loner life in another world

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

This is, for the most part, a “rest” book after the main plot that we just went through with the Church (which Haruka has re-invented as a sort of healing disco that plays Vocaloid tracks). There’s lots of dungeon crawling, of course, and leveling up our latest Dungeon Emperor. There’s lots of sex that’s written for comedic rather than erotic effect, so the book just about gets away with it. The sex, of course, only involves the three dungeon emperors, much to the frustration of the girls, who are trying to get across their attraction to h8im while also sort of admitting none of them are ready to take the next step yet (certainly not Class Rep, who gets an internal illustration of her rearing back in shock after seeing Haruka has “grown”, so to speak). Basically, this book is about hijinks. Yes, there is a hint of what is to come – there’s apparently a couple more really deep dungeons out there – but right now, let’s just watch Haruka run wild.

This cover is meant to mirror the first one (complete with the alternate cover featuring Haruka, though in this volume he has his back turned to the reader), and I suppose it feels appropriate. We’re back in the frontier, we’re back to dungeon crawling, and we even got back to the forest for a bit, to see Haruka testing his new body movin’ on some goblins. See, Haruka had most of his skills, which he spent months perfecting (a reminder that we’re still only four months since they arrived in this world), because they got folded up into other skill trees that he has most decidedly NOT mastered. As a result, he can barely move without falling all over himself, and has to learn how to walk, run, and fight while controlling his body like a puppet. Which, again, reminds us a lot of the start of the series.

I don’t have to tell you that there’s tons of unreliable narration here, but we’re at least getting to the point where the narrators are allowed to admit they know they’re full of it. The first 50 pages or so of the book are all from Class Rep’s POV, and while she tries to frame things as “oh, that wacky Haruka, how can we control him?”, there’s also moments of sheer fury when she sees the disrespect he’s getting from the locals (disrespect which he himself has engineered) to the point where the other girls have to hold her back. Even the locals are allowed to wade in the waters of overly dramatic obfuscation, as we see the guild master agonize for page after page about having to send poor innocent Haruka and his low levels into the most horrible of dungeons… all while his second-in-command says “yes, yes, we know he’ll just go there anyway, so sign the paper”. This world is terrible (as we see several times here), and Haruka and the girls are dead set on improving it while protecting each other (the girls admit here all their lecturing attacks on him by now are them testing to make sure he’s still unable to lose to them). At the same time, this world is overdramatic and loopy, and adding Haruka and the girls does not change that in the least.

The next book seems to have a festival, judging by the cover. Knowing Haruka, it may be more of a carnival. Recommended to those who know what they’re getting.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

Given that a large chunk of this series consists entirely of the same goddamn thing over and over again (Haruka going from level to level of a dungeon, battling monsters, and gaining new power-ups/items), I hope you won’t be too disappointed that I talk about things I’ve talked about in previous reviews. The series’ reputation, both here and in Japan – indeed, more in Japan than here – is that its writing is incoherent and obtuse. This is true. It’s also clear that the author is trying, and slightly succeeding, in making that deliberate. Haruka is so busy telling us about the stream of church guards that he and Nefertiri are slaughtering and the cool +30 Eccentric Item Set A he’s acquired that he glosses over the abused, mentally broken slaves they’re freeing as they do this, the sheer fury that they’ve got on their faces, and Haruka’s battle with trying to save everyone and not destroy his body. Oh, and his depression. Which he hints at briefly. Once.

Haruka and Nefertiri are sneaking into the Cathedral, there to essentially take down the church. On the way there, Haruka comes across a gorgeous woman in a coffin… but he’s just her dead body, there’s no soul. What’s more, seeing her makes Nefertiri start to cry, though she can’t quite remember why. They have to deal with a lot of goons, a lot of monsters (including the husband of his chickenatrice), and the mother of the bunny girl and wolf girl from the previous book, who was tricked by the church and is now in cursed armor. That said, killing the pope and the evil clergy only turns out to be part one of what they need to do, as there’s another dungeon emperor, and Haruka is pretty sure that if he finds them he’ll find the soul that belongs to the body he found earlier.

