my stepmom's daughter is my ex

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This is a really short book, even for a series that does not generally have long volumes to begin with. It’s 142 pages. I actually found myself wondering if it was supposed to have the Isana plotline going on throughout, but the main plot got away from the author, so they simply cut it out. But then, it does make sense that you’d want to keep the focus entirely on Akatsuki and Kawanami. Their backstory was always a very spiky and uncomfortable one in an otherwise mostly mild romcom series, and a lot of the books have been trying to bring them both to a point where they can finally take a step towards each other again and have it be believable. The way that it does that is by looking even further at the issues that Kawanami has with women, and how they are, in a very real sense, PTSD. As such, it makes sense that this volume feels like the series finale of M*A*S*H at times, as his own memories may not be reliable.

Kawanami wakes up one morning in his bed, dressed only in boxers. He sees a girl leaving his room in a hurry. He also has no memory of the previous evening. At the same time, Akatsuki also wakes up in her bed, in bra and panties, and does not remember what happened the previous night. A horrible thought crosses their minds: did they, y’know, DO IT? Unfortunately for the both of them, Mizuto and Yume are out of town, off on the annual family reunion that we’ve seen in a previous book. What’s worse, Kawanami goes out for karaoke and bowling with his friends, and it becomes very clear that something happened with his good friend Makoto, who is being referred to very carefully so as not to spoil the reader. As things come to a head and he has a complete breakdown, Akatsuki grabs him and the two run away to Osaka… and a love hotel.

This series has always been very horny, and the author jokes that they may have taken things a bit too far this time with that love hotel scene. No, they don’t go all the way, but certain things are done, and both of them get a nice view of each other naked. That said, the reason this is a pretty good book is the emotional catharsis that Kawanami gets, as Akatsuki points out that he’s basically cured of his reaction to women, he just doesn’t actually realize it. The bit where Mizuto points out to him the way that he’s misremembering things made it clear that this really is very similar to PTSD, and as such it’s definitely a good thing the two stopped when they did. In any case, they’re now a couple, which means we likely have only one major arc left in this series, the “what will we do after graduation?” bit.

If you enjoy this series, this is a decent read. And short. Also, while I hesitate to mention current memes in a review, it’s really hard not to look at that cover art and not think “let’s take ibuprofen together!”.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

I spent a lot of this volume wondering how seriously I should take the yuri pandering. There is, and I think this is the 4th or 5th time I’ve said this, a ludicrous amount of boob grabbing in this book, to the point where it’s almost every 4th or 5th page. This is partly a consequence of the plot, which is a class trip, meaning lots of scenes of the girls off by themselves, but still. But we also get a suggestion that a girl confessed to Mizuto because in reality she was in love with Yume (which is… not QUITE true) and a lot of bi panic in this book, which is sometimes played for comedy, but also sometimes meant to be taken seriously. Finally, near the end, we get… well, we get something that I am reluctant to spoil because this volume is a mystery, but it at least suggests that there are SOME actual lesbians in this series. And that Isana is absolutely bi. (We knew that already.)

It’s class trip time, and everyone’s off to Okinawa! Of course, there are a few hiccups. Mizuto and Yume have had their first time, and really want to have more, but “surrounded by our classmates” means that’s not gonna happen. Yume’s attempts to hide who she’s dating are spreading all sorts of rumors, and while she’s able to control and dissuade the guys confessing to her, Mizuto struggles a lot more when he’s confessed to… by Asuhain? On the trip itself, we get a gyaru group who seem to be wrapped up in SOMETHING, but it’s unclear how sinister it actually is. We get snorkeling, we get shopping. We get Yume realizing that Asuhain has been avoiding her ever since the last volume, and she can’t figure out why. And, perhaps worst of all, Isana’s breasts are now public knowledge, and everyone wants to grope them.

So yeah, as you guessed, this is still mostly a series for horny guys. That said, there is serious stuff here beneath all the boob jokes. The author tries to tell a mystery, and while the culprit is not a surprise, it is mildly interesting seeing Mizuto doing his detective work while also being smug about it. The subplot with Asuhain is handled seriously and works really well with her character – she’s always felt like “Yume only one year behind”, and this just reinforces the hell out of that. And then there’s Isana, who I think is finally giving up on the polycule. It’s framed as a joke in the end, in that she tried to see if seeing Yume and Mizuto being romantic and loving would give her heartache but she was too distracted by Yume’s sexiness, but that and the other surprise revelation makes me wonder if the author is, perhaps, going to give us a token nickel by the end of this series.

