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Manga the Week of 12/26/18

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SEAN: Christmas is over! At least for Manga the Week of. We’re looking beyond that to Boxing Day. Is there manga? There is!

ASH: Hooray!

SEAN: And there are also light novels. J-Novel Club has a 5th volume of Infinite Stratos and the 3rd Kokoro Connect.

Kodansha has, for print, a 13th Fire Force and a 16th Missions of Love (still not over, but coming out so rarely that it seems like it is.)

ASH: It does seem like it has been a while.

SEAN: Digitally there’s a lot more, as we see Ace of the Diamond 18, Ao-chan Can’t Study! 3, Defying Kurosaki-kun 6, Forest of Piano 9, Liar x Liar 9, and Mikami-sensei’s Way of Love 2.

MICHELLE: Most of that is shoujo that doesn’t appeal to me, but at least there’s Ace of the Diamond and Forest of Piano!

SEAN: The rest of the list is Seven Seas. The new title is Ojojojo, the latest in the “Miss Kobayashi’s Dragon Maid was such a huge hit that we’ll license everything else by the same author” series. It’s coming out in an omnibus of the first two books, and does look pretty cute. It’s about two different types of outcasts who bond at school.

There’s also the 2nd manga volume of Didn’t I Say to Make My Abilities Average?!, the 3rd and final Dragon Half omnibus, a 3rd Giant Spider & Me (also a final volume), the 6th (and, yes, final) volume of NTR – Netsuzou Trap, and the 2nd volume of Slumbering Beauty, which is – try to contain your surprise – the final volume.

MICHELLE: One of these days I really will read Giant Spider & Me.

ASH: I’ve been delighted by it! Dragon Half is fun, too, and I liked the first volume of Slumbering Beauty as well.

SEAN: Has all the manga ended? Or was this merely Seven Seas’ CLEVER PLAN? Also, what are you buying?

ASH: Looks like it will be a Seven Seas sort of week for me!

MJ: Okay, so I’m probably not into any of this, but I just wanted to keep you all company. Hi.

Danganronpa 2: Ultimate Luck and Hope and Despair, Vol. 1

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By Spike Chunsoft and Kyousuke Suga. Released in Japan by Mag Garden, serialized in the magazine Beat’s. Released in North America by Dark Horse. Translated by Jackie McClure.

I tried to play the first DR game, but never got far due to frustration over a “gatcha” system giving you random pointless things. In other words, a typical game experience. I do know enough about the franchise, though, to know that the second in the series was more popular than the first, at least over here. As such, licensing the manga seems like a lock. That said, I think that once again this is a manga to read if you’ve already played the games – there’s very little help given to the newbie reader, and the character introductions come fast and furious. Given the large cast, and the complete lack of holdovers from the last game/manga (mostly), it’d normally be hard to get a handle on who we should be following. The player character is clearly Hajime Hinata, a weird fusion of Naegi and Kirigiri from the first series, but being a player character he’s pretty blank and dull. So the manga focuses instead on Nagito Komaeda, who… isn’t.

Danganronpa 2 takes place on an uncharted desert island, where the cast wake up after being in school previkously. They’re supposedly led by a rabbit bascot named Usami, but Monokuma quickly takes over by force and decides to restart the usual killing games. Quite how Monokuma’s mastermind is alive after the last game is not clear, but oh well. Everyone tries to make the best of it with a party, but midway through the power cuts out, and when the lights come back on, oh look, somebody’s stabbed. It’s Byakuya Togami who… seems different from the last time we saw him, and also a lot heavier. OK, frankly, the discerning reader knows it’s NOT Byakuya Togami, but as to why someone is impersonating him… we don’t really find that out either. There are very few answers in this book, but a lot of setup, and a lot of Komaeda. The conceit of this manga is that it’s from Komaeda’s “POV”.

Komaeda is a piece of work, and reminds me quite a bit off Izaya Orihara from the DRRR!! series. He says that he’s trying to prove that hope exists in a world of despair, but seems to want to accomplish this by getting everyone around him to despair and see if someone manages to beat him. He has a lot of “laughing crazy” faces too, as well as a heap of bromantic tension with Hajime. As for the rest of the class, so far there aren’t many standouts. One tanned athletic girl gives me memories of Aoi Asahina. There’s a nurse whose personality and looks are reminiscent of Hinata from Naruto, though Hinata never quite fell and exposed herself quite the way Mikan does constantly. (This seems to be a fanservicey running gag, and it’s awful, frankly. DR is still written for teenage boys in Japan, no matter how much ho yay may be in it.) And there’s a gamer girl who may be the Kirigiri to Hajime’s Naegi. But yeah, mostly still a faceless mass.

I believe this series is only three volumes in Japan, so I’m not expecting much in terms of coherence. That said, if you like Komaeda, it’s an easy purchase. He is all over this manga, and he is dramatic as fuck. Which is all the player wants, really.

Der Werwolf: the Annals of Veight, Vol. 2

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Entertainment. Released in North America by J-Novel Club. Translated by Ningen.

I’m always pleased when a second book in the series proves to be even better than the first, and that’s definitely the case with Der Werwolf. I enjoyed the first book quite a bit, but the second volume steps up its game, showing off Veight’s political and diplomatic skills in the first half, then pulling the rug out from under the reader with a plot twist I wasn’t expecting for a few more books yet. Perhaps best of all, there’s virtually none of the typical isekai cliches in this book – probably as the “I’m from Japan” part is still mostly irrelevant. There’s no gamer terminology, dungeon levels, and the romance is kept very much on the back burner – i.e. there isn’t any yet, though there’s clearly a few women who like Veight. Instead, we are simply reading a fantasy book. It reminds me a lot of The Faraway Paladin, and fans of one should enjoy the other.

At the start of this book, Veight is interested in expanding his allies on the Southern half of the continent, so reaches out to a pseudo-Arabian city along the coast. As with the first book, we occasionally get the viewpoints of other characters (though I wish they were marked off in the text a bit better – it can be tough to tell when we’ve left Veight’s viewpoint and when we return), and that helps here to show off the rock and the hard place that the other city is caught between, and also how Veight thinking that he’s being calm and reasonable is seen by other people as Veight being threatening and terrifying. In fact, there’s a running gag here, even more than the first book, of Veight saying he’s “just a vice-commander” and denying that he’s anything special, despite constant evidence to the contrary. It would be annoying if he were doing it deliberately, but he means it, so it’s just funny.