Haruka’s exterior face and tone when others see him talking don’t always match his narrative blather. Class Rep and the others are used to seeing when he’s actually serious and when he’s just being a loon, but the reader sees it less frequently. That’s why the highlight of the book, frankly, is his confrontation with Faleria, the aforementioned Dungeon Emperor and holy saint, who is drowning herself in guilt and asks Haruka to kill her. You can imagine how well he takes this, and for once it actually shows, as he literally slams her head against a wall multiple times to get her to accept that the people whose lives she is mourning would not want her to simply give up on her own life – indeed, the plot of this entire book was engineered centuries ago in the hopes that someone will come along to save her. Haruka’s not going to let anyone around him (especially a woman) be anything less than insanely happy. And yes, that’s why she falls in love with him.

There’s the usual character bio errors (what is it with these? It’s not just Seven Seas, all the publishers struggle immensely with matching a character bio with the picture), but otherwise this is well adapted… I’d say it reads smoothly but you know it doesn’t, and that’s by design. In any case, next time will likely be Haruka trying to fix his new body, which lacks all the stuff he learned before, so I expect *even more* dungeon crawling and *even more* sex. Recommended for masochists who like puzzles.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

This series continues to be a masterclass in doing things that I find questionable and them making them heartwarming anyway. Class Rep talks here about Haruka using “Eye Mastery”, which is basically a brainwashing skill that lets him read someone’s mind and then alter their memories. He uses it here on some nuns that were about to be raped by the Church soldiers, as this world, as we are constantly reminded, is awful. I wasn’t happy with hearing that he’d been using it on the girls for a long time now, keeping them content and selfish, fighting over clothes and equipment and being goofy. He wanted them to be unaffected by this crapsack world. Sadly for him, they’ve all now leveled up enough so that it doesn’t affect them anymore, and thus they go to battle knowing full well what the Church’s soldiers have been doing. And they kill them. A lot of them. This is war, and our heroines are no longer going to be kept out of it. Innocent no more.

Our cast are headed off to the theocracy, there to take on the Church who are responsible for so much of the evil in this world. (We meet the Pope here, and he’s cartoonishly evil.) Sister Girl, who is (natch) a princess, will be leading the charge, backed up by Princess Girl, MeriMeri, the 20 girls of Haruka’s group, and Armored Rep as backup in case anything goes wrong. Meanwhile, Haruka and Dancer Girl are headed off to the capital itself, to deliver letters to various cities letting them know that The revolution is coming, and it’s time to break off and join it. They’re also there to kick ass, murder a metric fuckton of goons and assassins, and along the way, pick up a rabbit girl (on the cover), who is searching for her sister, kidnapped by the Church. Her sister is a wolf girl, by the way. Haruka is over the moon, but also a bit disturbed that these two are such an obvious chuuni stereotype.

I deliberately avoided using any names except for Haruka there, because that’s how he thinks. It’s underlined in this volume, where the girls once again yell at him for not using their names, getting their backgrounds wrong, and forgetting the name of their own school. Haruka’s subtext has rapidly become text. (Class Rep mentions the deaths of Haruka’s parents and sister here, though we get no details.) The running gag in the book is that Rabbit Girl and Wolf Girl, who are desperate to thank him for saving them and want to ask if there’s anything they can do for him (sorry, kids, you’re too young for Haruka to feel comfortable with), always have food stuffed in their mouths by him to shut them up, because the idea of hearing himself praised for doing what is essentially a giant pile of murders bothers him more than he can say. (And, just to bring the book back around to its core again, yes, a lot of the time when he’s shoving food in their mouths it’s meant to be phallic.)

Again, this book is for hardcore fans only, but if you are one, it’s always rewarding. And completely filthy, of course. I assume next volume we’ll get a new Dungeon Emperor, and I’m sure she’ll end up being gorgeous. This series is what it is.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

First off, we have a change of creative team in the copyright. To Eric Margolis: thank you for your service, please have a rest now. To Lorin Christie: I see you got a promotion, please continue to help us enjoy this as editor. To Andrew Schubauer: Welcome to our new Meat Shield Translator!

I’ve mentioned before that this series does have a real meaning and moral behind “let’s watch Haruka bang his gorgeous monster concubines”. This volume in particular hits it hard at the end of the volume. If you are in power, if you enjoy the largesse of the people, then you have a responsibility to care for those people and make sure they are happy and content. If you do not do this, if you ignore the people saying it’s too hard to help them, or if you actively say that suffering is a good thing, then you are scum and deserve everything you get. When everyone arrives at the Beast Kingdom, the reader is briefly puzzled why Haruka and the girls are so utterly furious, but then it becomes clear – to get there, they had to pass through the devastated beast villages filled with dead people that the rulers didn’t bother to save. As for the Church? Well, using religion to genuinely make everyone’s lives better is still approved of. But the bulk of the Church isn’t doing that. And as for God, no one is impressed.

