manhwa

Yen Press publishes Gossip Girl adaptation

December 4, 2009 by MJ 5 Comments

I’ve never read Cecily von Ziegesar’s Gossip Girl series. I’ve never even seen the television adaptation. So why is this announcement so exciting to me? I’ll tell you why. Yen Press’ adaptation is being written and illustrated by manhwa-ga HyeKyung Baek, author of Bring it On! (among others), a highly enjoyable manhwa series originally brought to English-speaking readers by IceKunion and now part of Yen Press’ extensive manhwa catalogue.

Whether Baek’s adaptation can have the same impact as the original novels or the very popular TV series obviously remains to be seen, but this seems like a smart move on Yen Press’ part and I’m frankly thrilled that they continue to turn to talented Korean artists for so many of these projects. Furthermore, this license is very much in step with other recent acquisitions, particularly Lisi Harrison’s The Clique. …

Manhwa Monday: 11/30/09

November 30, 2009 by MJ 2 Comments

Welcome to another installment of Manhwa Monday! First off, our featured review this week comes from Snow Wildsmith at the School Library Journal’s Good Comics for Kids, discussing volumes one and two of Sugarholic. Here’s a bit of what Snow says about this fish-out-of-water tale: “Readers … will be intrigued … as they are caught up in the whirlwind storyline. Even two volumes is not enough to get all of the characters completely introduced and the major plot points outlined. There’s a sort of controlled chaos going on in the story, where the plot is always on the edge of falling apart, but somehow still manages to hold together. There aren’t many answers in these two volumes, but the questions are interesting enough to make readers head for volume three and beyond.” Check out her review for more!

As a follow-up to last week’s post, Troisroyaumes posted a rebuttal to Daniella Orihuela-…

Manga/Manhwa Holiday Gift Guide

November 26, 2009 by MJ 31 Comments

Welcome to Manga Bookshelf’s Manga/Manhwa Holiday Gift Guide! I am one of many bloggers publishing such a guide over the next few days as a response to the New York Times Graphic Novel Gift Guide which turned up last week with not a single volume of manga included.

Now, with so many bloggers making recommendations at once, I’ve deliberately refrained from attempting to create anything like a comprehensive guide, instead focusing on series and genres I especially favor in fairly arbitrary groupings. For a rich, well-rounded shopping guide experience, I recommend making the rounds to everyone’s guides over the next week or so (Erica Friedman is keeping a list of participating bloggers over at Okazu and David Welsh is linking to entries as they go up at Precious Curmudgeon). But first, behold!…

The Antique Gift Shop, Volume 9

November 23, 2009 by Megan M. 4 Comments

Guest Review: The Antique Gift Shop, Vol. 9
By Lee Eun
Published by Yen Press

Review by Megan M.

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Bun-Nyuh, who still hates the supernatural world and tries to pretend it isn’t a part of her life, thinks to finally free herself from it by closing her shop and dumping the remainder of her grandmother’s antiques, all touched by the supernatural, in the river. This, of course, does not have the desired effect. Before we can get to that, however, we must first wrap up Lee Eun’s skewed version of “The Little Mermaid,” which began in the previous volume and features a rather self-centered mermaid convinced that the fairy tale got things completely wrong and that she must rescue her prince from life with his obese girlfriend (who is a former ballerina).

I confess that I ended up not caring much for the mermaid plotline, at least partly because I couldn’t follow much of it. I’m not sure who pulled who from the river, who found who in the river, or, for that matter, if anyone even lived. I also have no idea if the prince grew a spine, the mermaid finally thought about someone besides herself, or if the ballerina regained her self esteem. All three, I think, were meant to reflect various parts of Bun-Nyuh’s personality, but the conclusion of that arc was too confusing for it to really work for me.

In contrast, the return to Bun-Nyuh’s story is the series at its best, with the creepy atmosphere combined with Bun-Nyuh’s zany temper and insistence on barging ahead with whatever she wants to do. Having deprived herself of both Mr. Yang’s protection and the presumed protection of her grandmother’s antiques, Bun-Nyuh is now at the mercy of the force they’ve been protecting her from the entire series. Instead of a threatening villain or scary monster, however, what she encounters is a strange young man who claims to be a childhood friend she doesn’t remember, revealing many things about her half-remembered nightmares and recollections throughout the series.

