Ash Brown

My Week in Manga: October 26-November 1, 2015

November 2, 2015 by Ash Brown

My News and Reviews

A few different things were posted at Experiments in Manga last week. The most recent manga giveaway is currently underway, for one, and here’s still time to enter for a chance to win Barakamon, Volume 1 by Satsuki Yoshino. Last week I reviewed Vinland Saga, Omnibus 6 by Makoto Yukimura. The series continues to impress me a great deal with its story telling and character development. The fate of the series in English will be in part determined by how well the sixth and seventh omnibuses do (the seventh omnibus is currently scheduled to be released in December); I truly hope that Kodansha will be able to release more because Vinland Saga is fantastic. Finally, over the weekend, I posted the Bookshelf Overload for October.

I’ve been extremely busy with all sorts of life stuff, so while I’m sure there were plenty of interesting things going on in the realm of manga online, there were only two that really caught my eye last week: Shojo Beat posted a short interview with Rinko Ueda and Chris Butcher wrote about his experience interviewing Masashi Kishimoto at New York Comic Con. Also as a heads up, because I am so extraordinarily caught up in things going on at work and at home right now, I’ve decided to go a little easier on myself with my blogging schedule for November (and probably for the first half of December as well). Instead of the usual Monday-Wednesday-Friday posting schedule, in the upcoming weeks I may just be posting on Monday and Thursday. Hopefully things will calm down and I can get back to writing more soon!

Quick Takes

Fairy Tail, Volume 50 by Hiro Mashima. After so many arcs in which the Fairy Tail guild was fighting to save the world, I’m particularly enjoying the beginning of this most recent arc in which Fairy Tail doesn’t technically even exist anymore. Although there are some epic, world-altering developments occurring in the background, for the moment the story is focusing on the much more personal crises of the disbanded guild as it rebuilds itself. It’s a nice change of pace, though I’m fairly certain it won’t last for very long. A year or so has passed since the members of Fairy Tail parted their separate ways. Quite a few of the magic users have managed to power up during that time, allowing Mashima the opportunity to come up with some exciting and interesting new skills for them in order to show just how badass they’ve become (and they were strong to begin with). Some of the fan service focusing on the female characters in Fairy Tail continues to feel very out-of-place and distracting, but at least the women are frequently some of the strongest and most well-developed characters. The male characters are the subject of fan service from time to time, too, though never to the same extent.

Tokyo Ghoul, Volume 1-3 by Sui Ishida. The glut of vampire and zombie manga continues—and I’m not really a devotee of either of those subgenres—so I especially appreciate that Tokyo Ghoul makes use of an entirely different creature, the titular ghoul. In the case of this particular manga series, ghouls largely pass as normal humans assuming that they can master their intense hunger for human flesh. After an encounter with a ghoul that nearly leaves him dead, Kaneki finds himself in the unique position of partly belonging to both the human world and the world of the ghouls, and yet it will be a struggle for him to survive in either of them. In Tokyo Ghoul, humans are just as capable of being monsters. And Ishida isn’t afraid of killing off prominent characters, whether they be human or ghoul, so there is a constant sense of danger. Sadly, I think the emotional impact of the deaths was somewhat diminished since readers hadn’t yet had the chance to really get to know the characters involved as individuals. Still, kudos to Ishida for potentially making good use of some shocking, unexpected developments, especially as some early parts of the first volume were a little predictable.

Yamada-kun and the Seven Witches, Volume 4 by Miki Yohsikawa. Although the fan service in Fairy Tail tends to bug me, the fan service in Yamada-kun and the Seven Witches doesn’t really bother me at all, probably because it’s better incorporated into the story itself. Admittedly, it can still be gratuitous from time to time. Since the manga in part deals with body-swapping, it makes sense that there would be some focus on the characters’ physical traits. Plus this particular volume includes the obligatory beach and onsen scenes. One thing that really impresses me about Yoshikawa’s artwork in the Yamada-kun and the Seven Witches is that it’s obvious from the characters’ facial expressions and body language when there has been some swapping going on. This actually ends up being explicitly pointed out in the series when one character develops a crush on a specific combination of personality and body type. The witch count continues to grow in the series as does Yamada’s group of friends while he begins to work out a theory explaining why everyone has the powers that they do. I’m still really enjoying Yamada-kun and the Seven Witches. Though largely a comedy, it has some heart to it as well.

Bookshelf Overload: October 2015

November 1, 2015 by Ash Brown

Another month has passed and my collection of books and manga continues to grow. (I am, however, in the process of pulling together a rather large library donation, so at least there will at least temporarily be space for new acquisitions.) I had quite a few Kickstarter rewards arrive last month which I was happy to see. I’m especially looking forward to reading the TJ and Amal epilogue comic Five Years Ago and Three Thousand Miles Away by E.K. Weaver and the queer science fiction and fantasy comics anthology Beyond. Last month I started trying to collect Kyoko Hikawa’s manga series From Far Away, which may take some time to complete since it’s out of print, but if that fails at least it’s now available digitally. I also managed to find a fairly nice copy of Hideshi Hino’s out-of-print Panorama of Hell for a reasonable price, which is one of the best horror manga that I’ve ever read. (It’s definitely not for the weak of heart or stomach, though) Speaking of horror, Junji Ito’s Cat Diary: Yon & Mu, probably my most anticipated October release, is now available! Expect an in-depth review to come soon, but for now know that I absolutely loved it.

Manga!
Alice in the Country of Clover: March Hare by Soyogo Iwaki
Alice in the Country of Clover: The March Hare’s Revolution by Ryo Kazuki
Battle Angel Alita, Volumes 1-5 by Yukito Kishiro
Because I’m a Boy! by Asia Watanabe
Boys Over Flowers, Volumes 1-4 by Yoko Kamio
Citrus, Volume 2 by Saburouta
Devil Survivor, Volume 1 by Satoru Matsuba
Fairy Tail, Volume 50 by Hiro Mashima
From Far Away, Volumes 1-3 by Kyoko Hikawa
Horimiya, Volume 1 written by Hero, illustrated by Daisuke Hagiwara
Imadoki!, Volumes 4-5 by Yuu Watase
Junji Ito’s Cat Diary: Yon & Mu by Junji Ito
Kare Kano: His and Her Circumstances, Volumes 2-3 by Masami Tsuda
Kiss Him, Not Me!, Volume 1 by Junko
LDK, Volume 1 by Ayu Watanabe
Love at Fourteen, Volume 4 by Fuka Mizutani
My Little Monster, Volume 10 by Robico
Ninja Slayer, Volume 1: Machine of Vengence written by Yoshiaki Tabata, illustrated by Yuki Yogo
Noragami: Stray God, Volume 7 by Adachitoka
Otouto no Otto by Gengoroh Tagame
Pandora Hearts, Volume 4-9 by Jun Mochizuki
Panorama of Hell by Hideshi Hino
QQ Sweeper, Volume 1 by Kyousuke Motomi
Say I Love You, Volume 9 by Kanae Hazuki
Slam Dunk, Volumes 3-14, 17-20, 23-25, and 27 by Takehiko Inoue
Tenshi Ja Nai!!, Volumes 1-3 by Takako Shigematsu
Tokyo ESP, Volume 1 by Hajime Segawa
Tokyo Ghoul, Volume 3 by Sui Ishida
Witchcraft Works, Volume 7 by Ryu Mizunagi
Wolf Magic by Natsuki Zippo
The World’s Greatest First Love, Volumes 2-3 by Shungiku Nakamura

