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The Demon Sword Master of Excalibur Academy, Vol. 5

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By Yu Shimizu and Asagi Tosaka. Released in Japan as “Seiken Gakuin no Maken Tsukai” by MF Bunko J. Released in North America by Yen On. Translated by Roman Lampert.

Before The Asterisk War went on hiatus here due to no new volumes in Japan (the artist has been sick), I was frequently asked by fans why I kept reading it given how generic and cliched it was. And granted, it absolutely is that. But my answer was, simply, “It hasn’t done enough wrong for me to stop reading it”. And The Demon Sword Master of Excalibur Academy feels a lot like that. There’s really nothing here you can’t get in other magical academy series, and they likely don’t have “lol, he’s in the body of a 10-year-old” dragging down the harem premise. But I dunno, it all feels so harmless. There’s goofy fun, there’s cool battles, there’s the occasional dribble of plot, and the girls are all beautiful. It is a series that you can read and immediately forget about, but when the next volume rolls around you’ll grab it and read it because it’s there. Plus, pool battle!

After the events of the last book, Leo now has to deal with the fact that a Dark Lord has been resurrected… albeit, like Leo, with only a fraction of her power. Also like Leo, that’s mostly irrelevant, because Veira is hella powerful even muted, and the first half of the book is mostly her getting a tour of the modern world and running our heroes ragged. That said, the second half gets more serious, as the Mysterious Organization that is behind all this has decided that the deadliest Dark Lord is the next one they want to bring back… the Undead King, Leonis. I, um, have some bad news for them about their timing. More seriously, there is also a problem of Holy Knights getting corrupted by a mysterious “voice of the goddess” and having their Holy Swords turn into Demon Swords. Which, unfortunately, also seems to send them into a rage.

Not gonna lie, I was startled to see the minor villain from the first novel come back to be a minor villain in this one as well. Arrogant jerkass shows he’s even worse is good only in small doses, so it’s absolutely fine that he gets taken down immediately. If there is a “focus heroine” beyond Riselia here it’s Elfine, who is suffering from PTSD from prior battles causing her sword to lose some of its power, and decides to go on the front lines with our team this time to do something about it. Good thing, too, as the other teams they’re paired up with to explore Leonis’ old underground tomb are being led by demon sword users. Elfine is able to get over her trauma and emerge victorious, but there’s a lot of others who also try hard but either get turned into demon sword users or lose their swords to said users, and unfortunately I don’t see a really good reason why Elfine is different from them other than “main character syndrome”. I wonder if we’ll ever see any of them again.

So yeah, if you like this series, this is a decent volume of it, and if you don’t, you dropped it ages ago. It’s still not doing enough wrong for me to stop.

I’m the Villainess, So I’m Taming the Final Boss, Vol. 2

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By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

Given the sheer number of villainess novels and other similar “this is the same world as the game I played!” scenarios, it’s surprising that we’ve had so many of the protagonists accept that this is their new reality. Admittedly, VR technology has not gotten to the point where this sort of thing could be faked well, but “I’m dreaming” is probably a valid response. Of course, the main reason that we don’t see this too often is that if you think that you’re just inside some game world, you start to think of the world as not having real people but ‘target characters’, and that death is irrelevant because you can restart and they’ll all be alive again. That’s not true in these books, and the villainesses usually know it. But this is one of those ‘good villainess = evil heroine’ books, so it should come as no surprise that, when the heroine gets her OWN memories of Japan back at the start of this volume, she decides to send things off the rails.

Having successfully avoided her doom, Aileen is safe within the demon lord’s domain. Unfortunately, the game she played back in Japan had a sequel, which she also played. New heroine, new love interests, new bad guy. And now it seems someone is trying to make events in that game happen, which will be very bad news for the demons in this world. To try to prevent this, Claude is going to the duchy of Mirchetta to investigate. Aileen is told to stay behind. A ha. A ha ha ha. Disguising herself as a boy, she infiltrates the academy where the second game took place, then inveigles herself onto the student council and establish a guard unit to protect the students (mostly from each other). But investigating is going to be a little hard when her fiancee is the school principal. A clever disguise is needed. Or, failing that, the most bizarre disguise ever.

This book is more well-written than a lot of the villainess novels I’ve seen, and you really find yourself drawn in – I can see why an anime is coming. Aileen is a combination of clever and too-clever-by-half, and she gets a new cast of characters in the student council, who are all fun types. Given that the second game had a different heroine and a different villainess (though it takes place in the same world), it’s no surprise that Aileen quickly makes friends with said villainess, who turns out to be a sweetie pie with poor self-esteem, as you’d expect. This doesn’t really break new ground – mind controlling drugs as the main threat has been seen before, and the evil church being behind it surprises no one – but it’s fun to read, and Aileen is a hoot. If I had a complaint it’s that we only see one picture of her in her masterful disguise. More art was needed.

