Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 1

by

By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Shobo. Released in North America digitally by Yen On. Translated by Andrew Cunningham.

This book is straight up ridiculous. I realize that may be the most obvious thing to say, but I want to say it up front because I went into it thinking that the ridiculous content would take a back seat to sketchy mom-son sex humor. And there is a bit of that, but mostly the comedy is first and foremost the important thing here. This series is not trying to titillate its reader, it’s going for fun. And it pretty much succeeds. We get a lot of amusing riffs on the standard “adventure game” tropes, the characters are all obvious cliches but fairly likeable. Best of all, despite the occasional lewd joke or ogling, there’s absolutely no sense that Mamako (yes, really, that’s her name) and Masato view themselves as anything other than mother and son. This allows the reader to relax and focus on what’s important: Mamako is hilarious.

Masato is our hero, a 15-year-old boy who is dealing with a mom who a) looks about seventeen and is gorgeous; and b) doesn’t seem to realize that he’s not six years old anymore, so is overly doting and smothering. One day he comes home to find a government worker there who tells him that he has been chosen to play in an ‘MMMMMORPG’. He’s not sure why there are so many M’s, but he agrees… and finds himself in a virtual game world. He’s a hero! He gets an awesome sword! He has party members who are an adorable and trusting 12-year-old girl and a tsundere but clearly future love interest mage! There’s just one problem. His mother has come along with him into the game. And she has TWO swords (the two he didn’t pick when given a choice) that do so much damage that he never has a chance to shine. She may not know anything about adventure games, but she certainly knows how to make him feel awkward and embarrassed.

As you can see, we’re not going for subtle here. In fact, the overtness is part of the point – the series works better for it. The game that Masato and company are in is a beta release, and they’re meant to be testing it. This leads to many of the NPCs simply reciting the guidebook, or speaking in actual gamer talk rather than having it filtered through a fantasy world. Wise, the tsundere girl (she spends most of the book in a state of fury, but there are good reasons for it) is amusing, and you get the feeling she’d be nice if she ever calmed down. Porta, the girl, is a parody of the ‘little girl party member’, and this about as deep as a small puddle, but her pureness is almost endearing. As for Masato and Mamako, they start off exaggerated types, and by the end are slightly less so. Believe it or not, there is a bit of plot and character development in this, and by the end of the book Masato has learned not to take his mother’s actions as a personal attack, and Mamako has (possibly) learned to allow her boy to grow up. (I say possibly as, well, there’s more books in the series, and the premise is that Mama is more powerful and steals the spotlight.)

I also need to mention the main reason to read this series, which is Ms. Shirase, the government agent who starts this entire mess. She is amazingly funny in a deadpan sort of way, and I was delighted at her appearances throughout, as well as her constant fourth-wall breaking. I really hope we get more of her. The series reminds me a lot of KonoSuba in terms of its style and laughs, and I think fans will enjoy it. Yes, there’s some incest parody – that’s the premise! – but I feel safe that it won’t go anywhere and isn’t serious. Recommended for fans of comedies and mothers.

Bookshelf Briefs 11/27/18

by , and Leave a Comment

Anonymous Noise, Vol. 11 | By Ryoko Fukuyama | Viz Media – The concerts are over, and yes, In No Hurry tore it up, though in the end, the battle of the bands becomes fairy literal. That said, for once it’s the romance that made more of an impression on me than the singing, as Momo, tired of hearing how everything Nino’s doing now is for Yuzu, kisses her to stop her saying his name. And given that Nino is (she thinks) in love with Momo, and he with her, they get together. That said, this series has seven volumes to go. Moreover, this FEELS like the wrong couple. The narrative has been set up so that the reader is rooting for Yuzu—who also has bigger stakes. As for Miou, she’s still not quite sure about this new relationship, and it shows. Great potboiler, still a must-read. – Sean Gaffney

Dr. STONE, Vol. 2 | By Riichiro Inagaki and Boichi | Viz Media – This feels oddly like an aborted prologue. I mean, don’t get me wrong, it’s a solid shonen volume, with lots of excitement and almost death scenes and Yuzuriha actually doing something. But then Senku sends the other two leads off on a mission of their own, and the sense is that they’re being written out for not being quite as immediately memorable as he is. (They remind me a LOT of Video Girl Ai, right down to Yuzuriha’s headgear.) And Senku meets a new girl, who’s far more confident and also not the love interest of his sidekick. I suspect the series is about to really get started all over again, but that’s fine, as Dr. STONE is decent enough. I’m not quite fully into it yet. – Sean Gaffney

Hakumei & Mikochi: Tiny Little Life in the Woods, Vol. 2 | By Takuto Kashiki | Yen Press – This continues to be adorable and pretty relaxing. The largest of the slice-of-life stories in here has Hakumei trying to prove that she is good enough to work on repairing a stone wall with the rest of the work crew, which involves being told no a few times but gradually proving her worth. (Also, the crew leader thinks that Mikochi is her wife, though Hakumei points out that she’s a girl. They pretty much function as a married couple.) Elsewhere we meet a flamboyant and eccentric hairdresser who gives tomboy Hakumei an even shorter haircut than she already has, and the couple also deal with an owl who may or may not be a monster. Cute and fluffy. – Sean Gaffney

I Hear the Sunspot: Limit, Vol. 1 | By Yuki Fumino | One Peace Books – According to the creator’s afterword, Limit was initially intended to be a one-shot continuation of I Hear the Sunspot, but it ultimately evolved into an ongoing series. I can’t say that I’m disappointed—I absolutely loved I Hear the Sunspot and its first sequel Theory of Happiness, and Limit is off to a great start, too. Limit begins nearly immediately after Theory of Happiness. Taichi has left school in order to work at SIG-N while Kohei continues his law degree studies. Because they’re no longer classmates and are both very busy, the two young men aren’t able to see each other as much as they would like, which puts an understandable strain on their relationship. This sort of realism is something that I particularly appreciate about the I Hear the Sunspot series. Limit also introduces additional characters and their varying perspectives on hearing loss, deafness, and disability to great effect. – Ash Brown