Lee Eun’s characters always look a little unfinished to me, their faces often seeming to have only the barest of features (an odd criticism of manhwa art, I know) and the bodies just short of elongated. This, however, is very well suited to the spooky atmosphere she creates and her depiction of the supernatural elements is often stunning. In this volume, the scenes in which Bun-Nyuh seeks to avoid being alone in the rain and the scenes where she imagines Mr. Yang is with her (Or maybe he was–I never trust those things unless he actually confirms them) are particularly effective.

This is not a particularly well known manhwa, not really fitting the mold for what seems to create licensing hits, but it is one of my favorites, and I’ll be sad to see it go when it wraps up in the next volume. Hopefully Yen, or another studio, will license another of Lee Eun’s works soon.

Review copy provided by the publisher.

Manhwa Monday: My Kingdom for a Copy of the Wall Street Journal

November 23, 2009 by MJ 15 Comments

Today’s featured review is Lori Henderson’s recent Comics Village write-up of the latest issue of Yen Plus which features many of Yen Press’ strong manhwa offerings each month and is a great starting point for those who’d like to sample a variety of manhwa, manga, and OEL titles. The manhwa titles in November’s issue include Pig Bride, Time and Again (which begins full volume releases in December), Jack Frost and One Fine Day. “These are all strong titles, making this side of the magazine most enjoyable,” Lori says about the OEL/manhwa side of the magazine. I’m personally a fan of both sides, but I’ll definitely agree that the manhwa in this magazine is strong.

I’ll start the linkage today by looking outside the online comics world where people are talking about manhwa in a couple of contexts. First off, Karl Urban talks about his role in the upcoming film adaptation of Priest (published in English by TOKYOPOP) with Jenna Busch at the Huffington Post. …

Manhwa Monday, Mid-November Mix

November 16, 2009 by MJ 4 Comments

Welcome to this week’s Manhwa Monday! Today I’m featuring Michelle Smith’s review of the first two volumes of Small-Minded Schoolgirls by Toma (published by NETCOMICS), the answer to Michelle’s question, “What do you get when you combine some admittedly funky art with excellent characterization and a slice-of-life story about the romantic woes of a pair of professional women?”

Though Michelle does express initial reservations about the art style, her review is very enthusiastic about the series overall. Here’s another quote: “Small-Minded Schoolgirls is definitely a character-centric tale that hinges more on the subtleties of interaction and personal foibles than big dramatic moments … The series is full of keen observations on human nature and achieves poignancy and humor in equal measure.” Sounds like a winner to me. …

Time and Again, Volume 1

November 15, 2009 by MJ 5 Comments

Time and Again, Volume 1
By JiUn Yun
Published by Yen Press

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Baek-On Ju is lazy, selfish, frequently drunk, and generally rude. He’s also a gifted exorcist, who makes a living hiring out both his talents and those of his companion, Ho-Yeon, a martial artist who acts as his bodyguard. Though this episodic volume hints at tragic histories for both characters, it is mainly concerned with their involvement in the tragedies of others. Some of their clients (such as a mother and son plagued by by the ghost of the son’s wronged wife) are suffering tragedy caused by themselves, while others (such as a couple horrified to hear that their newborn son is destined to die in his teens) face tragedy that has been dealt to them by fate. Included, too, are a couple of seemingly unrelated stories (one gruesome, one sad) which match the others in tone, if not in particulars.

Though this volume’s storytelling is somewhat uneven, especially in terms of character development, there is more than enough to chew on for readers interested in ghost stories, or even eighth-century Chinese culture. The author includes a little bit of Tang Dynasty history in the volume’s end notes, and though she deliberately states that this comic is a fantasy and not meant to be faithful to history, her interest in the period is evident throughout. The stories are steeped in a solemn stew of religion and folklore, finding their inspiration in Chinese poems (like Li Bai’s “Writing in a Strange Place”), Japanese fables (“The Tongue-Cut Sparrow”), and other sources of varying East Asian origin. Even its original title is borrowed from a Goryeo Dynasty-era Korean poet. Though the result of all this inspiration is not nearly as profound or thoughtful as one might expect, the book is intriguing and emotionally affecting all the same.

