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Reviews

Love & Magic Academy: Who Cares about the Heroine and Villainess? I Want to Be the Strongest in this Otome Game World, Vol. 2

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By Toyozo Okamura and Parum. Released in Japan as “Renai Mahou Gakuin: Heroine mo Akuyaku Reijou mo Kankeinai. Ore wa Otome Game Sekai de Saikyou wo Mezasu” by GC Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

This was the second book in a row I read where the narrator is essentially a very powerful, emotionless void who casually breezes through everything. Fortunately, with this book, we do get the occasional hint that the author is going somewhere with this other than “isn’t he really cool?”. Now, a lot of this is the standard romance novel shtick of “the girls all like him but he is too dense to notice it”, though with Arius it’s less dense and more does not even understand the emotion at all. He once realized he liked a girl, discovered she was engaged to someone else, and since then the part of his brain devoted to love was simply turned off. But there’s also a sense that Arius has to remember that just because he can do everything himself so the others don’t have to endanger themselves doesn’t mean that’s always the best choice. That said, he can be dull sometimes.

Eric is still trying to find concrete evidence to prove that Duke Jordan is evil, but hasn’t quite got it yet. To help things along, he’s asked the duke’s hotheaded son to participate in the upcoming fighting tournament – third-years normally don’t – so he can beat him, force him to throw a tantrum, and see if the Duke then tries to kill Eric. This works incredibly well, of course, mostly as Arius is not the only one who is trying to make it through this world while depending on absolutely no one. Arius, of course, wins the tournament itself, and in his spare time also solos extremely hard dungeons and teaches his friends and not-quite-love interests how to fight. Unfortunately for Arius, the legendary battle between the hero and the demon lord is about to start again – and they both want him.

This world appears to attract reincarnations like flies. We’ve already got Arius, whose childhood friend was obsessed with the otome game he finds himself in. Then there’s Milia, who is doing much better now that she’s had it explained to her that she does not have to try to do exactly what the game said. And in this volume we get Alisa, who is the power behind the new hero (an arrogant idiot who wants to rule the world – we know the moment we see him we don’t have to care about him). She reveals to Arius that she’s not only reincarnated, but knows he is as well. I’m not entirely certain if there’s some sort of driving force behind all these isekai’d Japanese folks messing up the plot, but if so it’s working but also it’s not – this volume ends with the new Demon Lord kidnapping Arius and spiriting him away to their territory. Which means, much as I do think the other characters get to have lives of their own and concerns of their own, that the book itself still has to revolve around him. He is the main character.

Despite the narrator being another of those poker face/poker voice sorts, this is an improvement on the first book. If you like otome game narratives and don’t mind that it stars a guy who can do literally everything (except understand that women are attracted to him), it’s a good one.

Re: Monster, Vol. 1

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By Kanekiru Kogitsune and YAMAADA. Released in Japan by Alpha Polis. Released in North America by Hanashi Media. Translated by Harris Hayes.

Another day, another review where I have to start by saying “Yeah, yeah, I know”. A classic example of a Dead Dove: Do Not Eat series, I remember this got a fan translation when it first came out almost fifteen years ago. At the time, light novels from the POV of the monsters were a relatively fresh concept – even Overlord was only a year old. It’s not really the fault of this series that its grim and gritty, mature because it has rape and violence-style novel series feels a bit tired now after so many others that came after it. It *is* the fault of this series that it manages to take such a dark, edgy concept and make it terminally dull, starting with its hero, Gobrou, who is at his most interesting before he’s isekai’d and over the course of time gets more and more dull as he spends this first volume killing, getting skills, killing, getting skills, and having sex with a harem of women. He may be a goblin, but he’s still a faceless isekai guy in the end.

Kanata Tomokui is living in Japan, but not quite our Japan. He has telekinetic powers, and gets powerful when he eats whatever he defeats. Unfortunately, he once saved a teenage girl who became obsessed with him, and when she sees him helping a drunk co-worker home, she gets the wrong idea and stabs him to death. When he comes back to himself, he finds he’s a newborn goblin living in a cave. That said, he’s not just any old weak little goblin. For one thing, he still has his esper powers from his previous life. This means that, as he goes around killing monster rabbits, monster snakes, monster dogs, and monster bears, he gains more and more abilities and grows stronger and stronger, rapidly becoming a hobgoblin and then an ogre, till he’s de facto leader of the entire group. Basically, he’s hot stuff.

As you can imagine, there’s a lot of “problematic content” in this book, but I’m pretty sure most people reading it do not really need to be warned. There’s a couple of goblin women who grow close to him. They capture a party of five human women, and Gobrou stops the other goblins from raping them. Naturally, over the course of the book, they all fall in love with him and sleep with him, and the girl on the cover (who he calls “Redhead Shorty” – what is it with these dark books and ignoring people’s names?). They later capture some elves, and since the elves try to kill them first he’s fine with giving them aphrodisiacs and having the goblins rape them. Basically, he’s exactly the sort of person you’d write about if you were a teenage boy who wants to imagine they have cool powers and a large penis. The fights can sometimes get interesting – Gobrou versus the red bear was the highlight of the book – but for the most part it drowns in his matter-of-fact, “well, I won again” narration.

