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The Josei Alphabet: G

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“G” is for…

Glass no Isu, written and illustrated by Mariko Nakamura, originally serialized in Kodansha’s Be Love, eight volumes. There seems to be a vocational trend with the letter “G.” This one’s about a woman who becomes a great furniture maker and wants to reconnect with her estranged older brother.

Gokusen, written and illustrated by Kozueko Morimoto, originally serialized in Shueisha’s You, 15 volumes plus three specials. A teacher who comes from a Yakuza family tries to help her class of delinquents learn valuable life lessons, though grandpa wants to groom her for mob leadership.

Gold, adapted from Ann Major’s novel, Secret Child, by Kazuko Fujita, originally serialized in Shogakukan’s Josei Seven, eight volumes. It’s got characters named Mars, Chantal, and Mischief, and people faking their own deaths. Seriously, if I was trying to keep a low profile, I wouldn’t become a super-model named Mischief.

Gozen 3-ji no Kikenchitai, written and illustrated by Youko Nemu, currently serialized in Shodensha’s Feel Young, two volumes so far. It’s about a shy and inexperienced woman who goes to work for an office full of freaks who design pachinko parlors. It’s a sequel to Gozen 3-ji no Muhouchitai, which ran for three volumes in Feel Young.

Green, written and illustrated by Tomoko (Nodame Cantabile) Ninomiya, originally published by Kodansha, four volumes. A city girl falls in love with a farmer. Simple as that sounds, I’m sure Ninomiya did a lot of charming things with the concept.

Licensed josei:

  • Gorgeous Carat, written and illustrated by You Higuri, originally serialized in Gentosha’s Web Spica, four volumes, published in English by Tokyopop.

What starts with “G” in your josei alphabet?

Reader recommendations and reminders:

  • Gal Boy! written and illustrated by Mariko Nakamura, originally serialized in Kodansha’s Be Love, 33 volumes.

Readers’ choices

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Deb (About.Com) Aoki has announced the winners of the 2011 Manga Readers’ Choice Awards, with top honors going to the intermittently (possibly accidentally) fascinating Bakuman (Viz). I personally think Mitsuru Adachi’s Cross Game (Viz) is better in every meaningful particular, which just means that not enough people are reading Cross Game. Bakuman also beat Cross Game in the shônen category.

I wasn’t particularly impressed with the first volume of Dengeki Daisy (Viz), but its win in the shôjo category makes me wonder if I should give it a second chance. The second– and third-place nominees are spectacular, so maybe I judged Daisy too quickly. It just didn’t grab my attention and seemed like a less ambitious version of The Name of the Flower (CMX) with more text messages.

Much as I love House of Five Leaves (Viz), I actually voted for All My Darling Daughters (Viz) in the best new drama/action category. I happen to think that asking a person to choose between Natsume Ono and Fumi Yoshinaga is kind of cruel.

On the new comedy/slice of life front, my horse (Bunny Drop from Yen Press) won. Strong as the field was, I love Bunny Drop a whole lot. (Only two weeks until the third volume is out!)

I also voted with the majority in the all-ages tourney. I would have been perfectly happy if the second-place finisher had won, though.

What matters most about the results in the international manga category is that the James Patterson Literary Sweatshop came in last. Okay, that’s not true. I’m a big fan of both There’s Something About Sunyool (Netcomics) and Nina (Yôkaiden) Matsumoto, so I’m pleased that they shared the top spot, but I voted for Felipe Smith’s excellent Peepo Choo (Vertical).

I’ve read so little yaoi of recent vintage that I didn’t even vote in that contest. It does give me a start on a to-read list, though.

The winner of the one-shot category is exactly what it should have been.

I’m not a big consumer of supplemental collections or art books, so I cast my vote for AX (Top Shelf) in the anthology or art book category. It didn’t win, but it’s an acquired taste (and a mixed bag), so its loss doesn’t come as a complete surprise.

What are your reactions to the winners?

 

Outgoing 3/16/2011

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With the pick of the week presenting more of a challenge than usual, and with tumbleweeds blowing through the current ComicList, it’s a perfect opportunity to find some other use for the money you might have spent on comics.

