Sci-Fi

From the back cover:
Once they moved from world to world in a single step, through innumerable doors that spanned the galaxy. They were masters of space, and to those who feared them, they were demons of air and darkness. But long ago they left their empire and their miraculous technology behind. Now someone has found the key to it, and all those doors have been flung open.

A world near Deep Space 9, threatened with destruction from the distant Delta Quadrant, becomes the focus of a massive rescue effort as Colonel Kira Nerys, her crew, and some unexpected allies fight to avert disaster on a planetary scale. Meanwhile, as Lieutenant Nog and Ensign Thirishar ch’Thane search for a way to shut down the spatial portals forever, Quark becomes involved in a dangerous game that could determine, once and for all, who will control the Gateways.

Review:
This is kind of an odd entrant into the DS9 relaunch series, since it’s actually the fourth book in a different series. The Gateways series has a novel for each of the pre-Enterprise TV series, plus a couple from some original novel series. I was not interested enough in the concept to check out the other books, so missed how this business with the gateways all started. One gimmick is that each of the novels ends in a cliffhanger and all the endings are compiled in novella form in the seventh book of the series (entitled What Lay Beyond). So, basically, anyone reading the whole series got annoyed six times before having to shell out for one more book containing all of the conclusions. Irksome!

DeCandido was better at keeping thoughts in-character for the DS9 cast than he was in the Buffy book I read by him, so there were some good character moments, though the basic plot was pretty dull. The writing was also heavily reliant on dashes—like so—to the point where it became distracting. Also, if books like this even have editors, someone should inform them that “a isolinear rod” and “a instrument panel” are grammatically incorrect.

Like the others in the series, Demons of Air and Darkness ends on a cliffhanger. Its resolution is the novella “Horn and Ivory,” which basically just deals with Kira having taken a gateway to Bajor’s past and realizing that she needs to stop waiting for Sisko to come back and take the responsibility of running the station off her shoulders. Or something. I didn’t read any of the other novellas, so if there was a definitive conclusion to the events of the series, I don’t know what it was. And don’t really care.

From the back cover:
In the aftermath of a war that brought the Alpha Quadrant to the brink of destruction, Starbase Deep Space Nine—the galaxy’s nexus of scientific and military intrigue—is once more the flashpoint of impending Armageddon as a surprise attack cripples the station, killing hundreds and threatening the fragile new peace.

Colonel Kira Nerys and the survivors—together with several controversial new officers—are all who stand against the outbreak of a new war and a terrible doom tied to the unborn child of Captain Benjamin Sisko.

Elsewhere, Captain Jean-Luc Picard and the crew of the Starship Enterprise make a startling discovery… one that will affect the destiny of an entire civilization and forever change the lives of those aboard Deep Space Nine.

Review:
This is the first book in the Deep Space Nine relaunch, which is set after the end of the series and continues on from where the finale left off. Quite a few plot threads are spun out in this initial volume, including a prophecy about Sisko’s unborn child, relationship woes for Dax and Bashir, and an apparent renewal of hostilities with The Dominion.

Two new characters are introduced, both thoughtful and unassuming, though it was a little annoying to be consistently reminded how much the established characters liked or admired them. One familiar face is added to the cast: Ro Laren, who somehow impressed the Bajoran government with post-Maquis fighting prowess, was given a Lieutenant’s rank in the militia, and got assigned to DS9 as the new Security Chief. I was happy that elaborate excuses weren’t made for bringing back any of the departed crew or station residents.

The characterization is pretty good. No dialogue or inner thought seemed wrong, though it was a bit odd that Ro smiled so often. The author’s especially good at writing Quark. Sometimes the action dragged a little bit, particularly when everyone in a situation begins to experience the same thing (feeling watched, for example). It just reads as repetitive until it finally dawns that it’s intentional.

I haven’t read a plethora of media tie-in books, but this is easily the best of those I have read. I’ll definitely be continuing with the series.