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shoujo

Kamisama Kiss, Vol 20

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Kamisama Kiss Volume 20 by Julietta Suzuki

This volume starts dealing more with the issues that inevitably arise when a human and an immortal start developing romantic feelings for each other. It starts out with a conclusion of the class trip storyline, as Tomoe is able to observe what Nanami is like when hanging out with other human girls. When he goes on an errand to an island where he met a human kami many years before, he gets a vivid reminder of how short Nanami’s lifespan is.

Tomoe decides that he has to become human, and he wants that transformation to happen immediately. Nanami thinks that it is good that Tomoe is trying to get closer to humanity through some excessive studying, but she thinks that it won’t happen for several more years. When Tomoe gets his hands on some medicine that might have the power to transform him, she’s worried that he’ll die in a normal human lifespan, but he doesn’t want to remain immortal and watch her age and die. They fight a bit about this, and Tomoe goes off with his usual impulsive nature and takes the medicine, only to turn into a fox instead of a human.

This funny and sad situation brought on by mystical forces is the type of plot that Kamisama Kiss excels at, because it is hilarious to see Tomoe’s body language and cranky attitude manifest while in the form of an adorable fox, but it is also quite distressing that Nanami and Tomoe are being kept apart again. The appearance of Kirihito towards the end of the volume points out that there are going to be even more struggles ahead for the couple.

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One of the things I like most about this series are the quiet moments of character interactions, when Tomoe contrasts his memories the human kami he met as a little girl with the old woman she’s become, she mentions that the day she spent with him was one of her fondest memories. Nanami can’t help herself from hugging Tomoe when he’s in fox form, but she’s struck by his body language showing that he’s incredibly unhappy with his unexpected transformation. These types of moments give Kamisama Kiss more depth than the typical shoujo series, and have me happily reading every volume.

The Heiress and the Chauffeur, Vol 1

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The Heiress and the Chauffeur, Volume 1 by Keiko Ishihara

It is interesting that there are a couple new two volume series (Shuriken and Pleats being the first) coming out from Shojo Beat now. I feel like publishes backed off super-short shoujo for a little bit in favor of mid-range 5 or 6 volume series. Heiress and the Chauffeur is a conventional shoujo series with attractive art that is livened up by a historical setting.

The heiress in question is Sayaka Yoshimura, who is the daughter of a wealthy family. Her chauffeur is Shinobu Narataki, and they were raised closely together as children, resulting in a friendship that is entirely unconventional for a mistress and her servant. Sayaka has to deal with the behavioral rules and rumors swirling at her all-girls school, while running a gauntlet of all her admiring classmates who enjoy staring at Shinobu while he patiently waits to pick her up. Sayaka has a bright, spunky personality and she isn’t afraid to stick up for Shinobu when his habit of barging in to rescue her gets them both in trouble with the school authorities.

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I enjoyed the historical aspect of the manga, and seeing the life of an heiress in the Taisho era portrayed, because that’s a type of setting that I don’t usually see in shoujo manga. I was a bit worried that each chapter would be a replay of the dynamic where Sayaka gets in trouble, Shinobu rescues her, and they have to find their way out of the aftermath, but towards the end of the volume it is made clear that their odd friendship has given Sayaka the tools to stand up for herself independently. That being said, overall the manga was a little bit dull. The art is pretty, but not terribly distinctive, and while the premise and setting is interesting, there isn’t much to distinguish the main characters from any other shoujo series. This is Isihara’s first series though, and it certainly is well executed enough that I’m curious to see what she could do given a bit more space to develop a manga. I think younger teens would enjoy The Heiress and the Chauffeur in particular.

Demon Prince of Momochi House, Vol 4

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Demon Prince of Momochi House Volume 4 by Aya Shouoto

I’ve been enjoying this series, although I have to admit if I was forced to recommend only one manga about an ordinary girl who finds herself heir to a house inhabited by ayakashis, I’d go with Kamisama Kiss. That being said, this volume of Demon Prince of Momochi House represents a high point for the series so far, with a story that was surprisingly emotional.