Comics!
Beyond: The Queer Sci-Fi & Fantasy Comic Anthology edited by Sfé R. Monster
Check Please!, Year One by Ngozi Ukazu
Darlin’ It’s Betta Down Where It’s Wetta, Volume 1 by Megan Rose Gedris
The Fall of the House of West written by Paul Pope, JT Petty, illustrated by David Rubín
Get Jiro: Blood and Sushi written by Anthony Bourdain and Joel Rose
Five Years Ago and Three Thousand Miles Away by E.K. Weaver
Last Man, Volume 3: The Chase by Bastien Vivès, Michael Sanlaville, and Balak
Lost in the Snow, Volume 2 by Velvet Toucher
The Less Than Epic Adventures of TJ and Amal by E.K. Weaver
Lumberjanes, Volume 2: Friendship to the Max created by Grace Ellis, Noelle Stevenson, and Shannon Watters
Meaty Yogurt, Volume 1: Small Town Blues by Megan Rose Gedris

Anthologies!
Hanzai Japan: Fantastical, Futuristic stories of Crime from and about Japan edited by Nick Mamatas and Masumi Washington

Artbooks!
Art Collection, Volume 1: 2011-2015 by Inuyoshi

Anime!
Kitaro directed by Katsuhide Motoki
Paprika directed by Satoshi Kon
Tekkon Kinkreet directed by Michael Arias

Vinland Saga, Vol. 6

October 30, 2015 by Ash Brown

Creator: Makoto Yukimura
U.S. publisher: Kodansha
ISBN: 9781612628035
Released: September 2015
Original release: 2012
Awards: Japan Media Arts Award, Kodansha Manga Award

After some delay, the sixth omnibus of Makoto Yukimura’s magnificent historical manga series Vinland Saga was finally released in 2015, nearly a year after the previous installment. It was a year in which I waited anxiously—Vinland Saga is one of my favorite manga series currently being published in English and I hope that it does well enough that Kodansha Comics can continue to released the manga. (Currently, English-reading audiences are only guaranteed to see one more omnibus, but even if the translation ends there the series is well-worth reading.) The sixth Vinland Saga omnibus collects the eleventh and twelfth volumes of the original Japanese edition, both of which were released in 2012, the same year the series won a Kodansha Manga Award. The series has also earned Yukimura a Japan Media Arts Award. As was the case with the last few omnibuses, sixth also includes a question and answer section exclusive to the English-language edition in which Yukimura discusses the series.

As the result of the Danish invasion of England in the eleventh century, Canute has successfully taken control of the county. He must still find a way to maintain that control, though. He is no longer the weak young man he once was, having grown into a powerful and cunning king who will do anything necessary to establish his ideal society. In order to gain his current position Canute had to arrange for the death of his father. Now he is turning his ambition towards Denmark and his older brother, hoping to secure rulership there as well. Meanwhile, Thorfinn, a young man from Iceland and a former mercenary who was once Canute’s bodyguard, lives his life in slavery. However, after working diligently for years clearing forested land for his master, his freedom is tantalizingly close. Thorfinn, too, wants to one day shape a world free from war and violence, but his current circumstances make such hopes little more than dreams. But as the political turmoil in Denmark increases it becomes difficult to foretell anyone’s fate, whether they be slave or king.

I continue to be immensely impressed by the depth of storytelling and the character growth and development found in Vinland Saga. Particularly striking is the nearly complete reversal in Thorfinn and Canute’s respective outlooks on life. Thorfinn, who was once a fearsome warrior dealing in death and destruction, wants nothing more than peace and a way to somehow atone for everything that he has done. Canute, on the other hand, originally abhorred violence but now willingly employs it, considering it to be a necessary evil for the sake of creating a prosperous kingdom and protecting its people. I also find it fascinating that as both Canute and Thorfinn continue to mature and make their way in the world they are each beginning to follow in the footsteps of and even embody the ideals held by their respective fathers, for better or for worse. Canute has learned to successfully use his power politically and strategically as a leader while Thorfinn now fully understands how destructive such power can be.

Violence and the dynamics of power are major themes in Vinland Saga. In particular, the series explores what it means to turn away from violence and if it is even possible for someone to do that with the world and human nature being what they are. Yukimura has so far done an excellent job showing how a violent society affects the people living within it and how difficult it is for them to change that culture when it is held as an ideal. Vinland Saga incorporates many exciting and engaging fight scenes and battles which, like the rest of the manga, are dramatic and well-drawn. However, that violence hasn’t been glorified by Yukimura. Instead, a large focus has been put on the tragic consequences that result from those encounters. The action can be brutal and shockingly gruesome, but perhaps even more important is the tremendous psychological impact on the characters as violence perpetuates more violence in a seemingly endless cycle. Vinland Saga remains an exceptional series; I’m looking forward to reading more of the manga a great deal.

Manga the Week of 11/4

October 29, 2015 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 1 Comment

SEAN: I’ve gone on lately about how much manga is coming out lately, but November is really going to try a wallet’s soul. Let’s start with a huge first week, mostly from Viz.

Kodansha debuts a new series, Livingstone, that ran in the seinen magazine Morning. The artist is better known for Deadman Wonderland. It’s about two guys who try to find … well, living stones. No sign of Stanley, in case you wondered.

ASH: I’m rather curious about this one.

ANNA: This sounds odd, and I’m usually up for trying at least one volume of odd.

MJ: I’m interested in this, for sure.

SEAN: Say “I Love You” reaches double digits. Unlike other soap opera series I follow from Kodansha, I actually like the characters in this one. Read it if you haven’t.

ASH: It’s such a consistently good series!

MICHELLE: Very much looking forward to this!

ANNA: I so need to get caught up and binge read this series.

SEAN: Seven Seas has a 7th volume of oddball slice-of-fantasy-life series A Centaur’s Life.

I believe that Volume 12 is the final volume of Chi’s Sweet Home from Vertical, a series that has introduced a huge number of people to the adorable and quirky qualities of cat manga. I’ll miss it.

