Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Sword Art Online: Hollow Realization, Vol. 1

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By Tomo Hirokawa, based on the series created by Reki Kawahara. Released in Japan by ASCII Mediaworks, serialization ongoing in the magazine Dengeki Maoh. Released in North America by Yen Press. Translated by Stephen Paul.

Fair warning, this review contains spoilers for the video game Sword Art Online: Hollow Realization. And while the average reader may be staring at their screen now and saying “DUR!”, believe me, they came as a surprise to me. I have not played any of the SAO games, but assumed that this adaptation would not really have a lot of barriers to me picking it up and just reading it. And that’s… somewhat true? The main issue being when all the other girls in Kirito’s life start showing up. There’s our usual main harem, but then I ran into a girl who I was pretty sure died tragically in one of the prior books, and Yui’s little sister, and a sysadmin helping the group, and… I had to run crying to the Sword Art Online wiki. Not a pretty sight. So yes, for readers of the manga who have NOT played the game (and its prequels)? You will be confused.

The premise is that Kirito and company are beta testing a new version of SAO based off the original game… but without the ‘trapped and dying’ parts. They immediately run into a few NPCs, including one who appears to be more of a blank slate than you’d expect, particularly as the NPCs here are more lifelike and real than had been seen in SAO previously (let’s leave Kizmel to the side for the moment). Asuna names the NPC Premiere, and we begin to watch her slowly develop wants and needs, such as the desire to protect herself. And she certainly needs to protect herself too, as players are going around killing NPCs for their stuff… and the NPCs don’t return afterwards. Can our heroes help Premiere achieve sentience while also stopping the ‘it’s just a game’ PCs and a creepy swordsman named Genesis?

The concept of NPCs being more than what they seem is something SAO (and indeed many other ‘trapped in a game world’ series) has come back to many times, especially since Kawahara began the “Progressive” series. In fact, one of the very first SAO doujinshi the author wrote, back when it was still a webnovel, featured Kirito and Asuna arguing over whether it was OK to sacrifice NPCs in order to clear a level. Clearly the story is meant to have us rooting for Premiere and her fellow non-players, and I’m fine with that – she’s cute and likeable without being overly cloying. As for the rest of the cast, they all show up, but mostly it’s the Kirito and Asuna show, which is fine by me – there’s lots of “they’re so in love with each other” interaction that makes Lisbeth and company a bit ill. (Quiet, Liz, the artist was very kind to you.) And as I indicated there’s a few extra girls who also show up here, and if Mother’s Rosario left you wishing that it could have gone differently… you might want to check this out, though you’ll be whistling for explanations – “buy Lost Song” is apparently the answer.

Overall, this is a fun tie-in manga that I suspect will appeal more to those familiar with the game, though (as I’ve shown) you can read it without any game knowledge and just be slightly confused.

No Game No Life, Vol. 7

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By Yuu Kamiya. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Daniel Komen.

Until I read the afterword of this volume, I was going to comment a lot on how this volume’s release was delayed, I believe, four times, to the point where I’ve forgotten almost everything that came before it. But the afterword indicates that it was delayed in Japan the exact same number of months, which made me suspicious and wonder if it was delayed here deliberately. Probably not, but given the nature of this series, you can never be too paranoid. Things are not helped on the “remember what happened previously” end by the fact that Volume 6 was a flashback, and also the best volume in the series, which Kamiya sheepishly agrees with – he had writer’s block trying to top it. Sadly, I don’t think he did here, as this 7th volume of NGNL is bout 3/4 irritating and wordy faffing about, and it only really picks up towards the end. That said, if the ending is doing what I think it’s doing, the 8th volume may be much better. It’s out in February. Theoretically.

We start off in media res, which is a difficult thing to pull off for a normal writer, and even more difficult when you’re this writer, who tends to expound about eight times more than is necessary. Sora, Shiro and the rest of the cast have apparently agreed to play a game against an Old Deus, with the shrine Maiden’s life at stake. This surprises them, as they have no memory of having agreed to the game. It’s a dice game with complicated rules, which Sora says is based on a game from Earth but which I was mostly blank on. Much of the volume is spent with our heroes (and Steph, who sadly is reduced to a cliche here) whining and being creepily fetishistic as the dice board is the same size as the world, which is to say it takes days to travel across spaces. And they also gain or lose age depending on the dice they have, meaning a lot of 2-year-old Steph here. And when you arrive at a space, you have to do a task that another player has assigned, which can be very difficult and dangerous.

I’ve talked a bit about the translation before. I don’t think it’s the worst thing ever, like some NGNL fans do, but it’s not doing the prose any favors either. Kamiya, as I said earlier, tends to expound a lot, and Sora and Shiro also speak in a jaded gamer sort of way. Add to that the fact that, unlike a lot of other translations, there’s very little “Sora said” or “Steph replied” added to the text to help the reader, and you get a book that feels like a slog much of the time. Thankfully, this changes towards the end, when we see a) Plum trying to become a full-time villain in the real world, and b) Jibril challenging [ ] to a game where SOMEONE is going to have to die. Actually, the nature of the game she’s challenging them to intrigues me quite a bit, and I’m interested in seeing how it’s handled.

Unfortunately, looking forward to Vol. 8 does not make Vol. 7 better. Kamiya was right in his afterword, this is a step down from the previous book. Still, if you enjoye NGNL, you’ll need to read it anyway.