Aoi’s symbiotic relationship with Momochi house means that he’s trapped, with the memories of his previous life wiped from the minds of anyone who knew him in the human world. When Yukari goes to school wearing a 4 leaf clover ring that Aoi made for her, one of her classmates suddenly demands to know where she got it. When she tells the boy that a family member made it and her name is Momochi, he wanders off. Yukari learns that the boy is named Hidaka, he’s a loner, and has a reputation of being cursed. There’s a legend that his family is descended from fox shape-shifters, so Yukari wonders if there’s a connection to Aoi. As she investigates she learns that Hidaka and Aoi were best friends when they were younger.

Aoi doesn’t directly share his feelings with Yukari, but she senses that he feels a bit of regret and doesn’t want to risk rejection. As she learns more about the curse of the fox spirits that is affecting Hidaka, she begins to realize that the curse itself is keeping Hidaka’s memories of his friendship with Aoi alive, making him feel constantly guilty and unsettled. Aoi as the Nue has to intervene, and while he is able to cause a resolution to the situation, one final link to the outside world for Aoi is severed. The story is very bittersweet and filled with a sense of nostalgia, as memories are shown to be insubstantial. The last part of the manga turns to a gathering of akashi and hints of a creepy storyline in the next volume. Shouoto continues to make the backgrounds of Momochi house interesting with gatherings of tiny ayakashi in strange shapes, and there’s are general hints of menace in some of the characters’ facial expressions and reactions. This is all blended with a few moments of humor here and there as Aoi’s random attempts to get closer to Yukari don’t get him very far. Overall I was very pleasantly surprised by this volume, and I hope this series which was already enjoyable continues to improve.

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Library Wars: Love & War, Vol 15

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Library Wars: Love & War Volume 15 by Kiiro Yumi and Hiro Arikawa

When I started reading this series, I admit I was drawn to it more due to the premise than the execution, because it is a rare thing for there to be a manga about librarians organized as a fighting force to combat censorship. But as the series continued to grow, the simple slowly developing romance between Kasahara and Dojo became more and more interesting, and the supporting characters began to be more multidimensional, causing Library Wars to be one of the most emotionally satisfying Shojo Beat series, even if it doesn’t have terribly flashy art.

There’s never really any question where this series will end up, and with the ending telegraphed from the start the focus is much more on how the characters all get a version of a happy ending. For a character that struggles with being competent, with her main advantage being on improvisation and action, Kasahara’s strategic thinking is the main focus of the final story as she ably plots a way for an author to defect and save himself from censorship. She’s all alone, and manages her mission capably, finally showing that she’s grown up and can take care of herself and others. It is fitting that the final romantic confession and resolution only happens after Kasahara has fully realized her true potential.

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The resolution is everything that fans of the series would have hoped for, and there are enough cameo appearances from the supporting cast that everything feels nicely wrapped up. Library Wars will always have a special place on my bookshelf not only for the awesome but slightly silly images of librarians fighting off censorship with automatic weapons, but also because the romance in the manga is genuinely heartwarming.

Shuriken and Pleats Vol. 1

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Shuriken and Pleats Volume 1 by Matsuri Hino

Matsuri Hino is one of those shoujo authors who I like, but I haven’t been pulled into the time of deep admiration that I feel towards an Arina Tanemura or a Chika Shiomi. One of the main reasons for this is that I never really connected with Hino’s major series Vampire Knight. I have some volumes stockpiled and I intend to give that series another chance one day. I do enjoy Hino’s delicate art. I was curious about a non-vampire series from Hino.

Shuriken and Pleats is a short two-volume series about a ninja girl in the modern age, with all of the angst one might expect from a Matsuri Hino title with the added bonus of some fish out of water humor. The tragedy is introduced in the first chapter, as Mikage Kirio is assigned to protect an idealistic man whose wife and daughter have passed away, possibly as the result of some of his research into a way to end world hunger. Mikage’s master James goes out of the way to exhibit a personal interest in the young ninja, wanting her to have a normal life. When James dies, his will sets Mikage up with an option for an independent life for the first time, and he requests that she take the time to go to school like a regular girl. Mikage moves back to Japan and makes an attempt to fit in as a schoolgirl, while being haunted by her past. She also finds a final person to protect along the way.