The second part of the book is much darker. We’d been introduced to the concept of a Hero arriving and challenging the Demon Lord at the start, but this proved to be a false lead (though it did get us another cute girl character, the stressed-out mage who can do illusion magic). Then a real hero does show up, and things go badly very quickly. It’s great to see how the concept of a hero here, in a book essentially narrated by “bad guys”, is that of a fiercely destructive force that none can stand against except the Demon Lord himself. Even more intriguing, there’s clear backstory between the hero and the Demon Lord, apparently involving a woman… but we never really get to find out what it is, except it’s made the hero hell bent on revenge. Actually, I’ll be honest here, I was expecting things to get even MORE dark, but thankfully things got a little better at the end, and Veight gets to go on being the most humble yet awesome vice-commander ever.

This is a pretty long-running series in Japan, so we have a ways to go. This pleases me, as reading these volumes is a treat. I highly recommend Der Werwolf to anyone who enjoys good light novel fantasy without the “light novel” cliches.

Bookshelf Briefs 12/18/18

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Ao Haru Ride, Vol. 2 | By Io Sakisaka | Viz Media – Changing yourself is hard. As is high school. As a result, much of this volume revolves around Futaba’s good intentions and attempts to make everything somehow work out not succeeding very well. We are definitively introduced to what appear to be the rest of the core cast, though some of them are still mostly ciphers. The main story is still about Futaba and Kou, and they can’t really go backwards. Still, do they want to go forwards? Trying to fall in love while also trying to make friends and get through school is the reason most high school romances don’t work out. Still, this is shoujo manga, so they have a leg up on real life. I’m enjoying this series so far, even though it’s more dramatic than I expected. – Sean Gaffney

As Miss Beelzebub Likes, Vol. 4 | By Matoba | Yen Press – Since my last review, the anime has come out, and while I’m watching it and quite like it, there’s no denying it’s a bit of a bomb in the Western fandom. But I’m sorry, the series is just so cute and fluffy it can’t help but put a smile on my face, except when the shotacon shows up, when I flick pages fast till she’s gone. There is a lot of focus here on Molech, the loud and outgoing demon who is the quintessential obnoxious extrovert stereotype. Since I can be like this at times as well, though never to this level, I can sympathize. Mostly, though, you read this to see Beelzebub and Mullin have adorable crushes on each other, and to see Belphegor’s disastrous crush (and bladder issues, which I could also do without). Not good, but I don’t really care. – Sean Gaffney

The Delinquent Housewife!, Vol. 2 | By Nemu Yoko | Vertical Comics – The first volume had the focus on Komugi, the housewife who’s trying to hide her delinquent past. The second book looks more at Dai, her brother-in-law who is falling in love with her despite himself. I will admit, I’m more interested in Komugi’s past than I am Dai’s crush on an older woman. The reason that Dai’s family hates delinquents so much is one of those things that seems minor but to the people involved is a huge deal, and I like that Komugi gets that immediately. She’s just a nice girl, and I think she should eventually win over the family, assuming her husband ever returns. Will that happen? Good question, and I suspect we’ll get more love comedy chapters before it’s answered. – Sean Gaffney

The Honor Student at Magic High School, Vol. 9 | By Tsutomu Sato and Yu Mori | Yen Press – The trouble with side-story manga like these is that they eventually have to follow the plot of the main series. Which is fine, and it’s nice to see Tatsuya being cool, but watching the main cast of this series sit in the audience and cheer him on is not really the reason I want to read this manga. Fortunately, we get to see Honoka’s match before this, which was not in the novel, and it’s pretty nifty, showing off her abilities to a good extent—she’s no Miyuki, but there’s a reason she does so well. As for Miyuki, we get the scene where she mocks Erika for having a brother complex, but I dunno, I don’t feel it plays as well in this format. A lesser volume of a good series. – Sean Gaffney

Kuroko’s Basketball, Vols. 29-30 | By Tadatoshi Fujimaki | VIZ Media – Kuroko’s Basketball comes to a close in this fifteenth and final omnibus. It’s the Winter Cup finals and Seirin is facing off against Rakuzan, a formidable team that not only includes Akashi but three of the “uncrowned generals.” There is a fair bit here that is ridiculous, like spectators being able to discern when a player has activated his “wild instincts” or accessed another level of “the zone,” but there is also a lot to like, including some welcome spotlights on background players like Koganei and Izuki. I confess that I sniffled when a certain person in the stands yelled encouragement when Seirin was about to give up. And then everyone learns a valuable lesson about teamwork. Ultimately, Kuroko’s Basketball wasn’t the best sports manga I’ve ever read, but it was consistently entertaining and comes to a satisfying conclusion. – Michelle Smith

My Hero Academia, Vol. 16 | By Kohei Horikoshi | Viz Media – I was right about this being all action, and there’s a lot of cool fights throughout, though I wish Uraraka and Tsuyu got more to do. That said, even Midoriya doesn’t get quite as much of a spotlight. Instead we get Kirishima, who’s dealing with his quirk still being a work in progress. We get his past in this volume, where he’s a lot meeker and more indecisive guy. It’s nice to see someone like Kirishima, clearly a different person in middle school, contrast with his classmate Ashido, who is pretty much exactly the same then as now. That said, the bad guys are doing pretty well for themselves, and our heroes still aren’t anywhere near Eri. Oh, and here comes Himiko Toga and her orgasm faces again to make things creepier. Solid volume. – Sean Gaffney

The Promised Neverland, Vol. 7 | By Kaiu Shirai and Posuka Demizu | VIZ Media – The underground shelter that the kids find at the coordinates provided by William Minerva turns out to be amazing—beds, hot water, clean clothes!—but not only is the man himself not present, they’ve got to contend with a mentally unstable guy who made the escape himself thirteen years ago and whose companions all died in a mysterious manner. By the end of the volume, he’s agreed to guide Ray and Emma to the next place while plotting to kill them and has purposefully set a bunch of man-eating creatures on them. This guy is pretty fascinating, and I continue to love the problem-solving elements of the series and the intelligent lead characters, but my favorite aspect is just how badass Emma is getting. Some of the shock value in this series has subsided, but it’s still a really terrific story. – Michelle Smith

