Bookshelf Briefs

This week, Sean, Anna, & Michelle look at recent releases from Kodansha Comics and Viz Media.

Fairy Tail, Vol. 35 | By Hiro Mashima | Kodansha Comics – Leaving aside the fight between Natsu/Gajeel and Saber Tooth’s Natsu and Gajeel-alike’s that takes up half this book, what struck me most was how it’s trying to have a lot of humor but it feels more and more that this is due to the fact that there will be little opportunity for it soon. We see future Levy talking about everyone dying in 2 days (including her beloved… hrm, Gajeel shiptease there?), and Jellal runs into the mysterious hooded figure, who is clearly someone he knows. And of course there’s the opening scene with Lucy beaten so bad she’s hospitalized. Given that, I am more charitable to the giant fanservice scene that is Chapter 298, and am highly amused by Gildarts’ entire chapter that shows that just because one is middle-aged does not mean you stop being a big dumb shonen hero. – Sean Gaffney

Happy Marriage, Vol. 5 | By Maki Enjoji | Viz Media – With all the yaoi manga coming out, I feel like it is a tiny bit unfair that there are so few currently translated smutty manga for older ladies who enjoy stories about forced marriages and vampire bosses! But it is all the more reason to celebrate the few series like that which are translated! Volume 5 of Happy Marriage continues to document the growing relationship between Chiwa and Hokuto along with plenty of Machiavellian corporate machinations. Hokuto is finally showing his more vulnerable side to Chiwa, but not without plenty of misunderstandings along the way. Even though this manga is fairly predictable, it is still consistently enjoyable. – Anna N

Kamisama Kiss, Vol. 14 | By Julietta Suzuki | Viz Media – The gap between the volumes for this series is getting fairly long, but that just makes me appreciate it even more. Suzuki’s world building and unique character designs make every volume a pleasure to read. In this volume Nanami throws herself into another adventure in order to save a dying Tomoe. The long-lost Mikage of the shrine returns for a visit and drops a few not very helpful hints about Tomoe’s conditions, leading to Nanami undertaking a dangerous trip through time in order to prevent the curse that threatens Tomoe. Along the way she meets Tomoe’s first love and sees a much more warlike and aggressive version of the fox ayakashi that she holds so dear. It’ll be interesting to see the fallout from the journey through time, especially if it changes Nanami and Tomoe’s relationship in the present. – Anna N

My Little Monster, Vol. 1 | By Robico | Kodansha Comics – Neither Shizuku Mizutani nor Haru Yoshida has any friends, the former because she’s obsessed with studying and the latter because of his tendency toward violent and/or bizarre behavior. They somehow manage to strike up a friendship, however, and as Haru learns to relate to the world a little better, Shizuku begins to see the benefits of involving herself with other people. This perhaps makes My Little Monster sound like it’s a drama, but it really isn’t. I snickered quite a few times (even at the back cover, a promising early sign!) and basically loved every time Haru’s pet chicken appeared, which was frequently. Again, I’d stop short of calling this series profoundly great, but it was definitely enjoyable and a nice surprise, since I had no knowledge of it prior to its release here. I’ll be checking out volume two! – Michelle Smith

Phantom Thief Jeanne, Vol. 1 | By Arina Tanemura | Viz Media – I am very seldom in the position of loving an Arina Tanemura series almost without reservation, but such is the situation I find myself in with Phantom Thief Jeanne. I suspect much of this reaction is due to nostalgia—I have fond memories of watching the anime back in the days of VHS fansubs—but I do honestly think Jeanne has much to recommend it. Maron is not your typical happy-go-lucky Magical Girl heroine, and is confident, to boot, with inner dialogue like, “I don’t need to be saved… I’m not a weak little girl.” Too, I really like how Tanemura paces the development of Maron’s relationship with neighbor/rival Chiaki, and how Maron learns he’s been deceiving her just as she’d decided she could trust him. True, the art can be distracting (those eyes!) and there are quite a few unfunny comedic gags, but on the whole this is a series I’m glad to see back in print! – Michelle Smith

Sankarea: Undying Love, Vol. 5 | By Mitsuru Hattori | Kodansha Comics – Again, the cover tells the story, as things really aren’t going well with the whole ‘don’t eat people’ thing Rea’s trying to achieve. Luckily, the cavalry arrives in time, but now Rea and Chihiro are strangely embarrassed to be around each other. (Gosh, I wonder why?) What was more interesting to me was the Wanko subplot towards the end of the volume, where we see that her crush on Chihiro, and desperate realization that it’s not going to happen, is so bad that she ends up trying to turn herself into a zombie to get closer to him. Fortunately, the near-death experiment doesn’t take, and it seems to give her some sort of closure instead, which is a relief. Still, if you read Sankarea as a harem love comedy, I expect you may have run screaming by now. It’s the creepy horror that keeps things hopping. – Sean Gaffney

This week, Sean and Michelle check out recent releases from Viz Media and Kodansha Comics.