To that end, I point you to Daniella (All About Manga) Orihuela-Gruber’s efforts to raise money for disaster relief in Japan:

There are still thousands of people missing, hundreds of thousands displaced and more debris to be cleared that can even be estimated at the present time. Roads leading to the most affected areas are severely damaged, which means aid cannot easily reach these people. Food is in short supply and so are basic necessities and medical supplies because the roads are so badly damaged.

She’s chosen to focus on two very worthy organizations, so go see if you’re able to help.

 

Anime & Manga Bloggers for Japan

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Just a quick link this morning, to Daniella Orihuela-Gruber’s All About Manga, where she’s set up links to donate to Doctors Without Borders and Shelterbox as part of a blogger initiative to help the people of Japan.

In Daniella’s words, “I certainly feel like I owe a meaningful chunk of good things in my life to Japan, so if you feel the same way, I would like to encourage you to donate any amount possible.”

You and me both, Daniella.

You too can give back to Japan by blogging or tweeting links to Daniella’s post or the donation pages, or simply by making a donation.

Thanks, Daniella, for organizing this effort!

PotW: Twin Spica, Young Avengers, Toradora!

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Slim pickin’s at Midtown Comics means a bit of cheating this week. Thankfully, the Manga Bookshelf bloggers find ways to spend money under any conditions.

From MJ: I’m at a bit of a loss looking at this week’s list from Midtown, so I think I’ll cheat and pull from last week’s ComicList as quoted by David in his Upcoming post, especially since Midtown missed this book’s actual release! That would be volume six of Twin Spica, one of my picks for best new manga of 2010, and an ongoing favorite as well. I’m a few volumes behind (I’ve just bought volume four) but this is a great time to finally catch up. From my review of volume three, “Everyone in this series has suffered loss of some kind, but what is rare in a story with a teenaged protagonist is that the pain and loss of the story’s adult characters is given the same weight as the pain of its teens … By the end of this volume, I had tears running down my face, and I challenge any reader to avoid the same fate, adult or teen.”

From David: Choices are thin on the ground, aren’t they? Since you went with Twin Spica, I’m forced to cheat even harder and go with a comic from Marvel: Avengers: Children’s Crusade: Young Avengers. (That’s a lot of punctuation for a comic, isn’t it?) I’ll try and describe this succinctly: the Avengers are one of Marvel’s long-running teams of super-heroes, which means horrible things have happened to them, both in narrative and creative terms. During a period when they’d disbanded, possibly out of shame over their last crossover, a young group of heroes tried to fill the gap. These interesting teens starred in a few very enjoyable comics, but they had to mark a lot of time while the writer, Allan Heinberg, did other stuff. Now they have a mini-series where one of their members, an adorable gay super-teen named Wiccan, is looking for his amnesiac mother, and this comic is apparently related to that somehow. It’s drawn by Alan Davis, who is one of my favorite super-hero artists, and it features adorable gay super-heroes. (Wiccan has a boyfriend named Hulkling. Ignore the names and focus on the adorableness.)

From Kate: I’m going to order off the menu this week and go with volume one of Toradora! Imagine a shonen version of Kimi ni Todoke, and you have a good idea of what this romantic comedy is all about: its hero, Ryuchi, is a high school student whose scary face has doomed him to social obscurity. When he crosses paths with the class firecracker, however, his life is turned upside down, as his classmates wrongly assume he’s dating Taiga. (Do I even need to say, “Wacky hijinks ensue”?) Toradora! isn’t perfect by any means — the female characters are either relentlessly perky or relentlessly bossy — but a smart script and appealing hero make it enjoyable nonetheless.

Readers, what are your Picks this week?

From the stack: The Zabîme Sisters

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I’m working my way through the top ten books on the 2011 Great Graphic Novels for Teens, one of which is the late Aristophane’s The Zabîme Sisters (First Second). It follows three girls from Guadeloupe through their first day of summer vacation, and it does so with a degree of clarity, honesty, and restraint that’s quite surprising and very refreshing.

