Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Ai Ore! Vol. 3

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By Mayu Shinjo. Released in Japan as “Ai wo Utau Yori Ore ni Oborero!” by Shogakukan, serialized in the magazine Shoujo Comic (“Sho-Comi”). Released in North America by Viz.

This is a turning point for Ai Ore! in many ways. It’s the last volume published before the move from Shogakukan to Kadokawa Shoten, which is why it reads very much like it’s ending. It marks a point where the series stops trying to be a satire or parody of these sorts of mangas and simply becomes another example of them, albeit a funny one. And it also has Akira develop to the point where, though I still have a few reservations, I can now admit without irony that I am enjoying this title.

For one thing, this volume doesn’t even pretend to be about Mizuki anymore. Akira is the star here, and most of what we see are his attempts to deal at being in love with Mizuki. He wants to win her affection and love, his hormones are raging at him to seduce her as soon as possible, and he’s getting bad advice all round from many of his friends – some of which, in fact, we’ve seen him use before in earlier chapters. Akira is trying to find a balance between ‘women like a strong, sexy guy who can take command’ and ‘I know what’s best for her because I am an asshole’, and it’s not as hard a line to cross as he would like.

This makes him stand out from other typical Shogakukan male heroes, even more than the cutesy pretty girl looks he’s stuck with. An excellent example is a chapter where a rival shows up – Tsubasa, another pretty boy who looks like a girl that Mizuki met and accidentally enthralled a couple of years earlier. He challenges Akira to a competition, with Mizuki being the winner. Akira, of course, accepts, and is very curt to Mizuki – “just sit back and wait for me to come claim you”, he notes, and you want to smack him all over again. The contest itself, though, which shows him basically letting his lecherous classmates practically rape him just so that he can get their vote – shows that power is not really what drives him at all. And a good thing too, as he’s so bad at using it.

The end of that chapter has Ran, the slightly more sensible of Akira’s two playboy friends, asking him “Have you given any thought to how Mizuki feels about this?” Well, no, he hadn’t. It’s only partly his fault – Mizuki is still the weak link in this story, though she’s not as bad as she has been. We don’t worry as much about her doubting her femininity or trying to act girly… but we also empathize with Akira, as her waffling really is driving the reader crazy now as well. Mizuki here, I believe, finally at least understands what love is, and that she’s madly in love with Akira. I just wish the couple had better communication. But then I say that about most manga couples.

In the last chapter, everything comes together. Mizuki says that she loves Akira, Akira realizes that this wasn’t something that he could have forced, no matter how he tried, and the two have now been intimate. As I said, it READS like an ending – readers of Shoujo Comic would be satisfied with the way it wrapped up here. Of course, if they also purchased Kadokawa Shoten’s Asuka, they would see the series continue – and so will we, with Vol. 4. Which will also see it return to standard 200-page format, I believe. In any case, finally recommended with few reservations.

Also, great title drop right at the end there, for folks who wondered what Ai wo Utau Yori Ore ni Oborero meant.

Tesoro

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By Natsume Ono. Released in Japan by Shogakukan, serialized in the magazine Ikki and in various doujinshi. Released in North America by Viz.

It’s time for another Manga Movable Feast, this one timed for the release of Tesoro, a collection of short stories by Natsume Ono. It’s a good collection to discuss, as I think it contains most of her strengths and weaknesses in one convenient package. Plus it has a bear on the cover. Everything’s better with bears.

The strengths of the book are mostly all at the front, as she’s put her later work first. This is good, as by 2003-2006 (the period we see here), she’s already developed and honed her style and type of dialogue. There’s some Italian stuff here, as you’d expect (it’s almost inevitable by this point, Ono simply loves Italy – and no doubt finds the constant conversation she does easier to justify with Italian men). But there’s some excellent stuff that takes place in Japan as well, including what is probably my favorite of the collection, a story about a couple who are both very thin, and tend to have gossip floating around them. “Quiet stubbornness” is possibly the most defining trait of Ono’s men, and it’s in full flower here.

The other story that really captures the attention here is Eva’s Memory, about an orphan girl with a tendency to call various men her father and how that gets a man running for election into a bit of controversy. It’s told through the point of view of her friend, who has just the right amount of exasperation and sympathy. Which is good, as Eva also rides the line here between liking her and wanting to smack her. It’s a good thing that the politician in question is so nice… and there’s also a question of who her real parents actually are, something our hero finds out as he tries to help Eva and also regain his sense of optimism about anything good in the world.

The second half of the book contains doujinshi that were written in the late nineties and early 2000s, and it shows – they’re far messier, and not just in the art. There’s a story about a young man getting out of a 5-year prison stint (he killed someone while drunk driving) that cries out to be rewritten now that she’s at the height of her powers, but instead comes across as… well, here’s the thing. When Ono is on, you can read 800 pages of her characters sitting in one room talking and you don’t care a lick. When she isn’t, it’s all just so much verbosity that you want to scream at people to “get on with it!”. Likewise, her characters ride a fine line, as I noted above in the Eva story. In a later story involving a girl named Monica and her bad luck with men, she came across as the villain to me, so I never got into the story.

Tesoro is therefore an excellent sampler of Ono’s work, but not something that should be a beginning for anyone who wants to try her. They’re better off with Ristorante Paradiso, in my opinion. For the seasoned Ono fan, however, there’s several gems in here. And even the sketchy ones have something to pick out – the story involving the chef who wants to see a movie is almost incoherent at times, but the punchline is fantastic. (And yes, he’s right – it *is* OK if it’s The Sting).

Seiho Boys’ High School, Vol. 8

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By Kaneyoshi Izumi. Released in Japan as “Men’s Kou” by Shogakukan, serialized in the magazine Bessatsu Comic (“Betsucomi”). Released in North America by Viz.

I’d put off reviewing this final volume for a while. I’m a romantic sop at heart, and it has to be said that much of what we see here is bittersweet. But then Seiho hasn’t really been about the happy warm fuzzy moments of relationships in any case. This is realistic, and that’s not always pretty.

First off, Nogami and his nurse girlfriend don’t even get a mention. I guess we should assume they live happily ever… nah, I can’t. Presumably at some point Nogami says something colossally stupid and they break up. That leaves our two main couples, who have struggled with a) communication and b) how others see them since the start of this series, and it’s no different here. Miyabi has split up with Kamiki as she feels that she’s not cool enough to be seen beside him as his boyfriend. She also thinks of herself as stupid, which is questionable given how she shows easy flashes of understanding others in here. Kamiki is stubborn and understanding, though, and things eventually work out. Mostly, as it’s noted how fragile their relationship is.

Maki and Erika is another story. Having spent their entire time together talking around each other, it’s unsurprising to see their neither really knows how to read the other and see what the other one is thinking. And due to circumstances, Erika is leaving soon anyway. A lot of things come together here. The fact that they know little about each other; Maki jumping to conclusions; Erika having figured out that Maki is still in love with someone else (but not who it is)… and so they break up. (And the moment where Erika finds out about the other Erika, which I’d been waiting for for about 6 volumes, is actually very understated and quiet.) It’s very bittersweet, and though Maki indicates that he will definitely ask her out if he ever meets her again, it’s melancholy as well.

