Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Michelle Smith

Farthing by Jo Walton: B-

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From the back cover:
Jo Walton crosses genres without missing a beat with this stunningly powerful alternative history set in 1949, eight years after Britain agreed to peace with Nazi Germany, leaving Hitler in control of the European continent. A typical gathering at the country estate of Farthing of the power elite who brokered the deal is thrown into turmoil when the main negotiator, Sir James Thirkie, is murdered, with a yellow star pinned to his chest with a dagger.

The author deftly alternates perspective between Lucy Kahn, the host’s daughter, who has disgraced herself in her family’s eyes by marrying a Jew, and Scotland Yard Inspector Peter Carmichael, who quickly suspects that the killer was not a Bolshevik terrorist. But while the whodunit plot is compelling, it’s the convincing portrait of a country’s incremental slide into fascism that makes this novel a standout.

Review:
I’m a fan of England, mysteries, and gay-themed literature, so I expected that Farthing would be my cup of tea. As it turns out, I was quite disappointed. Though the majority of my complaint can be summed up as, “It was just kind of weirdly put together,” there are some specific areas that bothered me enough to merit their own place on a spiffy numbered list.

1. Punctuation.
I’m starting with the most minor quibble, though it did truly bug me. A couple of times there were lists of buildings or people that were improperly punctuated. Here is an example:

There was a church, larger than most, a pub, the Eversley Arms, a row of cottages, and a high wall containing a pair of wrought-iron gates…

The way that’s written, the pub and the Eversley Arms appear to be two different things. There should be a semicolon after “most,” as well as after “Arms” and “cottages.” Because of this, a later list of attendees at the gathering had me confused as to whether Lucy’s dad and the Earl of Hampshire were the same person.

2. Woefully undeveloped gay characters.
There are, if I counted correctly, eight nominally gay or bisexual characters in this book, nine if you count Lucy’s deceased brother. For some, that’s practically all that’s known about them. Frankly, it started to get ridiculous. I’m beyond cool with having gay characters, but just having a cardboard cut-out standing there with a nametag reading “Gay” on his chest does not really count.

3. A pretty boring mystery.
The investigation into this mystery was kind of meh, with Inspector Carmichael and his sergeant doing a lot of theorizing in advance of the facts. It also seemed to hinge on locating one particular girl from a photograph who, when found, blurted out the culprit pretty anticlimactically. Granted, it was obvious by that point, anyway. The impact of the increasingly fascist government upon the investigation was kind of interesting, as Carmichael had to keep in mind that whomever he arrested would be hanged (and so he had better be absolutely certain before arresting them), but also frustrating, since the innocent Jewish fellow everyone kept insisting was guilty (even when presented with evidence to the contrary) was one of the few likable characters in the book.

When I try to recall something I particularly liked, I come up empty. The conclusion was decent enough, I suppose, though the final chapter from Lucy’s point of view ended rather ominously. I will probably finish up the rest of the trilogy, because I am a completist and because I hope it gives more closure on the Lucy front. I think the other books might feature different characters, though, so I shan’t hold my breath. Neither shall I expect to enjoy them any more than I did Farthing.

Cat Street 1 (Japanese) by Yoko Kamio: B+

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Book description:
Keito Aoyama was a child star until the age of nine, when she froze up on stage in front of a live audience. The incident ended her career, and she’s spent the past seven years a recluse, spending most of the time in her room and socializing with no one. An encounter with an eccentric principal leads her to El Liston, a school for kids who haven’t fit in at other high schools. Could this be what Keito needs to begin truly living again?

Review:
This series is interesting, but since this volume was mostly set up, probably much of the good stuff is yet to come.

Keito is very socially awkward to start with, and ends up insulting a couple of people and running away from them, just like she’s essentially been running away from life for seven years. She’s a sympathetic character, kind of complex and difficult, but her search for direction is compelling. She encounters a former grade school classmate and the fact that he’s still striving for his childhood dream makes her question what it is that she really wants to do. Though she’s initially reluctant to attend such a “weird facility,” she eventually decides to give El Liston a try.

