Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

David Welsh

Upcoming 8/17/2011

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If your comic shop is of the Diamond dependent stripe, you may be disappointed by this week’s ComicList, as there’s next to no manga in evidence. Never fear, though! There is one exciting arrival to please the discerning comics reader.

That would be the fourth volume of Lewis Trondheim’s Little Nothings: My Shadow in the Distance (NBM). Trondheim’s self-deprecating, autobiographical comics are always funny and observant in just the right ways. I reviewed the third volume, Uneasy Happiness, for the inaugural Not By Manga Alone column.

Of course, for those served by more diversely sourced comic shops, you can take a look at the Manga Bookshelf Pick of the Week roundup, and you can peruse this week’s Bookshelf Briefs for our takes on a variety of recent releases.

By the way, a new alphabet begins this week, but I think I’ll keep the theme a surprise. I’m sneaky that way!

 

Pick of the Week: Short Stack

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With only five new manga releases shipping to Midown Comics this week, what will our bloggers pick? See below to find out!

SEAN: It’s a smaller week this time around, but even if there were tons of titles, my pick would likely be the same. I found the first volume of Q Hayashida’s Dorohedoro to be my favorite out of all the SigIkki titles, and subsequent volumes have only added to my enjoyment. Its grim and unforgiving fantasy dystopia is lovingly detailed (you can pore through the backgrounds for hours), and its plot straight out of anyone’s nightmares (ever wake up with your head replaced with a giant lizard’s?). The reason that I can deal with its sordid underbelly is the wicked (and equally violent) sense of humor it has, with its main cast never seeming to let the bad things that happen to them crush their spirits. In fact, Ciaman and Nikaido, and their ‘evil’ counterparts Shin and Noi, can be quite jovial! Give this quirky series a try (if you don’t mind blood, it’s quite violent.) Plus, female creator!

MJ: This is a tricky pick for me, with nothing I’m really excited about shipping into Midtown Comics this week. With that in mind, I’m going to go completely off the list and get into the spirit of this week’s Manga Moveable Feast by recommending that everyone pick up something by Fumi Yoshinaga. My rereads this week include favorite older series Flower of Life and Antique Bakery, but there is plenty of newer or current Yoshinaga to check out if those are hard to find. Both Yen Press (Not Love But Delicious Foods Make Me So Happy) and Viz Media (Ooku, All My Darling Daughters) have served up recent helpings of Yoshinaga that should be relatively easy to acquire. I recommend keeping some snacks handy. Reading Yoshinaga always makes me hungry.

DAVID: It might have escaped your notice, but our long, national nightmare is finally over, and the Eisner Awards have finally given a prize to Naoki Urasawa. After an enormous number of nominations, he won a 2011 Eisner for 20th Century Boys. Conveniently enough, the 16th volume of this series arrives this Wednesday. Equally convenient is the fact that this is my favorite Urasawa title to be released in English, so I have no problem recommending it. One of my few complaints with Urasawa’s work is his inclination toward over-seriousness, so the generally wry tone of this series is especially welcome. It’s a great thriller that doesn’t neglect humor as it spins its various yarns. (Oh, and if you happen to have the Viz app on one of your various devices, you can now read Oishinbo in that format. This is something that bears repeating.)

KATE: After reading Bluewater’s unauthorized bio-comic of Lady Gaga, I’m morbidly curious about Fame: 50 Cent. The Lady Gaga comic was almost impossible to describe: it featured a middle-aged rock journalist who reluctantly agrees to write an article about Gaga, only to have a surreal experience when he listens to “Bad Romance.” (He actually imagines that he’s Lady Gaga; the sight of a balding, hairy man in one of Gaga’s most outre costumes was worth the cover price alone.) I don’t know that the 50 Cent story lends itself to such an avant-garde presentation, but given the sheer weirdness of Bluewater’s other Fame comics, I can’t imagine it will be boring.

MICHELLE Sometimes I feel like the only person who likes Bokurano: Ours. Indeed, it is very grim—there are quite a few similarities with Ikigami, actually—and somewhat repetitive, as members of a group of children sit quietly in the background until it is their turn to sacrifice their life piloting a giant robot that is ostensibly defending Earth. As you might expect, this is very depressing, but some creepy circumstances surrounding the arrival of the aliens makes me question is any of this even real? In addition to being cruel and horrible, is all of this just futile? Just a game? It’s this underlying mystery that keeps me coming back despite the need for a fluffy shoujo transfusion I typically feel afterwards.

Readers, what looks good to you this week?

Bookshelf Briefs 8/15/11

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This week, MJ, Michelle, David, Kate, & Sean check out recent releases from Viz Media, Bandai Entertainment, Vertical, Inc., & Dark Horse.