The last book implied this one would have the visit to the Beast Kingdom and then the attack on the Pope, but you know Loner Life is never going to do things quickly. No, this one is 463 pages, and you feel every one of those pages as Haruka decides to try to level up (remember, something damn near impossible for him to do) by sneaking into dungeons, fighting dungeon bosses, and getting killed/revived over and over till he’s a bloody mess. Needless to say, he does not win any friends by doing this. In his spare time, he rescues some adventurers who had heard about how awesome life was on the frontier, came to test their skills, and then discovered why the frontier is still terrifying. Finally, Haruka ends up setting off for the Beast Kingdom/Battle against the Church, and yes, everyone does come with him – much as he wants to protect them, he can’t put the girls off this time.

One thing that happens at the start of the book is that the Jocks (or Meatheads, as even Class Rep is calling them now) reveal that they’ve gotten engaged to five of the First Division’s warrior women, and, while pretending to be embarrassed, seem pretty happy about it. What’s more, we hear again that the Nerds have gotten into relationships with four of the Beast Girls in their kingdom. Despite all this, Haruka is still talking about searching the Theocracy to try to find something that can get everyone home. Class Rep is already aware that he means “everyone but him”, and that’s just not acceptable. It’s become pretty clear that, much as they miss Japan, the cast have decided that this is their home which they love. The reason Haruka has not cottoned on to this, of course, is because he is determined to distance himself from everyone he cares about and therefore he cannot understand why anyone would want to be around him unless he’s literally enslaved them. And even then, with the Mean Girls, he still doesn’t get it. Class Rep ALMOST confesses to him at the end of this book, but not quite, and it looks like he barely notices.

As I write this, the anime based on the manga is airing, but it really does seem like a completely different series. There’s still a lot to love about this series once you get past everything to hate about this series.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Eric Margolis. Adapted by Lorin Christie.

Good news, we’re back to a normal page count for Loner Life. Which is still over 400 pages, but at least it doesn’t break the 500-page barrier like last time. As for the content, honestly, a lot of this is set up for a battle we haven’t gotten to yet. It’s clear that we will eventually be fighting the Evil Church, and the way that Haruka is stressing about it, in his own bananas way, suggests that he’s sure they have a secret weapon similar to Nefertiri. As such, everyone in the cast takes turns attempting to go and fight the battle, while keeping the others safe. Haruka wants to go alone. The girls all want to go. Angelica and Nefertiri want to protect Haruka. It’s a vicious circle of self-loathing and love. I appreciated Merielle lecturing Haruka towards the end of this book, telling him that women are stronger than he thinks, and eventually they are going to have to (as Marielle has) kill people. Stubborn Haruka still wants to avoid this.

On the cover is Arianna, the cleric who arrived at the end of the last book. She’s from an offshoot of the Church that isn’t evil, and has come to the group to ask for help. If you look at the “inner cover” all these volumes have, you’ll see her looking crazed and holding a sword, but I think that’s a deliberate deception – she’s not secretly a bad guy, she’s just being put through Haruka’s Training from Hell (the funniest part of the book, as he grabs her and the other folks in her party and literally swings them like swords (they are also holding swords) until they level up enough). And then the Church holds the royal family hostage, so something has to be done. And that something is… MORE leveling up, as Haruka is still trying to learn how to fight normally, and the girls are all still one step behind when it comes to being strong enough to go fight a major enemy on their own.

As with previous volumes in this series, it requires the reader to have a lot of recall about all the books books and who all the characters are, even when you haven’t seen them in a while. I appreciated the plot twist with the merchants (and it helps to set up future arcs), but I could have used a quick reminder about where we were with the elves, as I forgot they came back with Haruka and everyone else. I did really enjoy one moment near the end as Haruka struggles because his body is moving faster than his brain, where he appreciates how, unlike himself (who has to level up the weird way) or the nerds (who are gamers and think like gamers) and meatheads (who are strong enough to simply punch things till they win), the girls are having to deal every day with leveling up and their body being slightly different, having to learn how to move slightly differently, not being able to trust footwork… he really does see how they’re struggling and improving vastly. Even if he won’t say it to their face.

I left out all the sex stuff, but be assured it’s still there, and this book drips with horniness. As always, though, the interest lies in the other stuff. Next time, the church battle? Nope, judging by the cover, Beastmen are next.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Eric Margolis. Adapted by Lorin Christie.

