Ash Brown

Bookshelf Overload: April 2017

May 11, 2017 by Ash Brown

I started at my new job in April, which has gone pretty well so far, but it has still been a bit of a stressful transition moving from one library to another. As a result, considering my tendency to stress-buy books, my personal library increased in size a fair bit. (Still, I did do a little better reigning myself in in April than I did in March.) Lately I’ve also noticed that my buying habits have changed somewhat, too. I’m not pre-ordering as much as I once was and so each month am playing more catch-up with past releases. Which is why I’ve only recently discovered that I tremendously enjoy series like Natsuki Takaya’s Twinkle Stars. As for more current releases that I was particularly excited about, the fifth omnibus of Inio Asano’s Goodnight Punpun and Wataru Waanabe’s Yowamushi Pedal were both published in April. I’ve apparently also been craving prose works. One of the more interesting projects that I’ve come across in a while is Keshiki, a series of eight chapbooks from a new publisher, Strangers Press, which are translations of short fiction by Japanese authors. (You’ll find them individually listed below in the section for novels, even though that’s not an entirely accurate categorization.)

Manga!
Aoharu X Machinegun, Volume 2 by Naoe
Earthian, Volumes 1-2 by Yun Kouga
Flying Witch, Volume 1 by Chihiro Ishizuka
Food Wars!: Shokugeki no Soma, Volume 17 written by Yuto Tsukuda, illustrated by Shun Saeki
Goodnight Punpun, Omnibus 5 by Inio Asano
Haikyu!!, Volume 10 by Haruichi Furudate
I am a Hero, Omnibus 3 by Kengo Hanazawa
Kase-san and Morning Glories by Hiromi Takashima
Love Com, Volume 4 by Aya Nakahara
Mobile Suit Gundam: Thunderbolt, Volume 1 by Yasuo Ohtagaki
My Hero Academia, Volume 2 by Kouhei Horikoshi
Nichijou, Volume 2 by Keiichi Arawi
Of the Red, the Light, and the Ayakashi, Volumes 4-5 by Nanao
Pet Shop of Horrors, Volumes 1-8 by Matsuri Akino
Record of Lodoss War: Lady of Pharis, Volumes 1-2 written by Ryo Mizuno, illustrated by Akihiro Yamada
Twinkle Stars, Omnibuses 1-2 by Natsuki Takaya
Yamada-kun and the Seven Witches, Volumes 10-12 by Miki Yoshikawa
Yona of the Dawn, Volume 5 by Mizuho Kusanagi
Your Lie in April, Volumes 10-11 by Naoshi Arakawa
Yowamushi Pedal, Omnibus 5 by Wataru Watanabe

Manhwa!
Lethe by Kimjin

Comics!
Afar by Leila Del Duca and Kit Seaton
Bird Boy, Volumes 1-2 by Anne Szabla
Cafe Suada, Volumes 1-5 by Jade Sarson
Creature Feature, Volume 1 by Kelly Matthews and Nichole Matthews
Diana’s Electric Tongue by Carolyn Nowak
Girl Town by Carolyn Nowak
Head Lopper, Volume 1 by Andrew MacLean
Henchgirl by Kristen Gudsnuk
In These Words, Chapter 16 by Guilt | Pleasure
The Meek by Der-shing Helmer
My Favorite Thing Is Monsters, Volume 1 by Emil Ferris
The Nameless City, Volume 2: The Stone Heart by Faith Erin Hicks
Pang, The Wandering Shaolin Monk, Volumes 1-2 by Ben Costa
Radishes by Carolyn Nowak
Small Favors by Colleen Coover
Sweaty Palms edited by Liz Enright and Sage Coffey

Artbooks!
Chain Reaction by Jo Chen

Novels!
At the Edge of the Wood by Masatsugu Ono
Belka, Why Don’t You Bark? by Hideo Furukawa
Bullfight by Yasuhi Inoue
Devils in Daylight by Junichiro Tanizaki
Friendship for Grown-ups by Naocola Yamazaki
Frontier by Can Xue
The Girl Who Is Getting Married by Aoko Matsuda
The Hunting Gun by Yasuhi Inoue
The Impossible Fairy Tale by Han Yujoo
The Longshot by Katie M. Kitamura
Mariko/Mariquita by Natsuki Ikezawa
Me Against the World by Kazufumi Shiraishi
Mikumari by Misumi Kubo
Punk Samurai Slash Down by Kou Machida
Record of a Night Too Brief Hiromi Kawakami
Spring Garden by Tomoka Shibasaki
Spring Sleepers by Kyoko Yoshida
Time Differences by Yoko Tawada
Transparent Labyrinth by Keiichiro Hirano
White Elephant by Mako Idemitsu

Anthologies!
Ground Zero, Nagasaki by Yūichi Seirai
Life of a Counterfeiter and Other Stories by Yasuhi Inoue
March was Made of Yarn edited by Elmer Luke and David Karashima

Poetry!
When I Grow Up I Want to Be a List of Further Possibilities by Chen Chen

Nonfiction!
Goodbye Things: The New Japanese Minimalism by Fumio Sasaki
The Tale of the Heike translated by Royall Tyler

Anime!
Bodacious Space Pirates directed by Tatsuo Sato
Tegami Bachi: Letter Bee, Seasons 1-2 directed by Akira Iwanaga

Film!
Tampopo directed by Juzo Itami

Pick of the Week: Requiem Æternam

May 8, 2017 by Sean Gaffney, Michelle Smith, Katherine Dacey, Ash Brown, MJ and Anna N 2 Comments

MICHELLE: Probably I should be casting my vote for the third volume of Tokyo Tarareba Girls. It’s josei and it’s kind of brilliant, but it’s also devastating in its own kooky way. Instead, I think I’ll pick something really comforting, like the third volume of Ace of the Diamond.

SEAN: My pick is the new My Neighbor Seki, whose variations on a theme have yet to get old.

KATE: I second Michelle’s enthusiasm for Tokyo Tarareba Girls. It will make you laugh, cry, and cringe in equal measure — that’s how good it is!

ASH: I’m certain that I would absolutely love Tokyo Tarareba Girls, but this week I only have eyes for the next volume of Requiem of the Rose King. The series is a fascinating and heart-wrenching reimagining of history with strong Shakespearean influences and gorgeous artwork.

MJ: Requiem of the Rose King 4evah. That’s just the way things are.

ANNA: Any week that Requiem of the Rose King comes out makes it an automatic pick for me too. This is one of the most compelling series currently coming out and every new volume is a treat. A treat of emotional anguish and surrealism!

My Week in Manga: May 1-May 7, 2017

May 8, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga, the winner of the Queen Emeraldas manga giveaway was announced. The post also includes a list of some of the manga available in English which are at least partially set in space. Otherwise, it was a fairly quiet week. I’m still very busy at work, training for the new job, but things are largely going well on that front. Later this week I’ll be leaving for a long weekend in Toronto for the Toronto Comic Arts Festival, so hopefully I’ll still be able to remember everything that I’ve been learning when I get back.

