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A Tale of the Secret Saint, Vol. 5

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

I have to be honest, I should not enjoy this series as much as I do. It really does a lot of things wrong. At its core is broad humor involving a heroine who misunderstands almost everything everyone says to her, and that’s fine. In fact, it’s almost a genre in itself. And she’s really, really good at not getting it. But it also manages to bring up her very real PTSD that comes from her actual death and everything leading up to her death, to the point where she’s actively repressing the worst memories of it. This is also quite well written and handled with care, but the two plotlines really should not co-exist next to each other as well as they do. In addition, this volume once again is 2/3 of an actual book, followed by endless extra side stories that either tell other character’s POV of what Fia narrated for us, or Fia’s wacky adventures as Serafina in the past. Where we find she was also a giant ditz.

After the events of the previous two books, Fia is now officially a knight, but before she can get down to the business of protecting the royal family, she’s given some time off. She uses this to go north to visit her older sister, aka the one sibling that did not treat her like hot garbage growing up, and also check in with Zavilia, who is no longer a tiny little dragon familiar but has become King of the Mountain – literally. He even has his own dragon cult, though there’s some implication that this is mostly due to pure terrifying force of will. Unfortunately, when she gets back to her home, she’s also met by Guy Osbern, who used to “tease” her as a kid by calling himself a legendary demon. Sadly, he had no real way of knowing the very real trauma that she had in the past from demons, and seeing him again brings it all back.

Again, for the most part this is hilarious. Before she sets off on her journey she runs into “Green” and “Blue”, the royals from the neighboring kingdom who are still just random adventurers to her, and she takes them with her on her journey. Literally everyone except Fia can see they’re Very Important People, but she does not care. She also has a nice dose of accidentally using her saint powers and having to pretend that it’s for some random reason, though fortunately she doesn’t have to restore any severed arms here. Amidst all this, we do get actual plot, if only a bit. The past history of the kingdoms does not quite match up with Fia’s memory of her past from 300 years ago, and Kurtis knows why but does not want to upset Mia too much. What’s more, it turns out that they may not have defeated the real demon lord – and “the demon lord’s underling” is the one part of Fia’s memories that she’s still running away from in terror.

So: this is hilarious You will laugh. But there’s an odd current of deep tragedy also rolling through it, and the resulting taste should not work but does.

Alya Sometimes Hides Her Feelings in Russian, Vol. 4

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By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

There’s a short story volume due out next, but quite honestly, this one also feels a bit like a short story volume, detailing the wacky adventures of the cast on their summer break. There’s no real through line of plot except Masachika’s crippling self-hatred, and the cliffhanger is one I had sort of guessed, so for the most part this feels a bit disconnected. It is also the horniest book in the series, and this comes from a series that is already pretty horny. That said, it does have one of my least favorite things about light novels, which is the idea, held by both boys and girls, that a man having sexual thoughts is the same as the man doing sexual deeds. There are a whole lot of wacky harem manga situations in this book, and a lot of them lead to Masachika having an erection he’s trying to hide. And that’s OK. He’s a teenage boy. But it’s not OK for him, and he continues to consider himself the worst person in the world. It’s annoying.

The student council is going on a summer vacation to a beach house, but before that we have a few plots involving Masachika and Yuki being themselves. This involves a great deal of sex talk, a fair bit of sibling violence, and an amusement park visit where their secret identities end up getting exposed to Sayaka (who is shocked) and Nonoa (who’d already guessed). Oh yes, and Alya keeps coming over to Masachika’s house when everyone out to do homework, and so far… they’ve done homework. Which annoys her. At the beach house, we get bikinis, swimming, bathing, room switching, and a festival with fireworks, all of which are reasonably cute. Unfortunately, Masachika keeps assuming that he’s screwing everything up, and overcompensates to try to fix it, and ends up hating himself even more by the end of it. He ends up going back to the playground where he played with the foreign kid… who turns out to be someone he knows.