ASH: Hooray for Chi!

MICHELLE: It has been such a great manga to lend to coworkers’ kids, too.

ANNA: Nice. I think I’ll finally be reading this in the omnibus editions.

MJ: More Chi is always welcome!

SEAN: Let’s get on to Viz now. The 6th Black Rose Alice volume catches up with Japan, I believe, so enjoy your gorgeous yet spider-filled people while you can.

ASH: Alas, now we must suffer the wait with the rest of the world!

MICHELLE: Yeah, the double-eged sword. Thanks, VIZ, for exposing us to the awesome and the agony of Black Rose Alice.

ANNA: This series is so surreal. Even though it is painful that it is on hiatus, I still greatly appreciate the gorgeous spider-filled people.

MJ: Yes, yes, YES.

SEAN: Bleach, at Vol. 65, is in no danger of going on hiatus, or indeed finishing this arc, supposedly the final one, which started in 1883. Or feels like that.

MJ: Heh.

SEAN: That 13th Bleach 3-in-1 is also an option, and honestly the series reads better that way.

And I think D.Gray-Man may be mostly caught up on omnibuses with this, it’s 8th.

I’ve really been looking forward to this debut. Arina Tanemura’s new shoujo title is Idol Dreams, which runs in Hakusensha’s Melody and features a 31-year-old woman regretting her life who finds herself getting a do-over.

MICHELLE: I’m not historically much of a Tanemura fan, but I am really curious about this one!

ANNA: I am an unapologetic Tanemura fan and I am quivering with anticipation. Quivering!

MJ: I’m with Michelle on this one! Curious, but not quivering.

SEAN: JoJo’s Bizarre Adventure begins its 2nd arc with Battle Tendency, which leaps forward in time to focus on Joseph Joestar. Will it be as ludicrous as the first arc? My guess is yes.

ASH: This is gonna be good!

ANNA: When I think about how horrible humanity can be, then I think about JoJo and appreciate the fact that the human race has produced this ridiculous and transcendent manga. I’m serious.

SEAN: Kiss of the Rose Princess enters the home stretch with its 7th volume.

ANNA: Yay! I hope that an evil rose person shows up to throw an obstacle in the way of the heroine and her handsome knights.

SEAN: Maid-sama! has a 2nd omnibus. Teeth grinders beware, Usui is still in it.

ASH: But so is Misaki! Who is the best.

MICHELLE: I will keep reading, at least for the time being.

ANNA: Yeargh, if it wasn’t for the relationship dynamics I would enjoy this series so much more.

SEAN: My Hero Academia had a promising first volume, now let’s see where it goes with the second.

Naruto may be over, but its spinoffs live on, first with a nice-looking artbook, and secondly with the first of several post-series spinoff novels, the first being Kakashi’s Story.

Nisekoi gives us more mostly balanced harem antics with Vol. 12.

One Piece is still battling Doflamingo, but I think we’re edging closer to a conclusion with this 76th volume.

MICHELLE: Woo.

SEAN: One-Punch Man could only dream of having 10-volume long fighting arcs – sadly, Vol. 3 shows his fights end all too quickly.

ANNA: Because of the punching!!!!!!!!

SEAN: There are two Izumi Tsubaki series out this month! This week we have the one folks have seen for a while, with the 19th volume of Oresama Teacher.

MICHELLE: I’m glad for more Oresama, but really looking forward to the other one!

ANNA: Oresama is delightful. Looking forward to the new series very much too.

SEAN: Giant manga box sets are a great way to get newbies to read your favorite obsession – you can threaten top bludgeon them with the set if they don’t. Here’s one for Rosario + Vampire.

Yu-Gi-Oh gets a 4th omnibus 3-in-1. Collect ‘em all!

Lastly, there’s a 4th and I believe final volume of Yukarism.

MICHELLE: I’m really, really looking forward to this one!

ANNA: Yay! Why is it final at 4 volumes? I want more!!!!!

MJ: More! More! *whimper* More.

SEAN: Are you prepared for November 2015? Can you handle it? What are you getting next week?

Manga Giveaway: Barakamon Giveaway

October 28, 2015 by Ash Brown

October has been a busy month at work for me, so I’m glad to see it wrapping up, but even better is the fact that it means it’s time for another manga giveaway here at Experiments in Manga! This month you’ll all have the chance to win a copy of Satsuki Yoshino’s Barakamon, Volume 1 as published by Yen Press. And, as always, the giveaway is open worldwide!

I grew up in a rural area and, for the most part, have fond memories of living in a small village in the countryside. Currently I live and work in a small city, which certainly has its benefits, but occasionally I find myself yearning for less people, more green, open spaces, and a somewhat slower pace of life. In part because of this, I find particular enjoyment in manga series like Barakamon which largely take place in the country; they remind me of living “back home.” There don’t seem to have been very many of these manga translated, so I especially appreciate them when I do happen to come across one.

So, you may be wondering, how can you win Barakamon, Volume 1?

1) In the comments below, tell me about your favorite manga that has at least one countryside or rural setting in it. (If you don’t have one, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that. You all can earn up to two entries for this giveaway and have one week to submit your comments. Comments can also be sent to me directly at phoenixterran(at)gmail(dot)com if you have trouble with the comment form or if you prefer. I will then post your entry below in your name. The giveaway winner will be randomly selected and announced on November 4, 2015. Best of luck to everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Barakamon Giveaway Winner

Pick of the Week: Abundance

October 26, 2015 by Michelle Smith, Sean Gaffney, Ash Brown and MJ 3 Comments

MICHELLE: There are a few things I’m interested in picking up this coming week but, ultimately, my heart belongs to kitties. Junji Ito is responsible for some incredibly terrifying imagery but I am hoping he’ll elicit warm and fuzzy feelings instead with Junji Ito’s Cat Diary: Yon & Mu, brought to us this week by Kodansha Comics.

SEAN: I continue to be drawn towards Yen’s light novel program, so I’ll make my pick the third volume of Sword Art Online Progressive. Seeing the author return to his original setting with added years of experience under his belt has led to better writing and greater depth, and having it limited to one floor per volume is also a good idea. Also, Kirito x Asuna OTP.

ASH: I’m completely with Michelle on this one. While there are several manga being released this week that I’ll definitely be picking up, by far I’m most excited for Junji Ito’s Cat Diary: Yon & Mu.

MJ: There are a number of releases I’m interested in this week, including my colleagues’ picks, but I simply can’t ignore anything involving Yun Kouga. I’ve waxed eloquent (or at least waxed enthusiastic) about her works time and again, and though Akuma no Riddle was somehow not on my radar at all before this week, there’s no way I’d miss it. I’m sure I’ll miss her artwork on this series, but it was always her particular way with writing that really hooked me. Akuma no Riddle is my only possible choice this week.