Takane & Hana, Vol. 6 | By Yuki Shiwasu | Viz Media – This volume introduces a big wrench in the plot, and it’s just at the right moment, too. Takane was starting to get a bit too far ahead in the relationship, and when you have something like this, with an adult businessman and a high school girl, you just can’t let the power balance get too one-sided. So I approve highly of Takane’s grandfather’s actions, even as they seem to completely break Takane, who we see is far more reliant on having lots of money than even the reader had previously expected. As for Hana, well, she may be falling for him, and admitting it to herself, but let’s face it, it’s all about that last scene, which made me laugh with glee. I love it when these two smug at each other. – Sean Gaffney

Tomo-chan Is a Girl!, Vol. 2 | By Fumita Yanagida | Seven Seas – The expansion of the cast comes at just the right time, as we’ve got a number of volumes still to go, and I know that Tomo and Jun aren’t going to be getting together in any of them. So it’s nice to see that we also have another hilariously oblivious relationship involving Carol, who is not nearly as airheaded as she acts, and her childhood friend Kosuke, who thinks of her as a little sister, much to her exasperation. We also get to see the seemingly perfect and stoic Misuzu get jealous, something that is so unusual that everyone seems to be commenting on it. I am very happy with this series as it does not focus entirely on the romance between Tomo and Jun (or lack thereof), but Tomo’s friendships. – Sean Gaffney

Versailles of the Dead, Vol. 1 | By Kumiko Suekane | Seven Seas – I’m a little worn out on zombie fiction, so it takes a bit more to secure my interest in a series than it simply emerging from that particular subgenre. In the case of Versailles of the Dead, that something extra is cross-dressing and 18th-century French court intrigue. Albert is the twin brother of Marie Antoinette, close enough in appearance that he has on occasion served as her body double. When Marie dies while traveling on her way to become Queen, Albert once again takes her place. There is quite a bit going on in Versailles of the Dead—palace infighting, demonic possession, political and religious schemes, supernatural plots, and the beginnings of a revolution to name only a few prominent elements—so much that the series hasn’t completely found its footing yet. But it’s more than enough for this dark historical fantasy to compel me to read the second volume. – Ash Brown

The Young Master’s Revenge, Vol. 4 | By Meca Tanaka | VIZ Media – “All I can do is try my best to become worthy of her. In order to achieve that, I’m abandoning all my pride and learning to love turtles.” Man, I’d forgotten how dumb The Young Master’s Revenge is. Tenma loves Leo, but she’s convinced he’ll reject her once she admits it, since he told her as much earlier in the story. Leo loves Tenma, but he thinks she hates him for how he treated her. A lot of stupid misunderstandings ensue and then they finally get together—after he learns to embrace the turtle-inflicted scars on his butt as precious memories—and I just honestly could not care less. At least it’s over. – Michelle Smith

Pop Team Epic: Second Season

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By Bkub Okawa. Released in Japan by Takeshobo, serialized in the magazine Manga Life Win. Released in North America by Vertical Comics. Translated by Yota Okutani and Maya Rosewood.

It’s hard to get all the humor at the start of the second volume of Pop Team Epic without all the buildup that came with it. Pop Team Epic, the manga, was pretend cancelled, and the author was going to start a new work in the magazine called Hoshiiro Girldrop. There were even some promos for it. Then we get the chapter you see in this volume, and, well, surprise! (It wasn’t much of a surprise – everyone expected something fishy.) Now, of course, we not only have the anime using the series for its previews, but there’s also doujinshi anthology books with other artists writing genuine Girldrop stories. Honestly, I wouldn’t be surprised if there was an OAV at some point (well, yes I would, no one does OAVs anymore). With all that said, Girldrop is just the opening gag here, and the rest of the volume gives the reader what they want – more of Popuko and Pipimi.

Fans of the anime will be pleased to know that they will still recognize quite a few gags, although a lot less than the first volume. The Undertale stretching head gag is here (in fact, a lot of the video game stuff is seen here) as well as Popuko ordering latte art. For the most part, though, these gags were left out, and so the reader can enjoy them in their original environment. There aren’t a lot of gut-busters, but Pop Team Epic doesn’t really go for gut-busting humor. It’s a nerd manga that revels in its nerdness even as it tears down nerds gleefully, knowing that having its cake and eating it too is part of the reader appeal. And for those who look for that sort of thing, there are again one or two strips that imply that Popuko and Pipimi really like each other, though this is never going to be a comic that will commit to yuri in any way that isn’t present for a gag. I am also very fond of the “Holy shit, you’ve ruined it, like everything you do” strip, which definitely falls in the category of “too real”.

Towards the end of the volume, it’s become clear that the anime had been greenlit, and so we get a number of strips making fun of that fact. There is another “fake cancellation”, which also didn’t stick (I suspect Vol. 3, when it comes out, will be called “third season”. There’s also some mocking of the fact that Popuko and Pipimi aren’t cute or moe enough for the anime market, and are being replaced with more “natural” moeblobs – the anime did actually mock this, with the hegemony scenes at the end, showing off the yuri schoolgirl series that PTE is never going to be. And so Popuko and Pipimi, shunned by their own production companies and publisher, end the manga in a literal cage, making one last joke about bad ratings before the end. I have no idea how good the ratings were in Japan, but PTE definitely became a bigger phenomenon, both in Japan and the West. How will a third volume deal with the fame? God knows, but for now please enjoy more of this shitty manga.

Defeating the Demon Lord’s a Cinch (If You’ve Got a Ringer), Vol. 2

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By Tsukikage and bob. Released in Japan as “Darenidemo Dekiru Kage kara Tasukeru Maou Toubatsu” by Famitsu Bunko. Released in North America by Yen On. Translated by Caleb DeMarais.

The good news here is that everything is just a bit more toned down than the first volume. Sure, Ares spends much of the book frustrated and gritting his teeth, insulting the hero and companions at every turn, but he never runs into them, so it’s more tolerable. Toudou and company likewise are a lot more likeable than the first book (knowing Toudou’s secret helps), and I like their resolve even in the case of crippling fear and dealing with insane priests. And no, I don’t mean Ares, though he’s clearly not all there either – in fact, given Amelia also seems to exhibit some eccentricities this volume, I’m wondering if being in the Church means that sanity is an optional extra. But no, instead the second volume is spiced up by the arrival of Gregorio, a smiling nightmare of a crusader who seems ready to restart the inquisition. For once Ares seems to genuinely have something to be frustrated about.

