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Sean Gaffney

Bookshelf Briefs 10/15/18

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Bleach, Vol. 74 | By Tite Kubo | Viz Media – I have never actually reviewed Bleach as a brief… or indeed at all. I followed its periphery, keeping track of what was going on and trying not to be too invested. The final volume shows off many of its strengths and weaknesses… I enjoyed seeing Ichigo and Orihime fighting together, and the finale was sweet, but far too often the volume was Yhwach screaming “can’t you see your powers are USELESS against me!” like an MST3K villain. Still, say what you will about Bleach, it was always itself. It may feel like it was cancelled for not getting on with it (it probably was), but changing anything seems churlish. It’s that middle son who’s always a hot mess, who always gets forgiven. – Sean Gaffney

Dragon Half, Omnibus 2 | By Ryusuke Mita | Seven Seas – This continues to be a giant nostalgia trip, feeling very much like the sort of anime and manga that North America was getting in the early 1990s. Which it essentially is. Even the translation and adaptation feels like it’s a “dub,” and a good one like Shinesman. It’s not easy to analyze—aside from one or two heartwarming moments that last about one panel, it’s balls to the wall comedy every single page. But the comedy is ridiculous fun, with Mink shedding her skin and becoming stronger (and bustier), the villains still being 100% useless, and Lufa being 100% DTF. I think there’s one more omnibus to go, and theoretically this is coming to an ending, but the plot is irrelevant compared to the laughs. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 26 | By Yuto Tsukuda and Shun Saeki | Viz Media – Eventually, theoretically, this arc will end. But it’s not this volume, or indeed the one after that. That said, it is nice to see Soma punted to the side here so that we can focus on some of the other cast. Kuga has a grudge, and wants to make his name remembered—I suspect the name will be remembered but he’ll lose. As for Mimasaka, it’s quite interesting to see his stereotypical evil cheat powers used in the name of good. And then there’s Megishima, and though we find out why he’s helping Soma and company in this book, I have to admit I simply like Rindo more, and I hope that she pulls it off. So yes, a good volume, but pretty sure the bad guys are gonna win, which means… more tournament arc. – Sean Gaffney

Haikyu!!, Vol. 28 | By Haruichi Furudate | Viz Media – We are nearly caught up with Haikyu!!, which goes to “once every three months” starting with the new year. It’s been fun reading this volleyball title every week, and it helped me keep track of what’s going on better. The bout against Inarizaki takes up much of the second half, and is up to the usual high standards. I was also amused to see a hint of boy/girl romance in this book, as Ryunosuke’s childhood friend—there with her women’s volleyball team—clearly has a thing for him, but in the end, like a lot of shonen titles, she decides to emulate his SPORTS PASSION rather than confess. Besides, he’s still crushing on the manager (has she retired or not?). Haikyu!! is great fun. – Sean Gaffney

Himouto! Umaru-chan, Vol. 3 | By Sankakuhead | Seven Seas – We are reminded several times in this volume why the two siblings are the way they are—they’re very much on their own in the apartment. Here we learn their mother has passed away, and it seems there’s no father either. This explains a lot of Umaru’s immaturity, as well as Taihei’s tendency to let her do what she wants. I think I like the series best when it shows off the occasional sweet moment. Still, it’s because it’s occasional that it works so well—most of the time this series is content to rely on funny “Umaru is lazy” humor, such as accidentally screwing up the modem and having… NO INTERNET!… or forgetting about her New Year’s Resolution to be less slothful. Cute. – Sean Gaffney

How to Treat Magical Beasts: Mine and Master’s Medical Journal, Vol. 2 | By Kaziya | Seven Seas – There’s not much here beyond “heartwarming stories of a magical vet,” but sometimes that’s all you need, and if this is going to be manga’s equivalent of All Creatures Great and Small I’m content to be along for the ride. The chapters are named after either the magical beast or their ailment, and despite involving supernatural creatures manage to be rather educational—the discussion of rye bread was particularly fascinating. Ziska is cute, Niko is patient and caring, and you root for both of them, even as some of the situations prove to be a lot more difficult to solve than others. This is the sort of title that will run as long as the audience is there to enjoy its peaceful, relaxed mood, and I’m one of that audience. – Sean Gaffney

Natsume’s Book of Friends, Vol. 22 | By Yuki Midorikawa | VIZ Media – Twenty-two volumes in, and Natsume’s Book of Friends is just getting better and better. The first two stories involve Natsume’s classmates—first, the story of an inn beloved by good yokai where the staff forget to display the curtain to ward off bad yokai one night, and second, the story of a mysterious nightly visitor who uses Natsume’s face to befriend Nishimura—and seeing events from their perspective ramps up the creepy atmosphere tenfold. As if those weren’t enough, the final story involves Natsume meeting the first yokai whose name appears in the book and learning more about Reiko in the process. It’s a tale both melancholy and lovely and I loved it very much. The twenty-third volume only came out in Japan last month, so sadly we’ve probably got a long wait for our next installment. – Michelle Smith

New Game!, Vol. 3 | By Shotaro Tokuno | Seven Seas – There’s some workplace development here—with Kou’s promotion, Hifumi is also encouraged to take a step forward, which she does shyly and reluctantly. Kou and Aoba also manage to collaborate on a character design, after some brief but well done drama, and the game looks ridiculously cute. For the most part, though, this continues to be about a group of girls and their everyday life, the same as many of these 4-koma titles. I had honestly thought there would be more yuri, but it’s mostly invisible—Rin clearly as a thing for Kou, but there’s no forward movement there. If you enjoyed the anime, or just like this style of manga, it’s a good volume. Needs to have the cast holding hands and jumping in the air. – Sean Gaffney