Bookshelf Briefs 11/6/18

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Ace of the Diamond, Vol. 16 | By Yuji Terajima | Kodansha Comics (digitals only) – It’s the semifinals of the Tokyo preliminaries and Sawamura’s middle school friends have come to watch him play. He’s hung up on the previous game, during which he was replaced mid-inning after he fell apart after giving up a home run, but this time he manages to keep it together and Seido advances to the finals. I enjoyed his former classmates noting how he has both changed and hasn’t changed, especially as talking to them prompts him to declare that he loves and respects his teammates and wishes he could play with them forever. Mono no aware at its finest! Next, we’re introduced to the two teams competing to be Seido’s opponent in the finals and Terajima-sensei expertly manipulates me into desperately hoping one of them comes out on top. Alas, I suspect they won’t. I love this series. – Michelle Smith

Anonymous Noise, Vol. 11 | By Ryoko Fukuyama | VIZ Media – It’s the last show of In No Hurry’s tour and Twitter is abuzz with a rumor about Cheshire’s true identity. To counteract this, Silent Black Kitty joins In No Hurry on stage whereupon Yuzu and Momo seemingly have a guitar battle for Nino’s affections. A kiss from Momo throws Nino into a tizzy, but she calms down with Yuzu’s help, which foreshadows later developments, wherein during an intense moment with Momo (requited love, hooray!) she’s longing to sing Yuzu’s music. I like this dynamic—she loves one boy and is super-grateful to the other one who gives her an outlet for these intense emotions—but must say Fukuyama does better at depicting the frenetic energy of concerts that interpersonal drama. It’s big moment after big moment and I find myself longing to spend some more time with Yuzu and his bitter feelings. Oh, well. – Michelle Smith

Dead Dead Demon’s Dededede Destruction, Vol. 3 | By Inio Asano | Viz Media – I noted how much fun the second volume of Dead Dead Demon was, and while there are a few jokes here and there in this third volume, it mostly serves to remind you that this is still being written by Inio Asano. Fortunately, the book maintains its high level of writing and characterization even as things get more bleak and tearjerking, including one major event that I will endeavor to dance around in this review. That said, we are moving forward, as the girls have now graduated (though both our leads failed to get into college), and there’s also a narrative foreshadowing that implies that the friendship that the readers are enjoying may be fractured sooner rather than later. Fantastic, but the fun’s over. – Sean Gaffney

Grand Blue Dreaming, Vol. 2 | By Kenji Inoue and Kimitake Yoshioka | Kodansha Comics – Although partying and boozing remain a prominent part of Grand Blue Dreaming, they have been (ever so slightly) toned down in the second volume when compared to the first. Notably, the second volume’s opening devotes a little more time to the series’ other primary subject matter—diving. Iori didn’t really intend to join the Izu University diving club but, like it or not, he’s been roped into the group. Despite not knowing how to swim, Iori slowly becomes more comfortable in the water as he learns more about diving, his upperclassmen assuring him that swimming ability isn’t technically required. However, it doesn’t take long for college antics and club hazing, drunken and otherwise, to return to the forefront of the manga. (Oh, and copious amounts of male nudity.) Grand Blue Dreaming can be pretty ridiculous at times with most but certainly not all of the absurdity resulting from alcohol-infused revelry. – Ash Brown

Heaven’s Design Team, Vol. 2 | By Hebi-Zou, Tsuta Suzuki, and Tarako | Kodansha Comics (digital only) – In the vein of Cells at Work!, Heaven’s Design Team depicts the biological processes of evolution as a workplace, complete with angels who relay God’s sometimes random requests (like for stripey animals or a species whose males produce milk for their young) to a staff of designers, each with their particular specialties. It’s not a bad series, but the format grows repetitive and dull even before the end of the first volume, which isn’t a good sign. Thankfully, there’s a bit of variance halfway through this second volume, as the designers go on vacation and then (briefly) have a mystery to solve, but then it’s back to the usual. I’m a little bit intrigued by the sudden downfall of one of the angels at the end of the volume, but I’m not sure that’s enough to compel me to return. – Michelle Smith

Spirit Circle, Vol. 5 | By Satoshi Mizukami | Seven Seas – Last time I asked where this was going, and boy, do we find out in this volume. Well, the second half of this volume. First we get a cute, fluffy, gender-reversed life that leaves Fuuta more puzzled than anything else, and he and Kouko go on what is essentially a date so that she can kill him with no hesitation. But why is she SO intent on killing him? Well, we finally get a flash to the Fortuna life, which features the origin of East and Rune, and looks to be just as slice-of-life but unassuming as all the other lives… until you get to the (spoilers go here). Not going to lie, the last quarter of this book makes your jaw drop, and while I don’t want to see Fuuta dead, I absolutely see why Kouko wants to kill him now. Fantastic. – Sean Gaffney

Mob Psycho 100, Vol. 1

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By ONE. Released in Japan by Shogakukan, serialization ongoing in the magazine Ura Sunday. Released in North America by Dark Horse Comics. Translated by Kumar Sivasubramanian.

Most folks likely first heard of the manga artist ONE via the series One-Punch Man, which was originally a webcomic (as is Mob Psycho 100) that was picked up by Shueisha. Shueisha, however, realized that it could sell better with an artist with, shall we say, a bit more technique than ONE, and so Yuusuke Murata does the art, though you can see traces of ONE’s style in Saitama and Tatsumaki. Needless to say, One-Punch Man was a success. But there are other series that ONE has written as webcomics, including this one, about a young man who has an average presence but also super psychic powers. This also became big enough in Japan to have an anime, and now we’re getting the manga over here. And in this case, there’s no other artist – ONE’s art is here in all its glory. Sometimes it helps the story/humor immensely, but I will admit at times I felt like I really wanted Murata to be drawing this.

