Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

NYCC 2012 – Day 0

by

The two panels I went to on “Day 0” of New York Comic Con didn’t have any manga content, but definitely contained points of interest, particularly to me.

First I dropped by the “Editing Graphic Novels” panel, which was hosted by Heidi McDonald of Publisher’s Weekly, and featured editors from Vertigo, Lerner, First Second, Yen, and Oni. Yen talked about their Interview with the Vampire tie-in, and how to match a good artist with a story. This is, in fact, the artist’s first work. They also mentioned Nightschool, and noted Svetlana had “too many ideas” – even after pruning, it was still 4 books instead of the original 3!

Vertigo is an old hand at this sort of thing, and mentioned their new GN Right State. A graphic novel lets them get away from the ’22 pages then a cliffhanger’ problem that floppies have. Right State is political, and was timed to come out near the election. They also talked about Colleen Doran’s new work she’s doing art for, Gone to Amerikay, which is historical but also relevant to today’s world, something Karen Berger (Vertigo’s speaker) tries to work with.

Oni Press mentioned Crogan’s Vengeance, which is also a historical-themed manga with pirates. This artist actually had the first book completely thumbnailed when it was sold – when he did the third book, needing an outline first was a bit vexing. Naturally, Scott Pilgrim also came up. The editor considers it one 1200-page book that had to be put out in 6 parts. Also, as the series grew the editor was promoted, and had to find a balance between editing and the administrative aspect of Oni.

Lerner is a school and library publisher, so are usually looking for educational or younger comics. A Game of Swallows is a memoir of one harrowing night in Beirut, and was translated, but barely needed any editing. They noted they do sometimes have to censor, due to age groups – breasts, etc – but they were allowed to leave the guns in this story, of course. They also mentioned Chicagoland Detective Agency, which had the funniest part of the panel, as they came up with a ridiculous premise… that the execs loved, so they had to find a writer. Luckily, Trina Robbins loved the idea as well. Its artist is a webcomic artist, so had to adjust to the different ways of working – there’s actual editing this time! They also discussed how to give feedback and criticism to “a famous person” such as Trina.

First Second talked about its GN Sumo, and noted the way that mini-comics can be a good stepping stone to finding out if an artist can work with deadlines and larger publishers. The author, who did not really know how print runs worked, suggested each copy be hand bound – and that he could do it if needed. They talked him down from that. There’s also a comic due out next Spring, Relish – My Life In The Kitchen. It’s a biographical memoir that uses food as a bit of a mnemonic, and also has recipes.

Smaller publishers noted they mostly get creator-driven ideas, rather than farming ideas out. They also discussed working under the umbrella of a much larger company – such as First Second with MacMillan, or Vertigo with DC/Time Warner. They get to blame the “corporate overlords”. Lastly, there was a discussion of how to refer to what an editor does. Someone suggested it’s like the director/producer of a movie, and “project manager” is one one editor referred to it. More importantly, it’s a relationship between an editor and a creator – you have to make it work, know how to deal with people.

After this invigorating discussion, I waited for Hasbro’s My Little Pony: Friendship Is Magic panel. At the panel were Hasbro Execs Mike Vogel and Brian Lenard, producer Jason Thiessen and writer Meghan McCarthy. I had thought, given it was a Thursday panel, that it would be more marketing oriented. Nope, this was pure 100% fan panel. They got the ball rolling by discussing Equestria itself. The show isn’t a serial, but there’s a lot of world building within the self-contained episodes. They like to do subtle visual cues that point to future episodes, rather than have actual continuity. They also like that the new series is its own thing, and doesn’t reference the earlier 80s series. Hasbro gets premises and outlines to approve, and notes they do listen to the audience – though they will not be crossing over with Transformers. They discussed doing something with a human element to it (as in actual humans in the show), but it didn’t seem to fit. It’s a magical fantasy world, so they try to keep it low tech. Unless they don’t – see the DJ equipment, etc.

It’s a mythological based world, which helps to make the show timeless – Twilight Sparkle will not be using Twitter. They also do have sometimes heated discussions about the show with Hasbro, much more than any other Hasbro property. (A clip from Hearth’s Warming Eve played here). They want to explore more of Celestia and Luna’s past, and note that there are three separate “pasts” in the show – Hearth’s Warming Eve, Discord, and Nightmare Moon – that aren’t worked out beforehand, but they try to fit together. This was not planned out in detail from the start. (At this point they joked about how it’s OK if they spoil Season 12, and noted Rarity and Spike were married after Equestria passed the Pony/Dragon Marriage Act.)

Not all the animals talk, and it was noted that what they try to convey is that it’s the “hooved animals” who can speak, while others, such as Angel Bunny, are mute/more of a normal animal type. They then discussed ensemble darkhorses, and showed a clip of Luna from Luna Eclipsed. Fans adore Luna, even though she’s barely appeared. Octavia took them entirely by surprise – they had no idea fans latched onto her. Vinyl Scratch, on the other hand, they knew would be loved. It’s all part of “the circle of pony”.

Discord, with a clip from The Return of Harmony. Dragonequus is unique to the series, and was designed by Lauren, who also suggested/requested John DeLancie in the role. It was the perfect combination of design, animation and voice acting. They noted DeLancie acts with his body like a stage actor, so sometimes managed to exhaust himself. There was lots of bits they had to cut out with Delancie, and Hasbro hinted it may be on a future DVD release. They also discussed him returning, though this read more like a troll.

Other villains were discussed, with a clip of Chrysalis from A Canterlot Wedding. Meghan scripted it, but was blown away by what the designer came up with – the holes in the legs, etc. Someone asked that she be made larger. The panel then teased about things Jason and Meghan wanted to write about in future. The griffon society was mentioned, insofar as we know nothing about their society. Luna’s abandoned moon colony? Is there something beyond Equestria? All things not yet written down (so not spoilers), but food for thought. Equestria’s map was deliberately left with unfinished bits so they could fill this in.

We then got a spoiler clip with the Crystal Empire, which I won’t spoil here, except to say that Pinkie Pie continues to be very Pinkie Pie.