It feels odd to call a book that is 100 pages longer than the previous books a breather volume but that’s exactly what this is. After all of the plot going on in the last three volumes, Loner Life is returning to its roots, which means get ready for a whole lot of dungeon crawling. As always, you not only need to translate this book to English (and the translation is fine, I hasten to add – a) even Japanese fans say this is incoherent, and b) Haruka is meant to sound like this), but you also need to translate subtext into text. As such, the fact that we’ve moved from “let’s clear out all the 50-floor dungeons” and have now become “hey, all these dungeons are now about 90 floors” is a cause for great concern, and even small, supposedly random things like “Haruka is asked to make sanitary pads for the girls” delves into a critique on isekai stories in general as well as a dark examination of why Angelica and Nefertiri are only concubines. There is meat on these bones, under all that narrative bullshit.

The cover has Vice Rep B, but she’s no more prominent here than any of the other classmates not named Class Rep; the artist clearly gave her a cover shot to show off her assets, so to speak. After the civil war of the last two books, everyone is back in Omui, and there’s now a passel of orphan children with them. Most of the spare time is spent dungeon crawling, partly to get spellstones so they can afford any of the many things Haruka is making, but also partly to see what the dungeons are like after they’ve already been cleared once before. The answer is that the monsters are not QUITE as strong, but they’re still very strong, and more worryingly, the dungeons are deeper now. Haruka implies that any dungeon with 100 floors is a Very Bad Thing. Meanwhile, the rest of the class is getting stronger and stronger… but they still can’t hold a candle to Haruka, Angelica, Nefertiri or even the Slime Emperor. How can they possibly protect him?

There’s another reason Haruka’s doing all this dungeon exploration: he’s reached the limit of where he can go with just skills. Even though it’s very, very hard for him to accomplish, he’s going to have to start getting stronger and leveling up. Which means having to fight using actual COMMON SENSE, rather than fighting the chaotic Haruka way. It’s actually a bit heartwarming seeing him sparring with Angelica normally – though it leads the girls to assume, now that they can understand his moves, that they can defeat him. Hardly. Speaking of the girls, I’d mentioned the sanitary pads before (and Haruka observing that all the isekai books out there never bother to go into this sort of thing in their pre-industrial fantasy worlds), but it also brings up a melancholy subplot: Angelica and Nefertiri may look human and gorgeous now, and they’re both starting to communicate a lot better, but they’re still, at the end of the day, monsters. They don’t have periods, and they can’t get pregnant. This means that they want the girls to be Haruka’s wives while they remain his concubines… because the girls CAN get pregnant.

A somewhat sexist POV to have, but then this is a book that now uses sex like a comma (how in God’s name are the PG-rated manga and forthcoming anime going to handle this?). It remains not for everyone, but I still find nuggets of gold here. And I apologize for not mentioning the water park. Or the summer festival. Next time it looks like we start a new arc, as a (maybe?) good religious faction shows up near the end. Just… not 528 pages next time? Please?

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Eric Margolis. Adapted by Lorin Christie.

One of the reasons why this is such a difficult series to get anyone into (and trust me, there are so many reasons) is that it is trying to be so many different things. It is a military combat novel in this volume… or at least the start of this volume, as it turns out that Haruka, in fact, manages to take care of everything far more than anyone expected him to. It’s a raunchy sex comedy, with Haruka’s stats leveling him up to Sex God (no, really, it says that in his stats) and featuring a number of explicit sex scenes that nevertheless will likely get overlooked by the Powers That Be merely as they’re narrated by Haruka, which means they’re completely incoherent. That said, there is one thing that this series tends to put first, before anything else, and I 100% approve: the nobility sucks. Class warfare forever. Eat the rich. Because trust me, almost all the nobles we meet here are scum.

Haruka rushes back to the frontier in order to stop the army that’s headed that way, an army backed by the theocracy’s soldiers (who are quite content to let the regular army folks be killed off while they hang back) and the theocracy’s secret weapon, another Dungeon Emperor on the same level as Angelica. Oh, and they’re also unleashing monster rushes from nine dungeons around the kingdom, guaranteed to have the populace horribly murdered, which means none of Haruka’s allies can come to his side because they all have to stop this. Needless to say, Haruka… wins almost embarrassingly easily. And now he has a new Dungeon Emperor on his side, the gorgeous Nerfertiri (any resemblance to an ancient Egyptian queen is purely intentional) as his second “concubine”, and has saved the day. Time for a grand ball!

