Sean Gaffney

By Jin (Shinzen no Teki-P) and Sidu. Released in Japan by Enterbrain. Released in North America by Yen On.

As we reach the end of this book, our heroes are getting a lot closer to figuring out why they have these strange eye powers and what the powers actually are. In fact, they get a lot closer than the reader, as we’re shown parts of a diary that Marie’s grandmother kept, but they get to read the whole thing. Admittedly, we can connect some dots, but I am reminded once more that this is a light novel series based off of a series of songs, and that the intended audience is meant to be familiar with those songs. In particular, Shinigami (Reaper) Record, which introduces us to Azami’s story that is fleshed out here.

Azami is a mysterious supernatural creature – called a Reaper, she seems to also have many traits of a medusa, something which she’s apparently passed along to her granddaughter. Speaking of Marie, the bigger revelation in this book may be just how old she actually is – it’s somewhat startling, particularly given her fairly childlike personality. But of course, when you live alone in a cabin in the woods, there’s not as much chance to evolve or learn. And there’s also Konoha, whose real identity we’ve been able to guess with information from the previous two books, but who looks to be just as different from his other self as Ene is from Takane. Actually, the biggest disappointment here may be Shintaro, who still has a tendency to get dragged along and whine much of the time – indeed, the trip to and from the cabin is an endless stream of irritation from him.

If there’s a larger issue with these books, it’s the length – they’re much, much shorter than the average Japanese light novel, and you barely get into the book before it’s already finished, padding out its page count with lots of character design art and advertisements for the manga. Each of the last three volumes has featured a segment of the main plot and a more serious side story that gives us backstory and hints, but the backstory really is not connecting fast enough for my taste, and some of the things I was most interested in last time (Kano confronting Shintaro in Ayano’s body) is glossed over here, as Kido reassures Shintaro in a way that makes it seem like just a bad nightmare.

This volume was delayed two months, so the next one will come sooner than expected, and I’m hoping that less lag time will allow me to get into it a bit more. It would seem to involve Kano in a big way, so maybe I’ll finally get the answers to my questions. Kagerou Daze is enjoyable, particularly to fans of the multimedia franchise, but I still wish it wasn’t so fragmented. And short – even this review is underlength when I try to discuss it.

By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by ASCII Mediaworks. Released in North America by Yen On.

Narita’s books, be it Baccano!, DRRR!!, or what have you, all enjoy being endlessly re-readable. Not only do you get the single-volume habit of various disparate and seemingly unconnected plots all crashing together at the end, which certainly happens here, but you also see this as part of a series whole, as he also teases out future major plot and characters that don’t pay off here but will several books down the line. I’ve called DRRR!! a nerd series, and it’s not just because Erika and Walker talk a lot about anime and manga types (their discussion of whether Celty is a tsundere or not is one of the highlights of the book). It’s because his series cry out for Tumblr analysis and bullet points explaining what’s going on and how it affects things down the road.

As an example, this volume is very good about taking the metatext and making it textual. In addition to the analysis of Celty’s character and how it applies to a seemingly ‘real life’ person, we meet Izaya’s twin younger sisters, Mairu and Kururi, who are not as loathsome as him but do seem to be just as difficult to stop. They’re polar opposite twins, as per the TV Tropes article, but Izaya helpfully tells us they deliberately engineer this in order to balance each other out, the better to be one person in two bodies (which is what they think they are). This isn’t the sort of exposition you expect to be casually laid out in the book itself. Things get even weirder when, at the end of the volume, Izaya has to meet with an even higher level of manipulator to find out about events he wasn’t around for (most of them, in fact). We don’t learn all that much about him, but what we do get seems to imply that Izaya is literally meeting the book’s omniscient narrator.