Juana and the Dragonewt’s Seven Kingdoms, Vol. 3 | By Kiyohisa Tanaka | Seven Seas – It has to be said, the ending to this volume screams “you are cancelled,” as the villain’s master plan is wrapped up literally by sucking our heroes into a plothole to get away from him. Before that, though, we get some more explanation of Nid’s issues with his family and his vegetarianism, which turns out to be miscommunication that his parents think is sort of funny but Nid’s still not amused, especially since it seems to undercut his life choices. As for Juana, we get some backstory that explains why she is here, along with some foreshadowing that she may not be alone for long… but then the book ends, as she’d much rather be having adventures with Nid. This was fun, but that sudden ending—oof. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 7 | By Canno | Yen Press – The new couple in this volume is a pair of girls who are relatively close in age, but are also aunt and niece, so I’m not quite sure what to think of it. And to be fair, neither are they, as both know they like each other but both also know that once high school ends, girls give up that sort of thing. Only not anymore, and certainly not in this series. The volume works better when entwining their story with that of Yurine and Ayaka, our “main” couple. Yurine is suffering from the genius label again, and also opening up to Ayaka has led her to realize that her past actions have hurt others. As for Ayaka, Yurine’s feelings are getting deeper and deeper—can she cope with it? A good “sort of anthology” series, as always. – Sean Gaffney

New Game!, Vol. 4 | By Shotaro Tokuno | Seven Seas – What I said for the last book applies to this one, though there is some brief drama towards the end as the company decides that Kou is going to be doing the designs even though Aoba is supposed to be lead. This is entirely due to name recognition, and I was impressed with the fact that they don’t take it back after Aoba does something really impressive—Kou is still better than she is. Aoba’s improving a lot, though, and is figuring out how to get inside character’s heads. Meanwhile, Nene’s applying for a job—will she become even more of a regular? We’re certainly focusing more on her than some of the other supposed leads. New Game! remains cute but slight, aside from the welcome drama near the end. – Sean Gaffney

Ooku: The Inner Chambers, Vol. 14 | By Fumi Yoshinaga | VIZ Media – I’d like to begin with a special shoutout to the Cast of Characters in the front of each volume of Ooku, without which I’d be totally lost, given how infrequently this series comes out. This volume continues the story of Iesada, a poorly regarded female shogun who survived years of abuse from her horrible father, as her loyal advisor Masahiro contrives to find for her a consort whom she can actually love and trust. Unfortunately, Masahiro herself takes gravely ill just as the question of whether to sign a trade deal with America is being hotly contested (we’ve come to 1856 in the timeline), but at least she got to see Iesada looking happy and healthy as her relationship with Taneatsu has flourished. It’s incredibly foolish of me to wish for a happy ending for these two, but I do anyway. So many lovable characters in this series! – Michelle Smith

RWBY Anthology, Vol. 3 | By Various Artists | Viz Media – I am still absolutely the wrong audience for this, having not watched the original series. Still, it’s a sign that the anthology is doing its job that I can manage to follow along anyway. As you have probably guessed, we’re up to the B in the volumes, so these short comics focus on Blake and her moody cat self. There are some lighter stories that show Blake bonding with the others, or dealing with the team’s pet dog, who she naturally does not get along with. There’s also some stories showing she’s still tied to her past. And there’s ship tease with Yang, which I understand is the biggest ship in the fandom, so that makes sense. If you enjoy RWBY, you’ll like this. – Sean Gaffney

Shojo FIGHT!, Vol. 5 | By Yoko Nihonbashi | Kodasha Comics (digital only) – Because of the volleybetting scandal, Kokuyodani is not allowed to play in Tokyo and so instead has entered a small tournament in Osaka. This happens to be where Shino Itami is from and we learn that, as a middle schooler, she was accused of match-fixing because her grandfather is a yakuza. She actually came to Kokuyodani because of its bad reputation, since she wouldn’t be a burden to them. Unfortunately, most of the plot about Itami’s family is dreadfully boring, but I did like that her teammates stand up for her and, as a result, the crowd starts booing them as a whole rather than Itami specifically. I love that they have no problems “playing the heel” and look forward to more potentially villainous deeds. – Michelle Smith

Tales of Wedding Rings, Vol. 4 | By Maybe | Yen Press – For once, we have a princess who’s not all that into Satou. Oh, she still proposes to him the moment he appears, but it’s very much a political matchup, and even at the end of the volume she still sees him as a bit too naive for her. As the writer notes in the afterword, this is entirely intentional, as he wanted to have a bit of variety. We also meet said princess’ younger twin sister, and find out why Marse gave up in the first volume so easily. Things are not looking all peaches and cream plot-wise, as it turns out not all countries are happy to see the hero, particularly when there’s an evil advisor who REALLY reminds me of Caster from Fate. Will we get another princess in the next book? I think five’s the limit, right? – Sean Gaffney

Yotsuba&!, Vol. 14 | By Kiyohiko Azuma | Yen Press – I suppose Yotsuba has simply become too acclimated to things in her daily life—with some exceptions, like the beads Jumbo gives her as a present or the trash-bag princess dress Asagi crafts—and so Azuma takes his lead duo to Tokyo, where they must confront things like throngs of people, train passes, weird dogs, and luxurious hotel buffets. The best quality of this series continues to be seeing the world through a child’s eyes, guaranteed to expand as they acquire a car at the end of this volume, but I also appreciate the smaller lessons, as when Yotsuba confronts her conflicting desires to hoard all the beads yet be considered nice and when Daddy makes sure she tries again after messing up with the train pass the first time. I hope it doesn’t take 2.5 years for the next volume. – Michelle Smith

In Another World with My Smartphone, Vol. 11

by

By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

I am somewhat tempted to copy/paste much of my review of Vol. 10, which would work just as well here. Most of this is relatively tolerable Smartphone, and there’s even a bit about 3/4 into the book which was reasonably horrific and well-written. But it wouldn’t be Smartphone without its worst trait ether, and given that fantasy China has basically been totally destroyed, it’s time to go after fantasy Arabia. We have more of Touya meeting up with really obvious villains, fat-shaming them, and killing them. Actually, I tell a lie. The villain is killed by a slave girl. He then returns as a zombie JUST so that Touya can humiliate the man himself. Smartphone has always had a bit of a “is this a parody or not?” aspect to it, and I honestly wish it would lean towards parody more. Even though the character introduction describes Touya as impulsive and dangerous, it’s not what I want to see.