The lack of suspense in the first third of the volume is almost laughable, at least on Haruka’s end. I worried far more about Stalker Girl and her father, who are trying to defeat a mass rush of monsters despite essentially being a ninja spy force. The second third of this novel is basically comic relief and porn, though again, it’s porn written in the style of Haruka’s narration, so it’s not in the least bit arousing. He’s just banging two girls now rather than one. (Again, it’s hinted he refuses to do anything to the Japanese girls for past trauma reasons.) The last third, though, it easily the best part, as the grand ball turns out to be a trap to ensnare all the other evil nobles, baited by a play that gives all the credit to the war to the Princess and Duke, and none to Haruka – meaning they underestimate him. The girls at first asked why in hell he was making their ballgowns with so many defensive armor traits – it turns out they need every single one of them. It’s glorious.

So this long arc is over, and I assume we start something new next time. Might be a few months till the next book, so go back and try to translate Haruka to English, that’s my advice.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Eric Margolis. Adapted by Lorin Christie.

It occurred to me as I was reading this volume, this lacks one of the main parts of “summoned to another world” books, which is the summoning. I was thrown off by the god at the start of the series, who actually does summon the class to a different world, presumably to save it, but the world itself is not involved with the summoning, and (while we see some small evidence that past heroes may have also been summoned), there’s no sense that anyone is used to new people suddenly showing up all at once. As a result, try to imagine what the people in the capital city must be thinking when they see Haruka and twenty gorgeous young women, all with black hair and black eyes, show up and save the day almost instantaneously. Seriously, this 413-page book only takes up one week of real time in the book. They’re all absolute monsters. It is, frankly, amazing that more people just give in and go along with it… though given their situation, maybe it’s not so surprising.

Despite various attempts to try to negotiate, war is becoming inevitable. The king’s brother is there to try to work out a compromise: the first prince has said he will spare the frontier if they give up Haruka. Literally everyone except the king’s brother knows this is a trap, but Haruka goes along with it anyway, because it’s just easier to trigger the trap and then massacre everyone. Yeah, there’s a lot of death in this book, this isn’t the manga. Having fixed that problem (and killed one prince), everyone then arrives at the capital, where the king is dying, the second prince is allied with evil merchants, and there’s an orphanage filled with kids who would make Oliver Twist look like a plump spoiled brat. This lights a righteous fire under all the main cast, who proceed to turn into villains in order to save the civilians who are being ground down by the real enemy… capitalism.

These books are starting to struggle a bit with the “wacky” side of things. Don’t get me wrong, Haruka is still damn near incomprehensible and incredibly annoying. And there are still an incredibly large number of pages devoted to Haruka making underwear for all his female classmates, which involves using his “magic hands” to grope them into unconsciousness (with their consent – the underwear is JUST THAT GOOD). But there’s no sugarcoating how awful everything is this arc. The majority of the nobility are cartoon villains, the merchants are greedy scum, and while we haven’t met the church yet (next book), they’re implied to be worse than all of the others. The orphanage is played for maximum mawkishness, except when you see things like the girls all finding the nobles most responsible for it and using status effects like “Pure Pain” on them. And even saving the capital doesn’t fix things, as in the meantime the church’s forces have gone to destroy Omui.

The series, for once, ends with a genuine cliffhanger, as we wonder if Haruka vs. 30,000 troops will finally be what gets him killed. The girls all worry this as well, which is why they’re racing there as well. As always, once you dig past the nonsense, Maria-sama Ga Miteru and Mary Poppins references, and endless descriptions of tits, there’s a whole lot to sink your teeth into. And not in the mean girls way.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Eric Margolis. Adapted by Veles Svitlychny and Lorin Christie.

I’ve talked before about how I enjoy the Loner Life light novels a bit more than the manga because the manga makes things lighter and fluffier, but trust me, I 100% get why nearly everyone says “skip the books, read the manga” when it comes to this series. Leaving aside the writing style, which is still so rambling and broken that at times I wasn’t sure if I had spotted an editorial mistake on Airship’s part of just Haruka repeating himself for no real effect, there’s the fact that the plot meanders and wanders all over the place. At the start of the book we learn that war has been declared on Omui, and it’s not until 350 pages later (these books are loooooong) that we finally start the process of taking care of that war. What replaces it? Mostly Haruka making bras. Lots and lots of bras. Because this series is also still deeply, deeply horny, another aspect mostly lost in the manga adaptation.