As is pretty typical in the genre, the reader ends up sympathizing with Alya heavily here, despite her accidentally getting groped when Masachika tries to save her from falling onto jagged rocks. (She even trots out the “take responsibility and marry me” chestnut, which I haven’t seen in quite some time.) There’s a whole lot of muttered Russian in this book, which Masachika understands but has to pretend he can’t, but really, she could not be more obvious. Even he gets it at the end of the book. But, as with so many other books in this genre, only one thing is stopping the two from being a couple, and it’s the man’s idea that he’s not good enough for her. To be fair, he has the trauma to back it up, and the scenes we get from his childhood in this book are as depressing as you’d expect. But it’s like eating a marshmallow sandwich where the bread is misery.

Next volume… won’t resolve this cliffhanger. Short story volume. Till then, if you like self-loathing and boobs, this is the perfect title for you.

Manga the Week of 11/1/23

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SEAN: This is that odd “is it October or November?” part of the manga calendar, so expect weirdness.

ASH: I always do.

SEAN: To start, Airship has no early digital releases announced… so far… and the only print title is Reincarnated as a Dragon Hatchling 5.

EDIT: Surprise, they put them up at the very last moment! Early digital for Kuma Kuma Kuma Bear 16 and There’s No Freaking Way I’ll be Your Lover! Unless… 3.

Cross Infinite World debuts three Volume 1s in their light novel line. I Guess This Dragon Who Lost Her Egg to Disaster Is My Mom Now (Saigai de Tamago o Ushinatta Dragon ga Nazeka Ore o Sodate Hajimeta) is a rather bizarre not-quite-reincarnation story, where an adventurer on the verge of death after (sigh) being betrayed by his own party ends up in the nest of a dragon who lost her egg… and suddenly he turns into a young girl to be her new daughter.

ASH: Huh.

SEAN: Making Jam in the Woods: My Relaxing Life Starts in Another World (Mori no Hotori de Jam wo Niru: Isekai de Hajimeru Slow Life) is a slow life isekai, as the Japanese title suggests. Margaret dies and is reincarnated in a new world, where she’s rescued by an elderly noblewoman. Sure, she has a destiny… but she’d much rather just eat.

ANNA: I’m not usually into isekai but I find the idea of a manga devoted to making jam in the woods amusing.

ASH: Same!

SEAN: Third Loop: The Nameless Princess and the Cruel Emperor (Nanashi no Ōjo to Reikoku Kōtei: Shītagerareta Yōjo, Konse de wa Ryū to Mofumofu ni Dekiai Sarete Imasu) stars a girl so abused she doesn’t even has a name – she’s “Princess That”. She also loops back in time and suffers the same abuse again. But this time… suddenly people seem to love her!

Ghost Ship debuts Inside the Tentacle Cave (Inbi na Doukutsu no Sono Oku de). This runs in Comic Vamp, and is about an evolving monster that develops a taste for sexual assault. Whee.

MICHELLE: Um.

ANNA: No thank you.

ASH: Oh, my!

SEAN: They also have the 12th and final volume of SUPER HXEROS and the third and final volume of World’s End Harem: Fantasia Academy.

It’s a very quiet week for J-Novel Club, who have Record of Wortenia War 21 and The Troubles of Miss Nicola the Exorcist 2.

ASH: For a moment there, I inexplicably conflated The Troubles of Miss Nicola the Exorcist with Nicola Traveling Around the Demons’ World, but I’m pretty sure the two are unrelated.

SEAN: Kodansha Books gives us As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 3.

Kodansha Manga has the print version of Ogami-san Can’t Keep It In, meaning once again I assumed something was a digital exclusive and was wrong. These lists, man, I dunno, I’m getting depressed. Anyway, see last week for details.

ASH: Boo, for bad metadata! Hooray, for print! (At least in general, I don’t actually know much about this particular series.)