Bossy M’Rose wants to watch a fight between the school bully and one of his targets. Attention-hungry Célina wants to hang out with some girlfriends. Timid Ella just seems to want as pleasant and peaceful a day as she can manage. They cross paths with classmates who have their own agendas and concerns. Manuel is trying to figure out what to do about his father’s broken pipe. Euzhan has smuggled some rum out of the house to share with her girlfriends. Some things go well, some go badly, and some just go.

Aristophane’s approach to slice of life is meticulously subdued. His narrative never overpromises, maintaining a steady pace of event but never inflating those moments into more than just moments. It’s a day, not an epic, and there’s comfort and familiarity in the string of anticlimaxes. The pleasure of The Zabîme Sisters is in its simplicity and candor.

Part of that candor comes in the form of sharp little bits of exposition that Aristophane sprinkled throughout the narrative. When Célina joins her family for breakfast, Aristophane offered this narration:

“Célina got up after making them beg her. She took particular pleasure in being pleaded with and in feeling indispensible. When she got this attention first thing in the morning, she felt especially content.”

These bits of omniscience are frank and illuminating, but they’re never intrusive. They add wonderful layers to the events, and they rarely flatter their subjects. Aristophane isn’t mocking his characters, per se, but his assessments are unsparing. But they reveal the emotional complexity of the characters, too, and they add weight and clarity to their actions. It’s a terrifically successful technique, and it lifts the book to a higher level.

The art has the same kind of chunky, inky beauty that I find so appealing in the work of Iou (Sexy Voice and Robo) Kuroda. Just about every panel is absorbing in its own way, with shifting perspectives and an eye-catching haziness. There’s a blend of precision and abstraction that adds interest; you’re always sure of what you’re seeing, but the rendering has enough oddity and expressionism to keep refreshing the way you see it. (Publishers Weekly ran several preview pages from the book.)

I’m actually kind of embarrassed that this book largely escaped my attention before making it onto the top ten list. It’s the kind of thoughtfully inventive work that always excites me, and its unique elements and techniques cohere in really admirable ways.

Other reviews in this intermittent series:

  • Set to Sea, written and illustrated by Drew Weing, Fantagraphics

You can nominate titles for the next Great Graphic Novel for Teen List, and you can take a look at the current batch of contenders.

 

Follow Friday – a little late

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Yesterday was Follow Friday, according to my feature schedule, but I admit I had a hard time mustering the will for such a frivolous post in the aftermath of the earthquake in Japan.

Today, though, I’ve got some recommendations to share that many may find helpful. Here are a few Twitter accounts I’ve found valuable for keeping up on news from Japan.

@YokosoNews, usually devoted to lifestyle and entertainment news, has focused its efforts on relaying news about the catastrophe from the Japanese media to English-speaking readers. Check out their USTREAM for ongoing translation of news broadcasts from the NHK.

@MariKurisato, a regular favorite on my follow list, has been tweeting available news from all the reliable sources she can find pretty continuously over the couple of days

@tokyograph is another source for current news (thanks to Kimberly Saunders @ShroudedDancer for the link).

I’ve also been following tweets from @mangauniversity, @tokyoreporter, and @globalvoices.

So far, I’ve been grateful to hear that all those I personally know in Japan are all safe. I hope the same for all of you.

License request day: Glass Mask

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Looking back on my most recent license requests, I notice an unfortunate trend: none of them run to the outlandish end of the spectrum. It’s all well and good to ask for things that you may actually receive, but it’s also important to pull out the stops from time to time… to ask for something massive, something commercially suspect, something old… something like Suzue Miuchi’s Glass Mask.

This is the sprawling tale of an ambitious, would-be stage actress named Maya Kitajima who responds to her mother’s dismissal and criticism with a burning desire for fame. (As Roxie Hart sagely noted in Chicago, “And that’s because none of us got enough love in our childhood. And that’s showbiz, folks.” Okay, Renée Zellweger’s Roxie may not have said that, but Gwen Verdon’s did, and Verdon’s is the one that matters.) Maya apparently endorses the Method, throwing herself into rehearsals and performances with reckless disregard for her own health.