“Girl who doesn’t understand her feelings” is almost as much of a shoujo cliche as the inexplicably alluring klutzy heroine, but Mikage is a more interesting than usual example of this particular type of heroine. Being part of a secret ninja clan in the modern world is a legitimate reason to have a closed-off personality, and while she fails sometimes she does have some serious ninja skills. One thing that does make Shuriken and Pleats stand out are some fine points of character development that manage to be both humorous and tragic at the same time, like Mikage’s shrine of cute erasers that her former master gave her. Mikage’s reaction to having papers passed to her at school from behind her back is a dramatic flip and the stern command for her classmate to “State your intention.”

Mikage’s ninja nature is signaled by the flowing black scarf she wears at all times, even when in her school uniform. Hino’s art has her trademark extremely pretty character designs mixed with dynamic ninja action scenes. I found myself intrigued by Mikage’s journey as she gradually loosens up on her ninja training and starts dealing with her emotions for the first time. I was less interested in some of the aspects of the plot, like the conspiracy at work that Mikage has to unravel. There’s a great deal of plot development packed into just one volume, which perhaps speaks to the benefit of planned short manga series as opposed to short series that are the result of an abrupt cancellation. I enjoyed this manga, and I’ll look forward to the concluding volume. Shuriken and Pleats seems like it will be an entertaining diversion if someone is looking for a short series to enjoy.

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Skip Beat! Vol. 36

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Skip Beat Volume 36 by Yoshiki Nakamura

I feel like most reviews of Skip Beat could just be summed up as, “Skip Beat, long-running shoujo series, continues to be relentlessly excellent,” but as I was reading the latest volume there were several specific things that struck me about it. I absolutely loved the Heel siblings plot, and while the manga has to move on from Ren and Kyoko being forced to be in close proximity to each other as they pretend to be gothic semi-incestual siblings in order to further Ren’s acting career as he acts in a drama while pretending to be an entirely different actor than “Ren” which is itself a totally different persona from his genuine personality, I’m glad that this volume eases out of the story line gently, with Kyoko getting one last big scene as Setsu.

Early in this volume I was reminded at how good Nakamura is at drawing Kyoko in freak-out mode, as she suffers agony in telling Ren that she kissed her long-lost fairy prince Corn (who is also Ren). Ren is pushing Kyoko a bit to get an emotional reaction from her, but he also is genuinely grateful for her help as they part and she heads back to Japan to resume her own acting career. Kyoko has matured so much as an actress and a person, and while she’s handling a crisis on her new show, things get complicated fast when Sho visits her home.

A settled and stable shoujo heroine doesn’t make for much drama, and now in addition to Sho’s reappearance, Kyoko is confronted with the specter of her long-absent horrible mother. Just when she starts to get a bit of emotional equilibrium, something happens to throw things off!

Lettering Skip Beat! must be a fun and challenging job, as there are different fonts used for Kyoko when she’s beset by the angry demon side of her personality, when she’s yelling at Sho, and when she’s calmly giving advice to a fellow actress. All in all, this was a very entertaining volume helping Skip Beat! transition away from one story line into a new direction, and I’m looking forward to seeing what happens next.

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Idol Dreams, Vol. 2

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Idol Dreams Volume 2 by Arina Tanemura

I liked the first volume of Idol Dreams, with a few reservations so I was eager to check out the second volume to see how the story would develop. I was pretty convinced after seeing how the story was set up that the body-switching heroine Chikage is going to end up with the supplier of her youth idol pills, Tokita. The second volume starts out with a flashback of high school days told firmly from his point of view, showing how genuinely nice and popular Chikage was when she is a teenager. Her current repressed personality and the somewhat forced teen idol disguise really stand in contrast to Chikage’s natural charm back in the day. After reading the flashback, I’m more convinced than ever that Chikage is going to end up in an adult relationship, despite her newfound habit of hanging out with various teen boy band members.