What looks good to you this week?

My Week in Manga: October 19-October 25, 2015

October 26, 2015 by Ash Brown

My News and Reviews

I posted a couple of different things at Experiments in Manga last week in addition to the usual My Week in Manga feature. Having recently read and enjoyed Yukito Ayatsuji’s debut novel The Decagon House Murders, I made a point to finally get around to reading and reviewing his first novel released in English, Another. Though I felt a little cheated by one of the plot twists, overall the novel is a great mix of horror and mystery. I enjoyed the story so much that I plan on checking out the manga and anime versions, too. (Seems like a good candidate for an Adaptation Adventures feature.) My other post last week was some random musings on A Moment of Respite in Kohske’s Gangsta. Basically, a single scene from the sixth volume of the manga (more specifically, a sequence of three panels from that scene), inspired me to write more than a thousand words about some of the things that I particularly appreciate and love about the series.

A few things of interest found online last week: First of all, the most recent entry in Ryan Holmberg’s What Was Alternative Manga? column, Gottfredson’s Illegitimate Heirs: Tezuka Osamu and the Great Wall of 1945, was posted at The Comics Journal. Speaking of Tezuka, Stone Bridge Press will be publishing the manga The Osamu Tezuka Story: A Life in Manga and Anime in a single, massive volume. In other licensing news, NBM Publishing continues to release graphic novels in the Louvre Collection. Hirohiko Araki was the first Japanese creator to contribute to the series with the JoJo’s Bizarre Adventure spinoff Rohan at the Louvre, but In 2016, Jiro Taniguchi’s full-color Guardians of the Louvre will be translated.

Quick Takes

A Centaur’s Life, Volumes 4-5 by Kei Murayama. I love the world that Murayama has created for A Centaur’s Life. A fair amount of the worldbuilding can be found within the series’ narrative, but there’s also a ton of supplementary material between chapters—lessons in history and biology and such. The full introduction of a new character in these volumes, a transfer student who’s also an Antarctic snake person, allows for even more worldbuilding to be incorporated directly into the manga as she is learning about cultures outside of her own while the other students are learning about hers. The issues of race and discrimination that come up fairly frequently in A Centaur’s Life can sometimes be a little heavy-handed or simplistic, but the lessons learned are good ones. The series does tend to be fairly episodic, and even the individual stories and chapters can be fairly fragmented. They give glimpses into the characters and their lives without there necessarily being much of a plot. Generally, A Centaur’s Life is fairly charming and sweet though it has moments that, for one reason or another, are vaguely disturbing, too.

LDK, Volume 1 by Ayu Watanabe. I’ve largely enjoyed most of Kodansha Comics’ recent shoujo series (or at least found something about them that I’ve liked even if as a whole they didn’t work for me), so I was looking forward to giving LDK a try. I believe that LDK is Watanabe’s first manga to be released in English. I’m not especially familiar with her or her series, but she seems to primarily work in shoujo romance. LDK falls squarely into that category. However, after only one volume, I remain completely unconvinced by the supposed romantic chemistry between who will obviously become the lead couple after they end up living together. Part of my difficulty probably stems from the fact that I don’t particularly like either of the characters involved. Shusei is frankly a jerk with apparently no sense of how to express his interest in another person without being an absolute creep. And sadly Aoi is so concerned about doing right by her best friend that she doesn’t actually listen to what she says or needs. On top of that, so far LDK is just a little too generic in both its story and artwork for me to feel truly engaged with the series.

Passion, Volumes 1-4 written by Shinobu Gotoh and illustrated by Shoko Takaku. I actually read the first volume of Passion several years ago, but the series begins so unpleasantly (opening with what appears to be a rape scene) that it took me this long to get around to finishing it. I gave it a second chance for two reasons: I was assured by others that the series improves and I’m loving the artist’s more recent series I’ve Seen It All. While it’s still not a favorite of mine, Passion does get significantly better. That opening scene which was so awful has repercussions for everyone involved and ends up being handled rather well by the creators. Hikaru is a high school student who is desperately in love with Shima, one of the teachers at his school. He forces himself on Shima and, after a peculiar turn of events, the two initially pretend to be lovers. But then their relationship continues to deepen. It turns out Shima is terribly manipulative, but he does recognize that about himself and is extremely troubled by it. Passion takes place over the course of multiple years. It’s interesting to see how the characters grow and evolve while dealing with their bad decisions.

Random Musings: A Moment of Respite in Kohske’s Gangsta

October 23, 2015 by Ash Brown

Gangsta is an ongoing manga series created by Kohske that began serialization in Japan in 2011. The collected volumes of the manga are being published in English by Viz Media under its Signature imprint. So far, I have been loving the series.

Although the manga features a large and diverse cast of characters, the story primarily revolves around the Handymen: Alex Benedetto, a former prostitute recovering from involuntary drug use; Nicolas Brown, a deaf Twilight mercenary with incredible physical abilities; and Worick Arcangelo, a gigolo with an exceptionally accurate and vivid memory. Living in the city of Ergastulum, which was created to quarantine and control the superhuman Twilights, the three leads carry out all sorts of odd jobs for the police, the mafia and gangs, and individual citizens, everything from repairing buildings to finding lost cats to assassination hits.

I have been thoroughly enjoying Gangsta ever since it first began being published in English. I like its dark, gritty atmosphere, intense action sequences, and engaging characters with complicated relationships and pasts. However, I only recently caught up with the sixth and most recent volume, released back in May. While reading the volume, I was particularly struck by a short sequence of panels which was part of a larger four-page scene:

At first glance, Nic could be standing next to anything—a door, a wall, a pillar, or what have you. I was initially so caught up in the subtle changes in his expression from one panel to the next that it actually took me a moment to realize that Nic was in fact leaning up against part of the sound system at Bastard (a club/brothel run by one of the mafia families that the Handymen are on good terms with). Nic may be deaf, but for an all too brief moment he’s enjoying Ally’s performance as she sings. He’s also literally feeling the music.

A bit of a personal side story: Back in my undergraduate days, the symphonic band that I was a part of would go on tour over spring break. There is one performance from my junior year that particularly stands out to me for two reasons. The first being that our lead trumpet player (who was also my roommate for the tour) was hit in the head by a tuba during intermission, didn’t let anyone know there was a problem, proceeded to play through the rest of the concert with a concussion, and ended up in the hospital that night as a result. The second reason (and the reason that I’m even bringing this all up) is that several members of that evening’s audience happened to be deaf. They sat together as a group with a clear view of the stage so that they could see the performance and they held balloons between their hands so that they could more easily feel the different vibrations created by the woodwinds, brass, and percussion.