Though Baek-On is sought out mainly to rid people of their woes, quite frequently there is actually very little he can do for them, as most have created (or had created for them) circumstances from which there is no easy escape, a truth that few of them are able to receive gracefully. The parents of the infant fated to die young, for instance, are unable to accept the fact that there is nothing that can be done to change their child’s future, and even go so far as to camp outside Baek-On’s home until he will give them some kind of hope. That the “hope” he is able to offer them will cause future misery for their son is obvious, though the parents’ insistence on pursuing it anyway is both painfully understandable and inexpressibly sad. The laws of fate and karma held as truth in the story’s universe are unyielding and indifferent to pain or compassion, just its people are stubborn and undeniably human, unable to compromise present happiness to avoid long-term tragedy. What makes this manhwa work best, however, is Baek-On’s bad humor and irreverence juxtaposed over so much grave suffering, providing a wry perspective on the failures of humanity (including his own).

The characters of Baek-On and Ho-Yeon are yet undeveloped, though there is a lot of potential in these early stories. The characterization is very much like the story’s art at this point–surprisingly sparse in places and occasionally difficult to follow–like a work not quite finished, yet still well-formed enough to have a recognizable shape. The story’s paneling in particular is confusing at times, without a clear path for the eye to follow, yet just as with its characters, the story is intriguing enough to inspire some extra effort.

Though Time and Again gets off to a somewhat rocky start, its ominous tone, historical setting, and idiosyncratic characters are certainly encouraging, and suggest strong potential for its future as a supernatural series–a refreshing addition to Yen Press’ manhwa catalogue. I definitely look forward to future volumes.

Review copy provided by the publisher.

Manhwa Monday: The Color of Heaven & Other Stories

November 9, 2009 by MJ 1 Comment

Welcome to the second installment of Manhwa Monday! If you missed it, you can pick up the first here.

Featured today is Chris Mautner’s recent review of The Color of Water/The Color of Heaven by Kim Dong Hwa (published by First Second), which follow up on the series’ first volume, The Color of Earth. As this trilogy ends, the reviewer worries that it may miss finding a real audience, despite its strengths. “But for those willing to walk that line between the two extremes, Hwa’s story remains compelling right up to its happy but slightly bittersweet ending.” I have not read this short series, but Mautner’s review makes me want to. Read the rest of the review here!

In other reviews, Erica Friedman discusses volume four of Click (NETCOMICS) over at Ozaku, Julie checks out volume 2 of Jack Frost (Yen Press) at Manga Maniac Cafe…

Goong, Volume 7

November 7, 2009 by MJ Leave a Comment

Goong, Volume 7
By Park SoHee
Published by Yen Press

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A fire in Daebi-Mama’s quarters sends the palace into an uproar, particularly the Queen who finds Daebi-Mama being relocated to her quarters by order of her husband. Meanwhile, Chae-Kyung overhears something that leads her to believe that Shin may have been responsible for the fire and is surprised by her impulse to protect him regardless of his actions. Still reeling from Shin’s public kiss during a recent press conference, things are made more uncomfortable for Chae-Kyung when the Queen Mother arranges for them to share a room on their class trip. Shin, finding himself intensely attracted to Chae-Kyung since their forced night together in the palace, is no more comfortable than she is, and though a string of misunderstandings and their usual stubborn pride keeps either of them from being completely honest about their growing feelings for each other, they come closer to in in this volume than they ever have before. Most surprisingly, as Shin becomes increasingly aware of both Yul’s ambitions and his own father’s stealthy maneuvering against him, he actually begins to push back, suggesting that he may wish to remain Crown Prince after all.

It’s quite a relief to finally see Shin taking some steps to open up to Chae-Kyung, even bringing himself to thank her when she rescues him from an embarrassing situation on stage in a student play. Whether this is due to a real desire to break down walls between them or just stark fear of losing her to Yul remains to be seen, but either way it’s a pleasure to see. Similarly, his speech to his father in the final chapter of the volume gains him new respect when it’s most needed.