As usual, the book is decided into sections that make it seem more like a short-story collection. Touya and company have another big competition to see who is worthy to become a knight in his kingdom. I appreciated that they weren’t just looking for strong fighters – one weak and feeble guy who has good knowledge of plants passes the test. There’s also a rather thuddingly over the top “racists are not welcome in our group here” sequence, but given where the world is in 2018 I’m OK with racism call-outs being obvious and overbearing. There are a few plot strands dangled that will likely be resolved in a book or two – they’ve found a hidden island that seems to be inhabited by people and giant monsters, making me wonder if we’re going to get Mothra showing up. We definitely get Gamera this time around, as the new Phrase monster is a giant turtle, who sadly is not a friend to all children. Oh, and we get four new gods, three of whom are pointless, and one of whom (the underage lush) is seriously annoying, to both me and Touya.

There’s a new Phrase alien who basically drops by to scout out the area and leaves, but he also manages to hook up with the rogue God that Touya and company have been trying to catch. The result is not pretty, as Sandora (the pseudo-Arabia run on slavery) loses an entire city to some sort of negative emotion virus. Worst of all, it eats their souls, so the people there can’t be reincarnated. It’s a chilling sequence, something that’s a rarity in the otherwise relaxed Smartphone, so it’s worth singling out. Unfortunately, we then get the Sandora plot itself, which I’ve gone on about already, but I will also note that the author’s (and Japanese light novel authors in general) casual attitude towards slavery irritates me, particularly the “well, the criminals can continue to be slaves” part, though at least he has Yumina and company sift out those wrongfully convicted.

Basically, a typical Smartphone volume, for good and ill. I wish it had more scenes of Touya and the girls all staying up after drinking too much coffee and less of Touya mocking fat ugly evil people and then killing them.

Pick of the Week: Here Come the Brides

by , , , and Leave a Comment

SEAN: Tempting as it is to rest on my laurels and pick A Bride’s Story, I suspect the rest of Manga Bookshelf has me covered there. So I’ll pick Katanagatari: Sword Tale, Nisioisin’s new tale about swords. It’s long but very dense.

KATE: At the risk of becoming the most predictable member of the MB gang, I’m going to nominate both Blissful Land and A Bride’s Story. Let’s face it: you can never have enough beautifully drawn manga about life along the Silk Road. My inner historian is salivating at the prospect!

MICHELLE: Even though I’m sure I’ll love A Bride’s Story, the sad fact is that I haven’t yet read it, so I feel weird picking volume ten. I guess I’m going to go with the latest Ace of the Diamond because the most recent volume had the formerly brash protagonist earnestly declaring how much he loves and respects his teammates. I’m a sucker for that sort of thing.

ASH: A Bride’s Story is a lovely tale and visually stunning. (Michelle, you really should give it a try!) It’s definitely my pick of the week, though I am also interested in Yoshitaka Amano: The Illustrated Biography, which should likewise be a beautiful volume.

ANNA: I’ll have to go with A Bride’s Story too, it is such a special series!

Ran and the Gray World, Vol. 1

by

By Aki Irie. Released in Japan as “Ran to Haiiro no Sekai” by Enterbrain, serialized in the magazine Harta. Released in North America by Viz Media. Translated by Emi Louie-Nishikawa.

Sometimes you really do just read a book for the art. Oh, there’s other reasons to read Ran and the Gray World. The lead heroine is cute and rambunctious, and the plot spirals out from her ability to get into trouble and also her ability to transform into an older version of herself. Her family seems to consist of sensible men and eccentric but very powerful women, and her older brother is usually stuck trying to fix Ran’s messes. There’s some great humor, particularly with Ran’s interactions with a rich playboy. But let’s face it: You read this title for the gorgeous art. Every panel seems chock full of stuff, but it draws the eye in and makes you want to take your time reading it. It’s the type of story that you say is ‘crafted’ rather than written. And it makes me want to read more, despite the possibility of a trope from many other ‘young girl magically grows into adult’ stories cropping up.

We are introduced in the first chapter to Ran, a young tomboyish girl who is very interested in finding her shoes. We also meet her brother Jin, who has hidden said shoes for a reason. They’re shoes that help Ran to age about ten years, appearing to be a young woman but still with the mentality of a young child. This is a fairly common theme, especially in magical girl Japanese manga (Tezuka did it at least once, I know), but Ran’s not aging up to help save the world from bad guys – she’s just curious about everything, and wants to have fun. Ran lives at home with her brother and father, and at first I assumed that her mother had passed away, but I’m wrong – her mother is SO powerful she is needed to restrain what appears to be a door to hell, and thus can’t be all that involved with her daughter’s life, though she does write. And so Ran does things like taking a train (and hitchhiking) to try to find her, or attempting to learn to fly, etc.

When I say I read the manga for the art, I don’t mean that it’s filled with detailed backgrounds and the like, although those pop up as well (love the shot of Ran’s messy room). But the art I meant is more composition, the way the creator draws your eye in. The double-page spread of Ran in her adult form, shoes in deep close-up. The expressions on her face, which shows that she’s a clever but naive girl, who one day is likely going to be more powerful than her mother. And the endless grumpiness of her brother Jin, who did not sign up to be a minder but is anyway. I will warn of one ongoing plotline – Ran (in adult form) runs into an eccentric rich guy, who is immediately charmed by bother her looks and her seeming magical abilities. This is also a staple of “age up” titles, but I hope that it remains innocent, as Ran really is a young kid (and also, the guy is sort of a jerk). I am definitely interested in more of this series, and I note the author also has another title out next year from Vertical. One to watch out for.

Apparently It’s My Fault That My Husband Has the Head of a Beast, Vol. 1

by

By Eri Shiduki and Kasumi Nagi. Released in Japan by Ichijinsha. Released in North America by J-Novel Club. Translated by David Evelyn.

I worry that the title of this 2-volume series may actually be putting readers off. Let’s face it, it sounds exactly like the sort of oververbose light novel title you’d see written by any other author, and makes people think that it will be of a similar character. It’s not. Technically Bakarina was also a romance novel, but it’s overly dense heroine and otome game mechanics made it appeal to a larger male audience too. This, though, is pure romance novel, written by a woman for other women. This is not to say that I don’t think male readers will like this title – it’s a great read. But it lacks the trappings of light novelness that everyone is used to, and that means it’s a title that can be read by women without having to worry about harems, or wacky chases in the nude, or any number of other anime tropes that you’d commonly see. This has romance novel tropes. A young, terminally shy and introverted princess. A prince with a curse who is blunt and melancholy. And a bucket. Yes, really.