Midnight Secretary, Vol. 4 | By Tomu Ohmi | Viz Media – This is a volume of two halves. In the first part, with Kaya and Kyohei separated from each other, they’re both at their best, and she even gets a very tempting marriage proposal – one which, as she turns it down, she notes would likely be better for her than her current situations. Then once she does come back to Kyohei’s side, things turn sour, as his staff think she’s a paid mistress, and a vampire acquaintance reminds her of her place in the hierarchy as a human. To give Kaya credit, she’s able to figure out right away that Kyohei’s vampire pride is getting between them – and we have the added bonus of knowing it’s also due to his growing love for her, and the disbelief that comes with that. At the midway point of this series, it’s still an excellent read for those who enjoy more mature titles. – Sean Gaffney

Missions of Love, Vol. 6 | By Ema Toyama | Kodansha Comics – I have to hand it to Toyama. Most series that begin with prickly, hard to deal with characters have them soften up fairly quickly as circumstances come along. Not Yukina, who six volumes in remains incredibly frustrating to read about. She’s also frustrating for Shigure to deal with as well, as he finds it impossible to get her to accept his feelings even when he asks her straight out. Things are not helped by a) Mami and Akira, who continue to plot to drive the couple apart even as they grow closer, and b) Yukina herself, whose new order for a forced kiss leads to some very uncomfortable areas – something lampshaded by Shigure himself. All in all, however much you want to strangle its heroine, this remains a compelling potboiler of a manga. – Sean Gaffney

Oresama Teacher, Vol. 16 | By Izumi Tsubaki | Viz Media – This is a darker, more serious volume of Oresama Teacher. Oh, there’s still plenty of laugh-out-loud humor, rest assured. But the presence of Momochi as the Student Council’s latest lancer in their attempts to destroy the Public Morals Club is far more frightening than any of its previous comedic types. The club is broken apart so easily that you worry, and it’s quite notable that Hayasaka’s blackmail letter is never actually revealed – I suspect his background will be at the end of the while series. Yui is also learning the danger of having real friends when you have to betray them – you feel horrible about it. It’s a good thing that Aki and Komari’s plot wrapping up is so cute, as it helps to lighten a funny but dark darker volume. – Sean Gaffney

Ranma 1/2 2-in-1 Edition, Vol. 1 | Rumiko Takahashi | Viz Media – Somehow, I have missed out on Ranma 1/2 up until this point. I knew it was an episodic sitcom-esque sort of series, which aren’t really my thing, but as it turns out, I enjoyed this one quite a bit! I’m honestly surprised and I have no choice but to conclude it’s because Takahashi is at the helm. How else to explain that the bickering leads with the occasional glimpse of genuine feeling—Ranma and his unwilling fiancée Akane—do not bother me nearly as much as the bickering leads with the occasional glimpse of genuine feeling in Nisekoi? I also found myself giggling more than expected. Not at the multitudinous conveniently placed bodies of water that trigger Ranma’s gender transformation, but at some of the dialogue. “She’s really a very sweet girl. She’s just a violent maniac.” is a particular favorite. All in all I’m left to wonder why I waited so long. – Michelle Smith

Strobe Edge, Vol. 9 | By Io Sakisaka | Viz Media – I warn you that you will end up very angry at a group of thugs who make their appearance halfway through this volume. Not only do they beat up one of the main characters, but they also ruin the romantic resolution that was so tantalizingly close. And so, with one volume left to go after this, Ninako and Ren are farther apart than ever, even as they both come to terms with their true feelings. Luckily, there’s more to this series than just its two leads. I’ve remarked before on the compelling side characters this story has, and one drama bomb dropped by Ninako’s friend Toda, who in the space of two pages reveals a manga story that I’d love to see and then vanishes from the narrative. Strobe Edge comes to an end next volume, and I hope that Ninako, who has finally learned what love really is, can find happiness. – Sean Gaffney

This week, Michelle, Sean, and Anna look at recent releases from Yen Press, Kodansha Comics, Seven Seas, Viz Media, & Vertical, Inc.