We see some painful reminders of how socially awkward it is to be a repressed over 30 office lady, but Chikage’s idol adventures as Akari are not without peril as (say it with me!) A RIVAL APPEARS in the form of polished teen idol Yuko, who is nursing a mad crush on Hibiki. Akari learns some interesting facts about Hibiki’s home life that put his hustle, drive, and habit of appropriating boxed lunches into perspective. Truly, not since Tamahome have I seen a shoujo hero this dedicated to frugality. Akari and Yuko have to duke it out for the honor of singing Hibiki’s next single, and Akari needs plenty of extra training because she’s never performed for a studio audience before.

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There are quite a few funny moments along the way, but one of the things I liked is how much support Chikage is getting to change her life. Tokita comes along on an extended teen idol outfit shopping trip, and when the outfit accidentally gets ruined, Akari’s fellow teen idols leap at the opportunity to help her out, instantly offering up their own clothing to save the day. Idol Dreams is fun and frothy, but I’m much more invested in the few scenes between Chikage and Tokita than any of the other men in her life. Tanemura is always good at shifting between more introspective moments and comedic effect freakouts from the characters, and that was definitely on display in this volume.

Behind the Scenes!!, Vol. 1

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Behind the Scenes!!, Volume 1 by Bisco Hatori

I read several volumes of Ouran High School Host Club and the first couple volumes of Millenium Snow way back in the day, so I was looking forward to this new series. Behind the Scenes!! takes place in a film props and set department at an arts college.

Ranmaru Kurisu comes from a fishing village, where he has never fit in. His bad luck isn’t quite reaching Ataru Moroboshi, Ranmaru automatically assumes that everything is his fault and he seems to spend most of his time apologizing unnecessarily. One day, he accidentally finds himself on set during the filming of a zombie movie on campus, spoiling the shot. He gets a rapid-fire introduction to the Art Squad, a team of students who support all the film clubs on campus. Ryuji Goda is the leader, and he immediately tells Ranmaru to sit down and start folding paper cranes for movie props.

It turns out that Ranmaru is incredibly good at crafts, but he spends so much time putting himself down he isn’t very aware of his own abilities. One aspect of his character development that I thought was incredibly clever on Hatori’s part is that Ranmaru’s perspective allows him to both anticipate and recover from disasters when they happen, because he’s just constantly thinking of how things could go wrong. Ranmaru spots a crack in a skylight in the Art Club’s studio space, and when the window shattering results in a prop getting damaged, he’s able to forage for supplies and improvise some impressive fixes. Ryuji sees Ranmaru’s talent and proclaims him as the Art Clubs savior.

Stories featuring found families are always appealing to me. While in many ways Behind the Scenes!! is very different from Paradise Kiss, both series feature characters who were alone who get adopted by art students and end up being transformed by the power of art. Behind the Scenes!! has a large supporting cast aside from Ranmaru and Ryuji, and there wasn’t enough space in the first volume to go into depth about some of the characters, so a few of them only fixed in my mind as “girl who loves special effects horror manga” or “handsome bland dude who likes latte art”. I’m sure that the supporting characters will all get more stories as the manga develops, and I’m looking forward to finding out more. The dynamic between the art squad and the student directors is a bit antagonistic and seems to rely a bit on forced drama, but the dynamic of a team of people all with different talents coming together to create props and sets made this manga fun to read, even if it doesn’t yet approach the goofy ridiculousness of Ouran High School Host Club.

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Honey So Sweet, Vol. 1

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Honey So Sweet Volume 1 by Amu Meguro

I always look forward to checking out new Shojo Beat series, but I was wondering before I picked up this title if it would be a bit TOO sweet. Once the characters and backstory got set up, I enjoyed this volume.

The volume opens up with a flashback scene of Nao Kogure walking away from a boy recovering from a beating in the rain, saying that people might consider her helpless, but she doesn’t want to get involved with delinquents. The delinquent in question is Taiga Onise, nicknamed Oni at his school. He promptly announces to Nao that they need to talk, and when she follows him he presents her with a bouquet of roses and asks her if she’ll “date him with marriage in mind.” Nao is so intimidated by her suitor that she accepts immediately because she’s afraid of retaliation.