We start where we left off, with our heroes trying to level up in an area known for tombs and undead. Sadly, two of the three in the hero’s party are terrified of the undead – including the hero. Area and Amelia try to help them out by finding an apprentice priest to join their ranks. Sadly, there isn’t one available, so Amelia grabs the cutest orphan she can find at the church and Ares forcibly has her killing (restrained) undead till she’s at least Level 10. That said, mostly what Spica does in this book is sit back and marvel at what is going on around her. Particularly once Gregorio arrives. He’s very devout, to a manic extent, very sure of his faith, and very ready to kill anyone who is not faithful enough. Which, given “faith” to him means “strength”, is not good news for Toudou, who’s still dealing with being rather low-level. Can Ares manage to intervene before Gregorio decides to purge them all?

The high point of the book is Spica, who is a fascinating study in what happens when you take an orphan girl with little to no power and then put her in situations where power is needed and she constantly feels useless and pathetic. You expect her to break, and arguably she does a bit, but once again Demon Lord Ringer has a last-minute reveal that’s so good I don’t want to spoil it. It absolutely makes sense for the character, though. As for everyone else, the hero’s team is a lot more likeable this time around, and we get a lot more from their perspective. This allows the narrative to not hammer on Ares’ asshole qualities quite as much, to an extent that I can almost start to feel sympathy for him. Almost. Also, Amelia, I think you’re going to have to throw him onto a bed and straddle him in order for him to get a clue about your feelings.

It’s a good second volume, and I’m liking this series a little more now. It keeps surprising me. If you can tolerate Ares, as well as endless discussion of levels and buffs, it’s a good read.

Ao Haru Ride, Vol. 2

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Ao Haru Ride Volume 2 by Io Sakisaka

When reading the second volume of this series, I found myself thinking about how the characters in Ao Haru Ride are different from some of the unusually self-aware protagonists that occasionally appear in shoujo manga. Teens with involved thoughts about the condition of being teenagers are fairly common, but Ao Haru Ride is concerned with issues of time and memory, and how memory can be a constructed choice in a way that feels refreshing to me as a reader.

As Futuba enters her second year of high school, she still struggling to find her niche. Her attempt to ingratiate herself with a small gang of judgemental girls didn’t work out well for her, and she wants to develop real friendships. She makes a point of being friendly to Makita in an attempt to head off a resurgence of rumors and finds herself a topic of gossip. Joining her and Makita in the new class are the enigmatic girl Murao, the boisterous Aya, and Kou. Futuba decided to throw herself into class leadership after hearing about a school-sponsored leadership retreat, and she’s joined by her new classmates.

Ao Haru Ride

Kou isn’t too happy when he realizes that he’s signed up for a trip that his older brother Tanaka is overseeing as a teacher, but he and Futuba reach a sort of understanding about their previous middle school crushes, as he warns her that he’s different now, and she starts appreciating Kou in the present without expecting him to match up with her memories. Futuba is also extremely conscious of making new memories on the trip, as the not-quite-friends-yet group goes through the typical outdoor activities to encourage class bonding. She makes sure that everyone gets together to watch the sunrise, knowing it is the type of memory they will treasure later.Ao Haru Ride’s are unusually insightful and self-reflective, which makes this a shoujo romance manga with so much emotional depth. Kou points out to Futuba that things come easier for him because he just doesn’t care about anything, and the fact that she’s struggling to make things better means that she’s a better person than he is. Futuba in turn notices all the times that Kou’s innate kindness shows through his acerbic exterior.

This series is inching up the list of my all time shoujo favorites after the fourth volume. There’s the potential for more drama to develop as the new group of friends starts to come together, but with Kou and Futaba being such uniquely thoughtful protagonists, I’m looking forward to seeing how they deal with all the issues of high school life. Ao Haru Ride is such a special series, I’m glad to have the chance to read it.

So I’m a Spider, So What?, Vol. 4

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Fujimi Shobo. Released in North America by Yen On. Translated by Jenny McKeon.

I’m still not quite sure about where out spider girl stands in terms of the current timeline (my current guess is that she’s the “white” girl rather than the demon lord, despite personality differences), but the two timelines are definitely starting to converge a bit. Or at least the spider is out of her dungeon… mostly… and starting to see the world. More to the point, much as I like seeing the spider’s adventures fighting things, I’ve become far more interested in the rest of the reincarnated kids, who are (mostly) all reunited at the Elf Village this volume. It’s a shame that the Demon Lord is about to annihilate all the elves. And also that the kids at the elf village feel rather strongly that they’re being used by their teacher. Which… may be true? Certainly Ms. Oka is not the pillar of goodness and light that, say, the teacher from Arifureta is.

On the spider side of things, she gets to the top of the dungeon, but the battle between both her mother and a higher spider that her mother calls in to help means that most of the time she’s shuffling back and forth between the dungeon and outside, fighting a mostly losing battle against various enemies. With a character as overpowered as our spider girl, there has to be a balance to show that she has it tough as well, and we certainly see it here – she’s decapitated twice, and is constantly at death’s door… and this is AFTER gaining the power of immortality, which she rightly assumes is not quite as great as it sounds. We also see one of her rare overconfident decisions, as she goes to fight the final battle against her mother with just better stats, not realizing that her mother is even craftier at traps.

Still, spider battles are not as interesting to me as the adventures of Shun, Katia and company, still trying to deal with the fact that Hugo has mind controlled the kingdom into making them public enemies. They go to the elf village to regroup, but that requires going through the dungeon to get there, which means running into some of our spider girl’s leftover selves. It’s not really clear how she pulls this off, but given it’s about 18 years later it wouldn’t surprise me if she’s just that powerful. In any case, there’s no battle with the heroes, but her mere presence – and announcement that she’s a reincarnation – is enough to stun everyone. Things don’t get better when Ms. Oka explains the mechanics behind this world and what the elves are doing to ensure that the gods/administrators don’t win. Honestly, their plans just sound mean. You can see why the other kids are sort of angry about being told to farm and never get strong. I don’t blame them.

We end with a bit of a cliffhanger, and I have a sneaking suspicion that I won’t have to worry about remembering most of these kids for much longer. Meanwhile, our spider has finally met another reincarnation… and she’s a vampire! Will the two plots finally converge? Well, now that we’re out of the dungeon, we can hope things move a bit faster. And hey, not NEARLY as many stats in this book! Excellent news!

Ne Ne Ne

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By Shizuku Totono and Daisuke Hagiwara. Released in Japan by Square Enix, serialized in the magazine Shonen Gangan. Released in North America by Yen Press. Translated by Taylor Engel.