Still, the boys all move up to being third years, and Maki gets stuck with the RA job (which he’s perfect for, admittedly). All seems well. This means, like the first volume in this series, we have to end with a sleazy shoujo smut story complet4ely unrelated to Seiho itself. Reverse Guilt is about a former ‘princess’ whose grades weren’t good enough for an elite school and so is now shunned. She tries to hide from life, but has trouble with this as the hottest, jerkiest guy in school is in love with her. He used to be a poor, abused child. He isn’t anymore. More communication misunderstandings here, but this time it makes you yearn for the relative niceness of the Seiho cast. Even Nogami wouldn’t be quite as bad as the guy is in this short. There’s also some explicit sexual situations here, for those who note this is still rated OT.

Overall, despite that, the main series was a great pickup for Viz. I know it didn’t sell quite as well as their other licenses of this period, but then it’s not big or flashy. It’s a series about a bunch of goofy guys who remind us of ourselves, and their ephemeral high school years. Definitely a keeper.

Hey, Takano never found out that Maki’s old girlfriend had the same name! Grr…

Manga the Week of 11/23

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Sometimes these lists are long and involved. And then there are weeks like this. There’s 3 titles coming out via Diamond, all from Kodansha. Let’s see what they are.

First off, only one week late this time, it’s Volume 2 of Sailor Moon, and the 2nd and final volume of Sailor V. Both volumes are fantastic and worth a buy… and both are also more serious than their predecessors.

If Sailor Moon strikes you as too girly, or perhaps doesn’t have enough boobies for your tastes, may I recommend Volume 8 of Ninja Girls. I believe it’s the 2nd to last volume, which means I’d better work on my ‘Hosana in Excelcis’ pun to make it workable by the time Vol. 9 rolls around.

Since it’s so light, why not buy some non-manga? How about the new Pogo, which I keep shilling? Or the new Carl Barks volume, which has some fantastic storytelling? Or IDW’s Best of Samm Schwartz, which should have lots of Jughead stories? Or even Vol. 1 of the Teenage Mutant Ninja Turtles hardcover, also out next week?

After you’ve bought Sailor Moon and Sailor V, of course.

Twin Spica, Vol. 10

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By Kou Yaginuma. Released in Japan as “Futatsu no Spica” by Media Factory, serialized in the magazine Comic Flapper. Released in North America by Vertical.

Foreshadowing can be a dangerous thing, especially when we want to be wrong. In amongst all of the love of space and hope for the future and plucky youngsters banding together, Twin Spica has taken us to some very uncomfortable places. And this volume makes us realize that they aren’t going away, and that our gang of five is not going to be together forever like many a manga series before it. Real life is intervening.

It’s especially ironic given that we also deal in this volume with the sheer stubborn determination to never give up that several of the lead characters have. Marika’s poor self-image and distrust of her own feelings and memories wars with her determination to go past that and see what she can achieve as her own person. Fuchuya continuing to persevere despite the fact that it still appears that he only is doing this so that he can be near Asumi. And of course Asumi herself, who may be incredibly tiny but still has the endurance of most grown men, and is running herself half to death even on her days off.

The middle of this volume shows the five kids relaxing once again in Asumi’s hometown for a vacation. It’s mentioned several times that they should try to do this every year – in fact, it starts to be a little ominous. And once Marika reveals her secret to the others, we begin to suspect that this story is going to end, if it does pick one, with only Asumi actually making it out into space. I don’t know any spoilers, but the basic theme of “keep on trying even if you lose your dream” seems to speak to that. Powerful words, but they can be hard to live up to.

In addition to Fuchuya’s crush, hidden to Asumi but obvious to everyone else, there’s also Kei and Shu. Her crush is even less hidden, and it’s possible that Shu does know about it, but he’s so inscrutable that it’s hard to get a handle on him. Their scene together at the festival is really sweet and heartwarming, giving you a brief look at typical awkward high school romance in a series that in generally not about that.

And then we get that ending, which I will attempt not to spoil. Again, I note Twin Spica’s ability to be both uplifting and soul crushing at the same time. The majority of this volume has tended towards the former, so we were probably due. Of course, it’s mostly a cliffhanger here, and I’m sure we will deal with the fallout in volume 11. But I admire the author’s ability to convey on the page what’s going on – that feeling where your heart stops, your head is buzzing and dizzy, and you want to deny everything that’s being told to you. This is where the silence of the printed page works best.

Due to Vertical’s condensing of the series into 12 volumes, we’re only 2 away from the end. (I believe that this volume was half of 11 and all of 12 in Japan). I’ll miss it. Asumi is a heroine you really want to root for, and I’m really curious as to how realistic this series will get. Will one of the group – OK, will Asumi if we’re honest – he able to get past all the roadblocks and make it into space? Or will this be like all those sports mangas that show the team all coming together but losing in the semifinals? And will I be able to read the start of Volume 11 without curling into a tiny little ball?

Pick of the Week: Variety

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This week’s bounty at Midtown Comics is especially diverse, though even that can’t quite satisfy the broad tastes of the Battle Robot. Check out our picks below!

KATE: Though VIZ is releasing several must-read manga this week — including Natsume Ono’s Tesoro and the tenth volume of Takehiko Inoue’s Real — my vote goes to the fourth volume of Hisae Iwaoka’s Saturn Apartments. This beautifully illustrated drama focuses on a handful of window washers aboard an enormous space station. The characters’ job grants them access to every nook and cranny of the joint, offering them a window (no pun intended) into the lives of their wealthy and eccentric clientele. At the same time, however, their job is incredibly dangerous: as Iwaoka amply demonstrates throughout the series, the characters face UV exposure, strong solar winds, and a variety of other hazards, all of which can send them plunging to their deaths. Lest I make Saturn Apartments sound like an Upton Sinclair novel set in space, rest assured that the story isn’t unrelentingly grim, thanks to Iwaoka’s playful, imaginative artwork and her lively cast of supporting characters. My only complaint about the series: VIZ doesn’t release it frequently enough!

MICHELLE: I considered picking volume two of Pretty Guardian Sailor Moon this week—for, despite the fact that Midtown Comics is not receiving it, other retailers are—but figured that enough people would buy it or had already pre-ordered it that it didn’t need my help! So, instead, I will cast my vote for volume three of Tsuta Suzuki’s A Strange and Mystifying Story, which I reviewed in the October BL Bookrack column. The series’ first two volumes depict a relationship between a sickly guy and the guardian beast that heals him, but volume three signifies a welcome new direction for the series. Here’s what I had to say about it:

“Mangaka Tsuta Suzuki is wise enough to know when a story is played out and brave enough to risk angering her fans by taking things in an entirely new direction. Akio and Setsu appear but briefly, therefore, as Suzuki devotes the first half of this volume to the absolutely adorable love story between two of Akio’s coworkers and the second half to a teenager named Tsumugi who has just encountered a guardian beast of his own.”

Even if you’re not into guardian beasts per se, the first half alone is worth the price of admission.

SEAN: Honestly, there is some manga I’m getting this week, but nothing that really makes me jump up and say Pick Of The Week. So I’m going to talk about Pogo again. There’s just so much nostalgia wrapped up in this release, even if it is only of the first two years (the comic ran 24 years before Kelly passed away). The odd passive love triangle between Pogo, Porkypine and Mam’selle Hepzibah; Howland Owl and Churchy LaFemme’s continued ability to get sucked into any incredibly stupid scheme they come across; Albert Alligator, despite being a loudmouth jerk most of the time, being an alligator you can truly believe is not eating most of the native populace; and Deacon Mushrat, who in these early strips is the closest the comic has to a villain, though in later volumes – it’ll be Vol. 3, I believe – he is easily supplanted by far more sinister characters. Much as fans of literature always point you towards the classics, fans of comics – both Japanese and American – should know their Pogo.