Nao discusses the situation at home with her guardian, her Uncle Sou. He points out that judging Onise by his outward appearance is unfair and she should get to know him first. The next day at school she sees Onise doing chores, helping teachers, and he makes an incredibly cute bento for them to share at lunch. One of the most annoying thing about this manga in the early chapters was Nao’s fear of Onise, long after the point where it should be clear to everybody that dyed hair and random piercings aside, he’s an absolute sweetheart. The other thing that has Nao hesitating about getting involved with her first boyfriend is that she’s decided she’s in love with her Uncle.

Nao and Onise continue their friendship, and one of the things I enjoyed very much about this series were cute details that showcase their personalities, like Onise’s tendency to write elaborately formal text messages when he’s nervous. Nao has her own trauma to deal with due to being an orphan, and she finds it difficult to get close to people. Much of the plot centers around some typical shoujo set pieces like a class trip, but Nao and Onise gradually start collecting a small group of misfit friends, and the series is so genuinely warm-hearted, it is hard to resist.

I found myself enjoying Meguro’s art style very much. So much shoujo manga art tends to be overly polished, but Meguro uses thin whispy lines that make the illustrations in Honey So Sweet seem delicate and not overworked. The storylines centered on friendship, combined with Nao’s psychological issues reminded me a bit of some of the old Banri Hidaka series published by CMX. This first volume was mostly set-up, so I’m curious to find out what happens next in this series.

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Boys Over Flowers: Season 2

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Boys Over Flowers Season 2 by Yoko Kamio

Boys Over Flowers Season 2 is available for free on a chapter by chapter basis on the Viz Manga app, Comixology, and on the Kindle.

I was a little hesitant about starting this series, which is a bit odd, because I absolutely adore Boys Over Flowers. I’ve collected the manga, and watched many of the tv adaptations of the property. I was worried that a return to Eitoku Academy would feel a bit stale. While this series doesn’t exactly feel fresh and new, Kamino is such an assured creator, it mostly won me over.

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The social gap that was caused by the departure of the F4 has been filled by a new gang of students – the Correct 5. They are but a pale imitation of the F4, and they are lead by Haruto, a short boy with a penchant for superstition and ordering random quack objects out of the back of magazines. Haruto is joined in his misadventures by his right hand man Kaito, who seems reasonable and sane. There are two other male members, Sugimaru (the strong one), and Issa (mostly invisible). The Correct 5 is rounded out by Airi, a girl who you can tell is evil due to her curly pigtails.

The not-Tsukushi main female character is Oto, who is attending Eitoku while working a variety of side jobs. She used to be rich, but her family has fallen on hard times. She’s keeping up the pretense that she can actually afford to go to Eitoku, but the Correct 5 are determined to drive any poor students out of school, in order to try to better its standing. It seems like when the F4 left, much of the glamour that attracted students went too, and the school is struggling especially when compared to upstart Momonozono Academy.

Oto and Haruto meet when he isn’t able to send his butler in to the convenience store where she works to pick up his bizarre mail order packages. Haruto is worried about his secret being uncovered, and Oto isn’t afraid to try to blackmail him in order to keep her status as a student. One of the things I appreciated about Oto was her guarded personality. The first Boys Over Flowers was a bit more dynamic because Tsukushi was always so vocal, but Oto is doing her best to stay under the radar, to the point where she’s actually repressing her impulses.

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Haruto is an absolute idiot, but he’s somewhat adorable in his lavish lifestyle, slavish devotion to the memory of Tsukasa, and bumbling reactions to Oto as he begins to realize that he has a crush on her. One of the things that I didn’t like much about the chapters that have been released so far, is that the rest of the Correct 5 haven’t really had their personalities filled in yet. I thought that the first Boys Over Flowers did a better job balancing out and introducing the cast of characters and giving everyone a chance to develop. To be fair, Kamino does realize this, there’s a side story about Issa making the point that he never actually shows up in the manga, so I’m hoping that there will be more plot development later on.