Probably not. Next volume we’re back with Akatsuki, so it will likely back off from Isana a bit. Still, under all the fanservice there’s still a nice little story. But man, you have to dig past a lot of fanservice.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This is the first volume taking place after our main couple have gotten together… again… and as you can imagine, it’s leading up to one big scene. That said, it certainly does meander before it gets there. This series has always played with viewpoint – from the start, the main chapters alternated between Mizuto and Yume, usually with some variation on how they used to be in love but are older and wiser now. As the series went on, we got more and more viewpoints from the POV of other characters, such as the best friends of our lead couple, or the rest of the student council. And honestly, with this volume I think we may have finally gotten an answer to the question “how much is too much”. I think everyone in the entire cast with the exception of Isana gets a look in here, and it makes the book too scattered. It’s only in the final dramatic battle/love scene that it settles down – ironically, when the POV switch is at its worst.

Mizuto and Yume are now a couple once more, but there is a slight problem – they’re still stepsiblings. As a result, they have to hide their relationship from both their parents and from everyone at school. The latter is only slightly successful – Minami and Kawanami figure things out pretty fast – but it does mean that there are a certain amount of repressed feelings that are happening. And, of course, this book also takes place around Valentine’s Day and White Day, with all the plots that you’d expect with that. We get another couple getting together here, despite some truly amazing amounts of self-hatred and loathing to get through in order to accept it – and as for Minami and Kawanami… it may be a bit longer, but they’re making real prgress as well. As for Mizuto and Yume, their parents taking an extended away trip means that they may finally be able to go all the way this time… provided this does not turn into Kaguya-sama: Love Is War again.

I will admit, I was schnookered by the author. The moment the two of them decided that this was going to be some sort of contest to see who admitted to wanting to have sex first, I was fairly certain that they were going to end up just doing nothing till their parents came back. But no, for once the two have semi-matured enough – and are prepared enough to buy nice lingerie and condoms – that they actually do end up getting past the competitiveness and having their first time. The sex, as you can imagine, is elided rather than explicitly described, but the elision is actually very clever, relying on the swapping narrative POV to give us the rhythm of two lovers coming closer and closer to a climax. Also, as with the previous sex scene in this series, the first time is not necessarily “the best sex ever” – it’s typical first sex – but they’re both happy, which is all that matters.

That competitiveness may end up returning after the cliffhanger ending to this book, though thankfully it will be in the classroom rather than the bedroom. I just hope we can get back to primarily being Mizuto and Yume’s narration.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

For a series whose strongest point is not its fanservice, this series sure has a lot of it. That said, at least the fanservice serves a narrative purpose. Even the sex scene in the book – not between our two leads, I hasten to add, but between Aso and Hoshibe – ends up demonstrating, somewhat painfully, that the blush of first love is not always perfect, and that sometimes simple physical difficulties can “ruin” your perfect memories. Meanwhile Yume has been revving the fanservice up, in an effort to get Mizuto to drop his stoic poker face, and ends up going overboard, to the point where he finally snaps and screams at her in desperation. As for Isana… well, yeah, that is fanservice pure and simple, but it also serves to underline for Mizuto that he can’t simply pretend to be a logical robot who makes every decision using bullet points. And that’s important, because there’s a rather annoying thing undercutting this wannabe romantic reuniting… they’re both family now.

It’s Christmas, and Yume has a lot to worry about. She’s set a deadline of the new year to either get Mizuto to rekindle their relationship or just give up, and he’s not cooperating very well, to the point where she’s forced to do things like wave her cleavage at him and hope he reacts. Her birth father wants to meet with her and Mizuto, and given that he’s never particularly cared about Yume before, she’s not quite sure why. And Mizuto has started spending all his time at Isana’s place. The last is for a very good reason – having seen Isana’s art and how good it is, he realizes that she needs a manager in order to achieve anything, as she has no real drive to succeed of her own. So it’s time for Pixiv accounts and Twitter alts, as well as drawing more and more so that she improves. But doesn’t everyone still think they’re dating?