This is not to say the book does not function as a normal book as well. There’s a lot going on, as always, but if you pay enough attention it’s easy to follow and have fun (indeed, the narrative helpfully spells out the difficult bits, like the fact that all the money Celty lost ends up returning to her by the end of the volume). There’s car chases and fights, Shizuo throws people across the city and hits them so hard they need reconstructive surgery. We meet Aoba Kuronuma, who is a new high school student who is clearly there to manipulate Mikado for evil ends, but at the same time he himself is thrown off by the higher-levels weirdness of the Orihara Twins. (Speaking of the Twins, those who disliked Namie’s creepy incest subtext in previous books won’t be happy to see Mairu and Kururi making out here – again, they deliberately invoke tropes, even distasteful ones.) My favorite subplot was probably that of Shizuo’s brother, who runs into the cutest serial killer you’ll ever see, and helps her redefine what it means to be a monster.

Speaking of said killer, I mentioned how DRRR’s novels tie into each other and reward re-reading, and the same can be said for “The Naritaverse” as a whole. Nebula, the evil corporation we’ll see in Baccano!, is still the evil corporation 70 years later in DRRR!!. We hear about a couple of thieves who liked to dress in costumes, clearly Isaac and Miria. And while Ruri’s ‘monstrous’ nature is kept deliberately vague, anyone who reads Narita’s unlicensed series Vamp! will have figured it out already. DRRR!! is a nerd series that rewards overanalysis, and also a lot of fun and action packed. It ends with everyone in the cast having food with friends and loved ones, except Izaya, who is alone and unloved. Needless to say, this pisses him off and he will no doubt be far more active in future books. Can’t wait.

By Mitsu Izumi. Released in Japan by Shueisha, serialization ongoing in the magazine Jump Square. Released in North America by Viz.

For a nation that mostly seems to revolve around Shintoism and Buddhism, Japanese manga authors seem very taken with Christianity. Not necessarily for the actual religious thought behind it, but I think they see the Bible as sort of a Lord of the Rings-type book, filled with epic battles between angels and demons, lots of divine punishment, and a few bouts of sinning for good measure. There have been quite a few stories talking about a battle between heaven and hell with Earth as its grounds, most famously Neon Genesis Evangelion, but Angel Sanctuary is also up there. 7th Garden is firmly along those lines, as a young man with a tortured past finds himself allying with a demon with a tortured past in order to protect his young mistress, who may in fact have a tortured past as well. All of this revolves around the symbols and imagery of Christianity, slightly distorted,

This actually ended up being a lot more wholesome than the descriptions I saw led me to believe – I probably should have guessed that give that the busty demon on the cover actually has her back turned to the reader, rather than facing them chest first. Said demon is Vyrde, who is accidentally freed by our hero from a thousand year sleep, and proceeds to be the best thing about this series once she wakes up. She’s playful, seductive, and amoral in just the right amount, and even the ‘sneak into the hero’s bed at night’ feels for once as if it didn’t come out of the pages of ‘Love Comedy For Beginners’. Probably because there’s not much love here – yes, there’s a suggestion that Awyn (the hero) and Marie (his mistress) sort of kind of like each other, but make no mistake about it: this is a battle manga, with ridiculous swordfights and lots of corpses.

I mentioned Christianity above, but given that in this series the demons are the good guys and the angels the bad guys (very common in manga), it’s unsurprising that this fantasy world calls it ‘anti-Quoristiantity’, enforced by ‘anti-Knights, who as you might imagine with a name like that tend to mete out anti-Justice. To be fair, we’re told that the mooks we see killing innocents here are not Knights but Apostles – those who were not good enough to be Knights so do the Church’s dirty work. This does allow our hero to be somewhat more cavalier about life and death than you’d expect from a Jump manga – then again, this is Jump Square, and Blue Exorcist can also have very ambiguous morality. The most interesting part of the manga may have been told the end, as we’re fed little droplets of backstory hints that might pay off. Who is Ashriel, really, and what does she know? (With a name like that, the foreshadowing isn’t subtle.) What do they mean by the village not existing? And is there any significance that our demon’s real name is so close to Awyn’s innocent mistress? (That last may be a no. I suspect it’s the Western name equivalent of Isumi and Izumi being nothing alike.)

There’s a lot of tease here but not much beyond promise, and the fighting is good but can get confusing (on a level of 1 to Trigun Maximum, it’s about a 4). But it does show promise, and I am interested enough to pick up a second volume. Recommended for those who like fantasy and don’t mind religion being used as a heavy spice.