To Your Eternity, Vol. 6 | By Yoshitoki Oima | Kodansha Comics – Every single volume of this series has managed to shatter my heart and the sixth is no exception. To Your Eternity remains a manga that is both astonishingly beautiful and incredibly devastating. Oima utilizes a fantastical narrative to explore deeply philosophical and existential themes. Even as an immortal, Fushi struggles to survive in a world full of death. Fushi continues to learn, grow, and evolve, but the process is an exceptionally painful one requiring difficult decisions to be made over and over. The sixth volume dramatically concludes the Jananda arc–on an island populated by exiled criminals, Fushi is forced yet again to confront the complexities of human morality and mortality. Yes, there are crushing losses, but along with the sadness comes some amount of hope. The strength of the relationships that Fushi develops with others is a shining, guiding light in a life frequently punctuated with darkness and tragedy. – Ash Brown

Pick of the Week: Loving the Demon

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SEAN: There’s nothing that screams BUY ME! this week, but there are some ongoing titles I quite like. I will go with the 3rd Dead Dead Demon’s Dededededdestruction as my pick, as it’s reliably excellent so far.

MICHELLE: I’ve already sung the praises of Giant Killing several times, but I continue to enjoy this seinen take on sports manga very much. It’s my pick this week.

KATE: I’m going to shill for Dead Dead Demon again, since it’s currently one of my favorite new series of 2018. For anyone who’s been on the fence about this title, I encourage you to give it a try; it’s dark and funny without ever tipping into misery porn, a la Goodnight Pun-Pun or The Girl on the Shore.

ANNA: I haven’t read Dead Dead Demon yet, but I’ve been stockpiling the volumes. I expect I will like it just as much as Kate does, so that’s my pick too!

ASH: Dead Dead Demon is absolutely worth picking up (and I certainly will be), but for me this week the series also has to contend with the newest Junji Ito manga to be released in English–Frankenstein.

The Promised Neverland, Vol. 6

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By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

For all that Ray insists that he’s not going to sacrifice his life at the end of the last volume, he is a small child running at full speed against a number of demons who are essentially horses in this scene. Sure, he’s rescued, but it was an impetuous thing to do. And of course there’s also Emma, who is almost literally working herself to death to get this escape on the road. So I really enjoyed the scene in this volume where Dona, Gilda and the other kids tear into the two of them for taking everything on themselves. The Grace Field kids are ALL smart – sure, Ray, Norman and Emma were the tip of the top, but they’re all bright lads and lasses who can see what’s really going on here. If you’re going to escape with everyone, everyone has to work as a unit and decide things as a unit. Which is good, as when they get to the map coordinates it’s a big bunch of nothing.

We also get a lot of answers this volume as to how this world works, and while Emma tries to paint it in as optimistic terms as she can, it’s not good news. They’re on the wrong side of a great divide, this has been going o0n for a thousand years, and I suspect if they do make it back to humanity, they may have to watch out for being killed there as well. Despite that, Emma is right, there is some hope. And honestly, we learn that being at their own farm was possibly the best place to be, given that most demons seem to eat the equivalent of fast food – which is to ay humans kept in tanks and barely cognitive, there to be eaten and forgotten. It’s a chilling sight. There’s also the demons who rescued them at the start, who seem to be “religious converts” but may be a lot more sinister than that. I wonder about them…

In the meantime, there’s a new area to explore, and to no one’s surprise, it’s not quite as barren as expected. Now they’re in an underground shelter, and meeting an actual adult human who… seems to be one of those “I am a jerk on the outside, but wait till you see my soft core” types. Sadly, he’s the cliffhanger, so we’ll have to wait for next time to see what his deal is. Ray and Emma are pretty good about having a healthy level of suspicion about their “saviors”, but also being willing to trust people. When you don’t have much choice, that’s where you are. I suspect that the next volume of The Promised Neverland will begin a new “arc”, but I also suspect it will involve a lot of almost getting captured and escaping, because that’s why we read the series. Well, that and seeing the kids be cute.

JK Haru Is a Sex Worker in Another World

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By Ko Hiratori. Released in Japan by Hayakawa Shoten. Released in North America by J-Novel Club. Translated by Emily Balistrieri.

Before I begin, let’s state the obvious: this book is for those over the age of eighteen. The review will not have strong language itself, but reader discretion is advised.

Wow. I didn’t know much about this going into it. When I first heard about the license, I thought it sounded absolutely dreadful, but I was assured that it was not actually meant to be a servicey title and that it would reward the patient and tolerant reader. The assurance was correct, as I am very grateful to have read this title, which I thought was excellent. That said, I know several people who started to read this and were unable to get past the first two sections or so, and I can understand why. The premise sounds like your standard isekai: two kids are run over by a truck and die, meet God, and the buy gets cheat powers because this is an adventuring isekai sort of world they’re going to be dropped in. Unfortunately, it’s also virulently misogynistic. The basic roles for adult women are slave, wife, or sex worker. Haru chooses the last.

