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Reviews

The King’s Beast, Vol 1

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The King’s Beast Volume 1 by Rei Toma

I liked Dawn of the Arcana, but The Water Dragon’s Bride was a big step up for Rei Toma artistically. I was extremely curious to read The King’s Beast, which returns to the world of Dawn of the Arcana but with an interesting twist. I was more intrigued by this series when I realized that instead of the quasi-Medieval European setting of Dawn of the Arcana, The King’s Beast was set in a kingdom that resembled historical China. What both series do have in common is an uneasy societal structure where humans live aside Ajin, humanoids who have beast-like features and occasionally special abilities. Ajin are systematically subjugated and forced to serve humans. The manga opens with Rangetsu, a female Ajin who has disguised herself as a boy in order to become a servant prince Tenyou. Her twin brother Sogetsu died in the prince’s service when they were young and now she’s determined to get her revenge.

One of the strongest aspects of The Water Dragon’s Bride was Toma’s exploration of the darker side of humanity and the hope found despite the darkness. This also seems like a continuing theme in The King’s Beast, as the Ajin face severe discrimination, and Rangetsu’s desperation for revenge shows how much pain she’s faced in her life so far. I always enjoy the way Toma paces out her stories, and once Rangetsu is in place she quickly learns that Tenyou wasn’t responsible for her brother’s death, and actually mourns him. There’s plenty of palace intrigue in store as Rangetsu tries to figure out her place as the prince’s new Ajin servant and Tenyou starts realizing what Rangetsu’s motivations are. Toma illustrates her manga with a clear, delicate style but she also pulls of plenty of dynamic action scenes as Rangetsu’s fighting abilities are challenged. This volume did a great job at setting up the dynamic between the two main characters and the political intrigue to come seems like it will be plenty challenging. There’s also a great bonus story for The Water Dragon’s Bride fans included at the end of the volume.

The Reincarnated Prince and the Haloed Sage

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By Nobiru Kusunoki and Arico. Released in Japan as “Herscherik” by M Novels. Released in North America by J-Novel Club. Translated by Adam Seacord.

This does not fall into the “Villainess Otome” genre of books – for one thing, Prince Herscherik is absolutely not a villain. Nor is it a game at all, but a real, very messy world that he lives in. But there are certainly otome game elements in the books, and it really has to be said that Herscherik, although male in this universe, is building up quite the reverse harem for himself. In the first book it was the dark assassin, in the second it was the fallen knight. And here, as the title might suggest, it’s the broken mage, a young man who is so beautiful that he’s always mistaken for a woman, and who is inextricably bound to the Church. Now, there is also another tortured soul to be saved in this book. Alas, she’s an assassin when we already have one of those, AND she’s a woman in what is becoming, as I said, a reverse harem. Since she’s not the Haloed Sage, it is not hard to see where her arc is going.

It’s been a few months after the last book, and Herscherik is going to be turning seven soon. Clearly it’s time to marry him off. Or so thinks the evil Grand Vizier… erm, Marquis, who has decided to try to beat that pesky youngest prince by having Hersch marry his daughter Violetta. He also has an older daughter, Jeanne, who basically acts as Violetta’s bodyguard and minder, but she has… a different job she’s doing for him. Surprisingly, the engagement goes fairly well – Hersch is simply incapable of being mean to people who don’t deserve it, and Violetta falls for him hard. He also has to deal with the aforementioned beautiful mage, who he names Shiro (to with with Kuro), who is rather startled that Hersch is not terrified by his magic. (Hersch, who can’t do magic, just thinks he’s cool.) And oh yes, there are still assassination attempts. Will Hersch be able to avoid tragedy? Well, yes but also no.

In this book we finally meet the rest of Hersch’s immediate siblings, and I love the fact that they are all basically on the same page as he is, even though they’re trying to protect him just as he’s trying to protect them. It leads to a lack of communication between the sides, but also shows off that while the royals are dealing with a weak king who is being tortured by his evil Marquis, they’re overall good people who are trying to fix this. The triplets were particularly fun, though I’m not sure having one of the brothers being a tsundere sort really works out. I also loved the part that shows us Ryoko’s life if she had not been run over by a car, which shows off a) how she tended to be overly self-effacing and modest even back in Japan, and also b) she’s very clever at spotting traps.

The book in general is excellent, with occasional suggestions of future events a la Legend of Galactic Heroes. For the moment, however, things are not looking good for Herscerik and his family, and I suspect the fourth book will rapidly reach a crisis point. Till then, absolutely recommended for J-Novel Heart or reincarnation isekai fans.