Dorohedoro, Vol. 4 | By Q Hayashida | VIZ – After reading the first volume of Dorohedoro, it was obvious to me that Q Hayashida had serious drawing chops and a vivid imagination, but the graphic violence, choppy storytelling, and eccentric cast kept me at arm’s length from the material. Revisiting the series at volume four, I’m pleased to report that Dorohedoro has improved: not only do the characters seem better defined, but the plot is more coherently presented, and the dialogue is crisper. The highpoint is a macabre baseball game that’s amusingly reminiscent of “Foul Play,” an EC Comics short from 1953. The characters’ dugout banter is genuinely funny, as are some of the grislier sight gags. Much as I appreciated these scenes, I’m still not sold on Dorohedoro — it’s well written and smartly drawn, but its visceral imagery and fantasy elements place it squarely in the Not My Thing category. – Katherine Dacey

Gantz, Vol. 18 | By Hiroya Oku Works. | Published by Dark Horse – As I spend the week of the current Manga Moveable Feast steeped in the humane, sexy comedy-drama of Fumi Yoshinaga, it’s always nice to take a break with something very different for contrast and perspective. And really, how much farther away can you go than this ridiculously, randomly violent smackdown of a comic? For the uninitiated, people on the verge of death are snapped up by a computer to don skintight suits and fight aliens. It’s every bit as absurd as that makes it sound, particularly since there’s virtually no successful, intentional satire in play. (Oku may be shooting for that, but any meta winks come off as just as straight-faced as the serious bits.) This volume is basically a long battle scene, but every volume is basically a long battle scene. And it’s always fun to try and concoct a justification for the fan-service-friendly back covers. – David Welsh

Kamisama Kiss, Vol. 4 | By Julietta Suzuki | Published by VIZ Media – Volume four is unequivocally the best volume of this series so far. Nanami has finally acknowledged that she’s in love with Tomoe, her fox yokai familiar, but he dismisses her feelings (in a scene that might give my fellow acrophobes some serious jibblies) as a side effect of puberty. It’s clear Tomoe feels more than he lets on, however, and he risks his own life to fulfill a desperate request from Nanami. To rescue him, she travels back into his past and sees a few things she’d rather not see, but emerges determined not to be so passive in their relationship. I enjoyed the InuYasha vibe I got from this volume—Nanami turns out to have a stone-like item inside her body that was originally consumed by the human woman Tomoe, a white-haired, pointy-eared demon bishounen, once loved—but more than that, it was genuinely exciting. More like this, please! – Michelle Smith

La Quinta Camera | By Natsume Ono. | Published by Viz – While I did enjoy this disparate collection of anecdotes, it’s pretty clear why Viz licensed a pile of other Natsume Ono stuff first. Compared to much of her later work, this is simply not as engaging, and the art is even more sketchy than usual. (The eyes of the characters give me a Scott Pilgrim feeling, for some reason.) And a lot of the intertwined characters slowly growing as the seasons change would be used to greater effect in her other Italian series, Ristorante Paradiso and Gente. Still, I ended up having fun with this anyway. The characters are likeable, and even though we only focus on them for a short period, it’s simply nice watching them interact. Much like a good European art film, there’s no actual plot or a major emotional catharsis. It’s just people watching. – Sean Gaffney

Natsume’s Book of Friends, Vol. 8 | By Yuki Midorikawa | VIZ – Though I’ve enjoyed previous installments of Natsume’s Book of Friends, volume eight has transformed me from follower to fan. The three stories provide some badly-needed background on Natsume, giving us a window into his life before he lived with the Fujiwaras, and helping us understand what a burden his “gift” truly is. Yuki Midorikawa’s mastery of the material is more assured than in previous volumes; though the stories offer plenty of supernatural twists, what really stays with the reader is the lovely way in which she maps Natsume’s journey from lonely outsider to cherished son and friend. Even the artwork is improving; Midorikawa’s layouts are more fluid and expressive than in the earliest chapters, making it easier to figure out what’s happening on a moment-to-moment basis. Recommended. – Katherine Dacey

The Story of Saiunkoku, Vol. 4 | By Kairi Yura and Sai Yukino | Published by VIZ Media – While it is certainly wonderful to read about a heroine as smart and capable as Shurei, Emperor Ryuki really steals the show in this volume. Not only is he proposing a measure allowing women to take the civil service exam, he’s doing it largely so that Shurei will be able to achieve her dream. Yes, he hopes that Shurei being in the palace will help him win her heart, but more than that, he simply wants her to be happy. Ryuki has absolute confidence in her abilities and, though he hasn’t given up his romantic pursuit, he would rather she come to him on her own terms, when she is ready. He reminds me a lot of Tamaki from Ouran High School Host Club, one of those oddly perceptive goofball types that I love so much. The recurring gag involving his misunderstanding of the phrase “midnight tryst” is also quite amusing.– Michelle Smith

Tales of the Abyss: Asch the Bloody, Vol. 1 | By Hana Saitou and Rin Nijyo | Bandai Entertainment – As someone whose consumption of Japanese media consists almost exclusively of manga, Bandai releases offer a very particular challenge. Though a few of their manga series genuinely start at the beginning, most——even those labeled “volume 1″——are offshoots of the company’s anime and game franchises, so reliant on the background and mythology of their source material that the learning curve for manga readers can seem impossibly steep. On the surface, Asch the Bloody falls into exactly this mold. Following the side story of one of the series’ antagonists, its early chapters read like gibberish to anyone not already familiar with the franchise. Fortunately, as the volume continues, its main character’s inner struggle between pride and self-loathing as he observes the life of his own “replica” becomes the story’s centerpiece, offering genuine food for thought, even for the uninitiated. Not bad, Bandai, not bad. – MJ