What follows is Haru going about her daily life, which involves blunt descriptions of the sex work she does. Haru’s narration is one of the main reason to get the book, as she pulls no punches about the sort of life she has to lead. The boy she came from Japan with is an absolute creep, the sort of guy who thinks he would be doing Haru a favor by letting her become his maid. This is not, by the way, a book to read for those who want to be aroused by talk of sex. There IS a lot of talk of sex, but it’s not meant to arouse you in the slightest. There are several rape scenes throughout the book, and they are as horrible as you can imagine. Haru tends to “dull her emotions” a bit during them, but as a reader you’re still horrified. That said, you do also learn to enjoy the happier times in her life as well, such as tea with her colleagues and, in the most positive and fun chapter in the book, playing “Kick the Can” with a group of kids.

About 2/3 of the way through the book there is a spoiler, which I won’t disclose, but it does tie into the main plotline and also makes sense in terms of what’s come before. Aside from Haru and Chiba (the Japanese guy), the most interesting character to me was Kiyori, a pure Japanese priestess type who wants to go adventuring, but is not allowed to without a guy. Kiyori’s the only other one whose narrative perspective we get in the book (which is otherwise Haru’s), and you get the sense as you get to the end of the book that she’d much rather be in a relationship with Haru than with any of the horrible adventurer creeps who are trying to team up with her. Unfortunately, that is not a very likely option either because, as I said earlier, virulently misogynistic world.

There are a bunch of other things in the book I enjoyed, at times the writing is very subtle. (Discussion of a reincarnation made me smile a bit, especially given the plot that leads up to it.) It apparently was a polarizing book in Japan, though not so much for the explicit sex worker content as for being an isekai at all – this is a novel, not a light novel, and fans of the publisher were upset they sank to publishing one. It’s a novel that needs warnings before you read it, but I feel that overall it ends on a positive and forward-looking note. Indeed, it feels a bit open-ended, and the final short story implies the author has a lot more they’d like to write about. If you’re tired of the standard “hero goes to another world and gets superpowers and a harem of girls” stories, this is a grim yet well-told response to it.

Satoko and Nada, Vol. 1

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By Yupechika and Marie Nishimori. Released in Japan by Seikaisha, serialization ongoing on the online site Twi 4. Released in North America by Seven Seas. Translated by Jenny McKeon. Adapted by Lianne Sentar.

The premise of Satoko and Nada feels a bit fresher because it has an extra twist to it. When you see the series takes place at an American university, and features two roommates learning more about each other, you’d expect that one of them would be a stereotypical American. In fact, Nada is Saudi Arabian, and her new roommate Satoko is Japanese. Thus they’re not only learning about their own culture and personal foibles, but also learning about life as a foreign woman in America. It’s the sort of premise that works well as a 4-koma, as I think in extended chapters the lessons of “no matter what nationality, religion, or culture you are, you can still be friends” might be a bit didactic. Here each new strip resets things, and the result is a manga that’s light and funny while also making its aims very clear. And, if you’re just here to be entertained, Satoko and Nada does that as well.

A large number of these pages are typical “college roommate life” filtered though the culture of both women. We see Satoko gradually opening up and becoming more confident. It helps that Nada is the extrovert of the two, which also helps to show that the woman under the Niqab is not going to be the stereotype you’d expect. Satoko’s food is too bland, Nada’s food is too spicy. Satoko also seems to lack a sense of self-awareness at some points, leading to the one serious scene in the book where she accepts a ride with a sketchy guy and is thankfully rescued by Nada. Even on campus, America is not Japan (and it doesn’t seem they live on-campus, but in housing somewhere else.) Thankfully, most of the time the “life lessons” are more humorous, such as when Nada lectures Satoko about the different kinds of Muslim women and the outfits they wear, then berates her for an unfashionable dress.

The cast is fairly minimal. Nada has a few other Muslim friends, who sometimes come over for a “girls’ night out” and prove to be just as extroverted as Nada. Of course, this is just in comparison with the introverted Satoko – I do wonder how much of this story is based on real life experiences, as it can sometimes feel like a biographical comic with added punchlines. We also meet an American girl called Miracle (she apologizes for her parents’ “phase” when she was named), who’s a Christian church-goer, to add to the religious balance. (Satoko, as a typical Japanese woman, is technically Buddhist but in reality not all that religious, which leads to some amazement among her other friends.) I was also amused and sympathetic to Kevin, an American who’s trying to get a job teaching in Japan… but he’s Asian-American, and they only want Americans who “look white” to teach.

Satoko and Nada is not revolutionary, but I spent my time reading it with a smile on my face, and I did learn a thing or two as well. (Praying towards Mecca now has an app to help with the direction.) It’s something I’d recommend to any fan of slice-of-life manga, or those who enjoy seeing manga starring and about women.

Accel World: The End and the Beginning

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

The past coming back to haunt people is a running theme in Accel World. In real life, past trauma is how you get Incarnate attacks to use in the game. And events that have happened in the game have also had traumatic repercussions, particularly for Kuroyukihime and Haruyuki. Still, as our heroes continue to attempt to try to defeat the ISS kits, I was not prepared for the past to literally come back. Everyone’s still feeling out why this is happening, but in a meta way, I think part of it is that Reki Kawahara knows when he has a good idea, but then proceeds to come back to that good idea over and over again like a favorite toy until everyone else involved just wants to move on. In Sword Art Online that idea is Laughing Coffin, the Guild filled with player killers who have proved to be behind almost everything in the series. And in Accel World its’… well, that’s the cliffhanger ending, isn’t it? Is it a real cliffhanger if the reader groans?