The “is this incest or not?” part of the conversation is not really resolved here, mostly as, well, the premise of the series means that “not” is going to have to be the correct answer. I think the fact that they’ve only been siblings for 9 months takes the curse off it a bit. More difficult is that these two are both big, BIG nerds, and it not only comes out in their school work and reading but also in how they live their lives. Mizuto has never really felt passionate about much till he gets the idea to “manage” Isana’s art, and he proves to be very adept at it. Unfortunately, he’s also listening to Yume’s dad, who is projecting hard onto Mizuto and giving him advice that may not be that helpful. As for Yume, she doesn’t want to cut Mizuto off from Isana, who is her friend as well, but can’t quite work out how close they should be after he and Yume become a couple without resorting to math. Never decide how friendly your lover can be with other women using math.

The author is quick to assure us the series is not ending despite the couple confessing (reconfessing?) at the end, so we’ll see what the fallout is. But this was an in-character, if not entirely satisfying, way for these two to fix things.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

The subtitle of this volume serves as an accurate description of what’s inside. Of course, that’s not to say there still isn’t a great deal of broad humor in the book. I mean, Isana exists, for one. There’s also Yume deciding that the best way to seduce Mizuto is by wearing a miniskirt and cat ears, and (ça va sans dire) endless discussions of breasts, with much groping of the larger girls happening from the other girls. (Isana even notes this is the sort of thing she though only happened in light novels, implying that she’s read her own series.) That said, this is about a trip that all the main and supporting cast take, and the girls decide to use it to confess, seduce, or otherwise make things clearer to the object of their affection. Does it work out? Well, sort of. Some of the pairings are actually becoming pairings. It won’t surprise you,l though, that the main pairing remains up in the air.

The student council are planning a getaway trip to a hot springs town (given that their president’s family is loaded, this isn’t as hard as it sounds), and Yume is asked to fill out the numbers a bit, so Mizuto, Isana, Minami and Kawanami end up coming along as well. Aiba has decided that this is the trip where she stops being the teasing flirt and seriously confesses to her senpai, and so the other girls also decide to make an effort. Well, apart from Isana, who is supposedly here for art study. Kurenai ramps up her attempted seductions of Joji, wanting to lose her virginity without really thinking trough what that actually means. Minami has finally accepted the fact that she’s still in love with Kawanami, and her own attempt to be serious baffles and annoys him. As for Mizuto and Yume… LEWD HAND HOLDING.

The main couple are still hamstrung by Mizuto’s own reluctance and Isana’s presence in their life (going poly would solve most of these problems, but I can’t see the author or publisher OKing that), so it’s the other couples that carry the book. This is easily the best volume for Minami, who, once she decides to stop being an annoying bitch around her ex all the time and genuinely try to help him, turns out to be pretty awesome. Both Kawanami and Hoshibe (the senpai) are dealing with past traumas that have left them either unable to move forward or literally ill, and this book is about getting past that with the help of others. It’s also about being yourself, to a degree – Kurenai fails here because she was just trying far too hard. She’d be much better off trying to raise Joji’s bottomless well of self-hatred first. Basically, at the end of this book we have one definite couple, two “give it a book or two” couples, and Mizuto, Yume and Isana. Who remain in stasis.

The 9th book may change that, as we are reminded that where there are stepparents there are also parents, and one of them is still alive. Till then, this is a good volume in a romcom that’s enjoyable provided you can wade past the wall of breast jokes.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

I’ve talked a lot about the fact that this is in many ways a very typical Japanese high school romcom. There’s an obvious winning couple. But there’s also a second, losing love interest who is far more interesting than the main one, mostly because she has no filter whatsoever. Isana would be a nightmare to deal with in real life, as Mizuto and Yume have both observed, but as fiction she’s wonderful. And there’s also the fact that these are all teenagers, about 17 years old, and they are seriously horny. And this series has never been shy about its fanservice, having a very, very high “count the number of times the main characters think about breast size” ratio. This only increases with this book, as we get a new supporting cast when Yume joins the student council. There’s a cute-first year who’s short but stacked. There’s a spunky second-year who’s also… seemingly… top-heavy. Yume’s not small. Isana is very large. You get the ideqa. This book is for guys.

