sasaki and peeps

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

The danger of a series like this, which tries to change genres with every new volume, is that eventually you’re going to hit up against one that you’re not really all that interested in. When I saw that this volume was going to be about VTubers, I sort of groaned. It’s not my thing, and I don’t do the virtual idol thing either. So when Type Twelve decided to make this her new thing, I was prepared for this to be a slog. Fortunately, I was saved by the fact that the author knew which character to give the spotlight to this time around. Kurosu has gotten short shrift for a good deal of the series (when the anime came out, most wondered why she was even there at all), but her deadpan horrible personality meshes really well with trying to be a hot VTuber success, especially since we also still have her desperate 13-year-old horny urges to bang Sasaki (which is never going to happen, and I think she knows it deep down).

As noted above, Type Twelve is done with school because of … well, see Book 8. Instead, she’s decided to try uploading videos to Youtube (yes, they use the actual word). This becomes a competition, with everyone in the “family” (thus not including Elsa and Peeps, who already have a Youtube channel) competing to see who can get the most page views… and the winner has to order the loser to obey any command. Naturally, this gets Neighbor Girl tremendously excited, as even she knows that middle-management dude Sasaki is not going to be able to compete with four cute young-looking girls. She decides to (with Type Twelve’s tech help) become a cute, happy VTuber… which is a disaster. However, the backlash actually forces her to use it to her advantage, and she comes back admitting the happy girl was a fake and she’s a depressed introvert. This goes MUCH better… to the point where she’s scouted!

I’ve talked before about how the neighbor girl is so screwed up and horrifying that it almost comes around to being funny, but that’s not really sustainable if you’re going to have the series develop characterization (which is debatable – honestly, I think this author is far happier having its characters be cutely meta than learning anything about themselves). Over the course of the last few books she’s been forced to endure a lot and also interact with others far more than she ever did before. As a result, while her quiet cynical sarcasm is present and correct, as is her twisted sex with Sasaki fantasy, she no longer looks as if she’s actively trying to kill herself. Actually, she may have found a career path – her quick deductions at the scene of a crime, while getting in the way of the plot, show off a detective skill that’s actually kind of scary. Is she healing? A bit?

The others, rest assured, get stuff to do, and Hoshizaki gets the funniest part of the book. But yeah, this continues to interest me, even when it’s playing around in sandboxes I don’t care about.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

(This review discusses the dialogue in Sasaki and Peeps 8, which uses several sexual slang terms, and I mention them towards the end. Be warned.)

This is my own fault, I suppose. Last time I suggested that the middle part of the volume was a bit boring, and I said that Sasaki and Peeps was at its best when it was ridiculous rather than down to earth. Given this volume takes place at Kurosu’s school, I was perhaps not overly optimistic. Oh, foolish past me! This is easily the most off-the-rails volume of the series to date. I’ve also talked before about how the series is a harem series that doesn’t really have its lead be interested in anyone, and that’s done away with here as well. Sasaki manages to have a libido. When you add to this horny middle school students, numerous people being paid or threatened to act as “honey traps”, and a truth serum that also doubles as an aphrodisiac, and you have all sorts of no. On the bright side, at least for me, this volume is easily the shippiest he’s gotten with Futarishizuka, who, in age and compatibility, is Best Girl.

Type Twelve wants to experience school life so she can learn about humanity – and, in particular, she wants to learn about love. So they fake her family register, change her name to Twelve Sasaki, and she transfers into Kurosu’s school. Along with Sasaki, her new math teacher. And Futarishizuka, her new English teacher. And two of the other new teachers are Mason and Inukai, the ones working with the magical girl. Oh yes, and the magical girl they’re working with also transfers in. Naturally, with so many World’s Most Wanted girls in one location, every single enemy sends their minions to kidnap Twelve, kidnap Kurosu, kill Sasaki, etc. And that’s not even counting the pink magical girl, who as always, wants to kill all psychics.

There’s quite a bit of death and gore in this book, mostly due to the magical girl, who is here to kill psychics and chew bubblegum and she’s all out of bubblegum. the final scene with her and Futarishizuka is actually very sweet, and possibly the nicest Futarishizuka has ever been. Kurosu, aka neighbor girl, also gets a much larger role than usual, though for once she’s too busy being the straight man (and tsundere, as Twelve correctly notes) to try to get into Sasaki’s pants much. Unlike many other women in this series, who are trying to seduce him for money, because their parents are being threatened, or because all their inhibitions are down. And then there’s Type Twelve, who is the reason that I think this book needs a bit more of a content warning than other books. She’s trying to figure out human love, and is very good at making boys her “simps” – but when she gets an actual confession, and uses truth serum to verify it, things go bad fast – and we find out that Kurosu’s classroom is a hotbed of sexually active teens. In addition to simp, ‘fuckboy’ is used here, and there’s also mentions of spanking and anal sex, though only in conversation, not in actual content. Basically, teens are horny and awful.