The El Liston setting is pretty neat. Most of the kids there are doing independent study of some kind, though there are teachers on hand to help when needed. The students are free to pursue their interests, be they computer programming or fashion design. The students that Keito meets are already shaping up to be unique and interesting characters and I look forward to seeing Keito flourish in that environment. Of particular note is Kouichi, a manga character who actually looks Asian!

Too, I like that the focus is on Keito’s search for a purpose in life and not on romance. To be sure, there are a few prospects in that regard, but her thoughts are running more toward self-improvement than smooching. Cat Street definitely has the potential to be something great, and I’ll be continuing with it.

Someone in the House by Barbara Michaels: B+

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Book description:
An English Gothic mansion, transported stone by stone to the isolated Pennsylvania hills, Grayhaven Manor calls to Anne and Kevin. Here is the ideal summer retreat—a perfect location from which to write the book they have long planned together. But there are distractions in the halls and shadows of the looming architectural wonder luring them from their work—for they are not alone. Something lives on here from Grayhaven’s shocking past—something beautiful, powerful, and eerily seductive—unlocking the doors of human desire, of fear… and unearthly passion.

Review:
Someone in the House was a recommendation of sorts from Margaret, not coming from her personally but from an archival index. It’s the first book I’ve read by Barbara Michaels, who also writes under the name Elizabeth Peters.

When Anne arrives at Grayhaven, her intention is to work on a literature textbook with her coworker, Kevin, but a feeling of complacency seems to settle in, and little work actually gets accomplished. This air of contentment lingers even after Kevin’s Aunt Bea notices strange noises coming from her nephew’s room which lead into an investigation into possible spiritual phenomena within the house. The ensuing investigation is pretty interesting, at least at first, with plenty of nifty cameras, crypts, and brittle old documents. It does drag a little in spots, though, and by the end, when Anne keeps talking about how she’s figured it out but yet doesn’t divulge the answer, the result is irritating rather than riveting.

Anne herself is an interesting character. Fiercely feminist, she bristles at the notion that she might wish to cancel her own career-minded summer plans in order to accompany her current boyfriend on a trip overseas. Her ardent independence and lack of concern for his opinion of her actions are refreshing. After occasionally enduring weak-willed female protagonists that make me want to scream, Anne is a welcome change. I also like that she’s a feminist without being portrayed as the extreme, man-hating variety.

The rest of the characters, though, are not very interesting. Anne’s coworker and eventual love interest, Kevin, hasn’t got much of a personality and I never bought the romance that develops between them, though the reasons for that are made evident by the end of the book. The conclusion itself could’ve been more climactic, but it does provide a new light with which to see the events of the book, so I suppose that technically qualifies as a twist.

All in all, I enjoyed the book. It was fun and not too long and I’d probably read more by Michaels in this vein.

A Suitable Vengeance by Elizabeth George: C+

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From the back cover:
Award-winning author Elizabeth George gives us an early glimpse into the lives of Detective Inspector Thomas Lynley, forensic scientist Simon Allcourt-St. James, and Lady Helen Clyde in a superlative mystery that is also a fascinating inquiry into the crimes of the heart. Lynley, the eighth earl of Asherton, has brought to Howenstow, his family home, the young woman he has asked to be his bride. But the savage murder of a local journalist is the catalyst for a lethal series of events that shatters the calm of a picturesque Cornwall village and embroils Lynley and St. James in a case far outside their jurisdiction—and a little too close to home. When a second death follows closely on the heels of the first, Lynley finds he can’t help taking the investigation personally—because the evidence points to a killer within his own family.

Review:
It took me ages to finish this. Well, okay, more like a month.

The chief problem with it was this: the first third or so was entirely comprised of relationship angst. Not only that, it was flashback relationship angst, so the outcome was already known to anybody who’s been reading the Lynley books in publication order. There was some family angst, as well, since Lynley had issues with both his brother and mother. The most frustrating part was that most concerned preferred to ignore obvious problems or feelings. This resulted in a pretty boring story at the start, and I was clamoring for someone to get murdered already!