SEAN: Also debuting in print is Witch Hat Atelier Kitchen (Tongari Boushi no Kitchen), a Morning Two series for everyone who wanted the hot guys in WHA to cook things.

ANNA: Really???? This sounds amazing.

ASH: Aaah!! I had somehow totally forgotten about this!

SEAN: Also in print: As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 7, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 8, Quality Assurance in Another World 4, Saving 80,000 Gold in Another World for My Retirement 3, and The Iceblade Sorcerer Shall Rule the World 7.

Digitally (at least, it looks exclusively digital), we debut Rocopon. Running in Young Magazine Web, this comedy tells the story of an alien hired by Earth as an assassin who’s getting a bit too blase and half-assed, so he’s getting a partner.

Also digital: Having an Idol-Loving Boyfriend is the Best! 4, Hozuki’s Coolheadedness 16, SHAMAN KING: THE SUPER STAR 7, and Saint Cecilia and Pastor Lawrence 12.

Seven Seas says it’s been at least 3 or 4 weeks since they last debuted a cat book, so we get My Cat is Such a Weirdo (Uchi no Neko ga Mata Hen na Koto Shiteru). This biographical series runs in Comic Essay Gekijou, so is technically josei, but, I mean, it’s ‘cat’. The genre is ‘cat’. It’s in full color, and is about how cats are weird.

MICHELLE: Looks cute!

ASH: Gotta love a good cat manga.

SEAN: Seven Seas also has The Ancient Magus’ Bride: Wizard’s Blue 7, Bite Maker: The King’s Omega 9, CANDY AND CIGARETTES 6, Crossplay Love: Otaku x Punk 6, The Great Snake’s Bride 2, His Majesty the Demon King’s Housekeeper 5, Kuma Kuma Kuma Bear 7, Re:Monster 7, Sheeply Horned Witch Romi 2, and Yokai Cats 6.

ASH: Speaking of cats. And yokai! (At least I’m always speaking of yokai.)

SEAN: Square Enix has the 10th volume of My Dress-Up Darling.

ASH: I really need to catch up with this series; I greatly enjoyed the earlier volumes I read.

SEAN: Udon Entertainment theoretically has Robotics;Notes debuting, though don’t be surprised if, like Denpa titles, the release date on Amazon is wrong. This is from the creators of Chaos;Head, Steins;Gate, and other punctuational franchises. It ran in Mag Garden, and is about a girl who loves robots and a boy who loves video games.

Viz Media has one release: Fullmetal Alchemist 20th Anniversary Book. This hardcover contains the author’s companion manga she drew as she did the series, and the thoughts of everyone involved in the franchise.

ASH: Oh! It’ll be nice for the companion manga to be collected in one place.

SEAN: Yen On has a light novel debut: A Misanthrope Teaches a Class for Demi-Humans (Jingai Kyoushitsu no Ningengirai Kyoushi). A young man traumatized by his past just wants a quiet life teaching in the mountains… but his students are all mermaids, werewolf, and rabbit girls. The copy goes out of the way to say this is NOT a fantasy or an isekai. I’m hoping it’s a bit like Interviews with Monster Girls.

ASH: I’m impressed that it’s become important enough to explicitly note something isn’t isekai.

SEAN: Yen Press debuts I May Be a Guild Receptionist, but I’ll Solo Any Boss to Clock Out on Time (Guild no Uketsukejou desu ga, Zangyou wa Iya na node Boss wo Solo Tobatsu shiyou to Omoimasu). The light novel came out from Yen last month, and proved too difficult for Amazon’s algorithms. Guild girl wants to avoid overtime, so clears all the dungeons herself. The manga runs in Dengeki Daioh.

And they’ve also got Me and My Beast Boss 2 and The Villainess Stans the Heroes: Playing the Antagonist to Support Her Faves! 2.

For a 5th week of the month this was a lot. Anything for you?