Kamio’s art is great – she has a facility with facial expressions that make the funny scenes teeter on the edge of caricature while still seeming fully human. Really, my main quibble with this series is that it does suffer in comparison with the original. It was a bit telling that one of the most exciting moments in this series was when one of the original members of the F4 popped back for a very brief cameo. There are cliffhangers at the end of every chapter, and it did want to keep reading once I got going. I appreciate that Viz is experimenting with a free, digital release for Boys Over Flowers Season 2 and I hope it leads to more digital shoujo!

Idol Dreams, Vol 1

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Idol Dreams Volume 1 by Arina Tanemura

I was curious to check out this manga, mostly due to the fact that it is a slightly older skewing shoujo title. Also, the premise, about a 31 year-old office lady going back in time to relive her youth seemed interesting.

The hapless office lady in question is Chikage Deguchi, who is bullied at work. She’s let her 20s pass her by while she’s stuck in a style rut, repressed, and unable to find a boyfriend. Her humiliation is complete when she goes to a high school reunion. She’s humiliated even more at a high school reunion. She manages to make incidental conversation with a classmate named Tokita who happens to be a pharmaceutical rep, but her encounter with her high school crush doesn’t go well at all. Chikage is depressed and determined to end her life, when Tokita rescues her and tells her all about an experimental medication that will allow her to replay her wasted teenage years.

Chikage clearly operates under different human subjects rules than most people in the pharmaceutical industry, as he supplies Chikage with pills that transform her into a 15 year old and then sends her on her way, with instructions to check in often so he can gather data. Of course, as soon as teenage Chikage steps foot on the street, she’s recruited to be a stand-in model opposite the most popular member of a boy band, and thus her career as a budding teen idol begins!

Teen idol Hibiki looks a lot like Chikage’s old crush from her high school days, and she finds herself getting swept up in the life of a teen idol. She’s determined to master the social skills that she didn’t pay attention to as a young teen. The situation of a 31 year old woman in a 15 year old’s body and a 15 year old boy being paired up has the potential for a great deal of creepiness. I wasn’t taking this romance very seriously though, because it is clear that Tokita has an unexpressed crush on Chikage, and he seems to be one of the few men her own age that she can actually talk to without becoming self-conscious. So, even though there might be a bit of a wacky love triangle developing (like the original Amethyst Princess of Gemworld with reverse aging) I’m fairly confident that the romantic resolution to this manga will be non-squicky. We’ll see what happens in the next volume though.

Tanemura is always at her best when drawing super cute people, and the contrast between older Chikage and young idol version Akari is pronounced. I enjoyed seeing the friendship develop between Akari and the other boy band members, but I thought that Chikage’s occasional encounters with Tokita were much more promising in terms of any romance developing. Overall, I thought that this was a promising start to a new series, with the potential for the romance plots to derail and become off-putting. I generally enjoy Tanemura’s manga, and a series set in the world of teen idols is the perfect excuse for her to break out all the stops with the flourishes and detailed costumes that she does so well.

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QQ Sweeper Vol. 1

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QQ Sweeper Volume 1 by Kyousuke Motomi

I’m generally excited for any debut series in the Shojo Beat line, but I was particularly interested in reading the first volume of QQ Sweeper because I enjoyed Dengeki Daisy so much. Motomi’s slightly offbeat and cynical sense of humor makes her series stand out, and I was curious to see how the paranormal and cleaning would come together in this title.

Motomi does cranky heroes well, so I thought the male lead of the series was quite promising. Kyutaro Horikita is a member of the beautification committee at his school, and he’s introduced in the first chapter as a bit of a loner who is obsessed with cleaning. He comes across a girl sleeping in an abandoned room in his school. Fumi Nishioka is a new transfer student who is homeless, trying to hide evidence of how poor she is, and on a mission to become a real life Cinderella by snagging a rich guy. This doesn’t sound like the most flattering character description, but Motomi also is able to easily create sympathetic yet quirky heroines. Motomi’s slightly offbeat humor is on display in the first few panels, when Kyutaro seems to rely on threatening people with cucumbers a bit too much, and Fumi enters into a dangerous fugue state when she’s assessing the material possessions of a male student/mark.