They then opened the floor to questions, and discussed Lauren’s creating the pony personalities as archetypes, which makes them easy and fun to work with. Someone asked if the new season was only 13 episodes – rather than answer, Hasbro noted that everyone adores the show, and that episode number has nothing to do with popularity. Hasbro loved that this is an all-ages show that kids as well as adults can enjoy – they compare it to Pixar. Gilda was asked about, she simply hasn’t come up again yet. Star Swirl the Bearded would be hard to work with, given he’s in the past. If only they had a world with magic in it… The panel agreed that Fighting Is Magic looked really cool, though Hasbro of course cannot officially admit they have seen the awesome gameplay.

They love the bronies, but also like that they’re just a piece of an even larger all-encompassing fandom. Jason lives next to two young boys who wanted Rarity toys for their birthday, so they’re also crossing gender barriers at a young age. Even the Hasbro interns, who were very grudging about having to watch this, admitted they loved the Cutie Mark Crusaders. Official Video games and RPG-style FIM was brought up, Hasbro gave a ‘sounds like a good idea’ response. A fan asked about Fluttershy, Applejack and Scootaloo’s parents, and got no real answer, though it was noted when asked about Cadence and Shining Armor’s marriage having difficulties that that would have to be “A very special episode.”

A soundtrack CD was also brought up, and they’re considering it. Someone noted certain comparisons between Hearts and Hooves Day and Discord, and Jason noted “you know, we only do these panels with you guys to get ideas for future episodes.” They like to use Greek mythology, but note that they can also dip into other things. They are VERY excited about IDW’s upcoming comic series, and note that they’re working closely to make sure it “feels like Pony”. Pinkie Pie’s parents were brought up. “They’re still farming rocks. The rocks must keep flowing.”

Movie? “Mmmmmmaybe.” Broadway was also mentioned, the panel laughed. It was also noted that, despite using Flash rather than hand-drawn animation, it still took a great deal of time and effort. It’s all still frame by frame. They want to explore the nature of the “monarchy”, and how the power structure works. Lastly, Alicorns were brought up (or ‘pegacorns’, as they apparently called them before fans used alicorn so often they gave up and switched it in the scripts). They’re “special” ponies who will rarely be seen. Celestia’s age was not mentioned exactly, but it’s noted she is at least 1000, and looks fantastic for her age.

It was a fantastic Day 0, even with only two panels. Tomorrow, the manga coverage begins.

Manga the Week of 10/17

by

If you thought last week was tiny, wait till you get a load of this week. Tiny tiny tiny. (I blame Yen for shipping a week later than usual.)

Kodansha has the 2nd omnibus of the popular shoujo title Kitchen Princess.

Speaking of omnibuses, Viz has the 9th Tenjo Tenge omnibus, showing that we’re getting near the end. And they also have Vol. 4 of March Story, which has a Korean creator but runs in a Japanese magazine, so is manga in my opinion.

That’s it. Not even enough to make bad jokes about. Anything?

Crazy For You, Vol. 1

by

By Karuho Shiina. Released in Japan by Shueisha, serialized in the magazine Bessatsu Margaret (“Betsuma”). Released in North America by JManga.

I will admit, JManga is very good at planning their surprises. I had thought the big news for NYCC would be the Kodansha rescues, where they picked up several old Del Rey series that sold poorly enough that Kodansha Comics didn’t want to continue them, and are going to finish them off on the JManga site. And that is indeed very awesome news. But they followed it up with new, unreleased in North America titles from another of the ‘untouchable’ publishers that everyone assumed was supporting JManga quietly without actually giving them anything. Shueisha has added two older shoujo titles that Viz presumably doesn’t have an interest in, and I couldn’t be happier. Especially as one of them is an earlier series from the author of Kimi ni Todoke.

The first 3/4 of this volume is, quite simply, warm fuzzy fluffy shoujo romance. The heroine is Sachi, who is bright, bubbly, and eager to experience life, whatever it may be. She’s naive to a fault, but otherwise is quite different from Sawako, Shiina’s other heroine. Her more down-to-earth friend Akemi is arranging a get together so Sachi and her other friends can meet some guys Akemi’s boyfriend knows (the curse of all-girl schools). While there, she sees Yuki, a somewhat passive yet handsome guy, and falls almost instantly in love. The problem is that Yuki has issues. Will she be able to get through to his true self and show him her feelings? And is she really ready for love herself?

Sachi is an interesting heroine, at once incredibly naive and yet aware of her own naivete. At times in this volume she sets herself up to be hurt, knowing that even if she does it will be a good life experience and make her a stronger person. She’s also able to see that Yuki is a deeply wounded young man, though she’s unable to see exactly what those wounds are. After he initially rejects her (we suspect as she’s not the sort of girl he can casually date and drop), they become friends, but Sachi is still trying to show how much she cares for him. There’s a very awkward yet warm tone to their conversations that KnT fans will find familiar.

So, we get a cute bubbly girl and a quiet guy whose mask hides his loneliness and true feelings. We also have the cute beta couple of Akemi and her boyfriend, and another guy, Akahoshi, who is another shoujo cliche, the guy who initially is annoyed by the girl’s ditziness, but starts to fall for her as he realizes she has a truly good heart. It’s all very cute but slight. But this is six volumes long, not one, and we realize that something has to go wrong. The last 15 pages or so are a total mood swing, turning violent and dramatic, and end with a brutal cliffhanger. I suspect Volume 2 will be a lot less happy and fluffy.

(I actually liked the way all the players came together. Kimi ni Todoke’s main romantic pairings all tend to happen in parallel to each other, with no intersections (except maybe Kent). This is a giant messy pile of friendships and relationships.)

I’ve said this before about other titles, but again, this is what I want to see JManga doing. A nice, solid shoujo title that other publishers aren’t going to bother with. It doesn’t quite hit the heights of Kimi ni Todoke (the art, in particular, is less elegant and more typical shoujo), but it has a likeable heroine and an addictive plot. I want to know what happens next. Good thing Vol. 2 is also out now.

Pick of the Week: Quick Pick

by , and 1 Comment

SEAN: It’s a mild second week at Midtown, leading to a somewhat mild choice of picks for the week. I’ll go with the first omnibus volume of Girl Friends, which JManga released digitally last year. Seven Seas is doing its own edition with a different translation. I’m happy to buy it again, as I like reading paper volumes, but it’s also a fun story. One might argue that it’s a bit too cute and fluffy – this is a far cry from angsty 70s shoujo series where one girl always has to die – but honestly I’m happy to sacrifice that for some happy endings. Not that there isn’t a fair share of fretting to be found here, but this is seinen yuri, not shoujo—so the moe is ascendant. Good stuff.