Death’s Daughter and the Ebony Blade, Vol. 6

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By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

Generally speaking, if you’re trying not to spoil yourself when reading a light novel, there are several things you need to do. Avoiding covers is almost impossible, but you can certainly avoid the color inserts, which tend to spoil. Don’t read the author’s afterword till you’ve finished the book, of course, as it often asks readers what they thought of the plot twist. And, of course, try not to read the table of contents, because chapter titles frequently spoil. And so (spoiling here, sorry), when I saw that the last chapter before the epilogue in this book was called “The Girl Defeated”, I knew what was going to happen. It wasn’t a big surprise, the series ends with the next book, so there had to be SOME point where Olivia loses a fight, just so she’s not all-powerful. That said, I was surprised anyway. The Girl Defeated is an accurate chapter title, but the chapter itself ends very happily. It’s the Epilogue that kills you.

We’re finally at the big battle between Olivia and Felix… well, OK, there are a few other big battles before that that don’t involve our heroes, but honestly, most of them feel like they’re padding out the book, and resolving a romance by having a superior officer say “hey, clueless guy, get married to the girl who has an obvious crush on you” is possibly the most pathetic thing I’ve seen in this series. The important bit, though, is that Olivia’s army is finally losing badly, mostly as the other side are simply better, more experienced soldiers. So she decides to gamble it all on a one-on-one fight with Felix, sending Ashton back to base and taking Claudia and a few others to forge a path to Felix. Their battle is cool, well-balanced, and a fair fight. Alas, this world is currently being taken over by an evil Dark God, and he interrupts things to gloat at Felix and generally be evil.

I have grown used to the fact that this series is very good at writing instant gratification, with scenes that work well as you read them but fall apart the moment you try to think more deeply about the subject. This is not a bad thing – popcorn entertainment is perfectly valid. But it can be hard to review. I did appreciate that (spoilers again, sorry) after spending the entire series searching for him, Olivia is finally reunited with Z right as she’s about to die – I get the sense that he wanted to let her grow at her own pace till he had to intervene. The whole “now I will teach you the ultimate final move” ending is pure shonen, but honestly it’s a delight seeing Olivia’s face as she’s finally reunited with her “father”. Less delightful is that pesky epilogue – I don’t expect a permanent death, as this series is not that dark despite its title, but it certainly ends the book on a sour note.

So great stuff, provided you don’t look too deeply, and provided you let your eyes glaze over whenever a male captain and his female adjutant have a conversation with each other. Tune in next time for the final book.

The Sorcerer’s Receptionist, Vol. 4

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By Mako and Maro. Released in Japan as “Mahousekai no Uketsukejou ni Naritaidesu” by ArianRose. Released in North America digitally by J-Novel Club. Translated by Adam.

It’s been a while. Indeed, it’s been over two years. Long enough for me to forget 90% of the cast and 50% of the plot. Long enough for the book to need a new translator. Long enough for about 100 other romance-focused fantasy series for women to come out over here. But throughout all that, some things never change, so you can rest assured that Nanalie’s every waking moment is taken up with being grumpy about Rockmann 100% of the time. Yes, she realized she’s in love with him last volume, but that’s not going to stop her – if anything, the love has to struggle harder to get out from under the layers and layers of competitive tsundere she’s got draped over her. This is exactly the same as the previous books, which is a shame as it was one of the more annoying parts of the series. That said, the series seemed to wrap up perfectly well with the third book. Is this sequel necessary? Hrm…

Nanalie wished for all the revelations about her in the third volume to be left a state secret, and so they are, thanks to some memory altering, so she’s back to the regular everyday life as a guild receptionist. Or rather, she would be were it not for a rumored time traveling thingummajig that everyone seems to be looking for. Naturally, it exists. Somewhat less naturally, it’s in the form of a garden gnome, like the ones you see on lawns. And it turns out that a noblewoman has used the time travel thing to go back in time so that Rockmann can fall in love with HER and not Nanalie! So now everyone has to pile back in time, disguise themselves as teachers, and try to stop the noblewoman before history is changed forev… wait, the gnome says history can’t really be changed. OK, so we’re all good, then.