Fortunately, this seems to have stopped Twelve wanting to learn what gangbangs are (oh yes, that’s mentioned as well). She now wants to drop out of school. Where to next? We shall see. Honestly, I would not mind going back to isekai world for a while, which seems a bit less unhinged. Till then, boy, this will be fun if ever animated.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I do feel that this series might have a conclusion in mind, but it really is meandering towards that conclusion, to the point where I was actually a little bored somewhere in the middle of this volume. Which is surprising given it’s an isekai-lite book, and I usually tend to prefer those. For the most part, the bulk of this book is spent integrating Type Twelve into the main cast, which has Futarishizuka and Sasaki making decisions that make sense in a “we’re trying to save the world” sort of way, but narratively in a book makes them sort of terrible. It doesn’t help that the idea that all of this is secret is really being blown apart, with Neighbor Girl’s classmates all discussing whether aliens are real or not after spotting the huge obvious flying saucer. Each book tends to set up the next book, and I suppose that’s true here. And to be fair, the end of the volume definitely was excellent. But I’d like to know the author has a final volume envisioned.

Type Twelve wants to learn more about humanity from Hoshizaki, and has decided the best way to do this is to pretend to be a family. Hoshizaki is the mother, Sasaki is the father, Kurosu and Abaddon are her older siblings, Elsa (returned from isekai land) is the next door neighbor who’s always dropping in, Sasaki is the family pet, and Futarishizuka is the crotchety grandmother, a role she takes to with gusto, to be honest. They go shopping, they buy a house – well, OK, Type Twelve steals a house – and they go to the amusement park, which Futarishizuka, with the reluctant help of Sasaki, tries to depress the robot so that she’ll give up and return home. Everything changes, though, when Kurosu says there’s a new death game coming to a mysterious island, and she wants their help in going after the big prizes that come with said game. Alas, when they get there they find that things will not go that well…

As noted, the death game is the best part (the worst part may be when Kurosu, running away from interaction with her classmates, comes across her teacher screwing her bullied classmate, and she just sort of stomps away in a fit of pique that she’s not able to get that with Sasaki). They arrive assuming that everything will be much the same as the previous games, but not only is everyone on the angel AND demon teams now trying to kill her and Abaddon specifically, but there are also a lot more random elements. A psychic is killing people because he can, the magical girl rips a hole in reality to go kill psychics, and Type Twelve has to literally blow herself up 9she gets better) to save the main cast. And, oh yes, the entire death game has been co-opted by rich assholes. Because of course.

I greatly enjoy this series when it’s being ridiculous, but when it’s down to earth it can sometimes lose me. The next volume… has everyone going to Kurosu’s school. Oh well, we shall see.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

One of the tropes of this series, which is not exactly welcome but I’ve been able to deal with it, is that Sasaki is a main character, in his late 20s/early 30s, who accumulates either underage girls or girls who look like underage girls, some of whom are either in love or dangerously obsessed with him. This is brought home once more in this volume, when he shows up at Hoshizaki’s apartment and her younger sister notes that he now has ANOTHER underage girl with him, and, very sensibly, feels she cannot trust him around her sister. As such, I appreciate Sasaki’s narration spelling out that, even if he’s not explicitly asexual, that he is at least totally uninterested in sex with anyone right now. This is not going to reassure the younger sister, nor is it stopping Elsa from being engaged to him (which happens here), but it at least assures the READER. The author is here to jam pack this story with as many genres as possible, but harem is not near the top.

Picking up where the last book left off, there’s a UFO that the entire world are dealing with, and Sasaki, Hoshizaki and Futarishizuka are assigned to do something about it. As it turns out, a lot of groups have made their way to the alien, and are being quizzed – and then rejected. Unfortunately, thanks to Hoshizaki trying to define the word “lonely”, the alien realizes that she’s suddenly overcome with that feeling, and decides to try to destroy the Earth because she can’t handle it. Fortunately, this does not happen, mostly as the alien (who is basically “robot girl” for the sake of the tropes, and is called Type Twelve) gloms on to both Hoshizaki and Kurosu, the neighbor girl, who are trying to help her make friends and find happiness when she has no concept of such things. Boy, sure hope one of them doesn’t get kidnapped by bad guys, that would ruin everything…