Though it was easier to sympathize with Yul earlier in the series, it is now Shin who seems like the good guy (despite his dismal communication skills) and it will be exciting to see where things go from here, now that he’s really standing up for himself and those he most cares about. Most importantly, he finally reveals to Chae-Kyung the reason behind his early dislike of her and why his feelings have changed. “You looked right into my eyes and asked me so many things,” he says to her, in a flash of rare vulnerability. “You asked me if I ever went to Myungdong or to Dongdaemoon Market or if I’d ever watched a movie in a movie theater. When you talked about your life, I felt like my life was fake.” It is an extremely revealing moment we (and Chae-Kyung) have waited seven volumes to see, and the payoff is definitely worth it.

If last volume’s strife could be mainly chalked up to Shin’s inability to explain his feelings, in this volume the credit goes to Chae-Kyung’s inability to let him. Conditioned now to protect herself against Shin’s coldness as a preemptive measure, she’s having difficulty recognizing what’s changing in him enough to actually let it happen. Fortunately (or unfortunately) it looks like the two of them may soon be in a position where they must stick together just to survive, which will certainly be a trial for each of them as well as for their relationship. Watching the two of them slowly learn to truly care for and depend on each other is one of the best things about this series and though the pace may seem excruciating at times, it’s hard to imagine it playing out any other way.

Though this volume is less emotionally volatile than the last (despite the obvious drama of things such as Shin’s potential as an arsonist) the fact that it actually begins to veer towards romance at long last makes it a real page-turner of the very best kind. Goong continues to be one of the most compelling girls’ comics (Korean or otherwise) I’m currently reading, and definitely a personal favorite.

Review copy provided by the publisher.

Welcome to Manhwa Monday!

November 2, 2009 by MJ 7 Comments

Today I begin a new weekly feature here at Manga Bookshelf: Manhwa Monday! Each week, I’ll feature a particular review or other manhwa-related post discovered online (sometimes mine, sometimes not) as well as rounding up links to all things manhwa from the previous week. I’m doing this partly to put a regular spotlight on manhwa in hopes of drawing in new readers, and partly to try to help create a sense of community around manhwa specifically–something I think is currently lacking, at least in the circles I frequent.

So, welcome to the first installment of Manhwa Monday here at Manga Bookshelf! Today I’m going to feature two reviews from the previous week–one of them mine, one not. Both are collections of short manhwa by a single artist, though they are completely different from each other. The first is Byun Byung-Jun’s Mijeong, published by NBM/Comics Lit and reviewed by me last week at Manga Recon. The second is Hee Jung Park’s Too Long, published by TOKYOPOP and reviewed by Connie at Slightly Biased Manga.

Mijeong is a decidedly melancholy collection of stories featuring mainly broken or lost characters, mired in the sorrow of their pasts. “For me, only my past has any meaning,” one character says early on, setting the tone for much of the volume. This tone, however, is not exactly sad, or at least not exclusively so. From my review: “Byun Byung-Jun’s characters are both burdened and enriched by their histories, an insight that rings inescapably true. Even when longing for the past leaves characters bleeding to death in the grass … there is an unmistakable sense of hope lingering around the edges of most of these stories—a haunting paradox that helps maintain the volume’s momentum.”

Though the collection is definitely flawed, maybe even greatly so in some places, it is filled with tangible emotion and a sense of restlessness that keeps the reader on edge throughout–characteristics I find extremely compelling in any work of fiction. Ultimately, this is a book I can enthusiastically recommend. Full review here.

On an equally enthusiastic note, Connie, who admits she is often wary of short story collections, says this about Hee Jung Park’s anthology, Too Long: “Most of the volume is quite excellent, and this is probably among the best female-oriented comic short story collection that I’ve seen … Hee Jung Park comes through once again, and once again, I’m going to lament the fact that none of her stories are coming out in English anymore. She really does seem to be one of the greats, and I would love to read more than a volume or two of her best work.”

