Features

Manga the Week of 3/4

February 26, 2015 by Sean Gaffney, Ash Brown, MJ, Michelle Smith and Anna N 1 Comment

SEAN: It feels like a smaller first week than usual, even with 15 titles. Viz has recently wrapped up a number of series, so it could just be I’m not getting as much stuff personally.

Before we get to Viz, Dark Horse has the 4th New Lone Wolf and Cub.

ASH: Confession: I still haven’t finished reading the Old Lone Wolf and Cub. But I still plan on picking up the New.

SEAN: Kodansha gives us its 5th xxxHOLIC omnibus. Here be dragons. And Syaorans. Honestly, I’d have preferred the dragons.

MJ: I’m good with both. :D

SEAN: Speaking of things I dislike but am in a minority as they are really, really popular, there’s a new Monster Musume due out from Seven Seas.

Seven Seas also has a 7th volume of The Sacred Blacksmith, which has just been confirmed to be ending soon.

D.Gray-Man may have its regular series coming out at a crawl these days, but the 6th 3-in-1 shows it’s still going strong omnibus-wise.

Another long-running series is coming to an end – but not just yet. This is the 2nd to last volume of Claymore. Is a happy ending in the cards?

MICHELLE: Someday, I need to read this. I own quite a large chunk of it.

MJ: I love this series, and I’m certainly anticipating this volume with much eagerness!

SEAN: Another 3-in-1 as we get the 8th Dragonball omnibus (not to be confused with the other omnibus release it’s had).

Kamisama Kiss may have finally ended its long time-travel arc, but the series is still trucking along at Vol. 17. (Did it end yet? We’ve caught up with Japan, so it’s been a while since 16…)

I keep waffling back and forth on Kiss of the Rose Princess, so we’ll see if a 3rd volume sways me one way or another.

ANNA: I ended up liking it more after the second volume. I don’t LOVE it, but I enjoy reading it.

MICHELLE: I’m not sure about this one either, since the second volume as so different than the first. But I *am* planning to check out volume three.

SEAN: Naruto is over, but the volumes still have more to go, so here’s the 69th.

I keep being surprised at how much I’m enjoying Nisekoi, a high school harem comedy with added yakuza. But I am enjoying it a whole lot. Vol. 8 is out in print next week.

It’s no surprise how much I love Oresama Teacher – in fact, the only surprise is that an even more popular series by the same author, Gekkan Shoujo Nozaki-kun, hasn’t been licensed by Yen Press yet. But I still have Oresama 18.

ANNA: I have a deep and profound love for this series. Consistently hilarious.

ASH: I really need to get around to reading this.

SEAN: Seraph of the End has a 4th volume. Does it still have vampires?

ANNA: I feel like this is a safe assumption! I’m also happy to see that Vertical licensed the light novel series!

SEAN: Another 3-in-1 series, but I think with this 10th volume Skip Beat! may be caught up for the most part.

ANNA: Skip Beat! is great.

MICHELLE: Super great! They could do an eleventh omnibus, since 33 volumes of Skip Beat! have come out so far. This spurred me to look up when the next one comes out, and we’ve only to wait until April 7th for volume 34. This was met with much rejoicing!

SEAN: Lastly, there’s Yu-Gi-Oh 5Ds 7, another series that for the life of me I can’t think of anything clever to say about it except “Welp – there it is.”

So what are you getting next week?

Manga Giveaway: UQ Holder! Giveaway

February 25, 2015 by Ash Brown

Despite being the shortest month of the year, for me February always seems to stretch on forever. With that in mind, I thought it oddly appropriate to offer for this month’s giveaway a manga that features immortals. Specifically, this month you will all have the chance to enter for a chance to win the first volume of Ken Akamatsu’s most recent series UQ Holder!, a sequel of sorts to his manga Negima!: Magister Negi Magi, as published in English by Kodansha Comics. (Don’t worry if you’ve never read Negima!, UQ Holder! can be easily read on its own.) As always, the giveaway is open worldwide!

At this point it’s probably not much of a secret that I enjoy manga about immortals and the consequences of immortality. Hiroaki Samura’s Blade of the Immortal was one of the very first manga that I read and it continues to be a favorite. (It was even the focus of my first monthly manga review project.) More recently, manga series like Ken Akamatsu’s UQ Holder! and Tsuina Miura and Gamon Sakurai’s Ajin: Demi-Human have caught my attention specifically because immortals are involved. Granted, there are other elements in both of those series that intrigue and appeal to me as well. When it comes to immortals, UQ Holder! is interesting in that it features a variety of characters with different types of immortality; most series I’ve read tend to stick to just one.

So, you may be wondering, how can you win a copy of UQ Holder!, Volume 1?

1) In the comments below, tell me a little about your favorite immortal from a manga. (Never encountered an immortal in your manga reading? Simply mention that instead.)
2) For a second entry, name a manga featuring immortals that hasn’t yet been mentioned by me or by someone else in the comments.
3) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. Each person is able to earn up to three entries for this giveaway and has one week to submit comments. Giveaway entries can also be emailed to be directly at phoenixterran(at)gmail(dot)com. (I will then post your comments here in your name.) The giveaway winner will be randomly selected and announced on March 4, 2015.

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: UQ Holder! Giveaway Winner

My Week in Manga: February 16-February 22, 2015

February 23, 2015 by Ash Brown

My News and Reviews

Happy (belated) Chinese New Year, everyone! It’s already been a busy season for me with multiple lion dance and taiko performances for the lunar new year over the last few days (with more to come!), but was I still able to get some reading and writing in, too. Last week was another two-review week at Experiments in Manga, except this time both in-depth reviews were actually of manga. First up was my review of Ken Niimura’s collection of short manga Henshin, which I enjoyed immensely. Niimura is actually a Spanish artist, but Henshin was first released online by the now sadly departed Ikki manga magazine. The second review was of Gamon Sakurai’s Ajin: Demi-Human, Volume 2. I had enjoyed the first volume, but things are starting to get really good with the second. Hopefully the trend continues.

So, earlier this year I wrote a quick take of Under the Sign of Capricorn, the first release in the new English-language edition of Hugo Pratt’s Corto Maltese comics. Much to my surprise, I ended up getting a brief mention in an Italian article about Americans’ responses to the comic. (I’ll admit, that was pretty cool.) Elsewhere online, Vertical’s survey for recommendations for Spring 2016 manga licenses is currently underway. Viz Media announced two new manga licenses of its own: Eiichi Shimizu and Tomohiro Shimoguchi’s Ultraman and Kohei Horikoshi’s My Hero Academia. And speaking of Viz, Hope Donovan, one of the publisher’s manga editors, was interviewed over at Panels. I also want to mention Purity, a new Kickstarter project featuring some fantastic creators. Described as a “post-yaoi anthology,” it’s a collection of comics from artists whose work has been influenced in some way by the boys’ love genre.

Quick Takes

Battle Angel Alita: Last Order, Omnibus 5 (equivalent to Volumes 13-15) by Yukito Kishiro. First of all, I just want to say that I absolutely love the cover of this omnibus; the Space Karate team as a group of rock stars is just about perfect. This may also very well be my favorite installment of Last Order that I’ve read so far. It features epic, over-the-top battles and action as well as some additional backstory. In particular, more about Zazie is revealed. Also, Sechs (who is still one of the characters I like best) plays a major role and gets to be a badass in addition to being an occasional source of comic relief. Although the styles of martial arts in Last Order are fictional, I appreciate that Kishiro actually incorporates small kernels of traditional teachings to create the super-evolved combat forms found in the series. The Space Karate team is prominently featured in this omnibus. As a karateka myself, I get a kick out of the characters and I particularly enjoyed seeing the progression of their tournament fights. Kishiro’s cyborgs and genetically modified creatures allow for some pretty incredible and entertaining combat feats and techniques that otherwise would be impossible.