Since my last review, we’ve had the anime of Sasaki and Peeps, and it was… OK, I guess. It’s getting a second series, though that’s mostly out of necessity given the nature of the plot. One complaint I saw was that the neighbor girl was pointless, and, well, yeah, none of her stuff becomes relevant till Book 3, so of course she is. Because Sasaki and Peeps is a genre mashup, in general the more genres it mashes the better. And this volume has almost everything, with the fantasy isekai aspect being the only one getting short shrift here. Alien robot girl searching for emotions and super powerful is not the most original of ideas, but originality is the opposite of what this series needs. Everyone gets to do cool things. Futarishizuka gets to be an adorable asshole. Hoshizaki is tsundere. Neighbor Girl (look, he doesn’t call her Kurosu so why should I?) is still terrible at social interaction. Sasaki is a bit of a narrative blank (Futarishizuka calls him “flaccid”, which, ouch), but I can deal with it. We want to see what crazy thing will happen next. That’s that point of the series.

Next time we might see the “island cut off from communication” trope, which should be fun. Till then, enjoy all the cute girls and be reassured Sasaki has no interest in any of them.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

The joy of this series is the genre mashup, of course, but that can also make it very hard to take at times. When the author does a genre, they go all in. This means the fantasy world is filled with throne wars, elves, dragons, and last minute plot twists. The “psychic” part of the story involves people using powers to control others and create chaos all around them. It also veers into a sentai show here, and it’s very deliberate. The Neighbor Girl’s supernatural part is very much standard “death game”, even though she and her demonic partner don’t get to wipe out anyone this book. But Neighbor Girl (who we get a last name for at last – Kurosu) also brings another sub-genre to the plate, which is hideous abuse. That’s the “slice of life” in this volume’s subtitle, and it absolutely goes off the rails when she, Sasaki and Futarishizuka attend the wake from hell. This is getting an anime soon, and I imagine making this all cohere seamlessly will be a nightmare.

Sasaki has a lot on his plate. He’s attending the aforementioned wake, where we learn that apparently Neighbor Girl’s family has money, but also that literally everyone in the family despises her; he’s dealing with the aftermath of the sea monster from the last book, as he and Hoshizaki are almost lured to America with the promise of a ton of money, stopped only by their complete lack of English skills. An unknown enemy decided to mind control people into causing a riot near Hoshizaki’s apartment, presumably to do to it what they did with Sasaki’s old place; and there is, of course, the fantasy world, where it appears that the first prince has betrayed the nation and is collaborating with the enemy. Can he even find time to settle down and get some actual sleep? He can in the fantasy world, but certainly not in Japan.

I tend to go on about Neighbor Girl too much in these reviews, and her story vanishes after the first third of the book, so I will just note that that slap made me scream out loud, and also that she is a ticking time bomb that Sasaki is ignoring but Futarishizuka certainly isn’t. We do get to learn a lot more about Hoshizaki in this book, though I suspect she would not be happy with that fact. Unsurprisingly, at school she seems to have no friends and looks the stereotypical bookish nerd – her overly made up face on the job is the attempt to look “grown up”. Her younger sister straight up thinks her part-time job is sex work, and Sasaki has to reassure her while also giving nothing away about what the job actually is. She’s also clearly got a crush on Sasaki, but is sadly running a very distant third, behind Futarishizuka (easily the front runner) and Neighbor Girl.

This is a good book, and has an excellent plot twist near the end I did not expect. It’s also a book that rewards close character analysis, which I like. If you can put up with the occasional lolicon joke, it’s a definite winner. And it appears next book we’re adding aliens.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I observed as I was reading this new volume of Sasaki and Peeps that I felt the author had read a lot of the Bakemonogatari Series. Their writing style isn’t anything like NISIOISIN, but this is a story of a guy who saved the world while being surrounded by underage girls, and it also has a tendency sometimes to actively drive its audience away. There’s a scene halfway through the book where Sasaki is trying to rescue the first prince, a rival to Sasaki’s group in the other world, and comes across the aftermath of a sexual assault, which is described in detail. This then turns out to be a trick to get him to lower his guard, and what follows is sort of mind control but also involves homoerotic flourishes and… just describing the scene is difficult. I felt like screaming out, WHY? And yet the rest of the book is quite entertaining. This is, in my mind, very much the same experience I sometimes have with Bakemonogatari, especially when Araragi molests Mayoi for the lulz.