Please read the rest of Connie’s thoughtful review over at Slightly Biased Manga. Connie reviews more manhwa than many manga-focused blogs I’ve seen, and she frequently has very good things to say about the manhwa she reads.

Weekly Roundup:

Last week saw two reviews of Yen Press’ series, Sugarholic, from Jennifer Dunbar at Manga Recon (vols. 1 & 2) and from me here (vol. 1). I also reviewed volume 1 of Full House from NETCOMICS’ online catalogue.

Manga Recon’s Mini column last week offered up three manhwa reviews, Ken Haley on volume 2 of Jack Frost, Connie C. on volume 2 of 13th Boy (a personal favorite of mine), and Jennifer Dunbar on volume 4 of Bride of the Water God.

Danica Davidson at The Comics Reporter took a look at Bride of the Water God as well, this time volumes 1-4; Tiamat’s Disciple checked out the final volume of Croquis Pop; and Lissa Patillo looked at volume 9 of The Antique Gift Shop over at Kuriousity.

Is there something I’ve missed? Leave your manhwa-related links in comments!

Full House, Volume 1

October 27, 2009 by MJ 5 Comments

Full House, Vol. 1
By Sooyeon Won
Published by NETCOMICS

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Ellie is a young, independently-minded, Oxford educated screenwriter living in London, far from her native Korea, on an estate called Full House, left for her by her recently deceased father. Having given up on romance with her childhood friend Felix, who became frustrated with her lack of interest in a physical relationship, Ellie is content to live the life of a single career woman in the house she so loves. Her happy existence is disrupted, however, when she is evicted from the house by its new owner, scandal-ridden matinee idol, Ryder Baye. Following her eviction, Ellie lingers on a street corner, pondering her future and vowing to complete the screenplay she holds in her hands. A gust of wind blows the pages into the street, and as Ellie struggles to gather them up, her foot is run over by a passing car, the driver of which turns out to be none other than Ryder Baye.

With Ryder already embroiled in scandal, he and his handlers pamper Ellie in the hospital, hoping to keep the accident out of the news. In a burst of anger and desperation, Ellie suggests that Ryder marry her so that she can recover ownership of her home, an idea which–much to her surprise–is pounced upon eagerly by Ryder’s manager, Miranda, who is anxious to prove that Ryder is not gay. Finally agreeing to a false engagement with a guarantee she can return to Full House (which she will share with Ryder, whom she hates), Ellie begins her new life in the public eye, for better or worse.

Though the setup is classic and so far predictable, Full House has a number of things working strongly in its favor. First of all, Sooyeon Won is delightfully wordy, crafting pages of pithy banter between determined enemies Ellie and Ryder as well as long pieces of narration that read more like a novel than a comic. Though this is the same style responsible for the deliciously overwrought melodrama of her well-known boys’ love series, Let Dai, here it reads as stylish romance with a vintage theatrical feel. Ellie’s quick wit and sharp tongue make her an unconventionally appealing heroine, more interested in her career than her appearance or any other traditionally feminine concerns. Ryder is thoroughly enjoyable as her foil, whose only goals are to do his work and carry on his affairs without hassle. That he is especially drawn to the house that Ellie would do anything to keep gives them one piece of common ground, though this romantic comedy is guaranteed to be volatile for a good long time before either of them recognize it.

Another point in this series’ favor is NETCOMICS’ English adaptation, which reads surprisingly well, even capturing a genuinely British feel in the dialogue, something that is helped along significantly by the decorous third-person narration that accompanies much of the volume. Not having read any of the volumes of this series released by its former licensee, Central Park Media, I can’t compare the two, but considering NETCOMICS’ poor early track record with translation, it seems important to mention how nicely they’ve done with this series so far.

Sooyeon Woo’s art, though not as detailed or beautiful to look at as her work on Let Dai, has a light, sketchy feel that complements the breezy tone of the series, aided further by her playful paneling which keeps the pace brisk despite the abundance of dialogue. Both art and dialogue look clean and crisp in NETCOMICS’ online reader, even at its lower-resolution setting, and even the smallest text is readable against the series’ backgrounds, something that can’t be said for Let Dai.