Elsewhere online, Brigid Alverson recently reported back on manga at the C2E2 conference for Publishers Weekly. The Anime Feminist continues to host interesting features on manga; most recently freelance translator Jenny McKeon took a look at yuri manga. The San Diego Comic-Con is fast approaching which means that this year’s Eisner Award nominations have been announced. As usual, most of the nominated manga are found in the Best U.S. Edition of International Material—Asia category (Goodnight Punpun by Inio Asano, Orange by Ichigo Takano, The Osamu Tezuka Story by Toshio Ban, Princess Jellyfish by Akiko Higashimura, and Wandering Island by Kenji Tsuruta) but Takeshi Obata’s artbook Blanc et Noir was also nominated for Best Comics-Related Book.

Quick Takes

Cigarette Girl by Masahiko Matsumoto. Although touted as the first collection of Matsumoto’s work in English (which may technically be true), Cigarette Girl is actually the second volume of manga by Matsumoto to be translated. Granted, Cigarette Girl was likely to be the first licensed (it was first announced by Top Shelf back in 2010), but it didn’t end up being released until 2016, two years after The Man Next Door was published by Breakdown Press. Matsumoto, like Yoshihiro Tatsumi (who provides the introduction to Cigarette Girl), worked in the gekiga tradition of manga. Cigarette Girl collects eleven of Matsumoto’s short gekiga manga, originally created for several different magazines in the early 1970s. Most of the stories could be considered romances of one sort or another. While an exploration of love isn’t necessarily the focus of the volume, the manga are all about relationships between people and often those relationships between men and women have a romantic bent to them. The stories in Cigarette Girl tend to be fairly quiet and focus on the everyday life of everyday people, but they’re also rather quirky and surprisingly funny, too. I enjoyed Cigarette Girl a great deal and would definitely be interested in reading more of Matsumoto’s work.

Kiss & White Lily for My Dearest Girl, Volume 1 by Canno. Lately, most of the yuri and other lesbian-themed manga translated in English are currently being released by Seven Seas, but other publishers have been starting to explore (or re-explore) the genre as well. One of Yen Press’ most recent yuri offerings is Canno’s Kiss & White Lily for My Dearest Girl, an ongoing series about the lives and loves of the students at an all-girls school. So far two main couples have been introduced and the short manga between chapter breaks implies that most of the background characters are in one way or another paired off together as well. As for the lead couples, first there is Ayaka and Yurine, the school’s top students. Ayaka is used to being first academically but finds that no matter how hard she tries, Yurine’s natural genius is tough to beat. Yurine, bored with how easy everything is for her, is delighted to finally have someone that she can consider a rival. While Ayaka and Yurine currently have something of a love-hate relationship going on, the affections of the second main couple are much sweeter and more clearly romantic–Ayaka’s tomboyish cousin Mizuki has been in a close relationship with Moe for years.

Nichijou: My Ordinary Life, Volumes 1-2 by Keiichi Arawi. I’ve heard great things about Nichijou, both the original manga and it’s anime adaptation and so I was fully expecting to enjoy the series. But while I tend to like absurd humor, for whatever reason the offbeat comedy found in the first two volumes of Nichijou just didn’t work for me. Or at least not consistently. While many of the gags fell flat, there were definitely individual bits that I found to be extremely funny. Some even made me laugh out loud. I was frequently amused by the manga as well as delightfully bemused. But as a whole, Nichijou seems to lack real substance. Granted, that’s not necessarily a bad thing and may very well be part of the point. The series mixes the mundane with the strange and completely unexpected, but that randomness can be difficult to follow at times. On top of the nearly nonexistent narrative logic, action and movement isn’t always conveyed clearly by Arawi’s artwork. As a result, the series’ humor can be difficult to interpret. Even so, Nichijou is admittedly silly and entertaining. But I was very surprised to discover that I didn’t enjoy the manga more than I actually did; it seems like it should haven been a series I loved.

Sweetness & Lightning, Volumes 3-5 by Gido Amagakure. As I’ve mentioned many times previously, I love food manga and Sweetness & Lightning is no exception. The series is an absolute delight. There’s the food, of course, which I find appealing, but perhaps even more so I enjoy the manga’s focus on friendship and family. Granted, all of this is all tied together in the story–food is what brings people together, creates connections, and deepens relationships. Preparing and sharing a meal is shown as a way of expressing love for another person. Food can also help keep memories alive. Inuzuka keenly feels the loss of his wife and their daughter Tsumugi misses her mother dearly. But as they learn to cook together, recreating family dishes and traditions, they can still be close to her even though she is gone. There are moments of intense sadness but there is also a tremendous amount of joy in Sweetness & Lightning. Amagakure’s illustrations are very expressive, finding an easy balance between these moods. In addition to more exaggerated expressions, the artwork also captures subtle changes. As Tsumugi grows older, for example, her character design matures slightly as well. Sweetness & Lightning is a wonderful series.

Manga the Week of 5/10/17

May 6, 2017 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: 2nd week, and things are popping. What’s coming down the pike?

Dark Horse has the debut of another comedic gag Evangelion manga, this one called Legend of the Piko Piko Middle School Students.

It also has the 3rd omnibus of its slice-of-life dumb-it-down Evangelion manga, The Shinji Ikari Raising Project.

ASH: Though I’ve seen the original anime series, I’ve never actually read any of the Evangelion manga.

ANNA: Me too.

SEAN: J-Novel Club has another debut, Bluesteel Blasphemer. Yes, it’s another “transported to a fantasy world” series, but this one has guns, and it’s by the author of Chaika the Coffin Princess.

And a 2nd volume of the popular title How a Realist Hero Rebuilt the Kingdom. Will they go to war?

Del Rey catchups are mostly taking the week off, but we do get a 13th Princess Resurrection.

There is still plenty of new Kodansha Digital, though, as we have Ace of the Diamond 3, Domestic Girlfriend 2, House of the Sun 5, *and* Tokyo Tarareba Girls 3!

MICHELLE: Yay for 75% of those!

ANNA: I am glad these are all out and sad I am so far behind in my reading!!!

SEAN: In print, we have the 10th volume of Genshiken 2nd Season. Will we finally resolve Madarame’s endless harem issues?

And a 4th In/Spectre, which promises to take a turn back towards the grim.

Interviews with Monster Girls 4 will hopefully be less grim, despite also featuring yokai.

One last Kodansha Digital title, which I mention only as it’s a series I never noticed began sometime last year. Unlimited Fafnir ran in good! Afternoon, and this is the 4th and final volume. It’s a light novel adaptation.

Seven Seas has a 3rd volume of Miss Kobayashi’s Dragon Maid, which has quite a following now that the anime’s done.

ASH: I enjoyed the first volume much more than I thought I would.

SEAN: And a 2nd There’s a Demon Lord on the Floor.

SuBLime has a 4th volume of not-boxing manga Ten Count.

ASH: Nope, definitely not boxing. The series actually comes across to me as dark, psychological horror more than anything else right now.

ANNA: The first couple volumes that I read were pretty grim.

MJ: Oh, Ten Count… I never really made it past volume two.

MICHELLE: I made it to volume three, but I’m really done now.

SEAN: People, people, it’s supposed to be a TEN count.

Vertical Comics gives us a 9th volume of My Neighbor Seki, which always makes me smile.

ASH: Me, too! :)

SEAN: A fourth Legendary Edition for The Legend of Zelda, this one has The Minish Cap and Phantom Hourglass.

Lastly, there’s a 6th volume of Requiem of the Rose King, and I can hear everyone in Manga Bookshelf breathe a sigh of relief. Also, shouldn’t Henry be dead soon?

ASH: I love this series so much!