MICHELLE: My vote’s going for the second volume of Punch Up!, which is actually by Shiuko Kano and not Hinako Takenaga (sic), as Midtown claims. This series from SuBLime isn’t really my usual cup of BL tea—nothing about it is sweet or adorable—and yet I am intrigued to see where it goes from here. Plus, there is a cat!

MJ: I’m making my pick a bit frantically today, as I prepare to travel for New York Comic Con, but the title that stands out for me most on the list this week is Viz’s omnibus release of Loveless, volumes one and two. I’m a fan of Yun Kouga in general, but this is a series I missed on its first go-around, so I’m grateful to have a chance to catch up to the newer volumes Viz is releasing as well! Definitely my must-buy of the week.

Readers, what looks good to you this week?

Bookshelf Briefs 10/8/12

by , and 1 Comment

This week, Michelle, MJ, and Sean look at recent releases from VIZ Media and Vertical, Inc.

The Drops of God: New World | By Tadashi Agi & Shu Okimoto | Vertical, Inc. – Rather than release a fifth volume of this series, which would’ve included volumes nine and ten of the original release, Vertical has jumped ahead to this New World arc (volumes 22 and 23 of the original), which focuses on wines from regions without a long-established winemaking tradition, particularly the US and Australia. It’s incredibly easy to jump back into the story even after a gap of over a dozen volumes, since so little changes with the characters., though Issei is a lot more prominent now and his hair has mysteriously gotten cuter. Highfalutin’ descriptions of wine still abound, and still make me roll my eyes with regularity, but there’s something captivating about this series that keeps me reading. Honestly, it’s more the sports manga-like themes of perseverence and presumed eventual triumph than the subject matter or the characters, but that’s enough for me. – Michelle Smith

The Flowers of Evil, Vol. 3 | By Shuzo Oshimi | Vertical, Inc. – There are a number of scenarios I might have imagined coming out of the rather stunning final pages of the second volume of The Flowers of Evil, but this series continues to be fresh and surprising in just about every way. Oshimi’s characters refuse to fall into neat categories, while still managing to ring true—in fact they feel truer with each page. Volume three is unexpectedly moving as Kasuga comes to the surprisingly insightful realization that putting his dream girl on a pedestal is not the same thing as loving her, and as all three of the series’ main characters are faced with truths they weren’t quite prepared for. If this series’ first volume read mainly as “better than Sundome” its third proves that it is really so much more. Highly recommended. – MJ

Jiu Jiu, Vol. 2 | By Touya Tobina | VIZ Media – After being so thoroughly unimpressed with the first volume of Jiu Jiu, I wasn’t expecting much from the second volume. Perhaps, then, my low expectations are the reason that I somehow now feel more kindly disposed towards the series, even though it’s still pretty generic and aimless and has weirdly proportioned art. I haven’t been moved to care more about Takamichi, Snow, and Night as characters, but I don’t hate the plot wherein the boys/dogs want to assert their independence, or that they’re prodded in this direction by Meru, a mischievous new character who spends part of his time in the form of a super-cute vampire pig. I hate to think a vampire pig is all it takes to sway me, but at least it’s something unique, which this series desperately needed. – Michelle Smith

Nura: Rise of the Yokai Clan, Vol. 11 | By Hiroshi Shiibashi | VIZ Media – In a contest for ‘Jump manga that varies most in quality’, Nura may not have any serious competition. This particular volume is mostly one long battle, which I generally don’t like to begin with, and unfortunately the author does not manage to save much of it from excessive tedium. There’s a focus in the middle on Awashima, who changes sex depending on whether it’s light or dark (so is rather grumpy about the darkness of Kyoto, keeping her female all the time), which is meant to show her accepting both sides of her, I think, but simply reads as an annoying diversion. At least towards the end we get a really nasty bad guy, who proceeds to take all our heroes and crumple them into little balls of failure. I suspect Nura will get his revenge in Vol. 12, hopefully in a more interesting way. -Sean Gaffney

The Story of Saiunkoku, Vol. 8 | By Kairi Yura and Sai Yukino | VIZ Media – It really is startling how much I’ve come to love this series. I think it’s the fact that all the court intrigue and scheming is presented in both a positive *and* negative light, with the best schemers winning because they are smarter and more devious than the bad guy. This is a series that has a lot of handsome men relying on people underestimating them, which is nice but means the author has to have them be savvy enough to back that up. It works very well here. Our heroine Shurei does very well keeping up with everyone, and is starting to chip away at the ‘she is a woman and therefore weak’ attitude in the court. Well, given the last chapter, she’s going to get a lot more chances to do that in the future. All this plus a tiny bit of romance again. Saiunkoku is simply a great story, full stop. -Sean Gaffney

Toriko, Vol. 12 | By Mitsutoshi Shimabukuro | Viz Media – Toriko fares much better than Nura this time around, mostly as it’s between arcs and has therefore gotten away from the standard Jump ‘2-3 volumes of people punching each other hard’ syndrome. Instead, we get to see the results of Century Soup, and then set out on a new arc, as Toriko is told he’s not really strong enough yet to take on the Gourmet World. So he does some training by climbing a ten-thousand-meter plus vine to a sky garden with the best vegetables in the world. Actually, Komatsu is the one who really impresses here – not that he does anything, but his simple willingness to carry on is amazing. Toriko is all about world building, which is what makes it so much fun – the combination of food, fighting, and larger than life characters. I also suspect our hero is in for some harsh reality soon, though… -Sean Gaffney

Skip Beat!, Vol. 29

by

By Yoshiki Nakamura. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz.

I hope you enjoyed the Black Bird-esque cover art, as that’s really the closest thing Skip Beat gets to romance. Oh yes, there’s Kyoko and Ren teasing each other briefly, but the point of that scene is the same as it’s been before – when pressed, Kyoko freaks out completely and shows, as Lory lampshades in this volume, that she’s not remotely ready for love or romance. Which is one reason why Skip Beat is at Vol. 29 and things are still up in the air. Not that we’ve any doubt that the final pairing will be Ren and Kyoko – if Sho somehow manages to win her heart I’ll be mind-boggled (and I think angry fans would storm Hakusensha’s offices). But there’s simply demons in Kyoko’s past that really haven’t resolved yet.

