plus he has a fiancee. It does make me wonder how the author is going to try to keep the stakes higher and higher while also making sure that no cute girls who are in love with their man suffer too much. Most of them, that man is Allen, and unfortunately for him, the main villain seems to be obsessed with him… and also all her plans revolve around him winning at the last moment. Which he’s been doing. So arguably he’s playing right into her hands. On the bright side, Lydia gets to do an absolutely killer move that makes him blush heavily, and he also calls her his partner again, so she’s still in the lead, for those who are only here for that.

This is another solid volume in the series, though I would not say no to a breather that has less fighting next time.

Arifureta: From Commonplace to World’s Strongest, Vol. 14

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

It’s been over two years since the “finale” of Arifureta came out in English, and since them we’ve had even more wannabe Hajimes, looking cool while amassing a large collection of girls who fall for them immediately for the traditional light novel reason. That said, this book does not have to worry about that. We’ve done all that, the final battle has been won, and we can leave future battles to Kouki, who no doubt has lots of making up for being awful to do, but given he’s not a cute girl, I doubt Overlap will publish whatever it is. What Overlap will publish is volumes like this, an After Story that is absolute catnip for fans of this series, showing Hajime with each of his fiancees as they integrate themselves on Earth and deal with coming out to the families as a harem. (Normally I’d say polycule, but come on. It’s Arifureta. This thing is a harem, and they all say so in the book itself.)

We pick up two months after everyone came to Earth, with the occasional flashback showing how they had to deal with their year-long disappearance. Some folks have had it good (Yue, Shea, Tio, Remia, and Myu, who are all ensconced at Hajime’s home with his otaku parents who adore him). Some folks have it less good (Kaori, dealing with an “anime dad” being mad about some cheater taking his daughter, and Shizuku, somewhat horrified to discover she really *is* from a family of ninjas). Some are doing very badly (Aiko, who not only gets the bulk of the blame for everything that happened, but is also a teacher dating a student). Some people are still stuck back in Isekai world (Liliana, as pathetic as ever but Hajime is treating her better now that they’re a couple). And some girls are wondering if there’s room for one more (wannabe chef and former bodyguard Yuka, who, since Hajime and the girls don’t immediately shut her down, likely has a good shot).

This does not pretend to be anything but fluffy, for the most part. Hajime and Yue deal with most of the serious issues on Earth by mass mind control, and he has far more difficulty dealing with the fact that he has eight fiancees than anything else. Most of the girls get a nice spotlight, either with or without Hajime. Yue gets the most, Shea the second most, which you’d expect. Myu gets a lot of attention, and she is cute as a button, has learned to shoot multiple deadly weapons, and swears she gonna grow up to marry her daddy. A typical anime child, in other words. All of this reads like typical anime, in fact. The only times it threatens to get melancholy are, as I said, when dealing with Aiko’s larger issues, or when Hajime has to tell the families of the four dead students why they didn’t come back… and that they were also sort of evil. The book even ends with a big family photograph. After so many volumes where I could describe it as “over 200 pages of just fights”, we now get 280 pages of just fluff.

It’s unclear if there will be more of these – there’s tons of webnovel material, but it likely amounts to what Overlap thinks will sell. Still, fans of Arifureta who read it for the girls and the d’awwwww will be happy.

Rascal Does Not Dream of His Girlfriend

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Girlfriend no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

If you remember my reviews of titles like Babel and Unnamed Memory, you may recall that I yelled at the author and the publisher (Dengeki Bunko) for taking what could easily be two books, divided in half neatly, and making them one huge 400-page monster. This book has the exact opposite problem. The digital version is a mere 139 pages long, and that’s counting the table of contents and the (one) color illustration. I wondered if it was a case where the final volume was too long to combine them, but no, the final volume seems to be the same size as this one. This should have been one book, but it is two, with this the first half. I get the sense, judging by the very minimal illustrations, that there were production issues, but it’s still a mostly frustrating volume where Sakuta has his latest crisis happen, wanders around talking for a while, and then has the series’ Deus Ex Machina help him figure out the issue… but not solve it. Yet.