Likewise, Nic standing near and actually leaning against one of the sound system’s speakers allows him to more fully experience the music of Ally’s performance. When I recognized this was what was happening, I immediately thought back to that concert in my junior year. I love Kohske’s attention to these sorts of details. They can be found throughout the series and bring an added level of realism and nuance to the manga’s characters and story. I also appreciate that Nic’s deafness isn’t used as a gimmick; it is an integral part of who he is as a person and how he experiences and interacts with his environment and the people around him.

This scene takes place during Ally’s second public performance as a singer at Bastard. The first was an effectively heartbreaking rendition of Ben E. King’s “Stand by Me,” her voice superimposed over the mayhem and death occurring in the streets just outside while Worick, Nic, and others risked their lives to trying save those of the Twilight refugees seeking shelter within the club. Tragically, the violence could not be withheld and ultimately spilled into the club itself. This makes Ally’s later performance even more significant, powerful, and emotionally resonant. Her singing this time is a celebration—it can be seen in the joy and happiness in her face and in the faces of those who are listening—providing healing for the survivors and a moment of peace between the tragedies of the past and the tragedies that will inevitably come.

The entire sequence, and specifically these three panels, capture that feeling and atmosphere astonishingly well. Kohske is remarkably skilled when it comes to pacing in Gangsta. Chaos and violence is balanced by quieter moments, pain and tragedy (of which there are plenty) is alleviated by humor and compassion. Gangsta has a narrative rhythm to it that continues to build tension without becoming unrelentingly bleak. Kohske knows when to push the action and when to hold back to allow the characters and the readers to recover, breathe, and process the ramifications of everything that has taken place.

What is also striking about this four-page scene is that there isn’t a single word of spoken dialogue or narration. Even what it is that Ally is singing is unknown. The scene is an entirely visual experience, relying exclusively on the strength of Kohske’s artwork to convey the emotions and narrative of the manga. It serves to emphasize what is happening in these particular three panels as well, accentuating Nic’s perspective as someone who can see but not hear the world around him. And then he closes his eyes, distancing himself even further from that world and from the people he cares about and who care about him.

In the very next instant, Nic is suddenly gone, off on a mission of his own devising that may very well get him killed. And he hasn’t told Ally or Worick or anyone else who truly matters about his plan. But this moment before he disappears is tremendously important—Nic is fully present as he absorbs with all of his senses Ally’s performance and the jubilation permeating the club, something that he will carry within himself when he leaves. Even while Nic is closing himself off, he still maintains and strengthens his connection to others. The space that he previously occupied is left disconcertingly empty; though initially unnoticed, his absence will be felt.

Nic knows what he’s going to do and what’s coming next even if nobody else does. Elation, sadness, energy, calm, regret, contentment, and a myriad of other things can all be found within this one scene. And the wider implications of it are surprisingly complex considering its simplicity. On the surface, Ally sings while others listen, but underneath it all is a turmoil of emotions and a tangle of intentions. In general I have found Kohske’s Gangsta to be an incredibly engaging manga, but this scene in particular has left a huge impression on me from both a visual and narrative standpoint.

Manga the Week of 10/28

October 22, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 3 Comments

SEAN: Bad news. There’s 31 titles shipping next week. Good news: I’m not getting too many of them, so it’s not crippling for me. What’s happening next week, anyway?

I haven’t seen an 801 Media title in forever, but Amazon lists Magical Warriors: Chocolat & Pudding as coming out next week. Which sounds like a cute magical girl title, but I’m going to hazard a guess isn’t.

ASH: I’m pretty sure that’s actually a Project-H title…

SEAN: Gantz comes to an end with Vol. 37, which is good because I ran out of things to say about it 30 volumes ago. I wish HEN was licensed.

Kodansha gives us more terrifying Junji Ito!… wait, no. This is Junji Ito’s Cat Diary: Yon & Mu, and I expect it will be adorable and strange.

ASH: I am looking forward to this so much!

MICHELLE: Me, too!

ANNA: This sounds like a winner.

SEAN: There’s also an 11th volume of guilty pleasure Missions of Love.

And a 4th volume of “she’s not a manic pixie dream girl, honest” series Your Lie in April.

Seven Seas is debuting three new titles. Akuma no Riddle has yuri and takes place at a girls’ private school, but given it’s all about assassins, I’m hoping it’s less moe than the usual.

ASH: Yun Kouga is involved with the series, so I’m doubly intrigued.

MJ: You had me at “Yun Kouga.” How was this not on my radar? I need to fix my radar.

MICHELLE: So do I!

ANNA: Huh. I am also intrigued.

SEAN: A Certain Scientific Accelerator is based off of a certain well-known franchise, and stars a certain popular antihero, as you will already have guessed.

And Golden Time is based on a light novel by the author of Toradora!, and I hope is just as heartwarming and enjoyable as that title is.

Udon gives us the first volume of Steins;Gate, a title I remember more for the aggravating punctuation than anything else.

MJ: This, this, THIS. I adored this as an anime series, so I’m very optimistic.

SEAN: Viz Select gives us a 2nd digital volume of Chocolate Cosmos. Teacher-student relationships, whee!

MICHELLE: The debut volume wasn’t bad, so I will probably check out volume two, as well.

ANNA: I meant to check this out earlier!

SEAN: Yen Digital has a giant pile of releases, as this is the first month of the “official” rollout, with chapter releases and everything. I’ll just cover volumes here, starting with Corpse Princess, which is probably what it sounds like.

There’s also new volumes for Handa-kun, The Royal Tutor, and Today’s Cerberus.

ASH: Handa-kun will be coming out in print later, so I’m hoping that more of the digital titles will, too.

SEAN: Unknown is an actual title for a new manga about supernatural powers and the people who police them.

MJ: I’ll pretty much always check out a series with supernatural powers.

SEAN: And we get all 3 volumes of When a Magician’s Pupil Smiles, about an emotionless boy and his run-in with magic. This actually looks like a MJ/Michelle sort of title.

MJ: Why, it certainly does.

SEAN: Yen On has a third No Game No Life, where we see whether Sora will somehow manage to return from being erased from existence.

And a third Sword Art Online Progressive, where we reach a new level of Aincrad and prepare for a lot of water travel.

MJ: I’ve fallen behind in my SAO reading, but I must rectify that soon.

SEAN: Yen Press proper, meanwhile, has its usual pile. Accel World has a 5th manga, not to be confused with the 5th novel, out next month. (At least they aren’t the same date anymore.)

Akame Ga KILL! sure is popular, and has a 4th volume out as well.

Alice in Murderland proved to be as attractive to me as most other Kaori Yuki manga are, but a 2nd volume is out for her fans anyway.

Barakamon has a 7th volume, and I suspect we’ll have a lot more country life to make up for all the Tokyo in Vol. 6.

