Features

Manga Giveaway: Kodansha Shoujo Smorgasbord

November 25, 2015 by Ash Brown

The end of November is almost here, and you know what that means! It’s time for another manga giveaway at Experiments in Manga. As is tradition for November’s giveaway, in celebration of Thanksgiving in the United States (my favorite holiday) I’m offering up a manga feast. You all will have a chance to win not one, but four volumes of manga this month: LDK, Volume 1 by Ayu Watanabe; Let’s Dance a Waltz, Volume 1 by Natsumi Ando; My Little Monster, Volume 1 by Robico; and Say I Love You, Volume 1 by Kanae Hazuki–a veritable smorgasbord of shoujo from Kodansha Comics! And, as always, the giveaway is open worldwide.

When I used to think of Kodansha Comics, shoujo manga never really came to mind. However, over the last couple of years, the publisher has made a point to expand its shoujo offerings. As a result, Kodansha has started to develop a nice catalog of shoujo manga, including titles that feature science fiction, mystery, action, romance, comedy, drama and more. For the most part, I’ve really been enjoying Kodansha’s shoujo series and I like seeing the variety in the manga.

So, you may be wondering, how can you win a Kodansha Shoujo Smorgasbord?

1) In the comments below, tell me a little bit about your favorite shoujo manga released by Kodansha Comics. (If you don’t have one yet, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each person can earn up to two entries for this giveaway and has one week to submit comments. If you have trouble leaving comments, or if you would prefer, entries can also be emailed to me at phoenixterran(at)gmail(dot)com. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on December 2, 2015. Good luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Kodansha Shoujo Smorgasbord Winner

My Week in Manga: November 16-November 22, 2015

November 23, 2015 by Ash Brown

My News and Reviews

Only one review was posted at Experiments in Manga last week since I’m still on my more relaxed blogging schedule. I’m a little behind in reviewing the series, but I finally took a closer look at What Did You Eat Yesterday?, Volume 8 by Fumi Yoshinaga. I’m still really loving the manga, especially the realistic portrayal of its characters and their relationships. The eighth volume had some heartbreaking moments as well as heartwarming moments and just the right touch of humor to keep it all entertaining.

I came across quite a few interesting things to read online last week. Organization Anti-Social Geniuses has a great post about the skills and education that are helpful for pursuing a career in the manga publishing industry. The Guardian looks at some recent and past manga controversies in the article “Manga rows show why it’s still Japan’s medium of protest.” Also of note, Dark Horse, partnering with Le Vision, will apparently be adapting six Chinese comics into English. Compared to manga or even manhwa, hardly any manhua has been published in English; there is only one other publisher that I know of off the top of my head (JR Comics) which is currently releasing manhua in translation.

Elsewhere online, Manhattan Digest interviewed Graham Kolbeins, talking about gay manga, MASSIVE, and the group’s hopes to expand into more queer content, which is very exciting. Wondering about the state of the English edition of Takako Shimura’s Wandering Son? Crunchyroll gathered together some of the comments made by Matt Thorn (the series’ translator) about the manga’s current status. Sadly, it’s not especially encouraging. Although Fantagraphics has stated in the past that it intends to release the entire series, the publication date for ninth and next volume has yet to be set. Fantagraphics is still working on manga projects, though–Moto Hagio’s Otherworld Barbara should hopefully be released sometime in 2016.

Quick Takes

My Neighbor Seki, Volumes 2-4 by Takuma Morishige. I continue to be utterly charmed and delighted by My Neighbor Seki. The anime series was wonderful, too, but I’m especially glad for the chance to read the chapters that where never adapted. My Neighbor Seki is an episodic manga, but there are a few running jokes that have emerged. Several scenarios feature the robot family, for one; Seki’s younger sister repeatedly appears after being introduced; and Yokoi and Seki’s classmate Goto more than once erroneously believes their relationship to be of a romantic nature. And of course there is the primary gag that underlies the entire series: Seki goofing off in class in impressively ridiculous ways and Yokoi being completely caught up in it all despite herself. My Neighbor Seki is marvelously funny and imaginative. Seki’s antics and Yokoi’s reactions (and overreactions) to them never disappoint. Reading the manga always leaves me smiling and has even been known to make me laugh out loud. I’m very glad that Vertical ultimately decided to release the entire series rather than just a “best of” collection.

One Is Enough by Love. Gen Manga is one of the very few publishers to release translations of doujinshi in English. The selections are independent, amateur works that unsurprisingly vary in quality, but I generally find them interesting. I believe One Is Enough was the first and so far has been the only boys’ love offering from Gen. I originally read the first half or so of the manga while it was being serialized, but am only now getting around to reading the completed volume. I’m not entirely sure whether it’s intentional or not, but at times One Is Enough almost seems to be a parody of boys’ love, exaggerating some of the genre’s well-worn tropes and plot devices. Although there are some nice individual panels and sequences, the manga’s artwork is sadly very inconsistent. Even the story itself seems to be constantly shifting in tone, as though the creator couldn’t quite decide which direction to take the manga. One Is Enough can be silly, cute, and sweet, but it also occasionally deals with some pretty heavy subject matter like suicide and self harm. Honestly, the manga is a bit of a mess without much cohesion, but it does have its moments.

Say I Love You, Volume 9 by Kanae Hazuki. As the winners of the school idol contest, Megumi and Yamato are expected to go on a date with each other, despite the fact that he already has a girlfriend. While I had to suspend my disbelief for some of the setup, Hazuki actually handles the scenario as a whole very well. I was completely satisfied with the way that the date played out and ultimately ended. I also feel better about Megumi as she continues to mature as a person; the date was a turning point for her. Many of the characters in Say I Love You are dealing with some very personal issues, but there is hope that they will be okay in the end even though the journey itself may be painful. After the date and its fallout has been resolved, most of the ninth volume is actually spent exploring the tragic backstory of Yamato’s brother Daichi and how it complicates and interferes with his present-day relationships. Hazuki promises to return to Mei and Yamato’s story which will be good to see, but one of the things I particularly like about Say I Love You is Hazuki’s willingness to take the time to delve into the lives of the other characters as well.

Manga the Week of 11/25

November 19, 2015 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 4 Comments

SEAN: Dark Horse are starting to irritate me with sliding release dates lately. Kodansha do it too, but at least they give a week’s notice or so. In any case, Kurosagi Corpse Delivery Service’s second omnibus is NOT coming out this week, sorry. (And let’s not even talk about what’s happening with Diamond Comics.) As for next week, let’s take a look.

Theoretically, the 2nd Oh My Goddess! omnibus is hitting comic shops next week. But see above.

Kodansha has a giant pile of stuff out next week (well, comparatively, we’re not talking Viz or Yen piles here). The 2nd Inuyashiki seems to feature our young villain on the cover.

The Seven Deadly Sins is doing really really well in Japan, so you know will not be ending with next week’s Volume 11.

A Silent Voice has another volume, and I wonder if our leads will get closer or if events will conspire to destroy their lives again. Or both!

ASH: So far, I’ve been pretty impressed with this series.

SEAN: Tsubasa Reservoir Chronicle reaches its 6th omnibus, and I think we’re nearing peak crossover here.

UQ Holder also has a 6th volume coming out. I enjoy it, but can’t find much to say about it.

The final omnibus of Lucifer and the Biscuit Hammer is out, with the 9th and 10th volumes. It’s such a great series, and it has a great ending as well. Buy it.