By Haruichi Furudate. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

For a genre that has a reputation for not succeeding in North America, there have been quite a few sports manga released over here, most of them connected in some way or another with Weekly Shonen Jump. There’s been Slam Dunk, and Whistle, and Eyeshield 21. It’s a classic and established genre in Japan, with its own cliches and foibles, and I’ve read enough of them to know what to look for and to be surprised when something I expected didn’t happen. The type of sport shown doesn’t really matter – basketball and soccer are always popular, though not baseball – Jump avoids that, possibly as Sunday and Magazine are so well known for baseball titles. And now we have Haikyu!!, which tells us about a down-on-its luck high school volleyball team trying to make it back to the finals with some promising but troublesome rookies.

Our two heroes are on the cover, although it’s possible that the dark-haired guy is more of an anti-hero. Hinata is a very typical Jump hero – short, overenthusiastic, filled with amazing athletic abilities that no one has ever been able to hone, but also prone to overconfidence and lack of experience. Kageyama, at first glance, appears to be the classic polar opposite to that sort of character – stoic, always frowning, experienced and unlikely to make the sort of rash decisions that Hinata would. But, as it turns out, this is just a fakeout, and was possibly my favorite part of the book. For Kageyama is actually an arrogant guy with a very hot temper, who expects to be the star and is rather frustrated that this is actually a team sport. Seething ball of rage Kageyama is a very interesting character, and I look forward to seeing more of him.

If you don’t know volleyball, no worries – Hinata barely knows the basics as well, so we get a lot of explanations. We also get a whole lot of characters, typical for a series like this – a team needs players, after all. There’s 2 third years who play good cop/bad cop, and an overzealous 2nd year who matches the rookies’ enthusiasm. There’s a tall, arrogant first-year whose face every reader will want to punch, and I can’t wait to find out what kind of situations he’ll have to go through before he stops being a complete jerk (he’s on the same team as our heroes, so will no doubt have to stop at some point). Oh yes, and the female manager is cool rather than cute.

There’s nothing particularly groundbreaking here, though as I said I was surprised and pleased by a few of the character choices. It’s just a sports manga, well-told. It’s 20+ volumes in Japan, which means that Viz is going to be releasing it every month for a while, so get used to these guys. And it’s the start, hopefully, of a sports manga renaissance, as now that Slam Dunk has finally finished, Viz is also picking up Kuroko’s Basketball as well. Can Touch or Major be far behind? (Well, yes, they can. Far, far behind.) In any case, Haikyu!! is a fun and energetic sports manga in the classic Jump tradition. You’ll enjoy it.

By Akiko Higashimura. Released in Japan in two separate volumes as “Kuragehime” by Kodansha, serialization ongoing in the magazine Kiss. Released in North America by Kodansha Comics.

Princess Jellyfish is turning out to be a difficult but worthy read for me. I spent much of this omnibus being irritated by the majority of the characters, either for making stupid decisions, being horrible people, or having the self-awareness of a gnat. And of course, that’s what the whole point is. It’s where the majority of the comedy comes from, and also the character development. Without Tsukimi’s introvertedness and low self-esteem, without Inari’s blackmail and vampishness, and without Kuranosuke’s amazing unself-awareness (though he’s above the majority of Amars, to be sure), we wouldn’t have anything to read about. And all of these aspects are in this volume in abundance.

Tsukimi is our heroine, of course, and so she gains the most depth here, even as she takes a few steps back as well. I’m still not particularly happy with Kuranosuke’s constant attempts to get her to do things and be more outgoing, but it does lead to a few nice moments, particularly when they’re designing dresses based on types of jellyfish and Tsukimi unleashes her inner fashion designer. (I also appreciates the fact that, while she does have untapped talent, things weren’t perfect right off the bat and the first attempt was totally wrong.) Sadly, she alsp sees the guy she has a crush on with another woman, and has no idea how to deal with it, even as she’s unsure what her feelings are. She equates love as something that makes her a ‘normal girl’, something to be truly feared.