Our hero… arrives on the scene after a bit of a fakeout, as we’re first introduced to Reigen, a supposed spirit medium and exorcist who actually functions more as comedy relief than anything else. This lowly assistant, Shigeo (the ‘Mob’ of the title, referring to his looks being the sort you’d see in a ‘crowd mob’ drawing) is the one with the actual powers. When he’s not helping Reigen with his exorcist work, he’s a “normal” high school student with a crush on a girl (who barely appears) and one of the few people not in a club. This jumpstarts the plot, as the Telepathy Club is desperate for members to avoid getting shut down, and sets their sights on Shigeo. He’s not interested, but ends up dragged in anyway. Even worse, he also ends up being targeted by a group of religious cultists.

For the most part, this is meant to be a funny manga with the plot as an excuse for bizarre reactions and gags, and it succeeds quite well. It definitely picks up in the 2nd half, though, when Shigeo faces the religious cult that forces laughter on people. This leads to the other half of the title, which is the ‘Psycho 100″ part. Shigeo is a very laid-back, mellow sort of guy, but that’s because he’s repressing his emotions. When he hits ‘100%”, he explodes with rage, easily the highlight of the book, and one where the sketchiness of ONE’s art pays off. Unfortunately, sometimes ONE’s art simply looks poor. I realize that’s its charm point, but the flat faces on many of the characters tend to lead me to flat emotions when I think about them, regardless of what they say. I wonder if this is a series that works better in animated form.

Despite those misgivings, this is a very good start to a series, and it’s refreshing to actually have one of the ‘psychic’ manga that used to be omnipresent in Japan but rarely came over here licensed. I look forward to more of Shigeo’s flat, dead face and hope he can keep his rage in check… well, OK, no I don’t. I want more rage.

Pick of the Week: We Enjoy Wide Variety

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ASH: For me, it’s a shonen sort of week. In addition to a number of ongoing series from Viz that I’m following (JoJo’s Bizarre Adventure, Haikyuu!, and so on) there’s also the new one-shot That Time I Got Reincarnated as Yamcha which looks like it should be a ridiculous amount of fun.

KATE: As hard as it may be for me to say this… I’m not really jazzed about anything arriving in stores on Wednesday. I think this is going to be a tackle-the-stack week for me. But that’s OK — I have new volumes of Dead Dead Demon, Again!!, The Promised Neverland, and Silver Spoon on my nightstand, as well as a pristine copy of My Favorite Thing Is Monsters that begs to be read.

ANNA: I thought the first volume of Shortcake Cake was super adorable, so volume 2 is my pick this week.

SEAN: I’m still greatly enjoying Kaguya-sama: Love Is War, a very funny take on two overly intellectual nerds and their attempts to understand love. I’ll make that my pick this week.

MICHELLE: I’m looking forward to more Haikyu!! and to checking out Shortcake Cake, but it’s gotta be Chihayafuru for me!

Re: ZERO ~Starting Life in Another World~, Vol. 8

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Jeremiah Borque.

This arc continues to be very long, with most of this volume involved with trying to destroy the Witch Cult of Sloth, which proves, unsurprisingly, to be very difficult. It doesn’t seem that way at first – Petelgeuse is taken out with apparent ease, to the point where Subaru is naturally thinking “when is the other shoe going to drop? – but as we get further into the story and the Witch Cultists get more and more insane/clever/both, we start to have lives being lost. None of the named characters, mind, but it upsets Subaru nevertheless, as he feels that this time the deaths are directly attributable to his asking them to help him. Actually, this is a very good volume for Subaru watchers – even though he’s on an upswing and not doing stupid things too much, he’s still having trouble with Julius (Ferris notes his apology in the last book was half-assed) and with Emilia (who shows up to save the day towards the end here, but there’s no joyous reunion as of yet.

The cover and color illustrations feature Felt and Reinhard, and at first I wondered if my copy of the book was missing a scene, as they’re not actually IN the book – what you see in the color illustration is what you get. Instead we have the vast we had at the end of the last book, trying to destroy the Witch Cultists and doing lots of cool things. This includes Wilhelm, who is awesome but very injured by the end of the book; Ferris, who is desperately trying to save lives, even of the enemy, and having very little luck; and Julius, who proves to be an excellent combatant and can control spirits, which is of great benefit to Subaru when they save his life. Subaru’s plan is pretty good, though it ends up having one major flaw, which is that the Witch Cult is EVERYWHERE, even among people Subaru assumed were allies.

As for Petelgeuse, as I noted, he is seemingly killed off early on, but appearances can be deceiving. Indeed, the very nature of the Archbishop of Sloth proves to be somewhat elusive until the very end of the book, when Subaru realizes what is going on and flees (this is why we get no warm reunion with Emilia). This leads to the climax of the book, which has something I was not expecting. I have to assume that there’s going to be a new “reset point” and that we’re not going to have to do the entire White Whale battle again, but it’s ironic that just as Subaru is learning the fragile nature of life, his overpowered ability to avoid death has to be the solution. That said, I’m fairly certain the next volume is the final one in this book. Will he fix things? Will he reconcile with Emilia? And what of Rem, entirely absent from this book?