Mushoku Tensei: Jobless Reincarnation is next week’s debut from Seven Seas. A NEET with a somewhat aimless life dies saving someone from a speeding car, and ends up reincarnated in a world of sword and sorcery, determined to make his life better. I know very little about this.

MJ: I’d be completely intrigued if “Seven Seas” didn’t make me suspicious about the content being… not for me.

SEAN: And there’s the penultimate volume of The Sacred Blacksmith.

And a new Witch Buster omnibus, with Vol. 15-16.

Vertical has a 5th volume of adorable comedy My Neighbor Seki. (Well, adorable unless you’re Yokoi.)

ASH: I continue to be utterly delighted by My Neighbor Seki.

MJ: Yes.

SEAN: Yen has moved their digital releases to a week after their print ones, possibly to save our Manga the Week of column the aggravation. I appreciate it. A lot of debuts, starting with Aphorism, which is a survival manga, meaning I don’t care. It’s a long-running series, though…

Crimson Prince is also a long-running series, and is a comedic supernatural fantasy, which means it definitely has an audience here.

ANNA: Is this shojo or shonen? Inquiring minds want to know!

SEAN: It runs in Shonen Gangan, but remember Square Enix doesn’t have a shoujo magazine. Many readers call it shoujo.

ANNA: Yay!

MJ: Ooooooh.

SEAN: There’s a second volume of Demon King Ena-sama Goes to a Manga School, which let’s face it is not the sort of title you’d see licensed here 15 years ago.

ANNA: Probably not!!!!

SEAN: Renaissance Eve’s description also makes it sound a bit like a survival manga, but it also says “blood” a lot, so maybe it has vampires as well?

Scarlet Empire gets two volumes released, and seems to be a sort of Edo period samurai manga with time travel. Which sounds awesome, frankly.

ANNA: This does sound awesome! I am officially intrigued.

SEAN: This runs in GFantasy, so you can definitely assume it’s as close to shoujo as they get.

ANNA: Double yay!!!!

ASH: Well, now. That does sound intriguing!

MJ: I will basically try anything from GFantasy. In case you didn’t know that already.

MICHELLE: It’s always nice when things that weren’t on one’s radar before suddenly attain “must investigate” status.

SEAN: Sekirei is a harem manga with piles and piles of fanservice, and here is Vol. 1. At least with a digital release you can read it on a bus without showing everyone the cover art.

ASH: Heh.

SEAN: Lastly is Servant x Service, a comedic office worker comedy which has its first two volumes out digitally this month, and gets a print omnibus in April. It’s from the creator of Working!.

Does this list make you give thanks?

My Week in Manga: November 9-November 15, 2015

November 16, 2015 by Ash Brown

My News and Reviews

Last week was the first week of the temporary adjustment in my posting schedule at Experiments in Manga. I’ve got a lot going on right now and not enough time to do everything that I need to or would like. Hopefully I’ll have some good news to share soon, though! (I don’t want to jinx anything by saying too much, yet.) Anyway! Last week I reviewed Mushishi, Volume 6 by Yuki Urushibara as part of my monthly horror manga review project. I’ve read the series before so I already know that I like it (in fact, it’s a favorite of mine), but I’ve really been enjoying my reread.

A few interesting things that I came across online last week: Netcomics hinted on Twitter that it would have some exciting licenses to announce soon. Dark Horse has confirmed that it will be releasing Kenji Tsuruta’s Wandering Island. And Kodansha Comics has licensed Hiro Mashima’s Fairy Tail Zero prequel. The English Light Novels site has an interview with light novel translator Stephen Paul. And Shojo Beat posted the first part of an interview with Arina Tanemura.

Quick Takes

Monster Musume: Everyday Life with Monster Girls, Volume 4 by Okayado. I suspect it’s at least in part due to the enormous success of Monster Musume that Seven Seas has been able to expand its catalog and take a few more risks with its licenses of late. Monster Musume has been a bestseller since the release of its very first volume. I’m not exactly a member of the manga’s target audience though and so I haven’t really been keeping up with it. But I can easily understand why it’s so popular. And there actually are a few things that I like about the series in addition to the things that I don’t particularly care for. I enjoy the absolutely atrocious puns and wordplay, for one. I also appreciate the variety of monster girls and that new races are always being introduced. Considering the highly-sexualized nature of the manga and the obsession with breasts and nipples, the story can at times be surprisingly sweet and endearing. Kimihito is a legitimately nice guy who honestly cares for the well-being of the liminals that he meets and is put in charge of. Ultimately however, there’s no question that Monster Musume is an ecchi harem fantasy.

Noragami: Stray God, Volumes 6-7 by Adachitoka. The fifth volume of Noragami ended with one heck of a cliffhanger so I was very much looking forward to reading more of the series. The sixth volume is excellent and probably my favorite volume of the manga to date. It brings Yato and Bishamonten’s battle to an effective close, but there will still be lingering consequences and repercussions of the fight that will have to be dealt with moving forward. After the intense drama, emotions, and action of the sixth volume, Adachitoka takes the seventh in a different direction, bringing back some of the manga’s humor and goofiness while still building the underlying tension of the series. As the next story arc begins, new characters and antagonists are introduced and additional backstories are explored. One particularly important revelation is that Yato’s very existence is somewhat precarious, which is why maintaining his ties to other people is so critical. I’ve largely enjoyed the series since the beginning, but Noragami is starting to get really good. I’m like seeing the evolution of the characters and the changing dynamics of their relationships.

Showa: A History of Japan, 1953-1989 by Shigeru Mizuki. Each volume of Showa has been massive, but this final installment covers the longest period of time. In fact, the fourth volume provides an outline of more years than the first three volumes combined. 1953-1989 follows Japan through the country’s postwar period, the falls and rises of the economy, and the political turmoil and change of the era. Woven into the history of Japan is Mizuki’s own personal story. One of the reasons that the fourth volume of Showa especially appealed to me was that it explores a bit of manga history as well, following Mizuki’s start and growth as a mangaka including the management of a studio of assistants. Sanpei Shirato, Ryoichi Ikegami, Yoshiharu Tsuge, and many other prominent creators and editors all make appearances. Mizuki’s interest in yokai is shown to become increasingly important as well. The final volume of Showa also includes some of Mizuki’s color work, which I’d never seen before. Mizuki’s black and white manga is great, but some of the color illustrations are simply stunning.

Manga the Week of 11/18

November 11, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 2 Comments

SEAN: Next week sees the release of Monthly Girls’ Nozaki-kun from Yen Press. And some other books, I guess.

ASH: Woo!

SEAN: We’ll start with the 2nd omnibus of Kurosagi Corpse Delivery Service from Dark Horse, which if you haven’t read the series yet, and aren’t already getting Nozaki-kun, is well worth your time.

ASH: Definitely. Kurosagi is a delightfully quirky horror manga.

SEAN: Shigeru Mizuki’s examination of the Showa years was fascinating but a bit low on actual Hitler himself, so now we get a one-volume manga from Drawn & Quarterly tackling that exact subject, Shigeru Mizuki’s Hitler.

Cage of Eden 19 from Kodansha is close to the end, and hasn’t had anyone die horribly in a while, so may get a bit serious here, possibly.

My Little Monster 11 will also likely be series as it deals with fallout from the last volume.

MICHELLE: Painful, yet wonderful. I love this series.