Food Wars!: Shokugeki no Soma, Volumes 2-4 written by Yuto Tsukuda and illustrated by Shun Saeki. While the fanservice certainly hasn’t disappeared from Food Wars!, each volume seems to tone down the overly sexually suggestive imagery a little more. Personally, I generally found the over-the-top reaction shots amusing rather than offensive. They’re becoming more and more ridiculous and absurd, however they may still present a barrier for some people. But to the creators’ credit, at least there’s eye-candy in Food Wars! for all sorts of readers–nudity and bare skin isn’t limited to just one gender. And then there’s the eye-candy for the foodies, too; the dishes in the series are gorgeously drawn. Saeki’s artwork in Food Wars! really is one of the highlights of the series. I’m liking the characters and their designs as well. Plenty more have been introduced in these volumes, all with their own personality quirks and culinary specialties. Which, of course, presents plenty of opportunities for some fantastically epic battles and competition in the kitchen. I also like that Soma isn’t the only student at Totsuki Institute who doesn’t come from a rich, high-class background.

Restart by Shoko Hidaka. Since I’m loving Hidaka’s ongoing series Blue Morning, I figured that I should probably look into her other boys’ love manga that have been released in English. Restart is a collection of manga that includes some of her earliest professional work, including the titular “Restart”–her first story to be published in a magazine. Most of the stories follow Tadashi and Aki, two male models who end up in a relationship with each other. Tadashi is the older and more experienced professional of the two, but his popularity is fading while Aki’s star begins to rise, which understandably causes some tension and frustration. A tangentially related story features a fashion photographer and another young model who has yet to really break into the industry. The other short manga shares no connection with the others. It’s about a college student who was never able to confess his feelings because the young man he was in love with went missing. However, over time he finds himself growing closer to his crush’s younger brother. Perhaps unsurprisingly, I didn’t find Restart to be as compelling overall as Blue Morning but even Hidaka’s early manga exhibit solid story-telling and well-developed characters.

Manga the Week of 2/25

February 19, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 1 Comment

SEAN: A fairly sedate last week of the month. Not much from Yen this month, oddly. What will we have to talk about—

DIO: HA! You thought this would be Manga the Week of, but it is I, Dio!

SEAN: Oh right.

Before we get to that, Dark Horse has a very interesting new title coming out: Seraphim 266613336 Wings. A collaboration between Mamoru Oshii and Satoshi Kon, I can only imagine how strange this is going to be. But also highly anticipated.

ASH: I know I’m looking forward to it!

SEAN: Kodansha has a 33rd Air Gear, which continues to be the model all other fanservice-laden roller blade manga aspire to be.

There’s the debut of Maria the Virgin Witch, which would surely have gotten more attention from me if it weren’t surrounded by Kon and Dio. The plot does not interest me, the fact that this is by the author of Moyasimon does.

ASH: That’s what interests me most, too, though I have been hearing good things about the series.

SEAN: And one of my favorite lost causes, The Wallflower, has its 34th volume. I believe the ending is actually coming soon!

This has been out digitally since September, when I think I featured it here, but man, it deserves to be featured again. One of the most influential, over the top manga of the 20th century, we’ve seen its 3rd arc here before, but now you can see it again for the first time, in deluxe hardcover edition. I refer, of course, to JoJo’s Bizarre Adventure, and trust me, that title is not kidding around.

ASH: I am so excited for this!!

MICHELLE: I have to admit I have never read JoJo’s, even though I’ve had the first three volumes (or, rather, the first three volumes of whatever segment of the series VIZ released) for quite a while. Maybe I would love it.

ANNA: I liked it a ton. The hardcover release is very nice, and I enjoyed all the punching, blood, and references to Aztec sacrificial practices. Also, more punching!

MJ: This seems to be the only title on the list I’m really interested in this week, but I’m *really* interested.

SEAN: One of Yen On’s February releases had to be delayed, so the sole light novel this week is the 2nd A Certain Magical Index. I should mention… it has vampires! Well, sort of. Anti-vampires. Ish?

The 2nd Ani-Imo is out, and I suspect will continue to be as edgy as the first one was. A reminder: technically shoujo manga.

There’s also a 3rd Barakamon, which is also out digitally as of this volume, for those who love digital and were bummed it wasn’t available before.

I keep wishing BTOOOM! Added a new O for every volume it gets to, but to no avail, even at Vol. 9.

MICHELLE: Ugh. I didn’t set out wanting to say “ugh” about BTOOOM!, but now that is my reflexive reaction.

SEAN: The first volume of Gou-dere Sora Nagihara was so over the top in terms of its comedy, fanservice, and general attempts to offend that I’m almost tempted to read this second volume to see if it can keep up the pace. Almost. But not quite.

High School DxD has a 4th volume. I wonder if I’d enjoy it more if the light novel were licensed?

Lastly, we have the final volume of Judge, but don’t worry, more animal-headed survival games are coming soon.

Assuming you’re doing the obvious, what else are you buying besides JoJo’s this week?

ANNA: How could anyone want to NOT buy JoJo’s, is the question!

My Week in Manga: February 9-February 15, 2015

February 16, 2015 by Ash Brown

My News and Reviews

Last week was a two-review week here at Experiments in Manga. I read and loved Ellery Prime’s Gauntlet, the first novel to have both started and finished in Sparkler Monthly. I’m not sure the review really does the book justice–the story is difficult to write about without spoiling it–but Gauntlet is really good stuff. Ever since reading the novel, I haven’t been able to get it out of my head. (Coincidentally, both Gauntlet and Jen Lee Quick’s marvelous comic Off*Beat are currently on sale!) The second review posted last week was of Setona Mizushiro’s After School Nightmare, Volume 2. So far, the series remains a disconcerting but compelling work. The manga has a lot of dark, psychological drama, which I tend to enjoy, although that can also make it a difficult read from time to time. Many of the characters simply aren’t very nice people. The review is a part of my monthly horror manga review project; next month it will be Mushishi‘s turn again.

On to other interesting reading and news from elsewhere online! The Young Adult Library Services Association has released its 2015 Great Graphic Novels for Teens. The annual list is always worth a look. The manga for 2015 include All You Need is Kill, My Little Monster, My Love Story, Seraph of the End, Summer Wars, Voice Over! Seiyu Academy, Wolf Children: Ame & Yuki (the only manga included on the top ten list), and World Trigger. Over at Organization Anti-Social Geniuses, Laura from Heart of Manga provides The 2015 Shoujo Manga Forecast, a comprehensive overview of the shoujo manga that has so far been announced for this year, listed by publisher and expected release date. And on the Vertical Tumblr there is a post Reviewing the “Best Manga of 2011” from a licensing angle which I found to be particularly fascinating. Speaking of Vertical, three new licenses!–Seraph of the End light novels, Ninja Slayer manga, and KizuMonogatari.