This was a solid volume of Re: Zero, with a lot of action, and Subaru still being less annoying than he has been. I’m looking forward to more.

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 12

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By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by Softbank Creative. Released in North America by Yen On. Translated by Winifred Bird.

It stands to reason that over the course of a well-written series, you’d expect the characters to grow and change. That said, it’s rare we get such a direct look as we do here. This entire volume of DanMachi is about Bell and his familia’s growth over the course of the last eleven books, and it underlines several times how they’ve matured and are growing up, even if they may not be aware of it themselves. Sometimes the growth is mental, sometimes physical, and sometimes both, but these are not the same people that we met in the first book. It helps that this book is also a pure dungeon crawl, the first in a very long time, and that they face off against a very clever Irregular monster – not one of the Xenos that we’ve gotten to know in the last few books (and we meet another one here), just a monster who was smarter than his brethren, and then started to eat their cores, and now is smart *and* evil.

Bell and Lilly are on the cover, and it’s appropriate that this growth metaphor focuses the most on them. Bell’s has been easier to see in terms of battle prowess, but now we see how he’s matured as a person as well. His “mind has caught up with his body”, as Mikoto puts it, and this has made him a more capable adventurer. That said, he’s still Bell, much to Lilly’s relief, as she worried he was getting too far ahead of everyone else. As for Lilly, she’s learning more how to be a leader, being trained by Daphne here and also imagining a Finn in her head that she strives to be like. (The real Finn does not always match the Finn in Lilly’s head, and I wonder if she knows that his last-minute plan is basically “make myself lose control and go nuts”?) She’s also dealing with abandonment issues, both not wanting to be forsaken by the man she loves and also when she’s told to abandon the injured in her party and escape and seriously considers it. Her maturity is in realizing that’s the most sensible plan… but not doing it.

We meet another Xenos here, a mermaid who seems nice and sweet and has already fallen for Bell, and I suspect we’ll see her again in the future. (I am grateful to the author forgetting her farewell confession to Bell out of the way BEFORE Lilly and the rest arrive – it’s a heartwarming scene that did not need a jealous harem added to it.) We also see that Hestia’s group is now a D group, meaning they have to accept missions from the main office. This first mission was “conquer a new floor”, basically, and it’s implied they failed as they got derailed by this nightmare of a monster, though I’d argue the fact that they took it out should work in their favor. That said, it looks like the next volume may be a murder mystery more than a dungeon crawl, judging by that cliffhanger.

I’m in danger of sounding like a broken record, but DanMachi is simply very well written, and benefits well from being confined to a single volume for once. Any fan of fantasy light novels should have it at the front of their queue.

High School Prodigies Have It Easy Even in Another World!, Vol. 1

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By Riku Misora, Sacraneco and Kotaro Yamada. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by Square Enix, serialization ongoing in the magazine Young Gangan. Released in North America by Yen Press. Translated by Caleb D. Cook.

I’ve talked before about whether we’ve reached isekai critical mass in terms of the sheer number of titles. If you went by message boards and forums, you’d think the trend was long over and that fans were desperate for something else. But from what I understand, sales don’t really support that – in fact, they seem to support the opposite, and it’s “anything but isekai” that is suffering. That said, I certainly understand feeling a little burned out by the variations on a theme. This new title, based on a light novel (unlicensed here in North America) hits a lot of the standard fantasy isekai buttons, and reminds me quite a bit of Realist Hero. But the very title itself implies that there will be a minimal amount of conflict, and warns the reader in advance that these are not your “average harem hero” isekai students – they’re top tier. OP is what they have for morning coffee.

We’re briefly introduced to the titular group in their own element – seven teen geniuses who between them control most of Japan. They also all know each other from school, which is why they’re all together on a plane that has a fateful plane crash. When they wake up, they’re in another world, with magic and dragons and overendowed elf girls like the one on the cover, who is absolutely not one of the teen geniuses, but she’s cute, right? They’re not sure if they can get back, but looking around at the poor farming village and the folks who saved them from the wreckage, they are sure they can do something to repay them by bettering their life. But they’ll have to deal with tributes to the local lord, and bandits, and merchants who control the economy, and (inevitably) slavery. Can they turn things in their favor? Easily.

As you’d expect in a series supposedly starring seven kids, not all of them get focus here. Also unsurprisingly, it’s two of the guys who get the bulk of it in this first volume. Tsukasa is Japan’s prime minister (yes, he’s still in high school) and seems the “sensible yet compassionate bishonen” sort, and is also clearly being romantically paired with the elf girl, as if the “I’ll feed you by mouth” wasn’t obvious enough. There’s also Masato, a genius businessman who’s the perfect person to help the village sell their wares and not knuckle under to gougers. They’re both likeable types, but they’re also very obviously types, not people yet. As for the others, the only other one who makes an impact is Shinobu, the reporter/ninja girl who’s there to be perky (and also punish Masato when he reveals she isn’t a virgin, in a tired gag that is nevertheless the best gag in the book). This is very much a first volume, and we’re waiting for more depth.

I suspect I might have enjoyed this more in prose, but it’s all right. If you’re looking for another isekai with cute girls, this is perfectly serviceable. But like its premise, it promises absolutely nothing to the reader who dislikes overpowered heroes who cruise through everything. That is what these kids are. But they invent mayonnaise, so we’re good.