Rosemarie is the second princess of a small agricultural nation, and has spent most of her life either indoors or in her garden due to one simple fact: when anyone shows negative emotions around her, their heads transform into that of beasts. This has led her to be terrified of most human contact, and when she’s incited to a ball in one of the larger, far more prosperous countries to the north, she sees it as something she will have to endure. But then she sees the country’s prince, Claudio, who over the course of the entire party does not have his head transform. Clearly he is the man of her dreams! They marry a few months later, and she learns the truth: everyone ELSE sees Claudio’s head as that of a beast – except her. Moreover, he says this is her fault because he rescued her as a child and she stole his mana (something she does not recall doing at all). And the marriage is a sham, as he regards her more like a thing than a wife. Fortunately, she has her maid. And her large metal bucket, which she wears on her head in times of great stress.

There is a fair bit of magic and fantasy involved in this, but that’s hardly uncommon in today’s romance novels, where the heroes can be vampires or werewolves. The main reason to read it is the growing relationship between Rosemarie and Claudio, who are both terminally bad at communicating with each other. He seems always angry, she seems always terrified, and there’s very little common ground to find. But find it they do, because Rosemarie has a determination to fix whatever she did wrong and make Claudio whole again, and Claudio realizes that he’s being a major jerk and that Rosemarie actually is looking out for his best interests. Which is good, as there’s an evil archbishop who would like Claudio to be out of the succession for the throne. That said, the plot is merely OK, and the humor mostly stems from Rosemarie’s desire to hide (the bucket reminds me a little bit of Akari’s House from Battle Athletes). You should read this for the excellent character work and sweet, if slow-going romance between the two leads. And one bucket.

UQ Holder!, Vol. 15

by

By Ken Akamatsu. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Alethea and Athena Nibley.

There are spoilers in this review for the entire book, as well as the ending of Mahou Sensei Negima.

I’m actually tagging Negima in this review as well, because after a lot of faffing about, this is, finally, the Negima ending that actually resolves things. The entire volume reads as if Akamatsu is saying “Yeah, sorry about the end of Negima, I was fighting with Kodansha and threw a hissy fit, here’s a much better version of what happened.” The amusing thing, of course, is that UQ Holder doesn’t quite take place in the same universe as Negima – something explicitly spelled out by Tota here. The mysterious stranger from the cliffhanger of the last book (who turns out to be Chamo) is getting ready to show us a movie of what happened to Negi and company in Tota’s home world, through the dead eyes of Chachazero (which is really creepy when you think about it) when Dana bursts in, punches a middle school girl unconscious, and shows them an alternate universe “happy ending” – i.e. what happens in Negima’s home world.

That’s Nodoka and Yue on the cover, but sorry to break it to you, neither one of them wins the Negi sweepstakes. I had talked before about how the ending of Negima had him tell Asuna that he loved one of the girls, but didn’t say who, except Asuna’s surprise made it clear it wasn’t a) her, or b) one of the more obvious candidates. They do get to confess, and Negi turns them down, and it’s well-handled and very sweet. Then there’s Negi’s confession to the girl he actually does like. Given it wasn’t Asuna, the Naru-lookie likee, there’s only one other choice it could be given Akamatsu’s own preferences. It’s the OTHER Naru-lookie likee, Chisame. Again, you can see why Asuna was surprised but not THAT surprised. Chisame filled the role of Negi’s mentor and “common sense” throughout Negima, and he’s also commented on how pretty she is multiple times, much to her annoyance. The main issue is that Negi is far too young. Which is why, when he confesses, she shoots him down.

This leads to the funny parts of the book, as the ENTIRE CLASS was spying on them, and Ayaka in particular seems ready to burn Chisame to death with her mind for rejecting Negi. But Chisame’s right – despite all the many, many, MANY shotacon jokes in Negima, he really is too young to be dating. (She is also too young to be dealing with the fact that she really does like him too.) As such, we can swiftly move forward five years, to when Negi is sixteen, and show the final battle between him and the entity possessing his father. (Negi’s mother’s fate remains unknown – I assume she died at some point after he was born, but it’s never made clear.) The battle allows mostly everyone to take part (though the noncombatants are shown watching from the side in cat-eared spacesuits, and Eva and the three cheerleaders stay home) and lets Akamatsu do the only thing he loves more than nude harem chases – big fights with lots of punching.

After this epic battle, we move forward two more years and get the epilogue. Everyone lives happily ever after. Negi, now an adult, marries a grumpy, blushing Chisame (which makes Kyrie very happy – she’s likely noticed that she and Chisame are the same, and thus this increases her chances) and his recovered father marries Evangeline (I assume that he freed her from her curse at some point, though honestly she still looks about ten years old in the wedding photo.). I was amused at Tota pointing out the flaws inherent in Akamatsu’s own plotting – the entire happy ending depends on Asuna getting rescued via time travel, which many readers at the time called a giant cheat, and so does Tota, saying they have to get their own happy ending without cheating. (I didn’t have issues with the time travel in the original ending, as I felt it had been foreshadowed quite well.) Perhaps now Akamatsu can get on with moving forward with his new cast and dealing with the plot in their own universe… though given all the villains are essentially dark variations on the cast of Negima, this seems unlikely.

If you liked Negima but have not read UQ Holder, you should pick up this volume anyway – you really don’t need to know much about the latter to understand this, and it gives much better closure to the series. Just… five and a half years later.

A Certain Magical Index, Vol. 17

by

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Last time I mentioned that Fiamma of the Right’s plans for England sounded a bit like Brexit. Little did I know that the feeling would triple as I read this new volume, set almost entirely in the United Kingdom. The villains are trying to start a war with France – well, in reality France is a proxy for the Roman Orthodox and Russian Catholic Churches, but you know what I mean – and are discussing what happens with trading rights and shipping in the UK and sounding an awful lot like Theresa May, to be honest. This is entirely coincidental given that this book came out in Japan in March 2009, but it does given the danger a little extra frisson of reality. Which is more than can be said for Kamachi’s rewriting of English history – Henry VIII’s motives for breaking off with the Roman Orthodox church are made a lot more noble and grand than reality, and I suspect the court are telling Touma a sanitized version of the truth.

Introduced in this book: Queen Elizard, Princess Limeia, Princess Carissa, and Princess Vilian, who was in the last book but is officially named here. We also meet all of New Light, a Norse-based magical group and terrorist organization, which like most other organizations in Index has four people in it: Lesser, Bayloupe, Florice, and Lancis. Yes, it’s romanized as Lesser, so any fans of the fan spelling who are still getting the official version will be annoyed once more, as Lesser is honestly the only one of these four you’ll need to remember going forward. Timeline-wise, we’re about five days after the events of Book 16 – Itsuwa has returned to the UK, though after taking the time to heal up and briefly discuss the upcoming culture festival, Touma and Index join her. This means this is another magic-heavy book, so don’t expect lots of Mikoto here, though she at least does discuss Touma’s memory loss with him briefly.