Twin Spica, Vol. 8 | By Kou Yaginuma. | Published by Vertical – I never quite know what tyo say about Twin Spica, which is why my reviewing of it is so erratic. I always enjoy each volume as I get it, and it never fails to bring a smile to my face. But frequently it’s a rueful or melancholy smile, the sort reserved for watching the fallibility of life, or seeing a sweet moment that you know will never last. This volume of Twin Spica is filled with such things. Asumi’s burgeoning teen romance is over almost before it starts, but for all the right reasons, and I think both of them end up being happier they had their feelings. Moreover, this volume finally gives some much needed depth to Shu, who’s been the most cryptic of the group of five. And, true to the tome of the series, the depth comes with a growing sense of unease, and a sense that the group is not going to be together for much longer. Twin Spica loves to highlight the fleeting springtime of youth, both to show its strength and to emphasize how fleeting it really is. Surprisingly mature. – Sean Gaffney

Ichigenme, Vols. 1 and 2

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Ichigenme: The First Class Is Civil Law (801 Media) wasn’t the first yaoi work by Fumi Yoshinaga that I read, but it’s my favorite, and it has all of the qualities I use to define what I classify as the best of that category.

It’s about law-school students, and, by that, I don’t mean that it features characters who are identified as law-school students. In some romance stories, regardless of the sexual orientation of the protagonists, their professions are identified as a matter of course. For all careers matter to the narrative, they could just as well be identified as working in weaponized genetics or unicorn husbandry. But Yoshinaga has her characters spend a lot of time in the classroom, and she’s given a lot of thought to the culture of a law school.

Hard-working, average-income Tamiya and lazy, elite Tohdou are in the same seminar. It’s a notoriously easy course, so it’s generally populated with the entitled spawn of politicians, business magnates, and celebrities. They’re the kind of people who are just vamping until their inevitable success, because they know it’s ensured, relatively speaking. Tamiya’s success is equally assured, but that’s because he’s brilliant and he works hard. His classmates view him as a kind of charming oddity, and you can tell he bristles at their condescension as much as their stupidity.

So the series is also about class distinctions, which isn’t unfamiliar territory for Yoshinaga. It was the crux of conflict in Gerard and Jacques (Blu), and caste inequities inform virtually every page of Ôoku: The Inner Chambers (Viz). The injustices of the smug and privileged don’t sour the good times, though, and Yoshinaga doesn’t sermonize. The elites are basically a benign but useless subspecies that’s good for a laugh, though their systemized superiority can certainly be damaging. Class differences in romantic fiction aren’t uncommon, but they can be as cosmetic as careers. Yoshinaga goes deeper, and she earns laughs in the process.

So that’s two things that Ichigenme is actually about aside from a romantic relationship, and they bring me to another good-yaoi differential in evidence: there’s a female character of consequence in the series. Terada is as good a student as Tamiya, and her pedigree is about equal to his. Tereda gives Tamiya a partner in eye-rolling, and she lets Yoshinaga work in some stinging examples of sexist double standards that successful women have to endure. Tereda is a more driven, polished version of Haruka and Tammy in Antique Bakery (Digital Manga), and her scenes have sly, satirical power. That she vanishes after the first volume isn’t really a problem; that’s another pattern of Yoshinaga yaoi, and it’s better than no representation at all of the other 50-plus percent of the population.

It’s starting to sound like Ichigenme is seinen slice-of-life, so I should hasten to mention that the core relationship between Tamiya and Tohdou is urgent and persuasive, and it’s barely formulaic at all. Okay, so Tamiya has never thought of himself as gay, and Tohdou’s attentions surprise him. That’s one of the most common starting points there is. But Tamiya actually goes through an evolution instead of a spontaneous conversion. It takes more than one drunken kiss for Tamiya’s whole life to change, and it’s quite charming to see Tohdou’s combination of patience and determination in wooing his overly serious classmate. (One of his techniques is cooking for Tamiya, another always-welcome feature of Yoshinaga’s manga.)

Even though Tohdou is refreshingly secure in his sexual orientation, he’s got his own insecurities and issues. Tamiya isn’t the only one moving toward maturity and understanding. Yoshinaga is very careful with the emotional progression of both of her protagonists; it’s not a matter of one catching up to the other. And their milestones feel like actual milestones rather than foregone conclusions.

The last distinguishing factor if this title is that it’s very, very sexy. The erotic moments she portrays aren’t pristine; they can be awkward and ridiculous and still erotic at the same time. Yes, Tamiya and Tohdou are very attractive, but they don’t reach the point of magical beings, and their sex scenes have a kind of credibility that make them even more urgent and effective. (This is much more evident in the second volume. Lots and lots of sex in the second volume is another thing you grow accustomed to with Yoshinaga yaoi.)

So, that’s my list of the things I love about Ichigenme. It has credible, mature characters with rounded lives. It takes sexual identity seriously. It’s funny. It’s sexy. It’s pretty much everything I hope for when I pick up yaoi.