Manga the Week of 11/7/18

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SEAN: It is election week, and I urge everyone in the United States to please go vote. Meanwhile, on the manga front…

Cross Infinite World has another series, this one apparently from some creators who’ve also done Final Fantasy. emeth: Island of Golems is the title, and the e is small, e.e. cummings style.

Ghost Ship has a 5th Yokai Girls.

J-Novel Club continues to dole out light novels for the hungry fan, as we see Demon King Daimaou 8, Invaders of the Rokujouma!? 17, and The Master of Ragnarok and Blesser of Einherjar 4.

Kodansha is in something of a state of flux – its site’s release dates are not matching Amazon’s, and there have been some schedule slips. But we definitely get the debut of Hiro Mashima’s new manga next week, Eden’s Zero. It’s hard not to make the “Fairy Taiiiil… iiinnnnn SPAAAAAAACCCCEEE!!!!” joke here.

ASH: Ha!

SEAN: Other print titles are Boarding School Juliet 2 and Persona Q: Shadow of the Labyrinth Side: P4 Volume 4 (it hurts me typing that title).

ASH: It does hurt, but it’s a fun series for Persona fans.

SEAN: Digitally we debut Can I Kiss You Every Day?, a Betsufure title whose synopsis, alas, sounds incredibly similar to a lot of other shoujo digital-only titles we’ve seen recently.

MICHELLE: That synopsis earns a hard pass from me.

SEAN: And there’s also Can You Just Die, My Darling? 6, Chihayafuru 12 (yay!), My Boy in Blue 4, and Peach Girl Next 3.

MICHELLE: Yay, indeed!

ANNA: Yes!!!

SEAN: Seven Seas has no debuts, but they do have several of their ongoing series. There’s The Bride and the Exorcist Knight 2, The Dungeon of Black Company 2, Miss Kobayashi’s Dragon Maid 7, Sorry for My Familiar 3, and The Testament of Sister New Devil STORM!! 5.

Though release dates on Amazon for Tokyopop are even more fluid than they are for Kodansha, there is apparently a 2nd Futaribeya out next week.

For those who missed the two-volume Summer Wars manga, Vertical Comics is releasing it as an omnibus.

Viz’s debut combines two incredibly popular trends: Dragon Ball and reincarnated into another world stories. That Time I Got Reincarnated as Yamcha is exactly what it sounds like, which is to say silly.

ASH: This is supposed to be fantastic.

ANNA: Sometimes very silly is a good thing.

MJ: I’m down for this.

SEAN: Some excellent ongoing series. On the shonen side, we have Black Clover 13, Black Torch 2, the 3rd Bleach Box Set (not sure if it’s black or not), the 3rd Demon Slayer, a 2nd Dr. STONE, a 29th Haikyu!!, the 9th JoJo’s Bizarre Adventure: Stardust Crusaders hardcover, an 88th One Piece, and the 4th volume in Yu-Gi-Oh: Arc V.

MICHELLE: I need to check out Dr. STONE.

ASH: Oh yes, there’re some great series in there!

ANNA: I enjoyed the first volume of Dr. STONE.

SEAN: On the shoujo side, we see Anonymous Noise 11, Idol Dreams 5, and Shortcake Cake 2.

MICHELLE: I also need to check out Shortcake Cake.

ASH: The first volume was quite enjoyable!

ANNA: Shortcake Cake is super cute, and I enjoy Idol Dreams.

SEAN: And on the ‘seinen marketed as shonen’ side, we have Kaguya-sama: Love Is War 5.

Did you vote? And what did you buy?

MICHELLE: Last Friday! And I got a sticker!

Kokoro Connect: Kizu Random

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

The current fashion in North American releases seems to be not to translate something if it’s already better known to fans by the Japanese. I suspect that’s why we see each subtitle in the Kokoro Connect series this way: Hito Random meant Random People, which fits well with the bodyswapping nature of the book. Now we have Kizu Random, which I personally think might have had a greater impact were it translated, as it means Random Wounds. Likewise, due to the nature of the bodyswap, the first book out of necessity had to keep the group as mostly a tight-knit group of friends. This book, however, is darker in tone, and shows how easily such friendships can be sabotaged – mostly by overthinking things, or self-loathing, or any number of details that add up to “we are teenagers”. Indeed, what Heartseed is doing is something I think ideally suited for teenagers, who are going through this kind of thing anyway, and you could argue it’s just helping them along. Of course, you could also argue Heartseed is a sadistic jerk.

A couple of weeks after the events of the first book, our five heroes are told by the alien that is toying with them that they’re going to have moments where they suddenly lose control of their emotions and desires and act on them. Having experienced this sort of thing before, and not looking forward to it at all (mostly as she was the first to be affected, stripping and getting on top of Taichi in the clubroom), Inaba convinces the others that they can get through this as long as they keep an even emotional keel and just try really hard. That… doesn’t work, and soon Yui’s beating up delinquents (which causes her to shut herself at home), Taichi has a lot more desire to “save” people than he normally does (which is amusing, given it’s quite high to begin with), and Inaba is forced to deal with a fact that she’s been avoiding for quite some time. Friendships can be fragile, especially at this time of your life, and by halfway through the book no one is speaking to anyone.