Despite its questionably believable plot and obvious setup, this series has enough spark and energy behind it to easily propel readers into its second volume. Its fast-paced banter and classic romantic comedy feel make Full House an appealing new addition to NETCOMICS’ manhwa catalogue.

Volume one of Full House is available from NETCOMICS online.

Legend, Volume 6

October 14, 2009 by MJ 2 Comments

Legend, Vol. 6
By Kara & Woo SooJung
Published by Yen Press

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As the confrontation between No-Ah and Toh (the fourth blade of the Seven Blade Sword) continues, Toh reveals his true mission–to keep the blades of the Sword from being collected together, thus preventing world chaos, a consequence of which No-Ah was previously unaware. When Eun-Gyo arrives in the middle of it all, it becomes clear that she is not herself but instead Joo-Ji, the central blade of the Sword, who chose to be reborn as human in order to be reunited with her lover, which unexpectedly turns out to be No-Ah. When No-Ah meets her, however, he is only concerned about what has happened to Eun-Gyo, whom he is determined to protect in this life. Meanwhile, Ho-Dong searches frantically for Eun-Gyo, revealing his own past-life agenda–to reunite with Joo-Ji before No-Ah can steal her away from him again–as well as his current allegiance as a spy working for the same side as trickster Poong. Horrified to discover that No-Ah has reached her before he could, Ho-Dong reverts into a young man, the true form he has been hiding all along. As the volume continues, the web of past loves becomes even more tangled when the true identity of No-Ah’s sister, Seo-Hee, is revealed.

This volume is simply packed with new revelations, each contributing to this series’ sudden burst of new life. After several somewhat tepid volumes, this series is finally coming together and the effect is quite stunning. Each of the characters has gained new depth with further revelations regarding their past lives, particularly No-Ah and Ho-Dong who are being pulled in multiple directions by the often-conflicting motivations of their past and present selves. No-Ah’s lack of clear memory makes his position particularly complex, while Ho-Dong’s clear, painful memories make his especially poignant. “You must be more furious than sad,” teases the ever-smug Poong upon Ho-Dong’s return to his original form, “Isn’t that why you’ve decided to stop being a spy? You want to try to steal Miss Eun-Gyo from No-Ah, right?” adding cruelly, “Didn’t have the confidence to seduce her as a kid?”

Both No-Ah and Ho-Dong are in unenviable positions–No-Ah becoming more and more aware of the fact that the quest necessary to save his sister may have grave, far-reaching consequences and Ho-Dong being continuously faced with the same heartbreak time and time again–and with the lines between “sides” blurring further with each chapter it’s difficult to judge either of them by their choices. That the story’s creators have managed to paint all of this in such varied shades of gray is largely responsible for the success of this volume, and though their decision to withhold so much until this far in may have cost them some readers earlier on, the payoff is substantial. Even Eun-Gyo’s dense single-mindedness has taken on a newly rich tone as it becomes clear that she is, on some level, being manipulated by emotions generated by her past life. Only No-Ah, from his unique perspective of being both aware of and detached from his past life, is able to truly separate the feelings of his past self from his own, giving him a peculiar advantage over most everyone else.

After waffling on this series for so long, it is a pleasure to be able to finally recommend Legend. Though it gets off to a slow start, this series is a great choice for fans of shojo adventure manga and may appeal especially to those who have had difficulty embracing the art style in much of Yen Press’ manhwa catalogue. Though I personally prefer the clean, solid look of manhwa titles like Goong and One Thousand and One Nights, or even the quasi-alien look of something like 13th Boy, many manga fans consider those style to be hard or flat–words that could not possibly be used to describe Kara’s artwork here. With its flowing, wispy, undeniably cute art style and new air of romantic drama, Legend finally establishes a strong place for itself in Yen’s current lineup of girls’ manhwa.

Review copy provided by the publisher.