DAVID: I could easily pick the 10th volume of Takehiko Inoue’s splendid Real, but I’m going to favor Natsume Ono’s Tesoro for a couple of reasons. The first is that Alexander (Manga Widget) Hoffman is hosting a Manga Moveable Feast dedicated to Ono’s work. The second is that Tesoro is really charming. It contains some of Ono’s earliest professionally published works, but you could never tell if you haven’t read some of her more recent comics. And, even if you’ve read her more polished titles, there’s still plenty here to enjoy. I’m going to post a review of the book today, so I won’t go into too much detail here, but if you like charming, character-driven comics, then you should do yourself a favor and pick this up. The stories here are uniformly sweet and sometimes satisfyingly sad.

MJ: Anyone who knows me well will know that I’m probably the least likely person on earth to stand up as a champion of sports… anything, but I find myself unable to resist the opportunity to be the one to stand up for Takehiko Inoue’s Real. Here’s what I said about volume 9: “Though I’m not a big fan of sports manga … this is really my kind of sports manga. It’s dark, gritty, and mature in the very best sense of the word … though the games are definitely dramatic, they are really not the focus of the series at all. Much more time is spent off the court than on, especially in recent volumes, and most of the drama revolves around the characters’ struggles that bring them to the game, rather than the game itself.” It’s been a year since the last volume was released, so seeing more of this series in the US really is a treat.

Readers, what looks good to you this week?

Bookshelf Briefs 11/14/11

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This week, Michelle, David, Kate, & Sean take a look at new releases from Viz Media, Seven Seas, Digital Manga Publishing, and the Digital Manga Guild.

Arata: The Legend, Vol. 8 | By Yuu Watase | Viz Media – Although the back cover blurb mentions nothing aside from the fact that Arata Hinohara and friends engage in a bit of crossdressing, that’s far from being the most significant development in this installment. One of Hinohara’s companions, a boy named Kanate, has been looking for the gang of thieves that wronged him, but when he finally finds them he’s so desperate for strength enough to exact revenge that he makes a choice that will pit him against Hinohara in the future. I did not see this coming at all, but look forward to the eventual drama this will create—and really, many of Watase’s plot developments are like this. On one hand, they feel a little out-of-the-blue, but if you think about it, the groundwork has been laid and the things characters know and do make perfect sense. This is a really solid shounen fantasy and I look forward to more. – Michelle Smith

A Certain Scientific Railgun, Vol. 2 | By Kazuma Kamachi and Motoi Fuyukawa | Seven Seas – This series works much better when it’s being as grim and dramatic as possible. The best moment in the volume for me was probably the phone conversation between Uiharu and Saiten, showing not only a depth of emotion but also giving some very personal reasons for why ‘normal’ people are getting into all this Level Upper in the first place. I also quite liked the eventual explanation for Level Upper, which is quite clever and works well with the context of the series. Unfortunately, there’s also a bit of humor too, which almost always falls flat. Shirai is a good action heroine but a horrible pseudo-lesbian, and Kiyama’s constant stripping was simply tedious. Lastly, I do admit every time we see Toma and he talks about mysterious things that never come up again, I get curious to see if this is stuff I’d know about if A Certain Magical Index was licensed. That can be frustrating. Still, keep getting grittier, Railgun: you’re better off for it.– Sean Gaffney

A Certain Scientific Railgun, Vol. 2 | By Kazuma Kamachi and Motoi Fuyukawa | Seven Seas – I was inclined to write this series off after the first volume, but the second is a significant improvement. The issues posed by the fact that this is some kind of tertiary spin-off of a light-novel franchise that’s never been published in English are largely cast aside here in favor of a proper story. In a school community where psychic powers are commonplace (though not universal), someone has come up with a way for normal people to manifest abilities of their own. Unfortunately, it leaves a lot of them in a coma. The higher-ups aren’t taking the situation seriously, so our cast of super-girl hall monitors decides to investigate. What follows is a proper mystery with some nicely observed adolescent drama and solid action featuring resourceful young women who are strong and smart. The art is still just competent, but the plotting and character development are an order of magnitude better. – David Welsh

Kimi ni Todoke, Vol. 11 | By Karuho Shiina | Viz Media – Sawako and Kazehaya are finally together, and this volume mostly deals with the fallout from that. Kurumi’s defending Sawako, and Sawako’s own refusal to apologize (Kurumi noted she would have hit her if she had) is well played, and I think finally moves Kurumi out of the ‘villain’ area, though of course I may reckon without the long memory of some fans. Meanwhile, Yano is having her own self-image issues, which she keeps from her friends, and wonders if being a ‘pure’ kind person is better than one who is kind in a calculating way because it suits them. Pin points out, in the best part of the volume, that both sorts are kind, in the end. (Also, love that Yano/Kurumi ship tease there. “If I were a man” indeed…) Lastly, we see the start of the manga from Kazehaya’s perspective, and see he and Sawako going on their first date. This is the adorable half of the manga, and while I didn’t find it as gripping, it’s still very cute. Great stuff.– Sean Gaffney

Mr. Tiger and Mr. Wolf, Vol. 1 | By Ahiru Haruno | Digital Manga Publishing – I ordered this pursuant to a careful democratic process, knowing in advance that yaoi featuring characters with animal ears would have to do a very great deal to endear itself to me. It didn’t, but I certainly didn’t hate it, either. The series is basically one good-natured joke repeated over and over with reasonable portions of smut in the mix. An adult wolf adopts what he thinks is a tabby cat, but the tabby cat turns out to be a tiger… and a top! They deal with the disapproval of their respective species and Mr. Wolf’s insecurities about, of all things, his comparatively shorter lifespan. I don’t know how keen I am on inter-species conflict as coming-out metaphor in general, but Haruno uses a fairly light touch, so it ends up being sort of cute. The big problem here is repetition; Haruno seems to find her core premise funnier than I do and doesn’t exert a lot of extra effort. – David Welsh

Real, Vol. 10 | By Takehiko Inoue | Viz Media -The latest installment of Real skillfully juxtaposes two plotlines. In the first, Tomiya decides to pursue a career in basketball, while in the second, Takahashi makes a firm commitment to his physical rehabilitation after watching the Tigers and the Dreams play a scrimmage. Takehiko Inoue demonstrates an uncommon ability to make the characters’ everyday struggles as dramatic and compelling as the game play; watching Takahashi struggle up a long wheelchair ramp proves as nerve-racking as Tomiya’s bold drives to the basket. Better still, Real avoids easy uplift; Inoue resists the temptation to make his characters likable, allowing us to see them as unique individuals, rather than cardboard saints. Crisp artwork and smart dialogue complete the package. -Katherine Dacey

Tired of Waiting for Love | By Saki Aida & Yugi Yamada | Digital Manga Guild/eManga – When Kyousuke Sawaragi meets Shuuya Kasuga in prison he vows to have nothing to do with the younger man, who protects himself by doling out sexual favors. When an injured Shuuya turns up at Sawaragi’s place after his release, however, Sawaragi must examine the reason for his distance and, ultimately, help Shuuya see that there are people in the world whom he can truly trust. I must have a thing for yakuza BL or, more specifically, BL featuring yakuza characters determined to leave their past behind, because I liked this quite a lot. I was especially fond of the metaphor likening Shuuya to the stray cat he finds on the street, and how Sawaragi must choose between showing him a moment’s kindness or a lifetime’s. Plus, Yugi Yamada’s art is gorgeous and the cat is darned cute. Highly recommended. – Michelle Smith

Going Digital: November 2011

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Welcome to Going Digital, Manga Bookshelf’s monthly feature focusing on manga available for digital viewing or download. Each month, the Manga Bookshelf bloggers review a selection of comics we’ve read on our computers, phones, or tablet devices, to give readers a taste of what’s out there, old and new, and how well it works in digital form.