Once someone finally died, the book improved though the angst never quite subsided. The case focused on a journalist from the village nearest Howenstow, and whether his death was related to personal quirk, some fairly hefty misdeeds, or a story someone wanted to suppress. It wasn’t the most fascinating investigation I’ve ever read (I figured out the victim’s Big Secret on page 230 and had to wait sixty-eight pages for the characters to catch up with me), but the end result was a surprise and I liked seeing so much of the action from the perspective of Simon St. James, Lynley’s friend and a forensic expert in his own right. There was one detail about the solution that bothered me, though. Here are some paraphrased quotes:

Lynley: What about the condition of the room and the missing money?
Suspect: I don’t know. Maybe Red Herring took it.

A few minutes later…

Simon: Lynley, who’d you tell about the money?
Lynley: A few people. Why?
Simon: But not Suspect?
Lynley: No.
Simon: … Then how did Suspect know?! (dun dun dunnn…)

Me: Um, because y’all basically just told him?

Enduring all of the angst paid off towards the end, when people finally started saying what they had needed to say to each other for years. Though it was kind of cheesy, I actually really loved the scene where Lynley forced himself to watch as his fianceé freaked over Simon’s supposed death and then clung to him once he revealed himself to be alive. I think I’m a sucker for the tortured, self-loathing type.

So, yes, definitely not my favorite of the Lynley/Havers mysteries so far (I despaired of the latter’s absence, but she actually did make a brief appearance), but tolerable once the investigation got going. It wasn’t so awful that I’m discouraged from reading the rest of the series.

A Definitive Guide to Ghost Hunt

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When Mai Takiyama breaks an expensive camera belonging to ghost hunter Kazuya Shibuya, he tells her she can work off the debt by acting as his assistant. Thus, Mai is introduced to a world of spirits, curses, and exorcisms as well as Kazuya’s arsenal of gadgetry used to scientifically measure paranormal activity.

To start with, most of the spirit activity the Shibuya Psychic Research team investigates takes place on high school campuses, but the series eventually does branch out into things like mansions, churches, and secluded restaurants. In addition to Mai and Kazuya (dubbed Naru for his narcissistic tendencies), SPR employs Lin-san, Naru’s quiet yet capable assistant, and a variety of mediums and exorcists. Together, they fight crime spirits.

As the series continues, the cases gradually become gorier, though this does not necessarily result in heightened creepiness. The first volume is actually probably the best for maintaining spooky tension throughout; there’s just something about watching spectral phenomena on a video monitor that adds to the atmosphere. My favorite case is actually not gory at all, nor is it one of the longer ones. Instead, it’s the side story “Silent Christmas” (included in volume four), about the spirit of a boy who used to be an expert at hide-and-seek.

The characters are kind of a mixed bag. I like Mai, who is spunky and generally level-headed. It’s especially noteworthy that, although she has feelings for Naru, she never lets them get in the way of her work and whole volumes will pass without her dwelling on him at all. Naru’s also pretty interesting, even though he does have the unfortunate habit of being rude and insulting on occasion. Alas, few of the supporting characters are developed in any meaningful way and one is often left to ponder what purpose they serve. The sum total of information on one particular character is that he’s a young-looking priest from Australia. This guy has appeared in nine volumes so far!

The series’ two long-running story arcs focus individually on Naru and Mai, with varying degrees of success. The gradual development of Mai’s intuitive ability is well-integrated into early volumes, and even after her powers are confirmed several volumes later, they continue to develop. By contrast, tiny nuggets of information on Naru’s mysterious origins and possible powers are doled out sparingly and left to hang without resolution. It’s only in volume nine that we actually get some concrete evidence of his own psychic abilities.

After volume five, there’s a noticeable slide in quality. I attribute this to the end of Ghost Hunt’s serialization in Nakayoshi and the beginning of direct-to-tankouban releases. The art becomes inconsistent after this point, reminding me of American comics with the way certain characters’ facial proportions change in every panel in which they appear. The characterization also suffers and many cases have moments where explanations don’t make much sense.