The end of this book established that we’re going to be seeing evil heroine vs. good villainess for some time to come, so it’s a good thing this is ongoing. Even if you’re tired of villainess books, this is worth the read.

So You Want to Live the Slow Life?: A Guide to Life in the Beastly Wilds, Vol. 1

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By Fuurou and Yuki Nekozuki. Released in Japan as “Shishi Kamori de Slow Life” on the Shousetsuka ni Narou website. Released in North America by Cross Infinite World. Translated by Andrew Attwell.

If you do want to read slow life books, you’re going to have to put up with the slow life. And that can sometimes be hard. I have a few slow life books I’ve had to drop simply because the everyday descriptions of their slow life were putting me to sleep. On the other hand, if you can come up with a good plot and characters, you can usually hook your reader enough that they will put up with your slow life anyway. That’s exactly what we get here. I have to tell you, there is a lot of food preserving in this book. A whole lot. Honestly, the book should have been titled “So you want to preserve food?”. And, having peeked at the webnovel itself, that is absolutely never going away. That said… likeable leads who are both adults, good worldbuilding in terms of how this sort of thing would work, and an occasional action scene. I enjoyed it.

Our main character is Mikura, who is decidedly NOT hit by a truck and does not end up in any sort of fantasy world. That’s because it’s already come here. There is a massive forest in Japan called the Beastly Wilds, host to Beastpeople. Grownups look like humans with animals ears and tails, but the kids look like animals wearing clothes. There are all sorts of rules and regulations about going into this forest at all. And Mikura’s great-grandfather had a house here, where he paid the beast people to tend to the chestnut and walnut trees and sat around preserving food as a hobby. Now that he’s passed away, Mikura decides to quit his fast-track office job and follow in his footsteps. Of course, there’s a bit more to it than just moving in… for one thing, he’ll need to deal with the locals.

I’ll be honest here, the best thing in the book by a mile is the main female lead, Techi. She’s essentially a grade school teacher/foreman/minder for all the kids who are working on Mikura’s farm (and there is a welcome discussion of child labor laws and how they apply to beastmen who essentially get a lot less agile as they get more human), and she takes a while to warm up to Mikura… or anyone, really. She is what I would call a ‘lovable grump’ and Her basic expression most of the time is :| or variations on it. Seeing her slowly start to fall for Mikura is the highlight of the book, even as she’s also helping him acclimate to this new situation and fighting off crooked chestnut dealers who want to use the beastfolk for their own ends. The first half of the book is all plot, for the most part, and I loved it. The second half is about 1/3 plot, 2/3 recipes, and I felt like I was googling ‘pancetta’ and having to read someone’s life story before I got to the recipe.

Despite that, and the risk of future volumes being worse, I really loved the lead couple, even if they aren’t a couple yet. (He sensibly sees her flirtation as more of a fascination with romance than him specifically, though I’ve no doubt that will change.). If you’re a cook, this is a must read. to everyone else, recommended if you like relaxed isekais or chipmunks.

Re: ZERO ~Starting Life in Another World~, Vol. 18

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

I always enjoy the books in this series that are more about rallying around the flag. The author in the afterword says that the series is always remembered for all the death and gore and terrible things, but that the hope and turning things around is just as important, and I agree with them. It does help that the plotline I was most worried about, Emilia being kidnapped, was handled in the best possible way. Certainly her would-be husband is a loathsome and terrible man, but she still manages to have agency, gaining valuable information and passing it off to allies before returning to her forced wedding because escaping would mean Regulus would take it out on his other wives. That said, for a series filled with Best Girls there are an awful lot of them this book. Crusch is mostly at death’s door, but manages to rally Subaru; Anastasia proves when it comes to actual administration she’s by far the best Royal candidate; and Priscilla… well, Priscilla just IS.

After the disaster of the City Hall assault last time, our forces regroup. Ironically, City Hall is now theirs, but there’s lots of bad things happening. Subaru’s leg… and Crusch’s entire body… are cursed. Emilia is, as I said, kidnapped. Wilhelm has figured out that one of the villains who attacked them was in fact someone he knows very well; heck, even Reinhard had a terrible time, though it was offscreen. What’s more, after Lust ups the demands (she now wants the Book of Knowledge (seemingly burned), an artificial spirit (i.e. Beatrice) and Regulus and Emilia’s wedding to go forward (that last one is obviously his addition). This means that all the citizens of this city are a bit scared and angry and upset. Can someone manage to win them over with a dramatic speech? And is that someone really Subaru?