ANNA: Yay!!!

MJ: This! Always! THIS!!!!

SEAN: It’s Mother’s Day next week! Which of these titles would you buy for your mother?

Manga Giveaway: Queen Emeraldas Giveaway Winner

May 3, 2017 by Ash Brown

And the winner of the Queen Emeraldas manga giveaway is… Sofia!

As the winner, Sofia will be receiving a copy of the first volume of Leiji Matsumoto’s Queen Emeraldas as published in English (and in hardcover!) by Kodansha Comics. Queen Emeraldas is a relatively recent example of a manga released in translation that is set in space. I happen to be rather fond of stories with space settings and so for this giveaway I asked that participants tell me a little about their favorite space manga. Check out below for a list of manga, but everyone’s detailed responses can be found in the giveaway comments.

Some of the manga with space settings released in print in English:
2001 Nights by Yukinobu Hoshino
A, A′ by Moto Hagio
Astra Lost in Space by Kenta Shinohara
Andromeda Stories written by Ryu Mitsuse, illustrated by Keiko Takemiya
Battle Angel Alita: Last Order by Yukito Kishiro
Bodacious Space Pirates: Abyss of Hyperspace by Chibimaru
Captain Harlock: Dimensional Voyage written by Leiji Matsumoto, illustrated by Kouichi Shimahoshi
Chronowar by Kazumasa Takayama
Earthian by Yun Kouga
Gankutsuou: The Count of Monte Cristo by Mahiro Maeda
Gin Tama by Hideaki Sorachi
Jyu-Oh-Sei by Natsumi Itsuki
Knights of Sidonia by Tsutomu Nihei
Mobile Suit Gundam: The Origin by Yoshikazu Yasuhiko
Mobile Suit Gundam: Thunderbolt by Yasuo Ohtagaki
Moon Child by Reiko Shimizu
Phoenix by Osamu Tezuka
Planetes by Makoto Yukimura
Please Save My Earth by Saki Hiwatari
Queen Emeraldas by Leiji Matsumoto
Stellvia by Ryo Akitzuki
Saber Tiger by Yukinobu Hoshino
Saturn Apartments by Hisae Iwaoka
Terra Formars written by Yu Sasuga, illustrated by Ken-ichi Tachibana
They Were Eleven by Moto Hagio
To Terra… by Keiko Takemiya
Trigun by Yasuhiro Nightow
Twin Spica by Kou Yaginuma
The Two Faces of Tomorrow by Yukinobu Hoshino
The Voices of a Distant Star written by Makoto Shinkai, illustrated by Mizu Sahara

As usual, the above list is not at all comprehensive (and there’s even more available digitally), but it should hopefully provide a good launching point. I’ve personally read and am quite fond of many of the titles listed, but there are some that I have yet to try, too. Thank you to everyone who took time to share your favorite space manga with me! I hope to see you all again for the next monthly giveaway.

Pick of the Week: Why Just One?

May 1, 2017 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith, MJ and Katherine Dacey Leave a Comment

SEAN: I am defying the rules! I will pick two titles this week and no one can stop me! Because we’ve been waiting for My Brother’s Husband since it was announced last year, but there’s also the debut of Dreamin’ Sun from Seven Seas! I cannot choose! I must have you both!

MICHELLE: Well, if you’re doing it, then so will I! The same two titles for me, if you please!

KATE: Well, if Sean *and* Michelle are going to break the rules, then I will, too. I’m equally thrilled for My Brother’s Husband, but I’m also planning to buy the penultimate volume of My Love Story!!, one the funniest and smartest shojo comedies VIZ has published, period. It’s one of the few series that always makes me laugh — something I can’t say of many other titles that strain too hard for comic effect. If you haven’t been keeping up with My Love Story!!, now’s a great time to get reading!

MJ: I actually find myself not even remotely torn here. I am entirely on board for My Brother’s Husband this week. It’s absolutely the pick for me!

ASH: I’m definitely interested in a fair number of this week’s manga releases, including the previously mentioned debut of Dreamin’ Sun and the continuation of My Love Story!! among others, but like MJthere’s really only one pick for me this week and that is My Brother’s Husband. I couldn’t be happier that this series is being released in English.

ANNA: This is a very good week. Like everyone else I’m excited about My Brother’s Husband, but I have to admit I’m feeling so nostalgic about My Love Story!! now that the series is coming to a close, I have to go with that.

My Week in Manga: April 24-April 30, 2016

May 1, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted two features in addition to the usual My Week in Manga. First up was the monthly giveaway. The winner will be announced on Wednesday, so there’s still time to enter for a chance to win the first volume of Leiji Matsumoto’s Queen Emeraldas. All you have to do is tell me a little about your favorite space manga (if you have one). Also posted last week was the long-form manga review for April. I took a look at The Girl from the Other Side: Siúil, a Rún, Volume 1 by Nagabe. The manga was one of my most anticipated debuts of 2017 and it is easily one of my favorites to be released so far this year. Last week was also the first week at my new job so I was rather preoccupied and busy with settling in there and so wasn’t online all that much. However, I did catch an interesting feature on the recent josei renaissance over at Anime Feminist. The article is written by Megan from The Manga Test Drive, one of the manga review blogs that I make a point to follow and particularly like.

Quick Takes

Ghost Diary, Volume 1 by Seiju Natsumegu. My experience reading Ghost Diary was a little odd. I can’t say that I was overly impressed by the first volume while I was reading it, but by the time I reached the end I found that I actually had enjoyed myself and was interested in reading the rest of the short series. The individual elements of Ghost Diary aren’t particularly original, but as a whole it’s horrific fun. In some ways the manga feels like it’s a mashup of other existing stories which deal with the supernatural and the occult. Even the illustrations reminded me of other works, in particular some of CLAMP’s darker series. I was actually expecting Ghost Diary to be much more serious than it actually was. The manga definitely has a disturbing side to it, but to me it comes across as a dark comedy more than anything else. It’s both goofy and grotesque. The story follows Sukami Kyouichi, the youngest son in a long line of exorcists whose older sister (also an exorcist and far more powerful than he is) mysteriously disappears after he angers a god due to his inexperience, ineptitude, and ignorance. Now he’s desperately searching for her which proves to be a very dangerous venture.

Princess Jellyfish, Omnibus 4 (equivalent to Voluems 7-8) by Akiko Higashimura. At this point the Princess Jellyfish manga has progressed much further along in the story than the content that was adapted for the anime series (which was my introduction to the work). So far, my love for the series has yet to diminish. In this omnibus the women of the Amamizukan apartments (along with Kuranosuke) somehow manage pull off a successful fashion show which is intended, in a roundabout way, to save their home from being demolished and redeveloped. However, for that to work, their success will have to extend to actually launching the Jelly Fish brand as well, and reality is much more challenging than a dream. Princess Jellyfish is intentionally outrageous and comedic in the telling of its story but the underlying heart of the manga is believable earnest. I find the manga’s style of humor to be immensely entertaining, but probably what I enjoy most about Princess Jellyfish are its characters and their relationships with one another. I especially liked how Shuu and Kuranosuke’s brotherly affections were developed and portrayed in these two volumes.

