Plastic Tree – Utsusemi

I mentioned last week or so that Plastic Tree’s new album was due out while I was at NYAF, and now that I’m home I’ve finally got a chance to listen to it. This does not resemble a coherent review or anything, but I do have some quick reactions on the new tracks that I can share. These are pretty much stream-of-consciousness, which may give you a clear idea of why I do not usually allow myself to write that way. Also, keep in mind that these impressions are based on music only, as I haven’t read any translations yet. And so…

Notes on Utsusemi:
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NYAF in brief

I’m finally home from NYAF! I had a very nice time, both visiting with old friends and at the con. Everyone else has already reported on the manga industry news and so on, so I’ll just talk about my personal experiences.

Many thanks to dear friends, Laura, Gavin, & James for making time to catch up with me at early hours of the morning, and to my dearest EA, little (or not so little!) Moo, and Malcolm, for putting up with me all weekend. I was also lucky enough to meet a couple of people I’ve become acquainted with through this blog. Here is my report (in order of appearance):

Ysabet Reinhardt MacFarlane: Friendly, fun, professional. I was very happy to spend time with her at a number of panels over the weekend!

Ed Sizemore: Kind, generous, BEST SHOES EVER. I wish I’d had the opportunity to chat with him more!

Overall, I really enjoyed this con. It was smallish, and with the exception of Saturday, felt actually kind of intimate, which is maybe not profitable if you’re running a con, I don’t know, but certainly enjoyable as an attendee.


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Quick check-in

Heading out shortly to the train station for travel to NYAF! I’ll be staying with a dear friend in Brooklyn, and have plans to inundate her and her daughter with anime while I am there, specifically Princess Tutu, Mushishi, and/or Kino’s Journey. I’m also trying to work on getting her daughter interested in manga (she doesn’t read a lot, but I thought maybe comics would help her enjoy it more). I guess we’ll see how it goes. I’m not exactly sure what to try to start her off with. She’s ten, but has spent a lot of her life hanging out with adults, so she’s definitely not typical ten. She’s the kind of girl who would (and did) dress up for Halloween as “Dorth Vader,” a cross between Dorothy (from The Wizard of Oz) and Darth Vader. If you have suggestions, bring ‘em on!

I’ll be at the con all three days, from opening to whenever I get too tired, so if you see me wandering around, please say hello! Just got my hair cut. Look approximately like this.

Just a quick note on xxxHolic chapter 166 before I go.
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Writerly angst and fangirl squee

I have a jumble of things on my mind today (what else is new?) and I’m going to attempt to organize it all somehow. Let’s see how I do.

First of all, Johanna Draper Carlson wrote this great article, How to Break Into Writing Comics which is pretty near and dear to my heart these days. I’m not exactly sure where I fit in to those options, and I’m thinking I need to figure that out. I mean, I know what I think I’m doing, but I’m not sure if I’m going about it in a useful way. Maybe, too, my gray areas are partly due to the OEL manga industry being (seemingly) a little different than the comics industry as a whole, in that from what I can surmise (and this is the “truth” I’m currently operating on), there is really no way in at all without doing the work of finding your own artist. So I’m doing that, while still holding out hopes that I might be able to get a publisher interested sometime after that point. It seems that this is how it needs to be done. I guess I’ll find out. In any case, I’m grateful to have read the article.

Switching now to fangirl mode, we finished watching Princess Tutu on Friday night, and it affected me so strongly, I haven’t really been able to talk about it yet. I love that. I’ll try to talk a little bit now, but it may take another week or so before I can be, you know, articulate.


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J-rock interlude

I don’t think I’ve ever talked about it here, but I’m a big fan of the band Plastic Tree (PuraTuri, if you prefer). They are one of my very favorite bands, and and unlike a lot of their fans, I love both their raw, older sounds and the newer, more pop-influenced sounds. I mean, okay, if you put individual songs head-to-head, I’m not going to say I like “Alone Again, Wonderful World” as much as, say, “Rocket” or “Nukegara” or “Irogoto” or “Petshop,” but I’d say that about “Andro Metamorphose” or “Mujineki” or even “Replay” on the right day. There’s a place in my life and heart for every phase of this band’s long history, and a moment that is the perfect moment for each song, somewhere along the way.