This is the first volume of a two-parter, and so as you can imagine the book consists mostly of everything going wrong for our heroes. By the end of the book Index is captured and knocked out (punched in the stomach, no less), Kaori has just been beaten so badly that everyone is sneering at her, Agnes’s Roman Orthodox nuns are mostly captured aside from the ones whose names we can remember, and two of our supposed heroes are in reality betraying everyone – for the good of the nation, of course. Lesser (who is a hoot in general, you can see why she’ll be back) picks on Touma for being there at all, noting that as the only Japanese guy in the midst of a fight between UK denizens, he can’t possibly understand why anyone is doing anything. Of course, I have no doubt that is also Touma’s strength. We also see a bunch of former villains who are now theoretically on the side of good, also showing off – Sherry and Oriana, to be precise. At times Index reads very much like, well, an index, making sure that everyone gets a cameo.

So overall decent volume, though I will pick on the translation just a bit – I’m not sure if Laura Stuart’s English is supposed to be as bad as her Japanese, but a lot of the ‘slang’ in this book reads very badly if we’re meant to assume she is British. On the bright side, while we do have more of Kamachi’s attempts at being funny, one of them actually succeeds this time – the sequence in Buckingham Palace, starting with Touma, Index and the scones and progressing through the introduction of the Queen is very well done, and very funny. I tip my hat. (It also provided the cover image.) I also approve of one translation convention – everyone in charge in England refers to Index as “the Index” and treats her exactly like you would an encyclopedia, not a person. It’s very obvious and very well done. Index fans will want to pick this up, especially now that the third season of the anime has shown itself to be rushing everything so badly. You’ll want to see what actually happens.

Manga the Week of 11/28/18

by , , and 1 Comment

SEAN: Time for some Black Friday manga titles. Maybe some of these will have low, low prices.

Cross Infinite World has another one-shot fantasy novel with Tia La Cherla. Normal guy meets mysterious girl with amnesia but tremendous powers.

Dark Horse gives us Yoshitaka Amano: The Illustrated Biography, which is what it says but also looks really lavish and able to justify its expensive price.

ASH: Oooh, that should be nice.

SEAN: Ghost Ship gives us a 4th volume of Yuuna and the Haunted Hot Springs, for all your ecchi needs.

J-Novel Club has a 2nd volume of Der Werwolf: The Annals of Veight and a 6th Outbreak Company.

Kodansha has a few print titles. We get a 3rd Grand Blue Dreaming, the Real Account 9-11 omnibus (I think – it’s been on this list before and then delayed), and The Seven Deadly Sins 29.

ASH: I will admit that Grand Blue Dreaming has made me laugh more than once.

SEAN: Digitally the debut is Blissful Land (Tenju no Kuni), which seems to be Kodansha’s answer to A Bride’s Story. It runs in Betsushonen, and is about a 13-year-old boy in Tibet and a mysterious bride who arrives one day. >_> OK, a *lot* like A Bride’s Story.

ANNA: Huh, do we need two of these series? I’m really behind on A Bride’s Story so I can’t imagine going out of my way to read a similar series when I need to get caught up on the original.

SEAN: There’s also a pike of ongoing digital for all. Ace of the Diamond 17, Ao-chan Can’t Study 2, Forest of Piano 8, Is Kichijoji the Only Place to Live? 5, Kakafukaka 3, Kira-kun Today 2, Liar x Liar 8, Peach Mermaid 3, and Those Summer Days 5. I have actually started one or two of these!

MICHELLE: I have only started one, so far, though there are several I will get around to sometime soonish. I hope.

SEAN: Seven Seas has no debuts, but a pile of ongoing series. Absolute Duo 4, Arifureta’s 3rd manga volume, the print edition of the 3rd Clockwork Planet novel, Devilman vs. Hades 3, The High School Life of a Fudanshi 4, Nirvana 3, and Saint Seiya: Saintia Sho 4.

Vertical debuts Katanagatari: Sword Tale. Despite the similar names, this is unrelated to the Bakemonogatari books except that it’s also by Nisioisin. It’s actually 3 novels in one – they were quite short, and he wrote one per month for a year. It’s set in the Edo era and has swords. What more could one need?

And Yen has a number of titles that got pushed back a week or two. We’ll start with an old title available in digital for the first time: Emma 1-10 (i.e not in omnibuses) is available digitally! As is Sekirei 19, whose core audience is… not the same as Emma’s.

ASH: I am still so incredibly happy that Yen Press rescued Emma.

ANNA: For sure a series that deserves to be in print!

SEAN: The light novel debut is one of the more anticipated titles of the year… for one reason or another. Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? is the mom isekai the fandom never knew it wanted. Supposedly a “parody” of Japan’s current obsession with incest stories, I suspect as with most Japanese parodies it will have its cake and eat it too. The premise is simple: a young man is called to be a hero in a fantasy world. But his mom is there too. And is more powerful. And dotes on him to a disturbing degree. We shall see.

MICHELLE: I wish this were totally free of any possibly creepy vibes because the idea of going to another world with your mom is kind of amusing.

SEAN: In non-mom isekai light novels, we have Defeating the Demon Lord’s a Cinch (If You’ve Got a Ringer) 2, Durarara!! 11, Kingdom Hearts 358/2 Days: The Novel, The Saga of Tanya the Evil 4, and So I’m a Spider, So What? 4. Congrats to Tanya and Durarara!! for not being fantasy-based (Tanya’s still an isekai, though).

Lastly, two manga stragglers: Alice in Murderland 9 and A Bride’s Story 10.

ASH: I love A Bride’s Story so much.

SEAN: Will you be getting A Bride’s Story AND Blissful Land? What else?

Sword Art Online: Progressive, Vol. 5

by

By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

There are several reasons that I think that Reki Kawahara is happier writing the Progressive novels, but the primary one is that he really just loves writing Kirito and Asuna falling deeply in love with each other – something we get quite a bit of here. He admits in the afterword that he’s not entirely sure how this is going to mesh with canon – in the original series, Kirito and Asuna act like they’re casual acquaintances when we first see them. But as I’ve said before, I think he knows he doesn’t have to worry about that till about Floor 10, and they’re only on the sixth. What’s more, this is Progressive’s first two-parter – which is likely why it’s shorter than usual. If you dislike Kirito (it’s all his POV again) or don’t care for Kirito and Asuna as a couple, the entire Progressive series is skippable for you. For the rest of us, it’s pretty fun and adorable – well, mostly adorable. Those player killers keep coming back, and they’re after our heroes.