(This review is part of the Fumi Yoshinaga Manga Moveable Feast.)

 

Random weekend question: playing favorites

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As we all gear up for the Fumi Yoshinaga Manga Moveable Feast, I must ask the inevitable, almost impossible question. What’s your favorite Yoshinaga work in translation?

Every time I try to come up with an answer, another title clears its throat to reassert its worthiness. And Kodansha hasn’t yet let me read What Did You Eat Yesterday? How can I possibly make a fully informed choice until that title is available in English?

But you might be more decisive than I am, so feel free to hold forth in the comments!

 

License request day: 7 Seeds

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While composing this week’s final installment of The Josei Alphabet, I was shocked to realize that I’ve never formally requested Yumi Tamura’s 7 Seeds. This is one of those situations that must be rectified as quickly as possible.

The series launched in Shogakukan’s Betsucomi, a shôjo magazine, before moving to josei anthology Flowers at some point during its still-ongoing run. Betsucomi has always seemed like it skews a little older than the average shôjo magazine, so this was probably a fairly easy transition. Flowers is one of those anthologies that seems positively fecund with license-request fodder. It’s home to the much-loved Kaze Hikaru (in glacial current release courtesy of Viz’s Shojo Beat line), and it had the privilege of publishing Moto Hagio’s “Iguana Girl,” one of the many highlights of A Drunken Dream and Other Stories. It was also the serialization home of Hagio’s much-praised, much-wanted Otherworld Barbara. So basically, if psychologically complex fantasy is published in Flowers, chances are good that the I-want-now factor will be high.

And 7 Seeds certainly sounds like Tamura isn’t stinting on the psychological complexity. It’s about Japanese youth who were placed in cryogenic suspension by the government as they prepared for the imminent, potentially apocalyptic collision of a meteor. Groups of teen-sicles were planted up and down Japan to ensure that the population would be able to rebuilt when the Earth’s environment was once again fit for habitation.

But, you know, humans in general and teens in particular rarely behave in ways we might expect, especially when we leave them a to-do list that we aren’t around to enforce. Our survivors, or “seeds,” have dramatically new circumstances to manage and old baggage to tote, which is bound to make survival and repopulation fairly complicated, wouldn’t you think? (The series is at the 20-volume point, so I’d hope things would be complicated.) The cast seems fairly huge, which is always a good sign, and the general nature of the series seems to be dramatic-episodic, combining lots of emotional nuance with neat, speculative world-building.

You knew without me having to tell you that it’s being published in French, right? Pika has slowly made its way to the 10th volume, and while a slow release schedule isn’t ideal, I always feel it’s better than not getting a series at all, which is where we are right now. And Pika allows you to see gorgeous sample pages from the first eight volumes.

Tamura is hardly unknown to English-reading audiences. Viz published her 27-volume Basara. That series is frequently described with dreamy fondness by its partisans, and I’m sure 7 Seeds would engender the same kind of fondness and loyalty if someone is kind enough to publish it already.

 

The Josei Alphabet: Miscellaneous

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Not everything starts with a letter…

#000000 – Ultra Black, written and illustrated by Yoshinori Kisaragi, serialized in Ichijinsha’s Comic Zero-Sum: An orphan is adopted by a mysterious millionaire who employs the boy in finding mysterious and dangerous objects.

&, written and illustrated by Mari (Suppli) Okazaki, serialized in Shodensha’s Feel Young: An inexperienced young woman opens up a nail salon in her spare time and meets a man who may force her to get over to her aversion to being touched.

1/4×1/2®, written and illustrated by Udou Shinohara, serialized in Asahi Sonorama’s Nemuki: A mediocre medium tries to carry on the family tradition with the help of his cat, who remembers a past life of being a dog. They help animals cope with their issues. WANT.

14-sai no Koi, written and illustrated by Fuka Mizutani, serialized in Hakusensha’s Rakuen le Paradis: Two precocious teenagers fall in love; their maturity complicates their sweet, teen-aged relationship. The magazine provenance of this is enough to have me really interested in reading it.

7 Seeds, written and illustrated by Yumi Tamura, originally serialized in Shogakukan’s Betsucomi before moving to Flowers: This one is on a lot of people’s wish list. It’s award-winning science fiction about five young people who are released from cryogenic storage to repopulate the world after catastrophe.

Licensed josei:

  • 07-Ghost, written by Yuki Amemiya and illustrated by Yukino Ichihara, originally serialized in Ichijinsha’s Comic Zero-Sum, partly published in English by Go! Comi.

What start with something other than a letter in your josei alphabet?

Reader recommendations and reminders:

  • 30-kon Miso-com, written and illustrated by Rika Yonezawa, serialized in Kodansha’s Kiss.

Upcoming 8/10/2011

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I have no idea who sells this wonderfully horrifying thing, but they are doing the work of the angels. Kate Dacey very kindly tweeted this in my direction with her customary perfect timing, as my ComicList pick of the week — the 15th volume of Osamu Tezuka’s Black Jack from Vertical — relies heavily on the participation of creepy little Pinoko for some of its spectacular highs. I discussed some of those heights in this week’s Bookshelf Briefs.