SEAN: Noragami has its 8th volume, and has gotten quite popular, the sort of popularity that Nozaki-kun will soon have.

Yamada-kun and the Seven Witches has a 5th volume of comedy, supernatural abilities, and teasing of bisexuality that is unlikely to ever deliver.

ASH: But one can hope!

SEAN: From One Peace, we have the first volume of the manga adaptation Rise of the Shield Hero, whose novel OP released earlier. It runs in Comic Flapper, always a good thing in my book.

MJ: I need to give this a look.

SEAN: Seven Seas gives us a 7th volume of Devils and Realist, which is I assume still battling over hell.

Evergreen gives us a 3rd volume of angst, teens with wasting illnesses, and “are they siblings or lovers?” back and forth.

Haven’t You Heard? I’m Sakamoto gives us a 2nd volume of Sakamoto being awesome. If you like this sort of series, go get Nozaki-kun as well.

ASH: Yes and yes.

SEAN: I am very angry at Viz for releasing the 11th volume of Ooku next week, as it means that I likely won’t have a unanimous Pick of the Week for Monthly Girls’ Nozaki-kun.

MICHELLE: And this is the final volume of Ooku, as well, I believe.

MJ: I’m pretty psyched about this.

ASH: I think it might still be ongoing! (Or at least I hope.)

MICHELLE: Well, I’ll be! You’re right! Volume 12 just came out in Japan last week.

SEAN: Luckily, the 9th Terra Formars will not have that problem.

And a 2nd Ultraman volume is out as well.

ASH: The first volume ended with a pretty great hook; the series has definite potential.

SEAN: Yen On has 4 novels (Monthly Girls’ Nozaki-kun is not based on a light novel, in case you were wondering). Accel World 5 will hopefully be a bit lighter in tine after the first few leaning heavily on teen drama.

A Certain Magical Index’s 5th volume gives us an attempt to rehabilitate its previous horrible villain, as well as an adorable loli. But don’t worry, Touma and Misaka are in it as well.

Durarara!! has a 2nd volume, which focuses on a serial slasher who is making life chaotic in Ikebukuro… so situation normal for this series.

Log Horizon gives us a 3rd volume, which is I think the first of a two-parter. Will it continue to lean on politics, or will we get more battles?

You’d think Yen Press would release Monthly Girls’ Nozaki-kun by itself this week, but no, they also have 19 other releases. To start off, a 5th volume of creepy shoujo manga Ani-Imo.

Are You Alice? is up to double digits and has perhaps answered that by now. It’s headed for an ending, but not there yet.

Black Butler gives us Vol. 21. You can also now enjoy the individual chapters if you want instant gratification.

It’s time for our annual release of A Bride’s Story with Vol. 7. It will no doubt be excellent no matter what, but who will it focus on?

MICHELLE: I really need to get caught up on this but now I’m so far behind it’s daunting.

MJ: This is always a treat!

ASH: I love A Bride’s Story so much!

SEAN: BTOOOM! is at Volume 12 and shows no sign of stopping. I would say this proves there is no God, but the existence of Monthly Girls’ Nozaki-kun makes me reconsider that.

MICHELLE: Meanwhile, I have no desire to get caught up on this.

SEAN: I wasn’t impressed with The Devil Is A Part-Timer! High School!!, but perhaps a 2nd volume will try to do more with the high school AU premise.

The Disappearance of Nagato Yuki-chan looks like it might wrap up its love story in this volume, and the cover certainly looks like a final one. It is final? Nope.

A new series from Yen. No, not Nozaki-kun, that will be coming. Instead it is Dragons Rioting, a series that features a boy with an illness that kills him if he gets aroused, lots of big-breasted fighting women in high school, and runs in Dragon Age. Don’t say I didn’t warn you.

MICHELLE: Ugh.

MJ: Just reading the premise makes me want to die.

SEAN: Final Fantasy Type-0 Side Story Vol. 2 is the sort of series that exhausts me just typing it out.

High School DxD has a 7th volume, in case BTOOOM! and Dragons Rioting weren’t enough for you.

The Honor Student at Magic High School is a spinoff of a novel Yen licensed but had to delay, so once again we get the spinoff first. Hopefully I won’t get too spoiled.

Inu x Boku SS is rapidly heading to a climax with its 9th volume.

Is It Wrong To Try To Pick Up Girls In A Dungeon? has its 3rd manga volume, for those who avoid novels.

And there’s a 3rd omnibus of Karneval, which reminds me I still need to read the 2nd.

At last! the moment we’ve all been waiting for! The debut of Izumi Tsubaki’s Monthly Girls’ Nozaki-kun! You’ll laugh! You’ll cry! You’ll grow as a person. Well, no, you’ll only laugh. but that’s enough. BUY THIS.

ANNA: I am excited about this! I am going to buy it! Have I mentioned that I’m excited about this? I really really am!!!!

MICHELLE: Me, too! Especially after volume 19 of Oresama Teacher was so good! I’m in a Tsubaki state of mind!

MJ: After all the hype, how can I possible turn away?

ASH: You can’t! You must become one of us!

SEAN: It feels like an anticlimax to discuss books after Nozaki-kun, but here they are. A 2nd Prison School omnibus will continue to be the Prison School-iest manga ever.

ASH: Definitely not a series for everyone, but I’ll be reading more of it.

SEAN: Puella Magi Tart Magica is not over with Vol. 2, I hear, but still stars Jeanne D’Arc, so I can’t expect happy things.

School-Live! just had an anime air this past summer (Gakkou Gurashi in case you wondered), and this is the manga source, from Manga Time Kirara Forward. It’s supposedly a cute Kirara school club series… but let’s just say, expect zombies.

Secret has a 3rd volume, and yes, they’re still wearing animal masks.

Lastly, I could say something about the third Trinity Seven volume, but I will instead remind you to pick up Monthly Girls’ Nozaki-kun.

Besides that, what else are you getting next week?

My Week in Manga: November 2-November 8, 2015

November 9, 2015 by Ash Brown

My News and Reviews

Keeping this short and sweet because boy do I have a lot of stuff going on right now! Last week at Experiments in manga the Barakamon manga giveaway winner was announced. The post also includes a list of manga with prominent countryside settings for anyone interested in exploring some of what has been published in English. As for the first in-depth manga review of the month, I took a look at Junji Ito’s Cat Dairy: Yon & Mu which I found to be highly entertaining. I expected that I would at least like the manga, but I absolutely loved its weird mix of not-exactly-horror and comedy.

A few things of interest that I came across online last week: The most recent Sparkler Podcast focuses on what it’s like Working in the Manga Industry. (The podcast is currently only free for Sparkler Monthly members. Non-members can either purchase it now, or simply wait a few weeks.) Over at Anime New Network, Deb Aoki has been talking to the folks at Kodansha about the upcoming Attack on Titan anthology and bridging the gap between American comics and manga. Finally, Seven Seas slipped in a new license announcement: Monster Musume: I ♥ Monster Girls, a yonkoma spinoff from Okayado’s main series.