Honestly, I wish we’d see more of Kyoko’s mother. Yes, she’s horrible, and I certainly don’t want to see more of her interactions with Kyoko. Except I totally do, because her emotional abuse at her mother’s hands is what continues to drive her story. Every single time she twitches or reacts poorly to someone getting angry with her – even when it’s obviously meant to be comedic – it reminds me that she’s hypersensitive to everyone’s reactions. And one reason she may be so good at method acting is that she grew up trying to be the good child – or, as she increasingly got pawned off on Sho’s family, the dutiful wife/sister figure. Kyoko’s ability to immediately sense when Ren is upset with her, and her over the top reactions, are incredibly funny, but they’re also built on a foundation that screams ‘trigger warning’.

In a way, Kyoko’s emotional maturity when it comes to love and romance (and even simple things such as friendship) is trying to catch up to the personas that she’s put on her entire life. Which is why she’s still so incredibly naive about love. Her discussion with her Bo costume about Ren’s ‘playboy’ ways show that Lory isn’t kidding about her being completely unable to love. He may glibly tell Ren to avoid taking ‘that final step’ with her, but there’s a reason behind it – if Kyoko is freaking out to the point of bolting across the room when Ren even suggests seducing her, she’s not ready for anything else.

As for the rest of the manga, despite the fact that we’re twenty-nine volumes in, not much time has passed within the manga itself, as we can see given that Dark Moon is only just wrapping up. Meanwhile, Cain Heel’s drama finally starts filming, and we meet one of his fellow actors, Murasame, who seems to be a combination of rival and tsukkomi, as he points out to himself all the weird things Cain and Setsu are doing, but is also clearly attracted to Setsu. Of course, he shows this attraction via his own emotional immaturity – after pondering the best way to introduce himself to her, he starts by insulting her brother. Kyoko’s not the only one with issues.

I love the fact that this cute, funny shoujo manga can make me write about serious things. It doesn’t look to be ending anytime soon, so here’s to more volumes (and perhaps Kyoko conquering her love and affection demons).

License Requesting the Fall 2012 Anime Season – Manga Edition

by

So you’ve decided you really like that hot new 2012 anime property – so much so that you want to support it by actually buying the manga instead of just reading it on a scan site! First of all, congratulations, you are a very rare individual. But it’s not as easy as walking up to a publisher at New York Comic Con and saying “Hey, you guys should get _____!” After all, what if they don’t deal with that publisher? What if it doesn’t have a manga? What if it’s already licensed and you didn’t realize it?

So, for the anime fan who wants to try a bit of manga, a quick guide to how to beg for Fall 2012 titles. (Note: if I don’t mention a title here, it doesn’t have a manga as far as I can tell.)

First off, let’s eliminate series that are already licensed and actively coming out here. That takes care of Bakuman (Viz), Hayate the Combat Butler (Viz), Hidamari Sketch (Yen), Jormungand (Viz), Kamisama Hajimemashita (Viz) and Yu-Gi-Oh Zexal (Viz). (It’s a Viz world, kids, we just live in it.) I’m also including BTOOOM! (Yen), which is licensed but doesn’t debut till next year.

Secondly, there’s a couple of series which were licensed, but are now, putting it politely, “On hiatus”. Asking about them will likely get you a pained look and a ‘We have no plans at this time’ response. So that takes out Code: Breaker (Del Rey), JoJo’s Bizarre Adventure (Viz), and Gintama (Viz). The one exception to this is Code: Breaker – JManga has picked up the two volumes Del Rey released, and there is a definite possibility for more in that online-only direction. And technically, JoJo’s finished the arc that it was putting out, so I suppose it’s more ‘didn’t pick up further arcs’ than ‘on hiatus’.

Lastly, Sakurasou no Pet na Kanojo is based off a light novel that has no manga yet, as far as I can tell. Asking about light novel licenses is a great way to get publishers to cry.

So, which publisher can you nag for which books?

SEVEN SEAS: Well, they aren’t at NYCC (they don’t do the East Coast), so a politely worded tweet might do the trick. The anime Onii-chan Dakedo Ai Sae Areba Kankei Nai yo ne, aka ‘As Long As There’s Love, I Don’t Care If He’s My Brother!’ is the latest in a theme of faux-incest titles. And runs in Comic Alive. Both of which are very similar to things Seven Seas has recently picked up.

TOKYOPOP: OK, so technically they don’t put out much these days. But honestly, there’s really no better fit for Seitokai no Ichizon, a Kadokawa title that runs in Dragon Age. See if you can sweet-talk Stu.

KODANSHA COMICS: There are two really obvious titles here and one less so. The non-obvious one is Shin Sekai Yori, based on an award-winning SF novel. Its manga adaptation does indeed run in Kodansha’s Bessatsu Shonen Magazine. It began… about 2 weeks ago. So ask them to keep it in mind for NYCC 2013. So that leaves the two big contenders: Sukitte Ii na yo and Tonari no Kaibutsu-kun, both of which run in Kodansha’s shoujo magazine Dessert. They’re both terrific, but they are in a magazine that is generally ignored when it comes to shoujo NA licenses (honestly, Kodansha Comics tends to avoid anything but Nakayoshi these days), and they’re both still running (series that haven’t already ended in Japan worry publishers).

VERTICAL, INC.: See the two previous titles. If Kodansha says no, maybe Vertical wants to try it out? They are putting out Limit this fall, after all…

JMANGA: Aside from Code: Breaker, which I mentioned above, the one that jumps out at me is Teekyū, a school tennis comedy from Earth Star Entertainment’s Comic Earth Star. JManga recently put out four of their titles, so there’s always a possibility of more.

YEN PRESS: The only one that really leaps out at me is Zetsuen no Tempest, a fantasy manga that runs in Square Exin’s Shonen Gangan. Being a Gangan title, Yen seems the most likely player there. It’s also possible they might look at Little Busters, the latest from the Air/Kanon/Clannad folks, which runs in Kadokawa’s Comp Ace, but that seems less likely.