I’m not sure I could tell you exactly why I love this particular band so much, though I can say that I could listen to Ryuutarou Arimura sing all day, and often do, but somehow in their mish-mash of sounds and influences, they have captured me completely. I’ve spent long, exhaustive posts on this topic in other spaces, and in the end perhaps it is just simplest to say that this band speaks to me, so I listen.

What this is all getting around to, is that Pura has a new album, Utsusemi, coming out next week (available for pre-order at Yes Asia), which I’ve been anxiously waiting for, and I just found out, though this is probably old news to all other fans, that you can stream clips of all the songs over here at Universal Japan. A couple of the songs have been available already as singles (“Alone Again, Wonderful World” and “Replay“) but the rest are all brand new, and there are a few I already know will be favorites for me (the title track, for instance).

Just passing it on. :)

One of these things is not like the others

It’s been interesting reading some reactions in various corners of the web to my post about morality in manga and anime, mostly because it makes me realize (not for the first time) just how often I fail to be clear in my own writing. Probably what I intended to express could have been summed up in just one sentence, along the lines of, “It is disappointing and even offensive to me that when we as a society are discussion questions of morality, we are only ever talking about sex, which, in my opinion, has very little to do with morality at all.” It clearly could have been a much shorter post. It is lessons like these that will make me a better writer eventually, or so I must hope.

Random off-topic item – The following is a conversation I just had at the McDonald’s drive-thru in Northampton (Yes, I really am admitting I just got my lunch from McDonald’s, which, J, is even more embarrassing than the Cheesecake Factory):

Me: Hi, I’d like a caesar salad.
McDonald’s employee What kind of dressing would you like on that?
Me: (weakly) Um. Caesar?

It’s not just me is it?

Anyway. On to more interesting things, like xxxHolic chapter 165.
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William Flanagan, Banana Fish, & NYAF: Could a post be more disjointed?

Another scattered, incoherent post coming up here. I suppose it reflects my state of mind this week.

Random: Good news for CLAMP fans, I read here earlier that William Flanagan, who translates xxxHolic and Tsubasa: Reservoir Chronicle for Del Rey is in negotiations to translate Mangettes for Dark Horse. You know what a big fan of his xxxHolic translations I am (he also translates Mushishi, which I love as well), so I was pleased to hear he may be working on more CLAMP!

In unrelated news, I just want to point gleefully at another Banana Fish convert! :D


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Miscellaneous jumble

I don’t ever seem to have time enough for anything lately, so just a few brief items today.

I’m having a lot of frustration while trying to write these days, and I expect it’s a bit of anxiety over the self-imposed deadline I have coming up which I don’t think I’m going to make. For the most part, I’ve made peace with the fact that I’m not always going to make the deadlines I set for myself, and that it is still good to set them, because I’ll still get further along than if I did not, but I think in this case I may have paralyzed myself a little bit with the urgency of it, and how much important I’ve placed on it. I guess we’ll see.

In any case, time to move on to my topics of the day, Bleach, Bakuman, and Princess Tutu!


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Morality in manga and anime

This began as a comment in Brigid Alverson’s recent entry at mangablog, but it got so long and foot-stompy that I felt it was more appropriately posted in my own space.

I have many issues with the recent MSNBC article by Brian Alexander, Sexploration: Sexy anime goes mainstream, but the greatest of these is with a statement attributed to Patrick Macias (and I phrase it this way because I hesistate to assume that the article quotes him accurately or in-context*), “The appeal of Japanese pop culture [to Americans] is that it is a moral-free zone . . . The ideas of good/bad, right/wrong, that duality is not present.”


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Cool thing, FYI

If you were thinking of going to NYAF, there is a contest:

Want to get into the 2008 New York Anime Festival for free without having to sneak in or bribe someone? Fancy yourself an artist like Yoshitaka Amano? Then this contest is for you! To enter the contest, submit one (1) anime-style portrait or rendering of yourself and one (1) unaltered photograph for comparison to said portrait to info@suvudu.com between 12:01 AM EDT September 10, 2008 and midnight on September 18, 2008.

There will be four (4) First Prize Winners. Each First Prize Winner will receive two (2) weekend passes to the New York Anime Festival and three Random House manga books. Judging the submissions will be Ali Kokeman and Tricia Narwani from Del Rey Manga!

Just passing it on! Thanks to Brigid Alverson for the info! I will be at NYAF (most likely fighting Ed Sizemore for xxxHolic merch :D) so perhaps we’ll run into each other!


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