The artist here may be familiar – the same one also draws Horimiya. The author is relatively unknown, however, and this did not take off the way Horimiya did – it’s just one volume total. But to be honest, that seems about right. Not that I didn’t enjoy this series, it was very cute and had some great humor. But you get the sense when reading it that future volumes would have been much the same – it’s the sort of series that only resolves when the main couple gets together, and has no plot except “will they finally get together”, so ongoing volumes would have felt a bit like it’s dragging it out. Of course, Ne Ne Ne has a bit of a head start on those other cute romantic comedies, in that our heroine starts the book off married to the hero. Why aren’t they involved physically? Well, it’s an arranged marriage, and she’s a bit too young. He’s also awkward, and inexperienced himself. Basically, they’re both naive blushing cuties.

There’s a supernatural element to the series as well, but it feels very tacked on. I’ve talked before with some isekai series how the “brought to another world” aspect feels halfhearted and tacked on, and to be honest the yokai stuff in Ne Ne Ne feels much the same. It seems to be an excuse to have Shin, the male lead, wear a mask all the time to make him a bit less nebbish. We never really get a good explanation as to why – he says it’s to make him less easy to possess, and you get the sense that if the series had gone on this is the direction the authors may have taken it in. As it is, though, the supernatural is not the reason to read the book. They treat a wounded fairy, he points out dragons flying in the sky that normal people can’t see, etc. The real meat of the story is in the embarrassed romantic flirting.

Shin is told by Koyuki’s overprotective father that he’s not to try anything with his wife till she’s twenty, but we’re never quite sure how much younger than that she is. At least a few years, I’d expect – she seems pretty young, and has a bit of a complex about getting older as quickly as possible. Like many newlyweds in Japanese ‘arranged marriage’ stories, there’s also a frisson of ‘Do you even like me at all?’ to the proceedings, though that’s entirely on the part of the characters – the reader knows immediately that they’re perfect for each other, though I agree with the dad that they should wait for now. There’s humor in seeing the local villagers mistake Koyuki for Shin’s maid (and then, when he corrects them, becoming the big gossip of the day) and Koyuki pouting when Shin says something unthinkingly. But they actually communicate pretty well, and there are no difficult problems to get past.

Ne Ne Ne may be only one volume because of that. This is a story of two people who are married and really like each other. And they all lived happily ever after.

Manga the Week of 12/19/18

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SEAN: It’s the last big push before Christmas. What’s out next week for last-minute gifts?

Denpa has two new titles. Futurelog is a Renge Murata artbook, and looks AMAZING. (I saw it at AnimeNYC). It’s the character designer behind Last Exile and Blue Submarine No. 6, among other things.

And for those who like more ‘artsy’ manga, there is Invitation from a Crab, a one-volume collection of stories that ran in Hakusensha’s Rakuen Le Paradis.

ASH: I’m really looking forward to this one!

SEAN: Ghost Ship gives us an 8th To-Love-Ru Darkness.

MICHELLE: For the antithesis of ‘artsy.’

SEAN: Haikasoru has the 8th volume of Legend of the Galactic Heroes, which I believe will be the opposite of a laugh riot.

J-Novel Club has the 3rd Archdemon’s Dilemma: How to Love Your Elf Bride, the 12th Grimgar of Fantasy and Ash, and the 8th The Magic in This Other World Is Too Far Behind!, the last of which is now caught up to Japan, I believe.

ASH: So not too far behind, then.

SEAN: Kodansha has, I believe, the Battle Angel Alita box set and Mars Chronicle 5, unless they’ve been pushed back again.

Digitally there’s no debuts, but there is a plethora of ongoing series. Back Street Girls 6, Black Panther and Sweet 16 9, Chihayafuru 13 (watches Manga Bookshelf briefly perk up), DAYS 11, Elegant Yokai Apartment Life 9, Giant Killing 15 (OK, now it’s just Michelle paying attention), Space Brothers 33 and Tokyo Revengers 2.

MICHELLE: *snerk* Yep, there are three titles there that I’m following avidly, plus Elegant Yokai Apartment Life, which I intend to read sometime soon. I started the anime and it’s quite charming.

ANNA: Yay for Chihayafuru!

SEAN: One Peace gives us a lucky 13th volume of The Rising of the Shield Hero.

Seven Seas has a 4th volume of Arifureta’s novel in print. There’s also the 16th Haganai: I Don’t Have Many Friends, a 14th Monster Musume, an 8th Mushoku Tensei manga, and the 14th My Monster Secret 14.

Vertical has its 2nd After the Rain volume.

MICHELLE: Woot. This is also on my short list.

SEAN: Viz debuts Abara in one complete deluxe edition. This is by the creator of BLAME! and Knights of Sidonia, and ran in Viz’s Ultra Jump. Expect sci-fi weirdness.

MICHELLE: Ooh! This wasn’t on my radar at all.

ASH: The previews I’ve seen look very nice.

ANNA: Woah, what??????

SEAN: Viz also gives us the 2nd volume of the 20th Century Boys Perfect Edition and the 8th Tokyo Ghoul: re.

Lastly, Yen On has a bunch of light novels that didn’t come out this week for some reason. Coming to a close, we have the 8th and final volume of Kagerou Daze (though the story continues in the manga… and then the anime… trust me, it makes sense in context) and the 3rd and possibly final volume of Reborn as a Vending Machine, I Now Wander the Dungeon. There’s also Accel World 16, Baccano! 9, The Irregular at Magic High School 10, and Sword Art Online 15.

Is Osamu Tezuka in your chimney? I hope not. That would be weird. What are you getting?

ASH: … that would be weird.

Durarara!!, Vol. 11

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By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

If you enjoy scenes where one character tears down the motivations of another character, you’ll love this volume of DRRR!!, because that’s almost all it is. Yes, by the end of the book the plot guns are finally going off (or in some cases blowing up – nice cameo, Vorona), but most of this book is still buildup and dialogue. Izaya confronts Anri about her own nature, how she “uses” Saika, and her aggressive passiveness (yes, Anri can be very aggressive about not doing anything), to the point where she almost has a nervous breakdown. Izaya also confronts Mikado about what he’s trying to do with the Dollars – turns out Mikado is not ready for life entirely on the dark side either, and in order to maintain the excitement he craves, he needs to remain balanced on the edge between safety and danger. And Masaomi is forced, once again, to confront his past and the past of his gang, which looks to resolve itself in a series of beatings.