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Blood Lad, Vol. 4 | By Yuuki Kodama | Yen Press – It’s been nearly a year since we had a new volume of Blood Lad, and I’d forgotten just how well it suits my sense of humor. Right from the start, it had me giggling, and even rereading the few lines of dialogue I jotted down had the same effect. Kodama could also give lessons on how to effectively introduce antagonists, as Team Fearless, a group of vampire hunters targeting Staz, is immediately funny, memorable, and interesting. They’ve all got some unique powers, but my favorite is the cat-like leader, Shamkid, who basically grooms his enemy and swallows their hair to gain the ability to predict their movements. After the battle, he horks it back up. Hee! On top of this, we learn what Braz’s endgame has been, which has the potential to affect the entire demon world. Happily, we’ve only to wait until July this time for the next installment! – Michelle Smith

Cage of Eden, Vol. 13 | By Yoshinobu Yamada | Kodansha Comics – Cage of Eden has moved from every 2 months to every 4, never a good sign for a North American release. Nevertheless, it’s ended at 21 volumes in Japan, so should finish up over here. This volumes features a lot fewer attacks by prehistoric animals – zero, in fact. What we get instead is some plot development. Yarai and his group find their building is not what it seems, and also that his teacher is slowly dying. On Akira’s side, we see the introduction of two men from another camp elsewhere on the island, which is led by a doctor who may be Akira’s evil counterpart. And yes, there’s nude bathing, because this is Cage of Eden – monsters may be optional, but breasts are not. It’s still a good, fluffy read, but it’s starting not to justify the investment put into it. And as ever, no real romance. – Sean Gaffney

Fairy Tail, Vol. 34 | By Hiro Mashima | Kodansha Comics – Well, if nothing else, I think we know who our next Big Bad is going to be. From the first chapter to the last, Minerva has shown herself to be a rather loathsome, yet insanely powerful figure. Naturally, Lucy ends up getting the brunt of the suffering here – Erza and Cana earlier showed off the massive power that Fairy Tail possesses, but Lucy’s job seems to be punching bag a lot of the time. Meanwhile, Laxus gets a battle of the mind with his father, and Wendy gets a cute adorable shonen battle which ends with true friendship, just as you’d expect. There’s nothing really wrong with this volume, but as with most tournament arcs, things are getting rather predictable. I’d really like some sort of hideous disaster to come along and shake things up a bit. Perhaps Mashima can oblige me. – Sean Gaffney

Fushigi Yûgi: Genbu Kaiden, Vol. 12| By Yuu Watase | Viz Media – I admit it: I read the ending first. I feared some sort of sappy retcon of what had been established about the Genbu priestess in the original Fushigi Yûgi series, but I needn’t have worried. The ending is a satisfying one, but like volume eleven before it, volume twelve feels pretty rushed. I wish there was more time to dwell on the various sacrifices made to bring peace to an icy and wartorn land. One of the best things, though, is this comment from Watase’s comments at the end of the volume: “I hope you’ll be patient in waiting for the Byakko arc!! Sure, I want to work on it!! Now that I’ve come this far, I can’t die before I finish every arc.” It feels a little wrong to say “woohoo” after the events of this volume, but I admit the temptation is strong. – Michelle Smith

Knight of Sidonia, Vol. 7 | By Tsutomu Nihei | Vertical, Inc. – I’m enjoying Knights of Sidonia a great deal, but it’s sometimes hard to express why in a review, even a brief one. There’s less wacky harem antics here, though it is notable that Tsumugi, the newborn hybrid Gauna, seems to have a massive crush on Tanizake like all the other female (or even ambiguously gendered characters) do. There’s lots of epic space battles for those who like them, with both Tsumugi and Tanizake getting to show off their awesome battle prowess. There isn’t quite as much creepy body horror here as in previous volumes, but it’s there. Mostly, though, this is a series that’s hard to really describe to someone when they ask why it’s good. You just have to give it a try, and see for yourself. Because it’s addictive, and once you start reading you won’t be able to stop. – Sean Gaffney

Midnight Secretary, Vol 4 | By Tomu Ohmi | Viz Media – As this volume opens secretary Kaya is torn…between two bosses! She continues to work on her temporary assignment to the Erde company while juggling secretarial and blood donation duties to her vampire boss Kyohei Tohma at night. Kyohei is disconcerted by his feelings of jealousy whenever he sees another man near Kaya while Kaya continues to maintain that providing the president with her blood is just a routine part of her job. Kaya knows that she’s in love with Kyohei, but is determined to just live her life with unrequited feelings because she’s so devoted to her secretarial job. The sudden presence of a new female vampire also throws off the equilibrium in Kaya and Kyohei’s relationship. This volume won’t disappoint fans of the series! Midnight Secretary is so delightfully trashy and gothic, I always enjoy each new volume. – Anna N