And she has a rival, Ayumi Himekawa, who takes a more learned approach to acting and thinks she’d be much better in Maya’s dream role, the lead in The Crimson Goddess. And she has a mentor, Chigusa Tsukikage, whose own very promising acting career was prematurely ended by a disfiguring accident. And she has at least one love interest, entertainment entrepreneur Masumi Hayami, who can only reveal his feelings for Maya through gestures as an anonymous fan.

It sounds like the acting version of Kyoko Ariyoshi’s Swan (CMX), and there’s absolutely nothing wrong with that. Both series launched in 1976, with Swan in Shueisha’s Margaret and Glass Mask in Hakusensha’s twice-monthly Hana to Yume. Swan concluded in 1981 with its 21st volume. Glass Mask is still running, though it did move to Hakusensha’s monthly Bessatsu Hana to Yume. The 46th volume of Glass Mask came out in October of 2010. The series has enjoyed to anime adaptations, one of which has been released in North America.

Dauntingly long? Check! (Miuchi indicated in 2009 that the end of the series was near, though.) Vintage, difficult-to-market shôjo style? Double check! (Hakusensha is somewhat skimpy with preview pages, but if you click on the red button with the open-book icon on the third entry down in the right-hand column, you can see a bit of Glass Mask and gape.) Do I want to read it like Maya wants to play the lead in The Crimson Goddess? Triple check!

What ridiculously long, commercially questionable series would you like to see licensed? Or do you just want the chance to read the rest of Swan, From Eroica with Love, and Oishinbo?

 

Wandering Son 1 by Shimura Takako: A

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Book description:
The fifth grade. The threshold to puberty, and the beginning of the end of childhood innocence. Shuichi Nitori and his new friend Yoshino Takatsuki have happy homes, loving families, and are well-liked by their classmates. But they share a secret that further complicates a time of life that is awkward for anyone: Shuichi is a boy who wants to be a girl, and Yoshino is a girl who wants to be a boy. Written and drawn by one of today’s most critically acclaimed creators of manga, Shimura portrays Shuishi and Yoshino’s very private journey with affection, sensitivity, gentle humor, and unmistakable flair and grace. Volume one introduces our two protagonists and the friends and family whose lives intersect with their own. Yoshino is rudely reminded of her sex by immature boys whose budding interest in girls takes clumsily cruel forms. Shuichi’s secret is discovered by Saori, a perceptive and eccentric classmate. And it is Saori who suggests that the fifth graders put on a production of The Rose of Versailles for the farewell ceremony for the sixth graders—with boys playing the roles of women, and girls playing the roles of men.

Wandering Son is a sophisticated work of literary manga translated with rare skill and sensitivity by veteran translator and comics scholar Matt Thorn.

Review:
The main thing I kept thinking about while reading Wandering Son—beyond the continuous undercurrent of general squee—is how things that seem insignificant to one person can be secretly, intensely significant to someone else.

Wandering Son begins simply. Nitori Shuichi (the translation retains Japanese name order) is an extremely shy fifth-grade boy, and as the volume opens, he and his sixth-grade sister, Maho, are preparing for their first day at a new school. Upon arrival, Shuichi is instructed to sit next to Takatsuki Yoshino, a girl so tall and handsome that she’s called Takatsuki-kun by her classmates. They become friends.

One day, when Shuichi goes to Takatsuki’s house to work on some homework, he spies a frilly dress hanging in her room. Perhaps Takatsuki didn’t mean much of anything when she suggested that Shuichi should wear it, but it’s an idea that refuses to leave his head, despite his protests that he isn’t interested. He ends up taking the dress home and giving it to Maho, but its presence in their shared bedroom taunts him.

At this point, Shuichi isn’t thinking about things like gender identity. He’s ten! Instead, he’s dealing with processing the new idea that he could wear a dress and that he might even want to. Slowly, and bolstered by interactions with another encouraging classmate, he begins experimenting. First, he buys a headband. Then he tries dressing as a girl while no one else is home. Finally, when Takatsuki reveals her own treasured possession—her elder brother’s cast-off junior high uniform—he tries going out as a girl in public, with Takatsuki (as a boy) at his side.