The ninth volume is an improvement over the few preceding it, and reveals some answers about Naru’s mysterious “capabilities.” At the very least, it gives me hope that the series might once again produce something really good. For now, I can really only recommend the first five volumes.

VOLUME 1

GRADE: B+

Summary: After accidentally breaking an expensive camera, Mai is drafted to help with the investigation into alleged spirit activity in an old building on her high school campus. Despite her expectations, she enjoys the experience and, at the end of the volume, accepts a job working in Naru’s office.

Creepiness Factor: Low. There are plenty of mysterious sounds and accidents in the old building, but the only truly creepy thing is a chair that appears to move on its own.

VOLUME 2

GRADE: B+

Summary: The Shibuya Psyshic Research team investigates a residence with a deadly history: every pre-teen child who has ever lived there has died. The case hinges on a creepy doll owned by the 8-year-old girl currently residing there.

Creepiness Factor: Low. And this is coming from someone with childhood trauma concerning a creepy doll.

VOLUME 3

GRADE: B+

Summary: Many strange incidents and ghost sightings have been reported at a high school that has recently been abuzz with the discovery that one of the students has psychokinetic abilities. Mai’s powers of intuition lead Naru to test her for psychic ability.

Creepiness Factor: Zero. A very cute scene between Naru and Mai makes up for that, though.

VOLUME 4

GRADE: A-

Summary: Yet more strange incidents at a high school, making three such cases in four volumes. This time, events seem to focus on the spirit of a student who had a grudge against the school. This volume also features a great side story about the spirit of a boy, expert at hide-and-seek, who wants to be found.

Creepiness Factor: Low. There isn’t much in the main story itself, but the resolution of the side story is pretty creepy.

VOLUME 5

GRADE: A-

Summary: The case that began in the fourth volume is concluded here. Although the story isn’t anything particularly special, the solution is more of a group effort than previously, and there are some great scenes of conflict between the two leads.

Creepiness Factor: Low. There’s one spooky scene in a nurse’s office, especially after the spirit menacing Mai suddenly disappears. Somehow, that’s always worse than a sudden appearance.

VOLUME 6

GRADE: B

Summary: Plot trumps characterization in this installment, when the SPR is hired by the Prime Minister to research a series of unexplained disappearances at a mansion.

Creepiness Factor: Medium. Prior volumes haven’t featured much blood, but this time Mai’s precognitive dreams include plenty of it.

VOLUME 7

GRADE: B

Summary: The Case of the Creepy Mansion (not actual title) concludes. Art and characterization continue to be not as good as in the first five volumes of the series.

Creepiness Factor: Medium. The best part was when messages from murdered spirits appeared all over the walls.

VOLUME 8

GRADE: B-

Summary: A secluded restaurant is cursed—whenever ownership changes hands, the transfer is accompanied by many deaths. In the course of the investigation, Naru is possessed by one of the spirits.

Creepiness Factor: Low. There are a couple of panels of a possessed child grinning eerily. That’s about it.

VOLUME 9

GRADE: B

Summary: The team works together to determine the cause of the curse, freeing Naru in the process. When he awakes, he finally reveals his powers and confronts a wrathful chunk of driftwood. I snark, but it’s actually fairly cool, and meaningful progress on the “Mystery of Naru” plot line is always welcome.

Creepiness Factor: Low. A bunch of frog-like spirits crawling on windows and one possessed middle-aged guy lurking menacingly amongst some shrubbery.

Review originally published at Manga Recon.

Parable of the Sower by Octavia E. Butler: A-

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From the back cover:
God is change. That is the central truth of the Earthseed movement, whose unlikely prophet is 18-year-old Lauren Olamina. The young woman’s diary entries tell the story of her life amid a violent 21st-century hell of walled neighborhoods and drug-crazed pyromaniacs—and reveal her evolving Earthseed philosophy. Against a backdrop of horror emerges a message of hope: if we are willing to embrace divine change, we will survive to fulfill our destiny among the stars.