This month, we’ll take a look at Kodansha Comics’ new iPad app, as well as several manga published for viewing on an iOS device and in your web browser. Device, OS, and browser information is included with each review as appropriate, to let you know exactly how we accessed what we read.


Apps

Kodansha Comics | iPad app – Digital manga was the unofficial theme of this year’s New York Comic Con and one of the major announcements came from Kodansha Comics, who launched their new iPad app during the convention.

For those familiar with Viz Media’s app, Kodansha Comics’ layout will be comfortingly familiar, right down to the “Store,” “My Manga,” and “Settings” buttons at the bottom of each page. The one notable difference in layout unfortunately highlights Kodansha’s biggest weakness—one that’s hopefully temporary. While Viz features a lengthy drop-down list of titles in its app’s upper right corner, Kodansha uses a featured tab to reveal its full catalogue of… four.

Acquiring digital rights for manga is clearly a tricky business, as we’ve seen particularly with companies like Yen Press, who have no official ties to Japanese publishers, but it’s surprising to see such a small selection from a company like Kodansha, whom one might expect to have an advantage. Even now, nearly a month after the app’s launch, no new series have appeared, and it’s not difficult to imagine the bulk of Kodansha’s potential readers wandering away with nothing to read.

What Kodansha lacks in variety they make up for in pricing, as long as you’re a fan of Hiro Mashima’s Fairy Tail. While most volumes on the app sell for $4.99 apiece—comparable to the price of a used print volume in most stores—at least for now, volumes of Fairy Tail can be picked up for just $2.99 a pop. As I’ve stated before, I think $4.99 is a tad high to encourage bulk purchases, but it would be difficult to resist the opportunity to pick up, say, a ten-volume series for just $30… that is, if it’s a series one really wants to read, which brings us back once again to the question of variety.

Kodansha’s only other potentially bothersome quirk is their decision to use what I assume are progressive jpegs for the pages of their digital manga. What this means for the reader is that each time a page is “turned,” there is a moment’s delay before the next image comes into focus. See the video below for a demonstration of what I mean.

While it’s likely that one might get used to this particular idiosyncrasy over the course of a volume, I personally found it very distracting, and it’s not an issue I’ve been required to overcome for any of the other digital comics apps I’ve tried, including those from Viz and Yen Press. While those apps have provided me with an experience comparable (and perhaps even superior) to reading a print volume, this particular aspect of Kodansha’s app interrupts my experience at each page turn, making choosing digital feel like a real step down.

While Kodansha seems to have caught on to bulk pricing ahead of most manga publishers, slim selection and a clunky images may keep them from being truly competitive in a rapidly growing market. – MJ


iOS

Oishinbo A la Carte, Vol. 1, Japanese Cuisine | By Tetsu Kariya and Akira Hanasaki | Viz Manga app | iPad 2, iOS 4.3 – One of the wonderful things about new digital platforms is that they give underappreciated titles (and I must apologize in advance for the following, potentially multilayered pun) a second bite at the Apple. When Viz first released its sample of Oishinbo volumes in print, the publisher was clearly very excited about this project. They pushed it hard, and they didn’t spare any expense on production.

It’s easy to see why. The title is huge in Japan, still running in Shogakukan’s Big Comic Spirits with more than 100 volumes in print. And its subject is fascinating: food, from the humble to the transcendent, with every stop along the way. It held the promise of being a crossover title, interesting to comic fans and foodies alike. Alas, it didn’t turn out that way. But now, readers who might have been reluctant to spend $13 on a book can spend about $6 on a digital version, which gives me hope that a wider audience will discover it. It also suggests that Viz isn’t ready to give up on publishing more Oishinbo in the future, because they’ve seriously barely scratched the surface.

The series is about two newspapers, each trying to craft the be-all and end-all of gourmet menus. A brash, frankly snotty young reporter is in charge of one, and his bullying, know-it-all father is helming the other. Father and son hate each other for good reasons, as they’re both pretty obnoxious, but the passion for food and discovery on display here overcomes the toxic familial dysfunction. Like The Drops of God, Oishinbo is less of a throw-down than a know-down, and you don’t really need to care about the ongoing plot, since the books cherry-pick subject-linked stories to focus on a specific culinary theme.

I bought each volume as it came out, and they’re cherished items on my shelves, so I’m unlikely to buy a redundant digital version, but I did look at it on the app, and it looks terrific. At the very least, read the free sample chapter: it’s a nifty blend of father-son venom and gourmet education, and, if you like it, you’ll like however much of Oishinbo Viz is able to provide. – David Welsh


Web Browser

Joshi Kousei, Vol. 1 | By Towa Oshima | Futabasha, Comic High! | JManga.com | Firefox 8.0 – I’d been interested in this one, as it was a title that I’d bought all nine volumes of when it was first put out by Dr Master several years back. I knew that the translation would be different by past experience with other JManga titles, and also wondered if the scanned art was better (it wouldn’t be hard). For those unfamiliar with the title, Joshi Kousei was brought over here as High School Girls, and was a ‘shoujo comic for guys’ – i.e. a guys’ comic that starred girls talking about girl things. The main cast featured four different types of idiotic girls and their goofy lives in an all-girls’ school. (Later volumes added two more). Whether you enjoy it or not depends greatly on how much you like broad comedy that is not ashamed to revel in sex and bodily function humor. It’s not Ping Pong Club, though, mostly as the girls are still very cute, likeable flawed characters.

As for the translation, it reminded me how two different groups can take the same Japanese and come up with very different things. JManga and Dr Master’s dialogue is clearly based on the same material, but each sentence, each bit of dialogue is different. I can’t read the Japanese for comparison, but at a guess, I’d say JManga’s is the more technically accurate – Dr Master seems to have been very loose about things. That said, Dr Master’s adaptation works best, as the girls’ dialogue actually sounds like something that a high school girl would actually say – JManga’s can get too caught up in precise verbiage. I also noted that JManga’s was far more explicit than Dr Master’s – the girls are more foul mouthed here, and the chapter with the ‘remember the chemical formulas by using filthy words’ plot has words that are far more filthy.

However, the big reason that fans of the old High School Girls volumes might want to rebuy Joshi Kousei online is the art/scans. Dr Master’s scans were terrible, some of the worst I’d seen in modern manga, and looked like 3rd-generation xeroxes (they probably were). JManga’s has access to the original, and shadowing and tone actually look like what they are now. It makes a world of difference – the manga looks modern now, as opposed to twice-removed, and the girls are cuter now that we can see that’s just shadow on their faces, rather than the five-o-clock shadow it appeared to be with Dr Master. Given this, if you are a fan of High School Girls, I’d say this is worth a rebuy, especially at the current sale prices. The translation is a little awkward in places (especially early on), but the art upgrade makes up for it. Also, it’s funny. – Sean Gaffney

Otaku Type Delusional Girl, Vol. 1 | By Natsume Konjoh | Action Comics | JManga.com | Firefox 3.6.24 – “Otaku girls don’t care about reality,” explains one of the characters in Otaku Type Delusional Girl. “Anime or celebrity, they are deep within their world, loving their favorite character.” His description certainly applies to Rumi Asai, a shy, bespectacled fujoshi whose obsession with yaoi manga is all-consuming. Abe, her long-suffering boyfriend, does his best to appease her, donning cat ears to resemble Asai’s favorite character, reading all twenty-five volumes of her favorite series, and agreeing to pose in a compromising position with his pal Chiba. Why Abe agrees to such an unending stream of humiliations is a mystery: Asai is far more interested in seeing Abe kiss Chiba than in being the recipient of Abe’s affections.