One wonders what would’ve happened to Shuichi without Takatsuki to set the example. Would he have become aware of these feelings within himself eventually or been somehow unfulfilled forever? Her comments and her acceptance mean more to him than she knows, as he has a habit of internalizing things that are said to him. After an adorable turn in a female role in a drag version of The Rose of Versailles at school, for example, Maho conversationally notes, “You should have been born a girl.” Again, this is a concept that’s new to Shuichi, but one he gradually comes to believe is true. When his grandmother promises to buy him a present, he visualizes his female form and realizes it’s what he most wants. “Even grandma can’t buy me this.”

I had no problem seeing Takatsuki as a boy throughout, because of her inner certainty and obviously boyish appearance, but Shuichi was more problematic. The moment he confronts the mental vision of what he feels he should be, however, and realizes that he truly wants to be a girl, he starts to become one for the reader. By contrast, it’s shocking when the onset of her first period reminds readers that Takatsuki is biologically female. Though she mostly projects a confident air, her anguish at the undeniable truth that she is not really a boy is intense.

The story is subtle, simple, poignant, and innocent. The tone is matched by Shimura’s uncluttered artwork, which features big panels, little screentone, and extremely minimal backgrounds. These factors combine to make the volume go by quickly, and all too soon it’s over. While waiting for volume two, in which Shuichi and Takatsuki will progress to the sixth grade, I suspect I will have to console myself with the anime adaptation, currently available on Crunchyroll.

The first volume of Wandering Son—published in English by Fantagraphics—will be available in June 2011. The series is still ongoing in Japan, where it is currently up to eleven volumes.

Review copy provided by the publisher.

3 Things Thursday: Down the Aisle

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Today is my tenth wedding anniversary, so I’ve got marriage on the brain. And I was surprised to realize, when I thought about it, just how seldom I encounter weddings or even marriage in the manga I read, despite my heavy leanings towards romance.

Then again, I think it’s only a rare kind of story that wants to delve beyond the early rush of romance and into what happens next. I remember as a child, getting to Laura Ingalls’ wedding in the Little House series, and feeling just as bewildered as she seemed to be, suddenly separated from the place and people she’d lived with all her life until then. The heart-pounding romance that had brought us both to this point had taken a too-realistic turn that neither she nor I was even remotely prepared for. I had a similar feeling when Betsy finally married Joe near the end of Maud Hart Lovelace’s Betsy-Tacy series. As much as Betsy struggled with the reality of domestic life, I struggled with the loss of her romantic adventure.

Still, there are a few manga weddings that spring to mind as I ponder, though not all of them are marriages I personally endorse!

3 manga weddings for MJ’s anniversary:

1. The Moon and the Sandals | Fumi Yoshinaga | Hashizume & Ida

Probably the favorite of my manga marriages is not actually a legal one, at least not in Japan. But when Hashizume turns up with the adoption forms, showing Ida that he really does love him, and has wanted to marry him for long time, I honestly got teary. Oh, Fumi. *snif* You really are the best of all.

2. Fruits Basket | Natsuki Takaya | Tohru & Kyo

Okay, so they don’t actually show Tohru’s marriage to Kyo, but after 23 volumes of pounding in the message that a girl’s most important dream is marriage, Takaya at least provides us with proof that it happened after all. It’s a pretty sweet little moment too, even if it gets her out of having to deal with any of the hard stuff.

3. NANA | Ai Yazawa | Hachi & Takumi

Though Hachi and Takumi’s wedding is possibly the least romantic thing to ever hit the page as far as I’m concerned, its business-like manner reminds us all that marriage is really just a contract, for good or for ill, and that it can’t create or replace love and emotional partnership. Will we ever find out how this marriage really turns out? I dearly hope so.

A list of manga weddings was difficult for me to muster, I have to admit. Readers, can you do better?