This is another volume that is essentially one big fight, staying inside the Accelerated World as Haruyuki and company take on the Accelerated Research Society, which is not only destroying Ash Roller with its ISS kits but has also kidnapped Nico, planning to use her for some nefarious scheme. (Nico stays unconscious for 95% of the book, though thankfully she does at least wake up and get angry for the last few pages.) Our heroes divide into two groups of four, as half go after Nico’s kidnappers while the other half stay to try to get to an exit point to unplug Nico in the real world. Unfortunately, the kidnappers are very good at what they do, and the battle is mostly fought to a standstill throughout. Also unfortunately, the exit to the real world turns out to be inside a monster… a monster that is capable of a lot of awful stuff. And, as I noted before, bringing back bad memories. Literally.

This leads to the most interesting part of the book. The killing of Red Rider was sort of the spark of everything that happened in the series, and we’ve seen it in flashbacks a few times. Now we get to see Red Rider “return” as sort of a memory copy, and you can see why everyone was upset – he’s a nice guy, and seems like the shoujo hero of a book starring a shy, insecure girl. His presence, though, allows Kuroyukihime to show how she’s grown past who she used to be and has reforged her bonds, and found new ones. It’s cool to see, and the emotional beats on her side of the book are more satisfying. As for Haru and company, they get a lot less sympathetic memory copy to deal with. The first really nasty villain of Accel World is here to chew bubblegum and be snide, and he’s all out of bubblegum. Unfortunately, he’s just a memory copy, and so unable to control combining with Nico’s stolen equipment very well, which leads to… well, the cliffhanger I was carping about.

This is still a good volume of Accel World, particularly if you like action sequences. We still have more to go, as once again the arc is not finished. Will Nico be permanently depowered? Will our heroes save Ash Roller? Will Kawahara keep playing his Greatest Hits? Only one of these is certain.

Manga the Week of 10/17/18

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SEAN: Neither rain nor snow not gloom of night can stay Manga Bookshelf from looking at next weeks’ releases.

We start off with J-Novel Club, who have three new novels. An Archdemon’s Dilemma 2, Grimgar of Fantasy and Ash 11 (In which I hear things are all sunshine and rainbows forever), and I Saved Too Many Girls and Caused the Apocalypse 10, where our hero tries to deal with the world of theater.

Kodansha print? There’s Ghost in the Shell: Global Neural Network, with stories by Western writers based on the Japanese classic.

ASH: I really liked the Attack on Titan anthology, so I’m looking forward to this volume!

SEAN: Elsewhere in print, we have the Attack on Titan Season 3 Part 1 box set, Battle Angel Alita Deluxe Edition 5, Fire Force 12,and That Time I Got Reincarnated as a Slime 8, which everyone seems to like more than I do.

The digital debut this week is Tokyo Revengers. Its plot… sounds like Erased, only edgier and more Weekly Shonen Magazine oriented, to be honest.

ASH: I do get a kick out of it, but I’m even more interested in the Battle Angel Alita finale.

SEAN: And we have: Beauty Bunny 8. Cosplay Animal 8. DAYS 10. Giant Killing 14. And Perfect World 7. Can a few of these come out less often, please. ^^;; I need to catch up!

MICHELLE: DAYS and Giant Killing, as always.

SEAN: One Peace debuts The Reprise of the Spear Hero, a light novel spinoff of The Rising of the Shield Hero, which seems to be Re: Zero only with no actual deconstruction.

Seven Seas has a debut. It’s Fairy Tale Battle Royale (Otogibanashi Battle Royale), combining beloved children’s stories with blood-spattered survival horror. If ever there was an anti-Sean title, this is it. All it’s missing is “whoops, I spilled milk all over my face!”. It’s a Kadokawa title from Gene Pixiv.

There’s also an omnibus release of the first 3 Boogiepop novels.

ASH: I’m so happy to see these back in print!

SEAN: Ongoing series include 2nd volumes for How NOT to Summon a Demon Lord’s manga version, as well as twisted weirdness with The Voynich Hotel. There’s also a 3rd volume of the Kanna’s Daily Life spinoff from Miss Kobayashi’s Dragon Maid.

ASH: I still need to read the first volume of The Voynich Hotel. It seems like something I would appreciate.

ANNA: Oh yeah I was meaning to check it out too.

SEAN: Udon gives us an 8th volume of Persona 4.

Viz debuts a Junji Ito collection, this one featuring Frankenstein, among other things. A must for horror manga fans.

ASH: Yes!!

ANNA: Good stuff!!

SEAN: If you never read Tokyo Ghoul, there’s now a complete box set of the first series. And there’s also a 7th volume of Tokyo Ghoul: re.

Lastly, there’s a 3rd Dead Dead Demon’s Dededededestruction and a 4th Fire Punch. I prefer the former to the latter.

ASH: Same here.

ANNA: Also need to catch up with the former.

SEAN: Assuming you’re not affected by weather, what are you getting next week?

Ao Haru Ride, Vol. 1

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By Io Sakisaka. Released in Japan by Shueisha, serialized in the magazine Bessatsu Margaret (“Betsuma”). Released in North America by Viz Media. Translated by Emi Louie-Nishikawa.