If you enjoy teenage power fantasies, go search AO3, you’ll likely find better than this.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 6

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By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

Last time I felt that the series got a bit too dark, and I’m pleased to see that this one is not quite as bad. Despite the fact that this volume contains ghosts, ritual sacrifices, and the like, Claudia’s worries are far more about the fact that she’s getting bullied by all the older women in the kingdom – at the request of the Queen, of course. Let’s face it, if you’re going to be the future Queen, you need to be better than everyone at everything, and that includes how to handle petty bullying. If there’s just one issue with the book, it’s that these two plots don’t intertwine as well as I wanted them to, and it felt at times as if the author had two books that they couldn’t quite make work and so decided to combine them into one. It’s still a very readable series, and I like Claudia, but I am starting to tap my fingers a bit.

Claudia continues to go on her Princess Training World Tour, with several stops organized by Lady Sunset, whose husband is the Queen’s older brother. Lady Sunset is there to ensure that Claudia does not wilt under pressure, or (even worse) snap and get angry under pressure. We see Claudia attend a tea party, an embroidery party, and a ball, all of which feature catty middle-aged nobles whose job it is to belittle Claudia and hit her where it hurts – which usually means talking bad about her stepmother. In addition to all this, she and Helen go off to a monastery for two weeks, to learn asceticism and see how difficult it can be for people who don’t have servants to do everything for them. Unfortunately, the remote castle where the monastery is has a small problem… ghosts.

There are as always some things here I found quite interesting. The embroidery party shows off how each of these catty women trying (at the orders of the Queen) to bully Claudia has territory of their own, and that territory naturally has specialties. Claudia being Claudia, she’s able to tell that the tea “accidentally” spilled on her embroidery is from the spiller’s own land, and praises it. As for the embroidery itself, she praises the wool being used, and wouldn’t you know it, the woman whose territory specializes in wool is struggling to find buyers right now. Claudia doesn’t need to make connections with these women – she’s hella powerful already – but she knows by doing so it makes the country stronger. I also liked the ghost story’s suggestion that a woman in the past may also have been living a second life, and her “precognition” was just her not being quite as good at Claudia at hiding that. Perhaps this world just does time-looped villainesses every so often, as a treat.

This was a decent book, though I felt it didn’t pull together as well as it might have. The bigger issue may be that I’m checking to see when the series is scheduled to end, and the answer is “not for the foreseeable future”. Where’s my wedding cover art?

The Bladesmith’s Enchanted Weapons, Vol. 2

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By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

Last time I mentioned that this was a very horny series, and that’s still true, though it is perhaps a BIT less. Fortunately, the sword that tells men to get aroused and kill themselves is limited to the very start of the volume. Lutz and Claudia are still a very loving couple, but for the most part it’s limited to “and then they went and had fun” asides. But that’s fine, because even more than horny this series runs on rule of cool. Every one of the main characters feels like someone who would calmly walk away from a car just before it explodes in a fireball behind them. Which is good, as we get the equivalent of that in this volume. Lutz and Claudia just want to make some cool swords and perhaps a lot of money as well, but after the events of the last volume, I regret to tell Lutz he is now Renowned, and as such cannot avoid getting pulled into kingdom politics,

Maximillion’s katana is very nice, and he’s getting more involved in politics (and attempted assassinations as well). It turns out the kingdom has been at war with their neighbor for years, and peace talks are… complicated. The other country has a fist-sized jewel, one that the kingdom cannot possibly match… unless Lutz can make, and Gerhard can craft, a blade that will be of equal value. This they do, simply as it’s the soul of the bladesmith screaming out to them to build better and better weapons. Unfortunately, the weapon ends up starting a throne war once it heads back to the Federation, as it’s just that compelling. Fortunately, Luz and Claudia have been taken into the city and given a title, so they’re no longer quite as much at risk. Shame that can’t be said for other royalty in the country…

Last time I mentioned the horny and the ridiculous, and there’s also a lot of cool here too. But it can also get quite dark and serious. A 13-year-old princess is about to be married off to the other country even though everyone knows she’d just be an abused wife at best and a hostage at worst. The throne war ends up depressing everyone, and a seemingly useless third son who’s getting executed turns out to have other sides to him that make you wish things might have been different. Most of all, the author ends with a side story asking what would have happened if Lutz hadn’t saved Claudia. The author of Re: Zero does this “IF” side-stories for fans, and they tend to be dark. This one is very dark, even though it turns out to be a story Claudia is telling Lutz – him not saving her leads to the downfall of the entire kingdom. I prefer our current reality.