Quick Takes

Air Gear, Volume 32 by Oh!Great. This is actually the first volume of Air Gear that I’ve ever read, and the only other manga by Oh!Great that I’ve been exposed to is the very beginning of Tenjo Tenge. From that limited experience, I expected there to be violence and a fair amount of fanservice in Air Gear, and there certainly is. Since I’m not particularly familiar with Air Gear, its plot, or its characters, unsurprisingly I was a bit lost reading the thirty-second volume. It didn’t help that Oh!Great’s use of flashbacks and flashforwards seems haphazard, making it difficult to maintain a firm grasp on the manga’s chronology, and therefore was not as effective as intended. There are only five more volumes in the series and even though I’m unaware of all of the details, it is quite obvious that there has been a tremendous buildup to reach the thirty-second. The volume concludes at least one major battle and leaves several important characters dead. Even though I wasn’t able to follow everything that was going on story-wise, I could still appreciate Oh!Great’s dynamic artwork (beginning with the stunning cover illustration) and the series’ over-the-top action. If nothing else, Oh!Great can draw.

Assassination Classroom, Volumes 1-2 by Yusei Matsui. The junior high students of class 3-E are the academic underachievers and juvenile delinquents whom no one else in the school wants to deal with, but they’re apparently also the only ones who have any chance of saving the world from being destroyed. The teens have less than a year to assassinate their teacher, a superpowered tentacle creature who plans on disintegrating the planet after their graduation. Although he has a few weaknesses, Koro Sensei is extremely powerful, impervious to most weapons, and able to move at Mach 20. A successful assassination will require a significant amount of creativity and teamwork. Surprisingly, even though he intends to destroy Earth, Koro Sensei is actually a great teacher who seems to genuinely care about his students, challenging them to better themselves and encouraging them not only in their studies but in their assassination attempts as well. Assassination Classroom is a strange but enjoyable series. 3-E is a class of losers and outcasts who, when given the opportunity and shown that someone actually believes in them, are able to overcome challenges even if they haven’t figured out a way to kill Koro Sensei yet.

From the New World, Volumes 6-7 written by Yusuke Kishi and illustrated by Toru Oikawa. The manga adaptation of From the New World frustrates me immensely. The story is fantastic, the setting intriguing, and the atmosphere incredibly dark. But overall the manga just isn’t very satisfying, suffering from tonal imbalance and uneven worldbuilding and plot development. Although there’s still some ridiculous fanservice–Saki’s breasts in particular are constantly being emphasized to the point of distraction–these volumes fortunately are mostly lacking in the explicit sex scenes found throughout the rest of the series that seem completely out-of-place and interrupt the narrative flow of the story. The final volume with its dramatic conclusion of the war between the morph rats and the humans, would have been one of the strongest in the series except for the fact that the last chapter, which serves as a lengthy epilogue, slightly fumbles what is perhaps the series’ biggest twist. Quite a few of the reveals in the final volumes likely would have been more powerful if they had been encountered earlier in the story. In the end, I still think what I really want is to read Kishi’s original novel.

Stones of Power by Isora Azumi. A few years ago I read and enjoyed the first quarter or so of Stones of Power when it was initially being serialized in the Gen anthology. The manga has since been collected into a single volume, including material that I believe hadn’t previously been released. Stones of Power is admittedly unpolished and its artwork fairly generic, but there are things I really like about the manga. It mixes the mundane with the supernatural in rather curious ways, especially in the beginning. Fujita is a young man with a passion for fish who ends up being hired to maintain the aquarium at a small cafe. That might not be a particularly strong hook for most readers, but I happen to really like fish and used to keep a tank of my own. It just so happens that the fish Fujita’s been put in charge of are actually dragon gods and the two siblings he works for are fox spirits. From there Stones of Power spins off into an increasingly strange and dangerous situation in which Fujita, who apparently has an unexpected affinity for the occult (or at least the dragons), is unwittingly dragged into a battle between the foxes and an ancient power that threatens the life of an innocent young girl.

Manga the Week of 2/18

February 12, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ 1 Comment

SEAN: A fairly subdued third week, with a lot of recurring series and one decidedly odd debut.

On the Kodansha side, Cage of Eden has another fanservice-tastic cover for its 17th volume, but hopefully will work in some more giant extinct animals and brushes with death as well.

And we get the final volume of over-the-top manga comedy Manga Dogs with Vol. 3.

Seven Seas has a fourth volume of Black Butl—sorry, of Devils & Realist. (Their plots aren’t all that alike, but they seem to share the same aesthetic.)

And we get a 2nd volume of superhero manga Lucifer & The Biscuit Hammer, with vols. 3 & 4. The end of the first omnibus got dark pretty fast – will we get new heroes?

ASH: I had no idea what to expect from the first omnibus, and I’m not sure where the second one will be going, but I’m rather enjoying the series’ quirkiness.

SEAN: Nurse Hitomi’s Monster Infirmary is a new Seven Seas series that looks to combine monsters from mythology and slapstick comedy. And given it runs in Comic Ryu, I expect a lot of fanservice as well.

Vertical has a 5th volume of shonen card-battle manga Cardfight!! Vanguard (the exclamation point placement is very important).

And a 3rd Witchcraft Works, with more witches and badass heroines.

ASH: Another delightfully quirky series that I’m enjoying. The artwork is quite nice, too.

SEAN: Lastly, Viz has a 5th volume of dystopian action series Gangsta.

ASH: I’m actually behind in reading Gangsta, but I’ll definitely be picking up the new volume.

ANNA: I think I missed the fourth volume! I do really enjoy this series and am looking forward to catching up.

SEAN: Are you watching out for something this week?

MICHELLE: I am sad to say that literally nothing on this list particularly appeals to me. But! All hope is not lost, for there is more Boys Over Flowers on the horizon and that makes me cautiously happy!

MJ: I am sad to say the same. And I’m probably more skeptical about the Boys Over Flowers than Michelle is, so even that fills me with “meh.”

SEAN: Boys Over Flowers… so much influence, so many volumes, so much “WHY?!?!”

MICHELLE: I admit it has many flaws, but I love it anyway. I’m afraid season two will really suck, but that won’t keep me from checking it out anyway.

ANNA: I am super excited for this!

My Week in Manga: February 2-February 8, 2015

February 9, 2015 by Ash Brown

My News and Reviews

A small variety of posts went up at Experiments in Manga last week. First up, the Cinderalla manga giveaway winner was announced. The contest was a tie-in to the Female Goth Mangaka Carnival, so the post also includes a list of the featured creators’ manga available in English. The first in-depth manga review for February was Saki Nakagawa’s Attack on Titan: Junior High, a parody spinoff of the immensely popular Attack on Titan franchise. The series’ funniness can be somewhat uneven, but it can be absolutely hilarious at times. And posted over the weekend was January’s Bookshelf Overload, revealing the absurd amount of manga that came into my household last month.

Elsewhere online, Viz Media’s Shojo Beat announced two new licenses: QQ Sweeper by Kyousuke Motomi (the creator of Dengeki Daisy, which I rather enjoy) and Idol Dreams by Arina Tanemura. Organization Anti-Social Geniuses posted The Very Unofficial Guide to Discovering Manga in 2015, which is a nice overview of demographics, publishers, where to read and buy manga, and so on. Den of Geek has an interview with comics historian Graham Kolbeins, one of the editors behind Massive: Gay Erotic Manga and the Men Who Make It and The Passion of Gengoroh Tagame: The Master of Gay Erotic Manga. Finally, Otaku USA interviews Patrick Macias about Hypersonic Music Club, his collaboration with artist Hiroyuki Takahashi and the first of Crunchyroll Manga’s original series.