There’s a Black Butler artbook coming out with many pretty color illustrations of people draped over each other, I expect.

ASH: Yen does a nice job with its artbooks from what I’ve seen, so this should be good.

MJ: Agreed. I’m not a fan of the series, but I expect this will be a nice release.

SEAN: A Certain Magical Index’s 3rd manga volume decides to skip the not-all-that-good 2nd novel entirely and go straight to adapting the third.

And The Devil Is a Part-Timer! also has a 3rd manga volume out.

First Love Monster’s first volume balanced sweet and kind of skeevy very well. We’ll see if it can keep it up with Vol. 2.

Horimiya is Yen’s debut this month, a manga adaptation of a webcomic that seems like your standard cute shoujo romance, but runs in GFantasy so I’m sure it has to be weird in some way.

ASH: I like weird!

MJ: GFantasy, it’s like a drug.

MICHELLE: I’m looking forward to this one a lot!

SEAN: A third Kagerou Daze will likely be adapting the 2nd novel, which I liked but see not reason to read a manga adaptation of.

In case you didn’t think Homura had had enough revenge yet, there’s a 2nd volume of Puella Magi Madoka Magica: Homura’s Revenge. (Look, I’m sorry, it’s the end of a long list.)

So I Can’t Play H! continues to give us ecchi situations with no payoff in its 3rd volume.

Lastly, the debut of the manga adaptation of Strike the Blood, whose first light novel I found reasonably good last month.

Does this list make you happy? Or merely ill at the pile of titles?

Another

October 21, 2015 by Ash Brown

Author: Yukito Ayatsuji
Translator: Karen McGillicuddy
U.S. publisher: Yen Press
ISBN: 9780316339100
Released: October 2014
Original release: 2009

Another is a horror mystery novel written by Yukito Ayatsuji which was originally serialized in Japan between 2006 and 2009 before being collected into a single volume later that year. The novel was then released again in 2011 in two separate volumes. It is that edition upon which the English translation by Karen McGillicuddy is based. Another was initially released digitally in English by Yen Press in two volumes in 2103, but in 2014 it was published as a single-volume hardcover under the newly established Yen On light novel imprint. In addition to being Ayatsuji’s first novel to be translated into English, Another is probably his most widely-known work, especially outside of Japan. This is in part due to the fact that Another was adapted as a manga series and as an anime series, both of which have been licensed in English, as well as a live-action film. Although I’ve known about Another for a while, it actually wasn’t until I read Ayatsuji’s debut novel The Decagon House Murders that I was inspired to pick it up.

Yomiyama North Middle School’s third-year Class 3 is cursed. For some strange reason, the students of that class and their immediate families seem to be more susceptible to dying. Some years pass by without any casualties while other years see multiple deaths every month. The curse is said to be tied to an incident which occurred twenty-six years ago. A popular student named Misaki died, but the entire class was in such denial that Misaki’s spirit manifested. Now more than two decades later, Misaki’s story has been embellished and retold so many times that it’s difficult to tell how much of it is rumor and urban legend and how much is really true. Koichi Sakakibara recently transferred into Class 3 and isn’t sure what to believe and nobody is being particularly forthcoming about the situation. The curse could just simply be a ghost story, but his classmates and teachers are honestly frightened of something. And soon after Koichi’s arrival, a new series of deaths begin.

Another is a marvelous combination of mystery and horror. The first half of the novel explores the “what” and “why” of the increasingly odd situation while the second reveals the “how” and “who.” As a transfer student, Koichi is an outsider. He isn’t as knowledgeable as the other people involved, and they are reluctant to share information with him, so Koichi is largely left to investigate on his own. Eventually he gains some dubious allies, the most important being a young woman named Mei Misaki who may or may not actually exist. Ayatsuji excels at creating a constant air of uncertainty in Another—he introduces just enough creepiness and doubt that readers, like Koichi, are left questioning everything. While logical analysis is a valid option, the weirdness of the situation and the possibility of supernatural interference makes the more mundane, straightforward answers feel suspect. Additionally, Koichi himself is shown to be a somewhat unreliable narrator, and it’s his perspective of the unfolding events that drives Another.

Ayatsuji is particularly well-known for his inventive stories with dramatic twists. Another definitely falls into that category, the plot taking multiple clever and surprising turns over the course of the novel. However, without spoiling things, there was one major reveal towards the end that left me feeling cheated, especially when most of the other developments were so engaging. Retrospectively, the reveal does fit into the overall narrative, and there were some clues hinting at it scattered throughout the novel, but it isn’t foreshadowed as well as it could have been. As a result, I found it to be very unsatisfying. The revelation is shocking and certainly leaves an impact, but I think that had the information been shared earlier in the novel it could have been used even more effectively. Despite this one notable complaint, I actually quite enjoyed Another. The mystery was intriguing, the horror was disconcerting, and blended together they formed a chilling novel that was highly readable and kept me eagerly turning the pages.

Pick of the Week: First Volumes and Complete Sets

October 19, 2015 by Sean Gaffney, Michelle Smith, Ash Brown and MJ Leave a Comment

SEAN: I was going to go with L♥DK for this week’s pick, but then sadly I read it. So instead, with a minimal number of things I’m excited about, I will pick Udon’s first volume of Kill La Kill. The anime got huge buzz, both good and bad, on the Twitters and the Tumblrs, and I look forward to seeing what the excitement is all about.

MICHELLE: Oh, no! But I guess, in the absence of anything else I was planning to get, that I will still pick L♥DK anyway. With much trepidation.

ASH: I seem to be hearing a lot of good things about Claymore recently, but I’ve never actually read any of the manga. So, I’m definitely eyeing the giant box set that’s being released this week.

MJ: This feels like the right time to give another boost to Claymore, one of my very favorite shounen series. It’s dark, it’s thrilling, it’s filled with incredible female characters… what’s not to like? I don’t have any need for Viz’s new box set myself, but I’d encourage anyone to consider it! It’s a fantastic series.

My Week in Manga: October 12-October 18, 2015

October 19, 2015 by Ash Brown

My News and Reviews

It was a two-review week at Experiments in Manga last week. First off, I reviewed the third and final volume of Hide and Seek by Yaya Sakuragi, which I enjoyed immensely. In general, I tend to like Sakuragi’s boys’ love manga, but I think that Hide and Seek has probably become my favorite. It’s a bit more serious and realistic than some of her other manga, but it still has a great sense of humor. The second review from last week, and the most recent addition to my ongoing monthly horror manga review project, was After School Nightmare, Volume 6 by Setona Mizushiro. The series continues to be both disconcerting and compelling; I’m looking forward to seeing how it continues to develop.