After managing to resolve the cliffhanger stand-off from the previous book, Sasaki, Hoshizaki and Futarishizuka end up spending most of the book dealing with, as the title might give away, a giant sea monster. Sasaki pretty much feels he has to deal with it, as Peeps confirms the monster is actually a dragon from the other world, somehow brought over here. It draws in a worldwide response, which not only brings in Sasaki and company, but the magical girl from previous books, who works with her five-person magical girl team to try to destroy it. Unfortunately, bullets can’t stop it, rockets can’t stop it, we may have to use nuclear force! And then of course there’s also the death battle between angels and demons, which ends up affecting Sasaki very personally when his apartment building is bombed.

As always with this series, I find the neighbor most fascinating, even though it’s been four books and we’re no closer to learning her name. (She in turn does not refer to Sasaki by his name, even after she heard other people use it.) She’s growing more confident and outgoing now that she’s around Abaddon all the time – frankly, he’s a better romantic match for her than Sasaki, though I wouldn’t wish that on him. The aforementioned bomb was meant to kill her, and does kill her mother. Sasaki spends the rest of the book thinking that her somewhat remote attitude is due to processing her grief. In reality, she doesn’t even think of her mother a single time after the bombing. This is not unexpected, given her mother’s abuse of the neighbor girl, but Sasaki’s idea of what she’s like versus her own POV (she’s the only other character who gets POV narration) can be amazing.

As for who Sasaki will end up with in his harem of little girls and girls who look like little girls, if I were a betting man I’d say Futarishizuka, but this volume also makes it clear he has no real romantic or sexual drive at all. That’s not what this series is about. It’s about mashing genres together, making salaryman jokes, and occasionally throwing in truly appalling scenes to weed out the casuals. If that floats your boat, read on.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

It’s getting better. There are still a few times where I wince while reading the series, mainly whenever the neighbor girl is trying to manipulate Sasaki into sexually assaulting her (he doesn’t), but for the most part the series is doing what it does best: mashing up genre after genre and watching our deadpan salaryman crush all of them as he flies past. Sasaki may be a bit of a stoic sad sack, but the series wouldn’t work at all if the protagonist were, say, Kazuma from KonoSuba. It not only requires his experience as a Japanese salaryman to drive a lot of the plot, but also his reserve helps the reader glide through the plot without taking anything too seriously. Which is good, because this series is still mostly a comedy, but also bad, because there are a lot of things I think could do with being taken more seriously, such as getting the neighbor girl some therapy.

Sasaki continues to juggle the various light novel plots he finds himself in. In the fantasy world, the count’s daughter Elsa is being taken as a “concubine” by an evil Duke, so Sasaki agrees to help fake Elsa’s death and take her with him to Japan, where she can hide out in a hotel. In the “psychic” world, he continues to investigate mysterious happenings (most of which have to do with one of the other genres he’s in) while trying to get enough blackmail material on his suspicious boss. In the “magical girl” part of the book, he finds her trying to murder another psychic. Sadly, before that gets anywhere, he’s dragged into the “angels vs. demons death game” genre we started to see last time, and finally discovers what the neighbor girl has been up to. Unfortunately, everything completely is blown to hell and back due to one fatal mistake: he lets Peeps get drunk.

I do suspect a lot of the salaryman humor in this lands better in Japan than it does here – he’s constantly apologizing to the girls around him, and thanking them for their support of him, in a way that is meant to evoke the office even as it happens while they’re watching demons blow teenage girls’ heads off. The best part of the book was seeing the neighbor finally get drawn into the main plotline as opposed to being a very uncomfortable side story. She’s still very uncomfortable – I hate using the word yandere, but it does apply here, and her rape/suicide fantasies are deliberately disturbing – but now that she’s involved with everyone else, hopefully she can get a little help? Maybe? The book ends in a four-way Mexican standoff between all of the various underage girls Sasaki has pulled into his orbit – none of whom he’s remotely romantically interested in, but I see what you’re doing there. And that doesn’t even count the traditional “looks nine but is decades older” girl. Which, again, light novel trope.

It appears we’re adding aliens to the stack of plots if the cliffhanger is to be believed, though if I were Sasaki I’d worry more about calming down his not-harem first. This series is absolutely not for everyone, but if you have drenched yourself in light novel plots over the years, it can be a lot of fun.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

Content warning before we start: near the end of this volume there is an attempted rape scene of a middle schooler, and it is 100% played completely seriously. It helps to show off the strengths and weaknesses of this series in general. The author clearly wants to take several distinct genres and slam them all against each other. We’ve got isekai fantasy, esper battles, magical girls (and, because it’s the 2020s, they’re dark killer magical girls), and now we’re adding a battle between angels and demons using humans as proxy. This works pretty well when things are ridiculous, with our stoic salaryman Sasaki, his relatively stoic bird, and the amusing Futarishizuka. But it’s also trying to tell the story of an abused, suicidal middle school girl who is also deeply twisted, and it’s telling it with all the gravity it requires. Which… y’know, better than the alternative, but it GRATES against everything else.