Review:
Lauren’s diary entries begin in July 2024, on the eve of her fifteenth birthday, and continue through October 2027, when she is eighteen. In the meantime, the walled neighborhood near Los Angeles in which she and her family live is destroyed and she is forced out onto the road, heading north in search of a better life. Lauren is mature for her years, however, and is more prepared than anyone else for the day when catastrophe strikes. On the road, she collects companions and instructs them in the new religion she has discovered (she states firmly that she did not invent it) while searching for a place they can settle and create a community.

I wondered initially whether I would like this, or if it’d be too religious for me. There were times, indeed, where Lauren’s instruction of her new traveling companions did seem a little creepy and cult-like. Earthseed is really more of a philosophy than a religion, though, and boils down to: “There’s no God who cares about you. So stop sitting around, praying for His intervention, and take care of things yourself.” Since I don’t disagree, the religious stuff didn’t end up bothering me too much.

I found all of the dystopic details very interesting, though occasionally gruesome and horrible. The plot wasn’t complicated—let’s walk North!—but the various encounters with dangerous and desperate people turned what could’ve been a boring travel narrative into something engrossing. I also really liked Lauren, who is smart and level-headed, as well as the way race was dealt with (it’s mentioned and not ignored, but neither is it the defining trait of any character).

I’ll definitely be reading the sequel, Parable of the Talents, and probably checking out other things by Octavia E. Butler, too.

Time Stranger Kyoko 2 by Arina Tanemura: C-

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This volume finds Princess Kyoko and her bodyguards on the search for more of the god stones required to awaken Princess Ui from her sixteen-year sleep. After the first two stones are found in the possession of the leaders of the dragon and flower tribes, the hunt is on for the rest of the tribe leaders in the hope that each of them will have one of the powerful jewels, too.

Each new psychic or “Stranger” that Kyoko encounters has some silly obstacle to overcome before they can join up with her, like nearly being sold at auction or being tricked into relinquishing their god stone to a member of the demon tribe. These stories are painfully boring and have absolutely zero depth, especially the one in which the leader of the fish tribe tells her sibling, “It doesn’t matter if we are brother and sister… I love you!” Arina Tanemura, you’re no Kaori Yuki. Just don’t even try.

Kyoko’s also preoccupied by the fact that someone kissed her while she slept in the last volume, so there’s much tedious speculation over who it could’ve been. This combined with everything else results in a muddle so mind-numbingly bad that I very nearly awarded this volume a D. A sudden twist in the final chapters provides the bare minimum of interest to avoid that fate, but I still can’t recommend slogging through the rest of it to get there.

Review copy provided by the publisher. Review originally published at Manga Recon.

Fairy Tail 4 by Hiro Mashima: C+

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From the back cover:
S-Class quests are so dangerous that one false move means certain death! Now loose cannon Natsu, rookie Lucy, and nearly powerless Happy have embarked on a stolen S-Class quest, setting out for the Demon Island. Can anyone stop them before they get themselves killed?

Review:
Sigh. Well, the resolution to the cliffhanger of Erza’s arrest was completely lame, as was the conclusion of her duel with Natsu. It felt like the mangaka suddenly lost interest in that plot line.

The S-Class quest wasn’t all that much better. I’m definitely not the ideal shounen audience, since I tend to get very annoyed with characters who do things they’re not supposed to and then get into perilous situations as a result. The lack of foresight also bothered me. It was bad enough Natsu hatched this hare-brained scheme, but Lucy continued to go along with it even after learning it would likely result in her expulsion from the guild she had been so desperate to join back in volume one. And evidently felt hardly a qualm about doing so!

Ultimately, their quest lead to various angsty revelations about Gray’s past which Mashima admitted including in an attempt to lure more female readers. About the only good thing in this volume was the introduction of a cool new guild member, Mystogan, whose power is to put everyone to sleep. Ironically, that was the one bit that didn’t have me yawning.

Blank Slate 1 by Aya Kanno: B-

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Zen has no memory of the last twenty years, and doesn’t much care. The back cover, with its line “he can’t remember if he’s a killer or a hero,” erroneously leads one to anticipate a story of an amnesiac’s quest for identity. In reality, Blank Slate is all about the action.