Princess Listill, alas, probably does not prefer this reality. Let’s hope things get better for her next time. Recommended for MANLY MEN.

Loner Life in Another World, Vol. 13

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By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

This is, for the most part, a “rest” book after the main plot that we just went through with the Church (which Haruka has re-invented as a sort of healing disco that plays Vocaloid tracks). There’s lots of dungeon crawling, of course, and leveling up our latest Dungeon Emperor. There’s lots of sex that’s written for comedic rather than erotic effect, so the book just about gets away with it. The sex, of course, only involves the three dungeon emperors, much to the frustration of the girls, who are trying to get across their attraction to h8im while also sort of admitting none of them are ready to take the next step yet (certainly not Class Rep, who gets an internal illustration of her rearing back in shock after seeing Haruka has “grown”, so to speak). Basically, this book is about hijinks. Yes, there is a hint of what is to come – there’s apparently a couple more really deep dungeons out there – but right now, let’s just watch Haruka run wild.

This cover is meant to mirror the first one (complete with the alternate cover featuring Haruka, though in this volume he has his back turned to the reader), and I suppose it feels appropriate. We’re back in the frontier, we’re back to dungeon crawling, and we even got back to the forest for a bit, to see Haruka testing his new body movin’ on some goblins. See, Haruka had most of his skills, which he spent months perfecting (a reminder that we’re still only four months since they arrived in this world), because they got folded up into other skill trees that he has most decidedly NOT mastered. As a result, he can barely move without falling all over himself, and has to learn how to walk, run, and fight while controlling his body like a puppet. Which, again, reminds us a lot of the start of the series.

I don’t have to tell you that there’s tons of unreliable narration here, but we’re at least getting to the point where the narrators are allowed to admit they know they’re full of it. The first 50 pages or so of the book are all from Class Rep’s POV, and while she tries to frame things as “oh, that wacky Haruka, how can we control him?”, there’s also moments of sheer fury when she sees the disrespect he’s getting from the locals (disrespect which he himself has engineered) to the point where the other girls have to hold her back. Even the locals are allowed to wade in the waters of overly dramatic obfuscation, as we see the guild master agonize for page after page about having to send poor innocent Haruka and his low levels into the most horrible of dungeons… all while his second-in-command says “yes, yes, we know he’ll just go there anyway, so sign the paper”. This world is terrible (as we see several times here), and Haruka and the girls are dead set on improving it while protecting each other (the girls admit here all their lecturing attacks on him by now are them testing to make sure he’s still unable to lose to them). At the same time, this world is overdramatic and loopy, and adding Haruka and the girls does not change that in the least.

The next book seems to have a festival, judging by the cover. Knowing Haruka, it may be more of a carnival. Recommended to those who know what they’re getting.

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 14

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By Fujino Omori and Kiyotaka Haimura. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

So, this wasn’t bad. It didn’t do anything wrong, and the climax moves up to “pretty good”. That said, it’s been a while since I last read a volume of Danmachi and my main reaction was “eh”. I think I can put some of this down to the basic premise, and how little it deviates from the expected. If I was to tell you that the plot of this book is “we find out how Finn, Riveria and Gareth ended up joining Loki Familia”, and asked what you thought would happen in the book, I bet you’d come up with something pretty similar to this. It hits the beats it needs to hit. Finn is clever and smug, Riveria is powerful but haughty, Gareth is strong but stubborn. And Loki is, well, Loki. This gives folks the backstories they wanted, but it has exactly zero surprises, unless you count Eine’s mom (who, as Loki tells us a few times, has got it going on).

Loki Familia is having a big celebration – though admittedly one close to home, as they’re short on cash to go to a bar right now – to celebrate the big news. Finn, Riveria and Gareth have all hit Level 7, and they did it at the same time, too. After a raucous feast with the whole family, the three of them and Loki have a quieter drink afterwards, and get to reminiscing. We see a Loki who’s just come down to the human world and has zero followers. She meets Finn, who has a tragic backstory but is also determined to show the world not to look down on prums, even if he has to give up his first love to do so. Riveria is shown as a princess who’s trapped in the forest with the high elves, and her escaping with her attendant and best friend Aine, despite her father and the other elves pursuing her. And we see Gareth in a small, poor mining town, doing his best to make sure everyone can live even though he’d really rather be out adventuring.

As always with this author, the fights get better as they go along, which means Gareth’s story is probably the one that hit best for me. I could have done without Loki’s sexual harassment, but honestly I’ve seen worse from her, and I know by now it’s meant to be her THING. I did mention Aine, and she does not do much, and clearly is not suited to be part of Loki Familia. Unfortunately, we don’t see how she married a human here – maybe there’s a side story or game that talks about it. The bulk of the book is “elves and dwarves hate each other”, with a side order of “hobbits are weak” – sorry, prums – and about the three of them learning to get along and discovering how strong they are as a fighting team. And Loki does manage to be clever once or twice in amongst being a horny brat.