Class Rep is back on the cover art again, which means Haruka is on the “alternate cover”, just like the first volume. He’s crying and hiding his face, though, which reminds you that there’s a core of real pain and anguish behind all this nonsense. Most of the book involves the girls all trying to get past Level 100, and also defeat a dungeon boss all by themselves with no help from Haruka, Angelica, or Slimey. They succeed in the former, but not quite in the latter, partly as they’re too wedded to the “fantasy” aspect of this world to realize, as Haruka does, that he can use normal science-based solutions. Elsewhere, an assassin, who turns out to be the Princess’ maid and childhood friend, comes to kill Haruka, which goes about as well as you’d expect. And then there’s that pesky war…

Everyone is familiar with the meme “I know writers who use subtext, and they’re all cowards!”. If you take that and add “no” before the word subtext, you’ve got Loner Life, a series which requires you to read between the lines to have any hope of enjoying it. So much of this series is a meditation on grief and mourning, about trying to improve daily lives so that people don’t have to live in fear and can think of the future. Haruka remembers everyone he couldn’t save, and all those deaths haunt him almost to breaking point. Class Rep talks about the girls going nuts over food and clothing mostly so that they don’t end up crying in despair over never being able to see home again. The owners of the inn where they’ve been staying just cry silently as they watch Haruka rebuild it into an eight-story inn/bunker that will be a safe haven for innocents during the upcoming war. As for the bra scenes… yeah, OK, sometimes it’s not subtext but text. The bra scenes are there to titillate. Still, it’s nice that the girls all have well-made underwear now.

The volume has no real ending, and you get the sense we got to page 420 and the editors said “just stop here and we’ll begin Book 6 where you left off”, which is the danger of webnovels. If you enjoy overanalysis and ridiculousness, Loner Life continues to provide. But prepare for incoherence as well.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Seven Seas. Translated by Eric Margolis. Adapted by Veles Svitlychny.

Welcome back to another volume of “Unreliable Narrators: The Light Novel”. Most of this is due to the presence of Haruka, who deliberately obfuscates his own activities to be extremely annoying, obnoxious, or (most often) both, but also in how he describes the activities of everyone else in the series. In fact, the most important parts of the book are probably not his rambling descriptions and horny fantasies, but the “Interlude” chapters from other points of view – especially Class Rep, who I’m not certain is 100% reliable either, but is certainly better than Haruka. What he describes as the sports jocks out “playing tag with kobolds” because they can only relate to folks as dumb as they are, Class Rep describes as going out every day to grind and level to try to get stronger. Haruka will talk about his creating new Japanese food and having the girls all fight over it, Class Rep will talk about the fact that they sob as they eat it because they miss home so much. This series has layers.

Even the cover art has layers – the cover seen here features the Princess of the kingdom looking cool and noble, but turn to the color pages and you’ll see her half-naked and broken. This is, of course, due to Haruka, no matter how much he insists that it’s not really his fault. Most of the first half of the book is spent in the dungeons, with Haruka and the girls taking on a dungeon and finding a lot of useful books. Haruka also acquires tentacles (just like Maple – is this a thing now?), which he uses mostly to sew clothing for the girls with multiple appendages, though it’s implied that Angelica sees a more traditional use in their bedroom activities. He’s also been busy trying to kick start the Industrial Revolution in their frontier city, to the point where the kingdom sends its Royal Guard (led by the Princess) to put them down. Of course, she knows this is wrong, but she has to obey their commends… something she rapidly regrets.

There is a lot of goofy humor, over the top happenings, and sheer horniness in these books – the girls all level up Sense Presence in this book, it’s heavily implied so they can hear what Haruka and Angelica do every night), but it’s also a lot darker than you’d expect – and darker than its manga equivalent, which makes Haruka more tolerable but also less interesting. Class Rep here doesn’t go into detail, but mentions twice how his entire family in Japan is dead, and she also talks about how she would break completely if he dies. What Haruka sees as the girls stubbornly throwing themselves into danger they’re not capable of handling, they see as trying desperately to level up enough so they can protect HIM – he has a low level, and can’t rely on what everyone else does, so could easily die at any moment, despite his belittling of this. The book, like Haruka, is actively trying to drive the reader away from it, but the rewards are also great.

That said, you will need to sit through several mentions of his exhausting Angelica so much in the evenings he gets lectured the next day. For fans who were already gonna read this only.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Seven Seas. Translated by Eric Margolis. Adapted by Veles Svitlychny.