Though there are a few genuinely funny moments, most of the humor revolves around the stale trope of mistaken identity. Abe and Chiba’s classmates believe the boys are romantically involved with each other, leading to numerous scenes in which one (or both) vigorously assert their heterosexuality. The literal-minded translation puts an unfortunate, homophobic spin on the jokes, even when the underlying punchlines aren’t mean-spirited. Worse still, each chapter follows the same template, allowing little opportunity for the characters to interact in fresh or surprising ways. Even the introduction of Masai, a fangirl with yuri leanings, does little to enliven the proceedings; her main role is to say and do suggestive things to Asai. (At least the fan service is equal opportunity.)

The bottom line: if you adore My Girlfriend’s a Geek, you might find Otaku Type Delusional Girl appealing, if clumsily translated. Other readers will find the story too repetitive and familiar to be genuinely funny, especially if they’ve read other series starring an obsessed fangirl. – Katherine Dacey

So I Married an Anti-Fan, Vol. 2 | By Wann | NETCOMICS.com | Windows 7, SeaMonkey 2.4.1 – I’ve long been a fan of the NETCOMICS business model, which operates more like a manga rental service than an actual storefront. Instead of selling its customers a complete volume of material that they can read as many times as they like at no extra charge, NETCOMICS provides its content in chapters and charges a mere $0.25 for each one. Readers have two days to read the material, from the time they first access it, and if, after that time elapses, they wish to read it again, they’ll have to pay again. This might be a big turnoff for some, but suffice it to say that I read this entire volume of So I Married an Anti-Fan for a whopping $1.75.

It’s hard to argue with a price like that, especially when So I Married an Anti-Fan continues to be an enjoyable read. Alas, life is not currently so rosy for its scrappy protagonist, Geunyoung Lee, who is now filming a reality series wherein she acts as manager to Joon Hoo, the celebrity who got her fired from her old job. Joon is snooty and disdainful at first and one really grows to sympathize with Geunyoung, especially when she realizes that the producers are editing the show in such a way to play up her mistakes and stir up even more of the negative sentiment she was hoping would be quelled by her genuine desire to do a good job.

Of course, it was inevitable that Joon would begin to see Geunyoung’s good qualities, namely that because she dislikes him and wants nothing from him, he is able to be “a free man” in her company. While I approve of this realization, Joon’s jealousy and actions when Geunyoung gets lost in Tokyo—he rushes off to find her and when he finds her at a friend’s place he drags her out with enough force to leave bruises—leave something to be desired. I sincerely hope the dynamic of their relationship won’t turn out to be similar to the one MJfound so troubling in Wann’s previous series for NETCOMICS. – Michelle Smith

Some reviews based on digital copies provided by the publisher.

Tokyo Mew Mew Omnibus, Vol. 1

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By Reiko Yoshida and Mia Ikumi. Released in Japan by Kodansha, serialized in the magazine Nakayoshi. Released in North America by Kodansha Comics.

I have to admit that I was looking forward to this one. When Kodansha announced the Love Hina omnibus, they mentioned this as well. I hadn’t read it the first time around, but I recall fans talking about it quite a bit. Cute heroines, magical girl battles, etc. They also seemed to get annoyed when folks compared it to Sailor Moon. So I wanted to see what it was like.

Well, it was all a bit underwhelming, wasn’t it? I admit that my brain is somewhat influenced by the many magical girl series that are already out there, but I didn’t really see much in Mew Mew that made it stand out above the pack. The heroine is cheerfully cute but clumsy, in love with a cute normal guy, and can turn into a catgirl superhero after a magical experiment gone awry. She is met by the two cute bishie guys responsible for this accident (including one who teases her constantly, and whom I suspect may be a love interest or rival later), and she must find her four other teammates, because groups of 5 magical girls as a team is nothing like Sailor Moon at all. (Or indeed every other sentai series, as Sailor Moon is, to a degree, the magical girl as sentai motif.)

As for the team itself, we find the rich girl/snooty one, the shy and meek one, the airheaded athletic one (who seems to be on the lookout for ways to make money, which makes sense as she is Chinese and Japan does love its stereotypes just as North America does), and the cool aloof loner who will no doubt be breaking down in tears before the end of the series. And they too transform into magical girls that are based around endangered species. Together, they are told, they must battle aliens who are bent on destroying our world by polluting its natural resources.

The environmental angle, I admit, is somewhat interesting. It’s a bit overly earnest, but then, we’re reading a Nakayoshi title, not Evening. The alien plot is not entirely clear now beyond the fact that they have a snarky and rude underling, but I did find it amusing that one of the alien’s first targets is a cherry blossom park. Heathens! They cannot dare to ruin the majesty of the cherry blossom festival! The authors know how to push the right emotional buttons.

There’s also Aoyama, the guy Ichigo is in love with, who actually manages (so far) to be fairly nice and not overly rude to our heroine. (One of Ichigo’s allies fulfills that role, though he’s more on the teasing end of the spectrum. It helps that other characters get to be clumsier than she is.) Yes, you get the sense that he’s hiding something important, but hey, welcome to magical girl manga. I’m not sure if he’ll end up with Ichigo, but I am pretty sure he’ll tie into the plot somehow.

Overall, though, while the manga didn’t do much that was annoying or irritating, this ended up being a standard magical girl zap the monsters and save the world plot. Most series like this are slow burners, and I’ve no doubt it will pick up, but there’s only 7 volumes, so I was hoping for a bit more oomph here. Pleasant, but not exceptional.

Manga the Week of 11/16

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You get two images in this post, mostly because every time I post a horizontal image it breaks the Bookshelf site. So let’s start with the actual manga, then get to the things I’m actually super hyper excited about.

Digital Manga Publishing has a few more releases. Lovephobia is a new BL-ish title from Enterbrain’s B’s Log spinoff magazine Kyun!, and features vampires. The author, I know, has written a lot of Gintama yaoi doujinshi. Rabbit Man, Tiger Man hits Vol. 2, and is still not a Tiger and Bunny spinoff. And there is the third volume of A Strange And Mystifying Story, which apparently has demons. Never let it be said that DMP does not have its finger on the pulse of the modern manga buyer.

Kodansha and Diamond seem to have settled nicely into “one week later than bookstores” at this point. So we don’t get Sailor Moon 2. But we do get Fairy Tail 16, which I think wraps up the arc with Laxus, and Arisa 5, which no doubt continues to be thrilling. (It ran very long for a modern-day Nakayoshi series, so much have good chops.) Sorry, folks, you should see Ami and Minako next week.