So yeah, this is exactly what it says it is, no more, no less. The next book promises to tie back in with the main series, and also have more of Ais.

The Saga of Tanya the Evil: Dum Spiro, Spero, Part 2

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By Carlo Zen and Shinobu Shinotsuki. Released in Japan as “Youjo Senki” by Enterbrain. Released in North America by Yen On. Translated by James Balzer.

It’s been quite a while since the last volume of these in English, even though in Japan, the two volumes came out only one month apart. That said, this is also the final volume of the series to date, as we have not yet seen the 15th volume in Japan as of this date. I don’t really blame the author, as it can be rather tricky to get the right tone for this series. It’s an anti-war but pro-military series, and it has to show us that war is hell while also managing to convey that reading about a good firefight is a hell of a lot of fun. It also can’t really kill off too many named characters – for all that we hear about people dying in this book (including, possibly, the greatest comedy character in the series, who returns in this book), the core of Tanya’s unit are still around. Even if they’re tired. So very, very tired.

The bulk of the start of the book is the aftermath of Tanya’s faked retreat orders, and how everyone seems to be disbelieving – not surprising, given everything we hear about the Empire. Fortunately, after Grantz flies all the way back to the capital and tries to avoid various court-martials and treason accusations as he barrels along, Zettour gets the message and is able to confirm – carry out those orders. Of course, that’s easier said than done, and Tanya and her group don’t even have that luxury – while the army retreats, they’re tasked with flying into the Federation attack, stopping supply trains, hitting disguised air bases, and trying not to die. And then after THAT, they get to take almost every mage in the entire not-German army on a suicide mission to take out various Federation strongholds. And then the worst possible thing happens – the enemy blows up their kitchen. (No really, think about it, surviving while exhausted on dry rations is TERRIBLE.)

I’m mentioning the exhaustion a lot because it really comes across here. By the end of the book Tanya’s comrades are dead on their feet, and even she sometimes gets to the point where fatigue is making her a little loopier than she normally is. They’re doing things that shame soldiers, as while they’re advancing on the enemy, they have to leave their own fellow soldiers to die – they cannot save them and attack at the same time. it’s frustrating, unless you’re Tanya, who coolly explains why it has to happen. The only one who seems firmly in her camp all the time is Visha, who is more worried about Grantz, who’s gotten more to do lately, replacing her as adjutant. Tanya reassures her. Weiss, meanwhile, thinks they’ve both “turned rotten”, and he’s not wrong. By the end of the book, they’re being sent off to fight again… but not in the East! Tanya may finally get an opportunity to defect.

Assuming we get the next book, of course. For now, the Empire still hangs on. We’ll be waiting to see if it makes it through Book 15. For fans of… well, the light novels, really. Fans of the anime should probably try the manga first. And fans of Isekai Quartet may just hate this.

The BS Situation of Tougetsu Umidori, Vol. 3

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By Kaeru Ryouseirui and Natsuki Amashiro. Released in Japan as “Umidori Tougetsu no “Detarame” na Jijou” by MF Bunko J. Released in North America by Yen On. Translated by Andrew Cunningham.

I like to theorize about what happens behind the scenes of an author, editor, and publisher, even though I am usually right about 1% of the time, if that. And when I got to the end of this third volume, I did wonder if the author was quietly told before it was written to plan for this to end with the fourth book (which it seems to have done, though I know better than to declare things definitively over now). The first two volumes of this book were very much concerned with the lies and the people behind them, and I was expecting this one to be as well. And to be fair, there is a situation with a lie and a person behind it. But the lie is incredibly pathetic, and it’s resolved in a way that’s deliberately comical. Because this is about Tougetsu Umidori, of course – and her story and its lack of lies are the whole point of the series, and not as easily solved.

Tougetsu has a problem. After avoiding it for nearly a year, her grandmother demands that she come home to visit or else she’ll be forced to move back home permanently. This upsets her, but she’s going to have to suck it up and do it – but it’s OK, Nara will come with her, as they’re friends, and Nara is tremendously curious about her family. That said, once they arrive, Nara finds that her grandmother is pretty nice and kind of normal… except around Tougetsu, where she turns into this stern scary woman. What’s more, she was really looking forward to meeting Tougetsu’s mother… who has fled the house. As it turns out, Nara ends up deeply regretting coming at all. Meanwhile, famous Kobe dishes are now thought to be famous Kakogawa dishes. Someone is altering reality so that Kakogawa gets all the cool Kobe dishes! It can only be a lie! Fortunately, Bullshit-chan has a solution – Youtubing.