The cover implies hot Saika-on-Saika-on-Saika action, and to be fair, that is what we get, though the action is somewhat limited. Having been released from her “guard Celty’s head” duty, Haruna is free to try to find her true love, the creepy high school teacher, and also confront Anri, who dared to be loved and rejected by him. Midway through this battle, Kujiragi shows up, seemingly to try to get Anri to “sell” her Saika to her, but in reality we know why she’s really there – she’s angry they scared off the cats. Kujiragi’s stoic love of cat stuff (and later, as we discover, cosplay) is a charm point, but like so many, many others in Narita’s universes, she’s a villain who knows it and is content to be villainous even as she tries to escape. Anri, to be honest, spends most of this confrontation staring in confusion – she’s already mentally exhausted from Izaya tearing her apart, and how she has Kujiragi saying she’s far too nice to be wielding someone like Saika – which is true, but just taking Saika and leaving Anri normal won’t solve her issues. Anri doesn’t even get to go home and have a nice sleep, as Masaomi’s girlfriend is lying in wait outside her apartment.

Anri is the “main character” of this volume, but there’s other things going on, not least of which is Celty’s head being used to set everything in motion. Izaya is delighted and somewhat appalled by this turn of events. Meanwhile, Shizuo is out of prison, but after seeing Vorona stealing the head, he thinks she’s working for Izaya, and finally seems to be snapping. Unlike the anime, Shizuo and Izaya have rarely personally confronted each other in the novels – they just want to never see each other. I suspect, though, that the climax of these books will finally feature what fans want to see. No, not that. What non-BL fans want to see – Izaya getting the shit beaten out of him. As for Celty, she, like Anri, is having trouble coping with everything around her at the moment, and the cliffhanger ending (there’s about four cliffhangers at the end of the book) shows her about to snap as well. Is everyone going to get angry and snap at the start of the next book? And will Erika get Kujiragi to cosplay for her?

Fans may be familiar with these events from the anime, but I still urge them to get the books as well, as the examination of everyone’s psyches works better in prose format than spoken aloud.

The Promised Neverland, Vol. 7

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By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

A lot of this volume has our heroes dealing with a grumpy adult guy who’s hiding out in the shelter they’ve come to, and is trying to kick them out. He is, of course, the last remains of a different group that tried to escape years ago. I like this, as it reminds readers that Ray and Emma aren’t trying to reinvent the wheel here. Kids have escaped from the field houses before, and likely will again. That said, things are still exactly the same. How will Emma and Ray genuinely change things? They’ll need help. Moreover, they’ll need help from this grumpy guy, still nameless, who has essentially given up on the world. Fortunately, the kids are all smart bordering on geniuses, which gives them advantages others might not have. They can make bargains, use threats. And when all else fails, and Emma is about to be killed, there’s always a punch to the nads. Works every time.

The cover reminds us that the cast of important kids is expanding, even if it’s still the Emma and Ray show much of the time. That said, aside from Don and Gilda, I still have trouble remembering their names. Indeed, so does grumpy guy, who resorts to giving them all nicknames rather than bother to learn actual names. (And Emma’s ahoge, the traditional Japanese sign for someone with ‘airhead’ qualities to some degree, is of course what her nickname revolves around. I also feel bad for Anna, who is nicknamed ‘nanny’ just because she happens to look like the standard kind anime mom type despite being all of nine years old.) Grumpy guy mentions they’re a good family, and he’s right. They work well together, they trust each other. They can quickly incapacitate an enemy if need be. And they have Ray and Emma, who ARE the leaders. Emma in particular once again belies the “she’s the idiot shonen hero” argument, cheerfully telling grumpy guy that if he doesn’t help him they’ll blow up the shelter.

The volume ends with grumpy guy leading Ray and Emma to the next map point left for them by the mysterious William Minerva, though he’s also supposedly looking for a way to get rid of them. I say supposedly because, as Emma spots immediately, he doesn’t actually have the nerve to directly kill them. You get the sense that grumpy guy is a broken former protagonist rather than a villain, and I suspect he will eventually give in, learn to trust the kids, and probably be killed off in a few books’ time for drama. He also has good analysis of Ray and Emma themselves and their leadership qualities, which reminded me a bit of Kirk and Spock in Star Trek (though arguably Norman was the Kirk and Emma the McCoy before Norman left to go get his brain eaten). That said, they’re still kids. When Emma is faced with a slavering monster trying to eat her head, she freezes. Which is a shame, as there’s a lot more coming, and grumpy guy seems to be perfectly fine with indirectly killing them.

This was a volume for plot and character development, which is good as I suspect the next book will feature lots of action. The Promised Neverland still names compulsive reading.

Bookshelf Briefs 12/11/18

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Akashic Records of Bastard Magica Instructor, Vol. 5 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – I had forgotten to review the last volume of this, which likely says a lot. That said, it’s still all right, it’s just its character beats are predictable. Re=L has joined Glenn and the others, and slowly starts to integrate with the class, so naturally something comes along that makes her turns traitor. Rumia’s identity is now a bit more well known, which means she’s stuck playing damsel again. Still, if you like action this is decent enough, and the villains are fun provided you don’t mind that they sneer and cackle. This is not really top-drawer manga, but it’s decent enough if you’re already a fan of the characters. – Sean Gaffney

Anne Happy, Vol. 8 | By Cotoji | Yen Press – Over a year has passed since I last reviewed Anne Happy, and I will admit I had forgotten who some of the girls are. It came back easily enough, though, and the majority of this volume is devoted to wrapping up the school’s athletics festival, whose end result was something of a surprise to me, though they at least do try to give some justification for it. The rest of the book has little chapters that coast along cutely while the author prepares for the endgame, which I believe is coming soon. We see why Ren is so beloved, watch the class pick out library books for each other, and get a glimpse into Anne and Hibari’s home lives—Anne, for once, is better off. This continues to be mildly cute and funny, and will appeal to fans of the same. – Sean Gaffney

Beasts of Abigaile, Vol. 4 | By Spica Aoki| Seven Seas – I was unaware this ended with volume four, and sure enough, the ending is super abrupt. Still, it justifies most of what was going on, and the core of the series—Nina’s plucky stubbornness and caring, and her relationship with Roy—is still there. We also get to know the villainess of the series, and how she too once had Nina’s ideals but was unable to succeed, and in the end is destroyed. It’s a shame it ended so fast, as there were a lot of characters who I felt were going to get more focus in future volumes that mostly just ended up getting a few shots in for the ending. Still, overall I’d call this series a success, and I’d like to see more from the author—fortunately, Yen Press has her new series starting next year. – Sean Gaffney