Outbreak Company, Vol. 16

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha Light Novels. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

I accidentally typed “Outbreak Company, Vol. 167” while putting in the title of the review, and while that’s a typo, it also feels too real. The series is not really doing anything wrong at this point – indeed, I am grateful that Shinichi talks about boobs less in this book than in any of the previous ones – but it still feels like something that has gone on for far too long. I suspect the author knows that as well – he says he’s going to try to end the series with the 17th volume, though we already know he had to make it 18. He’s also doing his best to wrap up as much as he can – the war between Eldant and Bahairam, the rapidly melting down nuclear reactor form the last volume, and of course the question of who Shinichi will end up with – if he can end up with ANYONE, given this is his own far future. But most importantly for the future of the series, Japan is pulling out of Eldant once and for all, and probably taking everyone with them.

Petralka’s on the cover, but don’t expect much from her – much as she would like to go help with the meltdown, she’s the ruler and can’t leave. As for said meltdown, it’s complicated by several things. Bahairam is sending in troops to kill everyone, even though their own forces don’t seem to be particularly united. Only a human has the access to shut down the reactor, and it needs to be a human who’s been in the powered suit we’ve seen for the last few volumes, which leaves out Minori. Oh yes, and Myusel is not only taken hostage by the bag guys, but after escaping that falls into the Earth’s crust. She’s reaching Doctor Who companion levels. Fortunately, Shinichi and Minori are given a secret weapon to resolve most of this: the power to live out their wildest otaku fantasies.

I won’t spoil what they actually do, as it’s probably the comedy highlight of the book. I will note that Shinichi is not having the best of days. Leaving aside the whole ‘nuclear reactor melting down’ thing, and the fact that he is once again the only person with no powers in the middle of a war zone, there’s the fact that I think he’s subconsciously made up his mind about who the girl he loves is. I’m not sure if the book will end with them together – certainly there’s a couple of things that happen here that suggest it would be difficult – but yeah, it’s not going to be anyone other than Myusel at this point. (Speaking of which, the discussion Shinichi has with her about death flags may be the other comedy highlight.) Things are temporarily resolved here, but I suspect things may get very sticky – and political – in the next book.

With only two volumes to go after this, you may as well keep reading. It’s actually a decent volume in the series. But I’m more weary than anything else.

High School Prodigies Have It Easy Even in Another World!, Vol. 3

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By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Hiroshi Thrasher.

I’m not even sure where to begin. It’s sad that this is a book where our heroes literally fire a nuclear weapon that destroys a stronghold, and yet that isn’t even close to the most appalling thing that happens in it. I am familiar with the light novel cliche where, in order to show that your morally vague heroes are on the side of goodness and niceness, you need to show that the bad guys are evil, raping the virgins and biting the heads off kittens sort of guys so that the audience says “they had it coming” to any punishment they may get. I had thought dropping In Another World with My Smartphone would mean I might see the end of that. And yet here we are. For now, I will merely content myself with saying lobotomies are bad, were historically mostly done on women, and please do not use them as what amounts to a comedy punchline – even if I grant you the author does not want us to find it funny.

Keine’s on the cover, and also gets the biggest fanservice in the book. The plot of this volume mostly involves gearing up for the next steps – trying to get a republic started. Tsukasa does not want him and his geniuses to stay here forever, of course, and knows that a democracy band-aid is not going to cut it. And “the nobles rule, we just serve” is pretty ingrained into the people. More troubling is that they’re running out of penicillin (which Keine and Lyrule take care of, inventing sulfa drugs) and the other nations are starting to want to stop this before it goes too far. And let’s not even get into the fact that the supposed saviors the Blue Brigade are actually mostly bad guys. It’s getting so that he can’t even go out on a note date with the girl who’s crushing on him!

So yes, I could have done without the entire Keine chapter, which seems to simply show off that she’s a sociopath. And, as I noted, we get not one but TWO sets of villains who talk about raping young women. The best chapter in the book, hands down, was Ringo’s date with Tsukasa, and its general tone of “you are already losing to the girl who got the cover of Volume 1, do something or you will not be able to catch up”. The date went well considering Ringo’s extreme introversion (we also learn about her past, which is sort of what I expected) and Tsukasa’s deliberate obliviousness. She also gets the emotional climax, where it’s her turn to remind Tsukasa that he is in fact a real human being who is allowed to feel things, and this time it’s Lyrule who’s on the outside looking in.

That said, in a series about establishing a new political landscape and finding ways to defeat bad guys who seem to be unkillable, the fact that I’m focusing on the love triangle is not a good sign. The High School Prodigies may be having it easy, but they’re giving me trouble.

Fushi no Kami: Rebuilding Civilization Starts with a Village, Vol. 2

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By Mizuumi Amakawa and Mai Okuma. Released in Japan as “Fushi no Kami: Henkyou kara Hajimeru Bunmei Saiseiki” by Overlap. Released in North America by J-Novel Club. Translated by Maurice Alesch.