There’s a lot of setup for the next volume involving the bad guys, as well as the true nature of Bullshit-chan, but let’s face it, the real meat of the book, and the best part, is the budding relationship between Tougetsu and Nara, and its near-fracturing here because of the way Tougetsu sees herself. Tougetsu’s inability to lie has led to her friendships being sundered, but she also has a lot of family trauma as well (which, be warned, involves an attempted suicide). What this means is that she seemingly feels no deep connections – if Nara broke things off and said she didn’t want to be friends anymore, Tougetsu would just accept it and distance herself. Which, of course, infuriates Nara. This is not a yuri series per se, but the only important male character in it is the villain, so it might as well be. Tougetsu and Nara make up at the end, and seem to come to a compromise, but I suspect it will take working out Bullshit-chan to work out Tougetsu.

Will this end in happiness or in tears? “Yes”, I suspect is that answer to that. Till then, please enjoy Bullshit-chan streaming cooking shows to save Kobe cuisine. And two kinda-gay teens trying to work things out despite one (one?) being really fucked up.

Sasaki and Peeps: A View-Count War Breaks Out on Social Media! ~My Neighbor’s Explosive VTuber Debut~

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By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

The danger of a series like this, which tries to change genres with every new volume, is that eventually you’re going to hit up against one that you’re not really all that interested in. When I saw that this volume was going to be about VTubers, I sort of groaned. It’s not my thing, and I don’t do the virtual idol thing either. So when Type Twelve decided to make this her new thing, I was prepared for this to be a slog. Fortunately, I was saved by the fact that the author knew which character to give the spotlight to this time around. Kurosu has gotten short shrift for a good deal of the series (when the anime came out, most wondered why she was even there at all), but her deadpan horrible personality meshes really well with trying to be a hot VTuber success, especially since we also still have her desperate 13-year-old horny urges to bang Sasaki (which is never going to happen, and I think she knows it deep down).

As noted above, Type Twelve is done with school because of … well, see Book 8. Instead, she’s decided to try uploading videos to Youtube (yes, they use the actual word). This becomes a competition, with everyone in the “family” (thus not including Elsa and Peeps, who already have a Youtube channel) competing to see who can get the most page views… and the winner has to order the loser to obey any command. Naturally, this gets Neighbor Girl tremendously excited, as even she knows that middle-management dude Sasaki is not going to be able to compete with four cute young-looking girls. She decides to (with Type Twelve’s tech help) become a cute, happy VTuber… which is a disaster. However, the backlash actually forces her to use it to her advantage, and she comes back admitting the happy girl was a fake and she’s a depressed introvert. This goes MUCH better… to the point where she’s scouted!

I’ve talked before about how the neighbor girl is so screwed up and horrifying that it almost comes around to being funny, but that’s not really sustainable if you’re going to have the series develop characterization (which is debatable – honestly, I think this author is far happier having its characters be cutely meta than learning anything about themselves). Over the course of the last few books she’s been forced to endure a lot and also interact with others far more than she ever did before. As a result, while her quiet cynical sarcasm is present and correct, as is her twisted sex with Sasaki fantasy, she no longer looks as if she’s actively trying to kill herself. Actually, she may have found a career path – her quick deductions at the scene of a crime, while getting in the way of the plot, show off a detective skill that’s actually kind of scary. Is she healing? A bit?

The others, rest assured, get stuff to do, and Hoshizaki gets the funniest part of the book. But yeah, this continues to interest me, even when it’s playing around in sandboxes I don’t care about.

Chitose Is in the Ramune Bottle, Vol. 7

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By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

Throwing up the spoiler warning here: I discuss the big revelations in this book, but not till the third paragraph.

I was expecting something else, to be honest. After the trauma of the last few books, the sturm und drang and Yua playing Baker Street over a sobbing Chitose, that we would sort of go back to everyone smiling, going back to their normal high school lives, and have a nice, relaxing 7th book. And, to be fair, so was the author. There is an extra-long afterword describing their thought process while writing this book, and you can see how the first, oh, third of the book is written by a very different person from the one who wrote the last two-thirds. Because the author is correct, that is what the characters want. It’s what the readers want. We do not want more angst. We want to relax. Unfortunately, for the sake of the story, the author cannot give that to us. And so… see the girl on the cover>? She’s a first-year. She’s spunky, cute, and loves the whole cast. And she’s also a bomb.

After the events over the summer, Chitose is hoping that everything will go back to normal. And, aside from Yuuko having the traditional “moving on” haircut, they do. Which means it’s time to plan for the culture festival, which is two months away and seems to involve both a sports day AND a culture day. Naturally, Chitose and company are very involved, especially since, in his first year, he was not in the right headspace to handle a festival. Now he and the rest of the group want to be on the cheer squad. They’re joined by Asuka, who is happy to do something with them before she has to graduate. They are also joined by Kureha, a first-year who has heard all the stories about the very famous Chitose and his very famous friends, and is star-struck. She rapidly becomes part of their group. A bit too rapidly. The reader gradually feels that things are about to go very, very wrong.