And that’s really the best that Diamond has to offer this week, so why not take a look at what some people think is the best the whole comics medium has to offer? The Hooded Utilitarian continues to populate its International Best Comics Poll index, and there’s a delightful piece by Shaenon Garrity on what she deems “The HU Lady List.” Over at the Manga Bookshelf, MJ ponders the process and discusses her choices.

 

Pick of the Week: 13th Boy & More

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It’s a Yen-heavy week at Midtown Comics! See how the Manga Bookshelf blogger picks stack up below!

MICHELLE: Although VIZ Media and others make a decent showing on this week’s release list from Midtown Comics, the majority of the titles hail from Yen Press. Unfortunately, most of them are the latest volumes in series I don’t personally follow, but there is one shining gem, the eighth volume of the quirky and fun manhwa, 13th Boy. I recently indulged in a binge and got caught up on the series, so I’m looking forward to keeping current with new releases. When we left off, Beatrice, heroine Hee-So’s talking cactus, was stuck in his human form and living with his creator lest he burden his beloved owner with his troublesome presence. I never thought I’d be rooting for a cactus to win the girl of his dreams, but it’s to 13th Boy‘s credit that this seems like an entirely rational thing to do.

SEAN: I already pimped Book Girl and the Captive Fool on my Manga The Week Of post, so will stop myself doing so again, even though it’s a fantastic novel series that everyone should be getting. Instead, I’ll go for the 4th and last of Higurashi When They Cry: Eye Opening Arc, which concludes the ‘Shion’ arc of the manga based on visual game series. This particular arc has a reputation of being one of the bloodiest and most off-putting, and therefore I expect getting through the last volume will be quite a haul for me, as generally speaking I tend to avoid gore. As always, though, Higurashi’s intense plot and taut emotions pull me in, and if it upsets me too much, I’ll remind myself of the reset button and Rena’s arc beginning in October.

MJ: I’d like to say that I’m torn this week, with the latest volume of Blue Exorcist on the way, but I’m not. I’m with Michelle, all the way. 13th Boy is one of my favorite girls’ comic series being published today, and one of the few series I’ll put aside everything to read the moment it lands on my doorstep. It’s just that charming. SangEun Lee has managed to create a heroine who really is just an “ordinary” girl, while reminding us how idiosyncratic and genuinely relatable “ordinary” can be. Also, as Michelle mentioned, it’s the first time ever I can recall actively ‘shipping someone with a cactus. I wholeheartedly recommend 13th Boy.

DAVID: I’m going to be predictable and take up the Blue Exorcist mantle. You can see my specific opinion of the third volume in this week’s Bookshelf Briefs, but I will note that Kazue Kato becomes more assured with this material with each new volume. It’s not perfect fantasy adventure, but it’s certainly the best example to debut lately, and it’s got some great, root-worthy characters.

KATE: Though I also share the group’s enthusiasm for Blue Exorcist and 13th Boy, I’m going to recommend the latest omnibus of InuYasha. Readers familiar with the anime will want to pick us this particular volume, as it features the beginning of the series’ best-loved story arc: The Band of Seven. There’s also a plotline involving Sesshomaru — always a plus in my book — and a memorable showdown between InuYasha and a faceless demon. And if you still need persuading, let me praise VIZ for giving InuYasha the deluxe treatment it deserves, printing it on good quality, over-sized paper, retouching the artwork, and reproducing the original Japanese covers in full color.

Readers, what looks good to you this week?

Bookshelf Briefs 8/8/11

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This week, MJ, Michelle, David, Kate, & Sean check out recent releases from Viz Media, Vertical, Kodansha Comics, Dark Horse, & Yen Press.

13th Boy, Vol. 8 | By SangEun Lee | Published by Yen Press – At my age, it isn’t often that a teen romance comic can really make me angst over which potential suitor its heroine should ultimately end up with. Most of the time, these conclusions are obvious, and even when they’re not, it’s difficult for a writer to make even one romantic prospect interesting enough for this jaded forty-something to genuinely root for, let alone two or three of them. Not so with manhwa-ga SangEun Lee, whose love interests each suit her quirky heroine uniquely, even if one of them is actually a sentient cactus. That said, here in volume eight, it’s hard not to root pretty exclusively for the cactus. Charming and idiosyncratic as always, 13th Boy remains one of the freshest, most imaginative girls’ comics currently in publication. Highly recommended. – MJ

13th Boy, Vol. 8 | By SangEun Lee | Published by Yen Press – I feel like I’ve talked a lot about the inventive whimsy of 13th Boy, and been derelict in extolling its dramatic virtues. This volume is more of a setup for future fallout, but readers can still anticipate the inevitable (and major) repercussions to come. Hee-So begins the volume so worried and depressed about her missing cactus, Beatrice, that she can’t even summon the energy to bathe. When Won-Jun visits, he gets the impression that Hee-So feels she can’t rely on him for help, and so turns toward the desperately dependent Sae-Bom, who is being sent to live with her father in America and asks him to come along. I love that, despite its fanciful elements, 13th Boy can serve up realistic drama like this wherein it’s the characters’ choices and personalities that have led to the deterioration of a relationship. I am seriously pining for volume nine already. – Michelle Smith