Quick Takes

Sky Link by Shiro Yamada. Like many boys’ love mangaka, before making her professional debut Yamada started by creating doujinshi (she seems to have been particularly fond of pairing Gintoki and Hijikata from Gin Tama together). Sky Link is Yamada’s first original manga and is currently the only work of hers available in English. The volume collects two unrelated boys’ love stories, the titular “Sky Link” and “You through a Kaleidoscope.” Unfortunately, neither of the short manga are particularly satisfying; while her artwork can at times be quite lovely (occasionally her characters’ eyes are unintentionally creepy), Yamada definitely has room to grow as a storyteller. “Sky Link” had too many disparate elements to it. It could have worked quite well as a longer series, but as a short story Yamada didn’t have enough time to effectively develop the plot or characters and everything is left frustratingly vague. Ritsuki is a first year college student with some sort of troubled past who has caught the attention and affections of one of his new professors who, it is later revealed, has a troubled past of his own. “You through a Kaleidoscope,” a fairly standard high school boys’ love romance, isn’t as ambitious but is more successful as a result.

Tsubasa: Reservoir Chronicle, Omnibuses 1-2 (equivalent to Volumes 1-6) by CLAMP. I originally read the first few volumes of Tsubasa back when it was being released by Del Rey. Because I was borrowing it from the library and people had a tendency to steal volumes Tsubasa and its sort-of crossover series xxxHolic, I never got very far with the series. I’m glad that Kodansha is bringing Tsubasa back into print, because it really is an immensely enjoyable adventure tale. And because the setting is constantly moving from one dimension to the next, CLAMP is able to have a lot of fun with the clothing designs and worldbuilding from one short story arc to the next. The drive of the series is the search for Princess Sakura’s memory, pieces of which have been scattered throughout space and time, but the remembrances of her and the other characters form an important part of the story as well. I do think I’m enjoying Tsubasa a little more my second time trying to read it. I’ve now been exposed to more of CLAMP’s work, so I can better appreciate the references being made and the alternate-dimension versions of characters from the group’s other manga. (Seeing couples originally from X actually have a chance at happiness is both touching and heart-wrenching.)

UQ Holder!, Volume 3 by Ken Akamatsu. I enjoyed the third volume of UQ Holder more than I did the first two, but the series has yet to win me over. It seems as though the manga is starting to focus a bit more, which it desperately needed to do, but that may simply be because Akamatsu spends very little time on trying to develop a coherent plot and primarily sticks with the action sequences. The third volume is almost entirely devoted to a sequence of fight scenes. Right now the battles in UQ Holder are probably my favorite thing about the series. They are entertaining, exciting, and extremely energetic. And because immortals are involved, they can be pretty epic, too. The damage inflicted on both persons and property is impressive. Many of the characters, even the non-immortals, have superhuman powers of some sort. Incredible strength, quick regeneration, shape-shifting, and magic—either alone or in combination—are only a few examples of the over-the-top abilities found in UQ Holder. But as entertaining as the battles can be, from time to time the action is unclear. Something will happen and it will be extremely difficult to understand exactly what or how. I’m not even going to try to attempt to explain why Yukihime suddenly loses her skirt for seemingly no reason.

Manga the Week of 2/11

February 5, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 2 Comments

SEAN: It’s Velentine’s Day week at Manga the Week of, and I wonder how romantic these titles are?

Ze from 801 Media has hit double digits, and is still the most popular manga among titles with two letters in them. (Sorry, ES).

MICHELLE: Tezuka’s MW: *kicks a rock*.

SEAN: I feel ashamed for forgetting about MW. All right, sorry, Ze. I have no jokes to make about you at all. Hang your head.

ASH: I was actually just thinking about Eternal Sabbath the other day…

SEAN: Dark Horse gives us more manly manga with a 4th Samurai Executioner omnibus.

A 6th volume of Say “I Love You” from Kodansha gives us more shoujo angst.

MICHELLE: Woot!

ANNA: Yay!

SEAN: And there’s a 3rd Tsubasa Reservoir Chronicle omnibus as well.

MJ: I think there’s a general feeling of “ho hum” regarding this omnibus release, but I’m really happy to see it. I read this series by way of library copies and volumes borrowed from friends, and I’ve been eyeing it as a way to finally collect it for myself. So, yay!

SEAN: Alice in the Country of Joker: Circus & Liar’s Game has been my favorite Alice spinoff, and I am sad to see it come to an end with this 7th volume.

ASH: I recently finished reading Alice in the Country of Hearts and really enjoyed it; this might actually be the spinoff I tackle next.

ANNA: I liked the main series but have never been able to get more than a couple volumes into a spinoff.

MICHELLE: Same here.

SEAN: Dragonar Academy has a 5th volume.

And we get the final volume of I Am Alice: Bodyswap in Wonderland, making this a double-Alice week.

Vertical has the 3rd volume of Ajin, which has demi-humans (are there panhumans?).

ASH: Demi-humans, pan-humans, omni-humans, in-humans, etc., etc.

SEAN: And another gritty title from Vertical, the 2nd volume of Prophecy, which continues to not feature a giant mutated bear. I suppose that’s not technically a flaw.

ASH: No, no bears, but still one of the best manga series that I’ve read lately.

SEAN: Viz has a quartet of titles, beginning with the 7th volume of Deadman Wonderland.

I reviewed Hayate the Combat Butler 25 here. Can it follow up from its recent dramatic turn?

And Magi has Vol. 10 arrive, which I anticipate will be awesome. Just a guess.

MICHELLE: And woot again!

SEAN: Lastly, there’s a 6th volume of the Tiger & Bunny manga, which likely has far more BL fans than actual BL titles like Ze.

ASH: And you didn’t think you had any jokes about Ze to make!

MJ: Ha!

SEAN: That’s actually not that much romance. What looks good to you?

My Week in Manga: January 26-February 1, 2015

February 2, 2015 by Ash Brown

My News and Reviews

The Female Goth Mangaka Carnival wrapped up last week. In addition to my recent Spotlight on Mitsukazu Mihara, I also contributed two other related posts. The first was Experiments in Manga’s latest giveaway. There’s still time to enter for a chance to win Junko Mizuno’s Cinderalla. I also posted a review of Asumiko Nakamura’s manga Utsubora: The Story of a Novelist. It’s a dark and twisting tale, and one that I come to love a little more each time I read it. Completely unrelated to the Carnival, last week I also reviewed Yasunari Kawabata’s The Sound of the Mountain, a classic novel about growing older and family relationships.

Elsewhere online, Viz announced that it will be bringing Shotaro Ishinomori’s The Legend of Zelda: A Link to the Past back into print, which I’m looking forward to a great deal. Media scholar Henry Jenkins is posting lengthy, in-depth interview with Patrick W. Galbraith, “In Defense of Moe,” talking about manga, anime, and otaku studies (Part 1|Part 2|Part 3|Part 4|Part 5|Part 6). Digital Manga has launched its next Tezuka Kickstarter to publish Osamu Tezuka’s two-volume Alabaster with a stretch goal to reprint Swallowing the Earth (again). A recent update for Digital Manga’s Finder Kickstarter includes a link to a list of boys’ love titles that are currently in stock. Perhaps most importantly, it indicates which manga are available in limited quantities.