As I said above; my God Priscilla’s presence in this book is just amazing. She’d be the worst person to interact with ever in real life, but her arrogance, confidence and strength here are just what the doctor ordered; her berating Liliana until she gives in and agrees to help is a thing of beauty. I would love to read some Re: Zero from her point of view. Speaking of points of view, it’s very amusing to see how everyone in the room reacts – particularly Julius and Al – when Subaru casually tells everyone that he loves Emilia. He may constantly regard himself as just this guy getting by, always scared and wanting to run away, but to everyone else he’s a tower of strength and confidence, saying things no one else has the courage to. He is topped, perhaps, only by Otto, who continues to be Best Boy, and unfortunately because he is Best Boy has to face the cliffhanger ending on his own.

The next book will be the counterattack against all the archbishops, and it promises to be a combat filled melee. Till then, enjoy a Re: Zero with no return by death by a whole lot of heartwarming moments.

86 –Eighty-Six–, Vol. 9: Valkyrie Has Landed

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

There is an awful lot going on in this volume of 86, but we have to start by talking about Kurena, who pretty much owns this book. When we last saw her at the end of Book 8, she was in a very bad place, her screw-up having cost lives, and throughout this book we see her fragile psyche try to recover from it. She’s grasping for a renewed purpose, which for the most part in previous books has been “Shin”, but now that she’s finally acknowledged that he’s in love with Lena she needs something else. It could be the war – after all, getting back her mojo and becoming the best sniper of all the 86 is certainly something that would be an excellent goal for this book. But, as she realizes to her growing horror, having something war-related as a goal is not cutting it anymore. It’s not what the others are doing. They’re all trying to END the war, to find a future that does not involve constantly fighting the Legion. And I’m gonna be honest, that nearly breaks her.

Our core unit that we’ve known since the first book is now down a member, as Theo is forced to retire from military service, something that he tries to cope with over the course of the book. As for the rest of the group, they’re all headed to The Holy Theocracy of Noiryanaruse, a country whose religion and military needs have combined in a disturbing way, and whose general is an odd mix of high priestess and idol singer. Several countries are sending units to try to take care of the Noctiluca, the Legion’s main weapon from the previous book, which has settled in a ruined and ash-filled area of the Theocracy. The battle will be tricky. The ash turns out to be very hard to navigate in, the entire plan hinges on a sniper who’s having a crisis of faith, and, most importantly, when you combine several countries to try to achieve a task, they may not always be on the same page – or even in the same book.

As usual, the bulk of the back half of this book consists of a large battle, which I can’t really review except to say “hey, nice combat, 5 stars!”. So I’ll go back to 86’s core theme, which is that war is terrible, the idea of “constant war” is an easy one to slip into, and that to prevent that everyone needs SOMETHING that they can think of doing when this war finally ends – because otherwise it never will. Shin has Lena, Anju has Dustin, Raiden… will be getting a book to himself soon, I expect, and this entire book is about Kurena’s journey to find a purpose in life. As for Theo, while I doubt we’ve seen the last of him, I suspect we’re going to see him about as often as we do Annette (who does show up here to rally his morale). His future is not in battle, much to his dismay. As for the war itself, our heroes are faced with actually having to fight soldiers who are not Legion… and they hate it.

This feels like we’re headed towards a grand finale, but we’re not there yet. Nevertheless, this is a fine entry in a very fine series.

Prison Life Is Easy for a Villainess, Vol. 1

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By Hibiki Yamazaki and Tetsuhiro Nabeshima. Released in Japan as “Konyaku Haki kara Hajimaru Akuyaku Reijou no Kangoku Slow Life” by Enterbrain. Released in North America by J-Novel Club. Translated by Sean McCann.

We’ve seen enough villainess stories by now that we’re used to the subgenres and deconstructions. We’ve seen ditzy villainesses, crafty villainesses, fleeing villainesses, and depressed villainesses. We’ve seen women who are aghast at how the relationships have changed around them, and other women who have no idea that they’ve become a beloved and cherished young lady. That said, for the most part even the most excessive of the villainess books has had a similar theme, which is “I am a villainess and I want to stop being one”. But what if our heroine is in fact a terrible person? What if she has not awoken to her past memories but simply been holding back her true self naturally? What if the world she lives in is, in fact, a cartoon? This novel is here to answer those questions. If you’ve been dying for some gaslighting, gatekeeping, and girlbossing, Rachel Ferguson is here for you. Even if she’s also behind bars.