As our little bomb sent everyone into a coma over the course of the last third of the book, I noticed that Yuuko was pretty much absent. She’s not like all the others, after all. She actually confessed and was rejected. So Kureha can’t really do much about her. It’s worth noting that Kureha is being written as a horrible villain after the reveal, and the reader sees her as one long before that, but to all the other girls, she’s not. Particularly Yuzuki, who is on the cover of the next two books in this series, and I strongly suspect is going to step past Yuuko to steal the main girl spotlight. But the way that Kureha demolishes Haru, Asuka and Yua with “innocent” ease shows off that much as we’d like all the girls to be equal in their chances to win Chitose, that’s not how love works. You have to commit. You have to be ready to hurt others to get what you want. Yuuko understood that, and the hurt was devastating to her. Kureha is able to hurt far more easily, but so far only Yuzuki, who has always been the most aloof of the group, is ready to take things to the next level.

As the anime seems to be polarizing people, the novels are hitting another high point. Just… be ready for things to not be safe and fun.

The Wicked Princess and Her Twelve Eyes: The Legendary Villainess and Her Elite Assassins

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By Daken and saino. Released in Japan as “Aku no Reijou to Juuni no Hitomi: Saikyou Juusha-tachi to Densetsu no Akujo, Jinsei Nidome no Kareinaru Musouroku” by Overlap Novels. Released in North America by Airship. Translated by piyo (Irene Nakano). Adapted by Rei Geronimo.

I was going to buy this anyway simply as I like the genre, but then I saw it was by the author of Who Killed the Hero?. And then, for some reason, as I was reading it, I totally forgot that. I’m not sure why. But the first, oh, two-thirds of this book is content to just be a hoot. You’ve got the usual villainess who goes back in time and does things over again. There’s a large helping of humor, both because she’s an absolute sadist but also from the author themselves (one of the color pages tells us what each of her squires excels in, and one girl is simply “energetic!” in a “no thoughts, head empty” sort of way). That said, don’t worry, this *is* by the author of Who Killed the Hero?, and the last 50 pages or so made me sit up, and then made my jaw drop as I recalled all the things I hadn’t bothered to pay attention to.

Serena Rosenberg starts this book, as all good villainesses do, by getting her engagement broken in front of a large crowd of nobles. Unlike most villainesses, she really is guilty of a lot of attempted murder against the heroine. Even though none of her attempts succeeded, she’s sentenced to death. As she’s forced to drink poison, she realizes that her biggest fault was that she did not have competent minions. Then she wakes up as a baby again, but with memories of her past life. Unfortunately, she’s still pretty much a terrible person, but she definitely wants to avoid her previous fate. Therefore, she actually studies magic and the sword, getting good at everything. She also goes to an orphanage, grabs the six “problem children” from it, and puts them through training. Ridiculously hard training.

The bulk of this book goes sort of how you’d expect, being one of those “Serena does something with evil intentions, but everyone else sees it as good” sort of books. Her hellish training really is needed to snap this orphans out of their mindsets, and makes them better people. She gets them dogs, who become good pets and like family to them. She does this for absolutely WRETCHED reasons, but because she’s being so good, those reasons have to be abandoned. And as the book goes on, we see her realizing that she doesn’t really want to get revenge, and doesn’t care if the heroine marries the prince after all. It’s headed for a “doing good thing feels good” sort of ending… and then we’re reminded about things we took for granted because this genre has lots of mediocre things that make the brain assume. Like why does her mother avoid her? Like why did she go back in time in the first place? The last chunk of this book is here to answer the questions, and the answer is pretty terrific. And yes, author, I appreciated the added ending.

If you like this author, cool plot twists, or books where the protagonist is terrible but in a fun way, this is a must-read. Also, I teared up a bit when I realized what the title meant.

The Twelve Kingdoms, Book Two: Shadow of the Moon, Shadow of the Sea, Part 2

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By Fuyumi Ono and Akihiro Yamada. Released in Japan as “Tsuki no Kage, Kage no Umi” by X Bunko White Heart. Released in North America by Seven Seas Entertainment. Translated by Kim Morrissy. Adapted by Monica Sullivan.

Last time I assumed that things would get better for Youko over the course of this second book, and to be fair they do SORT OF, but it does not remove the trauma of what has happened to her, especially once she discovers that this journey, much as she would like it to be otherwise, is pretty one-sided. By the end of the first book she was betrayed twice over, and is mentally and physically on her last legs, and so at the start of this book she regards any act of kindness at all as an attempt to soften her up before they betray her again. It doesn’t help that she’s still getting attacked by youma, which she’s getting quite good at killing – her sword skills are improving by leaps and bounds! – but it does also mean that she’s starting to regard herself as a bad person… and perhaps not even a person at all. Which, um, turns out to be correct. Except for the bad part.