Not to spoil or anything, but around 4/5 of the way through this second volume, a demon monster shows up. It startled me, as the entire book before this had essentially been ‘let’s learn how to make fertilizer’ and ‘tomatoes are awesome!’. What I said when reviewing the first book goes double for this one: it’s a slow life book where the slow life is running at top speed. Indeed, the inability of anyone to stop Ash and his ideas becomes a running gag. But then ‘rebuilding civilization’ is in the title, and it can’t be denied that Ash’s ideas are very good. So the demon monster, just like the bear from the first book, is there to give Ash a chance to be a more typical hero, one that can fight against huge antagonists rather than simply be an intellectual. It’s a good fight, too. That said, I think I like Ash casually tipping over all preconceptions of what society is like a bit better than stabbing a creature through the eye.

Ash and Maika have arrived at the nearest city to continue their educations. It’s not the grandest city in the world… Ash is unimpressed. But it’s certainly got more books than his village had, and maybe here he can learn to make better fertilizer. His roommate is Arthur, a noble who is actually a girl disguising herself as a boy. Ash, sensing tragic backstory, doesn’t let on he’s guessed this and merely gives Arthur space every morning and evening. They’re theoretically there to learn reading adn writing, but both know how already, so instead Maika works on her martial arts and swordsmanship, and Ash works on overthrowing all common sense. He makes liquid soap… which turns out to be illegal, but eh. Semantics. He grows delicious tomatoes… which everyone thinks are poisonous, and he has to research why. Can he drag this city kicking and screaming into the modern world? And can Maika ever get through to Ash that she’s in love with him?

As with the first volume, the POV here alternates between Ash and various other characters to show both things happening when he’s not around/unconscious, or to show how others react to his eccentricities. Maika is the most interesting of these, as it’s become clear that her love for Ash is burgeoning on obsession, as she talks about making sure she’s worthy to stand at his side. Honestly, there’s a very messianic quality about Ash in general, not helped by the author’s afterwords supposedly being written years later showing us Fushi no Kami as a “history textbook”. The other main character introduced here is Arthur, and I was rather surprised that we only got a few hints of their rather unhappy life to date, and don’t get into the reason for the disguise. Arthur is mostly miserable, meaning their fake smiles piss Maika off, and seeing the three of them bond is the heartwarming part of the book.

Ash may not have magic swords or fireballs, but in his own way he’s just as OP as other isekai heroes. How much you enjoy this book might depend on how much you can tolerate everyone worshiping the ground he walks on. That said, it’s a very readable book, and you never feel bored, even when discussing things like “I need seaweed in order to take the next step in my plan”.

Der Werwolf: The Annals of Veight, Vol. 10

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

Now that Veight has pretty much succeeded in uniting the continent, and Airia is settling in as the new Demon Lord (and also getting pregnant, which answers that whole ‘can werewolves and humans mate?’ question from the last book), the book have been branching out into other unrelated countries, showing how they really need Veight to come in and shake things up. His trip to Wa was fairly straightforward and normal, despite the past life shenanigans, but this time things are a lot more difficult, and Veight is going to be forced to take action despite wanting nothing more than to stay by Airia’s side. Oh yes, and teach young students how to be a good leader. In fact, this book may be outdoing Realist Hero on the subject of running a country, and it also does not need to venerate Machiavelli, which is always a plus. Most of all, though, we get a really nasty and horrible villain here, something we haven’t seen in these books for a while.

Kuwol, a southern kingdom with lots of sea transport, is getting close to a civil war between two varieties of nobility and a rather shallow and brainless king. Veight is trying his best to stay out of it, knowing that they don’t have the ships to send a huge army and also don’t want to get involved in foreign affairs, but as things go further south, and Parker goes missing, he is forced to act. What he finds is that one of the groups of nobles has hired mercenaries to supplement their forces, led by Zagar, who is a thoroughly reprehensible man who nevertheless commands intense loyalty from those at his command. Veight doesn’t trust him, but is not particularly a violent man, so is content to wait and watch and try to make things better for the civilians caught in the war. Unfortunately, this proves unwise as Zagar has grander plans than a simple civil war.

The main plot is pretty much what you’d expect, and the author says in the afterword he wanted to show Veight’s hands-off approach being the wrong choice. That said, there are lots of little details in this book I liked. Seeing Veight’s young students trying to come up with forward thinking ideas. Airia’s absolutely awful morning sickness, and Veight feeling somewhat helpless to do anything for her. There’s a moment near the end when Zagar offers Veight three of the former lord’s mistresses for pleasure, and Veight, naturally, is uninterested in anything but Airia. However, Zagar is determined to second the women to Veight’s company (are they spies?) and so asks if they can be secretaries, and they promptly show off a savviness that I quite liked. That said, the brutality of the final scenes is start, and we’re left with a cliffhanger that makes us wonder how Veight is going to handle things without the whole nation falling apart.