Elsewhere online: The Shojo Beat tumblr posted a short interview with Kyousuke Motomi. Tofugu presents Japanese Onomatopoeia: The Definitive Guide, which is pretty great. The BBC has a brief spot on Hajime Isayama. Coming out of the New York Comic Con, Women Write About Comics had a chat with Kodansha executives Hiroaki Morita, Kohei Furukawa, and Yasumasa Shimizu. Brigid Alverson reports on Kodansha’s panels at New York Comic-Con, which included Yohei Takami, the editor of Noragami, as a special guest. Masashi Kishimoto was in New York for NYCC as well. Deb Aoki covered Masashi Kishimoto’s NYCC visit for Anime News Network. Brigid Alverson reports on Kishimoto’s main panel. Weekly Shonen Jump Blog has some Kishimoto NYCC videos to share, including interviews and panels. Also, the recording from Kishimoto’s SoHo Apple Store visit is now available.

Quick Takes

Aron’s Absurd Armada, Omnibuses 2-3 (equivalent to Volumes 3-5) by MiSun Kim. I read the first Aron’s Absurd Armada omnibus quite a while ago. I largely enjoyed the full-color manhwa, which I believe had its start as a webtoon, and have been meaning to get around to reading the rest of the series. I’m not sure that binge-reading Aron’s Absurd Armada was really the way to go for optimal enjoyment, though. I still find the series to be consistently or at least vaguely amusing, and it even managed to make me laugh out loud a few times, but it’s a little hard to take in large doses. The humor isn’t particularly clever, mostly relying on the fact that almost every single character in the manhwa is incredibly shallow or dimwitted. As such, there’s not much depth to the story or characters. Surprisingly enough, Aron’s Absurd Armada actually does have a plot, granted it’s very meandering and almost stream-of-conscious. There are pirates and treasure, kingdoms and political intrigue, and a whole mess of other complicating factors. Aron’s Absurd Armada is indeed absurd.

Citrus, Volumes 2-3 by Saburouta. Although I didn’t find some of the first volume of Citrus to be particularly realistic, I did find the intense emotions and drama to be engaging enough to be interested in continuing the series. The next two volumes follow in a similar vein—unbelievable in parts but still having the potential to become addictive. The series has begun to introduce prominent new characters as well. Not only is there another girl who has her eye on Mei, there’s also a young woman with designs for Yuzu. Mei’s father finally makes an appearance in the manga as well, albeit rather briefly. I’m not really entirely sure what to make of the man yet. Mei continues to be something of a mystery, too. One thing is for certain, though, a fair amount of Mei’s emotional issues, which have a huge effect on her interactions with other people, are tied up in her poor relationship with her father. As for the artwork, for the most part Citrus is drawn quite nicely in an overall attractive style that I like, but every so often there’s some weird anatomy going on which can be distracting.

Kiss Him, Not Me!, Volume 1 by Junko. Serinuma is on fairly good terms with many of the hottest boys at her school, but what most people don’t know is that in her spare time she enjoys fantasizing about them in relationships with each other. She’s also a huge fan of the anime Mirage Saga and she’s devastated when her favorite character dies. Locking herself in her room for more than a week, she wastes away. Nearly unrecognizable (on the outside), she begins turning the boys’ heads when she returns to school. Personally, I would have preferred another gimmick than sudden weight loss to bring Serinuma to the attention of her schoolmates, but at least it’s not at all played seriously. In fact, there is very little that is serious about Kiss Him, Not Me!. Its ridiculousness is what makes the manga work. And it is funny. The humor primarily revolves around Serinuma being a hopeless otaku, specifically a fujoshi. Junko herself, who is also a boys’ love mangaka (I believe Mr. Mini Mart is currently her only other work released in English), is a fujoshi as well, so happily the jokes never feel mean-spirited.

After School Nightmare, Vol. 6

October 16, 2015 by Ash Brown

Creator: Setona Mizushiro
U.S. publisher: Go! Comi
ISBN: 9781933617480
Released: January 2008
Original release: 2006

The sixth volume of the manga series After School Nightmare, an intense and dark psychological drama by Setona Mizushiro, was originally published in Japan in 2006. The English-language edition of After School Nightmare, Volume 6 was released by Go! Comi in 2008. Go! Comi is no more, so the entire series has gone out-of-print, but the manga still seems to be relatively easy to find. After School Nightmare is a series that honestly disturbs me, which isn’t necessarily a bad thing since in part it’s a horror manga. But while I find After School Nightmare to be disconcerting, I also find it to be oddly compelling. Mizushiro deals with some heavy issues in the series, including emotional, psychological, and physical abuse, trauma, and violence. The search for personal identity and the roles that gender and sexuality play in defining who a person is are major themes as well. In fact, it was those themes that first drew After School Nightmare to my attention.

Despite some lingering doubts, Mashiro made the decision to give up on his feelings for Sou in favor of his feelings for Kureha. Sadly for him, things aren’t turning out how he would have liked at all. Tying his masculinity to her insecurities, Mashiro wanted to feel needed by Kureha, to become her white knight and protector. But now Kureha is beginning to feel more confident in herself and trying to rely less on Mashiro. Suddenly finding himself without an acceptable role to play in their relationship, and no longer being able to meet the established though self-imposed requirements of what it means to be a man, Mashiro is thrown into turmoil. In the past he presented himself as a prince who would rescue those who were weaker than him, but it’s help that is no longer wanted nor needed. Just when he thought that he had everything finally figured out, Mashiro finds his relationships falling apart because they were built on his own insecurities and fears. He is desperate to be seen as a man by others and at the same time is terrified by the fact that he also yearns to express his femininity.

Most of After School Nightmare takes place in one of three settings: the school grounds, the dormitories associated with the school, and the shared nightmares of the students participating in the special after school class required for their graduation. Granted, it’s not graduation in the usual sense. The students who successfully complete the course completely disappear from the campus and from the memories of those left behind, almost as if they never existed at all. The mysteries surrounding what it really means to graduate combined with the story’s limited settings create a marvelously ominous and claustrophobic atmosphere. As a result, when the series breaks from that narrow focus, it can be especially unsettling. In the sixth volume, for what I believe is the first time in After School Nightmare, a truly significant scene occurs away from the school entirely, which serves to emphasize Mashiro’s reluctance to deal with his issues head on. But it’s a moment of false freedom; he won’t be able to run away from his problems indefinitely without there being negative consequences.