The Antique Gift Shop, Volume 8

October 5, 2009 by Lorena Nava Ruggero 1 Comment

Guest Review: The Antique Gift Shop, Vol. 8
By Eun Lee
Published by Yen Press

Review by Lorena Nava Ruggero

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This volume is split into two distinct stories related to the volume’s namesake. In one, a mysterious Nepalese goddess, or kumari, comes a-calling to the Antique Gift Shop and she has an amazing gift for sales. Hoping that she may soon be free of her commitment to the store, Bun-Nyuh is both amazed and ready to call it quits. When Mr. Yang questions the kumari’s motivation and stands in the way of her making sales, Bun-Nyuh decides to take him up on his offer of leaving the store at any time when his services are no longer needed. Of course, the moment he leaves, Bun-Nyuh finds herself realizing the truth behind the kumari. Will Bun-Nyuh ever rid herself of the burden that is the Antique Gift Shop?

…

Let’s Talk About Manhwa, Yen Press Edition

September 22, 2009 by MJ 14 Comments

I’ve made quite a few manhwa-heavy posts in the past six months or so, starting with Let’s Talk About Manhwa, in which I declared my love for Korean BL comics and asked for recommendations for all kinds of manhwa. The comments to that post were fantastic–filled with recommendations upon recommendations, only a fraction of which I’ve managed to get to at this point. I’m reading as fast as I can!

The truth is, I’ve really fallen in love with manhwa. It has many of the traits I most love in Japanese manga–lots of epic, dramatic, character-driven, single-creator stories with lovely art and well-paced, finite plots–but each these traits has its own particular quality unique to manhwa. I believe that even if I was presented with flipped manhwa (reading right-to-left like Japanese comics) I would be able to tell at a glance that it was made in Korea–something that has been proven to me already, actually, in the case of one of my favorite single-volume Korean BL stories, U Don’t Know Me. Some of this has to do with the art, particularly the character designs which favor a a particular kind of cheek and chin, full lips and heavily lined eyes, but the storytelling has its own flavor too, with its spunky, outspoken (often even violent) girls and arrogant, swaggering boys.

…

13th Boy, Volume 2

September 19, 2009 by MJ 6 Comments

13th Boy, Vol. 2
By SangEun Lee
Published by Yen Press

Buy This Book

Review of volume one here.

Still determined that Won-Jun is her destined true love, Hee-Soo campaigns to join the Girl Scouts so that she can attend the joint scouts camping trip along with him. The scouts are reluctant to accept Hee-Soo into their ranks since she is applying well after the deadline (and they suspect her motives are far from pure) but when Hee-Soo miraculously passes their impossible test for membership they are unable to refuse. Meanwhile, more is revealed about Whie-Young’s supernatural powers and the long-standing romantic triangle between him, Won-Jun, and Sae-Bom which Hee-Soo has complicated further. Most importantly, however, talking cactus Beatrice has a mysterious secret which provides this volume’s greatest shock!

What was charming but incoherent in the first volume of this unusual supernatural romance has become simply charming in its second volume now that the story has apparently hit its stride. Without losing any of the elements that made the first volume so perfectly whimsical (strange teenagers, hints of magic, talking plant life), the relationships between the characters are finally taking shape, though much mystery still remains. What is the true nature of Whie-Young’s magic? Why doesn’t Hee-Soo remember her childhood friendship with him? What on earth is the deal with Beatrice? These questions linger on, but there is enough solid ground to stand on to make this story’s foundation comfortably secure.

Though Hee-Soo’s unwavering pursuit of Won-Jun could easily become too strident to bear (the heroine of Sarasah comes to mind) her sincerity and determination to remain smiling as he repeatedly (but not unkindly) rejects her make her too sympathetic to dislike. It is quite painful to watch the four-way tangle of unrequited love between Hee-Soo, Won-Jun, Sae-Bom, and Whie-Young, but there is enough real affection between them all–even Hee-Soo who is the outsider of the group–to render each of them likable in his/her own way. It is especially refreshing to see them take steps to save each other from pain and public humiliation, including those who are rivals. There is real kindness in each of these characters, no matter how hard they work to hide it.

With its nuanced relationships, idiosyncratic characters, supernatural themes, quirky art, and sense of true whimsy, 13th Boy is a real winner with me. Let’s hope it continues to build on this new strength!

Review copy provided by the publisher.