The next book is supposed to be the last book in the “main series”, though I know there’s at least one after it. I suppose peace and prosperity are harder to write about, which is probably why Veight is traveling to a civil war. In the meantime, Der Werwolf remains very underrated, and has a minimum of Veight being super modest this time around.

She’s the Cutest… But We’re Just Friends!, Vol. 1

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By Akamitsu Awamura and mmu. Released in Japan as “Ore no Onna Tomodachi ga Saikou ni Kawaii” by GA Bunko. Released in North America by J-Novel Club. Translated by Kristine Johnson and airco.

I tend to read a bit more into the plot and characterization of light novels than they sometimes deserve. This is, honestly, a survival technique – I read a lot of light novels, and only a few of them are worthy of really high praise. Most of them are “well, OK, that was decent”. So you try to look for things you enjoy, things you can sink your teeth into. For me, in this book, it was the character of Reina. She’s not the titular just friend, but she is the ‘queen bee’ of the classroom and one of Jun’s best friends. And, despite how much the two of them deny it, everyone thinks that Kai and Jun, our protagonists, are dating. So we’re meant to be happy when Kai chooses to go out with a pack of her friends to karaoke. He doesn’t have a good time, nor does she, but he thinks he did a good job, held his own. Then Reina destroys him the next day. I really liked that. That said, the book is still “decent”.

Kai is our somewhat generic protagonist. He loves manga, light novels, and games, and is known as an otaku, but is not really on the ‘creepy’ end. He goes to this high school as they are very “freedom” oriented, so you can game in school provided it’s not during class. On his first day, he meets the gorgeous Jun and acts like a typical sputtering guy… till he sees she’s whipping out Breath of the Wild. She’s an otaku as well! The two quickly bond, and over the course of the next year they become best friends, with her going over to his house to game multiple times a week. The trouble is… they look like a couple;. They sometimes act like a couple. And not everyone approves of this. Can Kai deal with both Jun’s friends AND the jerk jocks and come out with his friendship intact?

As I said, this has issues. It’s a big ol’ male fantasy, despite the male lead’s desire to stay friends with Jun rather than date her. (Fanservice is actually relatively low, limited to “wow those breasts are big”, though when Jun’s friends interrogate him they’re very coarse.) You had better enjoy high school drama or else you’re going to hate this. There’s a subplot added near the end with a teacher in the school turning out to also be someone else that I felt was perhaps one subplot too many. The ending implies this is going to be one of those “new lead girl every book” series, which subverts the premise. Most importantly, it’s a walking ad for GA Bunko, mentioning so many of their main series by name (no censoring in this book) that I almost felt ill. Don’t be a shill.

That said… I found the leads very likeable and sympathetic. I really liked Kai thinking he was doing great and getting torn apart, reminding us he’s still very much a guy who doesn’t get women. And there’s a secondary friend of Jun’s who is so annoying she actually flips back over towards hilarious. You look for the little things. And that’s enough for me to recommend this to romcom fans. I’ll get Vol. 2, despite the change in lead girls.

The Intrigue of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Mitsubou” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

At last Marielle and Simeon are married, and can go on a honeymoon. Of course, this being a Marielle Clarac book, the honeymoon does not go very smoothly. Indeed, this may be the quintessential Marielle Clarac books. From the moment that we see pirates boarding the steamer they’re taking on their journey, you know you’re in for a heaping helping of drama and thrills. There’s no sunken pirate gold, but we do get the Flauberts (Marielle is now married, of course, but the series will keep her maiden name for branding reasons) accused of smuggling, a pirate cove, and a speedboat chase without the actual speedboats. In the midst of all this, they are settling into married life – Simeon is noticeably less critical of Marielle in this book, and she… well, no, she’s as fangirlish as ever, particularly when Simeon, for lack of any other weapon at hand, uses a whip on someone trying to abduct her. The world bends itself to play to her fetishes.

After finishing the wedding and finally consummating their relationship (we don’t see it, of course, but Marielle does note that she needs to build up her stamina to keep up with her husband), Marielle and Simeon are traveling to a southern island to meet his grandfather. Unfortunately, they have several problems ensue. There’s a crabby young man on board the ship, a distant relative of Simeon’s who seems t despise him. There’s a girl with him who seems to despise Marielle, though that’s likely just because she’s married to a hot guy. There are pirates and smuggling fiascos, which I mentioned before. And there are threats of spies from a neighboring country that is trying to get its hands on some modern guns from the Flauberts’ home country. Can all these problems be resolved without Marielle getting abducted more than twice? Well, no, probably not.