Yes, just in time for the Manga Movable Feast, it’s a short story collection called Tesoro, which I suspect will be filled with middle-aged men and sweet quiet interludes. If just one volume is not enough for you, meanwhile, why not buy the Fullmetal Alchemist 1-27 box set? You can a) read the final volume early, and b) it makes a nifty blunt instrument! Kurozakuro reaches its final volume, and we get a new Saturn Apartments. Lastly, we’ve apparently caught up with Real enough that we get a new volume of that as well, so Real 10 gives you all the drama you could possibly want.

And Yen press, as always, seems to own Week 3 of our monthly schedule. New Haruhi, new Haruhi-chan. The Giant Hardcover Omnibus of Death for High School of the Dead (I saw that thing at Comic Con. If you can’t afford FMA as your weapon, this will serve.) New Nabari no Ou, Omamori Himari, and Sumomomo Momomo will surely sate your thirst for inscrutable Japanese titles that tell you little about the content. And there are new adaptations of Avi Arad’s the Innocent, and a Gossip Girl tie-in, for those who like things outside the manga box.

Though if you really want to go outside the box next week…

I literally cannot recall a time in my life when I was not reading Pogo. One of the first books I ever read so hard it fell apart in my hands was the Pogo Collection Bats and the Belles Free – and that’s not even one of the best ones! Fantagraphics announced this collection aeons ago, and it apparently has been a long, hard struggle. But trust me, if you buy this, you will see why they put in the effort. Even in these early, first two years of the strip, Pogo has a magic all its own. Anyone who loves reading dialect or the written language will find a treasure trove in Pogo, and anyone who likes biting satire will take it right to their heart. I cannot possibly recommend it enough.

(And yes, there is also the new Donald Duck collection, the first in their Carl Barks reissue project, which is also awesome, but I think Walt Kelly needs to be pushed by the online comics community more than Carl Barks, honestly.)

So what are you getting besides Pogo?

Cage of Eden, Vol. 2

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By Yoshinobu Yamada. Released in Japan as “Eden no Ori” by Kodansha, serialization ongoing in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics.

As we head into the second volume of our survival story, we’re starting to see a few more familiar trappings. The airplane homebase is rendered uninhabitable, they try making a raft, and we get a lot more survivors, some of whom are likeable and some of whom aren’t. We also get to see our hero Akira develop increasing leadership qualities, and Kanako start to prove she is more than just a walking fanservice poster. Things aren’t getting more original, but they’re staying interesting.

As you would expect when you get a bunch of emotional Japanese teenagers and toss them into the middle of an island with prehistoric monsters on it, not everyone is handling it the same way. Akira and company are trying to band together and be a team. One guy with a Jason mask names himself Hades and seems to go off the deep end at the earliest opportunity. Akira’s friend Arita is seemingly doing the same thing, but is in reality barely holding it together because of guilt over a previous impulsive action. And then there’s Yarai, who seems to be leading a third group simply by virtue of being so badass people instinctively want to follow him.

The action here is well-done and exciting. The animals are suitably dangerous, while remaining just realistic enough that our heroes managing to defeat them only feels a little ludicrous. The power politics also feels realistic, though I could do without everyone lampshading how Akira is becoming a great leader. We already see it, no need to hammer it home. Likewise, while the deaths of two classmates was done well, and was suitably gruesome, I think a true test of the series will be to see what happens when likeable people start getting killed.

And then there’s the fanservice. Look, I can take a lot of fanservice with no qualms. I read Negima, after all. But I honestly would not blame anyone who wants to drop the series here, because man, the sheer obsession with panty shots and breasts is over the top even for a Shonen Magazine manga. I realize that this is a magazine for young teens, and they are pubertylicious. Still, after a while I was flicking through them faster, trying to get past it. “Yes, the two girls fall on top of each other. Yes, squoosh. OK, let’s watch them climb down a ladder from the bottom. I GET IT, they’re sexy!” It can be very taxing.

I will admit that the cliffhanger makes me quite eager to see what happens next. I’m fairly certain that Akira and Yarai will disagree, but seeing the groups lock horns should be fun. And we still really have no idea why this island is filled with long-dead creatures. Is it a plot point, or is this just an excuse for carnage? Oh, and no doubt we will meet more female characters, and their breasts as well. Cage of Eden remains good candy, even if you sometimes feel a bit sick after eating too much of it.

Pick of the Week: X

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With power finally restored to the entire Battle Robot, everyone’s on board with a pick this week, though the robot’s leaning heavily in one particular direction.

MJ: We’ve got an odd assortment of manga coming it to Midtown Comics this week. I have half a mind to recommend volume two of Bandai’s Tales of the Abyss: Asch the Bloody since I had such a surprisingly enjoyable experience with the first. But pretty pictures and beautiful production win my heart this week, as I choose the first of Viz’s 3-in-1 editions of CLAMP’s shoujo battle-fest, X. Admittedly, I’m a much bigger fan of X‘s shorter, more intimate predecessor, Tokyo Babylon, and I think I’ve failed to appreciate the allure of X‘s larger, sweeping drama and penchant for destruction. But with this new 3-in-1, Viz has provided a package that’s impossible for me to ignore. This book is gorgeous, with its thick, glossy cover (love the new, minimalist design), crisp, white paper, and delicious color pages preceding each volume. It’s a delight to behold, and I am really looking forward to giving X a second chance to win me over with these particular attributes in its favor.

DAVID: It’s strange that I’m finding myself so drawn to CLAMP as I settle into middle age. That seems just wrong, but there’s no denying that it’s so. I’m utterly taken with Gate 7 (also Dark Horse), and now I find myself seconding MJ’s choice of the X 3-in-1 from Viz. As I’ve noted, it’s probably the CLAMP-iest thing I’ve ever seen, but it’s made somewhat special by the fact that there’s tons and tons of violence. It probably won’t hold a place of honor on my shelves in years to come, but I’ll certainly read the rest of it.

KATE: Looking at this week’s shipping list makes me feel like I took a ride in Mister Peabody’s WABAC machine, with new volumes of X and InuYasha arriving on store shelves. And though I’m tempted to be a contrarian and recommend, say, Yakuza Cafe (DMP) just for the sake of variety, my vote also goes for X. The new edition boasts a new translation, a bigger trim size, and almost six hundred pages of story per volume, all of which enhance the reading experience. And if you’re the kind of reader who cares passionately about extras, you’ll be pleased to discover that VIZ has included a generous selection of glossy, full-color pinups from various points in the series’ run.

MICHELLE: I certainly intend to snap up the X 3-in-1 edition, but since ample reasons for doing so have been ably supplied by my cohorts, I’ll cast my vote for the second volume of Kazuma Kodaka’s Bad Teacher’s Equation. Okay, so I haven’t exactly finished reading the first volume yet—these books are chunky!—but I am a big fan of Kodaka’s Kizuna, so I’m familiar with her style. In looks and execution, Kizuna is very different from most of the other BL coming out in English, and I am excited to dig deeper into Bad Teacher’s Equation and follow up with Border, two Kodaka series more recently announced by DMP.

SEAN: Too many people have already picked X. So I’m exercising my right to say I had no power last week and picking a title from last week’s list, namely the 11th volume of Kimi ni Todoke. As I noted in my post on last week’s books, it’s always a treat when a couple get together and the series continues on, seeing how well their relationship holds up after the big fireworks. Plus the supporting cast of this series is top notch – this volume in particular has one of my favorite Yano scenes in the whole series, and unsurprisingly it also involves Pin. Just really nice and heartwarming, in all the best ways.

Readers, what looks good to you this week?