Yume is now on the student council, and is dealing with several things at once. The most normal is that the sports festival is coming up, and the council have to help out there. Also, one of the council members regards Yume taking first place as offensive, and declares herself a rival who will take first place in the next exams… even if that means studying a bit TOO hard. But most importantly, there’s Yume’s desire to try to break down Mizuto’s emotional walls. There’s humorous ways to try (which I’ll discuss below) and heartwarming ways, such as their joint birthday party, where we also learn that their parents actually met much earlier than either of them knew. That said… all of this may be for naught when Isana’s bra breaks during the sports festival and creates misunderstandings galore.

The funniest part of the book, if only as it has the most characters acting completely ludicrously, is where Yume gets advice on seducing Mizuto by taking a bath with him. This idea comes from Akatsuki, who does just this sort of this with Kawanami, but Yume does not really realize that Akatsuki is a TERRIBLE person to get seduction advice from. The scene almost turns heartwarming, but is also seriously funny, especially when Mizuto’s towel drops and… well, Yume’s not disappointed, at least. Other than that, Isana has pretty much resolved herself to being as blatantly forward as possible until Mizuto stops her, and most of the sexual humor in the book is hers. (Most of the painful comedy is hers as well – falling on your breasts while not wearing a bra and getting dragged along HURTS.) As for the main romantic relationship… baby steps. The presents were nice, but Mizuto is still not quite ready yet. This may take till graduation.

So yeah, another decent volume in this series. It won’t light a fire under you, but it’s cute and fun and has likeable leads.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This series is definitely one which enjoys being for otaku nerds, and expects its readers to keep up. Fortunately, it also has Yume, who is not an otaku nerd, and who sometimes needs things explained. (There’s a Haruhi Suzumiya joke here, and it’s remarked on how old that series is.) It also leans heavily on the sort of stereotypes such fans enjoy. And Isana Higashira leans heavily into those stereotypes. She’s the weird one. She talks like she’s from the 19th century. She’s got a really big chest. The whole nine yards. She’s also a hoot to read. I was quoting this book on Twitter while I read it, and everything I was quoting was one of her lines. That said, there’s a reason why, despite her plotline supposedly wrapping up in the second volume, the author came back to look at her in more depth. It’s because real life is not like light novels, and people don’t really get over being rejected by their first love that easily.

Mizuto and Yume return from their trip worse off than before, thanks mostly to Yume’s inability to spit her feelings out and Mizuto’s talent for rationalizing anything as “not in love with me”. They’re back home, though, which means that Isana can come over. A lot. And hang out with Mizuto, and get in compromising situations with Mizuto, and go out on a date with Mizuto (and Yume, who invites herself along), and introduce Mizuto to her mother. It should not really come as a surprise that, when school finally goes back into session, the rumor among the class is that Mizuto and Isana are dating. And Yume, trapped by her own inability to get her own feelings across, can’t say anything. Unfortunately, suddenly being the center of attention, and having the reason for that be a lie that everyone believes, makes Isana very unhappy.

The subtitle of this volume comes from Isana’s awesome mom, who sounds like she starred in a light novel series of her own as a teen. Isana suffers from an inability to read social cues, and when she asks things that to her are not obvious, she binds that everyone gets upset and she’s isolated. Mizuto is the first person her own age she’s met who not only does not get upset by her but is able to interact with her as a friend. This is why she fell for him so hard, and it’s also why, despite everything she’s told him, she can’t get past being rejected quite yet. The author mentions in the afterword that he originally ended the volume with Mizuto being more cool and dramatic, but that Isana was telling him that something wasn’t working there, so he went back and wrote the ending we have now, which feels more in character.

Yume will still eventually get together with Mizuto, of course, whenever this series ends. That said, I can understand why the author says Yume “feels like she’s losing” after this book. Isana, if nothing else, deserves her own spinoff.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

Last time I mentioned that the anime was just starting, and I wondered how it would be handled. Well, now we know, and we also know that apparently the anime producers like Akatsuki as much as I do. Almost the entire third volume was jettisoned from the anime, which decided it really did not need multiple episodes focusing on the world’s most toxic ex-couple. More to the point, they knew something had to go if they wanted to adapt this volume, which turns out to have the perfect “open ending” for an anime that might eventually get a second season. It focuses squarely on our main couple… well, OK, no it doesn’t. It focuses squarely on Yume. The back and forth narrative voices are skewed very much towards the feminine thins time around, because Yume wears her heart on her sleeve and is really easy to figure out, but Mizuto bottles everything up and is not. It takes a family reunion to finally crack the “my stupid ex” facade.