Despite the villainess tag, there’s no past life from Japan or otome game hijinks here; it just describes our protagonist. Rachel is the duke’s daughter and the fiancee of the prince… however, he accuses her of bullying his new love, Margaret, and (as the King and Queen are conveniently away) tosses her into a cell. A… strangely full cell. What are all those packing crates doing there? Why is Rachel sitting on a chair eating canned food and sipping wine? Why does she have a COUCH? Most of all, why is she not sobbing and begging for mercy? Unfortunately for Prince Elliott, it turns out that Rachel’s somewhat detached, doll-like demeanor was hiding her true self… which everyone but him (and the other men Margaret is manipulating) seems to know about. And now that the beast has been let loose, Rachel is going to destroy him. Peacefully. While enjoying her prison life.

As noted, this book works best if you think of it as a cartoon, with Rachel as Bugs Bunny and Elliott as Yosemite Sam. The main reason for this is that if you try to find sympathy for any of these people, the story will collapse. The author wants the reader to be delighted at Rachel torturing people for her own amusement. Fortunately, for the most part, I am. Rachel is a bitchy delight. Elliott is the perfect dumb clown villain the book needs (it would not work with anyone smart of likeable). Oddly, Margaret, the commoner-turned-baroness’ daughter who started all this, ends up coming off as oddly cute, possibly as she’s clearly meant to be an innocent teenage brat rather than a scheming vixen. The book expands a lot on the original webnovel, and the author freely admits in the afterword that when you have a scene that doesn’t star Rachel in prison, it’s new to the light novel. These scenes don’t work quite as well, but they’re also fine.

If the idea of a woman casually destroying her idiotic fiancee over the course of 240 pages makes you go “hrm, not sure”, I’d avoid this book. If, like me, it makes you say “OH GOD, YES PLEASE”, then this will delight you. Also, the next volume is the last, so Rachel won’t wear out her welcome.

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 5

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By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

Sometimes you just can’t balance a book so that the coolest, most exciting stuff happens at the climax. Oh sure, you do your best. There’s an insurmountable monster that has never been killed before, that can easily take on the magic of your two strongest characters. Good stuff, everyone has to work together to achieve victory, lots of near death experiences, etc. But then the readers get to the book and no one is talking about that. They’re all saying “Did you see the part where the tiny spider rides to the rescue on a horse? Because that is a thing that happened.” I’m not even sure how you could top that in future books. The victim being saved is even a former bad guy, and so there’s a “we’re friends now, bond between brothers” scene. Again, one of the characters in that scene is a small spider. Mr. Crawly Wawly is the real hero here.

As you can see by the cover, this book reunited Red and Rit with Yarandrala, the high elf who helped the hero’s party for a time and also had some romantic ship tease, though she is quite accepting of their relationship. In fact, she’s there to invite both of them, as well as Ruti, to come live with her in the elf kingdom… because humans will betray your trust. Yeah, she’s still not over the whole “banished from the hero’s party” thing. As for Red, he wants to get the perfect gem for Rit’s engagement ring, but that involves a long journey to the land of giants, which may not even work out. Still, it’ll be fine. Rit is with him. And Ruti. Oh, and his dwarf friend. And the former mayor of the city, who happens to be a mage. And then Yarandrala shows up with Tisse, Godwin, and Mr. Crawly Wawly. This party is even bigger than the Hero’s Party!

Despite the action sequences, this book is trying its best to be a bit more slow life than the previous one. Ruti is still trying to search for a purpose in life (yay!) and also wants to become lovers with her brother (boo). Fortunately, Red has enough common sense that I’m sure this will go nowhere. Red and Rit are by now sickening everyone they come across with their flirting, even if they’re unaware of it. There’s even time for a visit to a natural hot spring, and the whole book ends with a citywide festival. That said, there are hints that we’re starting to set up for a second arc, as the epilogue has assassins in town, and we also get a long prologue reminding us of the large number of other kingdoms that are also trying to defeat the demon lord. Ruti may be adventuring only when she wants to for now, but can she keep that up?

Overall, good book, and those who watched the anime can start here. Long live Mr. Crawly Wawly.

My Quiet Blacksmith Life in Another World, Vol. 1

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By Tamamaru and Kinta. Released in Japan as “Kajiya de Hajimeru Isekai Slow Life” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Linda Liu.

Obviously one should not read too much into the life of the author from the work they are writing. But sometimes it can be pretty easy to see that the creator is a little bit older than most light novel creators. Especially these days, where Truck-kun has been going after beleaguered office workers rather than shut-in high school NEETs. There’s a lack of gaming terminology and dungeon crawling. The harem, if there is one (there usually is) tends to be more familial than horny, at least on the part of the lead. And, of course, despite having super amazing powers and the ability to save the world, our protagonist wants to do nothing but relax and putter around the house doing what they love best. This is all very well and good. In this book, it turns out what the protagonist (and the author) love best is DIY. You will be reading about making swords and knives. You will be reading about building additions to houses. You will be reading this a LOT.