Twinkle Stars, Omnibuses 1-2 (equivalent to Volumes 1-4) by Natsuki Takaya. Probably like most people, my introduction to Takaya’s work was through the series Fruits Basket, a landmark title in the North American manga industry. It would seem, then, that Takaya’s next major series, Twinkle Stars, would be an obvious license choice, but the manga only began to be released in English relatively recently. Other than the fact that Takaya was the creator, I actually didn’t know much about Twinkle Stars before reading it. The series turns out to be an incredibly compelling and emotionally resonant work even if some of the story developments do seem a little convenient and trope-worn. The lead of Twinkle Stars is Sakyua Shiina, an endearing highschool third-year whose outward cheerfulness goes a long way to hide her inner struggle with depression and self-worth, the result of a troubled family life. Fortunately, she now has people in her life who care for her dearly. Under some rather peculiar circumstance she meets and ultimately falls in love with Chihiro, a young man who likewise is left dealing with the aftermath of past tragedies. At times Twinkle Stars can be absolutely heartbreaking but this countered by the immense kindness that is also exhibited in the series.

Witchlight by Jessi Zabarsky. Before being edited and published in a collected edition with additional content, most of Witchlight had previously been released as a series of individual comic chapters. Described as a shoujo adventure, Witchlight is a delightful fantasy comic about the close bond of friendship and love which slowly develops between two young women as they travel together on a quest. They don’t start out on good terms, though. Sanja is kidnapped by Lelek, a candle witch who demands that she teach her how to use a sword. Lelek is searching for a part of herself that has been lost and magic isn’t always enough to protect her. While being abducted isn’t exactly a promising beginning to a relationship, Sanja is more curious than afraid and her good nature and openness has a positive influence on the untrusting Lelek who has kept her heart closed off from others for so long. Lelek and Sanja’s emotional journeys are the most important aspects of Witchlight, but their physical journey is also wonderful to watch unfold as they encounter other cultures and and types of magic. The characterizations, worldbuilding, artwork in Witchlight are all lovely.

Revenge: Eleven Dark Tales by Yoko Ogawa. I find the cover design and even the title selected for the English-language edition of Ogawa’s Kamoku na shigai, midara no tomurai to be somewhat misleading. Revenge, although it does make a few appearances throughout the volume, is not at all an overarching theme. And while there is death and violence, most of the gruesomeness implied by the cover occurs off-page. That being said, Revenge is a marvelously disconcerting work of subdued horror. Everything in Revenge is told from a first-person perspective, giving the collection a surprisingly quiet and contemplative atmosphere which becomes increasingly dark as the volume progresses. The individual stories can all be read and function well on their own, but what makes Revenge such a phenomenal collection is how they are all entangled with one another. Often the connections are tangential–similar turns of phrases and references are used, main characters and plot points from one story appear and reappear in the backgrounds of others, and so on–but sometimes they have a profound impact on the interpretation of the various narratives. A close, careful reading of Revenge is rewarded with the revelation of a complex, strange, and surreal web of the macabre.

Your Name directed by Makoto Shinkai. Originally I thought I would be waiting to watch a home video release of Your Name but the film actually ended up being shown at one of my local theaters and a friend invited me out to see it over the weekend. Your Name is a beautiful film, both visually and thematically, and not quite what I was expecting. (Granted, I’m not entirely sure exactly what it was that I was expecting.) To me it almost feels like three different films have been merged into one. Initially Your Name is about Mitsuha and Taki, two young people who don’t really know each other but who have started to spontaneously and erratically switch bodies when they fall asleep. But when the switching suddenly and unexpectedly stops, the film changes its focus to Taki as he tries to locate Mitsuha, keenly feeling the absence of the close intimacy that the two understandably developed over time. From there the urgency of Your Name increases even more as Taki uncovers the truth and he and Mitsuha struggle to prevent further disaster and loss. In part a romantic comedy, in part a meditation on love and spirituality, and in part (it would seem) a response to the Fukushima disasters, Your Name largely remains cohesive even while bending and shifting between genres.

The Girl from the Other Side: Siúil, a Rún, Vol. 1

April 28, 2017 by Ash Brown

Creator: Nagabe
Translator: Adrienne Beck
Adapter: Ysabet Reinhardt MacFarlane
U.S. publisher: Seven Seas
ISBN: 9781626924673
Released: January 2017
Original run: 2016

The Girl from the Other Side: Siúil, a Rún by Nagabe was easily one of my most anticipated manga debuts of 2017. Nagabe is known as a creator of somewhat unusual or unorthodox manga, The Girl form the Other Side easily fitting into that category. (Nagabe’s work was actually first brought to my attention thanks to a series of beautifully drawn boys’ love doujinshi featuring birds.) The first volume of The Girl from the Other Side was originally published in Japan in 2016, while the English-language edition was released by Seven Seas early in 2017. The quality of the physical release is admittedly a little disappointing–the cover stock feels ephemeral and ink tends to smudge and transfer between pages (granted, this does at least seem to be thematically appropriate)–but I’m thrilled that The Girl from the Other Side is being translated at all. It’s also worth noting that the manga does share some obvious parallels with another unusual series, Kore Yamazaki’s The Ancient Magus’ Bride, but even considering their similarities they are quite different from each another.

Once upon a time, two kingdoms existed in a world divided into the Outside and the Inside. Humans live on the Inside behind a wall intended to keep the monstrous Outsiders and the dark curse associated with them at bay. Coming into contact with an Outsider is to be avoided at all costs; to do otherwise means risking ones’ life and humanity. But the darkness of the Outside is slowly encroaching upon the light of the Inside. Humans are succumbing to a cursed disease and are abandoning entire villages as they unsuccessfully try to flee from it. Out of fear and suspicion, people have started to turn against one another in a desperate effort to survive. In the midst of this turmoil is a young girl, Shiva. Unexpectedly left behind in an area which is now considered a part of the Outside, she is waiting to be reunited with her family. In a peculiar twist of fate, Shiva is being guarded and cared for by an inhuman Outsider who she simply calls “Teacher.” The circumstances are unusual and dangerous for them both as Shiva’s safety becoming more and more difficult to guarantee the longer she remains on the Outside, set apart from others.

The fact that Shiva’s very life is in danger is clear from the beginning of The Girl from the Other Side. As a sort of prologue, the manga opens with her being warned of the curse brought by the touch of an Outsider while the first panel of the story-proper shows her lying listless on the stump of a tree. She has only fallen asleep, but the visual cues of the scene are closely reminiscent of death. An ominous feeling of uncertainty–is Shiva actually alive or is she dead, how much of her world is real and how much of it is a fairytale–pervades The Girl from the Other Side. Shiva is young enough that she doesn’t completely understand everything that is happening to her and doesn’t know enough to be afraid. But as she experiences more her awareness grows, even when Teacher tries to shield her from life’s harsher realities. Likewise, readers gain more knowledge as the underlying truths of Shiva’s situation are slowly revealed. However, they don’t have Teacher to soften the blows for them. To some extent Shiva’s innocence protects her from the tragedy and heartbreak inherent to The Girl from the Other Side which is so obvious from an outside perspective.