I don’t even find shoujo cliches all that annoying when Motomi is executing them. In very quick order, Fumi finds herself interviewing for and getting a position as housekeeper for her school principal, who just happens to be Kyutaro’s older brother. Fumi quickly discovers that Kyutaro’s obsession with cleaning extends to cleansing the spiritual plane, and she also has the ability to help him. Motomi packs a great deal of plot and character development into this single volume, setting up the relationships between the characters, and establishing the background for the supernatural aspects of the manga. This is a very solid addition to the Shojo Beat lineup, and I’m very much looking forward to Motomi’s slightly twisted take on the supernatural romance genre in future volumes.

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So Cute it Hurts! Vol 3

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So Cute it Hurts! Volume 3 by Go Ikeyamada

This is an excessively silly series, but I’ve been enjoying it, mostly because of the amount of plot twists that get resolved in each volume, so more goofy subplots can promptly develop. Also, I feel like Shojo Beat should always be publishing at least one title where the heroine cross dresses just on principle.

I feel like in many shoujo series, the fraternal twins’ cross dressing antics would fuel plot lines for 4-5 volumes, but in So Cute it Hurts! their true identities were unmasked at the end of the second volume. Aoi, the delinquent boy with a crippling physical aversion to female contact is surprised when the boy he’s been hanging out with is unmasked as Mitsuru’s sister Megumu. At the same time, Mitsuru’s masquerade is uncovered by mean girl Azuza. Aoi deals with the psychological impact of being around a girl unknowingly, and Azuza blurts out a confession of her crush to Mitsuru instead of revealing his secret. Meanwhile, Mitsuru is struggling with his feelings for Shino, but doesn’t want to ruin their friendship by telling her that he’s actually a boy. Oh, the tangled storylines of cross dressing shoujo romance!

When the week-long switch ends after Megumu has taken Mitsuru’s tests for him, there’s still plenty of emotional fall-out as Megumu pines for Aoi, and he begins to come to terms with his own feelings. Aoi’s allergy to girls causes some hilarious reactions when he and Megumu get closer, although they have to stay a certain distance apart to avoid triggering him. Their budding romance is indeed ridiculously cute, and while this manga in no way approaches both the hilarity and emotional depth of My Love Story!!, it is still entertaining. Ikeyamada ratchets up all the emotional reactions of her characters for added hilarity. While this volume focused a bit more on Megumu, I can see how the next volume is going to be focusing more with the love triangle Mitsuru is in since the object of his affections does not even know him as a boy while Azuza continues to have a violent crush on him. So Cute it Hurts! continues to be a fun read for those who enjoy romance with broad comedy.

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Maid-sama! Vols 1 and 2

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Maid-sama! Volumes 1 and 2 by Hiro Fujiwara

It has been some time since I’ve read this series. I think I read around 4 or 5 volumes or so of the Tokyopop release, so the new omnibus from Viz provided a good excuse to give the series a second try. I totally understand why Maid-sama! would be a strong title to re-release since it has an anime adaptation too. However, a tiny part of me will still hope in vain for some reissues of some of the other less commercial series that got cut off when Toykopop went under.

The maid in this title is Misaki Ayuzawa, a high achieving girl who has become president of a school that has only recently gone co-ed. She’s uncomfortable around boys and has made it her mission to clean up the school and abolish delinquent behaviors in order to protect the small female population. She’s super stern and has great physical prowess when it comes to beating up her fellow students. While she’s a perfect student at school, Misaki has to make ends meet by working as a waitress at a maid cafe as her part-time job. In the first few pages of the manga, Misaki’s secret is discovered by Takumi Usui, a popular and somewhat cynical boy who attends her school. He promptly decides to hold Misaki’s secret over her head and begins to pop up now and then whenever something might go wrong.