The story takes place in the country of Amata, which was invaded and conquered in a war two decades earlier. The occupying government honors justice and order and employs a fleet of bounty hunters to eradicate all manner of undesirables. Zen is a notorious criminal and has committed every kind of crime imaginable. His philosophy is, “I do whatever I want. If it gets in my way, I smash it.”

I had a really tough time getting into the first chapter. It’s the stand-alone tale of a bounty hunter sent to kill Zen who instead joins him on a murderous spree of destruction and ruin. It wasn’t the best introduction to the setting or characters, and I found it very dull. The real serialization of the story commences in chapter two, and the improvement is immediate. From this point, there is a continuous plot focusing on the tensions between the native Amatans and the occupying Galayans and featuring kidnappings, prison breaks, and lots of guns. It’s pretty interesting, and I was surprised by several twists in the story.

Aside from the abundant bishonen, there’s nothing stereotypically shojo about Blank Slate. Zen is as heartless as they come and kills casually. Most of his victims are aggressors or authority figures, but he’s not above threatening the life of a child who could expose his hiding place. His companions are more sympathetic, particularly Hakka, a righteous doctor who has fallen into evil to protect something important to him.

The art style is visually clean, a necessity in a title like this where the story is enough to be puzzling over. Most of the character designs aren’t anything special, but Zen is really quite spectacularly pretty. This isn’t achieved through any gimmick of flowing hair or sparkly eye but simply with a beautifully drawn facial structure that’s quite stunning. I’ve reviewed a lot of manga, and never before have I devoted three full sentences to how pretty some guy is. Trust me on this.

Blank Slate certainly isn’t the best thing I’ve ever read, but the story it’s spinning is entertaining enough that I will surely be returning for the second and final volume due out in December.

Review copy provided by the publisher. Review originally published at Manga Recon.

The Keys to the Street by Ruth Rendell: A-

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From the back cover:
When Mary Jago donates her bone marrow to help a complete stranger, the act bonds her with the young man who lives from her transfusion. He will change Mary’s life in ways she could never imagine.

But every act has consequences, often unforseen. Mary’s generosity returns her not only love, but also its opposite. She finds herself in danger from both the middle class world she belongs to and the world of the dispossessed and deranged.

Review:
The Keys to the Street follows several different characters. In addition to Mary Jago, there’s Roman (a middle-aged man who became a vagrant as a way to deal with personal tragedy), Bean (a spry, elderly dog-walker with an eye for opportunities to blackmail his clients), and Hob (a young drug addict who beats people up for cash). Each is interesting and complex in their own right (though Mary is annoyingly weak in dealing with her overbearing ex), and Rendell skillfully and gradually weaves their lives together in an intricate way.

Several homeless people have been killed in the London park that all these characters frequent, and information concerning the deaths and subsequent investigation is parcelled out as each person becomes aware of it. The mystery is never actually the driving focus of the story. There are also subplots concerning Mary’s budding relationship with the man who received her bone marrow and Roman’s gradual realization that he’s ready to rejoin the “respectable” world.

Rendell does a great job with all the characters and tidily wraps up all the plot threads in the novel’s conclusion. My very favorite thing, however, is how she gives readers all the clues they need to put things together for themselves. Rather than spell out the significance of a particular cardigan or a funeral, for example, she allows readers to work out the meaning on their own. I spent a while wondering what the deal was with Mary’s new fella, and it was while I was standing at the sink peeling potatoes that I realized that I had all the information I needed already.

Also, this is the kind of book one keeps thinking about even while peeling potatoes.

The Keys to the Street was a recommendation from Margaret, to whom I am grateful. She mentioned two other books by Rendell that are particular favorites, and I shall be reading those in the near future.

Note: Quite a lot of detail is given on the environs of London’s Regent’s Park and I found it helpful to consult a map. I’ve included the link here for any who might be interested.

Sand Chronicles 3 by Hinako Ashihara: B+

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From the back cover:
Sweet 16-year-old Ann returns to rural Shimane from Tokyo for the summer, eager to reconnect with her boyfriend Daigo. But will the allure of their close friends—wealthy brother and sister Fuji and Shika—sunder the romantic ties that have bound Ann and Daigo since they were 12?