First of all, and sorry for the spoiler, I was very surprised that Lutin was not appearing as usual. Perhaps he really has moved on. That said, in his place we get a far more evil version of him. As with previous books in this series, the thriller works better than the mystery – the villain was not hard to guess. I also admit, I grow weary of everyone constantly belittling Marielle’s appearance, especially as the artwork does not really bear that out at all. I guess brown hair + glasses = ugly in this world. It doesn’t help that Marielle does the same thing in her own narration. There is also some amusing comedy in this book, mostly revolving around Sasha, a “pirate” who in reality turns out to be a bratty teenage islander, and his blunt interactions with Marielle and Simeon.

Marielle ends up with several ideas for a new book of hers, which makes sense given that she went through a fun, if stereotypical, adventure. Fans of romantic thrillers… especially lengthy ones, this is quite a hefty book compared to other Heart titles… will be quite pleased.

I Refuse to Be Your Enemy!, Vol. 4

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By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Tara Quinn.

I’ve mentioned before that, aside from the basic “villainess otome game” plot, there’s very little here that could not simply be imported as is to a Western romantic fantasy, albeit one with a very military strategy sort of bent. No one is trying to make miso, and the references to Kiara’s past life in Japan are kept to longing for family and nothing specifically cultural. So, for the most part, I had this down as a book you could happily recommend to casual, non-anime fans… at least until the catgirl Festival showed up. See, one city has a legend of being saved from certain death by a cat goblin, and so every year girls put on kitty ears and wear angel wings. And then go out and look for men they might be attracted to. It’s not particularly handled in a bad way, and it doesn’t detract from the rest of the book. It just made me go “really? cat ears?” when I got to it.

We pick up immediately where we left off, and continue to slowly wage war against the enemy army. Several things happen here that are of note, though. First, after a second encounter with him disguised as a merchant, Kiara finally clues in that the helpful guy giving her advice is actually the opposing king. That said, the king has an “I am not evil” backstory, so I suspect we may be able to work things out. Secondly, Lady Emmeline, who was the savviest of the hostages we met in the last book, becomes a major supporting character, and another person for the perpetually baffled Kiara to turn to when it comes to emotions. She also makes a great general. Lastly, and most importantly, Lord Credias, Ada’s husband and the one who turned Kiara into a spellcaster, is on the battlefield, and his presence makes Kiara unable to use her magic.

I have, of course, left out Ada, who has the most interesting plotline in the volume. We get several short chapters from her point of view, as she struggles with trying to win Reggie over, her intense hatred for Kiara, and the fact that Kiara turns out to be a fairly decent person. I had briefly wondered if they might try to redeem her, especially as the book seemed to be shipping her with Reggie’s guard, Felix. Unfortunately, after the events in this book, I suspect if there is a redemption it’s going to be one ending in death. Ada is, as has been lampshaded, in the same position that Kiara was in in the original game. And, unlike Kiara’s game self, Ada actually has someone to blame for all of this. It is understandable that she does not decide to turn herself in. (There’s also a very interesting side scene from the POV of game Kiara, a few years before the game events, where she attempts to drown herself and is saved by Reggie.)

We’re now 2/3 of the way through this, and an ending is in sight, but until then there’s going to be pitched battles. At least Reggie has tried to make his feelings relatively clear… but Kiara’s romance aversion and low self-esteem are a wall that is still too high to climb. Definitely recommended for J-Novel Heart fans, though. Despite the cat ears.

Our Last Crusade or the Rise of a New World, Vol. 5

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By Kei Sazane and Ao Nekonabe. Released in Japan as “Kimi to Boku no Saigo no Senjou, Aruiwa Sekai ga Hajimaru Seisen” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

Well, it was bound to happen eventually. After three straight volumes where I was ready to drop the series as being “ok but not good enough to read more” and then getting blindsided by a cliffhanger that made me want to see what happened next, we’ve finally hit a volume where the cliffhanger isn’t quite good enough, so I’ll be taking my leave of the series after this. It’s still not that bad – its action scenes are fun, its overarching plotline is at least interesting, the betrayals aren’t impossible to explain like a lot of series. No, where Our Last Crusade falls down is when it’s trying to be a romantic comedy. Its heroine is supposed to be a feared combatant and the most powerful Ice Witch around, but when love gets involved she acts like a petulant six-year-old. Her sister is not much better, and the addition of a love triangle does not add to the fun. It should stick to being serious.

This picks up right where the last book left off. Sisbell is now hiring our four heroes to be her bodyguards so that she can safely return to the kingdom. This is easier said than done. Back home, the queen is worried that Elletear, the oldest princess, is an imposter and a traitor. One of these things is wrong. Honestly, the queen herself is also somewhat sus. There’s an assassination attempt, which is set up to look like the most obvious person. And, yes, lots of people are indeed trying to kill Sisbell, and they will be perfectly happy to do massive property damage to see this happen. Fortunately, Iska is still ludicrously overpowered… as is Alice. Unfortunately, as noted above, Alice is currently super jealous of Sisbell but unable to actually articulate this, leading to an incredibly long and petulant pout.