Quick Takes

My Little Monster, Volume 10 by Robico. The last few volumes of My Little Monster have been getting progressively more serious to the point where, overall, the tenth seems to hardly have any humor at all. This is quite a change from the beginning of the series where the manga’s balance leaned more towards comedy and the more humorous aspects of the interactions between its oddball characters. I did really like this volume, though. Basically, Haru’s past and present are now colliding and the results are appropriately dramatic as everyone involved deals with the fallout. There are hurt and conflicted feelings, and many complications and frustrations. For one, Haru’s family circumstances are more fully explained, showing how the intense antagonism between him and his brother came about and just how awful a person their father is. A significant portion of My Little Monster, Volume 10 actually explores the story through the perspective of Haru’s brother Yuzan, which I was glad to see. He’s still not particularly pleasant, but being able to better understand his and Haru’s situation makes him less of an enigma and a much more sympathetic and interesting character.

Suikoden III: The Successor of Fate, Volumes 6-11 by Aki Shimizu. I still haven’t played any of the Suikoden games, although based solely on the manga adaptation of the third, it’s likely a to be franchise that I would enjoy. I liked the first five volumes of Shimizu’s Suikoden III, but the final six cemented my appreciation for the manga–it’s a solid epic fantasy series with both magic and military might. Although it is a video game adaptation and in a few places the RPG mechanics can be seen if one is looking for them, the manga stands very well on its own and doesn’t really feel too game-like. The second half of the series more fully delves into the antagonist’s backstory which was needed as his motivations are much more complicated than would initially appear. One of the things I like the most about the Suikoden III manga is that nothing is strictly good or evil, the characters and their actions are more nuanced than that. Under the weight of war and inherited responsibilities they must all try to hold onto their ideals while at the same time making compromises in order to protect what and who they love. Enemies become allies and in some cases even friends, but it is a hard journey.

Taimashin: The Red Spider Exorcist, Volume 2 written by Hideyuki Kikuchi and illustrated by Shin Yong-Gwan. Although all six volumes of Taimashin have been translated into English, only the first two were released in print; the other four volumes are only available digitally. It’s been a long while since I’ve read the first volume in the series, but I do distinctly recall liking it, or at being enthralled by Akamushi Fujiwara, the titular Red Spider Exorcist who may be a human, a demon, or something else entirely. Reading the second volume, Akamushi still fascinates me and is probably my favorite part of the manga. For the most part I would classify Taimashin as a horror manga although, as I’ve come to expect from Kikuchi’s works, it also has distinct elements of science fiction and fantasy. While it doesn’t always make a lot of sense, the manga can be both thrilling and creepy. This is actually something else that I associate with Kikuchi–he writes these bizarrely engaging stories with ominous atmospheres that end up being all over the place. Taimashin‘s artwork fits the story and characters particularly well, ranging from Akamushi’s otherworldly beauty to scenes that are frankly grotesque.

Manga the Week of 11/11

November 5, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: Good news! Every week in November has an absurd amount of manga coming out – except next week! Bad news – the Manga Bookshelf team is going to be finding pick of the week very hard, I suspect.

Kodansha has a spinoff of Fairy Tail called Fairy Girls, which, as you may have guessed, is about the girls in Fairy Tail. It has a different author, though, and looks to be even more cutesy and fanservice-oriented than the main series – which is saying something.

And if you missed Fairy Tail to begin with, why not try the new 1000-page omnibus of the first five volumes? This is a ‘Colossal Edition’ style release.

ASH: That is a lot of manga in one volume! The Master’s Edition, indeed.

ANNA: That sounds crazy!

SEAN: Seven Seas has the second and final volume of Bodacious Space Pirates: Abyss of Hyperspace, which has female pirates in outer space, and I think that no other words are needed.

And for those who like dragons and nudity (I suspect the core fanbase reverses the order), there’s an 8th volume of Dragonar Academy.

SubLime has a 4th volume of Love Stage!!!!, which I’ve decided to add a ! to for each new volume.

ASH: I’ll admit: I’ve been collecting this series, but I actually haven’t read any of it yet.

MICHELLE: It’s fairly cute. Very fluffy, with very little stage, but not bad!

ANNA: Huh, I think I have a few volumes, I should read them!

MJ: I admit I would like more stage.

SEAN: The 11th omnibus of Ranma 1/2 ups the stakes for both Ranma and his father, as it sees the debut of Nodoka Saotome, Ranma’s mother who has certain ideas about what constitutes a “man among men”, and sex changes are probably not in that list.

The 19th volume of Rin-Ne I expect has no real premise-altering developments like that, but I bet it has a lot of ghosts who are secretly (or not so secretly) jerks.

Lastly, there is an 8th volume of superhero BL tease with Tiger & Bunny.

MICHELLE: I seldom rave about RIN-NE and Tiger & Bunny, but I do like both of them in a low-key kind of way.

SEAN: Taking a breather? Or getting something from the above list?

My Week in Manga: October 26-November 1, 2015

November 2, 2015 by Ash Brown

My News and Reviews

A few different things were posted at Experiments in Manga last week. The most recent manga giveaway is currently underway, for one, and here’s still time to enter for a chance to win Barakamon, Volume 1 by Satsuki Yoshino. Last week I reviewed Vinland Saga, Omnibus 6 by Makoto Yukimura. The series continues to impress me a great deal with its story telling and character development. The fate of the series in English will be in part determined by how well the sixth and seventh omnibuses do (the seventh omnibus is currently scheduled to be released in December); I truly hope that Kodansha will be able to release more because Vinland Saga is fantastic. Finally, over the weekend, I posted the Bookshelf Overload for October.

I’ve been extremely busy with all sorts of life stuff, so while I’m sure there were plenty of interesting things going on in the realm of manga online, there were only two that really caught my eye last week: Shojo Beat posted a short interview with Rinko Ueda and Chris Butcher wrote about his experience interviewing Masashi Kishimoto at New York Comic Con. Also as a heads up, because I am so extraordinarily caught up in things going on at work and at home right now, I’ve decided to go a little easier on myself with my blogging schedule for November (and probably for the first half of December as well). Instead of the usual Monday-Wednesday-Friday posting schedule, in the upcoming weeks I may just be posting on Monday and Thursday. Hopefully things will calm down and I can get back to writing more soon!

Quick Takes

Fairy Tail, Volume 50 by Hiro Mashima. After so many arcs in which the Fairy Tail guild was fighting to save the world, I’m particularly enjoying the beginning of this most recent arc in which Fairy Tail doesn’t technically even exist anymore. Although there are some epic, world-altering developments occurring in the background, for the moment the story is focusing on the much more personal crises of the disbanded guild as it rebuilds itself. It’s a nice change of pace, though I’m fairly certain it won’t last for very long. A year or so has passed since the members of Fairy Tail parted their separate ways. Quite a few of the magic users have managed to power up during that time, allowing Mashima the opportunity to come up with some exciting and interesting new skills for them in order to show just how badass they’ve become (and they were strong to begin with). Some of the fan service focusing on the female characters in Fairy Tail continues to feel very out-of-place and distracting, but at least the women are frequently some of the strongest and most well-developed characters. The male characters are the subject of fan service from time to time, too, though never to the same extent.

Tokyo Ghoul, Volume 1-3 by Sui Ishida. The glut of vampire and zombie manga continues—and I’m not really a devotee of either of those subgenres—so I especially appreciate that Tokyo Ghoul makes use of an entirely different creature, the titular ghoul. In the case of this particular manga series, ghouls largely pass as normal humans assuming that they can master their intense hunger for human flesh. After an encounter with a ghoul that nearly leaves him dead, Kaneki finds himself in the unique position of partly belonging to both the human world and the world of the ghouls, and yet it will be a struggle for him to survive in either of them. In Tokyo Ghoul, humans are just as capable of being monsters. And Ishida isn’t afraid of killing off prominent characters, whether they be human or ghoul, so there is a constant sense of danger. Sadly, I think the emotional impact of the deaths was somewhat diminished since readers hadn’t yet had the chance to really get to know the characters involved as individuals. Still, kudos to Ishida for potentially making good use of some shocking, unexpected developments, especially as some early parts of the first volume were a little predictable.