Quick Takes

The Heroic Legend of Arslan, Volume 2 by Hiromu Arakawa. The particular weakness of the second volume of The Heroic Legend of Arslan is that while the battles and sieges are proceeding at a good pace–and Arakawa’s fight and action sequences are excellent–there is a relative lack of character development. Unsurprisingly, considering that the manga takes place during a time of war, there are important, dramatic deaths, but emotionally they aren’t especially effective since readers hadn’t had the opportunity to really get to know those involved before their demise. At this point, many of the antagonists and even a fair number of the series’ protagonists are missing complexity and nuance. Thankfully Arslan himself does show a little growth by the end of the volume, but attention is mostly given to the war being fought and some of the political intrigue behind it all. Granted, those are very important aspects of the series since they are what Arslan must overcome. However, I am hoping that future volumes will spend more time examining the characters as people. Intense, bloody battles are all well and good, but I want to more completely understand the motivation and drive behind them.

My Neighbor Seki, Volume 1 by Takuma Morishige. I was originally only vaguely curious about My Neighbor Seki, but after watching the absolutely delightful anime adaptation last year, I knew it was a series that I couldn’t miss. The premise is deceptively simple: Yokoi sits in the last row of seats in her classroom right next to Seki, a boy who is always goofing around at his desk. Yokoi finds this incredibly distracting, especially since the ways in which Seki amuses himself can be spectacularly elaborate. Often she’s astounded by Seki’s audacity, but on occasion she can’t help but to join in or interfere with what he’s doing. Of course this means she’s often the one in danger of getting into trouble with the teachers for not paying attention in class. The individual chapters in My Neighbor Seki may be short, but the sheer creativity displayed by Morishige, and in turn by Seki, is quite impressive. The original My Neighbor Seki manga is just as wonderful as the anime was; I’ll definitely be following the manga to its end. (In Japan the series is currently ongoing with six volumes having so far been released.) My Neighbor Seki is funny and charming and a marvelously entertaining read.

Secrecy of the Shivering Night by Muku Ogura. After reading the first volume of the short boys’ love series Castle Mango, I decided to seek out more of the artist’s work. Currently the only other manga of her’s available in print in English is Secrecy of the Shivering Night. Unlike Castle Mango, Ogura wrote the stories collected in Secrecy of the Shivering Night in addition to illustrating them. The volume includes four short boys’ love manga which, other than tending towards the more sweet or romantic and having slightly peculiar lead characters, are all unrelated. The setup for the titular story is perhaps the most curious and seemingly far-fetched–a young man who is afraid of bright lights and another young man who is afraid of the dark end up as dorm roommates–but the resulting relationship dynamic is surprisingly satisfying. Their opposite phobias, but even more so their opposite personalities, make them an adorable couple. Secrecy of the Shivering Night isn’t an especially outstanding collection, but the stories are generally cute and a little bit quirky, which are characteristics I happen to particularly enjoy, and Ogura’s artwork has a pleasant softness to it.

Terra Formars, Volumes 2-4 written by Yu Sasuga and illustrated by Ken-ichi Tachibana. If the first volume of Terra Formars largely felt like a stand-alone prequel, that’s because it was. The second volume begins twenty years later. An exceptionally fatal disease is becoming more prevalent on Earth which requires a new mission to Mars in order to research a cure. Shokichi Komachi, one of the two survivors from the previous Mars mission, leads a crew of one hundred men and women genetically modified to survive the conditions and lifeforms found on the planet. Terra Formars continues to be extraordinarily violent with an incredibly high body count, though considering the first volume I was actually surprised by how many people are left alive by the end of the fourth. It seems as though there might be an actual plot to Terra Formars, but it’s mostly just an excuse to show epic, over-the-top hand-to-hand combat between opponents with astounding, superhuman abilities. I still dislike the visual design of the humanoid cockroaches immensely, but at least there’s an attempt in these volumes to better explain their appearance. The portrayal of women in the manga has slightly improved, as well.

Princess Tutu directed by Junichi Sato. I picked up Princess Tutu more on a whim than anything else when I saw it on super sale. Although I vaguely remembered hearing good things about the anime, I honestly didn’t know much about the series. I’m very glad that I own it because Princess Tutu is marvelous. I do find it somewhat difficult to describe in a way that does the justice, though. The story follows a girl called Duck who really is a duck. She’s under an enchantment that allows her to not only take human form but to also become the magical Princess Tutu. Through the power of her dance she restores the shattered heart of a prince who had sacrificed himself to save others. That all might sound a little strange, and parts of the anime are admittedly weird, but the series is also very good. Stories are just as real as reality in Princess Tutu, and just as potent if not more so. Bits and pieces of classic ballets, operas, and plays can be found throughout the series all mixed together to form a unique work. I absolutely loved the anime’s use of orchestral works not just as background music but as meaningful additions to the story, emphasizing the significance of the characters and of their actions and, for those who are familiar with the pieces, even revealing some of the plot.

Manga the Week of 2/4

January 29, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ 3 Comments

SEAN: Did you enjoy your quiet month? Good, cause February is back to business as usual, and every week has some chunky bites of manga. Let’s look at next week. FYI, Diamond Comics has every Viz title coming out 1-2 weeks earlier than usual, for some reason – I’m ignoring that. And JoJo’s was delayed.

ASH: Oh, no! JoJoooooo!

ANNA: I do not approve of this.

SEAN: Dark Horse has the 7th Blood Blockade Battlefront, which I understand has an anime coming out soon.

Seven Seas gives us a 5th volume of oddball slice-of-A Centaur’s Life.

And the 10th volume of Haganai, whose cast still doesn’t have many friends.

The rest is all Viz. We have a new Assassination Classroom, filled with attempted death and heartwarming lessons.

ANNA: Bring it on!

SEAN: We have a 3rd volume of Black Rose Alice, and I’d like to remind the Manga Bookshelf team that they can’t pick it two weeks in a row. :)

MICHELLE: I won’t, but I am still super happy to see it!

ASH: I’m happy to see it, too!

ANNA: I might pick it again! You can’t stop me!

MJ: Heh. I didn’t pick it last time, so it’s up for grabs!

SEAN: Bleach 63 features, I’m guessing, fights.

Food Wars 4 also features fights, but of a culinary kind. Save the Megumi!

MICHELLE: I have developed a serious fondness for Food Wars.

ANNA: I do not yet have a serious fondness, but I like it much more than I expected to.

SEAN: The 10th and final volume of Happy Marriage?! wraps up next week. It’s been a very up and down series, but overall I’ve enjoyed it.

MICHELLE: It’s not something I can picture myself rereading, but it has been entertaining.

ANNA: Me too. I’m glad to have read it, but I don’t think I’ll be rereading it.

SEAN: High School Debut has its 5th and final omnibus. The big news is that it has lots of material that never came out in print before – I believe Vols. 14 and 15 are unique to this volume! It’s also print-only, so go get it.

MICHELLE: !!!!!!!!!!!!1 (Heh, I swear that typing that 1 was legitimately an accident, but I’m leavin’ it!)

ANNA: Woah! I’ve got to pick this up!

MJ: Ooooooooooh.

SEAN: If you thought Honey Blood was over last time, well… it was. But Tale Zero is an epilogue, or prologue, or pilot. Or something? In any case, this is the last Honey Blood-related product.

MICHELLE: I have a vague memory of one of the author’s note sections during the series proper mentioning that this would contain the original oneshot. Not sure about that, though.