Durarara!! re: Dollars Arc, Vol. 3 | By Ryohgo Narita, Suzuhito Yasuda, and Aogiri | Yen Press – This volume adapts some of my favorite parts of both the novels and anime, and though it still comes in third, it’s a little better than the previous volume in that regard. We get Mikado and his pen, the return of Vorona and her bonding with Shizuo, Akane joining the dojo and also bonding with Shizuo, and Akibayashi’s backstory, as well as the reintroduction of … um … well, I can’t remember her name, and Izaya can’t remember her at all, to the point where we need a flashback to realize she’s the girl he did the “suicide club” thing with back in the first volume. Honestly, though, she’s there to jump start Izaya, who I’m sure will be making everything worse soon. Recommended for those who don’t read prose or watch anime. – Sean Gaffney

Erased, Vol. 5 | By Kei Sanbe | Yen Press – After the completion of Erased, Sanbe created four additional stories which take place during the events of the series proper. Released as a ninth volume of Erased in Japan, the collection makes up the fifth volume in the English-language edition of the manga. The volume generally (but not exclusively) addresses the time period during which the series’ main protagonist and point-of-view character Satoru Fujinuma is in a coma. The four vignettes follow the people who arguably play the most important roles in Satoru’s life, allowing crucial moments of Erased to be seen from their own perspectives rather than his—Kayo Hinazuki, the girl he was intent on saving; Kenya Kobayashi, his close friend and confidant; Sachiko Fujinuma, his beloved mother (my personal favorite); and Airi Katagiri, the young woman who would come to mean so much to him as an adult. The stories are all an interesting addition to Erased. – Ash Brown

Fruits Basket Another, Vol. 2 | By Natsuki Takaya| Yen Press – It’s been revealed that this manga will end with the third volume, which seems about right. This is not quite as rage-inducing as the first book, despite still having the flaw of viewing the original Furuba cast through their children, rather than viewing the children as their own characters. It does throw a few welcome bones to longtime readers—the creepiest implied ship of the original series does not in fact happen, as Hanajima marries some Italian guy. Oh, and Momiji is back in his sister’s life, and we see her (we can’t see the original cast). There’s still examination of abusive parents, but because we can’t make the original cast do that (they’re more smothering), it’s foisted on the new heroine. For diehards. – Sean Gaffney

Good Dog, Cerberus! | By Moha Arimura | Kodansha Comics (digital only) – Good Dog, Cerberus! is a full-color, four-panel comic about Cerberus, the easily bribed guardian of the gates to the underworld, and Lord Hades, who is publicly stern and heartless but a total pushover when it comes to his ill-behaved dog. It’s not even 100 pages long, so it’ll be no surprise that there’s not much to this, really. Cerberus does typical dog things like get dirty and chase pigeons (well, harpies in this case) and try to carry big sticks through doorframes horizontally. There are a few cameos by other mythological figures, like the ferryman of the River Styx, and I learned that Medusa actually had two sisters. That said, it’s neither funny enough nor cute enough nor narratively propelled enough that I can really recommend it. Briefly diverting, at best. – Michelle Smith

Kimi ni Todoke: From Me to You, Vol. 30 | By Karuho Shiina | Viz Media – We have an ending to a great series. Much to my surprise, the two purest kids in all of shoujo manga (well, if you don’t count My Love Story!!) end up actually consummating their relationship in this final volume, though it’s handled very tastefully. Everyone is moving away to college, getting new apartments, or (in the case of Chizuru) running the shop and waiting for her man to come home. Pin has all new students, and hopefully won’t have any fall for him the way Ayano did. I also really liked the ‘flashforward’ for Ayano being that people warm to her and think she’s nice. Honestly, she was my favorite character. That said, Sawako was also amazing, and this series is hers in the end. I’ll miss it, and consider it essential. – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 30 | By Karuho Shiina | VIZ Media – It seems that a lot of series are coming to a close this month, but I’ve been reading Kimi ni Todoke longer than any of the others. Saying goodbye to it gives me a pang, but at least it’s a good ending, filled with teary scenes during which characters bid farewell to the way things used to be while looking forward to the new life that awaits. Some standout moments involve Kurumi realizing that her crush on Kazehaya led her to the best friend she’s ever had and Sawako being able to greet a new classmate naturally and with a lovely smile on her face. Everyone has changed for the better, including the relationship of our central couple, which has matured and strengthened of late. And did I sniffle quite a lot when they finally called each other by their first names? Reader, I did. – Michelle Smith

Otherworldly Izakaya Nobu, Vol. 2 | By Natsuya Semikawa and Virginia Nitouhei | Udon Entertainment – In case you hadn’t guessed by the cover, we get a new regular in this book. She starts off as a thief, but she’s the cute “stealing for my younger siblings” sort of thief, and quickly becomes a dishwasher and general helper thanks to the kindhearted staff. We also get more of what we saw in the first volume, which is to say fantasy/isekai “types” dropping in and having classic izakaya meals. There’s a few reminders that this is a more medieval world—the girl from the previous volume is now married, much to Shinobu’s surprise, as she was like fourteen. We also get a chapter showing us the other side of the story, as Effa (the little girl) breaks out and gets a tour of modern Japan. Cute foodie manga. – Sean Gaffney

Sacrificial Princess and the King of Beasts, Vol. 3 | By Yu Tomofuji | Yen Press – Ah, the childhood friend who was always in love with the heroine even though she didn’t realize it. A classic trope, but it’s handled well here, as he also hates beastmen with a passion—which is not a surprise given the flashback to his youth, where a beastman eats his little sister like she was a tater tot. So he’s come to kick ass and take Sariphi back, and of course is not taking no for an answer, even if that means ignoring her own will and feelings. As for Leonhart, well, he’s not used to jealousy, but he cares deeply for Sariphi, so comes off very well here. I continue to enjoy the way this series is handling a common theme, and am pleased that it’s still ongoing in Japan, allowing for more character depth. – Sean Gaffney