I had to remind myself what was going on in the plot, as it’s been two full years since the last volume (fortunately, we will have less of a wait for the next one). The new floor consists mainly of puzzles to be solved, such as sudoku or the sliding pieces puzzles. Kirito and Asuna try to breeze through the main quest in the town, helped along by Kirito’s beta knowledge, but a spanner is thrown into the works when they’re captured while under a paralysis spell (as part of the quest they’re doing) by Morte and his partner, who are ready for some killing. Kirito and Asuna are really starting to fear for their lives here – especially Kirito, who’s been attacked multiple times. Things aren’t being helped by the ongoing war between the two lead factions, and Kirito attempting to deftly not support either side. Fortunately, the two of them do also have their bond with Kizmel and the elves, and can (mostly) safely relax in her presence – even if that means sharing a hot spring. And a bed.

It does have to be said, this volume of Progressive also contains an awful lot of game mechanics. I’ve never been overly fond of these sort of things in light novels, and I’m not fond of it here. But power through the endless pages of Kirito describing how his sword movements work or which stat boost he should get next, because the meat of the book is Kirito and Asuna’s relationship. They’re simply cute, and honestly I think the only think holding them back right now is the strange sense of self-hatred Kirito gets about himself as a romantic lead (yes, I am aware how ironic this is given the SAO franchise as a whole) and Asuna’s embarrassment, though by the end of the book she not only “bundles” with him in a queen sized bed (in the Scottish sense of the word) but they’re connecting pinkies as they sleep so that they’re always aware of each other’s presence. Sword Art Online Progressive is, at heart, a love story.

It’s also only half done – there’s no cliffhanger, and the author admits this is basically “I wrote too long a book, so they cut it in half”. I’m definitely ready for the next half, and more shipping tease. Oh yes, and more Argo! She was barely in this one.

Bookshelf Briefs 11/20/18

by , and Leave a Comment

Black Clover, Vol. 13 | By Yuki Tabata | Viz Media – As long as you’re writing a series which uses every cliche in the book, you may as well go all in and write a tournament arc, and that’s what we’re getting here. Surprisingly, Asta is not paired with Noelle, but with Mimosa, who I’ll be honest I had totally forgotten about. Given that Noelle fills the ‘tsundere’ love interest bucket, it only makes sense that Mimosa is the Hinata of Black Clover, being shy and tripping over her words in front of him. As for the battles themselves, they’re all good ways to spotlight folks who we don’t really get much chance to see in the main storyline. On the downside, so far they’re all very predictable outcomes. I’d like to see some people win who shouldn’t normally win. – Sean Gaffney

The Bride & the Exorcist Knight, Vol. 2 | By Keiko Ishihara | Seven Seas – We get more of the same here—good character development and action sequences. Shame that they’re really pushing the “I am twelve years old and suave as heck” plotline, and Anne does seem to be falling for him, though thankfully we haven’t advanced quite that far. One thing that did impress me was the fate of Anne’s parents, who would normally get killed off to jumpstart the plot in tales like this, especially given Anne’s status as a magical bride MacGuffin. There’s nothing really extraordinary here, but it’s good solid fantasy romance, and it at least makes noises occasionally about Anne being creeped out about Haru’s age. For fans of shoujo starring cute, cool boys. – Sean Gaffney

Delicious in Dungeon, Vol. 6 | By Ryoko Kui| Yen Press – Remember when this was a funny series about eating monsters? Last time I said the books were getting a bit darker. Here they take a running leap into grim as we continue to see how Laios and company are seen by everyone else around them—as reckless lunatics who endanger everyone around them. What’s more, Falin’s back, but that’s not good news—the slaughter that follows is a kick in the teeth. Honestly, after that sequence, seeing the “which is the original and which is the shapeshifter” plot was a welcome light relief, and the sequence with Laios helping Marcille with her nightmares was rather heartwarming. Still, Falin’s influence on everyone around her, death, and subsequent “came back wrong” are now THE reason to read this. – Sean Gaffney

Frankenstein: Junji Ito Story Collection | By Junji Ito | Viz Media – The first edition of Mary Shelley’s Frankenstein was originally published in 1818, so Viz Media’s release of Junji Ito’s rendition of the story is aptly timed for the two-hundred-year anniversary of the groundbreaking novel. Ito has made a few changes here and there—particularly towards the end—but for the most part the manga adaptation is very faithful to Shelley’s original and Ito’s artwork is well-suited to the more grotesque and disturbing elements of the tale. In addition to Frankenstein, the volume also collects a series of six short manga featuring Oshikiri, a young man who is very self-conscious about his short stature but whose real worries are of a more horrific and supernatural kind. (It doesn’t help that his home seems to be a portal to alternate dimensions.) Also included are two unrelated short horror manga as well as two short manga about the Ito family’s pet dog Non-non. – Ash Brown

Haikyu!!, Vol. 29 | By Haruichi Furudate | Viz Media – It’s all volleyball game this volume, so there’s no real plot I can talk about. We do continue to see character growth from Hinata and Tsukishima, who gets one of the cooler moments that also made me laugh when he talks about blocking the quick set. The other team is no slouch, though, particularly the twins, and our heroes are behind the eight ball most of the time. The opponent’s band is not helping either, which is why for once it’s Saeko who gets to have the Big Damn Heroes moment, arriving with Taiko Drums to drown out the band’s odd rhythms. Other than that, this volleyball manga continues to put the emphasis on volleyball. I’m about ready for it to go to every three months, to be honest, and it will be soon. – Sean Gaffney

Love at Fourteen, Vol. 8 | By Fuka Mizutani | Yen Press – Aside from Love at Fourteen‘s main couple, who are meant to be the cute and sweet default, the series makes a lot of unusual choices for its romantic pairings. Nagai and Hinohara continue to put the “ergh” in non-consensual teacher-student romance. Shiki and the school nurse bond over being tortured lesbians in love with a straight girl who isn’t going to love them back. And we get a new one here, as Kato, the really short boy in the class, ends up getting entangled with what appears to be a cute older girl… except she’s actually eleven. He’s fourteen, so we’re not anywhere Hinohara’s level of wrong, but Love at Fourteen really enjoys giving the reader heartwarming discomfort. – Sean Gaffney