Gonna be honest, a lot of this book is a slog. The main reason being what I just told you. Before everyone goes back in time, they’re told that no matter what they do, nothing can really be affected. And that turns out to be true, even when the *real* reason for going back in time is revealed. There’s a threat to Nanalie’s past self… that is kind of pointless, because, again, time travel can’t be used to do that. You’d think that this might be used to get Nanalie to admit her feelings more readily, and they sort of try to burble up at times, but she’s just SO tsundere about everything that it’s not satisfying from a romance novel standpoint. Oh, yes, and we get a sort of cliffhanger ending, so I guess we’re getting a Book 5… which, judging by the ending, promises to immediately break all the stuff they had to fix at the end of Book 3. Good times.

If you really loved this series, you’ll want to read this. If you just liked it, feel free to have Vol. 3 be the end.

My Happy Marriage, Vol. 5

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

Well, now I just feel bad. One of my go-to jokes about this series is the hideous irony of the title, after all. And in the Afterword the author says they worry about it as well, and asks readers not to constantly harp on it. So that’s half this review needing to be totally rewritten, then. That said, there are signs in this book that we are working our way there, if painfully slowly. Miyo still hates herself so much it’s almost suffocating, but is starting to realize (or be told point blank) that keeping everything to herself can actually be more painful than a possible rejection. She and Kiyoka have a scene where they share a bed (engineered, of course), and it’s as sweet as you’d expect, even though nothing happens, of course. And at the end of the book, we even get an explicit confession of love! Which, um, is actually tragically awful given… (waves vaguely at the cliffhanger)

We pick up where we left off, as the Emperor has been abducted. The Powers that Be make a decision to keep this quiet, which is not that hard given the Emperor is mostly a figurehead now anyway. That said, they really need to protect the prince from the bad guys now. They also need to protect Miyo, so make the decision to do both at the same time and have her staying at the palace, along with Kiyoka, Hazuki, and Yurie. Oh yes, and Arata, her faithful bodyguard. It should be a lot easier now, but there are still ominous rumblings. Miyo’s dreams about her mother and Usui turn out to be something he can talk back to her in, and he doubles down on destroying the world in order to teach it a lesson. Meanwhile, it turns out that the government and military is positively filled with traitors, and that’s bad news for Kiyoka in particular…

All of the My Happy Marriage books have rolled along on a sense of dread, and this one is no exception. We already know from the fourth book that Arata is working for the enemy, so the only question is whether he’s going to be a double agent or a triple agent. Usui is a wonderfully terrible villain, and the thing that pleased me most about the entire book was hearing that his arc should wrap up in Book 6, because I want to be nowhere near him again. The Education Minister’s secretary ends up being like something straight out of a horror movie, and in fact there is a fake climax to the book that reads like the end of a horror film. That said, this is the first book where The Bad Guys Win, and all seems lost. Thankfully, all seeming lost is what finally galvanizes Miyo to get off her ass and be proactive. I’m not sure I approve of her “I will do this by myself so as not to put anyone else in danger” attitude, but it’s otherwise nice to see, and terrific character development.

Still riveting, still fantastically written, still leaves you depressed. Great stuff.

Pick of the Week: Starry Brides and Yuri Landlords

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SEAN: “Yuri with actual adults” never gets old, so my pick this week will be just that, with Monthly in the Garden with My Landlord.

MICHELLE: There isn’t a whole lot that appeals to me personally, so I will celebrate the print release of Nina the Starry Bride, which I’ve been meaning to check out.

ANNA: I’m very happy that Nina the Starry Bride is getting a print release, it deserves it!

ASH: Monthly in the Garden with My Landlord is definitely of interest to me, but then so is Nina the Starry Bride, especially now that it is in print!