There are a few bad habits that ar3e not in this volume. Mismis gets far less to do… well, OK, she hasn’t done much before this, but she’s definitely kept in the background except for one egregious fanservice scene to remind us she’s still a ditz. The palace intrigue is genuinely interesting, and almost made me get the 6th volume till I decided it just wasn’t quite enough. The third ‘faction’ in the Witch Nation is named Hydra, which is funny for reasons that have nothing whatsoever to do with the book and everything to do with Marvel Comics. One of the villains controls gravity to the point of making black holes, which forces Iska to try a bit harder. It’s just… whenever the book focuses on Alice, her unacknowledged crush on Iska, and her unacknowledged jealousy of Sisbell it’s so immature I want to stop reading immediately.

Obviously, YMMV. If you’re enjoying the “playful back and forth” between Alice and Iska, then you should definitely keep reading, there’s at least five more volumes after this. But a series that runs on Romeo and Juliet had better reach a bare minimum of making me care about the love affair. Sorry.

High School DxD: The Phoenix of the School Battle

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

Sigh. The second volume of High School DxD, I’m pleased to say, has the same strengths that the first volume had. Unfortunately, the weaknesses the first volume had are also here, and they’re far more in your face. This is the perfect series for horny 15-year-old boys. There’s a likeable cast, a premise of “which of the many hot women who desire me shall I choose?”, a lot of very cool fights, and smug punchable villains who are basically the ‘evil’ version of your own fantasies. It’s shonen battle manga up the wazoo – in fact, when typing the title of the book I accidentally typed “Phoenix of the Old School Battle”. Unfortunately, its fanservice, which was present but not up to annoying levels in the first volume, has now reached annoying levels. Issei will not shut up about boobs, spends a page or so describing what it’s like to feel up the heroine, has powers that strip the villains of their clothing (provided they’re girls), and declares, and I quote, “Rias Gremory’s virginity belongs to me!”. YIKES.

The premise of this one is fairly simple: Rias has an arranged marriage she’s been avoiding, to Riser Phenex, a high-born noble demon. She very clearly does not want this, and would rather stay in high school with Issei and company. So a duel is arranged between Rias’ group and Riser’s – if Rias wins, she can keep doing what she wants, if Riser wins, they’ll get married. Issei, naturally, is ready to fight for Rias, both because he’s got the hots for her AND because he’s rather upset that she’s not being treated like a person. Unfortunately, Issei, as he is now, can’t beat anyone, as is made painfully clear. There’s only one thing for it: we’ve got to have a training arc. And even after that’s done, we have to deal with the fact that Riser has the abilities of the phoenix, making him basically unkillable. How do you defeat someone like that?

This book is very much content to take as long as it wants to to tell its story. We do get more of the rest of the cast here, but they’re still relatively one-dimensional – Akeno is the ojou and secret sadist, Koneko is the short grumpy one, and Kiba is an odd combination of Koizumi, Shirou and Saika. We are briefly threatened with some backstory for Kiba in the middle of one of the big fights, but threatened is as far as it gets. I assume we’ll get more depth to them in later books, but for now they’re pretty cardboard. As for Riser and his crew, he’s meant to compare with Issei’s own harem dreams – Riser has a harem, who it’s clearly implied he’s sleeping with, and which contains various cute fetishes – twins, sword chicks, etc. – even his own younger sister, because what’s a harem without incest? And, well, that gets me back to sighing, really.

Again, fans of this series will love this. And if you’re a teenage boy, feel free to read this, as the chance of actual sex happening in it is zero. For those of us outside the age range, though, High School DxD is a series with an interesting premise and characters that can’t resist being perverse in the exact way teenage boys are.

The Ideal Sponger Life, Vol. 1

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

I had reviewed the first volume of the manga here two years ago, and we’ve had several volumes since then. Reading the light novel shows that the manga compressed quite a bit, probably sensibly. Anyone who is reading this book for the hot woman on the cover and hoping to get some nookie is going to be wildly disappointed by the 20-page discussion of hydroelectric generators, as well as the fact that the book pretty much cuts away whenever there is going to be some loving. That said, when this series first came out as a webnovel, it was SUPER popular, and there’s a hint of why that is here, as there’s some very nice political intrigue and worldbuilding, especially once we realize that our overworked salaryman hero, despite his stated intentions, is going to be proving that title wrong fairly quickly. Indeed, he does so almost immediately, as many of the things he has brought over from Earth are unknown here, ranging from glassworks to Microsoft Excel.