The setup is cookie-cutter. Our hero, Eizo, dies after saving a cat (but not himself) from a truck while on his way home from his crippling IT job. Turns out the cat was a goddess, and that it was not Eizo’s time to die. To try to salvage this, the goddess sends Eizo to a fantasy world, 10 years or so younger than he was (so about thirty). Eizo wants to be able to create things, so he gets knowledge of blacksmithing and the like, as well as some self-defense skills and magic. And then he’s dumped by a cabin in a forest. He wastes no time setting up shop, and quickly gains two companions: Samya, a beastgirl that he saves after she was savaged by a bear, and Rike, a dwarf who sees his handiwork and demands that she become his disciple. Because yeah, turns out he’s not just a normal blacksmith, he’s The Best There Is.

The edges of this book are interesting. There’s a prologue and an epilogue taking place many years after the main events that play this as “the creation of legends”, complete with a hero vs. demon lord scenario, that I found worked really well. We get two side-stories at the end that show the POV of other characters, and it’s interesting, particularly Helen, who is introduced to us (from Eizo’s POV) as something of a meathead swordswoman, but who turns out to be far more serious and practical when we get inside her own head. Unfortunately (and this is a common problem with slow life books) most of the book is from Eizo’s POV, and Christ, he’s dull. Show, don’t tell is left to die at the side of a ditch here, as we get page after page of him making swords, making knives, doing woodworking, chopping trees, all of which goes on forever. Even the fight near the end, where he takes on a massive bear, is fairly tedious as fights go.

As I said, there’s the hint of a good story around the edges of the book. I may read the second volume. But I think the author would be better off getting into woodworking and metallurgy themselves rather than have their creation tell us about it in excruciating detail.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 4: Founder of the Royal Academy’s So-Called Library Committee, Vol. 5

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

I feel this volume is almost deceptively relaxing. On the one hand, everything goes pretty well. Rozemyne does not make social faux-pas that can’t be glossed over somehow. There is an ambush to try to kill her… but she’s nowhere near it and it’s thwarted immediately. There’s a wedding to a woman from an enemy duchy… but she turns out to be a big sweetie pie who just has a case of resting “I look just like my ancestor who nearly destroyed you all” face. That last one, though, hints at the undercurrents we see in this book that I suspect are going to pay off in big explosions down the line. We’ve talked before about how the class system in this series is not going away anytime soon, but that also means that the nobility are going to be what nobility tend to do, which is find ways to quietly murder each other. Time to pick a side. Meanwhile, Rozemyne wants fish.

The author admits in the afterword that this cover (and indeed most of the covers in the series) is theme related rather than specifying actual events. In this case it’s the dyeing competition that Rozemyne is holding in order to introduce the new techniques (and bring back the old, forgotten techniques), and it turns out that Myne’s mother Effa is one of the contestants. Elsewhere, they’re setting up the printing business in the Groschel area, but the way that the nobility treats the commoners who live there turns out to not only be arrogant but also have legitimate negative effects on the printing. And then there’s the aforementioned marriage, as Lamprecht is marrying a woman from the far, far higher in status Ahrensbach district. It’s a political move, yes, but fortunately there seems to be actual love there as well. Finally, Rozemyne heads back to school to start Year 2 at the Academy, where she will face even more problems… not least of which is that the young prince of the realm has confused her for her younger sister.

As I noted above, Rozemyne is getting better at this. She still screws up enough to make Ferdinand (who is in this book far less than usual) smack his forehead, but that’s mostly just when she’s fantasizing about her ideal library, which would require more magic than there is in the world. She can do the meet and greets and keep up with the nobility, and has learned to translate when they’re being condescending, rude or threatening. The best example of this is her discussion with Aurelia, the bride I mentioned before. She screws up in that she’s not supposed to speak directly to the bride in her position… but she doesn’t bat an eyelid as she immediately says she was just talking to herself out loud, and she AND Aurelia then proceed to have an entire conversation like that. (I hope we see more of Aurelia, she seems sweet.)

So yes, an excellent Bookworm volume, and almost calm and peaceful. Ominous. Waiting for the other shoe to drop. Also, when Rozemyne finally does grow up (signs point to Book 28), she will be absolutely terrifying.

There’s No Way a Side Character Like Me Could Be Popular, Right?, Vol. 3

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By Sekaiichi and Tomari. Released in Japan as “Yujinchara no Ore ga Motemakuru Wakenaidaro?” by Overlap. Released in North America by Tentai Books. Translated by Alejandro de Vicente Suárez.