Mizuto and Yume have now gotten comfortable with each other, and with arguing. Perhaps a bit too comfortable, as their parents note they act like a couple that’s fallen out of the “honeymoon” phase. Because Yume is Yume, she looks up online how to deal with this, which apparently involves going with Mizuto to try on swimsuits. The reason for the swimsuit is that they’re making the annual trek into the rural hinterlands of Japan to see Mizuto’s extended family, and this is the first year Yume and her mother will be making the trip. Meeting the in-laws goes well enough, but unfortunately they also come with a hot older cousin, who Yume seems to be convinced was Mizuto’s first love. And in fact Mizuto has been acting even more remote and uncaring than usual lately. Is there something going on?

I don’t want to spoil one of the major emotional parts of the book, which involves Mizuto’s great-grandfather, but suffice it to say it’s really well handled and offers some insight into Mizuto himself. But what this book is really about is Yume coming to terms with the fact that she’s in love with Mizuto. I enjoy the way that it’s framed, as it’s not a case of “oh, I’ve been in love with him all this time”, but rather that the Yume here and now loves him, and her biggest rival turns out not to be Higashira (who is busy trying to write AO3 fanfics of herself and Mizuto, and failing) but her younger self, the one who first captured Mizuto’s heart. The reason that most of the narrative is from her perspective is because we need Mizuto to be mysterious and remote here. I do wonder what his reaction will be in the next book.

I may need to wonder longer, of course, given that the cover art and back cover copy of Volume 5 imply it’s a 100% Higashira focused book. In the meantime, this was an excellent romantic comedy volume… unless you’re Akatsuki and Kawanami, I guess. Sorry, guys, cute pool antics aside, you’re just not important enough.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

Given that I’ve said how much I don’t care for Akatsuki, and how I prefer it when the series focuses on its main couple, this third volume was always going to be a hard sell for me, as it gets into the nitty gritty backstory of her relationship with Kawanami, how it changed, and her own personal issues, with Mizuto and Yume once again being pushed to the background. That said, it does a decent job, showing me that Akatsuki is aware of her dangerous personality issues and is doing her best to change them, even if she thinks of it as “wearing a mask”. And frankly Kawanami has just as many issues, some of which were brought on my his tortured past relationship but most of which are his own damn fault, and he seems to be as obsessed with his friendship with Mizuto as Akatsuki is about her friendship with Yume. They have a lot more baggage than our two leads, and I’m not sure they need to get back together.

The first half of the book focuses heavily on Isana Hagashira, who has now been rejected by Mizuto but oddly takes that as an invitation to be even more blatant around him, since she knows he’s not interested in her romantically. Essentially, she still has some difficulties working out how normal girls react around normal boys. And she’s probably not getting any help from the people around her – for one thing, Kawanami takes an instant dislike to her as she says she’s Mizuto’s best friend – that’s his job! The second half of the book gets into the backstory of Akatsuki and Kawanami when the group all go on a “study camp” sponsored by the school, and we discover, as Hagashira points out, that the “childhood friend” trope is something best reserved for fiction.

Explaining the backstory of those two is pretty easy, actually: they’re both latchkey kids who lived next to each other, and Kawanami was naturally extroverted anyway, so they simply grew together. Unfortunately, Akatsuki’s lack of boundaries proved to be crippling – we saw a lot of that in the first volume, and it creeped me out. Here we see Akatsuki acknowledge she was backsliding, and she really is trying not to get so obsessed with those around her (Yume as well) but the sheer loneliness that settles in when she does this is crushing. The intervention towards the end of the book that led the two of them to break down in front of each other is good for catharsis, but I’m not sure it will lead them to grow closer again just yet. As for Hagashira, she’s pretty hilarious, but I do think her shtick only works, as she knows, because of Mizuto’s lack of interest. As for Mizuto and Yume themselves… the biggest romcom thing that happened to them takes place entirely offscreen.