VIZ MEDIA: There’s a whole host of properties Viz *could* license here, but I’m not sure how many are genuinely *possible* licenses. Magi – The Labyrinth of Magic has a lot of potential, and is probably the most likely title on this list, but it’s 14 volumes and still running, and it also runs in Shonen Sunday, whose success in North America has been poor in the post-Inu Yasha age. Dangerous Jii-san Ja is a comedy 4-koma manga for kids about a goofy grandpa that runs in Corocoro. I can’t see it coming out here. At all. Medaka Box I have discussed many times before, and the same points still apply. And as for To-Love-Ru Darkness, even if the prequel had come out via Viz, this new sequel is simply too M-rated for their usual Jump line.

I HAVE NO IDEA: Two titles simply don’t leap out as going to any publisher. Aoi Sekai no Chūshin de is a fantasy manga that seems to anthropomorphize the console wars, and is written by a Russian woman. It is put out by Micro Magazine. I don’t know who they are either. Judging by the name, I’m guessing they focus on gaming. Lastly, there’s Chiisai Oyaji Nikki, from Ohzora Shuppan, which is about a very small old man.

Anything in that list take your fancy? You know I’ll be uselessly beating the Medaka Box drum…

Manga the Week of 10/10

by

It’s a smaller week, Week #2, but it tries harder! What’s coming out right before New York Comic Con?

Kodansha has two titles that, as usual, came out yesterday via Amazon and bookstore-oriented places. (pats Diamond on the head) Arisa is in the homestretch with Vol. 9, and Cage of Eden is starting to gear up with Vol. 7. Cage of Eden’s cover is also only mildly socially unacceptable this time! (I make no guarantees about the inside, though. Expect boobs.)

Seven Seas has a troika of releases, many of which hit Diamond *and* bookstores this week. For some reason, the Northeast Corridor (including me) is getting these in next week. Dance in the Vampire Bund hits its penultimate volume (don’t panic: a sequel has already started in Japan), and still has Vampire in the title, in case you missed that. Venus Versus Virus has a 3rd omnibus out, which I think may be the last (total apathy about the series prevents me from verifying this). And Girl Friends, Morinaga Milk’s popular yuri manga, gets a print release with the first of two omnibuses. Girl Friends is sweet, likeable, funny, and does not end with dead lesbians (sorry for the spoilers).

Sublime, Viz’s BL imprint, has Vol. 2 of Punch Up. Which has a kitty on a hot guy’s head. I don’t think I need to say anything else, really. KITTY!

Speaking of kitties, or at least catboys, Viz is starting to re-release the fantasy manga Loveless, which runs in Comic Zero Sum and is… not *quite* BL, even though most of the fandom would disagree with you. It is extremely popular, though, and it’s nice to see Viz rescue it. They also have a new Case Closed and the penultimate volume (did I really use penultimate twice in one post?) of Kekkaishi, which is beloved by bloggers (and hence has mediocre sales, the usual fate of titles beloved by bloggers).

So what appeals to you guys? Also, would you buy a manga that has as a tag line ‘Beloved by bloggers!’?

Paradise Kiss, Vol. 1

by

By Ai Yazawa. Released in Japan by Shodensha, serialized in the magazine Zipper. Released in North America by Vertical, Inc.

I had already done a review/overview of this series for a Manga Movable Feast a while back, but now we have Vertical’s new re-release with larger trim and a new translation, so it’s time to give it another look. Which I honestly don’t mind, as this is such a terrific series. I won’t be talking too much about the technical details – the larger size makes the asides much easier to read, I do note. As for the translation, it’s definitely different, and there are pluses and minuses to both. I do prefer Arashi not sounding like Johnny Rotten, though.

The cover and chapter pictures, by the way, might give away a bit of the plot: Yukari becomes a model. But then, most of you probably guessed that as it’s the premise. Yazawa has an eye for fashion and posing, and it all comes to the fore here, with many long, lingering shots of outfits and fabric, and even the rudimentary drudgery of sewing beads is made to look glamorous. Paradise Kiss is a colorful, vibrant place. By contrast, Yukari’s life is as stark and black and white as the manga itself – we barely get to know anyone besides Hiroyuki at her school, and her attention is so quickly distracted by George and company that her diligence to study is in doubt. (Notably, the entire PK group urge her to keep studying, and constantly ask if she has to hit the books. They’re all good students, and don’t want to be seen as the reason she isn’t. It’s Yukari’s own fault that she winds up blowing everything off all the time.)

I’ve said this before, and I’ll say it again – I really like Hiroyuki, and I’m glad to see how he interacts with Yukari and the others. The sequence where Yukari drags him to meet Miwako is painful but very well done – and Yukari, as many ‘well-intentioned’ folks seem to do, immediately realizes she’s made a mistake. That said, it worked out well in the end, even if what we mostly get from the story of Miwako. Arashi and Hiroyuki is of things left unfinished – by forcing a choice onto Miwako, Arashi has unwittingly left everything more open-ended than it should be. This will come back to haunt him in future volumes…

A word of warning to those who hate it – this manga is rife with metatextuality. The non-Yukari cast constantly talk about chapters, page placement, etc., reinforcing the fact that Yukari is not only entering the fashionista world of Paradise Kiss, but the manga ‘world’ as well. There are also several references to Yazawa’s shoujo manga Gokinjo Monogatari, which starred Miwako’s older sister, Mikako. Mikako makes a cameo, and a few other characters also show up. Don’t worry if you’ve never read the (unlicensed) prequel; the references actually serve to better flesh out the characters, and show that this isn’t just a story that began once Yukari entered the scene.

Did I forget to mention George? I did. Hi, George. I’ll have more to say about him in my next review. In the meantime, Paradise Kiss has attractive, vibrant characters, gorgeous and striking art, and a wonderfully wicked sense of humor. I’m incr3edibly happy that it’s back in print.

Pick of the Week: Saiunkoku, GTO, Skip Beat!

by , , and 1 Comment

KATE: It’s VIZ dump week, in which a large and random assortment of VIZ titles arrive at Midtown Comics. Although there are several great titles to choose from—Skip Beat!, Slam Dunk, A Devil and Her Love Song—my vote goes to volume eight of The Story of Saiunkoku. The volume is worth it just for the scene of Minister Ko’s unmasking, but there’s plenty more going on as well: sexual discrimination, clan intrigue, and romance. (Remember the emperor? He factors into the story in a more prominent way in this volume.) Frustratingly tidy as Saiunkoku can be, it’s still fun to read; I’m irresistibly reminded of Yentl and Mulan every time I sit down with a new volume.