Young Lady Albert Is Courting Disaster, Vol. 3

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By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

Theoretically a short story volume, this reads more like an interquel between the series as originally conceived by the author and the “this was stupid popular, write more” sequel that we will no doubt get in the next volume. It’s meant to wrap up all the loose ends that weren’t wrapped up in the second book, which is an awful lot of loose ends. It’s also meant to show how this is a series driven by its women, and they are all awesome in different ways. Now, the men are awesome too… well, some of the men. Patrick and Adi, pretty much. And Gainas once he’s let out of the doghouse. But frankly, this is a comedy, and the comedy comes from seeing the women in the book not only be awesome, but be awesome in ways that are funny. Mary Albert is best at that, of course, but everyone gets a look in as we go along.

As Mary plots something secret in the background, which everyone except Adi believes is going to be her announcing that she will be the next head of the family, the other cast members all have their own short stories. Margaret has abandoned her old boyfriend and is trying to get a hottie by hook or by crook… even if that hottie may not quite be old enough yet. Parfette is still reluctant to forgive the penitent Gainas, so sets him a task, that will hopefully go well given it’s meant to take an entire year. Carina is still finding new ways to beat up and torture her old boyfriend, and is (unconsciously, perhaps) really starting to get into it. Alicia and Adi go around to deliver invitations to her wedding with Patrick to all her friends, which neatly connects the other stories in the book we’ve had to date. Finally, Mary unveils her grand idea to the public, though she has to destroy an evil noble family first to do so.

A lot of this book relies on the reader being OK with the cliches of “noble society set in the sort-of Victorian age” novels, so if the idea of Margaret trying to entice a ten-year-old to be her future husband is icky, be warned. That said, she pretty much knows how far is too far, so it doesn’t get too weird. I also really enjoy the running gags of Alicia greeting Mary with a flying tackle every time they meet each other (which is every day, so Mary is understandably annoyed by it. Alicia is one of those rare otome game heroines who’s enthusiastic and brash rather than meek and polite, and it’s nice to see. As for Carina… look, anytime her and her ex are on the screen, the book becomes a treatise on the joys of BDSM, and discovering you have a new kink. Like the other parts of this book, it doesn’t go too far (the only sex in the book is between Mary and Adi, and it’s really sweet) but let the buyer beware.

I’m not sure what the fourth book will bring… perhaps the opening of Mary’s Chicken Palace… but I’m definitely going to read more. This is fun.

Fiancée No More: The Forsaken Lady, the Prince, and Their Make-Believe Love, Vol. 1

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By Mari Morikawa and Bodax. Released in Japan as “Konyaku Haki no Sono Saki ni: Suterare Reijō, Ōji-sama ni Dekiai (Engi) Sareru” by DRE Novels. Released in North America by J-Novel Heart. Translated by Adam.

Just as we’ve had so many isekai and “game stat world” light novels that it’s super refreshing to get a normal fantasy book, we’ve had some many novels where the protagonist is a “villainess” trying to change her fate, redeem herself, or otherwise fight against her narrative that it’s nice to see a book that straight up *is* that narrative. Yes, technically the book begins with a broken engagement. But Estelle, our heroine, really is a heroine for once. She’s well known for being a nice, if somewhat plain, young noble lady. She helps to care for her people after they’re wounded fighting dragons, and she also helps fight the dragons herself if need be. Oh yes, and she has a secret: she’s got magic powers, a rarity in this country, and can see the mana within people, and tell what their emotional state is. Sadly, this has left her mostly a bundle of introversion, so the broken engagement is not a good thing.