The Girl from the Other Side is incredibly atmospheric, a beautiful and surprisingly gentle and charming story which simultaneously manages to be disconcerting and unsettling. The series is very dark, in both theme and illustration. There is a tremendous amount of ink on the manga’s pages–the oppressive shadow of death which haunts the story is reinforced visually, the darkness permeating the scenes. Shiva, with her light-colored hair and dressed in white, stands apart from the unwelcoming environment. She is obviously out of place, separate from what is around her. In contrast, Teacher is clothed in black and at times is barely discernible from the background. But although an Outsider and demonic in form, Teacher is Shiva’s only hope, trying to safeguard her from anyone who would seek to do her harm. Their strange yet sweet and endearing relationship is core to The Girl on the Other Side. The life that they have, no matter how impermanent, carries great weight as they face an uncertain future together. The Girl from the Other Side is a gorgeous and striking work; I can’t wait for the next volume to be released.

Manga the Week of 5/3/17

April 27, 2017 by Sean Gaffney, Anna N, Ash Brown, Michelle Smith and MJ Leave a Comment

SEAN: It’s May, and a young man’s thoughts turn to … well, hopefully things other than manga. But if you want manga, we have you covered.

ASH: I always want manga.

SEAN: We also have light novels covered. J-Novel has the debut of Arifureta: From Commonplace to World’s Strongest. It’s one of the most popular “isekai” titles out there, and unlike most examples of the genre we’ve seen lately, I think it plays it perfectly straight, for good or ill.

I was blown away by the readability of In Another World With My Smartphone, though I would not remotely call the book good. Vol. 2 is out next week, and I expect to be equally entertained.

ANNA: Well, things don’t have to be good to be entertaining!

SEAN: Kodansha has some more old Del Rey titles out digitally. Alive 14, Pumpkin Scissors 12, Yokazura Quartet 10… and sadly we can’t count down by 2s any more.

In new Kodansha digital releases, we have the 3rd All-Rounder Meguru and the 3rd (and final?) Museum.

In addition, Kodansha schnookered me with a last-minute title. The 3rd Wave, Listen to Me! is already out. I was not able to inform you a week ahead of time. I am filled with shame.

MICHELLE: But a hearty “Yay!” anyway.

ANNA: Arrgh, haven’t even read the first volume.

SEAN: And in print Kodansha news, a 4th volume of Cells at Work!.

ASH: This series is ridiculous fun. And informative, too.

SEAN: I’ve been waiting for this one since it was announced. Pantheon has the debut omnibus of My Brother’s Husband, a manga by Gengoroh Tagame about a Japanese man whose brother passes away, and the brother’s Canadian husband then moves in with him and his young daughter. It runs in Fuitabasha’s Manga Action, and I believe just announced it’s finishing with 4 volumes, meaning we should get a 2nd omnibus at some point. Go get this release.

MICHELLE: So excited for this one.

ANNA: Sounds great!

ASH: This is absolutely one of my most anticipated releases for this year. I’ve been collecting the Japanese volumes, but I’m so excited that it’s being translated and will definitely be picking up the English-language edition.

MJ: So very much on board with this!

SEAN: Seven Seas has a quartet of titles, starting with the 10th Arpeggio of Blue Steel.

Dreamin’ Sun is their first debut, and any other week it’d be the title I’m most excited about. It’s by the creator of orange, and is the title she had success with before that one. It ran in Bessatsu Margaret, a Shueisha title. Yay, shoujo!

MICHELLE: !!!! How did I miss this?! I loved orange and usually love things that rain in Margaret or its offshoots.

ANNA: Woo hoo for shoujo!

ASH: I loved orange, so I’m looking forward to giving Dreamin’ Sun a try.

SEAN: Another Hatsune Miku spinoff comes out, as we get Vol. 1 of Bad End Night. This seems to be Hatsune Miku meets Alice in the Country of, and it ran in Zero-Sum Online.

And there is a 2nd volume of Magical Girl Site, no doubt featuring more dead young girls, because that’s what kids like these days.

Vertical has an 8th volume of Nichijou, and this is the volume where the plot really starts kicking in… OK, not really.

And the rest is Viz. Anonymous Noise gets a second encore… I mean volume.

ANNA: I find this title both entertaining and frustrating, but I keep getting drawn in by the stylish cover art.

ASH: I feel much the same.

MJ: Yep. I guess we’ll see if it gets less frustrating, eventually.

SEAN: Bleach has a 19th 3-in-1.

Guess what’s back from the dead? That’s right, D.Gray-Man, with its 25th volume out a mere 2 and a half years after its 24th.

And speaking of necromanced properties, we begin the release of Dragon Ball Super, taking place sometime after Z but before its epilogue, and apparently being more of a tie-in to the anime than anything else. Which is to be expected given it runs in tie-in paradise V-Jump.

It’s not a Viz release party without a Haikyu!!. Here’s Vol. 11.

MICHELLE: Woot.

ANNA: Woo hoo vollebyall!!!!

ASH: Yeah!!

SEAN: JoJo’s Bizarre Adventure continues its hardcover release of what is becoming its most boring arc, though I’ll keep trucking along. Have the 3rd Stardust Crusaders book.

ASH: Just you wait, Sean, things will start to pick up again.

SEAN: Last time I said we got the penultimate Maid-sama! omnibus, showing I can’t count. Instead THIS is the penultimate volume, and I expect we’ll get the last in August.

MICHELLE: Actually, I had it in my head that the series was 16 volumes long, too, so you’re not alone.

SEAN: The 8th My Hero Academia will show off more Superhero School, as they try to pass their finals in the most awesome way possible.

Speaking of penultimate volumes, here’s the 2nd to last My Love Story!!. Just typing that is making me sad.

MICHELLE: Me, too.

ANNA: NO, IT MUST NEVER END!!!!!

ASH: My Love Story!! has been such a treasure. I love the series so much.

SEAN: Nisekoi continues to trundle towards its ending as well with Vol. 21.

One Piece’s 82nd volume will hopefully tell us what’s going to happen to Sanji, though knowing Oda no doubt it will be drawn out.

Toriko has ended in Japan, and its schedule is slowing down here. This is the 38th volume.

MICHELLE: Someday I really will read this.

SEAN: And what would a list of Viz releases be without a Yu-Gi-Oh volume at the end? This is the 10th 3-in-1.

Do you feel the PASSION pouring through your veins? BUY SOMETHING FROM THIS LIST!

Manga Giveaway: Queen Emeraldas Giveaway

April 26, 2017 by Ash Brown

It’s that time again! The end of the month is fast approaching which means another giveaway at Experiments in Manga is now underway! This month’s giveaway features Queen Emeraldas, Volume 1 by Leiji Matsumoto as published in English by Kodansha Comics. (It’s a hardcover!) The second and final volume of the series will be released later this year (I believe it’s scheduled for July), so this giveaway is a great opportunity for a chance to win the first volume to give the series a try. And, as always, the giveaway is open worldwide!

I have been a long-time fan of speculative and science fiction of all types, but I do seem to particularly fond of those that somehow involve space. Taking that into consideration, it probably shouldn’t be too surprising that manga about space travel and exploration especially tend to appeal to me. When Leiji Matsumoto’s Queen Emeraldas was licensed it immediately caught my attention. Not only does it take place in space, it’s also a series from the 1970s. “Classic” manga aren’t frequently released in English (unless they’re by Osamu Tezuka), so that aspect of Queen Emeraldas interested me, too. And indeed, I enjoyed the first volume a great deal.

So, you may be wondering, how can you a copy of the Queen Emeraldas, Volume 1?