We start this book with Sakuta having done everything possible to ensure that the dream everyone had of Mai announcing that she’s Touko will not come true. Guess what happens. What’s worse, this new reality sees EVERYONE’S dreams come true. Rio is dating Yuuma, Kaede is somehow now two people, both of whom are living a happy fulfilled life, Tomoe is now going to his college next term, etc. And none of them know reality is different, and none of them want to help him fix it. Fortunately, there is one other person who is unaffected by the Touko dream virus, and it’s very thematically appropriate. They manage to take a Sakuta who is at the end of his rope (in a mild-mannered way) and lead him to the main issue, as well as help him see who’s really behind everything we’ve seen in the last five books.

Despite my carping above, this is not a bad volume, just a mostly frustrating one. The revelations, as well as the one who is giving them, are thematically appropriate, and it’s nice to see Sakuta try his usual “walk around and mope at people until he figures things out” and have it not work at all. Turns out when people have their dream come true, they actually are happy and satisfied with it. Hell, some of the dreams might be the readers’ as well. I cannot think that Saki has any fans who are desperately unhappy that she’s broken up with Yuuma, and even Sakuta admits he’s happier with that outcome as well. (We do briefly see Saki, who is NOT happy with that outcome.) Even Kaede, who would be the one most torn by her incompatible dreams, literally becomes two people to fix everything. Mai is still in love with Sakuta and his girlfriend, she’s just also Touko. Everyone is happy and content. Except Sakuta. And the other two people I deliberately waffled around in the second paragraph.

So the next volume is the last, though there’s already an After Story volume out as well, apparently. I assume, this having mostly been all setup, it will be all payoff. This was good. Should have been combined with the next book.

Is It Wrong to Try to Pick Up Girls in a Dungeon? Minor Myths and Legends, Vol. 2

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By Fujino Omori and nilitsu. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Shohenshu” by GA Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

If you thought it was hard for me to write 500 words or so on the first SS collection, imagine how hard it’s going to be with this one, where I can’t even waste 100 of them describing what it is. That said, at least here there is slightly less of the “everybody loves Bell” show, mostly as he’s far more of a supporting character. These short stories, with one or two exceptions, focus on Loki Familia, and the majority are about either Aiz or Lefiya. Which means it is about romance somewhat – after all, Lefiya has a crush on Aiz at this point in the story (the stories go up to the 12th volume), and Aiz has vaguely warm feelings for Bell. Both of them have something in common, which is they can’t quite work out what Bell is to them. Lefiya settles on rival, and Aiz, strangely, settles on rabbit, but they’re both watching him dash ahead and wanting that.

The cover shows Aiz and Lyu, possibly as this also takes in the first Lyu volume and the Freya volume. That said, those wanting lots of Lyu will be disappointed. Most of these, as with the first, are 1-2 page stories that don’t impact much. They’re also mostly comedic, again with one or two exceptions, usually focusing on Leene, that one character we got to know well before she was brutally murdered. There are larger stories in here as well, which focus on Loki Familiar catching a unicorn, Tiona and her book nerd friendship with Bell, a romcom disaster set around the events of DanMachi 7/DanMachi SO 8, Aiz dreaming of various pasts and futures she could have, Aiz walking around the city talking with most of the regular cast and trying to figure out her own heart, a sequel to the Freya book focusing on Shalzad’s new king, and seeming to tie into Memoria Freese, and the last story, which I’ll go into below.

The final story takes place sometime after DanMachi 19 and Sword Oratoria 13, but not much longer after. It starts off silly, tying back to the first SS collection as Loki Familia are looking at the “character poll” and Lefiya is getting very, very angry that Bell beat Aiz in some categories. She goes off to find out who was responsible for this travesty… and runs into Syr, who is spreading the word of Bell, partly as part of her punishment (which goes over Lefiya’s head, as she missed everything and has no idea why Syr is) and partly as she’s still madly in love with Bell. Meanwhile, Aiz ends up running into Ryu, and the two are super awkward around each other, especially when they recall their first meeting. Naturally, the four eventually come together. This, the most recent story (it was written for the book itself) mostly made me happy as it shows that Syr is not going to just be a meek little good girl, even though she’s given up being Freya. She’s here to spread the word of Bell, and if Lefiya says “rival” and Aiz says “rabbit”, well, that’s fine with her.

So this was solid, but again, for fans only. Next up should be Sword Oratoria 14.