After the events of the last volume, Youko is in bad shape, and unable to trust anyone. She ends up, fortunately, getting picked up by the best possible rat that she can. And no, I don’t mean a rat as in a terrible person, I mean an actual walking, talking rat. Rakushun is a Hanjyuu, a half-beast, who is smart and kind but unfortunately in the wrong kingdom to be able to get ahead. He spends a large portion of the start of the book trying to convince Youko that he’s not going to sic the guards on her the first chance he can get. He also gives her a lot more information about this world, which will come in handy when they are inevitably separated on their journey and she has to go on alone. Eventually she ends up in the kingdom of En, which is a LOT better than where she was. Unfortunately, the youma keep attacking her no matter where she is.

I was prepared for this to feel a lot different from the anime, as Sugimoto doesn’t exist in the novels beyond the very start. But wow, this book is concerned with Youko and her situation, and everything else about it is secondary. Not to spoil too much, but there’s a huge battle between an army of soldiers trying to protect a false queen and Youko and a number of crack troops, and it starts on page 209 and is done by page 210. The false queen herself takes up half of the cover art. We never meet her. This book is laser-focused on Youko and her thought process, and it’s absolutely riveting. We see her start at the lowest possible ebb, and as she gradually learns to trust again and gains more and more information, she realizes how intertwined she is with this world and how it’s practically impossible for her to run away without causing a catastrophe. The climax of the book is not the battle – it can’t be. It’s Youko’s choice. The rest is just an afterthought.

Now, the next book does not in fact focus on Youko, but moves to a different kingdom, as if to remind us that the title of the book is indeed The Twelve Kingdoms. I still can’t wait to read it.

The Adorable Dungeon Master, Vol. 1

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By Hunger and Llo. Released in North America by J-Novel Club.

This is the 2nd of the J-Novel Club original light novel contest winners I’ve taken a look at, this one with illustrations by the artist who does Reincarnated as a Sword. Unlike An Unruly Summon, I don’t think the author has a large number of similar-looking webnovel series lying around the internet, so this is definitely the first I’ve seen of them. This won the Bookwalker Prize, which was as far as I can tell the one the Bookwalker Judge wanted to single out, and the judge commented on how cute it was. And they’re not wrong. Though you may not guess it after reading the prologue, this book is called The Adorable Dungeon Master and that’s exactly what you will get. Lilac’s inner narration can be a hoot, as she alternates between being a sensible gamer bringing modern-day knowledge to a “based on a game medieval fantasy” world and a chatterbox young women with no off switch. She loves cute things, and there’s a lot of them as well. That said, be warned: this is about as deep as a puddle, and the one or two times I thought it might get deeper, it ran away from it.

Luicia Morales has big plans. Sure, she was a bit of a nerd in high school, mostly interested in linguistics, and with an overprotective family making sure no guys came anywhere near her. But now her family is getting ready to move out of the dangerous neighborhood they live in, and she’s going to study to be an interpreter! Unfortunately… no, not Truck-kun… as she’s about to get in the moving van, a nearby turf war means she’s shot and killed as a passerby. She wakes up as (try to contain your surprise) the character in the old game she loved! She’s a Sprigian (fairy), she’s about half to a third of the size of a human, cute as hell, and she’s stacked and has a big ass, which I merely mention here because she mentions it an awful lot. She’s also very OP, and as it turns out she’s the Heir of Balance, which means she’s Very Important. Which is good, as she’s in the nightmarish forest of monsters.

This is, as I said, a lot lighter in tone than the grim beginning might suggest. Lucia/Lilac has one brief moment where she grieves about her death and thinks of her family, but her grief causes bad weather in the fairy castle she’s in (it’s controlled by her emotions), so she basically moves on to make things nicer. There are actual bad guys in this new world, but they’re all of the “cartoonishly evil noble” sort, and the biggest surprise in the book is that the fate of one of them isn’t just “killed off in the worst possible way”. The best parts of the book are when Lilac is either making new minions and interacting with them (I particularly liked the bear who turns out to be a bear mascot who is cripplingly shy), or when she’s actually thinking about the linguistics that she wanted to be her specialty back in Japan… wait, no, this is an OLN, back in America, I assume. She bonds with an ancient human scholar in the new world, and their relationship was pretty cute, and possibly the healthiest she has given that her default way of looking at those she’s created as minions tends to be “oh no he’s hot”.

There is an exciting battle against a giant frog/crocodile lake monster near the end, but for the most part this book is for people who don’t want to see its lead break a sweat, but they do want to see her snuggle cute giant wolf puppies and make teddy bears for young princesses.

Long Story Short, I’m Living in the Mountains, Vol. 3

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By Asagi and Shino. Released in Japan as “Zenryaku, Yama Kurashi wo Hajimemashita” by Kadokawa Books. Released in North America by J-Novel Club. Translated by N. Marquetti.