And while the residents of Amars may not be normal girls (though they show surprisingly more aptitude at attempting it than Tsukimi does), Kuranosuke and his family prove to be just as screwed up. Inari is trying to tempt Shu using sex as a weapon, but he’s repressed (as we discover here, he seems to have been traumatized by walking in on his father as a young boy) to a point where she’s actually thrown off her game. Inari is at her most interesting when she’s like this – the idea of Shu being a genuine innocent virgin almost horrifies her a bit – but I’m unsure how long the manga can keep this plot going. She certainly has staying power, I’ll grant you. As for Kuranosuke, he may be the most interesting character so far, even if I keep waffling between liking and disliking him. He’s amazingly selfish most of the time, and, just like Tsukimi, seems horrified at the idea of falling in love like a normal guy.

It’s the tension that keeps me going as a reader, seeing how far the author can take all these plot points – Kuranosuke’s secret that he’s actually a man, Inari being terrible, etc. – and actually have them collapse. And, of coruse, there’s the fashion design, which I suspect is going to take up more and more of this manga’s time. It’s not perfect, but it’s the flaws that make Princess Jellyfish so fascinating.

By Ameichi. Released in Japan by Ichijinsha, serialization ongoing in the magazine Comic Zero-Sum. Released in North America by Seven Seas.

Back in my pre-blogging days I used to write up the week’s manga shipping list on my LiveJournal, similar to Manga the Week of but with less commentary. I noted the Japanese company the work came from, and what genre it fell into – shonen, shoujo, seinen, josei, or “whatever Wings is”. The last was my running gag for Shinshokan’s flagship magazine, which by all rights should probably have fallen under shoujo, but always had a bit more action and fantasy than your typical Margaret or Hana to Yume works. Of course, this was about 7-8 years ago, and now we know there’s also GFantasy, and indeed Comic Zero-Sum, which is where today’s title comes from. Battle Rabbits not *quite* BL, as there’s never any actual follow through, but I would say it caters to BL readers who don’t mind just being teased. And oh do they get fanfic fodder here.

I had actually forgotten this was a Zero-sum title until it arrived. Based on title alone, I was expecting a different kind of Seven Seas series, catering to their flagship demographic. And to be fair, there is a young girl wearing rabbit ears in this first volume. Mao is cute, and a bit of a ditz, and there are precisely zero readers who would get this title for her, because oh those guys. We start with our hero, Kaguya, who really should have known what was going to happen just by looking at his name. As a child, his father was murdered by a mysterious demon, but no one believed him and called it a suicide. Now he’s in high school and still dreams of getting revenge. Which, good news! A delinquent with a grudge against Kaguya gets possessed and attacks him, and we find out that Kaguya is actually a Battle Rabbit – which technically are supposed to defend the Earth but in actually seem to, as many of these titles are wont to do, stop people whose personal life problems are making them turn into monsters and heal them.

Despite the delinquent clearly being tsundere for our hero, the real BL tease comes in the 2nd half of the volume, when we meet Hijiri, leader of the Battle rabbits’ base on Earth. It turns out Kaguya is not only a Battle Rabbit but basically King Battle Rabbit, and thus everyone’s calling him “Young Master” and such in the best Little Lord Fountleroy-sama tradition. Hijiri meets him by putting a ring on his finger, uses mind control to get him to agree to fight as a Battle Rabbit for them, and later pops up in a dream literally in a wedding dress marrying him. So yeah, the authors (who have mushed their names together as a single pen name) know their audience. I’m less taken with Kaguya himself – I liked the idea that his need for revenge is just too emotional a reason to actually fight, but when he’s reluctant he’s far more generic. Oh yes, and Mao, the female Battle Rabbit, does the third-person speaking thing, for those who don’t like that style.

If you enjoy handsome guys looking cool and saving the day with a smile and a smirk, you should get a lot out of Battle rabbits. I’m not sure I’d be desperate to continue it, but as I said before, this series has a demographic and knows how to hit said demographic right in its sweet spot.