So yes, we open with Estelle having her engagement broken. Not because Lyle, her fiance, hates her now. It’s just that his family is on hard times, and they can get financial assistance if he marries Diana Pautrier – who does hate Estelle, but that’s neither here nor there. Now Estelle needs to find another engagement – which is hard, given her parents are dead, she’s only an Earl’s daughter, and the valuable magic powers she has she’s kept a secret from most everyone. Worse still, it means they have to give up their neutrality and pick a side in the upcoming throne war between the first and second prince. She and her brother attend a ball held by the first prince, and since she’s actually choosing to ally with him, he gives her the second dance of the night after his fiancee. Then she’s shot trying o prevent him being killed by an assassin, and everything goes off the rails.

So yeah, the title is the spoiler now she’s engaged to the first prince. He knows about her powers, and regards her as a “walking alarm”, so is content to dump his current fiancee (who does not take it well) and get engaged to Estelle, saying that it’s true love. Which it isn’t, but the main reason to read this book is to see these two people, both dealing with their engagement out of need and not true love, slowly falling for each other. Estelle is cognizant of it almost immediately, but feels guilty as she can see Arcrayne is being manipulative and teasing and also she feels bad for giving up on Lyle so soon. As for Arcrayne, he’s not intending this to be anything but “she is useful”, but rapidly realizes she really is a terrific fiancee for him. There’s even a realistic depiction of both “we are pretending I just had my first time” and, later on, “we have to pretend I didn’t just have my first time”, which is sweet.

The antagonist of the book is dealt with here, but there’s clearly more antagonists waiting for future volumes, including Arcrayne’s ex-fiancee, as well as the Queen, who I have a sneaking suspicion has a past with Estelle’s family. In any case, if you want a straightforward romance plot with heroines and villainesses who stay in their lane, this is very good.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 2

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

This series continues to interest me far more than I expected, possibly as, while it is doing a lot of the usual fantasy tropeland stuff (mana, guilds, etc.) it at least manages to avoid game stats and power levels. Our heroine and her too-young-to-be-a-boyfriend are both quite powerful, but in his case, this has mostly completely ruined his life, and in her case, she’s hiding most of her true strength to avoid attracting the wrong kind of attention. Honestly, in the first half of this book, everyone is sort of prickly, including the heroine. You’d expect this to be a warm, fuzzy series where the townspeople take in this plucky orphan and make sure she has everything she needs, but no, she’s still living in tents or watchtowers – albeit because she wants to, she can afford better – and they’re still content to use her skills on a regular basis. It’s slow life, but until the end of this volume it lacks the sweetness.

Sara is still selling meals at the adventurer’s guild and collecting healing herbs, all while trying to avoid the attention of Ted from the Apothecary Guild, who continues to dislike Allen and Sara intensely (though, as the book goes on, the reader sees he’s more a tsundere than anything else). Unfortunately, Nelly is *still* not back yet. What’s worse, she’ attracted the attention of a knight from the capital, who sees these two extremely powerful orphans sleeping outside the city and gets several ideas in his head. First he says they should come with him to the capital and be his maid and butler – rejected. Then he leans on the town to make things much harder for adventurers sleeping outside the city, in order to clear them off – and, it’s hinted, drive Sara and Allen to him. Fortunately, Nelly is finally able to return, and a whole lot of misunderstandings are cleared up.

I will admit the big flaw with this volume is that a lot of it depends on everyone being somewhat thick. Nelly and Sara’s descriptions of each other do not match the reality of who they really are, so no one recognizes they’re connected. Hell, they don’t even realize Sara is a girl till the other women of the town (who do know right away, of course) tell them outright. No one connects a missing 12-year-old kid desperately being searched for to the powerful 12-year-old kid who showed up in town at exactly the same time. You start to understand why Sara’s general reaction to most of the adults around her is disappointment and irritation. That said, the friendship between her and Allen is a definite highlight of the book, and I do wonder how things will go for them in the third book, especially now that Sara has revealed to all she’s from another world. I suspect she won’t be allowed to live a quiet life in the woods with her wolves for long.

This isn’t terrific, but definitely falls under “better than I expected”, and I’d like to read more. I miss the first book’s running gag, though, and hope it returns.