When the first novel in this series first got translated into English, the romcom was still very much a rarity in the market. When the second one was published, the genre was starting to be licensed here, if not yet seen. But it’s been a good 15 months since the 2nd volume came out over here, and since then we’ve had absolutely PILES of cute high school romantic comedies. Indeed, My Friend’s Little Sister Has It In For Me! manages to hit a lot of the exact same plot points as There’s No Way a Side Character Like Me Could Be Popular, Right?, down to the character types. Unfortunately, that also means that I’m a lot less forgiving of said types when they hit on things I don’t like. And this one absolutely does that, as it adds a third romantic love interest to our “side character”, his teacher Makiri-sensei. Should be fine, should be fine, we know how well teacher-student romances go over here. Buckle up, folks.

After the events of the second book, Yuuji now has a fake girlfriend, Touka (who is genuinely in love with him but he doesn’t get it) and a rejected childhood friend Kana (whose love he DOES get, but he rejects her because of what’s going on with Touka). The two of them unfortunately spend the majority of the book sniping at each other in a classic romantic comedy “jealous girls fighting over their boy” way that irritates Yuuji’s friends almost as much as it does the reader. While this is going on, though, he makes a discovery about his teacher, Makiri-sensei. We already know that she’s much kinder than her seeming cold exterior – now we find that she’s an awful drunk, thjat’s she’s very upset about still being a virgin, and that her father is setting her up for an arranged marriage. It feels like a pulled a slot machine and got three lemons. But I really don’t want to make this lemonade.

The book does have some interesting moments, usually when it tries to push against its romcom cliches. Yuuji’s got the face of a thug, but also has had violent incidents in his past, and in this book we get to see his relationship with his father, which is… really, really uncomfortable and also far more interesting than anything else with his teacher. He and his dad are alike in far more ways than either of them are willing to admit, and seeing Yuuji snap and finally air his grievances – so to speak – in that flashback was chilling. It’s then followed up wtih his father also being a secret manga otaku who reads We Never Learn adn is therefore OK with his son banging his teacher, and I’m ready to hit my head against the table again.

I like the dynamic between the two leads in this series. Touka is fine here, and I can feel her frustration. But it was going to take a miracle to get me to like this plot, and the book didn’t even turn water into Sprite, much less wine. Skip this and see if the fourth book gets back to entertaining romcom stuff.

A Late-Start Tamer’s Laid-Back Life, Vol. 2

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by Yuko C. Shimomoto.

It can often be very tempting to say “please see previous review” rather than trying to find 500+ new words about a series. Oh, there’s nothing particularly bad about this second volume. It continues to manage to make me want to keep reading it despite the fact that it is really just a gaming log of this guy building up his stats and choosing his bonuses. For 350 pages. The fact that I enjoy it is a big point in the author’s favor. And yet… there’s not really a lot to delve into here. Yuto is never really going to have major character development, as this is not that sort of book. He’s in an actual game, rather than trapped in a game or in a fantasy world that looks like a game, so there’s never any worry of bad things happening to him. Heck, it’s a G-rated game, so his two tamed monsters have a child by their magic intermingling, rather than for any more sordid reason. It’s not boring per se, but boring surrounds it like a cloud.

Yuto continues to chug along. He’s now hatched his monster egg, which produces a bear. No, not a normal, realistic bear – a teddy bear. Who Yuto promptly names Bear Bear, because that’s the kind of guy he is. He also meets a few other people, mostly young women (aside from his friendship with elf boy Sawyer, who is attractive and thus forces us to trot out the loathed “I’m straight, though” rejoinder) who assist him in running his farm, not dying from fighting ghosts, or just building him woodworking projects because his tamed animals are so KYUTE! Admittedly, he does still have a bit of negative attention. Not as bad as the first book – permabanning can send a message – but they’re not happy he always seems to be getting cool new things and has some hot babes hanging out with him. That said, he’s more concerned with tea and cookies.

It really does feel as you read this volume that the author is someone who wants to play a very specific kind of game, the one we are seeing in this book, but can’t quite find the one that has all the bells and whistles they want so has decided to just write it as a light novel. It is an ode to the sort of player who actually tries to do the useless quests everyone else avoids, or experiments with combining two completely disparate things into a recipe because why not? It also shows how rewarding this kind of thinking is – though only if you’re original about it, as people who are trying to do the exact same things that Yuto did are finding the game does not crank out the same cool rewards. I will admit I do also like the fact that Yuto is the opposite of a fighter. He’s saved by badass women from certain death twice in this book, and the book ends with a special event literally being created for him because he’s clearly not interested in the martial arts tournament. The devs have their eye on him. (Possibly in a disturbing way.)

Again, if you like Bofuri, you should give this a try. It really does make ‘a +3 boost to strength for 30 minutes’ come alive. (OK, no, it does not do that. But it tries.)