Yamada-kun and the Seven Witches, Volume 4 by Miki Yohsikawa. Although the fan service in Fairy Tail tends to bug me, the fan service in Yamada-kun and the Seven Witches doesn’t really bother me at all, probably because it’s better incorporated into the story itself. Admittedly, it can still be gratuitous from time to time. Since the manga in part deals with body-swapping, it makes sense that there would be some focus on the characters’ physical traits. Plus this particular volume includes the obligatory beach and onsen scenes. One thing that really impresses me about Yoshikawa’s artwork in the Yamada-kun and the Seven Witches is that it’s obvious from the characters’ facial expressions and body language when there has been some swapping going on. This actually ends up being explicitly pointed out in the series when one character develops a crush on a specific combination of personality and body type. The witch count continues to grow in the series as does Yamada’s group of friends while he begins to work out a theory explaining why everyone has the powers that they do. I’m still really enjoying Yamada-kun and the Seven Witches. Though largely a comedy, it has some heart to it as well.

Manga the Week of 11/4

October 29, 2015 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 1 Comment

SEAN: I’ve gone on lately about how much manga is coming out lately, but November is really going to try a wallet’s soul. Let’s start with a huge first week, mostly from Viz.

Kodansha debuts a new series, Livingstone, that ran in the seinen magazine Morning. The artist is better known for Deadman Wonderland. It’s about two guys who try to find … well, living stones. No sign of Stanley, in case you wondered.

ASH: I’m rather curious about this one.

ANNA: This sounds odd, and I’m usually up for trying at least one volume of odd.

MJ: I’m interested in this, for sure.

SEAN: Say “I Love You” reaches double digits. Unlike other soap opera series I follow from Kodansha, I actually like the characters in this one. Read it if you haven’t.

ASH: It’s such a consistently good series!

MICHELLE: Very much looking forward to this!

ANNA: I so need to get caught up and binge read this series.

SEAN: Seven Seas has a 7th volume of oddball slice-of-fantasy-life series A Centaur’s Life.

I believe that Volume 12 is the final volume of Chi’s Sweet Home from Vertical, a series that has introduced a huge number of people to the adorable and quirky qualities of cat manga. I’ll miss it.

ASH: Hooray for Chi!

MICHELLE: It has been such a great manga to lend to coworkers’ kids, too.

ANNA: Nice. I think I’ll finally be reading this in the omnibus editions.

MJ: More Chi is always welcome!

SEAN: Let’s get on to Viz now. The 6th Black Rose Alice volume catches up with Japan, I believe, so enjoy your gorgeous yet spider-filled people while you can.

ASH: Alas, now we must suffer the wait with the rest of the world!

MICHELLE: Yeah, the double-eged sword. Thanks, VIZ, for exposing us to the awesome and the agony of Black Rose Alice.

ANNA: This series is so surreal. Even though it is painful that it is on hiatus, I still greatly appreciate the gorgeous spider-filled people.

MJ: Yes, yes, YES.

SEAN: Bleach, at Vol. 65, is in no danger of going on hiatus, or indeed finishing this arc, supposedly the final one, which started in 1883. Or feels like that.

MJ: Heh.

SEAN: That 13th Bleach 3-in-1 is also an option, and honestly the series reads better that way.

And I think D.Gray-Man may be mostly caught up on omnibuses with this, it’s 8th.

I’ve really been looking forward to this debut. Arina Tanemura’s new shoujo title is Idol Dreams, which runs in Hakusensha’s Melody and features a 31-year-old woman regretting her life who finds herself getting a do-over.

MICHELLE: I’m not historically much of a Tanemura fan, but I am really curious about this one!

ANNA: I am an unapologetic Tanemura fan and I am quivering with anticipation. Quivering!

MJ: I’m with Michelle on this one! Curious, but not quivering.

SEAN: JoJo’s Bizarre Adventure begins its 2nd arc with Battle Tendency, which leaps forward in time to focus on Joseph Joestar. Will it be as ludicrous as the first arc? My guess is yes.

ASH: This is gonna be good!

ANNA: When I think about how horrible humanity can be, then I think about JoJo and appreciate the fact that the human race has produced this ridiculous and transcendent manga. I’m serious.

SEAN: Kiss of the Rose Princess enters the home stretch with its 7th volume.

ANNA: Yay! I hope that an evil rose person shows up to throw an obstacle in the way of the heroine and her handsome knights.

SEAN: Maid-sama! has a 2nd omnibus. Teeth grinders beware, Usui is still in it.

ASH: But so is Misaki! Who is the best.

MICHELLE: I will keep reading, at least for the time being.

ANNA: Yeargh, if it wasn’t for the relationship dynamics I would enjoy this series so much more.

SEAN: My Hero Academia had a promising first volume, now let’s see where it goes with the second.

Naruto may be over, but its spinoffs live on, first with a nice-looking artbook, and secondly with the first of several post-series spinoff novels, the first being Kakashi’s Story.

Nisekoi gives us more mostly balanced harem antics with Vol. 12.

One Piece is still battling Doflamingo, but I think we’re edging closer to a conclusion with this 76th volume.

MICHELLE: Woo.

SEAN: One-Punch Man could only dream of having 10-volume long fighting arcs – sadly, Vol. 3 shows his fights end all too quickly.

ANNA: Because of the punching!!!!!!!!

SEAN: There are two Izumi Tsubaki series out this month! This week we have the one folks have seen for a while, with the 19th volume of Oresama Teacher.

MICHELLE: I’m glad for more Oresama, but really looking forward to the other one!

ANNA: Oresama is delightful. Looking forward to the new series very much too.

SEAN: Giant manga box sets are a great way to get newbies to read your favorite obsession – you can threaten top bludgeon them with the set if they don’t. Here’s one for Rosario + Vampire.

Yu-Gi-Oh gets a 4th omnibus 3-in-1. Collect ‘em all!

Lastly, there’s a 4th and I believe final volume of Yukarism.

MICHELLE: I’m really, really looking forward to this one!

ANNA: Yay! Why is it final at 4 volumes? I want more!!!!!

MJ: More! More! *whimper* More.

SEAN: Are you prepared for November 2015? Can you handle it? What are you getting next week?

Manga Giveaway: Barakamon Giveaway

October 28, 2015 by Ash Brown

October has been a busy month at work for me, so I’m glad to see it wrapping up, but even better is the fact that it means it’s time for another manga giveaway here at Experiments in Manga! This month you’ll all have the chance to win a copy of Satsuki Yoshino’s Barakamon, Volume 1 as published by Yen Press. And, as always, the giveaway is open worldwide!

I grew up in a rural area and, for the most part, have fond memories of living in a small village in the countryside. Currently I live and work in a small city, which certainly has its benefits, but occasionally I find myself yearning for less people, more green, open spaces, and a somewhat slower pace of life. In part because of this, I find particular enjoyment in manga series like Barakamon which largely take place in the country; they remind me of living “back home.” There don’t seem to have been very many of these manga translated, so I especially appreciate them when I do happen to come across one.