Mob Psycho 100, Vol. 1 | By ONE | Published by Dark Horse – As a fan of One-Punch Man, I went into Mob Psycho 100 expecting to be amused and I’m sorry to say that never really happened. Shigeo Kageyama is an eighth grader with superpowers who works as an underpaid assistant for a fraudulent spirit medium named Arataka Reigen. Shigeo is called “Mob” because he’s an expressionless kid who blends into a crowd, and his desire to be attractive (and win the girl of his dreams) ultimately leads him into strange situations, like being recruited for a creepy cult. My interest was piqued, however, by the meter running throughout the volume (depicting an increasing percentage) and the payoff when it reached 100% was totally worth it. Plus, Reigen’s pep talk to Mob afterwards was completely unexpected and kind of heartwarming. In the end, I think I’ve been convinced to try another volume. – Michelle Smith

Waiting for Spring, Vol. 9 | By Anashin | Kodansha Comics – Both Towa and Aya have now confessed to Mitsuki and she doesn’t know what to do about it. I appreciate that Anashin shows why each boy feels the way that they do, and also that Mitsuki is completely forthcoming with Towa about everything that’s happening with Aya, so that no plot line ever hinges on “completely avoidable misunderstanding.” Instead, there’s more complicated drama, like Towa feeling frustrated that Aya keeps being in a position to heroically save Mitsuki (this time pulling a ligament saving her from being hit by a car) and wondering if perhaps they aren’t destined to be together. Instead of wallowing, however, he seemingly becomes more determined. It’s nice to see Towa start to become less reserved and I look forward to what volume ten will bring. – Michelle Smith

Wotakoi: Love Is Hard for Otaku, Vol. 3 | By Fujita | Kodansha Comics – About two-thirds of the way through this volume, Narumi and Koyanagi are relaxing at a hot sprint on a company trip. Koyanagi wonders if Narumi feels lonely because she’s barely seeing her boyfriend this trip, but she says that, given Hirotaka’s lack of social aptitude, she’s merely happy to see him getting along with other guy friends. Koyanagi points out that that’s a mature answer, but leaves her a little bored. I’m not bored with Wotakoi yet, but it does appear to me that it’s very dedicated to showing that our leads are all pretty happy, with most conflicts resolved over the course of a single chapter. Given the title, you’d expect a bit more, but while it’s still very sweet, love isn’t that hard for these otaku. – Sean Gaffney

Yotsuba&!, Vol. 14 | By Kiyohiko Azuma | Yen Press – Azuma does not believe in pumping out the chapters for this series—this is the second volume in five years. Still, it’s like we never went away, really. Last time we met Yotsuba’s grandmother, and this time it’s her aunt, who is meeting up with Koiwai in Tokyo so that he can get a car—which I assume will allow for greater scope of adventures in the future. This means that here we get Yotsuba & Tokyo, with much hilarity, including an alien invasion that needs to be stopped, and delicious food at an expensive hotel. Oh yes, and Fuuka and her friend Hiwatari do yoga with Yotsuba, which leads to much frustration as she’s as flexible as a young child and they are not. Yotsuba&! still has its magic; I just wish it was magical more often. – Sean Gaffney

Wonderland, Vol. 1

by

By Yugo Ishikawa. Released in Japan by Shogakukan, serialized in the magazine Big Comic Superior. Released in North America by Seven Seas. Translated by Molly Rabbit. Adapted by Marykate Jasper.

I have to admit, I did not buy this manga for the premise. Horror is something I tend to be very wary of, and this read very much like it would be a “watch people get gorily murdered in visually arresting ways”. And, well, it is. But it’s the visually arresting part that kept me reading on. The author has been doing seinen stuff for years, ranging from action titles like Fighting Beauty Wulong to seinen skeeze like Yoiko, about an elementary school girl with the body of a fully grown adult. Lately, though, he’s been specializing in weird horror, and this certainly falls under that. It also falls under something that North America may have been growing sick of in the last few years – Alice in Wonderland take-offs. Unlike most that we see, there’s no Mad Hatter or Red Queen here, though, as it takes one premise – shrinking down to tiny size – and runs with it.

Our heroine is… not the girl on the cover. Instead it’s Yukko, a typical teen girl who wakes one morning to find that she’s shrunk down to the size of a doll. Her pet dog, now much bigger than she is, seems OK with this. Her pet cat… sees her as a tasty mouse, it would appear. Indeed, by the time Yukko gets her bearings and attempts to deal with this, both of her parents have been murdered by said cat. She tries to get out and get help… only to find the entire prefecture is suffering the same problem – they’re all tiny. Now she has to team up with other survivors and figure out how to remedy this… though that may take a backseat to just surviving, as the cats of the neighborhood REALLY love to beat these tiny humans to death. And then there’s Alice, who IS the girl on the cover. She seems to have animal ears, speaks at first in an alien tongue, and shows up mysteriously with no explanation. As the teaser for the second volume asks, who is she?

The story and character development here are, it has to be said, not great. Yukko is plucky, Alice is weird, and I really liked the dog, but for the most part these people are here to react to the scenery. But what scenery it is. The artist does a good job of showing off tiny humans vs. real-sized objects and animals, and how it’s become a matter of life and death almost immediately. I’d still call it a horror title – there’s lots of gory deaths here, and you spend a lot of the book waiting for the next she to drop. But the hint of a VAST GOVERNMENT CONSPIRACY makes me think it will end up more of a thriller than anything else, with Yukko and Alice teaming up to try to learn why this happened in the first place. I’m not sure if I’m into Wonderland for the long haul (it’s 6 volumes total), but this is a compelling enough start. Plus, let’s be honest, Big Comic Superior? When’s the last time we saw a title from there? This deserves your support for that alone.

Pick of the Week: Shades of Gray

by , , , , and Leave a Comment

MICHELLE: Another week with several really strong contenders for pick of the week! Shojo FIGHT! and Beasts of Abigaile will definitely be near the top of my to-read pile, but the big contest is between Ooku and Wotakoi. In the end, I am going to go with Wotakoi this time. I love Ooku a lot, but I know I’ve picked it before, and Wotakoi is appealing from a lifting-one’s-spirits sort of angle.