Our hero is Zenjirou, a young man in his mid-20s who works at a very busy Japanese company. On his off day, as he’s biking back home with food, he finds himself in a palace in another world – transported there by the beautiful young Queen, Aura. She’s looking for a husband and father to her children. As it turns out, due to various political reasons, she doesn’t want to marry any of the candidates in her own world. Plus Zenjirou does have royal blood in him, as it turns out his ancestors came from this world in the first place. After some questions and negotiations, he agrees to marry her, and the wedding comes off relatively well. That said, he may not be able to be a layabout for long. His own overly polite and deferential manners are greatly at odds with what people think a royal should act like. And those other marriage candidates aren’t going to stop trying to gain power just because the Queen married someone else.

This first volume is mostly setup, and it does drag a bit in places. There’s a point where Zenjirou returns to Japan for 30 days to settle his affairs (after this, he won’t be able to return for 30 years due to the way magic works), and we see why he would be so willing to cut ties with things, but I would happily have cut most of that to a 3-page montage. The main reason to get this is the worldbuilding and politics, both of which are quite good. Zenjirou manages to bring over a generator and several appliances with him, and so we see this medieval fantasy world getting used to fluorescent lighting and air conditioning. Aura picked an outsider as she wants to actually reign as Queen, and knows that in this patriarchal society anyone who marries her would immediately force her out of power. That said, she and Zenjirou fall in love fairly quickly, and even if he is sharper than she might have liked, I think she’s quite happy.

Zenjirou stays mostly cooped up with the Queen and servants this volume, but that can’t last. I suspect we’ll be seeing lots of ‘lets see how he handles this situation!’ plotlines in the second volume. Till then, this is a decent isekai title, less salacious than the cover and premise might suggest, and definitely worth a read.

Kuma Kuma Kuma Bear, Vol. 4

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

This series remains very off balance, though I do enjoy it a great deal. It sells itself as a slow-life adventure with an OP girl doing cute things with other girls, and that’s what it is about half the time. But once every volume the author wants to remind us that this world (and, it’s implied, Yuna’s past) can be dark and horrible, and it’s always tonally dissonant. Here we see Yuna stopping a gang of bandits. First of all, the bandits are really adventurers paid by the villain to be bandits. Secondly, they go above and beyond their pay, as they apparently kill everyone leaving the city who isn’t a young pretty woman, and then keep the young pretty women in their cave as slaves and (it’s implied) rape them. There’s a horrific scene where, on finding the villain has among the things he’s stolen a ring she recognizes, one of the victims attacks the villain and demands her husband back. It’s… it feels like we jumped genres.

There’s two main plotlines here. First, Yuna returns to Crimonia with Fina and buys a mansion, then converts it into a bakery. This is the more typical Yuna plotline, with lots of OP ridiculousness, lots of cute girls, and tons of bear accessories, bear names, and beat statues. (But still no bear puns. The series is doing a good job at avoiding that.) In the second half of the story, Yuna goes to the ocean in search of seafood, but finds a city under attack on both sides: there’s a kraken in the ocean making it impossible to fish or get supplies, and there’s the aforementioned bandit gang. Yuna cleans up both, though the kraken seems to give her the first hard time she’s had to date, almost exhausting her mana trying to boil it up in the equivalent of a cliffside hot pot. Throughout it all, Yuna is as matter of fact and blunt as ever… except when she realizes the ocean city has rice. And miso. And soy sauce. Then she gets really emotional.

Yuna’s mindset is the best reason to read this book. the anime softened her a great deal. It adapted both of these plotlines, but also had a final episode not in this book where Fina is lonely and Yuna has to learn how to read emotions. That’s not really here, and it’s not just a matter of Yuna being callous, but an actual deliberate character flaw. Last review I said Yuna was trying to avoid getting too well-known or famous, but after this book I suspect Yuna will try to deflect and praise or thanks thrown her way, and is desperate to not have people get too close to her. She also tends to think about this world in terms of a game – of course, it’s a world she was brought into THROUGH a game – and situations like the bandits and their captives make her remind herself this is a real world with real people. It’s something that needs a bit more reinforcement, I think.

So yes, there’s a bit more here than cute girls doing cute things. There were also some great lines in this – Yunqa’s deadpan delivery helps sell them well. Next book Yuna starts a trade route, and I may see that Yuna and Fina scene that wasn’t here.

Wataru!!! The Hot-Blooded Teen and His Epic Adventures in a Fantasy World After Stopping a Truck with His Bare Hands!, Vol. 2

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By Simotti and RELUCY. Released in Japan as “Truck Uketome Isekai Tensei! Nekketsu Butouha Koukousei Wataru!!!” by Overlap. Released in North America by J-Novel Club. Translated by Adam Seacord and Roko Mobius.

I have been known to say that the reason I don’t review light novels in the “Bookshelf Briefs” column on Manga Bookshelf is that there is always a way I can spin out 500 words on a light novel no matter what, but I will admit that some series test that to the extreme. Wataru!!! 2 is exactly what Wataru!!! 1 was, and if you liked that you should like this, though probably a bit less as the shtick is no longer new. But this is a gag series. I can’t talk about character development, there isn’t any. We’re literally told that backstories dropped on us will be totally irrelevant later in the book, so it’s OK to forget about them. This book invites anti-criticism. This volume does indeed appear to be the final one, and that’s probably for the best, as even though I enjoyed both I’m pretty sure I don’t need to read a third book of this.