The strengths of this book are once again the writing of the characters, who feels their age and also sound it. There’s a lot of angst and melodrama here, but it’s never really overwrought except where it’s supposed to be. For the most part the book is 3rd person Taichi POV, but we also have several chunks where it’s first-person Inaba, and those show off how screwed up her mindset is and how easy it can be to filter everything you say or do through a negative, self-loathing filter. And then there’s the “love triangle”. Taichi and Iori like each other, but don’t want to date while Heartseed is messing with them. Inaba finally admits she loves Taichi and confesses, but is rejected – for the moment. It’s a very “mature” rivalry so far, but that’s mostly because it resolves itself after a huge outpouring of emotional release from both Iori and Inaba, and I’m curious as to how messy it might get in the future.

Kokoro Connect remains a well-written teen drama, and is a refreshing change of pace for those who are bored by the idea of yet another isekai. Even if you’ve seen the anime, you should pick it up.

Bookshelf Briefs 10/30/18

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Cardcaptor Sakura: Clear Card, Vol. 4 | By CLAMP | Kodansha Comics – It has taken quite some time to develop, but it seems as though Clear Card might actually have found a plot of some sort that doesn’t entirely rely on Cardcaptor Sakura nostalgia; while the series can still be repetitive, it no longer exists as just a poor copy of its predecessor. Granted, most of the supposed story development unfolds through cryptic dialogue between characters which doesn’t do much to reveal anything at all about what is going on to the reader. Perhaps this is intended to add an air of mystery and suspense to the manga, but I mostly find it frustrating as well as a bit irritating. To be completely honest, I’m not entirely convinced that CLAMP even knows where the series is heading yet. I largely continue to read Clear Card because I loved the original series, but I really would like to see something more substantial emerge. – Ash Brown

Harukana Receive, Vol. 2 | By Nyoijizai | Seven Seas – The emphasis in this series is still firmly on the volleyball, which is appropriate for a sports title but you always have to wonder when it stars a bunch of girls in bikinis. There is some fanservice, but it’s basic “they’re wearing bikinis” service rather than anything racy—even the discussion of matching swimsuits is related to the games they’ll be playing. As for the games themselves, Haruka is still learning, and there’s a definite beginner’s curve here, but they luck out in this book by playing a team with a similar curve—they’re indoor players, unused to the beach. As such, you get to see both sides struggle, especially Kanata, who is still dealing with A LOT OF STUFF. I want to see these two play more games. – Sean Gaffney

Juni Taisen: Zodiac War, Vol. 1 | By NISIOISIN and Akira Akatsuki | Viz Media – Normally I don’t really get adaptations of novels I’ve already read, but this is the creative team behind Medaka Box, which I love and will never be licensed, so I want to show support. The artist’s fanservice-and-action style lent itself well to Medaka Box, and lends itself even more to this anti-war battle royale, where a dozen people gather to kill each other for the sake of one wish. They’re all zodiac animals, and this volume shows us Boar, Dog, and Chicken for the most part. If you enjoyed the book you’ll like the manga, as this is one of Nisio’s least wordy titles, and thus it adapts pretty well. Not for those who like to see people survive more than fifty pages, though. – Sean Gaffney

My Hero Academia: Vigilantes, Vol. 2 | By Hideyuki Furuhashi and Betten Court | Viz Media – I gotta admit, I sort of went “really?” when I saw that Koichi didn’t get into UA because he stopped to help a drowning person (who turned out to be Kazuho, in a very unsurprising plot twist) and thus missed the exam. But then again, folks have indeed ruined their lives by missing important exams or interviews, no matter how much I may not like it. As for the rest of the book, we get to see the origin of a villain from the main series, which is probably the most exciting part of this side story that still seems to be cooking a little. I have a feeling that it may break open in the next volume or two, but we aren’t there yet. – Sean Gaffney

My Hero Academia: Vigilantes, Vol. 2 | By Hideyuki Furuhashi, Betten Court, and Kohei Horikoshi | VIZ Media – My Hero Academia: Vigilantes continues to be better than expected. Koichi, Kazuho, and Knuckleduster continue to look for users of the quirk-enhancing drug Trigger. Meanwhile, a schoolgirl in an eyepatch seeks out interesting people to give the drug at the instruction of someone who wants to observe the results. One of these people seems to be a villain from the main series. In another tie-in, Koichi is nearly recruited by Ingenium, who has a neat organization of his own where he finds roles for people with quirks that might not seem suited for heroism at first glance. I like how this world is being fleshed out and look forward to continuing! – Michelle Smith

My Monster Secret, Vol. 13 | By Eiji Masuda | Seven Seas – Urgh. I gotta say, this is starting to remind me a bit of Yamada-kun and the Seven Witches, which is to say a classic example of a manga that kept going long after it should have ended. The author seems to be grasping at straws at the start of the book, with plots like “let’s go to the dentist” or “Mikan’s glasses run away.” (I can’t believe I even typed that sentence.) It gets a little better when it focuses on Asahi’s indecisiveness about his future path, as well as Youko hiding her own decision from him as she’s embarrassed. And the two of them avoiding getting more serious is sort of cute in a frustrating way. But the cliffhanger reads exactly like “I need to wring even more drama from this manga I already ended.” – Sean Gaffney