Black Jack, Vol. 15 | By Osamu Tezuka | Published by Vertical, Inc. –For my money, every volume of Black Jack has a “price of admission” story, and I always like to identify them. This time around, it’s “A Cholera Scare.” The title alone is endearing, and the story has plenty of other aspects working in its favor. First and foremost is the fact that it heavily features Black Jack’s creepy assistant and ward, Pinoko. While Black Jack worries that he’s contracted a potentially deadly contagion, Pinoko is left to deal with a walk-in patient at the clinic. The story is constructed and timed in some really imaginative way, and Tezuka packs an awful lot into a mere 20 pages. While individual Black Jack stories can vary in quality, there’s always at least one that justifies the purchase. – David Welsh

Blue Exorcist, Vol. 3 | By Kazue Kato | Published by Viz Media –Like so many of my favorite fictional institutions of learning, the True Cross Academy displays a reckless disinterest in the safety of its student body, especially the ones pursuing the exorcist track. In this volume, our principle characters deal with an aggressive new instructor and a potentially deadly field trip. Relationships are tested! Secrets are revealed! A kitty joins the supporting cast! In other words, Blue Exorcist continues to improve. Kato even works up the nerve to invoke the events of the first, terrible chapter of the series, and she gets away with it. The underlying plot of the series is probably its least successful element, but that hardly matters chapter by chapter. I like the characters and the scenarios Kato invents for them, and the art is always clean and interesting. – David Welsh

Blue Exorcist, Vol. 3 | By Kazue Kato | Published by Viz Media – Blue Exorcist is an interestingly mixed bag. Like Joss Whedon’s television epic, Buffy the Vampire Slayer, the series uses an over-the-top supernatural premise as a metaphor for the real horrors of a troubled teen, struggling to overcome his personal demons so that he might finally have a taste of life’s most precious treasures—friends, family, and a sense of real belonging. Unlike Whedon, mangaka Kazue Kato fails to make her story’s supernatural plotline genuinely compelling, but the rest works so well, this hardly matters. This volume gets off to a particularly strong start, as brothers Rin and Yukio work together to quell the grief of Father Fujimoto’s abandoned familiar, and continues to gain momentum throughout. Extra points to Kato for clear, readable action scenes and saving the life of a cat. Recommended. – MJ

Fairy Tail, Vol. 14 | By Hiro Mashima | Published by Kodansha Comics –First off, I’m pleased that the ‘take out all the female members and turn them into hostages’ plot died fast. If only as it leads to a lot of great moments for the female characters in this volume. Erza, of course, gets to show her badassery and why you should never try to outbluff or outthreaten her. Lucy gets to show she’s more than simple fanservice with the help of Loke. Juvia shows she’s still worried about everyone trusting her now that she’s a new member, and gives a good reason why they should. And Levy gets to show that it’s not just hitting really hard that wins these fights.But really, the big climax here is seeing Mirajane lose it, and discovering both what she’s like at full power, and why she tries to avoid it. She’s quite terrifying. Fairy Tail still isn’t the very best shonen out there, but it’s comfortably in the bracket below it.– Sean Gaffney

Fairy Tail, Vol. 14 | By Hiro Mashima | Published by Kodansha Comics – Something I’ve long wished for from Fairy Tail is more information about the members of the guild who aren’t the main characters. Happily, Mashima has concocted an arc that seems specifically designed to provide just that. Laxus, one of the most powerful members of Fairy Tail, has launched a takeover attempt, which involves forcing the guild members to fight each other. It’s unfortunate that many of the female members are sidelined at first, having been turned to stone while competing in a beauty pageant (sigh), but when they are eventually freed, they proceed to kick ass, so that makes up for it a bit. Highlights include seeing Mirajane’s abilities at last and some noble self-sacrifice from Juvia, a reformed enemy who has recently joined the guild. I hope this increased level of involvement from the supporting cast continues in future volumes! – Michelle Smith

I Am Here!, Vol. 2 | By Ema Toyama | Published by Kodansha Comics – When it was announced that Kodansha Comics would be taking over the release of manga they’d licensed to Del Rey, I was really hoping we would get the second half of I Am Here!, an earnest shoujo romance that I found to be surprisingly enjoyable. Happily, it made the cut and now I know for sure that a) Ema Toyama can draw some seriously cute bunnies (seriously) and b) the plot does, in fact, eschew an obvious outcome. It’s too bad Toyama had to utilize a random mean girl as drama instigator at one point, but at least Hikage, the painfully shy heroine, was able to blossom at last and become strong enough to follow her heart. Getting the whole story in two omnibus editions is also pretty durn awesome. – Michelle Smith

Magic Knight Rayearth | By CLAMP | Published by Dark Horse –First of all, unlike the souped up, fancy Card Captor Sakura reprints, there’s no reason for fans who own Tokyopop’s 2nd release of Rayearth to get this one. It’s a very good, decent reproduction and translation – but it’s not the huge advance CCS is. As for the content, it’s still a lot of fun, especially if you aren’t already familiar with the ending. One of CLAMP’s first titles to mix the shoujo and shonen genres, this story of three high-school girls who find themselves called on to save a fantasy world takes itself seriously when it wants to, and makes fun of itself the other times. There’s no amazing characterization here, though I am quite fond of Caldina and her “I’m doing this for the money” attitude. (Note her lack of obsession lets her survive.) But really, it’s the ending that made everyone remember Rayearth, and led to its sequel – it’s a gut punch if you don’t know it’s coming.– Sean Gaffney