Review:
I didn’t like this volume quite as much as the first two because it was missing that special feeling of nostalgia. Instead, it focused mostly on relationship and family angst, which was entertaining in its way, but didn’t elicit the bittersweet vibe that usually elevates this title above its fellows.

There was more focus on the Tsukishima siblings in this volume, which was welcome, as both of them separately tried to break free of the stifling mold their family has imposed upon them. Ann and Daigo begin by being worried about the Tsukushima in their town, but it’s probably only a matter of time until things escalate. I’m not really looking forward to that happening, since it will cause so much pain all around, but it will undoubtedly be interesting.

I’m also looking forward to farther down the line chronologically; will the series depict Ann in her early twenties, and follow right up to where she is as the story begins? That would be really neat.

Although these chapters here were not the best, the cliffhanger ending was pretty cool and I’m definitely looking forward to volume 4.

Fairy Tail 3 by Hiro Mashima: B

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From the back cover:
The evil members of the Dark Guild Eisenwald have found a cursed flute that can murder anyone who hears its music—and now they’ve taken over a midtown train station with a very loud public address system. Only Natsu and his crazy friends (including a flying cat) can stop them!

Review:
Fairy Tail has finally won me over. I think it was the fact that several guild members went on a mission together that did it, since I enjoyed seeing their various powers on display. Natsu also got to partake in a couple of nifty battles with nice choreography.

One thing I like about the combat in this series is that people have more than one trick. They don’t have to keep doing a “Wind scar” or “Amekakeryu no Hirameki” over and over again, but have many different aspects of their magical specialties that they can employ. I especially like Erza’s ability to don armor to suit her opponent; it has the added benefit of being very prettily drawn, as well.

At the end of the story, Erza gets arrested by the body that governs those with her special abilities. Oh noes! I predict the spiky-haired hero and friends will attempt a daring rescue, that Happy will turn out to be a sexay layday, and that Erza’s heretofore unseen angsty brother, Pyakuya, will make an appearance.

Fairy Tail 2 by Hiro Mashima: B

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From the back cover:
Beautiful celestial wizard Lucy has teamed up with the crazy fire wizard Natsu and his bizarre flying cat, Happy. Their job: to steal a book from the notorious Duke Everlue. But the eccentric Everlue has killed wizards before, and Lucy’s team is walking right into his death trap!

Review:
I was getting serious GetBackers vibes from the first mission in this volume. Natsu, Lucy, and Happy are hired by a client who will pay them two million “jewels” to retrieve a book from the library of some crazy, lecherous old guy. They fight some bodyguards with specialized combat abilities, and Lucy goes around in skimpy outfits, though not quite as skimpy as the stuff Hevn wears. (Side note: I haven’t read any GetBackers for two whole years now. Must remedy. It’s not the best thing ever, but I would still like to finish it.)

A new powerful female character is introduced in the second mission and I thought I’d like her, since she seemed keen to instill some discipline in her fellow wizards, but she turned out to be as illogical as the rest in her own way. The second story also introduces the threat of dark guilds, those who’ve broken rules (such as accepting assassination requests) and have been ousted from the league of official wizard guilds, which is pretty nifty. Some of these villains have some neat magic abilities, too; I particularly like the guy who manipulates shadows.

The art continues to be great. Not only does Mashima excel at depicting cities, but there’s never any question of where a scene is occurring, and sometimes you even know what room is next door, what’s down the street, etc. Some maps are helpfully provided, as well.

I liked this volume a little more than the first one, but I’m still not entirely sold on following it long term. Mashima employs gag humor that I don’t really care for (someone turning up naked for one panel just so someone else can joke about it), but at the same time there are amusing bits that I like, such as when Happy (the cat) picks up a skull in a storage room and randomly wears it as a helmet for a few pages. The magic system, not only the abilities but the organization, is also original and interesting. If only the characters weren’t so irksome!