The Voynich Hotel, Vol. 2 | By Douman Seiman | Seven Seas – Last time I was struck by how gross-yet-funny this series was. This volume I am more affected by its sense of dark melancholy and morbid violence. Both of the main “cute couple” are steeped in violent pasts, and Maria sometimes has to use that in a violent present. Demons exist, and are trying to break the hotel, apparently. There are endless groups of killers running around, and lessons are learned just a bit too late in many cases. Even when those who are gorily killed are somehow brought back to existence, it’s with a morbid joke and a sense that they’ll never be happy or satisfied. The series ends in the next volume, I believe, which is appropriate, as the Voynich Hotel is a nice place to visit, but I wouldn’t want to live there. – Sean Gaffney

Yona of the Dawn, Vol. 14 | By Mizuho Kusanagi | VIZ Media – After the perfection that was volume thirteen, it would be hard for any subsequent volume to measure up. Wisely, Kusanagi-sensei decides to skip ahead a little to Yona and her retinue arriving in Water Tribe lands, where they discover that merchants from the Kai Empire have managed to hook much of the population on a particular drug. During the course of their investigation they meet Riri, the daughter of the chief who is frustrated by her father’s inaction and inspired by Yona. I love the running plotline of people Yona inspires who go on to do good long after she has moved on. Perhaps Riri will be another, though so far she seems pretty overwhelmed. Also somewhat overwhelmed is Jaeha, who has realized that he’s in love with Yona. So good, y’all. – Michelle Smith

Arifureta: From Commonplace to World’s Strongest, Vol. 8

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

The last few reviews I’ve talked about Hajime as Christ figure, Hajime as overpowered author fantasy, and Hajime as nerd. Given the events in this volume, particularly near the end, it seems appropriate to talk about Hajime as asshole. Hajime’s experience in the dungeon in the first volume broke him in many ways, and aside from his power levels the most obvious has been in his attitude towards… well, almost everything. And while we’ve seen occasional nudges back towards non-sociopathy, particularly thanks to Aiko, there’s still an awful lot of Hajime making the choice that will upset people the most, either because he wants to or, more frequently, because he can’t be bothered. And the main reason he does this, of course, is that the author (and I assume readers) find it funny. Honestly, given all the attention focused on humiliation being a subset of arousal in this book, I suspect we learn a bit TOO much about the author’s mind here. But at the end of the book, Hajime seems to genuinely mellow out.

The bunny girl on the cover is one of the big reasons, to be honest. Much has been made by Hajime of the fact that Yue is the girl he loves and the rest of his harem are far, far below her. And while that’s still fairly true, Shea’s actions over the course of the series, and particularly in the last two books, have led Hajime to realize that he does, in fact, love her as well. Not the same way he loves Yue – there’s no sex here, much to Shea’s disappointment, though I’m not sure “platonic” is how Hajime feels either. But Shea makes Hajime happy, and he wants her to be with him – and not with anyone else. This is helped along by the other big thing that mellows Hajime out, which is that he gains magic that should finally lead him to being able to return home to Japan. Just the idea that he can escape this, let’s face it, pretty dystopian world makes him smile like his old self, much to everyone’s surprise.

Speaking of ‘harem tiers’, the majority of this book is spent clearing another dungeon, this one designed to tend the bonds of love, friendship, and teamwork. Along for the ride are the B-team Japanese group, and let’s just say they don’t do really well. Dungeon-wise, the ‘tiers are Hajime & Yue -> Shea, Kaori and Tio -> big gap -> Shizuku -> Kouki, Ryutarou, and Suzu. You’ll notice Shizuku is a level higher than the others, and indeed we also see it becoming more obvious that she’ll be part of the harem eventually, which everyone else seems to have accepted but her. Indeed, at the end of the dungeon the bottom three don’t get the reward for clearing it – they weren’t good enough. That said, props to Suzu for stepping up and asking to go try the next one anyway, especially because she tells Hajime her reasoning is to be powerful enough to try to talk sense into Eri when they next see her. I suspect the reader knows this is futile, given the epilogue, but I was honestly surprised that the whole group is going to stick around. Even Kouki, who was on his best behavior in this book.

The author says we’re in the home stretch, though I suspect that still means about 3-4 more books. Till then, this volume is very long but satisfying, particularly if you like sweet, heartfelt scenes – that last short story was almost pure sugar. On the other hand, when you get to the scenes with the “slime creatures”, take my advice and skip a few pages. What is it with Japan and “fake bukkake”?

Pick of the Week: We Are So Predictable

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SEAN: An excess of Yen Press this week. I suspect my colleagues will be going for Silver Spoon, as they should. And I admit to being intrigued by High School Prodigies Have it Easy Even in Another World, which sounds silly if nothing else. But my pick this week is the 2nd volume of Teasing Master Takagi-san, which is adorably cute and funny.

MICHELLE: I also am going to trust someone else to pick Silver Spoon so that I might weigh in in favor of Sacrificial Princess and the King of Beasts. I started the first volume this week and it’s pretty fun, kind of like a more light-hearted The Ancient Magus’ Bride sort of feeling. I am enjoying it so far and keen to see how the story develops.

MJ: I will set Sean and Michelle’s minds at ease by openly and wholeheartedly choosing Silver Spoon! Silver Spoon always. Silver Spoon forever.

KATE: I’ll bite: read Silver Spoon! It’s funny and real and just plain awesome, and deserves a bigger, more enthusiastic reception from American manga readers. (How’d I do, Michelle?)

MICHELLE: You get a gold star!

ANNA: I’m going to randomly pick Versailles of the Dead. I haven’t read it at all yet, but it sounds like the spookiest debut manga this week.