Ugly Duckling’s Love Revolution, Vol. 4 | By Yuuki Fujinari | Yen Press – Ugly Duckling’s Love Revolution may be the most tepid reverse-harem manga ever written. The series drifts aimlessly from one uneventful scene to the next, as the characters perfect their swimming technique and attend tag sales. Not only does the story lack dramatic shape, it also lacks memorable characters; each of the boys in Hitomi’s circle is so faultlessly polite and supportive of her weight-loss goals that he comes across as a paid consultant, not a friend. There’s nothing wrong with a manga about nice guys, of course, but authors like edgy characters for a reason: bad boys make more compelling subjects than goody-goodies. Even Hitomi remains a cipher; she’s kind and determined to lose weight, but those two characteristics alone aren’t enough to make her seem like a real girl struggling with a real problem, a shortcoming made all the more obvious by the abrupt, wish-fulfillment ending. – Katherine Dacey

Previews review August 2011

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Okay, I normally don’t dwell on this sort of thing, but I just have to make an observation about the covers in the DC section of the current Previews catalog. These are mostly the second issues of the publisher’s big re-launch of its super-hero line presumably to make it more accessible to people who wouldn’t normally pick up a comic about Superman or Batman or Green Lantern. Here’s my observation: the covers of these comics look exactly like these comics have looked for the last twenty years, possibly pinpoint-able right to the late 1990s. So this should be interesting, since it really does seem like an example of the scientific method. If all other things are equal, and DC changes one thing – the volume of back story in play to theoretically confuse or bar a casual reader from entry – will people who did not previously care about the Justice League suddenly start caring about the justice league? Time will tell! Let’s move on to things I will actually purchase!

Princess Knight vol. 1, written and illustrated by Osamu Tezuka, Vertical, Inc., AUG11 1232: The most actually exciting thing in the catalog is the English-language debut of Tezuka’s game-changing shôjo classic. Some of us have been waiting years for this to happen. Years.

Hark! A Vagrant, written and illustrated by Kate Beaton, Drawn & Quarterly, AUG11 1018: Beaton’s super-smart comics “takes readers on a romp through history and literature — with dignity for few and cookies for all — with comic strips about famous authors, their characters, and political and historical figures, all drawn in Beaton’s pared-down, excitable style. This collection features favourite stories as well as new, previously unpublished content. Whether she’s writing about Nikola Tesla, Napoleon, or Nancy Drew, Beaton brings a refined sense of the absurd to every situation.”

Two Generals, written and illustrated by Scott Chantler, Emblem Editions, AUG11 1060: This is the soft-cover edition of Chantler’s acclaimed historical graphic novel.

Tesoro: Short Stories 1998-2008, written and illustrated by Natsume Ono, Viz Media, AUG11 1256: This volume collections some of the earliest professional work by the gifted creator of series like Gente and The House of Five Leaves. So you should probably buy it.

There’s also the 2011 edition of The Best American Comics from Houghton Mifflin. I’ve made it this long without reading one of these, so I doubt my streak will be broken, though the guest editorial duties of Alison Bechdel may make me waver.

And here are new volumes of ongoing series that you should seriously consider buying:

That’s… like… a lot.

 

Uncontested races

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I’m sad to announce that there won’t be any Previews-related polls this month. The boys’-love category offered a clear winner, and there weren’t enough dubious debuts to populate that slate. But here are the two books that might have “won” those contests, both of which will be dutifully pre-ordered and reviewed.

About Love, written by Narise Konohara, illustrated by Tomo Ootake, Digital Manga Publishing, originally published as Koi ni Tsuiete by Souryuusha, one volume:

Wedding co-ordinator Asaka could never forget his very first clients. When he meets up once more with that very same client, the man who spends his life arranging weddings for others unexpectedly learns a few things about love himself. Heartwarmingly bittersweet, this is the eagerly awaited English-language debut of mangaka Tomo Ootake!

I know nothing about how eagerly anticipated Ootake’s debut is or isn’t, but that cover is so pretty and expressive that it almost makes me cry. Plus, wedding planner manga! A dream fulfilled!

Love Hina Omnibus Volume 1, written and illustrated by Ken Akamatsu, Kodansha Comics, originally serialized in Kodansha’s Weekly Shounen Magazine, originally published in English by Tokyopop:

When Keitaro Urashima fails his entrance exams to get into Tokyo University for the second time, he’s officially an unemployed and uneducated slacker. To make things worse, his parents have kicked him out of his house. Fortunately, his grandmother owns the fabulous Hinata Lodge and has agreed to take Keitaro in as caretaker. What he doesn’t know is that the lodge is actually a girl’s dorm and he’s the only guy around! Most guys would kill to live with five sexy ladies, but if Keitaro’s not careful, this job will kill him.