So, you may be wondering, how can you win Barakamon, Volume 1?

1) In the comments below, tell me about your favorite manga that has at least one countryside or rural setting in it. (If you don’t have one, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. You all can earn up to two entries for this giveaway and have one week to submit your comments. Comments can also be sent to me directly at phoenixterran(at)gmail(dot)com if you have trouble with the comment form or if you prefer. I will then post your entry below in your name. The giveaway winner will be randomly selected and announced on November 4, 2015. Best of luck to everyone!

Contest winner announced–Manga Giveaway: Barakamon Giveaway Winner

My Week in Manga: October 19-October 25, 2015

October 26, 2015 by Ash Brown

My News and Reviews

I posted a couple of different things at Experiments in Manga last week in addition to the usual My Week in Manga feature. Having recently read and enjoyed Yukito Ayatsuji’s debut novel The Decagon House Murders, I made a point to finally get around to reading and reviewing his first novel released in English, Another. Though I felt a little cheated by one of the plot twists, overall the novel is a great mix of horror and mystery. I enjoyed the story so much that I plan on checking out the manga and anime versions, too. (Seems like a good candidate for an Adaptation Adventures feature.) My other post last week was some random musings on A Moment of Respite in Kohske’s Gangsta. Basically, a single scene from the sixth volume of the manga (more specifically, a sequence of three panels from that scene), inspired me to write more than a thousand words about some of the things that I particularly appreciate and love about the series.

A few things of interest found online last week: First of all, the most recent entry in Ryan Holmberg’s What Was Alternative Manga? column, Gottfredson’s Illegitimate Heirs: Tezuka Osamu and the Great Wall of 1945, was posted at The Comics Journal. Speaking of Tezuka, Stone Bridge Press will be publishing the manga The Osamu Tezuka Story: A Life in Manga and Anime in a single, massive volume. In other licensing news, NBM Publishing continues to release graphic novels in the Louvre Collection. Hirohiko Araki was the first Japanese creator to contribute to the series with the JoJo’s Bizarre Adventure spinoff Rohan at the Louvre, but In 2016, Jiro Taniguchi’s full-color Guardians of the Louvre will be translated.

Quick Takes

A Centaur’s Life, Volumes 4-5 by Kei Murayama. I love the world that Murayama has created for A Centaur’s Life. A fair amount of the worldbuilding can be found within the series’ narrative, but there’s also a ton of supplementary material between chapters—lessons in history and biology and such. The full introduction of a new character in these volumes, a transfer student who’s also an Antarctic snake person, allows for even more worldbuilding to be incorporated directly into the manga as she is learning about cultures outside of her own while the other students are learning about hers. The issues of race and discrimination that come up fairly frequently in A Centaur’s Life can sometimes be a little heavy-handed or simplistic, but the lessons learned are good ones. The series does tend to be fairly episodic, and even the individual stories and chapters can be fairly fragmented. They give glimpses into the characters and their lives without there necessarily being much of a plot. Generally, A Centaur’s Life is fairly charming and sweet though it has moments that, for one reason or another, are vaguely disturbing, too.

LDK, Volume 1 by Ayu Watanabe. I’ve largely enjoyed most of Kodansha Comics’ recent shoujo series (or at least found something about them that I’ve liked even if as a whole they didn’t work for me), so I was looking forward to giving LDK a try. I believe that LDK is Watanabe’s first manga to be released in English. I’m not especially familiar with her or her series, but she seems to primarily work in shoujo romance. LDK falls squarely into that category. However, after only one volume, I remain completely unconvinced by the supposed romantic chemistry between who will obviously become the lead couple after they end up living together. Part of my difficulty probably stems from the fact that I don’t particularly like either of the characters involved. Shusei is frankly a jerk with apparently no sense of how to express his interest in another person without being an absolute creep. And sadly Aoi is so concerned about doing right by her best friend that she doesn’t actually listen to what she says or needs. On top of that, so far LDK is just a little too generic in both its story and artwork for me to feel truly engaged with the series.

Passion, Volumes 1-4 written by Shinobu Gotoh and illustrated by Shoko Takaku. I actually read the first volume of Passion several years ago, but the series begins so unpleasantly (opening with what appears to be a rape scene) that it took me this long to get around to finishing it. I gave it a second chance for two reasons: I was assured by others that the series improves and I’m loving the artist’s more recent series I’ve Seen It All. While it’s still not a favorite of mine, Passion does get significantly better. That opening scene which was so awful has repercussions for everyone involved and ends up being handled rather well by the creators. Hikaru is a high school student who is desperately in love with Shima, one of the teachers at his school. He forces himself on Shima and, after a peculiar turn of events, the two initially pretend to be lovers. But then their relationship continues to deepen. It turns out Shima is terribly manipulative, but he does recognize that about himself and is extremely troubled by it. Passion takes place over the course of multiple years. It’s interesting to see how the characters grow and evolve while dealing with their bad decisions.

Random Musings: A Moment of Respite in Kohske’s Gangsta

October 23, 2015 by Ash Brown

Gangsta is an ongoing manga series created by Kohske that began serialization in Japan in 2011. The collected volumes of the manga are being published in English by Viz Media under its Signature imprint. So far, I have been loving the series.

Although the manga features a large and diverse cast of characters, the story primarily revolves around the Handymen: Alex Benedetto, a former prostitute recovering from involuntary drug use; Nicolas Brown, a deaf Twilight mercenary with incredible physical abilities; and Worick Arcangelo, a gigolo with an exceptionally accurate and vivid memory. Living in the city of Ergastulum, which was created to quarantine and control the superhuman Twilights, the three leads carry out all sorts of odd jobs for the police, the mafia and gangs, and individual citizens, everything from repairing buildings to finding lost cats to assassination hits.

I have been thoroughly enjoying Gangsta ever since it first began being published in English. I like its dark, gritty atmosphere, intense action sequences, and engaging characters with complicated relationships and pasts. However, I only recently caught up with the sixth and most recent volume, released back in May. While reading the volume, I was particularly struck by a short sequence of panels which was part of a larger four-page scene:

At first glance, Nic could be standing next to anything—a door, a wall, a pillar, or what have you. I was initially so caught up in the subtle changes in his expression from one panel to the next that it actually took me a moment to realize that Nic was in fact leaning up against part of the sound system at Bastard (a club/brothel run by one of the mafia families that the Handymen are on good terms with). Nic may be deaf, but for an all too brief moment he’s enjoying Ally’s performance as she sings. He’s also literally feeling the music.

A bit of a personal side story: Back in my undergraduate days, the symphonic band that I was a part of would go on tour over spring break. There is one performance from my junior year that particularly stands out to me for two reasons. The first being that our lead trumpet player (who was also my roommate for the tour) was hit in the head by a tuba during intermission, didn’t let anyone know there was a problem, proceeded to play through the rest of the concert with a concussion, and ended up in the hospital that night as a result. The second reason (and the reason that I’m even bringing this all up) is that several members of that evening’s audience happened to be deaf. They sat together as a group with a clear view of the stage so that they could see the performance and they held balloons between their hands so that they could more easily feel the different vibrations created by the woodwinds, brass, and percussion.