This is a shoujo manga, so most of you should probably be unsurprised that it is about teenage kids in high school falling in love. Actually, it starts off in middle school where we meet our hero and heroine, who meet cute, work up to going on a date… and then he never shows up, and transfers soon after, and it all falls apart. It almost feels like a one-shot, but that would be far too bitter a pill, I think, so instead we jump forward to high school, where Futaba is now slightly more outgoing and “one of the girls” (though it’s clear that she’s forcing herself), Kou returns, only he too is different from the young boy he was, and seems uncomfortable with seeing Futaba once more. Or is it just that he’s uncomfortable with seeing the company Futaba is keeping?

High school is a difficult period, and many people are still finding out who they really want to be. This is especially true in Japan, where your high school cast can be completely different from the people you knew in middle school. Futaba is a “nice normal girl”, but high school being what it is, this means that she has to smile and nod while her friends pick on the ostracized girl for being too cute and attracting the attention of the guys too much. Honestly, even without Kou breaking in and saying that her friends are fake, this was not a friendship built on a strong foundation. It’s clear that the two other girls (who I suspect we may simply never see again) were also feeling uncomfortable with Futaba in the group, and were waiting for it to break up. I really liked that the author made it clear that even though the cliche is that this is what young girls are like, she got the idea from two guys working in an office. Twisting the cliche to use it for good.

Speaking of good, the highlight of this first volume is the relationship between Futaba and Kou. Even after they reunite and she realizes that he’s become incredibly moody, standoffidh, and, well, teenage boy-ey, the chemistry between them really resonates well. This was also true of Strobe Edge, Sakisaka’s previous series, which I also enjoye4d. Futaba is seeing working to try to improve and stay true to herself, at first befriending the bullied girl “on the sly”, then defending her despite what it costs her. As for Kou, clearly the issues surrounding his family’s split are going to be resonating through the volumes to come. Hopefully then we will also get more information on the bullied girl, who seems like a sweetie pie, as well as the standard shoujo ice queen with long black hair, who seems to have an overenthusiastic boy trying to get her to make friends.

In other words, this is just the start of a long ride, which fits in nicely with the title. Fans of shoujo romance should absolutely check this out, as it’s got interesting characters and a sweet nature to it.

The Irregular at Magic High School: Visitor Arc, Part 1

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Nothing quite says “The irregular at Magic High School” quite like introducing one of North American’s top magician agents, almost ungodly in her strength, speed, and power, and then having her get crushed by Tatsuya and Miyuki as a reminder that it’s their series. There are various “outs” given for Miyuki, as Tatsuya has to remove the limiter she has on him to let her fight with the strength to defeat Lina, and the occasional reminder that North America does have the occasional magic tech that Japan does not have (to Tatsuya’s irritation), but for the most part the first of this three-volume arc is meant to introduce a new girl and then show how she’s not QUITE as good as the dynamic duo. This is not something limited to this series, of course, it’s pretty standard in light novels/anime/manga. But there is a certain smugness in Irregular at Magic High School’s narration that makes it grate just a bit more.

As you can see by the cover, Lina is out new American transfer student, who is also not so secretly a soldier with the North American forces sent to Japan to try to find out who was responsible for what happened in Yokohama two volumes ago. She’s a terrible spy, as she herself admits, but she’s better as a supersoldier, complete with secret identity superhero costume, which helps her feel very “American”, along with her stubbornness and desire to see everything as a competition. It’s more of an exchange program, so we also see Shizuku leave the stage and go off to UC Berkeley for (I assume) the remainder of this arc. This is a shame, as I quite like Shizuku, and also with her gone Honoka does not get much to do except have a crush on Tatsuya. The plot is about a “vampire” who is killing magicians, though it turns out that it may be more than one.

Irregular at Magic High School is not at the point (and I don’t think it ever will be) where it can kill off one of its regulars to amp up the drama. But some drama is required, so Leo runs afoul of the ‘vampire’ folks and is hospitalized for the rest of the book, and it’s noted that without his monstrous (and bioengineered) constitution he’d likely be a lot more dead. This leads Erika to start prowling the streets as revenge for what happened. The relationship between Erika and Leo continues to be very odd – the rest of the group seems to treat them like they’re going to be a couple and are just in denial about it, but if that’s the case there’s a curious complete lack of romantic tension between them. We see Erika flush in embarrassment later on, but that’s when she gets her outfit torn to shreds in a fight and is showing off to Tatsuya and Mikihiko a bit more than she feels comfortable with.

The Irregular at Magic High School continues to be a series that’s easy to read but hard to like. At times it feels like, just like its main character, the author seems unable to write strong emotions beyond the surface. Still, this is just the first part of a long arc, and I’m hoping for stronger depth next time. Mahouka fans should enjoy this – or enjoy complaining about this.