I know this series probably counts as a classic in terms of licensed manga, but I just never bothered with it. Now, Kodansha gives me a cheap-ish chance to introduce myself to this well-liked harem comedy. And I seriously didn’t want to run the risk of having to read the Tokyo Mew Mew omnibus. Cat-ears give me hives, unless they’re on an actual cat.

I’ll go through the rest of the month’s highlights tomorrow.

 

License request day: Dragon Zakura

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I’ve taken a shine to this week’s license request precisely because it doesn’t really resemble any of my recent wish-list items. It’s also part of an under-a-cloud subcategory, manga that explores the life of the delinquent. A wee handful of the 25 volumes of Hiroshi Takahashi’s Worst ever saw publication in English from Digital Manga. Beloved though it may be by tastemakers, Eiji Nonaka’s Cromartie High School still hasn’t found a new home since the shuttering of ADV.

So what makes me think the commercial prospects are any better for Norifusa Mita’s Dragon Zakura? I actually don’t think it would sell like gangbusters, and I can’t even clearly articulate why I’m eager to read it. All I can say is that I like its magazine provenance – Kodansha’s Morning – and that I find the covers ugly in kind of a mesmerizing way.

But what’s this 21-volume series about? It follows a former motorcycle gang leader turned lawyer decide to turn teacher. He joins the faculty at an on-the-brink-of-bankruptcy school and declares that he will lead at least five of its students to the academic Promised Land: admission to Tokyo University. That the kids are kind of stupid and downtrodden apparently doesn’t bother this academically inclined opportunist.

I can’t quite tell if this is a comedy or a drama, though it seems to lean on the serious side. This is probably a good thing, as the comedic stories of this stripe tend to be things like School of Rock, while the dramas are more like To Sir, with Love, and I can tell you which one I’d rather watch without even a soupcon of hesitation. And Dragon Zakura has won a couple of major manga awards: the Kodansha and the Japan Media Arts Festival Excellence Prize, both in 2005.

 

The Josei Alphabet: Z

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“Z” is for…

Zanbara! Written and illustrated by Ikumi Katagiri, serialized in Ichijinsha’s Comic Zero-Sum and Zero-Sum Ward: A period piece about two kids who learn martial arts during turbulent times. I like that cover.

Zankoku na Hatsukoi, adapted from Anne Mather’s novel by Kei Kousaki, originally published by Harlequin, one volume: A difficult reunion ensues when a former husband and wife cross paths in the woman’s home town.

Zankoku na Kami ga Shihaisuru, written and illustrated by Moto (A Drunken Dream and Other Stories) Hagio, serialized in Shogakukan’s Petit Flower, 17 volumes: I’m totally cheating, since I listed this as A Cruel God Reigns back in “C,” but it’s Hagio, so I feel justified.

Zombieya Reiko, written and illustrated by Rei Mikamoto, originally serialized in Bunkasha’s Horror M, 11 volumes, partially published in English as Reiko’s Zombie Shop by Dark Horse: I felt bad that I missed this one back in “R,” so I’m rectifying that.

Josei magazines:

What starts with “Z” in your josei alphabet?

 

Upcoming 8/3/2011

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Given the vagaries of comic distribution timing, I’ve already read two of the titles I’m most eagerly anticipating off of the current ComicList. So I guess I’m not eagerly anticipating them so much as fondly remembering them. Anyway, you might still be undecided, so…

First up was the fourth volume of The Story of Saiunkoku (Viz), Kairi Yura’s lovely adaptation of Sai Yukino’s light novels. It’s entirely possible that I love this series so much that I can no longer see its flaws, but I think it equally likely that there are no meaningful flaws to be seen. This arrival was particularly welcome during the debate over the debt ceiling, as it suggested a world where people go into governance for the right reasons, and the best and brightest are rewarded with responsibility and authority. So, yes, clearly it’s a fantasy, but it’s a lovely and reassuring one, and the creators reinforce its ultimately feminist message by moving their heroine closer to her dream, even if it damages the romantic prospects of the man who loves her. That’s not the kind of conundrum you see every day in entertainment, which makes this series just about priceless.

Less rewarding was the fourth volume of Julietta Suzuki’s Kamisama Kiss (Viz). I generally like this series very much for the evenhanded approach Suzuki takes with her male and female protagonists. She treats them with equal respect, and she gives each specific strengths which make their relationship much more interesting than some victim-rescuer dynamic would be. That balance slips a bit this time around, which is disappointing, though hardly fatal. I still like the characters a lot, but certain complications screw up their dynamic and make it depressingly… conventional. (Misunderstanding! Secrecy! Alienation!) I count on Suzuki’s quirky good sense to reassert itself next time around.

In other Viz news, this week sees the delivery of the third volume of Kazue Kato’s very promising Blue Exorcist, the eighth volume of Yuki Midorikawa’s lovely Natsume’s Book of Friends, and the second volume of Mayu Shinjo’s sure-to-be-repulsive Ai Ore!

Oh, and in the category of things I’m still eagerly anticipating, there’s the second volume of CLAMP’s Cardcaptor Sakura (Dark Horse). I can’t believe I’ve yet to see this series in a Barnes & Noble.

What looks good to you?