The anime of this has started, and the verdict so far seems to be “OK but flatly animated”. We’ll see how it goes. Till then, this remains a decent romcom but I wish we would return to our main couple.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This is very much a book of two halves. The first half is essentially more of the same stuff that we saw in the initial volume, with our two leads bitterly grousing at each other while also showing that eventually, when they get their heads out of their asses, they will once more be a terrific couple. The second half introduces a new girl to the mix, set up to be a rival love interest. That said, the author knows what the genre is. This is not the old school genre of “guy and the 100 girls who really, really etc. love him”, it’s part of the more recent “we are cute couples who flirt adorably” genre, with the twist that they aren’t a couple anymore and their flirting is bickering. As such, sympathy in the book stays solely with Yume, though the new girl is very nice and sweet, which is a plus, and possibly makes up for the fact that Akatsuki is still in this.

Mizuto and Yume continue to stubbornly not get along, despite the fact that their entire life is a series of light novel romcom moments (as is literally pointed out later). There’s seat changes in class, which brings back awkward memories; a Mother’s Day event which brings back sad awkward memories; a sleepover with their mutual friends which turns hideously awkward when it turns out that said friends live next door to each other; and a battle over best grades in the school that goes beyond awkward and into painful. We are then introduced to Isana Hagashira, who hangs out in the library, loves light novels, is socially inept, and has really large breasts (something she will point out, as she regards it as one of her few interesting features). She and Mizuto bond immediately, leaving Yume forced to confront her own repressed feelings.

Isana reminded me not a little of Kotomi Ichinose from Clannad, and the smile she gives on the cover art doesn’t really match her in this book, where she’s mostly rather expressionless, as part of her social difficulties. She’s really sweet, and I enjoyed seeing Akatsuki and Yume slowly force her to realize that she’s fallen in love with Mizuto. Unfortunately, framing her character as having crippling self-esteem issues and then having to have her forcibly rejected due to… well, due to the plot of the series… seems a bit mean. That said, it’s not nearly as mean as forcing us to spend time around Kagure and Akatsuki, who are there to remind us what a really toxic couple are like. Not that they’re dating, but this certainly is not the “if we just admitted we still love each other everything would be solved” of our two leads, there’s some real hatred here. I fear we will learn more about it later.

So yeah, this series still works best when it’s about the main couple. Fortunately, they’re the stars of the book. Recommended with reservations.

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This may come as a shocking surprise to regular readers of this blog, but I am no longer a teenager. This can sometimes be difficult when you are reviewing books whose primary audience is either teens or those who were just teens a year or two ago. Things that make total sense to you when you are the same age as the main character tend to make you scratch your head or yell at the main character later in life. Fortunately, I think this series is designed so that even those the same age as the characters will be yelling at them. Two awkward teens who break up due to poor communication skills are forced to realize that they’re perfect for each other, but are too stubborn to admit it. What that means in practice is that, under a veneer of caustic sniping and bitter inner monologues, this is one of those “cute kids flirt” romance titles.

Mizuto, a bookish young man, and Yume, a nerdy and shy girl, become a couple and start to date in middle school. Sadly, due to the aforementioned lack of good communication, they also break up about a year later. They managed to keep the relationship a secret from their parents… which might be a bad thing, as now his dad has married her mom, and they’re family! For the sake of the parents (who are barely in this book, to be honest), the two try to put on a public face of getting along, but when alone they’re sarcastic, bitter and constantly sniping at each other. He has a tendency to default to “jerk”. She’s a bit of a mess. Despite this, both of them still do have the characteristics that made them attractive to each other. He’s really caring and kind of hot when he bothers to try. She’s grown up to be gorgeous and is making a big effort to be more outgoing. Dammit… this is terrible!

I will note that I was super relieved when I saw the POV switch to Yume after the first chapter, because this is the sort of story that absolutely would not work if it was told from only one side. The chapters alternate between Mizuto’s grumpy loner guy and Yume’s freaking out internally girl, and it helps to make it more understandable why things went south, and also how easy it would be to fix if they weren’t both really stubborn. Which they are, this is like seven volumes in Japan and has just had an anime announced, so resolution is not forthcoming. There was a rather annoying plot point about 3/4 of the way into the book, where Yume’s new friend in high school is implied to be a dangerous stalker sort, and wants to marry Mizuto so she can be around Yume. I was fine with the plot when reading it as I assumed this was total bullshit that said friend cooked up as a plan to get our leads closer together… then it turned out to be true. Bleah.

That said, overall this was pretty cute. If you like cute teenage romance with a side order of bitching at each other, this is probably one you should pick up.