MJ: While the VIZ dump certainly has a lot to offer, I admit I’m leaning in Vertical’s direction. Arrivals this week at Midtown include my pick from last week, Paradise Kiss, but also the fifth volume of GTO: 14 Days in Shonan, one of my least expected current favorites. Though nothing about the premise suggests that this series would be something I’d fall in love with, the fact is, I have, and I can’t help looking forward to each new volume. It’s definitely a GTO week for me!

SEAN: I also went with ParaKiss last week, so I’ll dip into the Viz Blitz this week and pick Vol. 29 of Skip Beat!. First of all, that cover is pure Barbara Cartland, even if no actual hot hot seduction will be happening within the actual pages. What we’ll get instead, I suspect, is more acting angst, more of Ren brooding, Kyoko freaking out about something at least once, and hopefully a shot or two of humor. At 29 volumes and counting, this is one of the longest shoujo series to be published over here, and I’ glad that it still seems to sell well. Mostly as Kyoko is simply fun to read about.

MICHELLE: I think I am going to have to go with Skip Beat!, too. It’s a special series that still makes me go, “Oh, yay! New Skip Beat!” even when we’re talking about volume 29. I could probably love this series at volume 79, actually. It’s that good, and the characters that endearing.

Readers, what looks good to you this week?

Bookshelf Briefs 10/1/12

by , , and 1 Comment

This week, Sean, Kate, MJ, and Michelle look at recent releases from VIZ Media, Yen Press, and Vertical, Inc.

Arata: The Legend, Vol. 11 | By Yuu Watase | VIZ Media – The last time I wrote about Arata, I described it as consistently entertaining. Alas, I haven’t really been feeling these two most recent volumes. So much seems to be repeating the same pattern—Arata encounters a hostile bishounen shinsho and employs his shoujo-heroine-in-a-shounen-manga mojo to discover the fellow’s true feelings, which he soothes before the two become allies—that when important things do happen, like the revelation that a pair of characters changed places (between modern Japan and Amawakuni) in their infancy, it fails to register any sort of impact. Things begin to look up slightly towards the end of the volume, though, as the group heads into the territory of the most hostile bishounen of them all: Akachi. Somehow I doubt he’s going to want to talk about his feelings for, oh, at least two volumes. – Michelle Smith

The Drops of God: New World | By Tadashi Agi and Shu Okimoto | Vertical, Inc. – If Drops of God had sold better, this would be half of Vol. 11 and half of 12, and we’d be reading it a couple years from now. As it is, this is the last planned volume, and I understand the publisher in Japan asked that it jump ahead to focus on American (and Australian) wines. Honestly, there isn’t that much missed – the biggest change is that Loulan, Issei’s hookup from Vol. 4, is now in Japan and acting as his Miyabi. (It’s unclear if they’re married, still lovers, or what have you.) And Issei is the one who clearly has gotten the most character development – he almost seems like a 2nd protagonist than a rival by now, and has mellowed out considerably. Shizuku, on the other hand, still feels as if he’s lagging behind and unable to progress. Which, to be honest, is true – he’s much the same as he was in V. 1-4. I do hope we eventually see more of this. -Sean Gaffney

Fushigi Yugi Genbu Kaiden, Vol. 10 | By Yuu Watase | VIZ Media – In my experience, a long wait between volumes of a manga series can be either a blessing or a curse—maybe even both. On one hand, anticipation is undoubtedly sweet, and a wait of nearly three years certainly provides plenty of that. On the other hand, anticipation can shift quickly to expectation, and after nearly three years… well, you get the idea. Fortunately, Fushigi Yugi Genbu Kaiden delivers, at least where it most counts. Despite the long wait, Watase’s well-paced storytelling and energetic artwork pull us right back into the story (and its awesomely giddy primary romance), as though no time has passed at all. On the downside (or is it?), the volume’s final pages are likely to throw readers right back into the clutches of sweet (and painful!) anticipation once again. – MJ

GTO: 14 Days in Shonan, Vol. 5 | By Toru Fujisawa | Vertical, Inc. – One of the main reasons we enjoy reading GTO is to see Onizuka kick the crap out of people as he tells them how they’re screwing things up. That said, he is meant to be a teacher, and pass on his example to others. This volume doesn’t have quite as much Onizuka in person, but it has him leading by inspiration – including a long mid-volume sequence starring Uchiyamada, the antagonistic vice-principal from the GTO series proper. It’s easy to see Onizuka dealing with young, impressionable teens. But just because folks are adults doesn’t mean they’re wise and all-knowing, or that their problems go away. So seeing Uchiyamada preparing to confront 50 gang members, or Ayame beating the crap out of a yakuza in order to confront the twins behind all this, is just as awesome as Onizuka himself. -Sean Gaffney

Spice & Wolf, Vol. 6 | Story by Isuna Kasekua, Art by Keito Koume, Character Design by Jyuu Ayakura | Yen Press – Here are eight words I never thought I’d type: I liked volume six of Spice & Wolf. Yes, there was some gratuitous nudity, and yes, there was some limp flirtation between Holo and Lawrence, but on balance, volume six delivered enough action to erase the memory of all those Economics for Dummies speeches in previous volumes. Better still, Holo spent most of the volume as a wisewolf, inflicting bodily harm on soldiers, extracting confessions from enemies, and menacing her (perceived) romantic rival Norah. I’ll take Holo in her feral form any day; she’s funny and fierce, using her physical strength, rather than her feminine wiles, to get the job done. I’m not sure that a handful of decent chapters are enough to make me revisit earlier volumes, but they did, at last, help me understand why this series has been such a phenomenon among American otaku. – Katherine Dacey

The Story of Saiunkoku, Vol. 8 | Art by Kairi Yura, Story by Sai Yukino | VIZ Media – Never underestimate the power of Cover Girl — that’s my takeaway from volume eight, in which Shurei decides her only chance of claiming her rightful position as a civil servant is to show her male peers she’s 100% woman… by donning makeup. The resolution of that conflict is a little too tidy, relying on narration rather than dramatization to show us how Shurei establishes her civil servant credentials. On the whole, however, volume eight is a solid installment in this period soap opera, serving up an appealing mixture of comedy, drama, intrigue, and romance, and ending with the kind of cliffhanger that promises to advance the story in a new and meaningful direction. Still recommended. – Katherine Dacey