ASH: I will not so randomly pick the debut of Versailles of the Dead as I’m very curious about the series, but Silver Spoon definitely continues to be at the top of my list, too.

Magi, Vol. 32

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By Shinobu Ohtaka. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

Once again, I finished a volume of Magi and thought about how to convey what I felt about it into a 150-word brief only to realize that I would need a bit more space. And so here we are, with Magi heading into what proved to be its final arc. You get the sense of a lot of strings being drawn back together here, as Sinbad’s ambiguity is becoming a bit less ambiguous – is he going to be the final Big Bad? – and we also get some excellent political drama. And yes, cynical readers will be shaking their heads and saying “you just wanted to gush that another of your ships is canon, didn’t you?”. And there is a bit of that, yes. I have been very fortunate – or perhaps my tastes are merely dull – in that most of my shonen ship preferences have tended to work out over the years. So I am happy to see Alibaba and Morgiana happy, no doubt. But there’s more to this volume.

Shinobu Ohtaka has come a long way as a shonen author from the days when I was reading Sumomomo Momomo and was thoroughly unimpressed. The fight scene that opens this volume is one of the best in the series, with lots of dynamic action and plot twists that are entertaining but don’t verge on ridiculous. It’s always hard to find a way to amp up the drama in scenes like these without heading into meme territory, with “this isn’t even my final form!”, etc. In fact, we even seem to make fun of that sort of thing, as Hakuryu makes a big dramatic deal of being stung by Arba’s possessive scorpion only for it to be him essentially mocking her (and the audience). It also helps that Arba is wearing Hakumei’s body here, as it’s entertaining to see so many insane and evil expressions on such a pretty face.

The second half of the book is romance and politics, as Alibaba and Morgiana reunite (though, in one of the few ‘bad art’ parts of the book, Morgiana looks about twelve years old in the panel where Alibaba sees her) and he almost immediately proposes. It’s a good proposal, as he draws on the fact that peace has returned to the land and many are starting families to express the desire to start his own. We also get judicious flashbacks that show off just how far Morgiana and Alibaba have come from the start of the series (Morgiana also gets in some awesome kicks in the fight scene I mentioned earlier, by the way). Still, the spotlight may be taken away from them a little by Kogyoku, who is struggling with being the leader of the Kou Empire but finds her inner resolve and decides to break away from Sinbad and have the nation struggle on its own. It’s a brave decision, and I suspect Sinbad is really not going to like it.

Magi does not get as much attention as the other big shonen series out there, possibly as it’s in Shonen Sunday and thus couldn’t get the buzz of weekly updates that Jump subscribers get. But it’s really stayed at a high level of quality for some time. With only five volumes to go, readers should look forward to seeing how the series handles its big finish.

The Unwanted Undead Adventurer, Vol. 3

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By Yu Okano and Jaian. Released in Japan as “Nozomanu Fushi no Boukensha” by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Shirley Yeung.

Last time I complained about the dullness of Rentt’s POV, and though the cast remains as small as ever, it appears the author remains cognizant of it, as we get Rentt thinking about the fact that since he became undead, he’s become relatively flat and emotionless. Fortunately, though Rentt is still undead, he does level up a bit here, so at least we don’t have to read his halting, shambolic speech anymore in the second half of the book. In fact, I found the book very much felt like an inverted U as I read it. The middle two sections are easily the best, and I genuinely enjoyed them. I was not as enamored with the first section, which was essentially wrapping up events from the last book and meandered quite a bit, and the final section, which features far too many magic lessons. There are times when you can tell that the author is still learning the craft.

As I noted earlier, we pick up where we left off, with Rentt getting the flower that will help heal the woman in charge of the orphanage. While there, he meets an adventurer who turns out to be a butler (not named Sebastian, alas) and gets a request to visit the butler’s master… or mistress, as it turns out. This second section sees Rentt navigate a confusing hedge maze and then search through a pile of valuable magic artifacts for his “reward”, as well as making a contract to get more of that healing flower. Due to events in that section, Rentt is able to evolve further, becoming… sort of vampire-ish? He has bat wings, and is very pale. But he’s not QUITE exactly what the textbooks say, and he can still use his divinity, mana, etc. Finally, the young girl at the orphanage who hired Rentt to cure their caretaker is made a magic pupil of Lorraine’s, and she and Rentt attend a magic class which is made up of equal parts amusing pettiness and boring worldbuilding.

The best parts of the book are the ones where Rentt is allowed to wander outside the “boring old undead adventurer” narration. The sequence with the toy airship, and Rentt’s nerd infatuation with it, made me smile, and is absolutely terrific. That whole section was good, as Laura, the head of the family hiring Rentt, is intelligent and fun without being a brat (and knows the value of good tea). I also liked the aftermath of Rentt becoming a vampire-like being, as he and Lorraine take turns going over his body and exactly what he can and cannot do now. (I was disappointed that Lorraine didn’t ask if he was “fully functional”, so to speak, but then she seems just as shy as he is in many ways.) This was one of the sections where the worldbuilding and back and forth conversations worked quite well.

The end of this volume implies things may not go nearly as well for Rentt in the fourth volume, as we’re getting new characters who I suspect won’t take kindly to heroic vampire adventurers. That said, it may be a bit of a wait – the 4th volume is out in Japan in November, so I expect at least 3 or 4 months. Till then, The Unwanted Undead and Uneven Adventurer is still mostly keeping my attention.