ANNA: I’d like to see more from this author eventually.

SEAN: We have the 25th and final volume of Nura: Rise of the Yokai Clan. I enjoyed this a lot more than I’d expected, and probably more than it really deserved, but way to go, mid-range Shonen Jump title. You were licensed when many other 20-30 volume Jump series were not.

One Piece has its 11th omnibus. It’s in Water Seven now, one of its best arcs.

Spell of Desire hits Vol. 3, and I hope manages to resolve the rather icky cliffhanger Vol. 2 left us with.

Voice Over has its 9th volume, and seems to be slowly, very slowly, meandering towards its climax.

MICHELLE: Here’s another title I’ve grown to love unexpectedly.

MJ: I need to check back in with this series.

SEAN: World Trigger has Vol. 4, and is another on the list of ‘series I should know more about’.

Did you miss Yu-Gi-Oh! the first time around? Here’s an omnibus to catch up on.

And Yu-Go-Oh Zexal 6 gives you more Yu-Gi-Oh than human nature can possibly stand.

There’s a lot of ‘meat and potatoes’ shonen and shoujo here. What suits your fancy?

Manga Giveaway: Cinderalla Giveaway

January 28, 2015 by Ash Brown

It’s the end of the month which means it’s time for another manga giveaway! Because the Female Goth Mangaka Carnival is currently underway (featuring the work of Kaoru Fujiwara, Maki Kusumoto, Mitsukazu Mihara, Junko Mizuno, Asumiko Nakamura) I decided to do a tie-in giveaway. This month you all have a chance to win a copy of Junko Mizuno’s Cinderalla as published by Viz Media. And as always, the giveaway is open worldwide! (However, you must be at least eighteen years old to enter.)

Way back in 2010, I had the opportunity to attend the Best Manga You’re Not Reading panel at the American Library Association’s annual conference. It was there that I was introduced to the work of Junko Mizuno, and specifically to her manga Cinderalla—a psychedelic retelling of the classic tale of Cinderella with zombies, yakitori, and pop idols added in for good measure. I had never seen anything like it before and I loved it. Mizuno’s brightly colored artwork in Cinderalla shows her mastery of a very distinctive and even beautifully stunning creepy-cute aesthetic. Quite a few of Mizuno’s manga have been released in English—and I’ve enjoyed many of them—but I will always remember Cinderalla as being my first.

So, you may be wondering, how can you win a copy of Cinderalla?

1) Have you ever read anything by Kaoru Fujiwara, Maki Kusumoto, Mitsukazu Mihara, Junko Mizuno, or Asumiko Nakamura? If so, tell me what you thought in the comments below. (And if you haven’t, you can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it. For this giveaway, each person can earn up to two entries and has one week to submit them. If needed or preferred, comments can also be sent directly to me via e-mail at phoenixterran(at)gmail(dot)com. I will then post them here in your name. The giveaway winner will be randomly selected and announced on February 4, 2015. Meanwhile, I hope you enjoy the Carnival!

Contest winner announced—Manga Giveaway: Cinderalla Giveaway Winner

My Week in Manga: January 19-January 25, 2015

January 26, 2015 by Ash Brown

My News and Reviews

Last week I posted a review of Chōhei Kambayashi’s award-winning novel Good Luck, Yukikaze. Because I had enjoyed Yukikaze, the first novel in the series, I was looking forward to reading its sequel. Sadly, although there is some tremendously thought-provoking material in Good Luck, Yukikaze, I found it to be incredibly frustrating as a novel. Also posted last week was my first (and what will probably be my most substantial) contribution to the Female Goth Mangaka Carnival: a spotlight on Mitsukazu Mihara. I’ve previously written a little about her manga series The Embalmer, but this time I took a brief look at all of her manga that was released in English and examined some of the recurring themes found in her work.

Speaking of the Carnival, the hosts at The Beautiful World posted an excellent introduction which includes biographical information of the featured artists as well as an overview of gothic fashion and literary themes. Elsewhere online, Mangabrog has translated a conversation between Hiroaki Samura and Masashi Kishimoto. Chromatic Press has some additional comments on making Sparkler Monthly back issues free to read. (Most importantly, the magazine needs 1,000 subscribers by the end of July 2015 to ensure it survives into its third year.) And some great news from France, Jiro Taniguchi and Baku Yumemakura’s manga series The Summit of the Gods (a favorite of mine) is being adapted as an animated film.

Quick Takes

Corto Maltese: Under the Sign of Capricorn by Hugo Pratt. A portion of Corto Maltese, a seminal comic created by Italian artist Hugo Pratt in 1967, was previously translated into English, however that release was criticized for its use of altered and reformatted page layouts among other things. Under the Sign of Capricorn is technically the third Corto Maltese collection, but it’s the first volume to be released in the series’ new English-language edition from EuroComics, IDW’s newest imprint. The goal is to release the entire twelve-volume series using the original artwork and oversized format over the next few years. Under the Sign of Capricorn is a great looking comic, the high-quality paper and large trim size shows off Pratt’s superb black and white artwork. The titular Corto Maltese is a sea-captain who, though he claims to have no enemies and to live only for himself, frequently finds his life in danger as he tends to side with the underdogs in their battles against those who hold power over them. (He’s a fantastic character.) Under the Sign of Capricorn is a collection of connected adventure stories, many with a slight touch of the supernatural and a lot more humor than I was anticipating. I’m looking forward to reading more of the series.

Noragami: Stray God, Volumes 2-3 by Adachitoka. It took a little while for the first volume of Noragami to settle on its tone, but these two volumes have managed to achieve an excellent balance between the series’ humor and drama. They also explore more of the manga’s worldbuilding and delve more deeply into the mechanics of the gods’ relationships with their shinki. New characters and adversaries have been introduced as well. I initially thought that Noragami might be an episodic series–it certainly has a setup that would lend itself well to that format–but it looks like the manga will have an ongoing and increasingly complex plot. In a series about a low-level god of war who is trying to raise his status and gain followers, it’s not too surprising that other Japanese deities make an appearance in Noragami. However, some of them are portrayed very differently than their traditional counterparts. I was greatly amused by this, but then I already have some knowledge of Japanese religion and mythology. There are translation notes provided for readers who aren’t as familiar, but the delightful incongruities probably won’t be as effective without some prior understanding. However, overall enjoyment of Noragami doesn’t rely on esoteric expertise.

Tough Love Baby by Shiuko Kano. While it’s not an exceptional boys’ love one-shot, Tough Love Baby was actually fairly solid. This was a pleasant surprise, especially considering my frustrations with some of Kano’s other early works. (And Tough Love Baby is one of her earliest.) Another pleasant surprise–since I’m into that sort of thing–was the somewhat reversible nature of two of the characters. Despite being the secondary couple, I was actually much more interested in the relationship between Tamotsu and Sora than I was in the relationship between Yoshino and Sachi. This was mostly because I ended up particularly liking Sora. (Tamotsu can be a bit of a jerk, though on occasion he does try not to be.) Sora is diminutive throughout high school, but undergoes a tremendous growth spurt upon entering college. Even though he’s much taller than everyone one else, adorable is still the best word to describe him. In some ways, Sora’s story actually parallels Sachi’s. After a three-year absence, Yoshino returns to discover that the cute thirteen-year-old boy he had developed feelings for has grown up to become a juvenile delinquent. Tamotsu is one of Sachi’s friends and a fellow tough guy, but he happens to be in love with Sachi, too. Which brings the story back to Sora, who greatly admires and falls for Tamotsu.