Yotsuba&!, Vol. 11 | By Kiyohiko Azuma | Yen Press – It’s been nearly a year since I last read any Yotsuba&!. I didn’t realize how much I’d missed it until I started to read and the first chapter, in which Yotsuba invites herself into the kitchen of an udon shop to watch how it’s made, completely reminded me of everything that is great about this series. Seriously, this is the kind of manga where you suddenly realize you’re smiling and wonder how long you’ve been sitting there, doing that. Pizza, bubbles, cameras… these are a few of the things that fill Yotsuba with wonder in these pages, but the last page of the volume is the one that really made me laugh out loud and get verklempt all at the same time. Is this praise copious enough? If you haven’t read Yotsuba&!, what are you waiting for? Jeez, man. Get with it! – Michelle Smith

Barbara

by

By Osamu Tezuka. Released in Japan by Shogakukan, serialized in the magazine Big Comic. Released in North America by Digital Manga Publishing.

This is one of those mature Tezuka titles that a lot of fans had been waiting to hear about. So much so that when DMP decided to start a Kickstarter project to get enough money to license it, it was an obvious choice. And I must admit, it does seem like the sort of manga you’d like to verify you have enough money to cover costs before you publish. Unpleasant, flighty, and just plain annoying at times, Barbara is fittingly very much like its main character, a muse who is various things to various people, and ends up being an alcoholic hipster when she’s inspiring our “hero”, the writer Yosuke Mikura.

You’ll note I put the word hero in quotes. Even using the term protagonist seems wrong for Mikura, who does not really inspire much sympathy throughout this book. Right off the bat we get two chapters which show him not only abusing Barbara (he beats the crap out of her the entire book) but also has serious psychological problems, leading to hallucinations. It requires a certain amount of sang-froid to trust that Tezuka will lead you through this and tell a satisfactory story, especially as the first half of Barbara seems to be composed of mostly disconnected life scenes with Mikura and his drunken companion.

Things pick up considerably when we are introduced to Russalka, an African writer and political activist who comes to Japan for a conference. It turns out he has a past with Barbara, and was not particularly happy to see her go. This is when Mikura gets the full explanation of what Barbara is, which he stubbornly doesn’t really understand at all – at least not consciously. But they don’t really have a relationship, just occasional inspiration – as muses are to writers most of the time. When he decides to marry Barbara at one point, most readers will be groaning and going “You idiot!”. If they weren’t already.

Mikura continues to spiral downward, committing murder multiple times (even if it’s sometimes only implied) and his marriage to another woman who is genuinely real seems to only make things worse for both of then. The last third of Barbara reads like an elegiac car crash, as you watch a man who was already deeply disturbed when the book began go off the deep end. In fact, that may be a fault with the book – Mikura was *so* creepy and deluded right from the start, there’s very little surprise or sympathy in seeing him get run off the rails like that. It’s less of a tragedy and more of a “well, that’s just life.” Which, given this is the early 1970s, may have been what Tezuka was going for anyway.

The artwork is excellent, with many striking scenes. He’s especially good at depicting Mikura’s hallucinations. At one point Mikura meets a woman who looks like Barbara but insists she’s a real woman named Dolmen, and Tezuka actually manages to have her look slightly different. Sometimes the art is a bit sexualized (there is much focus on Barbara’s rear end), but that’s what you’d expect from a book about a seductive muse. And the scenes in the end in the sewers and field are fantastic action sequences.

I wouldn’t say I enjoyed Barbara the way, say, I enjoy Ranma or Sailor Moon. It can be an unpleasant experience, and its lead is loathsome much of the time. If you can get past that, however, this is a striking tale well-told, and made me curious to find out more about the Japanese literary scene of the early 1970s. And hoping that if I ever get a muse like Barbara, I don’t end up the same way. But, that’s writing for you. So fickle…

Angelic Layer, Vol. 1

by

By CLAMP. Released in Japan by Kadokawa Shoten, serialized in the magazine Shonen Ace. Released in North America by Dark Horse Comics.

Angelic Layer comes at a turning point for CLAMP, one where they had already shown how well they could succeed in the shoujo market and were trying to branch out and expand. And while they were still drawing X at the time they started this (and just wrapping up Card Captor Sakura), they clearly wanted a new challenge. Unfortunately, I’m not sure how well they succeeded – certainly this work is a decent enough diversion, and there’s never any desire to put it down or move on. But it doesn’t really grip you the way their best series do – and indeed, the way that their more successful series for a male audience, Tsubasa and xxxHOLIC, would later on. Angelic Layer is shonen, but it’s fluffy shonen.

If I want to be honest, there’s not even a whole lot about Angelic Layer that HAS to be shonen. Yes, the plot involves what basically amounts to a fighting tournament, but the fighters are mostly female, and they’re fighting using cute dolls, albeit technologically advanced fighter dolls controlled through willpower. But Magic Knight Rayearth was basically a series of ever-increasing battles as well. (Speaking of which, Rayearth apparently exists as an anime in this universe – Misaki’s Angel is clearly meant to be based off Hikaru from the series.) But the cute female lead who’s plucky but always optimistic, the vague romantic possibilities, the jealous rivals who want to take her out as soon as possible? This could easily have run in Asuka, except X already was taking its place.

The series has its heart in the right place, and clearly wants to be liked. Perhaps that’s why I’m not enjoying it as much as other CLAMP offerings – at times you feel it’s trying too hard. There are two wacky, comedy characters – Icchan, the mad scientist inventor of the Angels, and Misaki’s new female friend Tamayo – who are wacky! And funny! Oh so funny! Let us show you how wacky and funny and loud and funny they are! And it can be exhausting. The quieter, more sedate supporters of Misaki work much better.

That said, it also feels like I’m finding faults where I shouldn’t bother. As a light, fun comedy with lots of cool fights and amusing scenes, this fills its function perfectly. CLAMP are at the point in their careers here where they couldn’t really ruin a story if they tried. (That will change later – indeed, Angelic Layer gets made far more depressing retroactively if you read Chobits – but for now, it’s all smiles.) Misaki has enough things going wrong for her that we feel a need to see her win and be happy, but not so much that it verges into Pollyanna territory. And honestly, sometimes the wacky characters *are* funny, particularly Icchan and his sublime awareness that he gives the appearance of a creepy pedophile.