Bookshelf Briefs 10/9/18

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The Ancient Magus’ Bride, Vol. 9 | By Kore Yamazaki | Seven Seas – Well, the author does indeed seem to be trying to establish Chise and Elias as a romantic couple after all. That said, she seems aware that there was a hideous power imbalance involved, and most of this volume involves Chise working independently to try to rescue Stella and deal with Cartaphilus and his long, long live and mountain of complexes. As for Elias, he has to figure out how to apologize and stop doing things for Chise’s own good—even if that does mean she runs him ragged. Their relationship is a lot more equal by the end of this book, and I’m less wary of it. And now we apparently enter a new arc! Oh yes, and since I haven’t said so in a while, the art is utterly gorgeous. – Sean Gaffney

Blue Exorcist, Vol. 20 | By Kazue Kato | Viz Media – We still don’t know Shiemi’s secret, but we’re getting closer to having Yukio and Rin learn their own secrets. Despite the fun of a Christmas party (which gets wiped out by one Rube Goldberg-esque flipover from Shiemi’s familiar) and Renzo’s infinite family relations, complete with wedding, the gravity of Yukio’s pain and rage envelops this volume. Rin knows something is wrong but can’t help. Shiemi tries to comfort but can’t. He’s taken off active duty because he’s a loose cannon. And finally, in a shockingly brutal scene, he shoots himself in the head. This being Blue Exorcist, he’s not actually killed, but it’s still hard to read. This is starting to get to a point where we need another release of tension soon. – Sean Gaffney

Fate/Zero, Vol. 7 | By Gen Urobuchi, Type-Moon, and Shinjiro | Dark Horse – Spoiling the cliffhanger from last volume, no, Tokiomi does not actually do anything. Instead, as you can see from the cover, we get a lot more of Caster and his master, though mercifully there’s slightly less (though still some) child murders and lots more philosophizing on the nature of God. Everyone’s taking stock of who they are—Waver feels useless, even when Rider tries to pep him up. Iris’ body is having issues that remind me of what happened to Shirou in some FSN arcs, and Archer spends a lot—a LOT—of time psychoanalyzing Kotomine. There is so much talking in this book that when Caster summons a Giant Sea Beast to destroy everything, it’s a mercy. Recommend for Fate fans. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 26 | By Yuto Tsukuda and Shun Saeki | VIZ Media – The team shokugeki between Central and the resistance continues. The resistance swept the first bout, eliminating three members of the opposing team, but in response Central has sent out their heavy hitters. Yukihira sits this round out as Kuga gets his opportunity for a rematch against Tsukasa (but is not too proud to accept help from a teammate) and we learn a little bit more about two uber-manly students whose individual specialties are ramen and sushi. This volume is somewhat more fanservicey than the series has been of late, which I don’t love, and ends on a cliffhanger as all six chefs participating in the second bout prepare to have their dishes judged, but it’s still fun. Too, I appreciate that there are now some truly impartial judges overseeing things. I’ll still be happy when this arc is over, though. – Michelle Smith

Golden Kamuy, Vol. 6 | By Satoru Noda | Viz Media – The first half of this book, which is essentially a horror-comedy set in a hotel with infinite winding corridors, is hilarious, if grotesque. It’s reminiscent of an English farce, with lots of opening and closing doors and people missing each other—at one point we get a cross-section of the hotel to show this off. The second half doubles down on the violence, though, as Hijikata’s group is trying to find tattooed skins and also help a young pregnant woman avoid being used as a hostage. It’s a letdown, but that’s only because the first half of the book was so much fun. It also lacks Sugimoto and Asirpa, who are still the best reasons to read the book. Very little cooking this time around, too. – Sean Gaffney

The Manga Cookbook, Vol. 3 | By The Manga University Culinary Institute and Ryo Katagiri | Japanime – The third volume in the Manga Cookbook series collects twenty-five or so recipes (depending on how one counts variations) described as Japanese fusion food. The various dishes, ranging from drinks to dinner to desserts, all incorporate ingredients and flavours from or inspired by Japan. The Manga Cookbook combines food with a little bit of fun. Each recipe is associated with a character that could have come straight out of a manga (mobile suit pirate, personal butler, class president, etc.) and is preceded by a one-page comic which introduces both the character and dish in a humorous fashion. The cookbook is intended to appeal to young adults and is largely suitable for beginning cooks–the fully-illustrated recipes aren’t overly complex but are still intriguing, ready substitutions are recommended for some of the ingredients that might be more difficult to find, and even I learned a few new tricks and techniques! – Ash Brown

Natsume’s Book of Friends, Vol. 22 | By Yuki Midorikawa | Viz Media – I love stories with Natsume, Tanuma, and Taki, as I’ve said about eighty times, and so was delighted to see a two-parter starting this volume off which has them visiting an inn with some old yokai documents, which turns out to be guarded by a yokai who loves the view. Like most Natsume stories, it’s beautifully told, and what seems bittersweet becomes sweet later on. Things turn sad later on, though, with a flashback to Reiko’s first victim in the Book of Names, and her reluctant bonding with a young high school girl who at first I thought was dying of some wasting disease but apparently not. Reiko is always going to be prickly and difficult, but seeing her compassion in spite of that is terrific. – Sean Gaffney

Takane & Hana, Vol. 5 | By Yuki Shiwasu | VIZ Media – Normally, I don’t read a manga and think, “Man, this needs to be an anime,” but I had that thought a few times during the opening chapters of this volume, which include some great scenes with Takane at Hana’s school festival. I was a little worried when a bratty cousin and clinging love rival are introduced one after another, but each scenario yields something valuable story-wise. In the former, Hana learns a little bit about Takane’s family situation and in the latter, she’s forced to finally say out loud that she likes him and, in the end, recognizes that the rival’s feelings are genuine, also. Too, kudos for a reasonably good handling of this rival’s secret, which is probably the best I’ve seen in manga so far. All in all, a thoroughly enjoyable volume. I hope Takane & Hana keeps going strong for a long time! – Michelle Smith

Eromanga-sensei, Vol. 1

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By Tsukasa Fushimi, rin, and Kanzakihiro. Released in Japan by ASCII Mediaworks, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Dark Horse Comics. Translated by Dinky Spatz.