Random Musings: Spotlight on Mitsukazu Mihara

January 23, 2015 by Ash Brown

For the last two weeks of January 2015, the Female Goth Mangaka Carnival is focusing on the works of Kaoru Fujiwara, Maki Kusumoto, Mitsukazu Mihara, Junko Mizuno, Asumiko Nakamura. While I’ve read and enjoyed manga created by almost all of those women, Mihara is the mangaka that I’ve read the most of and am most familiar with out of the group. (Granted, that may in part be due to the fact that of the five she has had the most manga licensed and released in English.)

The Creator

Sadly, there doesn’t actually seem to be very much information available in English about Mitsukazu Mihara beyond a few well-established facts. She was born in Hiroshima, Japan on October 17, 1970 and for a long time was based in Osaka. (I believe she may now be working out of Tokyo.) She made her manga debut in 1994 and has been writing and illustrating ever since. Mihara is often credited as being particularly influential in refining the Gothic Lolita sensibility and she frequently served as a featured illustrator for the Gothic & Lolita Bible magazine.

Between 2004 and 2007, Tokyopop released many of Mihara’s works in English, beginning with her series Doll. Mihara is particularly known for her short manga with twists–even her long-form works tend to be fairly episodic–and she frequently employs darker themes and includes heavy psychological elements in her stories. Her manga is influenced and inspired by the problems and issues that she sees in society as well as by her own personal traumas. As she states in an interview from 2008 in the debut issue of the North American edition of Gothic & Lolita Bible, “Often, my greatest work is born during the bad times.”

The Manga

Although IC in a Sunflower (1997) contains some of Mitsukazu Mihara’s earliest work, the volume was actually the last of her manga to be licensed in English. A collection of seven unrelated short manga, the volume includes her award-winning debut “Keep Those Condoms Away from Our Kids.” Another of the collected stories, “The Sunflower Quality of an Integrated Circuit,” would later be tied into her series Doll.

While there is some absurdity and black humor in R.I.P.: Requiem in Phonybrian (2000), the volume’s darker elements take precedent. The manga follows the angel Transylvanian Rose who has rescued the soul of a suicide, but he isn’t particularly happy about this turn of events, nor is he particularly interested in his new responsibilities of cleansing other souls. The manga starts out fairly episodic but quickly coalesces.

Beautiful People (2001) is another collection of Mihara’s short manga and includes six unrelated stories. The volume features a range of genres and sub-genres including science fiction, fantasy, magical realism, post-apocalyptic fiction, contemporary drama, and suspense. In general, like much of Mihara’s work, the manga included in the volume tend to be darker in tone, but there are moments of brightness as well.

The manga that Mihara is probably most well-known for, at least in English, is her six-volume Doll (2000-2002). The manga is a series of loosely interconnected stories of androids and angst that are tied together by the end of the final volume. Although the Dolls are an important part of the series, the focus of the manga is much more on the humans and their relationships to the Dolls and to each other.

Because it’s primarily a comedy, Haunted House (2002) stands out from the rest of Mihara’s manga available in English. Granted, it still has elements of horror in an Addams Family sort of way. Sabato Obiga is a teenager who desperately wants two things in his life: a girlfriend and a normal family. Unfortunately, the eccentricities and occult interests of his “death flavored” relatives would seem to make both an impossibility.

My introduction to Mihara’s work was through her series The Embalmer (2003-2013) and it remains my personal favorite of her manga. Sadly, only four of the series’ seven volumes were released in English. I’ve actually written a little about the series before, specifically in regards to the main character and the role of embalming in the story. Less fantastic than many of Mihara’s other manga, the series has a strong grounding in reality.

The Themes

There are many themes and variations upon them that appear and reappear throughout Mitsukazu Mihara’s work. One of the most prominent elements in Mihara’s manga is the inclusion of families. Even Haunted House, which is so unlike many of her other works, has a family at its core. The families in Mihara’s manga are often broken and in need of healing, but underlying all that turmoil and trauma is an understanding of the immense importance of family and the profound influence, both positive and negative, that a family has on its individual members.

Similarly, there is an intense longing for love and connection that pervades Mihara’s work. Her characters are searching for someone they can be close to, someone they can trust, someone they can reach out to. Sometimes this is found within their families, and sometimes they are forced to look outside of them to satisfy those needs. Love takes on many different forms in Mihara’s stories, and its potential to end in tragedy is just as real as its potential to end in redemption.

Maturer themes dealing with sex and sexuality have been present in Mihara’s work since the very beginning. Her debut manga “Keep Those Condoms Away from Our Kids” (collected in IC in a Sunflower Circuit) tells the story of a near-future Japan in which the birthrate has plummeted because younger generations have completely lost interest in sex. In the post-apocalyptic vision of “World’s End” (collected in Beautiful People), a peculiar twist of fate means that a lesbian and a gay man may be the only survivors. Perversion, fetishism, bondage, and sadomasochism can be seen in much of Mihara’s work as well, but perhaps most obviously in Doll.

Although frequently viewed through the lens of speculative fiction, Mihara isn’t afraid to look at the harsher realities of life and the darker sides of human nature. Abuse, obsession, sexual violence, and other harmful deviant behaviors can all readily be found within her work. Many of Mihara’s characters are suffering, whether from the actions of others or from their own personal demons and psychological disturbances. There is tragedy, sadness, and pain in both their lives and their relationships. Life isn’t always pretty, and Mihara doesn’t shy away from that fact in her manga.

People can be cruel and are capable of terrible things. As is seen again and again in Mihara’s work, it takes a human to be inhumane. The monsters in her stories are often the ones showing the most empathy and caring for others. Sometimes those monsters are literal–like the vampire in “Blue Sky” (collected in Beautiful People). Sometimes they are beings of human design–like the clones in “Alive” (collected in IC in a Sunflower) or the Dolls. And sometimes they are other people who are for one reason or another shunned, abandoned, or reviled by the rest of society. But there is some hope in humanity that remains–people are changed, often for the better, by their interactions with those “monsters.”

Death and dying are themes that frequently make an appearance in Mihara’s work, but at the same time an immense respect and reverence for life can always be seen. Matters of life and death are most realistically examined by Mihara in The Embalmer, the series focusing on those left behind to grieve the deaths of their loved ones. The characters must respond to that loss of life in a very personal way and their relationship with death is constantly changing as a result. Requiem in Phonybrian and many of Mihara’s short manga take a more fantastic approach to death and the afterlife, but emotionally it is all still very real.

Mihara’s manga deal extensively with dualities. This is visually epitomized in the Gothic Lolita aesthetic which Mihara frequently incorporates into her work, but it is also present in the narrative themes that she explores. Light and darkness. Beauty and ugliness. Innocence and perversion. Love and hate. Purity and corruption. Human and inhuman. Hope and despair. Life and death. They are pairs of concepts that are so closely intertwined that it is simply impossible for them to be separated from each other.

They are all also qualities that exist simultaneously within a single person or a single story. Although often viewed as positive or negative characteristics, Mihara’s work shows that they aren’t necessarily inherently good or bad. Rather, it’s a fixation on a particular ideal or other imbalance in those qualities that truly causes harm. Mihara’s stories, just like individuals, contain many complexities, contradictions, and layers. They can be shocking and surprising and may often have more depth to them than might first appear.