1) In the comments below, tell me about your favorite manga set in space. (Don’t have a favorite or have never read one? Simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it. Everyone participating in the giveaway can earn up to two entries and has one week to submit comments. If needed or preferred, entries can also be sent directly to me at phoenixterran(at)gmail(dot)com. The comments will then be posted here in your name. The giveaway winner will be randomly selected and announced on May 3, 2017. Good luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Queen Emeraldas Giveaway Winner

Pick of the Week: Happiness Will Prevail

April 24, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, Michelle Smith and MJ 1 Comment

MICHELLE: I’m both excited and grateful for more digital josei from Kodansha, but of course it’s sports manga that gets me stupidly excited, which is the case for Tuesday’s debut of Days.

SEAN: I’ll go with the 3rd Bakemonogatari novel, which promises to dig into Tsubasa Hanekawa’s psyche at long last, as well as metatext, annoying sexualized scenes, and more insults hurled with love than you can shake a stick at.

KATE: I only have eyes for one title this week: Shuzo Oshimi’s Happiness. For my money, Happiness is the best title Kodansha is publishing right now: it’s smartly drawn, expertly paced, and meticulously plotted, with a memorable, sympathetic lead character and a well-rounded cast of supporting players. More impressive still is that the horror elements feel fresh and surprising; this isn’t just another teen vampire manga. If you do give it a try, be prepared to squirm or cringe from time to time — not because it’s gory, but because it captures the special awfulness of being fifteen in vivid detail.

ASH: I’m with Kate. I don’t have much to add after such an eloquent description, but Happiness is definitely the manga release which commands my attention this week.

ANNA: OK, Happiness wasn’t on my radar before, but now it certainly is! This week would be much smaller without Kodansha’s digital releases, they are bringing back older unfinished series and producing more and more digital josei, which is a very good thing. My pick of the week is Kodansha’s digital program in general. I hope it inspires other publishers to bring out more titles that might be too noncommercial for print release.

MICHELLE: At the risk of sounding like a broken record…. Like 7SEEDS?!?!

ANNA: 7SEEDS!!!!!!!

MJ: So, first I have to decide whether I can forgive my co-bloggers for momentarily making me think that someone had actually licensed 7SEEDS. If I ever manage that, or indeed manage to recover from that brief moment of excitement, I will pick… something else? I haven’t started Happiness, but it sounds like I should.

My Week in Manga: April 17-April 23, 2017

April 24, 2017 by Ash Brown

My News and Reviews

Well, I didn’t manage to post my in-depth manga review for April last week after all. Today I’m starting in a new position at a different library, meaning that last week I spent most of my time tying up as many loose ends as possible at my previous job. This included writing a lot of documentation. And since I was doing so much writing for work, by the time I got home I didn’t want to do anything but read, so that’s what I did. (Which goes to explain why I ended up finishing Cixin Liu’s excellent novel The Three-Body Problem much sooner than I had originally anticipated.) But never fear, I’ll be posting my review of Nagabe’s The Girl from the Other Side later this week in addition to the monthly manga giveaway.

In other news, Seven Seas continued its string of licensing announcements, adding Orikō Yoshino and Z-ton’s light novel series Monster Girl Doctor, Kazuki Funatsu’s Yokai Girls manga, and Saki Hasemi and Kentaro Yabuki’s To Love Ru and To Love Ru Darkness manga to the slate. Recent announcements from Viz Media included Sankichi Hinodeya’s Splatoon manga, a Hello Kitty coloring book, picture books of Hayao Miyazaki’s Castle in the Sky and Princess Mononoke, as well as the My Little Pony: The Movie artbook. Kodansha Comics had a couple of announcements to make recently, too, such as the upcoming release of full-color hardcover edition of Gun Snark’s Attack on Titan: No Regrets (I’ve previously reviewed the series’ first English-language release) and a hardcover omnibus edition of Yukito Kishiro’s Battle Angel Alita. (The series was originally published in English by Viz Media but has been out-of-print for quite some time.)

I also came across a few other interesting things last week: Over at The OASG, Justin interviewed Mariko Hihara and Kotoyo Noguchi, two independent manga creators in Japan. Noguchi also had some questions to ask in return. Frederik L. Schodt (whose work I greatly enjoy) was recently profiled at Nippon.com. The article takes a look at his involvement as an ambassador for manga over the last four decades. Caitlin from I Have a Heroine Problem presented a panel called “Is This Feminist or Not? Ways of Talking about Women in Anime” at Sakura Con 2017 and has made her slides available. A very nicely designed site called Persona Problems offers criticism of Persona 5‘s English localization and delves into translation theory and practice that even people who don’t play the game may find interesting. Finally, the author and designer Iku Okada has started a series of autobiographical essays called Otaku Girl and Proud which explores Japanese gender inequality and identity and how popular culture can impact that experience.

Quick Takes

Dorohedoro, Volumes 17-20 by Q Hayashida. Despite being one of my favorite ongoing series currently being released in English, I seem to somehow always forget how incredibly much I love Dorohedoro. I tend to forget how tremendously horrific the manga can be, too, mostly because it simultaneously manages to be surprisingly endearing. Hayashida’s story and artwork is frequently and stunningly brutal, gut-churning, and grotesque, but Dorohedoro also carries with it a great sense of humor. Granted, the comedy in Dorohedoro tends to be phenomenally dark. Lately, as Dorohedoro continues to steadily progress along what I believe will be it’s final major story arc, the series has become fairly intense and serious, but it remains exceptionally weird and has yet to completely lose its humor. The plot of Dorohedoro does meander a bit and because it’s been so long since I’ve read the previous volumes I’m sure that I’ve forgotten a few important details as the story takes multiple convoluted turns along the way. Ultimately, it doesn’t seem to really matter though since the world and characters of of Dorohedoro follow and operate under their own peculiar sort of logic; Dorohedoro doesn’t need to make a lot of sense in order to be bizarrely enjoyable.

FukuFuku: Kitten Tales, Volumes 1-2 by Kanata Konami. Before there was Chi’s Sweet Home there was FukuFuku Funyan, Konami’s cat manga which started in the late 1980s. The series featured an elderly woman and her cat FukuFuku. More recently, Konami created FukuFuku: Kitten Tales, a spinoff of FukuFuku’s first series which, as can be accurately assumed by the manga’s title, shares stories from the loveable feline’s youth. While Konami’s artwork in FukuFuku: Kitten Tales is black-and-white rather than being full-color and the manga is only two-volumes long rather than being twelve, the series is otherwise very similar in format to Chi’s Sweet Home. It’s actually been quite a while since I’ve read any of Chi’s Sweet Home, but FukuFuku: Kitten Tales feels like it might be a little more episodic as well. However, it is still an incredibly cute series. Each chapter is only six pages or so but manages to tell a complete story, accurately portraying the everyday life and antics of a kitten. FukuFuku: Kitten Tales isn’t especially compelling or creative as far as cat manga goes, but it is an adorable series which consistently made me smile and even chuckle from time to time.