When Supernatural Battles Became Commonplace, Vol. 1

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By Kota Nozomi and 029. Released in Japan as “Inou Battle wa Nichijoukei no Nakade” by GA Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

So, Andou is awful. I feel the need to get that out of the way straight off, because I’ve already been told that folks thought I would drop this book because of him. I get it, they’re not wrong. He’s cringeworthy. Yes, by the end of the book you realize he has an empathetic core and is thinking more than he lets on, but that does not stop you from having to read about him making speeches or creating nicknames or drawing dragon tattoos on his right arm. This is a series about how embarrassing you were as a teenager, and it is going to rub your face in it. (If you were not like this as a teen… let’s face it, you probably never finished the book, did you?) Throw in the fact that this is one of those “you’re licensing it NOW?!?!” series (the anime came out seven and a half years ago) and you have a really high bar to clear. That said, I did finish it.

The literature club consists of chuunibyou Andou (pardon me for avoiding his first name), wannabe writer Tomoyo, childhood friend and “normal girl” Hatoko, literal 10-year-old Chifuyu, and club president and BL fan Sayumi. Six months ago they all suddenly acquired incredibly cool superpowers… well, incredibly cool except for Andou, who can create black fire in his hand that doesn’t do anything. Andou is sure this means that they’ve been chosen to fight in an amazing series of light novel-style battles. But… six months later, all they do is go to club and use their powers for mild, meaningless things. Why on earth did they get them in the first place? Does it have anything to do with Tomoyo’s brother, a man who can actually out-chuuni Andou? And can they save the literature club from being shut down?

Not gonna lie, this series is mostly known for one scene from the anime, and I read it wanting to read that in prose form. Unfortunately, it’s not in this first volume. The weak parts of the book, apart from Andou, are the parts where it reminds you that it has a real plot it’s going to try to do. The real plot is boring and you don’t want it to happen. Not a good sign. That said, when the kids are sitting in the club shooting the shit, discussing tropes and cliches and baffling poor Hatoko, that’s when the books become fun. This is one of those “have your cake and eat it too” parodies that also tries to be the thing it’s parodying, but I like it more when it’s making fun of shonen manga, or Index, or any one of a dozen other series namechecked in this volume. I do also really like all the club members apart from Andou, though it never is explained why a 10-year-old is hanging around a high school club room.

If you watched the anime, like “chuuni” novels, or enjoy mocking cliches, you will enjoy this book. For others, can you put up with a man who has a good heart but who also makes you wish you were reading anything else?

My Stepmom’s Daughter Is My Ex: “Why Can’t We Move On?”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This may come as a shocking surprise to regular readers of this blog, but I am no longer a teenager. This can sometimes be difficult when you are reviewing books whose primary audience is either teens or those who were just teens a year or two ago. Things that make total sense to you when you are the same age as the main character tend to make you scratch your head or yell at the main character later in life. Fortunately, I think this series is designed so that even those the same age as the characters will be yelling at them. Two awkward teens who break up due to poor communication skills are forced to realize that they’re perfect for each other, but are too stubborn to admit it. What that means in practice is that, under a veneer of caustic sniping and bitter inner monologues, this is one of those “cute kids flirt” romance titles.

Mizuto, a bookish young man, and Yume, a nerdy and shy girl, become a couple and start to date in middle school. Sadly, due to the aforementioned lack of good communication, they also break up about a year later. They managed to keep the relationship a secret from their parents… which might be a bad thing, as now his dad has married her mom, and they’re family! For the sake of the parents (who are barely in this book, to be honest), the two try to put on a public face of getting along, but when alone they’re sarcastic, bitter and constantly sniping at each other. He has a tendency to default to “jerk”. She’s a bit of a mess. Despite this, both of them still do have the characteristics that made them attractive to each other. He’s really caring and kind of hot when he bothers to try. She’s grown up to be gorgeous and is making a big effort to be more outgoing. Dammit… this is terrible!

I will note that I was super relieved when I saw the POV switch to Yume after the first chapter, because this is the sort of story that absolutely would not work if it was told from only one side. The chapters alternate between Mizuto’s grumpy loner guy and Yume’s freaking out internally girl, and it helps to make it more understandable why things went south, and also how easy it would be to fix if they weren’t both really stubborn. Which they are, this is like seven volumes in Japan and has just had an anime announced, so resolution is not forthcoming. There was a rather annoying plot point about 3/4 of the way into the book, where Yume’s new friend in high school is implied to be a dangerous stalker sort, and wants to marry Mizuto so she can be around Yume. I was fine with the plot when reading it as I assumed this was total bullshit that said friend cooked up as a plan to get our leads closer together… then it turned out to be true. Bleah.