But there’s no depth to Angelic Layer at all, and depth is something that we’ve increasingly come to rely on CLAMP for (and get frustrated when it goes wrong). It’s a step forward into a new genre, but it’s still keeping too much of itself held back. If only it had an anime adaptation that took its good points and expanded on them? Hrm, that would be awesome…

Manga the Week of 10/3

by

It’s a first week of the month, folks. You know what that means. But let’s start with not-Viz stuff.

Kodansha has a new volume of Fairy Tail, continuing its alternate world journey. And they’ve got the oddly numbered Ghost in the Shell Volume 1.5, which is still 176 pages, in case folks were worried.

Vertical has the debut of its new re-release of Paradise Kiss, this one in larger trim, 3 omnibus volumes and a new translation. The manga is fantastic, anyone who hasn’t read it yet should go get it. And Arashi no longer speaks like a Brit. There’s also the new Drops of God, leaping ahead to discuss wines from ‘the new world’, and also possibly the last volume unless sales get really really good. And GTO is up to his 5th volume of 14 Days in Shonan, the halfway point.

Viz, of course, has its Viz blitz. On the Shonen Jump side we have Bakuman 15, Bleach 48 and 49 (which, hallelujah hallelujah, moves onto a new arc), Nura 11, Slam Dunk 24, Toriko 12, and Yu-Gi-Oh 5Ds 3, which sounds like a RPG dice roll. Meanwhile, on the shoujo side, there’s Dawn of the Arcana 6, Devil and Her Love Song 5, Jiu Jiu 2, Skip Beat! 29, Stepping on Roses 8 (any shogi, let me know), and Story of Saiunkoku 8. There’s something for everyone, in other words. Well, unless you’re a hardcore ‘indie manga only’ person. In which case, look up for Vertical stuff.

So what are you getting? And can you finish it before New York Comic Con?

Higurashi: When They Cry, Vol. 19

by

Story by Ryukishi07; Art by Hinase Momoyama. Released in Japan as “Higurashi no Naku Koro ni: Minagoroshi-hen” by Square Enix, serialized in the magazine GFantasy. Released in North America by Yen Press.

This review has spoilers!

Ladies and gentlemen, after 18 volumes, meet our heroine.

The author talks in the notes for this volume about how he tried to keep Rika’s main character-ness a secret at first, with Keiichi, Rena and Shion getting all the attention. The Time Killing Arc was probably the one exception, and even that was 5 years before the main action. We’ve known Rika is much deeper than she seems, and that she can see/understand the constant resets in this world. But this is where the manga outright has her as the star. And while no one is going to pick up a new manga 19 volumes in, the first chapter does a decent job at setting up the ‘mysteries’ and ‘rules’ of the resetting worlds… even if it turns out to be wrong a lot.

By the way, the twin girl that Rika meets is Frederica Bernkastel, whose poetry we have been enjoying at the start of each arc. She is somewhat unimportant to the Higurashi series (we’ll only see her again at the very, very end), but is a far larger player in Umineko, which begins over here in two months… Also, Frederica, not Furude Rika. I don’t know how anyone could mix them up. :)

We do also meet another major character here – Hanyu, aka ‘Oyashiro-sama’. For a series that has combined moe and gore to such a large degree, it’s not as much of a surprise as one would think to find that their torture god is an adorable little girl who hates all the killing. Seeing her stomping her feet in rage at Takano’s insane ravings is quite funny. Possibly the only funny thing she gets to do in this arc – Hanyu is a drag, and ends up bringing Rika down with her. Downtrodden and depressed, she’s the one resetting the worlds, but it’s clear she has no confidence this one will be any different.

But oh, how wrong she is. This is what the previous 18 volumes have led to. Remember Higurashi is actually an adaptation of a game, where the player saw everyone make really, really horrible mistakes. And in this world, through the constant replays and reboots, they subconsciously learn from those mistakes, and make the right decisions. This is one of the more heartwarming parts of the volume. Seeing Keiichi give Mion the doll, seeing Shion treating Satoko like a little sister, Rena confessing that she got her dad help and a job… it’s great to see. And it has a wonderful capper, as who should show up in Hinamizawa but Akasasa. With his wife. Who is not dead. It’s pure happiness on a manga page.

And this is where hubris starts to hit Rika. After being so depressed for so long, seeing this is a world where everything is ‘perfect’ makes her a little too cocky. She goes to tell Tomitake and Takanao that they’re going to be killed… and they seem to believe her. She deliberately incites a gang to hit her… and it turns out she now has hidden bodyguards. So she gets the tiniest bit smug… and oh, does she ever pay for it. Because this is the Answer Arc for the MOST DEPRESSING ARC EVER, the Curse Killing Arc.

See, when Rena turned to Mion and confessed the difficulties she and her dad were having, Mion told her family. Who are yakuza. Who responded by simply quietly killing off Mamiya, the woman blackmailing Rena’s dad. And with Mamiya now dead… Satoko’s uncle has come back home. This leads to the most chilling image of the volume, Satoko with a huge bruise on her cheek and empty eyes. We only have one problem to solve in this world, but oh, it’s a doozy.

But remember, people are learning from their mistakes, mostly. So even though Shion backslides a little, murder for once ISN’T an option. Instead, they go to child services. Who suck. Horribly. So they go back, with their teacher and principal. And fail again. It’s like beating your head against a brick wall, mostly as Satoko refuses to admit that she is being abused. (Well, maybe murder isn’t an option as it’s being taken off the table… the first thing Rika does is go to Takano and ask that her hired goons take out Satoko’s uncle. She should know better.) And Ooishi, despite getting a nicer introduction than usual, is not helping at all with his usual elliptical warnings.

By the way, there’s still the matter of who is killing Rika. When this first started in GFantasy in 2009, the games were finished. As was the anime. 95% of the people reading this knew who the main villain was. So you see the author cheating a bit, with perhaps a few more creepy villainous smiles than might be warranted. More on this later. It isn’t called the Massacre Arc for nothing, after all.

As you can see, there’s a lot going on in these first two volumes. I am pleased that Yen omnibused them. The next two aren’t out till December, but luckily we have Umineko in November. We switch from cicadas to seagulls… and also switch from a series searching for its happy ending to one where that may not even be an option.