Sword Art Online: Progressive, Vol. 7 | By Kiseki Himura and Reki Kawahara | Yen Press – Technically the series “ends” here, though we’re told that it will continue on with a different artist in Japan. For the moment, the cover shows us the reason we’ve wanted to read this manga—Kirito and Asuna as back to back badasses, and Argo staring out at the reader reminding us she’s the real star of the show. Well, OK, Asuna and Kizmel are the stars of this volume—for once, Kirito’s fight comes off second-best, as the teamwork between the two women is simply stunning (indeed, Argo, serving as the Greek chorus, gets some great stunned expressions here). As I said last time, a rare light novel adaptation that expands and enriches the source enough that it deserves reading on its own. – Sean Gaffney

Takane & Hana, Vol. 6 | By Yuki Shiwasu | VIZ Media – After a Christmas interlude during which Hana realizes that maybe she really does like Takane and a chapter about chastising Nicola for his thoughtlessly flirtatious treatment of innocent Mizuki, a rather interesting plot development occurs. Worried that Takane’s confidence is “rooted in the things that were handed to [him],” his grandfather freezes all his accounts, demotes him at work, and moves him into a shabby apartment. Ashamed, Takane distances himself from Hana and makes her leave when she eventually discovers his whereabouts. This part is somewhat frustrating, since he should know by now that his wealth was never something she cared about, but it does at least provide an opportunity for her to make that abundantly clear (and for Okamon to give her a cute pep talk). I only wish she’d actually said, “All along, I’ve only ever seen you, Takane” out loud. Probably too soon for that, though. – Michelle Smith

Outbreak Company, Vol. 6

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

It can sometimes be a bit striking how blase this series is about the government of Japan wanting Shinichi to be murdered because he ruined their grand plans. The Japanese side of things are simply one of the villainous factions in the books, and this time around they put into place a new plan: give Shinichi an assistant who turns out to be better than him at everything and watch him slowly lose confidence and break. Or at least, that would be an excellent plan if that was their actual intent. Because in that respect it works out quite well, and it’s only the heartfelt feelings of Myucel that manage to win him back from depressed land. No, instead Japan and the new character seem to be dedicated to destroying the country through commerce one way or another, and while they don’t succeed, things do get a bit dicey. Fortunately, as always, Shinichi is here to win the day with a really irritating otaku speech that grates on my nerves.

On the cover is Hikaru, who is the new Japanese “assistant” to Shinichi who is there to shake things up. Honestly, she should share the cover with Shinichi, but I know a lot of light novels refuse to have the main character on the covers, possibly as they still tend to think in terms of “faceless unseen protagonist” from ero games. Speaking of ero games, Hikaru is willing to do anything to get profits for the Japanese side, even if that means importing trading cards (the rare ones immediately get traded for massive amounts of money) and, yes, erotic games, which is causing the kids of Shinichi’s school to turn into, well, puberty-infested boys who refuse to leave their game. (The fact that the ultimate solution for this issue is to give them body pillows instead of games shows us where the issue ultimately lies.) Unfortunately, turning a bunch of the nobles’ kids into addicts is not what Shinichi had in mind. What’s worse, in the games you can create your own girl to moon over… and some are creating girls that look a lot like the Queen.

There’s a lot of discussion in this volume about the ‘otaku’, and how they’re viewed in Japan. Hikaru seemingly hates them with a passion, and regards them as the root of all evil. Some of this is related to Hikaru’s past, but there is a certain amount of truth to the idea of “let’s find a game/anime we can blame this tragedy on” to both Japan and North America. That said, ‘gaming addiction’ is clearly the motif here, and I really liked the fact that Shinichi accepted that it was ultimately his responsibility for what happened, and he thus sets out to correct things. A kidnapping helps to add a bit of excitement to things (the kidnapping, it turns out, is unrelated to the game issue), but for the most part this volume turns on Shinichi vs. Hikaru, and how they both view this world and the people in it. Shinichi is an empathic guy, as we’ve seen time and time again, and this is why he’s trusted by the Eldian people, despite his goody @D speeches.

Next volume we take a break for short stories, but I’m sure that there’s more political machinations to come. In the meantime, this was a pretty good volume of Outbreak Company. Plus this is past where the anime ended, I believe.

Yona of the Dawn, Vol. 15

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

So much of this volume is magical that it’s a bit difficult to know where to begin. There are at least five or six moments that feel like they’d be voted in a “top 10 Yona of the Dawn moments” list. Even leaving Yona herself aside (and trust me, I’ll get to her in a bit), there’s so much going on here involving Riri, as we see her becoming politically active and arguing with her father that politics are all very well and good but not when it means letting your people die and kill each other just to avoid political turmoil. And she’s joined by Su-Won, undercover and wandering the world again, to the exasperation of his bodyguards, who decides to help out this righteous and well-meaning but very naive girl. Especially since everyone in the city keeps questioning every woman they find, looking for the one with the red hair.

Riri is at the beginning of a journey down a path that Yona has long trod, and she knows it too – their parting is very emotional, and there’s a reason that they’re the couple on the cover. (I’ll leave the yuri reading to others, but I will note that Ayura and Tetra are absolutely a couple.) Yona is a leader, and her resolve is what drives everyone around her. A lot of shoujo series make you wonder sometimes why there are five to six guys all in love with the heroine. Yona does not have this problem. Everyone reading it is in love with the heroine. The first thirty pages alone are stunning – Yona attempting to recover from her wounds, her desire to question the villain suddenly overcome by her desire to CUT HIM IN THE FACE when he tries to draw a blade, and her attempts at getting Hak (who is feeling upset, of course) to stop brooding by talking about how it was her choices that led to this. “These are MY injuries” is one of the most powerful lines in the volume.

Aside from the plot and characters, I’ve also grown very fond of the way that Kusanagi crafts the manga itself. Once Su-Won arrives on the scene we know that he and Yona are going to run into each other again, but the moment is put off a number of times as they keep missing each other, or Su-Won runs into Jaeha (who doesn’t know who he is), etc. This lends the moment when they finally do meet extra emphasis. And, much as this is a serious-minded volume for the most part, there is some wonderful art-derived humor involving Riri’s father, who is a parody of the “always remain calm and drink tea” sort of character, not getting upset at all when Riri is screaming out about drugs destroying their country, but when she steals his golden seal (the symbol of the clan’s authority)… well, his face is worth the price of the book in itself.

Every volume of Yona of the Dawn makes me think I’ve reached the high water mark of the series, and then it tops itself. A must read. Again.