I’m pretty sure most of my regular readers are surprised to see me reviewing this title at all. I do try to give most Vol. 1s a chance, but let’s face it, this is by the author of OreImo, which reminded fans that yes, incest ships CAN sometimes piss off a fanbase. It features another brother/sister romance combo, only they’re stepsiblings so it’s “safer”… but they’re also far younger. There’s an obnoxious princess-type rival, also very young. If I’m going to be honest, my favorite character in the first volume is the editor, and that’s half because she resembled Bazett from Fate. And of course the final indignity, I have to type “Translated by Dinky Spatz” with a straight face. Even the pseudonyms are mocking me. Now, with all of that said… if this IS your sort of thing, I see nothing wrong with reading it aside from the occasional “Christ, how old are they?”. It does its job.

The premise has a young high school writer, Masamune, trying to deal with the fact that his stepsister Sagiri hasn’t left her room in about a year. He brings her food and attempts to get her to leave the room, but no dice. He’s also dealing with the fact that he recently ended his light novel series and has to start another one, despite mediocre sales and a 4-chan style board that is tearing him apart. In fact, it turns out that the instigator of the online abuse is none other than his illustrator, who goes by the name Eromanga-sensei. I will now pause to see if the reader can guess the stunning plot twist. (pauses, sips tea) Yes, that’s right, the illustrator is none other than his shut-in sister. After discovering this, he slowly attempts to break her out of her shell, and she starts to open up to him, though her heavy tsundere personality is not really helping. Can he get her to school? Can he establish a familial bond. Or… something more?

Please God, not something more, though I know I’m likely fighting a losing battle there. In any case, I was not entirely grumpy. Masamune’s approach to getting Sagiri out of her room is respectful and subtle, and he seems a lot more “with it” than most protagonists of this sort. Nor does he have an immediately obvious little girl/little sister fetish, which is sadly refreshing in this genre. The classmate of Sagiri’s who goes to the house to try to get her into school takes a refuge in audacity that made me laugh in a horrible sort of way, and her solution on how to get Sagiri out of her room was dead on. And the ojou rival girl is also over the top in an amusing way, and I liked the way not-Bazett shut her down and threw her out when she grew too arrogant.

This is based on a light novel series, which mercifully is not licensed here. I think it may work better in manga format anyway. There is an audience for this sort of title, and if you are that audience, or enjoyed OreImo, then this is definitely a title worth picking up. It just hit all the wrong buttons for me.

Pick of the Week: Satoko and Nada

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MICHELLE: I am completely unable to resist a tale billed as “a charming tale of friendship between a Japanese woman and her Muslim roommate.” Slice-of-life hilarious adventures involving mutual respect? Yes, please!

SEAN: Same. Seven Seas has done wonders this year to make everyone sit up and pay attention to them, and this is one reason why. Satoko and Nada is definitely my pick this week.

ANNA: This sounds absolutely adorable. Looking forward to checking out Satoko and Nada.

ASH: As usual, there are a few things I’m interested in this week, but nothing else has quite captured my attention like the debut of Satoko and Nada! It should be a delight.

KATE: Ditto!

MJ: I was so determined to find something different and unpredictable to say here, but yeah. It’s Satoko and Nada for me too. All the way.

Strike the Blood, Vol. 10

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

I debated copying and pasting the start of my review of the 9th volume of Strike the Blood into this one, because the verses and chorus are the same. We get a new girl in peril, this time a Latin American girl (or the Strike the Blood equivalent) who is the titular Bride of the Dark God, and who gets mailed to Kojou in a suitcase to keep safe. She’s abusive and rude to Koujo, but gradually warms up to him after he keeps trying to save her life. Meanwhile, we get a new girl added to the “help Kojou summon a new Beast Vassal and regenerate to 100% health” rack, as Kanon (and Astarte, for added erotic appeal) allows him to drink her blood. And he and Yukina spend the entire book avowing that they aren’t boyfriend and girlfriend, while acting exactly like a couple would. There are no surprises, there is no ambition. It’s a predictable story, well told.

The cast is starting to get a little large and unwieldy, and so we winnow it down a bit for this book. Kojou and Nagisa’s dad takes Nagisa off for a shrine visit for the duration of the book, and Sayaka doesn’t even get mentioned, much less make an appearance. As for Asagi, who can’t actually leave the island, she ends up being locked in the computer room for her own safety, much to her annoyance. This allows Kanon and Astarte, who had not really done much at all lately, to make more of an impact. And then there’s Vattler, who sparks the plot here but doesn’t really show up till almost 2/3 of the way through the book. You get the sense he’s trying to be a trickster mentor to Kojou, putting him in life-or-death situations so that he can finally come into his own as the Fourth Primogenitor.

There’s also Celesta, the new girl I mentioned above. Her fury towards Kojou has a bit of the “Latin Spitfire” cliche to it, but she’s also the weak point of the book, as she’s a normal girl, so mostly exists to get into peril. Unlike a lot of the other heroines we’ve met in previous books, I’m not sure if we’ll actually end up seeing her again. Her peril does lead to some well-choreographed fights, though, and I expect that when this was animated it turned out quite well, given (as I’ve also said before) this reads like an anime novelization. She also resonates with Yukina in the “call Kojou a pervert” running gags, which are as tiresome as ever – I wouldn’t even mind the standard shonen jealous girl stuff if it were done well, but it’s tedious. The author is much better at drama than comedy, as most authors are.