Likewise, Nic standing near and actually leaning against one of the sound system’s speakers allows him to more fully experience the music of Ally’s performance. When I recognized this was what was happening, I immediately thought back to that concert in my junior year. I love Kohske’s attention to these sorts of details. They can be found throughout the series and bring an added level of realism and nuance to the manga’s characters and story. I also appreciate that Nic’s deafness isn’t used as a gimmick; it is an integral part of who he is as a person and how he experiences and interacts with his environment and the people around him.

This scene takes place during Ally’s second public performance as a singer at Bastard. The first was an effectively heartbreaking rendition of Ben E. King’s “Stand by Me,” her voice superimposed over the mayhem and death occurring in the streets just outside while Worick, Nic, and others risked their lives to trying save those of the Twilight refugees seeking shelter within the club. Tragically, the violence could not be withheld and ultimately spilled into the club itself. This makes Ally’s later performance even more significant, powerful, and emotionally resonant. Her singing this time is a celebration—it can be seen in the joy and happiness in her face and in the faces of those who are listening—providing healing for the survivors and a moment of peace between the tragedies of the past and the tragedies that will inevitably come.

The entire sequence, and specifically these three panels, capture that feeling and atmosphere astonishingly well. Kohske is remarkably skilled when it comes to pacing in Gangsta. Chaos and violence is balanced by quieter moments, pain and tragedy (of which there are plenty) is alleviated by humor and compassion. Gangsta has a narrative rhythm to it that continues to build tension without becoming unrelentingly bleak. Kohske knows when to push the action and when to hold back to allow the characters and the readers to recover, breathe, and process the ramifications of everything that has taken place.

What is also striking about this four-page scene is that there isn’t a single word of spoken dialogue or narration. Even what it is that Ally is singing is unknown. The scene is an entirely visual experience, relying exclusively on the strength of Kohske’s artwork to convey the emotions and narrative of the manga. It serves to emphasize what is happening in these particular three panels as well, accentuating Nic’s perspective as someone who can see but not hear the world around him. And then he closes his eyes, distancing himself even further from that world and from the people he cares about and who care about him.

In the very next instant, Nic is suddenly gone, off on a mission of his own devising that may very well get him killed. And he hasn’t told Ally or Worick or anyone else who truly matters about his plan. But this moment before he disappears is tremendously important—Nic is fully present as he absorbs with all of his senses Ally’s performance and the jubilation permeating the club, something that he will carry within himself when he leaves. Even while Nic is closing himself off, he still maintains and strengthens his connection to others. The space that he previously occupied is left disconcertingly empty; though initially unnoticed, his absence will be felt.

Nic knows what he’s going to do and what’s coming next even if nobody else does. Elation, sadness, energy, calm, regret, contentment, and a myriad of other things can all be found within this one scene. And the wider implications of it are surprisingly complex considering its simplicity. On the surface, Ally sings while others listen, but underneath it all is a turmoil of emotions and a tangle of intentions. In general I have found Kohske’s Gangsta to be an incredibly engaging manga, but this scene in particular has left a huge impression on me from both a visual and narrative standpoint.

Manga the Week of 10/28

October 22, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 3 Comments

SEAN: Bad news. There’s 31 titles shipping next week. Good news: I’m not getting too many of them, so it’s not crippling for me. What’s happening next week, anyway?

I haven’t seen an 801 Media title in forever, but Amazon lists Magical Warriors: Chocolat & Pudding as coming out next week. Which sounds like a cute magical girl title, but I’m going to hazard a guess isn’t.

ASH: I’m pretty sure that’s actually a Project-H title…

SEAN: Gantz comes to an end with Vol. 37, which is good because I ran out of things to say about it 30 volumes ago. I wish HEN was licensed.

Kodansha gives us more terrifying Junji Ito!… wait, no. This is Junji Ito’s Cat Diary: Yon & Mu, and I expect it will be adorable and strange.

ASH: I am looking forward to this so much!

MICHELLE: Me, too!

ANNA: This sounds like a winner.

SEAN: There’s also an 11th volume of guilty pleasure Missions of Love.

And a 4th volume of “she’s not a manic pixie dream girl, honest” series Your Lie in April.

Seven Seas is debuting three new titles. Akuma no Riddle has yuri and takes place at a girls’ private school, but given it’s all about assassins, I’m hoping it’s less moe than the usual.

ASH: Yun Kouga is involved with the series, so I’m doubly intrigued.

MJ: You had me at “Yun Kouga.” How was this not on my radar? I need to fix my radar.

MICHELLE: So do I!

ANNA: Huh. I am also intrigued.

SEAN: A Certain Scientific Accelerator is based off of a certain well-known franchise, and stars a certain popular antihero, as you will already have guessed.

And Golden Time is based on a light novel by the author of Toradora!, and I hope is just as heartwarming and enjoyable as that title is.

Udon gives us the first volume of Steins;Gate, a title I remember more for the aggravating punctuation than anything else.

MJ: This, this, THIS. I adored this as an anime series, so I’m very optimistic.

SEAN: Viz Select gives us a 2nd digital volume of Chocolate Cosmos. Teacher-student relationships, whee!

MICHELLE: The debut volume wasn’t bad, so I will probably check out volume two, as well.

ANNA: I meant to check this out earlier!

SEAN: Yen Digital has a giant pile of releases, as this is the first month of the “official” rollout, with chapter releases and everything. I’ll just cover volumes here, starting with Corpse Princess, which is probably what it sounds like.

There’s also new volumes for Handa-kun, The Royal Tutor, and Today’s Cerberus.

ASH: Handa-kun will be coming out in print later, so I’m hoping that more of the digital titles will, too.

SEAN: Unknown is an actual title for a new manga about supernatural powers and the people who police them.

MJ: I’ll pretty much always check out a series with supernatural powers.

SEAN: And we get all 3 volumes of When a Magician’s Pupil Smiles, about an emotionless boy and his run-in with magic. This actually looks like a MJ/Michelle sort of title.

MJ: Why, it certainly does.

SEAN: Yen On has a third No Game No Life, where we see whether Sora will somehow manage to return from being erased from existence.

And a third Sword Art Online Progressive, where we reach a new level of Aincrad and prepare for a lot of water travel.

MJ: I’ve fallen behind in my SAO reading, but I must rectify that soon.

SEAN: Yen Press proper, meanwhile, has its usual pile. Accel World has a 5th manga, not to be confused with the 5th novel, out next month. (At least they aren’t the same date anymore.)

Akame Ga KILL! sure is popular, and has a 4th volume out as well.

Alice in Murderland proved to be as attractive to me as most other Kaori Yuki manga are, but a 2nd volume is out for her fans anyway.

Barakamon has a 7th volume, and I suspect we’ll have a lot more country life to make up for all the Tokyo in Vol. 6.

There’s a Black Butler artbook coming out with many pretty color illustrations of people draped over each other, I expect.

ASH: Yen does a nice job with its artbooks from what I’ve seen, so this should be good.

MJ: Agreed. I’m not a fan of the series, but I expect this will be a nice release.

SEAN: A Certain Magical Index’s 3rd manga volume decides to skip the not-all-that-good 2nd novel entirely and go straight to adapting the third.

And The Devil Is a Part-Timer! also has a 3rd manga volume out.

First Love Monster’s first volume balanced sweet and kind of skeevy very well. We’ll see if it can keep it up with Vol. 2.

Horimiya is Yen’s debut this month, a manga adaptation of a webcomic that seems like your standard cute shoujo romance, but runs in GFantasy so I’m sure it has to be weird in some way.

ASH: I like weird!

MJ: GFantasy, it’s like a drug.