The plot of the 2nd book borrows heavily from Dragon Ball. Wataru and friends are sent to fight a dragon who is destroying villages, but in order to fight him fair and square, they need to collect six orbs that are scattered around the area. Wataru does this by a) winning a hot dog eating contest, b) beating up an isekai author, c) fighting a cute young assassin who immediately falls in love with Wataru, d) solving the most obvious murder ever; e) playing a card battle game in one of the few stores Aria hasn’t been banned from; f) fighting a possessed Résistance, and g) actually fighting the dragon. Throughout all this we get the usual loud shouting, ridiculous fights, dumb gags, and fourth wall breaking. It is quite good at all of those things.

The most amusing parts of the book are probably when it tries to bite the hand that feeds it. The orc who writes OP isekai novels is pathetic, and it’s no surprise that rather than trying to impress him our heroes simply knock him out and take his stuff. That said, they each try their hand at writing a light novel. Aria’s is a typical shoujo LN, with perhaps more swords than usual; Wataru’s is an anime commercial, and Résistance writes a dark emo fantasy. The payoff is at the end, in a side story where we find Résistance’s light novel has been purchased by “Sky-Novel Club”, who get quite a few caustic comments from Aria and Wataru. Other than that, well, there’s lots of punching things, and leaping high into the air, etc. Still no real romance. Aria just isn’t into Wataru, Résistance is too passive, and Elphabelle is pretty firmly rejected. Wataru is a hot-blooded teen in the Ashita no Joe sense, not the Ataru Moroboshi sense.

Again, this is worth picmking up if you really enjoyed the first volume, or just like people shouting, getting grievous head injuries (that can be easily fixed with healing magic), and writing epic tales where Luffy, Detective Conan and Pikachu team up, but fans who like subtlety should stay well away.

The Saga of Tanya the Evil: In Omnia Paratus

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By Carlo Zen and Shinobu Shinotsuki. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

I mentioned this a bit in my last review, but it’s even more obvious here: the ‘winning’ part of Tanya the Evil is well and truly past, and we’re likely to see more and more of the Empire losing badly down the road. This book has the Empire try what seems to be a very clever strategy, Tanya and her group do their bit fine, and it just… fails. Due to lack of supplies, because the empire is running out of everything. It’s especially interesting as this is framed around a “won the battle but lost the war” siege, in which Tanya’s somewhat smaller corps has to lay wait in a railroad station and let themselves get surrounded, then get rescued. As it happens, they pretty much are able to rescue themselves. This despite the fact that, to Tanya’s surprise, the Federation are getting much better at being mages. After the last volume, where we almost had peace but then got it kicked away, there’s no way this ends for the Empire in anything but annihilation.

The big change in this volume is that Zettour, after pissing off the government, has been demoted and is sent out into the field. Well, OK, it’s not a real demotion, but he’s not allowed to really take charge. He does anyway, though, because it’s hard to say no to a Lieutenant General. Most of this book shows off that, while the title may be “The Saga of Tanya the Evil”, Tanya is more of a pragmatist above all else – the only evil we see here is her explaining to her green recruits why looting corpses during wartime is fine. Zettour, though, can be even worse than she is. That said, he too is getting an upfront demonstration of the fact that the Federation are getting much better at waging war. It helps show off the difference between action at the front and what the leaders in the rear hear about that action.

Oh yes, Visha almost dies. I can’t recall if I’d mentioned this before, but Tanya the Evil is based off a webnovel, but the LN adds a lot of things. One of those things is Visha, who wasn’t in the original story. (This is why fans get annoyed when they hear “spoil me does Visha die?”.) So sometimes you have to worry about her, because she’s cute and less morally void than Tanya (slightly) and we like her, so her death would have impact. The interesting thing is that we don’t get this near-death from her POV, but Tanya’s, who has suddenly noticed that Visha is not reporting in because she’s busy fleeing from a crazed Commonwealth soldier. (Guess who? Yes, Mary Sue is back, and she’s as vengeful as ever. She is, however, attacking the wrong person. See, light novel artist, this is the danger of making Tanya and Visha look too much alike!) Fortunately, she survives to make coffee another day.

The book ends with Zettour ordering Tanya to help him win the war that needs to be one – the one at the capital, which is to say the war against their political leaders who are demanding total victory. I’m sure this will go well! In the meantime, enjoy what is essentially a siege book with added military theory.

(In Omnia Paratus translates to “ready for anything” and, contrary to popular belief, did not originate with Gilmore Girls.)