As with the first volume of this series, things are slightly more interesting on the Japan side of the equation. This is not to say that the fantasy world doesn’t have a lot of danger, but it’s fantasy isekai danger, which means you have a lot of domineering nobles and sneering merchants. All Sasaki is trying to do is sell off all the modern things he’s bringing from Japan, but now he’s involved in a proxy war between two counts, two princes, and two companies. That said… he’s an experienced Japanese salaryman. This is what he’s GOOD at. He fares far less well when being tasked with his high school girl co-worker to try to recruit a new psychic who has fire powers. This goes disastrously wrong in ways I 100% was not expecting. That said, the most interesting part of the book was when the little princess from the fantasy world stows away when Sasaki returns to Japan… not the last time these two worlds intersect, I hope.

As for “the neighbor”, whose name, we find, is Kurosu, we get a little peek into her horrible, horrible daily life. She has to steal food from school to not starve to death, and it’s middle school, so she also has to avoid the class hottie helping her lest she be in trouble with the other girls. Her mother is sleeping with a guy who tries to rape her. Oh yes, and then there’s the corpse that drops in front of her as she’s walking home. Kurosu’s story has still not really intersected with the main one yet, but I expect that to change in the next book – the “death game” mentioned in the ludicrous subtitle of the volume is hers, not Sasaki’s. We also get a bit more about the magical girl… and it’s not really great news. She’s already killer her comedy animal mascot, she alleges that Sasaki’s employers killed her entire family and friends, and she now doesn’t know whether to trust him or not. So, y’know, just another day at the office.

If you enjoy A Certain Magical Index you might get a big kick out of this, because the chaos is the point. That said, unlike Index, there’s sometimes a realistic and very dark undertone to this series. I’ll read more, but YMMV.

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan: Isekai de Slow Life o Tanoshi Mou Toshitara, Gendai de Inou Battle ni Makikomareta Ken” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

This book is a mess. Saying that right off the bat, confident that even those who loved the title will agree. It’s trying to be a mess, after all. I’m not sure what the meeting of the author and their editor was like, but it feels very much like “I have four different ideas for a light novel, but I can’t decide which one to write.” “Why not write all of them?” “Four different books?” “No, no, the SAME book!”. It’s the sort of thing that requires a delicate hand and solid worldbuilding, and the series that comes closest to this, A Certain Magical Index, still can’t quite pull it off a lot of the time. Sasaki and Peeps doesn’t even try, content to simply revel in its mishmash qualities. It does eventually settle into one of its genres near the end, which makes it both better written and less interesting. I think we’re here for the car crash.

Plot 1: A salaryman in his late thirties, Sasaki, buys a pet Java sparrow, Peeps, who turns out to be a powerful macician from another world. Sasaki goes to this world, trading Japanese tech for gold and also learning magic. Plot 2: Learning magic means he gets in the way of a battle (in Japan, he and Peeps go back and forth) between rivals espers, and he is forcibly recruited into an esper organization trying to control those with powers. This goes far less well than you’d expect. Plot 3: His middle school next door neighbor, unnamed but abused and always sitting outside her front door, has a twisted crush on Sasaki that wars with her despair and suicidal thoughts. Plot 4: There’s a magical girl digging in the trash outside his apartment. This is the magical girl on deck from the subtitle, I assume.

Smoothness is not the selling point of this book. Which is a shame, as the last third of the book, which dedicates itself entirely to the isekai plotline, is the best written part, containing several excellent plot twists and a few cool battle scenes. That said, after watching the author and Sasaki flit around like… well, like a sparrow for most of the book, it feels wrong somehow. Sasaki should be a “potato” protagonist, but there’s a certain broken quality to him that shines through on occasion. His treatment of his neighbor like a stray cat that he keeps feeding is at least not as bad as, say, Higehiro, and I appreciate he did call social services, but he’s not helping there either. The book has no real romance as of yet, which is probably a good thing, as the female cast consist of a high school girl, a middle school girl, and two children.

Mostly the main problem with this book is it cannot settle down as to what it wants to be. That’s baked into the plot so it won’t get better, but I thought I’d mention that I think the plot is bad. The plot with the neighbor and the magical girl barely feature in the book, they’re just there as flavortext so far. That said, I may read a second volume, just to see if the author can keep this up. Or to see if the neighbor kills him.