I’ve talked a lot about this series as a slow life series, and about the romance or lack thereof, and even a bit about how it’s sort of a bizarre fantasy only not quite. But this volume really hammers home the title of the book, which is that Sano and his fellow emotionally damaged neighbors have bought a mountain and are living on it now. And sometimes this can be difficult. Mountains require a lot of maintenance, you need to keep an eye out for dangerous animals and insects, and there’s always the danger of a typhoon coming through or a harsh winter. And sometimes having a mountain with animals on it can be useful, especially when you’re feeling smothered and still trying to avoid your core issues, so your visit to your parents can take place in less than an hour before you beg off and flee once again to the middle of absolutely nowhere.

Life goes on for Sano, though he finds he needs to be more careful and perhaps also get more exercise at several points during this book. While cutting grass he gets a very bad cut, and has to get some help from others to get it stitched up. He visits his parents, as I said before, and then comes right back the same day. He makes sure that the murder hornets on Katsuragi’s mountains are taken care of, mostly thanks to his chickens wanting to eat them. He deals with chestnuts, and excess crayfish. A typhoon is coming, and he has to manage preparations, calm his animals, and then deal with the aftermath, which can sometimes involve huge trees on your mountain path. And, as the book ends, he prepares for his first real winter on the mountain (he arrived near the end of the last one).

Aside from “owning a mountain is hard”, we also see Sano’s desperate desire to be left alone and not owe anyone anything, which does not come up explicitly in his dialogue but is implicit with everyone else. He seems baffled by the fact that people keep offering him dinner, or stuff to take back home, or that they’ll help him free of charge. He needs there to be a transaction of some sort, and that just isn’t going to happen on this mountainside. There’s also the bizarre harem he’s acquiring – not in a romantic way, mind you, but both Katsuragi and Aikawa are angling to become a person who is close to him, someone he can open up to. So far Aikawa is winning, but that’s mostly due to underlying sexism on Sano’s part. That said, it’s also due to hsi chickens. One of whom is essentially acting like his wife. Add this to the lamia who is acting as Aikawa’s girlfriend, and you can see that the fantasy animals in this series are sort of psychological trauma write large… or the solution to said trauma.

Next time we apparently introduce a new regular, which might shake things up a bit. Till then, this is slow life for slow life fans, with no pesky danger or plot twists getting in the way.

BLADE & BASTARD: Drag Him High

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By Kumo Kagyu and so-bin. Released in Japan as “Blade & Bastard” by Dre Novels. Released in North America by J-Novel Club. Translated by Sean McCann.

I’ve talked before about how a reader should not be angry that their genre book is in a genre. For example, being annoyed that an isekai has people transported to another world seems a bit petty. And I do occasionally have to remind myself of this rule. Blade & Bastard is a series where there’s a lot of mysteries going on behind the scenes that I would like to find out about, and we even get a glimpse of some of them at the start of this book, making me quite happy. But then I am reminded: this is a book whose sole purpose is to advertise the game Wizardry, and it’s never really going to get out of that wheelhouse. As a result, after about 1/3 of a book where we tease stuff we’ve wondered about for a while, it’s back to the dungeons, back to fighting demons and zombies, and of course back to folks dying horribly and needing to be resurrected. Well, hopefully resurrected. There’s a cliffhanger, and some of those folks are still dead.

All the adventurers have been called together, as the Crown Prince is coming, and they all have to at least bow a bit. All except Iarumas’ group, of course – they’re off in the dungeon, and don’t show up. Festin, said crown prince, is somewhat grumpy about this, as he really wanted to see Garbage – and is very ticked off when Garbage finally does show up, and is not very happy either. We also hear a bit about the tragic backstory that every woman in the royal family has – one princess had a demon attack the palace while she was there, one Queen reigned during a hideous calamity, and one queen had her sister turn to evil. And then there’s Garbage, who… well, we keep hinting about what’s going on with Garbage, but that’s all we’re gonna get, still. Because unfortunately, somebody kidnaps the prince and all his maids, and kills all his guards (and also turns them to stone, so I think they’re dead dead). And takes them… to the dungeon, of course.

There’s a large number of folks in this book who have red hair and compelling eyes, the same as the royal family. Not only Prince Festin (who I have used male pronouns for as the book does, but I won’t be surprised if that changes) and Garbage, but also Flack, the monster who is the main antagonist of this book. When they say the royal family is cursed, they’re not kidding. That said, there is some nice character development in amongst all the grim dungeon horror. Aine fails to stop the abduction/murders, and feels very depressed about it (going to, in one of the most surreal moments in the whole series, a fantasy baseball game to clear her head) and Iarumas has to cheer her up. (They still have romantic subtext that likely won’t go anywhere, but it’s very present here.) As for Iarumas, he helps everyone else get character development by dying horribly, meaning the rest of the group has to not only bring his corpse back to be resurrected, but they also want to defeat whoever killed him. They’re getting strong. Even if they all deny it.

If you like dungeon crawl fights featuring every stereotype in the book, this remains a fast, compelling read. We’re caught up again, though, so have patience.