The nightmares in After School Nightmare are intended to be an environment in which the students can work through their personal traumas and fears, but the participants are simultaneously stripped of many of their defenses and left incredibly vulnerable within the dreams as well. In theory, what happens in the dreams is meant to remain private and not to carry over into the waking world, but in practice that is rarely ever the case. Even so, most of Mashiro’s growth and maturation is thanks to those nightmares. It’s not until After School Nightmare, Volume 6 that he’s forced to really begin to recognize outside of them how selfish and self-centered his relationships with other people have been, how he’s using them to make himself feel better about himself, and how his actions affect others. In many ways, Mashiro’s waking life is just as much of a fantasy as the dreams he is made to share with his classmates, and both reality and nightmares can be troubling and traumatic. However, it’s the nightmares that are the more truthful and honest even though they can also be highly symbolic and strange. In the end, as horrifying as the dreams are, the denial and insidious falsehoods of reality may ultimately be the more damaging.

Manga the Week of 10/21

October 15, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N 2 Comments

SEAN: Even though this is the quietest week of a big month… it’s still fairly big.

Dark Horse has a third volume of Oreimo: Kuroneko, for those who wanted a better ending than the canonical one, i.e. everyone.

Kodansha has the debut of a new shoujo series, L♥DK. It’s the sort I describe as a ‘potboiler’, and I think it will do well with those who love soap opera situations.

MICHELLE: I will be checking this one out. If it’s cracktastic, I hope it’s in a good way!

ASH: Soap opera situations? I am intrigued.

MJ: Who doesn’t love a good soap opera?

ANNA: I know I do!

SEAN: One Peace has a 2nd light novel for Rise of the Shield Hero.

Seven Seas caters to its fanbase with a second volume of Magika Swordsman and Summoner.

And also has a 3rd volume of Nurse Hitomi’s Monster Infirmary, which has monster girls and more ecchi antics.

And we round off our trio of otaku titles with Pandora in the Crimson Shell: Ghost Urn 2, which is drawn by Rikdo Koshi as if he never left the world of hentai doujinshi, and is written by Masamune Shirow as if he didn’t either.

Udon gives us the first volume of the Kill La Kill manga, which, if even one-tenth of the folks who gush about the anime on the internet purchase it, will sell like hotcakes.

ASH: I hope it does! Udon always does an excellent job with its manga; I’d like to see the publisher offer more.

SEAN: Vertical has the first of the Ninja Slayer manga (not to be confused with the Kodansha-licensed spinoff Ninja Slayer Kills) by the possibly imaginary American team of Bradley Bond and Philip “Ninj@” Morzez.

ASH: I wasn’t enamored with the spinoff, but I do plan on giving this series a try.

SEAN: If you always wanted to read Claymore but were waiting for a way to get all 27 volumes in one box set, Viz is the answer to your prayers.

MJ: Ooooooh, nice!

SEAN: And there’s also a 6th volume of the Special Edition of Monster, possibly with added depressing bits.

MICHELLE: I didn’t realize that these special editions had bonus material!

ASH: Do they?!

SEAN: They don’t, I was being silly. :)

MICHELLE: Oh, good!

SEAN: Lastly, there’s 3rd volume of runaway zombie hit Tokyo Ghoul.

Which of these varied titles most appeals to you?

Hide and Seek, Vol. 3

October 14, 2015 by Ash Brown

Creator: Yaya Sakuragi
U.S. publisher: Viz Media
ISBN: 9781421579689
Released: March 2015
Original release: 2014

Yaya Sakuragi has had quite a few of her boys’ love manga translated and released in English: Tea for Two; Hey, Sensei?; Stay Close to Me; Bond of Dreams, Bond of Love; and, most recently, Hide and Seek. Hey, Sensei? was actually my introduction to boys’ love, and I tend to enjoy Sakuragi’s work, so I’ve made a point to read and collect it all. As for Hide and Seek, the third and final volume was originally published in Japan in 2014. The English-language edition was released in 2015 by Sublime Manga, the boys’ love imprint associated with Viz Media. Hide and Seek is technically a spinoff of Bond of Dreams, Bond of Love, but it stands completely on its own. However, readers familiar with Bond of Dreams, Bond of Love will likely appreciate the references made to the earlier series. Tea for Two is even more distantly related to Hide and Seek, the connection between the two being made indirectly through Bond of Dreams, Bond of Love. It’s not at all necessary to have read Tea for Two or Bond of Dreams, Bond of Love to enjoy Hide and Seek, but I do like how all three series are linked together.

It has been years since Shuji has been in a serious relationship. Although he’s still on good terms with his ex-wife, his marriage was a failure and he hasn’t done much more than casually play around since the divorce. But now, somewhat unexpectedly, Shuji finds himself in what may very well become something more long-term, and with another man no less. The relationship between Shuji and the young doctor Saji has had a few bumps along the way, and both of the men still occasionally feel insecure, but for the most part they’ve been able to move past the major drama. That doesn’t mean everything has been completely worked out, though. As grown adults, Shuji and Saji each have their own family responsibilities and careers to take into consideration. Shuji has his daughter Chii to look after and the business at his candy store isn’t as good as it once was while Saji is having a difficult time convincing his grandfather to allow him to take over the family’s local clinic. So, there are still a few matters that Shuji and Saji will need to address before their relationship can go much further.

Although Hide and Seek tends to be more serious, mature, and realistic, especially when compared to its immediate predecessor Bond of Dreams, Bond of Love, at the same time there is still plenty of humor and lightheartedness to the series. For example, the major dilemma in the first chapter of Hide and Seek, Volume 3 revolves around Shuji “manning up” in order to cuddle, with delightful results. Shuji’s love of costume and roleplay comes up again, too, which has been something of a running joke in both Bond of Dreams, Bond of Love and Hide and Seek. I’ve really enjoyed seeing the relationship between Shuji and Saji develop as the series has progressed; they’re adorable and surprisingly sweet together, even considering (or perhaps even because of) their drastically different personalities. It’s obvious that they each care tremendously for other person. What makes their relationship work, and one of the things that I particularly love about Hide and Seek, is their willingness to push through their initial fear and embarrassment over expressing themselves and actually communicate with each other.

Seeing as I had enjoyed Sakuragi’s earlier works, I was fairly confident that I would like Hide and Seek, too. What I didn’t anticipate was just how much the series would end up appealing to me; I think it may now even be my favorite Sakuragi manga. I find this to be a little surprising because, although Saji is a type of character that I’m usually fond of, in general Shuji wasn’t. But over the course of Hide and Seek I came to really like and care about him. He has evolved from simply being supporting comic relief in Bond of Dreams, Bond of Love into a fully fledged, well-developed character in his own right. Much of Hide and Seek, Volume 3 is devoted to his family circumstances, which are revealed to be a little different than readers (and Saji, for that matter) were initially led to believe. Chii’s mother and her current boyfriend play a greater role, but the series implies and is open-ended enough that there is room for Saji, Shuji, and Chii to form a trio as well. Perhaps it’s optimism and wishful thinking on my part, but it makes me extremely happy that by the end of Hide and Seek, Chii may very well have gained two caring families.