So, in the end, Strike the Blood 10 doesn’t bring much new to the table. It’s a book to read if you’ve read the previous nine. But if you’ve read the previous nine, you won’t be too disappointed.

After the Rain, Vol. 1

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By Jun Mayuzuki. Released in Japan as “Koi wa Ameagari no You ni” in two separate volumes by Shogakukan, serialized in the magazine Big Comic Spirits. Released in North America by Vertical Comics. Translated by Jocelyne Allen.

In general, when reviewing manga that involves a relationship between a young girl and a much older guy, I have been pretty wary. This is because for the most part it’s either had the older guy be a replacement father who ends up with his adopted daughter, a trope I can’t stand, or the guy exists in a position of power over her, such as the classic student/teacher romances that litter shoujo manga. But After the Rain’s restaurant manager and waitress is not all that big of a power imbalance. In addition, the discomfort involved in such a relationship seems to be the point with this series – Masami is well aware that Akira is still only 17 years old, and that he is 45. What’s more, the audience sees that Akira is desperately searching for a purpose in life after an injury forced her to quit sports. Is this romance just a passing thing?

I’d mentioned that Akira’s face on the cover reminded me a lot of School Rumble’s Yakumo. It gets even worse when I read the series itself, as Masami is a very close match to Captain Goto from Patlabor. It feels a but like I’m reading someone’s AU crossover fanfic. That said, behind the character designs is some very pretty art and deft panel work, and you can see why this title won awards when it was coming out in Japan. Akira starts off dealing with her crush and trying to hide it, but resolves herself to confessing fairly quickly – especially for a series like this. That leaves the latter half of this omnibus for us to see how Masami (entirely referred to as “Boss” throughout by Akira, in case you wanted the power imbalance shoved in your face) deals with it – as he is very well aware what the world would think. That said, he’s not exactly unattracted to Akura either.

The audience is helped by Akira’s other romantic options, which range from pathetic (her hopeless male classmate) to loathsome (the playboy chef, who blackmails her into going on a date with him, smugly creeps on her throughout fully knowing she dislikes it, and straight up says that he feels that her love for the manager is not going to work out. The fact that he’s likely right about the last one is particularly galling, and nicely sets up the audience to root for the couple despite the age difference – we want them to prove this smug ass wrong. Unfortunately, I really don’t think Akira is in a position where romance is good for her right now. A scene where she sees her track friends running and having fun, and flees in raw shame and self-hatred when they try to resume their friendship – shows she’s in a very delicate place now. I think Masami knows this – so what does he plan to do about it?

We’ve got four more omnibuses to go, so I think the drama will play out for a while to come. What’s more, this apparently was made into an anime at some point, so I think most readers are well ahead of me in knowing what happens. Still, this was good solid seinen drama, deftly handling an uncomfortable subject. I want to see what happens next.

Sword Art Online Alternative: Gun Gale Online: Second Squad Jam: Start

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

If you read the first volume of this series and thought “I’m here to read deep characterization and cool gun battles, and I’m all out of deep characterization”, then I’ve got some good news for you. Now, there is some attempt at character, which I’ll get into later on, but for the most part you are not here to see what makes Pitohui tick or reading about Llenn’s desire to save her. You are here to read about guns, and fights, and gunfights. And in this regard, the Second Squad Jam offers just what the first did, and does a very good job of it. There may be a few too many long descriptions of makes and models for my taste, but the concept and strategy of what’s going on here is top notch. You can tell this is the main thing Sigsawa wants to write – in fact, he wrote so much of it that this is a two-parter, with the second half due out early next year.

On the cover we see Llenn with a new partner, Fukaziroh, who is Karen’s real-life best friend Miyu. Miyu is not meant, so far, to have much depth. She is in this book to be FUN, and she succeeds admirably. She’s bubbly, extroverted, acts before thinking, and is also hellaciously strong in game, so is a good contrast to Llenn’s speed and agility. Llenn’s former partner, M, can’t pair up with her as he is pairing up with Pitohui, and this Squad Jam is – stop me if you’re surprised in a SAO title – a matter of life or death for the both of them. Why that is has a lot to do with Pitohui’s twisted personality, and also a lot to do with the original Sword Art Online, which Pitohui was not involved with – in fact, that’s the problem. This is handled pretty well, though if I hear yet another thing tying into Laughing Coffin again I may scream. M has a plan to fix things, though we don’t hear the specifics, for the sake of suspense.

These are not the only returning characters, of course. The squad of huge muscular women who turned out to be cute Japanese schoolgirls is back, and anxious to have a rematch with Llenn. That may have to wait, though, as Llenn is on a direct course to confront Pitohui, who we finally see in action, and it is both amazing and terrifying. She’s sort of broken, but the fact that this really IS just a game means that her cruelty and callousness comes off merely as cool rather than as any form of sociopathy. We also see the paramilitary unit, as well as the machine gun idiots. Now that we’ve gotten the plot out of the way, I expect the back half of this two-parter to be incredibly cool fights from beginning to end. As this is the first volume, there’s a lot of necessary setup that gets in the way.

Still, this is frothy fun. It’s never going to win awards for depth or emotion, but if you need a light novel equivalent of Pixy Stix, then by all means this SAO spinoff is absolutely the title for you.