Magia the Ninth, Volume 2 by Ichiya Sazanami. I enjoyed the first volume of Magia the Ninth immensely. I’m not really sure I could call it a good manga per se, and I don’t think I would necessarily recommend it broadly, but personally I got a huge kick out of it. That being said, I can’t say that I’m surprised that the series only lasted two volumes. (I don’t know for certain, but I get the feeling that Magia the Ninth was cancelled.) What did surprise me was how well Sazanami was able to pull everything together to conclude the manga in a coherent (and almost satisfying) fashion when obviously it was intended to be a series on a much grander scale. To be honest, Magia the Ninth probably would have done much better for itself if the manga had had that level of focus from the very beginning. Magia the Ninth is a strange and somewhat goofy little series about demons, magic, and music. While the series wasn’t always the most comprehensible, it’s stylishly drawn, has tremendous energy, and even manages to effectively incorporate legitimate music history into the story. Magia the Ninth may not have lived up to its potential, but I had fun with it.

The Prince in His Dark Days, Volumes 2-3 by Hico Yamanaka. More and more of The Prince in His Dark Days seems to revolve around Itaru, but at this point I would still consider Atsuko, who is serving as Itaru’s double, to be the real lead of the manga. Unfortunately, Atsuko is casually threatened with sexual violence on a regular basis in the series which frankly makes me uncomfortable. In general, the power dynamics in The Prince in His Dark Days tend to be fairly disconcerting. It doesn’t really help when other characters’ try to play it off as a joke, either. If anything, it only seems to emphasize the fact that so many of them are unrepentant jerks. I know that I’m supposed to empathize with some of their personal struggles, but I find it difficult to spare a lot of sympathy for entitled assholes. However, the themes that Yamanaka explores in The Prince in His Dark Days are of tremendous interest to me, most notably those of gender expression and sexual identity. I also appreciate the manga’s melancholy mood and the slow blossoming of love in unexpected places. There’s only one volume left in The Prince in His Dark Days and despite some of my reservations about the series I am curious to see how it ends.

The Three-Body Problem by Cixin Liu. If my memory serves me right, The Three-Body Problem is actually the first contemporary Chinese novel that I’ve read. It initially came to my attention when it became the first work in translation to win the Hugo Award for Best Novel. Interestingly, when The Three-Body Problem was translated into English by Ken Liu, the order of the chapters was restored to what the author originally intended and a few additional changes were made in consideration of some of the real-world scientific advances that had developed since the novel was first published in China. As a novel that leans heavily on hard science, I found The Three-Body Problem to be fascinating. (At one point in my life, I actually considered going into theoretical physics.) But what makes The Three-Body Problem so compelling are the social aspects of the narrative. In particular, China’s Cultural Revolution and the characters’ responses to it play a critical role in the story’s development. The Three-Body Problem is the first book in a trilogy, Remembrance of Earth’s Past, and so while largely being a satisfying novel on its own, it’s obviously only the beginning of a larger work. I definitely plan on reading the rest.

Manga the Week of 4/26/17

April 20, 2017 by Sean Gaffney, Ash Brown, Anna N and Michelle Smith 1 Comment

SEAN: For a non-Yen final week of the month, this is pretty ridiculously busy.

J-Novel Club has the 2nd volume of The Faraway Paladin, whose first volume I greatly enjoyed. Looking forward to this more serious take on the ‘reincarnated in another world’ genre.

Kodansha has piles of new volumes for fans of their old Del Rey series out digitally. Gakuen Prince 12, Nodame Cantabile 18, Princess Resurrection 12, Pumpkin Scissors 11, and School Rumble 19.

ASH: Oh! Nodame Cantabile! I actually still have the volumes that Del Rey released; glad I’ll be able to finish the series. (Though, as always, I will continue to hope for a print edition, as unlikely as it is.)

SEAN: There’s also new digital volumes of their newer series. The Full-Time Wife Escapist 2, House of the Sun 4, and Peach Heaven 2. Definitely interested in more Wife Escapist, which I really enjoyed.

MICHELLE: Yay for Nodame and House of the Sun and escapee wives!

ANNA: I can’t believe I’m so far behind in digital releases, wait, it it is totally believable. Sounds like I need to check out the Full-Time Wife Escapist for sure.

SEAN: In new digital releases, though you can’t seem to preorder them yet, we have DAYS, another soccer manga from the creator of Over Drive that runs in Weekly Shonen Magazine.

MICHELLE: Being sports manga, I am of course duly excited for DAYS. In fact, I think I’ve now officially lost count of how many sports manga series are being released here.

ASH: I’m enjoying this surprising sports manga renaissance, too!

SEAN: And there’s also Tsurezure Children, a 4-koma romance series from Bessatsu Shonen that deals with a varied cast. It looks cute.

In print Kodansha, we have the 21st volume of Attack on Titan. Will we finally get to that pesky basement of Eren’s dad?

ASH: One of these days, maybe!

SEAN: The 4th and final volume of the Fairy Girls spinoff is out.

And a 4th volume of Happiness.

ASH: I already need to get caught up with Happiness. I’m not especially interested in vampires, but I really liked the first volume.

SEAN: Seven Seas has an 11th volume of D-Frag!. Get your tsukkomi ready!

And also a 12th Devils and Realist.

Magical Girl Apocalypse has somehow made it to 11 volumes, despite all the hate rays coming from my eyes.

And Monster Musume has a Vol. 11 as well.

Mushoku Tensei: Jobless Reincarnation’s 5th volume will satisfy fans of (again) reincarnated in another world series.

And My Monster Secret has a 6th volume. I always look forward to this series.

Vertical has the 3rd and final volume of the Bakemonogatari novels, this one focused on Tsubasa Hanekawa, the bespectacled class president. Fear not, though, Nisemonogatari begins in June.

Vertical Comics has the 8th and I believe final omnibus of Tokyo ESP.

Viz has a digital only debut this week: ēlDLIVE, a shonen sci-fi series from the creator of Reborn! and will likely appeal to fans of same, though I’m not sure if it has as much BL tease as Reborn! did. It’s definitely harder to type, though.

Yen Digital has a 9th Aoharu x Machinegun, and a 10th Corpse Princess.

Lastly, Yen On shuffles out four more volumes of the Spice & Wolf novel series digitally – Books 11-14.

April brought a shower of manga and light novels. What are you getting?

My Week in Manga: April 10-April 16, 2017

April 17, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga was relatively quiet, but I did post the Bookshelf Overload for March. As mentioned in that post (and I think sometime prior to that as well), I’m currently in the process of changing jobs, so I’ve been a bit preoccupied to say the least. (If you follow me on Twitter, this largely explains my sporadic appearances there.) This week is my last week in my current position, so I’m understandably pretty busy with meetings and tying up loose ends and such. I still plan on finishing up and posting my review of the first volume of Nagabe’s The Girl from the Other Side sometime this week, but it will probably be towards the end.

Over the last week, Seven sees announced a couple more new licenses: Yoshikazu Takeuchi’s Perfect Blue novels (which were the basis for Satoshi Kon’s anime film of the same name) as well as Jin and Sayuki’s manga series Nirvana. Yen Press also had a slew of announcements: Natsume Ono’s ACCA 13 (probably the one I’m most excited about), Kudan Naduka and Nakoto Sanada’s Angel of Slaughter, Matoba’s As Miss Beelzebub Likes, Rihito Takarai’s Graineliers, Afro’s Laid-Back Camp?, Mufirushi Shimazaki’s The Monster Tamer Girls, Koromo’s A Polar Bear in Love, Matcha Hazuki’s One Week Friends, Fuse’s Regarding Reincarnating as Slime light novel (Kodansha Comics has licensed the manga), both the light novel and manga of Carlo Zen’s The Saga of Evil Tanya, Okina Baba’s light novel So I’m a Spider, So What?, Keiichi Shigusawa and Tadadi Tamori’s Sword Art Online: Alternative Gun Gale Online, Abec’s Sword Art Online Artworks artbook, Reki Kawahara and Shii Kiya’s Sword Art Online: Calibur, Mai Tanaka’s Terrified Teacher at Ghoul School, Kakashi Oniyazu’s Though You May Burn to Ash, and Ryousuke Asakura’s Val X Love.