Increasingly reading Haruka’s narration in Loner Life is sort of like trying to solve a puzzle. Class Rep actually lays it out for us midway through the book: Haruka simply is incapable of seeing anyone’s actions except in the absolute worst way – and that includes his own. It’s especially true of him, in fact, because – with the exception of Angelica, who he has a very different kind of relationship with – he does not want to have anyone get too close to him or even like him all that much. For all that he complains about constantly getting lectured or having no money, it’s a situation he deliberately engineers himself. And I hate to break it to him, but the ship has definitely sailed with some of the girls – Class Rep, if no one else, certainly has feelings for him. But it gets to the point where even a spy sent to see what Haruka is like gets the absolute worst impression of him… at least till everything blows up.

After getting back from the Ultimate Dungeon, Angelica in tow, Haruka and his friends now have to go around trying to clear out all the other, lesser dungeons that lie around their town. Haruka’s casual, vicious approach to this makes everyone feel incredibly sorry for the monsters who just happened to be in his way. That said, he’s also casually doing things like saving the livelihoods of a dying hamlet by getting rid of the dungeon (and also giving them medicine and food, something he fails to mention in his tortured narration) or converting the general store in town into a 5-story department store with the latest fashions (also created by him, which prompts the girls to wonder when exactly he read so much about fashion). But when the “Stalker Girl”, aka spy, arrives from the noble city that financially cripples their town, it’s Haruka who sees the larger picture as to what’s going on.

It’s not quite as jaw-dropping as the speech from When Supernatural Battles Become Commonplace, but Haruka’s breakdown near the end of this book is startling in how (seemingly) out of character it is, as for once he briefly breaks his facade to try to convince the girls that they’re all in serious trouble here. The corrupt lord ruling the area is not above sending soldiers to wipe them out, and he’s also certainly going to kill the spy once she gets back and delivers her report. He spent the entire time he was dungeon crawling with the spy at his absolute trashiest and worst in order that she could go back and say that he’s not worth caring about, but when this didn’t work he finally snaps and has to fix things. Class Rep and the others get it, even if Haruka doesn’t want them to – she says he and Angelica “destroy tragedies”, and that’s as good a description as any.

One last thing: yes, this is the one with the vibration magic. Between that and Haruka’s “nighttime activities” with Angelica, the light novels are 200% hornier than the manga equivalent. The manga is still probably a safer bet, but the light novels remain a fascinating but flawed experience.

By Shoji Goj and booota. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Seven Seas. Translated by Eric Margolis. Adapted by Veles Svitlychny

It’s been almost a year since the first volume of this came out, and honestly I think I had forgotten how annoying Haruka’s narration can be. And trust me when I say that GOD, it is annoying. There’s only so much stream-of-consciousness you can take before you want someone to settle on a thought. That said, in this second volume, as a consequence of trying desperately to seek depth in this series, I am starting to notice a few things. Haruka’s blase discussion of how he effortlessly takes out every single monster disguises the fact that he pretty much immediately comes up with a very clever plan (based often on his Japanese memories) and executes it. We also see him refer to someone by their actual name. In the first volume it was because we were meant to know they were a Bad Guy. Here it’s for the opposite reason. Sorry, Class Rep, but there’s a new girl on the cover and she’s taken a lot of Haruka’s firsts. And he calls her, once or twice, by name.

After a few random chapters where Haruka tries to avoid getting lectured by the rest of the class, he winds up falling to the 100th floor of the dungeon by accident. (Unlike Arifureta, there are no classmates trying to kill him – indeed, all twenty girls in the class are clearly in love with him, especially Class Rep). There he meets and battles the Dungeon Emperor, a Dullahan, Lich AND Deathling whose stats are so high even Haruka can’t see them. That said, of course he defeats them anyway… and then accidentally used Servitude on her. Yes, her, the skeleton emperor is a girl, whose name is Angelica but who Haruka tends to call ‘Miss Glare Armor Rep’. Now the two of them have to fight their way UP through the dungeon, battling insanely powerful monsters, while the rest of his class tries to fight their way down to get to him.