Misaki navigates issues with student-council relations, dealing with a rival school, and navigating random cross-dressing events at her part-time job. Aside from the relationship between Misaki and Usui, the manga is pretty entertaining, as Misaki’s outsize reactions to everything gradually begin to mellow out a bit as she begins to relate to all the students at her school as human beings, not just the girls. I had also totally forgotten about the idiot trio, a group of background characters that also discover Misaki’s secret identity as a maid and mostly function to gaze at her adoringly and act occasionally like a slapstick Greek chorus. Fujiwara’s art is clear and easy to follow, and very dynamic when Misaki is leaping into action to defend womanhood or juggling a ton of customers at her part-time job.

The part of this manga that bugs me and I think contributed to my decision to stop reading it before, is that Usui is utterly unappealing as a shoujo male lead to me. His general mode of interaction is to randomly show up, invade Misaki’s space, and make her feel confused and flustered. He also keeps forcing physical affection on Misaki when she’s not a willing participant, as some sort of power game. Also, Fujiwara goes to great length to demonstrate Misaki’s physical prowess when her being strong is funny or over the top, but Misaki suddenly becomes weak and incapable when it serves the purpose of the plot to have Usui rescue her from herself. He’s also constantly reminding Misaki that she’s a girl who needs help, and it only serves to make it appear like the main message of this manga is that a girl with strong type A tendencies needs a man to help her out. For folks who aren’t put off by this relationship dynamic, I do think that Maid-sama! is plenty entertaining. I just find series like Oresama Teacher or My Love Story! much more amusing if I’m looking for something fun to read in the shoujo comedy genre.

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Komomo Confiserie Vol 1

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Komomo Confiserie, Volume 1 by Maki Minami

So far, Maki Minami’s shoujo series haven’t totally connected with me as a reader. I didn’t care for Special A very much, and while I liked the first couple volumes of Voice Over!: Seiyu Academy, I haven’t gone on to read the entire series. Maybe Komomo Confiserie will finally be the Minami series that I actually finish!

The series starts out with a flashback, as the incredibly spoiled and rich little girl Komomo picks on a young boy named Natsu. He’s the son of her family’s chef, and Komomo only likes the sweets that Natsu prepares for her. Komomo is ungracious and bossy, but she has an emotional connection to Natsu’s food, it serving as a substitute for companionship as she lives in a huge mansion abandoned by her parents. In just a few panels, this rich yet emotionally empty life is overturned, as Komomo’s father announces that he’s lost their fortune, and Komomo has to work to support herself with a part time job. Life as a rich heiress hasn’t prepared Komomo with the social graces or work ethic to be able to handle any type of employment and she keeps getting fired over and over again.

It wouldn’t be a shoujo manga if Natsu wasn’t about to return to Japan a triumphant celebrity from studying pastry abroad, determined to seek out his old “friend” to exact revenge, only to find that their positions have been reversed in an ironic twist of fate! Natsu has an exceedingly charming pastry shop to run, and he runs in to Komomo just as she is tossed out into the street from her latest misadventure in employment.

If Komomo was absolutely unrepentant and spoiled, this manga wouldn’t work very well, but what I enjoyed most about this series were the cracks in the facades for both Natsu and Komomo. Komomo gradually begins to realize how superficial her previous life was, when none of her old friends come to her aid. While Natsu initially appears to be slightly psychotic in his pursuit of revenge, he is actually moved a few times when seeing Komomo eat his food and try to adjust to her new life. Komomo’s rich girl attitudes come in handy when she’s faced with a new high school. Mean girl bullying just slides off of her, and she sails through unaffected. Komomo is gradually learning to be a real human being, and as her personality changes, Natsu begins to find her more and more adorable.

Minami is a solid shoujo artist, and I particularly appreciated her being able to dramatize facial expressions that are a bit off, for example when Natsu’s kindness is a facade for his evil plans. I’m hoping that Komomo will become more and more adept with dealing with the real world, changing the power dynamic between her and Natsu more in the next few volumes.