Manga the Week of 1/28

January 21, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: The final week of January, and a quiet, peaceful time for books. After last week, that’s a relief.

(Note: Diamond Comics is shipping some Viz stuff to me 1-2 weeks early; I’m assuming that’s them and going with the official release dates, so they’ll be in upcoming posts. I’m also getting Soul Eater late. Diamond gonna Diamond.)

Dark Horse has the 34th volume of Gantz, which despite my occasional mockery has done very well for them, as can be seen by their license of another series by the same author. Still no HEN, though. Or even Hen.

Kodansha has a new Fairy Tail, the 46th. After this one, we go from monthly to bimonthly, so the Fairy Tail catchup seems to have finally slowed down. Kudos to all who stayed caught up.

MICHELLE: Which wasn’t me!

SEAN: I didn’t think Whispered Words’ 3rd omnibus was coming out from One Peace books till late March, but it was shipped to me last week, so yay for early bird releases. I’ve already reviewed it here.

ASH: My copy arrived early, too! I’m looking forward to finishing the series.

MJ: This is definitely something to look forward to!

MICHELLE: I haven’t checked back in with this title since the first omnibus, so an early conclusion is definitely an incentive.

SEAN: One Peace also has the 3rd through 5th volumes of Raqiya also coming out, which I believe completes the series.

ASH: It does indeed.

SEAN: Lastly, Diamond Comics has started shipping print copies of the final volume of Neon Genesis Evangelion, so even though I highlighted in in November when it came out digitally I will mention it again here.

Do you see something here you want? Or are you taking the week off?

ANNA: I’m taking the week off! More of an opportunity to make some headway with all the stacks of unread manga piled up in my house.

My Week in Manga: January 12-January 18, 2015

January 19, 2015 by Ash Brown

My News and Reviews

I posted two reviews at Experiments in Manga last week. The first review was of Manazuru, Hiromi Kawakami’s first novel to be translated into English. It’s a slightly surreal but moving work about memory, loss, letting go, and moving on. I had previously read and enjoyed some of Kawakami’s short stories, but Manazuru is her first long-form work that I’ve read. The other review posted last week was a part of my monthly horror manga review project. In December I took a look at took a look at Setona Mizushiro’s After School Nightmare, Volume 1, but this month I started digging into Yuki Urushibara’s award-winning Mushishi, which happens to be one of my favorite manga series. (Next month will be After School Nightmare‘s turn once again, and I’ll continue to alternate between the series.)

On to other interesting news and reading! Sparkler Monthly has a new subscription model for the new year, which means even more of its content is now free. (But if you like what you see, please consider becoming a member!) Kodansha Comics announced several new licenses, including a new series from Blade of the Immortal‘s Hiroaki Samura among other intriguing manga. Amazon leaked Vertical Comics’ most recent acquisition announcement, Hajime Segawa’s Tokyo ESP. And speaking of Vertical, here’s a list of Vertical manga that may be going out of print in the near future. And completely unrelated, Gayumbos has an interview with Kazuhide Ichikawa, one of the creators featured in Massive: Gay Erotic Manga and the Men Who Make It.

Finally, I wanted to draw everyone’s attention to the Female Goth Mangaka Carnival which is currently under way and will continue through the end of January. Hosted by the The Beautiful World, which previously hosted the Kaori Yuki Manga Moveable Feast, the Carnival is focusing on Fujiwara Kaoru, Kusumoto Maki, Mitsukazu Mihara, Junko Mizuno, Asumiko Nakamura and their works. I have a few things in mind for the Carnival, including a spotlight on Mitsukazu Mihara, a manga giveaway that ties into the Carnival, and a review of Asumiko Nakamura’s Utsubora. Assuming all goes according to plan, my Carnival posts should start showing up by Friday.

Quick Takes

Ani-Imo, Volume 1 by Haruko Kurumatani. I often enjoy body-swap manga, but I was somewhat wary of Ani-Imo. I’ll admit, the first volume actually wasn’t as terrible as I anticipated it would be. There were even parts of it that I legitimately liked. Still, overall I really can’t say that I enjoyed the manga. There’s a lot about Ani-Imo that frankly makes me uncomfortable. I’m actually not bothered by the potential incest itself (although the manga’s excuse that makes it not really incest seems awfully convenient and not particularly believable). However, I intensely disliked the doctor in the manga. He comes across as extremely predatory and unfortunately his bisexuality is used to emphasize that point. Also, the young women in the series, despite being high schoolers, look more like elementary grade students, which makes the sexual overtones of Ani-Imo even harder to take. Some of the manga’s creepiness I’m sure is intentional, but since the series seems to be trying to be a comedy. The balance of the series’ tone doesn’t seem quite right and the manga ends up being a bit off-putting.

Manga Dogs, Volume 2 by Ema Toyama. Since Manga Dogs is more of a gag manga than anything else, there isn’t really much of a driving plot to the series. Instead there’s the initial setup (a high school with a new, but abysmally supported manga program) and the introduction of the main players (Tezuka and the three classmates who have attached themselves to her, as well as a small handful of supporting cast members) which serve as the starting point for all of the hijinks in the series. I’m not really sure where Manga Dogs is heading, or even if it is heading anywhere, but I do find it amusing. Granted, much of the humor depends on a reader having a deeper interest in and understanding of manga and its creation than the casual fan might generally possess. The other major source of the series’ comedy are the goofball antics of Tezuka’s enthusiastic yet delusional devotees–Specs, Prince, and Dream Kid. But, surprisingly enough, although they’re usually air-headed idiots, every once in a while the three of them actually do exhibit some common sense.

Witchcraft Works, Volumes 1-2 by Ryu Mizunagi. Witches seem to be showing up in anime and manga more and more often these days, but I don’t have a particular interest in them. I almost passed over Witchcraft Works because of that. But since it’s a manga being released by Vertical Comics, I was a little more inclined to check it out. That and I generally liked the artwork; the cover in particular is striking, but the interior art looks great, too (even if some of the character designs tend to be absurdly buxom). So far, Witchcraft Works is a delightfully strange and quirky manga, it’s ridiculousness and weirdness making it a lot of fun. I’m especially enjoying the reversals in the usual gender roles–Honoka, the male lead, is the one who needs saving and protecting while Ayaka, the female lead, is the strong and stoic hero. (I also love that she’s at least a head taller than him.) Ayaka is an incredibly powerful fire witch which means many of the action sequences are done and over with before they’ve really had the chance to begin, but at least she puts an end to things with flair. And often literally with flare.

TaishoBaseballGirls Taisho Baseball Girls directed by Takashi Ikehata. Although I’ve discovered that I generally enjoy sports anime, I was particularly interested in Taisho Baseball Girls because of its historical setting. Not many series take place during the Taisho era, a time period in which Japan was becoming increasingly Westernized and there was some societal anxiety caused by that. Although the twelve-episode anime is based on an ongoing series of light novels written by Atsushi Kagurazaka, it tells a complete and very satisfying story. A group of nine high school girls band together to form a baseball team in order to challenge an all-boys team and prove that women’s place in the world shouldn’t be and isn’t limited to the household. The problem is that very few of the girls actually have any experience playing baseball. Taisho Baseball Girls is a charming and heartwarming series without being overly sentimental. Some of the girls’ family members, friends, and teachers oppose what they’re doing and their unladylike behavior while others are incredibly supportive of them and their hard work.