Given that you see her as a pretty young girl on the cover, I kept waiting for the big moment when Haruka would find something that would magically give her body back. Instead, due to the fact that the POV is entirely from him and some textual/art trickery, it turns out that it had been happening right under our noses and we missed it. This was very clever. He also gets lucky with her at the end of the book, which also surprised me. I admit the servitude thing bothers me a bit, but it doesn’t seem to really influence Angelica all THAT much – the humor of half the book comes from his seeing Miss Glare Armor Rep staring at him with, he thinks, the same look he gets from the rest of the cast, but it’s really just her being in awe of him – and falling in love with him. That said, the rest of the cast (who are increasingly showing themselves to be, if not as eccentric as Haruka is, pretty damn eccentric) also are not glaring as hard as he thinks.

So yes, plowing through the narrative diarrhea is still worth it, and I must admit I wonder what’s going to happen next. The poor little town with a dangerous dungeon they were in is now a rich little town with a former dungeon. Will we see other cities now? Will this mean the town will stop having everyone carry around clubs? And will Haruka call anyone but Angelica by their actual name? The third volume may take as long to come out as the second did, but I’ll be reading it.

By Shoji Goj and booota. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Seven Seas. Translated by Eric Margolis. Adapted by Veles Svitlychny.

I can’t say I hadn’t been warned. Indeed, that’s the only reason I decided to read the book in the first place. I’m trying to stop reading “I got the worst powers when isekai’d, but it turns out they’re secretly the best” light novel titles, and that’s exactly what this is. The manga was already coming out via Kaiten Books, and I hadn’t read it. But then I heard that the original novel was apparently something of a legend in Japan for being hard to understand and difficult to parse, and that most fans agreed the manga was the way to go. Really, I thought? Now I’m intrigued. And so I picked up this very long book, and started it. About 1/3 through the book, I felt I’d made a mistake. Sure, our loner hero rambles – a LOT – but there wasn’t enough of the comedy I’d heard about to justify reading more. And then he runs into the girls in his class, and the book promptly falls off a cliff while screaming and flapping its arms.

No, that’s not our hero on the cover, as this is in the light novel genre of “why have a guy on the cover when I have so many heroines?”. Our “hero” is Haruka, an eccentric loner who likes to skulk in his class and read. One day his class is transported to another world, but Haruka, familiar with this plot device, leaps up, jumps onto the bookcases in back, and crawls up into the ceiling. This … did not stop him getting isekai’d, but it means he was not transported with the others, and by the time this world’s “god” finds him, well, there are no good skills left. Just a hodgepodge of ones no one wanted. The old “god”, feeling guilty about having Haruka separated from the others, and having trouble dealing with Haruka’s basic personality, gives him ALL the skills left. Including the negative ones. Can he survive as a loner?

God, I hope not, because the parts of the book where he’s by himself are the worst. As I said earlier, he rambles, he’s obnoxious and rude, and he has no common sense, but these things alone do not really separate him from other isekai weirdos we’ve seen before. It’s only when he runs into the 20 girls in his class, fleeing from an event that drove the class apart, that the book really takes off, because Haruka is SO bad at interpersonal skills that it’s almost magic. This is not something he gained from a skill, by the way – he’s called the head of the girls’ group “Class Rep” for the last 11 years despite them having always been in the same class, and in general it’s implied he’s just like this. This allows for the girls to become 20 varieties of tsukkomi (sometimes in unison, which is a trip), and also makes the book far more entertaining, as you keep waiting to see what bullshit he pulls next.

The book can be hard to parse at times, but that’s by design, as that’s how Haruka is. I think the translators did a fantastic job showing off stream-of-consciousness blabbering and how annoying it can be to everyone around you. The book… is not good, to be honest. Because Haruka refuses to think of his class in anything but their “roles” (Class Rep, mean girls, nerds, etc.) his narration does as well, and so there is a certain Goblin Slayer feel to the characters that I didn’t like in that book either. (It doesn’t help that it’s infectious, and Class Rep herself starts thinking in terms of those roles.) The denouement at the end of the book feels out of absolutely nowhere, with very little buildup from Haruka before it’s over. And, of course, it’s still a book about a schlub of a guy who amasses 20 pretty girls around him who are somewhat devoted to him but also yell at him all the time, which means that it won’t attract the sort of fan who also gets mad at Kirito.

But… there’s just something about it. I spent a lot more time screaming at this book than I have with any light novel in the past year or so. The lead’s lack of ANY sense makes your teeth grind. And… it is pretty funny in that regard. It also, honestly, had far less fanservice than I expected from a genre like this, even leaving aside that he names one of the class “Nudist girl”. It makes me want to read the second book, even though I know it will be like getting slapped in the face with a paper fan over and over again. If you want to read a series that dares you to read it, look no further.