Fairy Tail 1 by Hiro Mashima: B-

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From the back cover:
Cute girl wizard Lucy wants to join the Fairy Tail, a club for the most powerful wizards. But instead, her ambitions land her in the clutches of a gang of unsavory pirates led by a devious magician. Her only hope is Natsu, a strange boy she happens to meet on her travels. Natsu’s not your typical hero-he gets motion sickness, eats like a pig, and his best friend is a talking cat. With friends like this, is Lucy better off with her enemies?

Review:
This series was praised on a couple of review sites I read, but I have to say I’m kind of underwhelmed so far. I think my main problem with it so far stems from the characters, who are fairly annoying and reckless. The wizard guild members pride themselves on thumbing their noses at authority, and one has to wonder how they keep getting jobs when they’re famous for destroying public and private property.

There’s definitely potential, though, and later chapters that began to explain Lucy’s magic were more to my liking. I’m quite impressed by the art, as well. I adore any panel that depicts a city, because Mashima does them particularly well, and though we’ve got the stereotypical spiky-haired hero and buxom girl for the leads, some of the other character designs are very original. Like the Taurus spirit Lucy conjures who looks like a man-cow in superhero briefs. With six nipples. His appearance led to the one line that I actually did giggle at, when he saved them from a dangerous situation and Natsu gratefully cried, “Cow!!”

So yeah, I didn’t like this as much as I thought I would, but I’m willing to give it a couple more volumes to catch my interest.

Master and Commander by Patrick O’Brian: A-

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From the back cover:
it is the dawn of the 19th Century; Britain is at war with Napoleon’s France. Jack Aubrey, a young lieutenant in Nelson’s navy, is promoted to command of H.M.S. Sophie, an old, slow brig unlikely to make his fortune. But Captain Aubrey is a brave and gifted seasman, his thirst for adventure and victory immense. With the aid of his friend Stephen Maturin, ship’s surgeon and secret intelligence agent, Aubrey and his crew engage in one thrilling battle after another, their journey culminating in a stunning clash with a mighty Spanish frigate against whose guns and manpower the tiny Sophie is hopelessly outmatched.

Review:
I can’t help but compare this to the Hornblower series, so let me get that out of the way. Jack Aubrey is so Hornblower’s point-for-point opposite that I have to wonder if it’s intentional. He loves music, he craves companionship, and he’s not terribly clever. In fact, he’s a little dense and given to verbal blundering. His Lieutenant, who spends most of the book critical of Jack, gets it right when he says he possesses a “beefy arrogant English insensibility.”

I can see why Stephen Maturin finds Jack to be endearing, but I personally claim the good doctor as my favorite character. He’s somewhat morally ambiguous (or at least not opposed to questioning established conventions) and sardonic, but also affectionate and resourceful. I like how his ignorance of nautical matters is used to acquaint the reader with the workings of a ship, and I actually had a moment of squee later on when he ends up steering the sloop in a crucial moment.

I’d heard this series described as “Jane Austen on boats,” and I can see from where the comparison springs. There are several social gatherings with the rich and foolish in attendance and the manner in which some of them cluelessly spout very silly things would be quite at home in one of the interminable parties Emma Woodhouse was forced to endure. The writing is pretty witty in general, though O’Brian doesn’t stint in depicting the soldiers as the drunken, violent, filthy, whoring fellows the majority of them are.

By far, the best part of the book is the friendship between Aubrey and Maturin. There are several scenes between them that I love to pieces, like when Stephen is called upon to escort a misbehaving Aubrey from a party, the time Aubrey consults an imaginary Stephen for advice, and the awesome scene where Aubrey freaks out about a snake and climbs on a chair while Stephen nonchalantly laments a hole in his stockings. They are really quite slashy. I approve.

Lastly, I wanted to mention a very useful website. The book’s dedication is written in Latin and, because I am the kind of person who cannot abide not knowing what it means, I looked it up on Google and was led to A Guide for the Perplexed, a site with the ambitious undertaking of translating all foreign phrases in the series. I feel very fortunate to have discovered the site before I had ventured farther than the Author’s Note, so that I need never dwell in ignorance!