SEAN: Unsurprisingly, I’m looking at novels this week. I Want to Eat Your Pancreas has the award-winning cred, and though I expect I may get depressed after reading it, that’s my pick.

ASH: For ongoing series, Ooku and Wotakoi are both very high on my list as is the continuation of I Hear the Sunspot. But my pick this week officially goes to the debut of Ran and the Gray World, which looks like it should be absolutely wonderful.

ANNA: I’m going to go with Ran and the Gray World too. I’m going to check it out!

MJ: Fumi Yoshinaga always wins for me, so I’ll be the one to pick Ooku. It’s always a wonderful treat to see it turn up on the list!

KATE: Sorry to be bringing up the rear — I’m in paper grading purgatory right now! My pick of the week is Good Dog, Cerebus! which looks like the kind of cute, fluffy escapism I’m craving at the moment. My second pick — if I’m allowed one — would be PEZ, which looks gorgeous.

My Next Life As a Villainess! All Routes Lead to Doom!, Vol. 1

by

By Satoru Yamaguchi and Nami Hidaka. Released in Japan by Ichijinsha. Released in North America by J-Novel Club. Translated by Shirley Yeung.

Sometimes you come into a title with a lot of buzz and hype and are greatly disappointed. This is not one of those times. I’d heard great things about this series, especially its humor and the “denseness” of its heroine, Katarina Claes (the series’ nickname is “Bakarina”). I’m pleased to say they seem to be accurate. This book is a hoot from beginning to end, as what could be yet another “protagonist dies and ends up in a game world” series – and yes, we’ve seen this premise before here even with a reverse harem – ends up getting bulldozed by Katarina stomping across the plot like a berserker. This is not to say that she’s evil – the opposite, in fact. She may be a loud tomboy, but Katarina’s innate niceness throws off the entire cast, and what should be her just trying to alter history so that she’s safe ends up being her creating a vortex of partners around her – male AND female.

The premise: a girl (we never do learn her original name) rushes out of her house after spending all night playing an otome game and gets kit by a car and killed. She wakes up in the game, as 8-year-old Katarina. Unfortunately, Katarina is the antagonist. IN Magical Academy seven years down the road, the spoiled and rich Katarina bullies and torments the player character heroine, and in the endings is either a) exiled penniless to the country, or b) killed. But now Katarina has the memories and the wherewithal to change her future. What’s more, she’s a rambunctious but basically nice girl, and so the arrogant haughtiness vanishes as she attempts to find various ways to fix things. She succeeds beyond her wildest dreams… but is completely unaware of the fact that her fiancee the Prince is now in love with her. As is her adopted brother. As is the Prince’s brother. As is her best friend Mary, showing that everyone falls for Katarina. Katarina notices absolutely none of this. After all, why would anyone be attracted to her? She has a villain face!

Like Obsessions of an Otome Gamer, this plays with its premise a bit and does not take itself seriously. Unlike Obsessions of an Otome Gamer, there’s no serious plotline to worry about. Everything here is for the sake of the comedy. The primary source of the comedy being Katarina’s thought process, which beggars belief at times… well, OK, all the time. Watch our heroine as she becomes an 8-year-old farmer, works on ways to create more convincing toy snakes to throw at her fiancee, and decides the solution to eating and drinking too much at tea parties is to take her own portable toilet the next time she’s there. Most of this volume deals with Katarina as a child, with only the final chapter having the now 15-year-old Katarina start university, and she still hasn’t met the heroine of the game. Still, I think she’s good. The book balances her narrative POV at the end of each chapter with the POV of the other characters, showing what they were like before they met her and how she changed their lives. It also has a good moral, spelled out at the end: treat people as human beings. Katarina is so blunt and straightforward that she can’t help but charm everyone she meets. (Also, kudos to the author for including the girls being in love with her but not making it for the sake of comedy – Mary and Sophia are the same as the guys, and there’s only one “but I’m straight!” from Katarina, said right after she’s spent a lot of time gushing about Mary’s beauty.)

I highly recommend Bakarina to light novel readers. You will laugh. You will cry… wait, no, you won’t. But you will laugh more. You will also wonder why Japanese authors try their hardest to avoid using the romanization “Gerald” (first Jellal and now Jeord).

Anime NYC 2018, Day Three

by

The third day, as I indicated, was very light for me: I had no panels to attend. I ended up going to the winners of the AMV Music Videos showing, something I haven’t done in a number of years. I was impressed at the technical excellence – the days of using 5 different VHS sources is long gone. I especially liked the video that brought every single “beach episode” anime series together, and then started mixing the characters next to each other. Other highlights included a Totoro trailer with the sound from Stephen King’s IT (this was by the same women who did the beach one) and an action filled My Hero Academia video that showed off everything we love about the series, with good (if very loud) music accompaniment.

And for those who like sad videos, there was a Your Lie in April one which brought the tears. I was less happy with the “honest trailer” for Yuri On Ice, which read very much as a “ew, gay guys” sort of thing, even if its intention may have been partly to parody that. The winner on all counts was a Gurren Lagann video. I was rather surprised at seeing some more obscure anime – who still remembers MM!, which won a romance category to the tune of Soft Cell’s Tainted Love? But mostly I was impressed at the technical expertise all the finalists had. Well done.

I then went up to look over the Artist’s Alley, whcih I tend to save for last when I go to cons. I picked up two cute pins of Izuku and Ochako as stuffed toys (yes, the pin was art of them as the toy… it was cute, and is also my ship). As you can imagine, there was a lot of the most popular titles such as My Hero Academia and Fate/Grand Order, but I was also pleased to see a good showing for Cells at Work! and Golden Kamuy. The most popular older Jump titles such as One Piece and Naruto were there, though I saw little to no Bleach – its its time over? Speaking of fads, there was also far less Pop Team Epic than I’d anticipated, adn I wonder if that may also turn out to be “of its time” fairly rapidly. As with the AMVs, it’s impressive to see how far the Artist’s Alley has come since the days of yore, with almost as many pins, buttons, plushies (a lot of cute plushies, which also tempted me) and merch to go along with all the artwork. It’s showing off all aspects of an artist’s work, and was well worth your time.

And that was it for me. Anime NYC was a very successful convention this year, in my opinion – after the initial line holdup at the start, there were no issues with major lines or any bag check nightmares that I heard of, and only one panel had an instance where I wondered if security should be stepping in, but it was taken care of fast. I’m not certain what attendance was, but I would not be surprised if it passes 2017 – Friday and Saturday were both packed. Looking forward to 2019!