That said, overall this was pretty cute. If you like cute teenage romance with a side order of bitching at each other, this is probably one you should pick up.

High School DxD: Holy Behind the Gymnasium

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

I think the author just enjoys suckering people in. For most of the sixth volume of High School DxD, the series is at its default level of horny, which is to say: high, but not beyond all human reason. Sure, there are cosplay battles to see who can turn Issei on the most. Sure, there’s the endless amounts of breast comparison shopping he seems to do as easily as breathing. And yes, I probably should have guessed what was going to happen when we got to the television interview and it didn’t show Issei at all. Still, no amount of preparation could have prepared me for: the theme song. As with the previous volume’s “I can talk to enemy breasts and get them to divulge secrets”, it goes above and beyond in making you wonder what the hell the author is thinking. I have to assume that the author thinks that all this is necessary as otherwise it’s a generic shonen battle manga. Which is a shame as the battles are absolutely fine.

The start of this novel is sparked by two things: Irina returns and transfers into the school, now a full-blown angel but seemingly exactly the same as she’s always been. The other is the upcoming sports festival, where Issei and Asia have to run the three-legged race together. This is difficult, as they’re overly conscious of each other’s bodies, and also because the demon who Asia healed at the start of the series is back, and he wants Asia for himself. The answer is a Rating Game, which is a bit of a surprise so soon after the last one. Unfortunately, that’s far from the only surprise, and our heroes end up fighting against a horde of demon mooks in order to save Asia from a hideous fate at the hands of a demon who turns out to be even worse than we thought – and we already hated him.

I will admit, much as this is Asia’s book, she is mostly a straight up damsel in distress here, though I did like her slapping Diodora for insulting Issei. Unfortunately, she’s still in ‘meek healer’ mode, so her role in this book is to get kidnapped and threatened with rape. This made me grumpy. Other than that, it’s a perfectly good book in regards to the standards of High School DxD, which bear no resemblance to other light novel standards. Issei gets to be cool a few times, and has started to think on his feet much better. The solution for getting Akeno to one-shot kill all the bad guys was hilarious. The theme song, jaw-dropping though it was, was also pretty funny, I will grant you. I have to hand it to High School DxD, it does not do anything in half measures. It is here to talk about tits and it will talk about them until it is blue in the face.

This is apparently the end of the second “arc” of the series, and does include several tantalizing setups for later events. Overall, it was decent. For a value of decent that is a High School DxD book.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 8

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

You get the sense that towards the end of this series, whenever it does end (the 11th volume is out in Japan), it’s going to involve a Big East vs. West battle, with Natra in the middle of it. In a way, that’s what we’ve been getting for a while in a political way – both the Empire (and particularly Lowellmina) and the West’s religious Alliance (with Caldmellia trying to use Wein for her own amusement and to make him suffer). And, fair to Caldmellia, we almost get that here as well. We get Wein accused of murder – again – and needing to clear his name, we get one of the West’s nations invading the merchant city on the border, which comes as quite a surprise to its own leader; and we get introduced to the Holy King Silverio, who at first looks to just be a propr being held up so that the real villain can work behind the scenes, but in reality is… well, terrifying. Can Wein think his way out of this?

We also, though it’s more of a teaser for later books, get a better look at the Flahm. They’ve always been an odd combination of albinos, black slaves and Japanese burakumin, but here we see that they’re not a united front, as several in their faction feel they need as many positions of power as they can get to prevent the tide turning against them again. The other viewpoint, which includes Ninym, is that they should fill positions with their best people more than just warm bodies, and in any case she has no interest in regaining their old kingdom but wants to do what’s best for Natra. There’s also a really sweet moment when, after seeing wein asleep in their carriage on the way to the conference, she kneels down and snuggles up against him. This is also pretty bittersweet as well – Ninym does not feel she can ever explicitly show her love as it can’t ever happen. I hope we can find a way to fix that.

We also get to have my other favorite character, Falanya, come along to the conference this time around, mostly to continue to make valuable connections. I suspect the biggest will be her meeting Felite – it does get a color page, after all – but it’s also interesting to see the back and forth between her and her adviser, the “formerly evil” Sirgis. He’s being genuinely helpful and showing her how to be more politically savvy (yes, memorizing all those faces and names really is important), but he also wants revenge on Wein, and a throne war is the way that he’s going to try to get it. Falanya says that if he tries to turn her against her brother she’ll cut him loose, but I have a suspicion she’s going to find that a lot harder to do than she thinks. We’ve been setting up brother vs. sister since Book 4, and I can’t wait.

So another solid book in the series, which currently has an anime racing through its first books at a very rapid pace. It won’t get to this one this season, but perhaps if it gets another…