As for crowdfunding efforts, Digital Manga will be launching its most recent Juné Kickstarter sometime later today in an effort to publish print editions of some of Psyche Delico’s manga which were previously only released digitally. (This is in addition to recently announced print licenses of Psyche Delico’s Even a Dog Won’t Eat It and Choco Strawberry Vanilla.) Another Kickstarter project to keep an eye on is Retrofit Comic’s Spring 2017 collection which includes Yuichi Yokoyama’s Iceland. (In general Retrofit Comics releases some great books, but this will be the publisher’s first manga to be translated.) Finally, the wonderful people behind Queer Japan are currently raising funds for the film’s post-production as well as some of the non-profit organizations featured in the documentary.

Quick Takes

Dawn of the Arcana, Volumes 7-13 by Rei Toma. I enjoyed the first part of Dawn of the Arcana a great deal and so was looking forward to reading the rest of the series. As the manga progresses it becomes less reliant on the standard fantasy tropes that form its base, although it never escapes them entirely. However, even considering this, Dawn of the Arcana is still a satisfying and enjoyable series. The story’s most dramatic plot twist I guessed at long before it was actually revealed, but there were still developments and directions that the story took that managed to surprise me. At times it felt like Dawn of the Arcana was only scratching the surface, as if the manga was only providing a summary version of a much more complicated narrative. The characters and story have depth to them, but not everything is thoroughly and completely explored, much of the more nuanced interpretations being left to the readers to form. I really liked Dawn of the Arcana. It can be heartbreaking–the characters’ struggling with circumstances that have no easy resolutions–but also thrilling as they find ways to take control of their own fates.

Murciélago, Volume 1 by Yoshimurakana. I was forewarned about the violence, gore, and otherwise explicit nature of Murciélago, so I was well aware of what I was getting myself into by picking up the manga. Murciélago is ridiculous, absurd, extreme, over-the-top, and a great deal of fun if someone doesn’t have a problem with the series’ aforementioned blood and brutality. Interestingly, the risqué lesbian sex scenes which both open and close the first volume, while being deliberately lewd, scandalous, and outrageous are also entirely consensual and in a way are bizarrely one of the more wholesome aspects of the manga. The lead of Murciélago is Kuroko Koumori, a dangerous, murderous, and lecherous woman who has been sentenced to death for her crimes. Kuroko is a monster and is portrayed as such. (She’s an awful person, but I really like her as a character.) The only reason that she’s still alive is that the police have indefinitely postponed her execution in order to take advantage of her impressive skills as an assassin. So, yeah, Murciélago definitely isn’t a series for everyone, but I certainly plan on reading more of it.

Triton of the Sea, Omnibus 2 (equivalent to Volumes 3-4) by Osamu Tezuka. It has been a very long time since I read the first half of Triton of the Sea. So long ago in fact that I had forgot that I hadn’t actually finished the series yet. Fortunately, the manga was pretty easy to pick up again. I seem to like Triton of the Sea best when the story centers its focus on family. In the first omnibus, it was Triton’s relationships with his human family that really captured my attention and in the second it was his experiences as a new father that most delighted me. (It probably didn’t hurt that the baby merfolk were super cute.) Triton of the Sea is also a story of revenge. Triton is determined destroy the Poseidon clan for the sake of his people who have been nearly driven to extinction, his desire for retribution blinding him from seeing other courses of action that might allow the two clans to establish a lasting peace. This of course only serves to continue the cycle of violence that puts him and his loved ones in danger. Triton of the Sea isn’t Tezuka’s strongest or most notable work, but I did appreciate the themes that Tezuka was exploring with the series.

Wandering Island, Volume 1 by Kenji Tsuruta. The premise of Wandering Island is fairly simple: Mikura Amelia is a pilot for an air delivery service based in the Izu Islands that she and her grandfather established together. When he unexpectedly passes away, she understandably takes it pretty hard. While in mourning she discovers package among her grandfather’s belongings with an address on it that shouldn’t exist, leading Mikura to become obsessed with a search for a mysterious, disappearing island. Although there are some wonderful scenes of Mikura in flight, there’s not really much action in Wandering Island. Instead, the manga is rather leisurely paced with a contemplative and melancholic feel to it. Wandering Island is also beautifully illustrated, Tsuruta’s artwork being one of the series’ highlights. I love how Tsuruta is able to capture a sense of place and the people who live there. I’m not sure when or if the second volume of Wandering Island will be published in English (the Japanese edition itself isn’t even scheduled to be released until next month), but I would definitely like to see it translated.

Horses, Horses, in the End the Light Remains Pure: A Tale That Begins with Fukushima by Hideo Furukawa. Fukushima has been on my mind lately which reminded me of the fact that I had yet to read Furukawa’s Horses, Horses, in the End the Light Remains Pure, one of the first major literary responses to the earthquake, tsunami, and nuclear disasters associated with March 11, 2011. The work is rather curious, but it’s also worthwhile and powerful. In part it’s a sequel of sorts to Furukawa’s novel Seikazoku (The Holy Family), which hasn’t actually been released in English. However, familiarity with that earlier work isn’t at all necessary. Horses, Horses, in the End the Light Remains Pure also delves into the history of Fukushima as a whole, both before and after 2011. But perhaps most importantly, it’s an incredibly personal memoir. Though he was away at the time, Furukawa was originally from Fukushima. Soon after the disasters struck, he traveled back to the area in order to witness the aftermath of the events himself. A fair amount of the volume is devoted to Furukawa’s profound experiences while on that trip, combining fiction, history, and biography in a compelling way.

Pick of the Week: Endings and Beginnings

April 17, 2017 by Sean Gaffney, MJ, Anna N, Ash Brown, Michelle Smith and Katherine Dacey Leave a Comment

SEAN: An avalanche of stuff this week. Baccano!, Horimiya, Sword Art Online… so many things. I think I have to go with the final Fruits Basket, which has been a fantastic re-release, and one of the best shoujo out there. Buy it and be frustrated by the final side pairings!

MICHELLE: I love Horimiya and Liselotte and Fruits Basket, but my most exuberant squee is reserved for the latest omnibus of Yowamushi Pedal!

KATE: I don’t know much about Yokai Diary, though the cover art and promotional blurb irresistibly remind me of the kind of manga TOKYOPOP used to license by the truckload. Count me in for this one!

ASH: I’m definitely torn this week. Like Michelle, I’m probably most excited for Yowamushi Pedal (and the wait between omnibuses seems far too long), but like Kate, the debut of Ghost Diary has definitely caught my attention.

ANNA: Ghost Diary does look interesting, that will have to be my pick as well!

MJ: There’s a big part of me that wants to go with Ghost Diary but the cover art has me all conflicted… Do I trust Seven Seas enough to give it a shot? I don’t know. In the interest of safety, I’ll join Sean in celebrating the last of the gorgeous Fruits Basket omnibus series. I’m pretty thrilled with that.