Bookshelf Briefs, 11/7/11

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This week, Kate, David, Sean, & Michelle look at recent releases from Yen Press, Kodansha Comics, and Viz Media.

Black Bird, Vol. 11 | By Kanoko Sakurakoji | VIZ Media – Reading the newest installment of Black Bird, I can see why the series has been a perennial bestseller: the cast is comprised of achingly beautiful young men in yukatas, all of whom are captivated by the heroine. The story, too, has crack potential, as it involves demon clan warfare, fragile political alliances, age-old prophecies, and sex. What’s missing is a compelling heroine. Eleven volumes into Black Bird, Misao remains as helpless as she did in the very first chapters, enduring Kyo’s grouchy, possessive behavior, an enemy’s memory-erasing spells, and other demons’ violent attempts to drink her blood. Adding insult to injury is the author’s insistence that Kyo is really a good, soulful person underneath his brusque exterior, a side of his personality that only Misao can see. As someone who’s old enough to have dated a few jerks, I find that kind of relationship as tedious on paper as it is in real life, even if the lead character is a handsome male tengu. – Katherine Dacey

A Bride’s Story, Vol. 2 | By Kaoru Mori | Yen Press – I had argued that I found the first volume of A Bride’s Story very well-done, but a bit cold, like looking at a piece of art in a museum. I’m pleased to say that Volume 2 draws me in a lot more. Amir still tends to be a cipher at times, but the author compensates for that by pairing her with more emotional characters – the hotheaded and perpetually frustrated Pariya, or her youthful husband Karluk, with whom she gets probably the best two scenes in the book. But there’s more action here as well, as Amir’s family come to take her back so they can forge a better relationship with less savory neighbors. Seeing the townspeople riding up to protect her is awesome – indeed, Amir has trouble taking it all in. Even Dr. Smith, who seemed to be the comedy Westerner in Volume 1, gets some excellent depth here, and I do wonder if we’ll be seeing more of him in future volumes. Indeed, the author’s notes hint we might see the focus change to other brides? I hope not – Amir’s story still needs closure.– Sean Gaffney

Fairy Tail, Vol. 15 | By Hiro Mashima | Kodansha Comics – As with many shonen mangas of its type, this volume of Fairy Tail is taken up with a lot of battles, as the Laxus fights come to their natural conclusion. This gives Erza another chance to be awesome, of course, and shows that Fairy Tail’s camaraderie and willingness to work together will always trump a quest for sheer power like Laxus has gone through. But I expect, despite the fact that the fights are of decent quality and the characterization decent, everyone will be discussing the Ass Pull of a character return we get with Mystogan’s real identity. If it were deconstructed, such as with Cross Game, it might be decent, but we get the reveal and then the character simply walks away – the whole scene reads like a ratings grabber for sweeps time, and sucks the soul out of much of the book. Oh well, the rest of it is fairly solid. I hope the arc wraps up in the next volume, though. – Sean Gaffney

Grand Guignol Orchestra, Vol. 5 | By Kaori Yuki | VIZ Media – The fifth and final volume of Grand Guignol Orchestra is a gorgeous mess. Though Kaori Yuki’s artwork remains as attractive as ever, she still hasn’t mastered the art of bringing her stories to a satisfying conclusion. The series’ penultimate scene is a long, confusing sequence of double-crosses, overwrought speeches, and bolt-from-the-blue revelations that make little sense even within the parameters of the Grand Guignol universe. A more sedate epilogue ties up the loose ends, hinting of what Yuki is capable of doing when she dials down the histrionics. The volume is rounded out with a lengthy story, “Camelot Garden,” which quotes liberally from Tennyson’s “The Lady of Shallot,” to diminishing returns. – Katherine Dacey

Natsume’s Book of Friends, Vol. 10 | By Yuki Midorikawa | VIZ Media – The latest volume of Natsume’s Book of Friends features two longer stories. In the first, “False Friend,” a bully from Natsume’s past returns when he suspects that he’s had an encounter with the supernatural, while in the second, “The Harvest Festival,” Natsume must rescue a guardian spirit who’s been sealed inside a rock. Both stories are well-executed, with crack pacing, memorable demons, and just enough ambiguity to keep the reading guessing at the outcome, even though Natsume’s fundamental decency is never in doubt. As an added bonus, Yuki Midorikawa’s artwork is improving steadily with each volume, yielding some simple but astonishing images. Recommended. – Katherine Dacey

Pandora Hearts, Vol. 7 | By Jun Mochizuki | Yen Press – After a seemingly random detour to Lutwidge Academy (the school attended by Oz’s sister) provides information about “the tragedy of Sablier,” Pandora Hearts resumes its original mission, with Oz determined to learn the truth about why he was sent to the Abyss and his companion, Alice, renewing her search for her missing memories, even though they may be too traumatic to bear. Sometimes this series is hard to follow—this volume certainly contains a few abrupt segues—but it continues to deliver on character arcs. Sure, Oz’s desire to grow stronger pretty generic, but I quite like the plight of his childhood friend, Gilbert, who faces a future where his aid is less useful to Oz, and newish character Elliot has some intriguing potential as well. Add in a bit of background for enigmatic and eccentric Break, and this is quite a satisfying volume! – Michelle Smith

Soul Eater, Vol. 7 | By Atsushi Ohkubo | Yen Press – This volume is less exciting than the previous ones, mostly as the last arc has ended and the author is taking his time setting up the new one. This is not to say there is nothing of interest, though. Soul Eater continues to appeal to me for its artistic design, which manages to combine funny and creepy better than anyone else – even Franken Fran should take lessons from Ohkubo. After Medusa, Arachnae seems underwhelming so far, but she’s only just established herself. Not to mention that Medusa – or at least hallucinations of her – isn’t far away, and I wonder what Stein will do. The biggest surprise of the series to date, though, is seeing Crona join the side of the good guys – despite remaining a twitching mess, and still having that double personality of a weapon inside him/her. It’s a testament to Maka’s friendship building skills that Crona’s trying at all. And it wouldn’t be Soul Eater without at least one drop-dead funny scene – Marie’s introduction, and her decision to marry a toilet, immediately tells us that she is a Christmas Cake of the finest kind, and I hope she gets more to do later. Great fun, even if this volume is ‘shifting gears’ more than ‘constant thrills’. – Sean Gaffney

The Story of Saiunkoku, Vol. 5 | By Kairi Yura and Sai Yukino | VIZ Media – Much as I love this series, this volume is kind of a mess in terms of storytelling. It starts with a pleasant-enough but forgettable sequence with its heroine, Shurei, suffering from a cold and her devoted circle of men trying to make her feel better while dealing with their own rivalries. It’s cute, but it feels like a side story in a series where volumes usually launch strongly. The main story introduces a heap of plot elements too quickly, from the impending civil service exam to the nation’s criminal underworld to an admittedly awesome courtesan of Shurei’s acquaintance. The characters still shine through all of the clutter, but I missed the focused clarity of previous story arcs. It felt less like a complete reading experience than previous volumes. On the bright side, Yura does maintain the admirable level of prettiness she’s always brought to her illustrations. – David Welsh