MICHELLE: I’m looking forward to this one a lot!

SEAN: A third Kagerou Daze will likely be adapting the 2nd novel, which I liked but see not reason to read a manga adaptation of.

In case you didn’t think Homura had had enough revenge yet, there’s a 2nd volume of Puella Magi Madoka Magica: Homura’s Revenge. (Look, I’m sorry, it’s the end of a long list.)

So I Can’t Play H! continues to give us ecchi situations with no payoff in its 3rd volume.

Lastly, the debut of the manga adaptation of Strike the Blood, whose first light novel I found reasonably good last month.

Does this list make you happy? Or merely ill at the pile of titles?

My Week in Manga: October 12-October 18, 2015

October 19, 2015 by Ash Brown

My News and Reviews

It was a two-review week at Experiments in Manga last week. First off, I reviewed the third and final volume of Hide and Seek by Yaya Sakuragi, which I enjoyed immensely. In general, I tend to like Sakuragi’s boys’ love manga, but I think that Hide and Seek has probably become my favorite. It’s a bit more serious and realistic than some of her other manga, but it still has a great sense of humor. The second review from last week, and the most recent addition to my ongoing monthly horror manga review project, was After School Nightmare, Volume 6 by Setona Mizushiro. The series continues to be both disconcerting and compelling; I’m looking forward to seeing how it continues to develop.

Elsewhere online: The Shojo Beat tumblr posted a short interview with Kyousuke Motomi. Tofugu presents Japanese Onomatopoeia: The Definitive Guide, which is pretty great. The BBC has a brief spot on Hajime Isayama. Coming out of the New York Comic Con, Women Write About Comics had a chat with Kodansha executives Hiroaki Morita, Kohei Furukawa, and Yasumasa Shimizu. Brigid Alverson reports on Kodansha’s panels at New York Comic-Con, which included Yohei Takami, the editor of Noragami, as a special guest. Masashi Kishimoto was in New York for NYCC as well. Deb Aoki covered Masashi Kishimoto’s NYCC visit for Anime News Network. Brigid Alverson reports on Kishimoto’s main panel. Weekly Shonen Jump Blog has some Kishimoto NYCC videos to share, including interviews and panels. Also, the recording from Kishimoto’s SoHo Apple Store visit is now available.

Quick Takes

Aron’s Absurd Armada, Omnibuses 2-3 (equivalent to Volumes 3-5) by MiSun Kim. I read the first Aron’s Absurd Armada omnibus quite a while ago. I largely enjoyed the full-color manhwa, which I believe had its start as a webtoon, and have been meaning to get around to reading the rest of the series. I’m not sure that binge-reading Aron’s Absurd Armada was really the way to go for optimal enjoyment, though. I still find the series to be consistently or at least vaguely amusing, and it even managed to make me laugh out loud a few times, but it’s a little hard to take in large doses. The humor isn’t particularly clever, mostly relying on the fact that almost every single character in the manhwa is incredibly shallow or dimwitted. As such, there’s not much depth to the story or characters. Surprisingly enough, Aron’s Absurd Armada actually does have a plot, granted it’s very meandering and almost stream-of-conscious. There are pirates and treasure, kingdoms and political intrigue, and a whole mess of other complicating factors. Aron’s Absurd Armada is indeed absurd.

Citrus, Volumes 2-3 by Saburouta. Although I didn’t find some of the first volume of Citrus to be particularly realistic, I did find the intense emotions and drama to be engaging enough to be interested in continuing the series. The next two volumes follow in a similar vein—unbelievable in parts but still having the potential to become addictive. The series has begun to introduce prominent new characters as well. Not only is there another girl who has her eye on Mei, there’s also a young woman with designs for Yuzu. Mei’s father finally makes an appearance in the manga as well, albeit rather briefly. I’m not really entirely sure what to make of the man yet. Mei continues to be something of a mystery, too. One thing is for certain, though, a fair amount of Mei’s emotional issues, which have a huge effect on her interactions with other people, are tied up in her poor relationship with her father. As for the artwork, for the most part Citrus is drawn quite nicely in an overall attractive style that I like, but every so often there’s some weird anatomy going on which can be distracting.

Kiss Him, Not Me!, Volume 1 by Junko. Serinuma is on fairly good terms with many of the hottest boys at her school, but what most people don’t know is that in her spare time she enjoys fantasizing about them in relationships with each other. She’s also a huge fan of the anime Mirage Saga and she’s devastated when her favorite character dies. Locking herself in her room for more than a week, she wastes away. Nearly unrecognizable (on the outside), she begins turning the boys’ heads when she returns to school. Personally, I would have preferred another gimmick than sudden weight loss to bring Serinuma to the attention of her schoolmates, but at least it’s not at all played seriously. In fact, there is very little that is serious about Kiss Him, Not Me!. Its ridiculousness is what makes the manga work. And it is funny. The humor primarily revolves around Serinuma being a hopeless otaku, specifically a fujoshi. Junko herself, who is also a boys’ love mangaka (I believe Mr. Mini Mart is currently her only other work released in English), is a fujoshi as well, so happily the jokes never feel mean-spirited.

Manga the Week of 10/21

October 15, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N 2 Comments

SEAN: Even though this is the quietest week of a big month… it’s still fairly big.

Dark Horse has a third volume of Oreimo: Kuroneko, for those who wanted a better ending than the canonical one, i.e. everyone.

Kodansha has the debut of a new shoujo series, L♥DK. It’s the sort I describe as a ‘potboiler’, and I think it will do well with those who love soap opera situations.

MICHELLE: I will be checking this one out. If it’s cracktastic, I hope it’s in a good way!

ASH: Soap opera situations? I am intrigued.

MJ: Who doesn’t love a good soap opera?

ANNA: I know I do!

SEAN: One Peace has a 2nd light novel for Rise of the Shield Hero.

Seven Seas caters to its fanbase with a second volume of Magika Swordsman and Summoner.

And also has a 3rd volume of Nurse Hitomi’s Monster Infirmary, which has monster girls and more ecchi antics.

And we round off our trio of otaku titles with Pandora in the Crimson Shell: Ghost Urn 2, which is drawn by Rikdo Koshi as if he never left the world of hentai doujinshi, and is written by Masamune Shirow as if he didn’t either.

Udon gives us the first volume of the Kill La Kill manga, which, if even one-tenth of the folks who gush about the anime on the internet purchase it, will sell like hotcakes.

ASH: I hope it does! Udon always does an excellent job with its manga; I’d like to see the publisher offer more.

SEAN: Vertical has the first of the Ninja Slayer manga (not to be confused with the Kodansha-licensed spinoff Ninja Slayer Kills) by the possibly imaginary American team of Bradley Bond and Philip “Ninj@” Morzez.

ASH: I wasn’t enamored with the spinoff, but I do plan on giving this series a try.

SEAN: If you always wanted to read Claymore but were waiting for a way to get all 27 volumes in one box set, Viz is the answer to your prayers.

MJ: Ooooooh, nice!

SEAN: And there’s also a 6th volume of the Special Edition of Monster, possibly with added depressing bits.

MICHELLE: I didn’t realize that these special editions had bonus material!

ASH: Do they?!

SEAN: They don’t, I was being silly. :)

MICHELLE: Oh, good!

SEAN: Lastly, there’s 3rd volume of runaway zombie hit Tokyo Ghoul.

Which of these varied titles most appeals to you?