Yotsuba&!, Vol. 10 | By Kiyohiko Azuma | Yen Press – The tag line of this series, “Enjoy everything,” pretty much says it all. Readers get the opportunity to follow an energetic, quirky kid through the average moments of her life. She hangs out with friends, family, and neighbors. She invents games, makes pancakes, goes shopping, and occasionally misbehaves. Azuma’s grasp of kid logic elevates the material from being simply identifiable to hitting some wonderful comic highs. When she gets a picture book with animal stickers in it, her delight manifests itself very specifically: “Ohhh… this is a lifesaver.” That’s funny, because it isn’t something you’d expect a kid to say, but it’s extra funny, because you can absolutely see a kid saying it. That’s Azuma’s specialty: a grounded approach that finds the little bits of weirdness in everyday life, going easy on the outright sentiment while still investing everything with a heartfelt quality. It’s kind of magical. – David Welsh

Yotsuba&!, Vol. 10 | By Kiyohiko Azuma | Yen Press – It’s hard to know how to review a volume of Yotsuba&!. I mean, it’s just sweet, y’know? There’s just lots of moments in this volume that are simply worth reading. Jumbo’s reaction to seeing photos of Asagi and Koiwai at the balloon fair; Asagi’s casual cruelty towards Fuuka when she lends Yotsuba the medicine ball; Fuuka showing that she may actually be the most eccentric one in the cast, rather than Yotsuba; Yotsuba’s frustration over not making perfect pancakes, and Miura’s frustration later on knowing that she may have to play Danbo FOREVER. The best chapter, though, is the one where Yotsuba panicked after breaking some dishes, lies about how it happened. What follows is pure beauty, with Yotsuba digging herself deeper and deeper and her father managing to brilliantly resolve things without yelling at her – in fact, his passive terrifying may be the best deterrent there is. Heck, even Yanda is tolerable here (though he’s still a jerk). Great series.– Sean Gaffney

Yotsuba&!, Vol. 10 | By Kiyohiko Azuma | Yen Press – It’s been nearly a year since I last read a volume of Yotsuba&!, and that was definitely way too long. I dove into this volume with relish and happily found that the first chapter, “Yotsuba & Playtime,” is quintessential Yotsuba&!, showing the title character at her most imaginative and her father at his most patient, even when her behavior borders on obnoxious. And, indeed, the fact that Yotsuba is capable of sulking and lying actually makes her adventures all the more wonderful because, in addition to ringing true, these moments give her father a chance to shine as he makes sure she learns the right lessons. He’s an intriguing guy and a terrific dad and I hope that whenever this series comes to an end we’ll get a glimpse of the kind of grown-up Yotsuba turned out to be thanks to his loving guidance. – Michelle Smith

Gate 7, Vol. 1

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By CLAMP. Released in Japan by Shueisha, serialization ongoing in the magazine Jump Square. Released in North America by Dark Horse.

It’s been a busy fall for CLAMP here in North America. xxxHOLIC is finishing out its run at Del Rey, The re-release of X is out this week from Viz, and their new series, Gate 7, has come out from Dark Horse. This one runs in Shueisha’s Jump Square, which is still shonen but is well known for experimentation. And, like its parent magazine Weekly Shonen Jump, also has a large female readership. Which plays right into what CLAMP does best.

The trouble with giving the audience what they want, of course, is that they do not particularly want originality, or experimentation, or new things. What an audience typically wants is the same story told over and over, only with the names changed so we can pretend that they’re different characters. Heck, sometimes CLAMP even bypasses that, relying on using tried and tested characters in new situations (Tsubasa, X…). Of course, the problem with this is that reading the first volume of a new work of theirs can feel a bit like making ticks on a list.

Let’s see, straight man hero who seems to exist to be exasperated, befuddled, and ask questions: check. With a supernatural secret: check. Meets up with two complementary hot, long-legged and tall guys who may or may not be lovers but the fandom will have decided they are from panel one: check. And a mysterious person of ambiguous gender to hook up with the hero, again giving a frisson of BL while still having an out if the creators do decide they need them female for some reason: check. And the entire plot, about a war between two sides to see who can gain the powers of demons.

So I think we’ve established that this is The Pick Of The Best Of Some Recently Repeated CLAMP Hits Again, Vol. 2. That said, CLAMP would have to work much harder than they are to tell a boring story, and the whole thing ends up being interesting and a page-turner almost despite itself. Working in the Edo period history is not only a good way to ground everything, but quite timely given how many Edo period manga are coming out here these days. The lead is nice enough, even if his “history buff” trait screams of a plot device. I wish he’d have more personality, but I suspect if he got upset he’d be a complete Watanuki clone, instead of just half of one. Hana is Hina from Suki with added powers: still having that same sense of childlike naivete that everyone wants to protect. Tachibana and Sakura are any number of types, but in this volume I was most reminded of Kurogane and Fai.

See how I try to talk about how I still found the manga enjoyable, but ended up drifting off into how everything reminded me of something else again? Yeah, I think I’ll have to go with that. CLAMP are now marketing nostalgia for CLAMP. And this title is for everyone who liked X and Tokyo Babylon and RG Veda and Tsubasa and wants to set their empty glass down on CLAMP’s bar and say “Another, please!” And y’know, it’s still pretty tasty, even if you know exactly what you’re getting.

Oresama Teacher, Vol. 5

by

By Izumi Tsubaki. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz.

In the last volume of Oresama Techer, it was non-stop wall-to-wall delinquency. Here we get a change of pace, and we see a few chapters of Mafuyu managing to deal with life as herself. Although, being who she is, delinquency is never all that far away…

The cliffhanger kiss from last volume is rightly tossed away quickly. Despite a bit of tease, this is not particularly a romance manga. Instead, we start off with our two leads showing us once again that they completely fail at anything resembling normal in their life. Mafuyu’s idea of beach couple fun is straight out of shoujo manga (old-school shoujo, not the modern HtY-style), and Takaomi is far more interested in working off steam and starting fights. He’s always been menacing in a comedic way in the prior volumes, now we get another glimpse of the sort of beast lurking within – Mafuyu is awestruck, and she should be.

Takaomi actually gets a bit of backstory here, though its presentation is fairly elliptical. Given the author’s style, both here and in The Magic Touch, her previous series, I’d say it’s 50-50 whether the subtlety is deliberate or accidental. Tsubaki-san is fantastic at basic gag comedy – even more here than in her prior series – and her pacing has improved monumentally. But plotting is still a weakness, and it’s noticeable even in this volume, which is a collection of ‘breather’ anecdotes. No one is reading this series to discover Takaomi’s past, or to see which guy Mafuyu will hook up with. (Contrast this with The Wallflower, another gag manga, where people *are* reading it for the romance – and thus are far more annoyed.)

Still, you can get away with this as long as the book is funny. And it’s funny. I read this while I was depressed over having no power this week, and it managed to buoy me right up. There’s facial expression comedy – the entire sequence with the ninja boy, and the contrast between his stolid expression and his actions, capped by Mafuyu and Takaomi’s stares. There’s character-based comedy – the entire sequence with the rich girl and her butler, typing in with Takaomi’s past and featuring him being both brutal (he carries the heiress around like a sack, as he’s used to doing with Mafuyu) and touching (his yelling at the butler to step up and not be satisfied with what little he has). And there’s the purely random “what the hell” style Osaka comedy (the entire sequence with the flower arranging club, or Sakurada imagining Mafuyu revealing that she’s really an alpaca wearing a human skin).

This volume was not as strong as previous ones – the extended 4-koma series at the end reeked of filler – but it’s still great fun. And now that Hayasaka has managed to tick off another villain with his sheer denseness, I expect things to get even worse for the public morals committee. Perhaps we may even need to see the return in Volume 6 of… SUPER BUN!