Strike Witches: Maidens in the Sky, Vol. 1 | By Humikane Shimada, Project Kagonish, and Yuuki Tanaka | Seven Seas – This turned out to be a lot more harmless than I was expecting – possibly deliberately, I understand there was a manga version in Japan before this that was cancelled for content reasons. Aside from a wacky panty-snatching dog familiar, and panty-rocketed teenage girls, this is your standard girls in school learning how to use their awesome powers manga. The girls in question are soldiers, brought in to battle aliens who have devastated the Earth. The teen soldiers include our heroine, the naive Yoshika, who may have more power than any of the others. If you can get past the basic premise, and don’t mind fanservice, this is a pretty good action comedy runaround. It wraps up next volume, I think, but there’s more spinoffs on the way. – Sean Gaffney

This week, Michelle, Sean, & Anna look at recent releases from Viz Media and Yen Press.

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A Devil and Her Love Song, Vol. 13 | By Miyoshi Tomori | Viz Media – Recently, A Devil and Her Love Song has been pretty melodramatic, but I’m pleased to report that the thirteenth and final volume is the best in some time. The best parts, though, have nothing to do with main couple Maria and Shin. Instead, I really liked how much focus the group of friends received as a whole, particularly Ayu, with her unrequited feelings for Yusuke, and Yusuke with his unrequited feelings for Maria. Their plight is much more genuinely interesting than that of Maria and Shin, and the ending is actually kind of awesomely bittersweet, if I am interpreting Yusuke’s narration in the right way. Unfortunately, the series struggled a little getting to this point, and I’m not sure if I’m down for rereading it, but at least it comes to a very satisfatory conclusion. – Michelle Smith

Durarara!!: Saika Arc, Vol. 3 | By Ryohgo Narita, Suzuhito Yasuda, and Akiyo Satorigi | Yen Press – In the first Durarara!! arc, we saw how seemingly meek and mild-mannered Mikado was far more than he seemed. In this arc, we discover the same thing about quiet and reserved Anri, who is quiet and reserved for a very good reason. The series has several ‘monsters’ in it – Celty, Shizuo and his strength, and now, as we discover, Anri. Yet it also takes pains to show us how human and relatable they all are, and in fact the one inhuman monster left, Izaya, seemingly has no superpowers at all (is jerkass a superpower?). It’s a fun series with lots of fights and smug characters being smug. I expect the Yellow scarves arc, coming this fall, will focus on Masaomi, given what we’ve seen so far. I hear it’s much darker than the Saika Arc. – Sean Gaffney

Library Wars: Love and War, Vol 11 | By Kiiro Yumi | Viz Media – I feel like it has been quite some time since I’ve been able to enjoy a new volume of Library Wars. This volume takes a turn towards the grim and solemn side, as a confrontation defending freedom of expression at a museum turns deadly, giving Iku her first traumatic combat experience, and severely wounding superior officer Genda. Dojo helps Iku get through the aftermath as best he can, but the political pressures on the Library Corps prompt Commander Inamine to announce his resignation, leading to even more emotional turmoil in the ranks. Library Wars tends to shift in tone a bit, and this volume didn’t have much of the light-hearted scenes to break up the action and angst. I did find this volume very gripping and I’m looking forward to what happens next, hopefully with a bit of relaxation time for my favorite front line combat librarians. – Anna N

Magi, Vol. 4 | By Shinobu Ohtaka | Viz Media – The first half of this volume is devoted to showing off the pure awesome that is Morgiana, and I for one could not be happier. Aladdin may have destiny, and Alibaba may have street smarts, but Morgiana has PURE POWER, and she learns here how to use it to help and save others. Meanwhile, in case the cover didn’t clue you in, we get a new hero introduced in the 2nd half. Given that his name is Sinbad, I expect that he will be playing a large role here. As for Alibaba, well, we’re not really sure what to make of him, as he seems to have joined the side of the villains this time around. Luckily, his friends are there to beat some sense into him (literally at times), and I expect that the nxt volume will give us a nice, tragic backstory to explain everything. This is still a terrific shone action series. – Sean Gaffney

Strobe Edge, vol 9 | By Io Sakisaka | Viz Media – I could feel myself getting a little bit impatient with this series during the last volume, and I am still looking forward to the conclusion, just because I generally don’t enjoy romance scenarios where the inevetible main couple is kept apart because they refuse to actually talk to each other about their emotions. This does continue a bit in this volume, but I’m also really enjoying Sakisaka’s art while I’m waiting for Ninako and Ren to hurry up and finally get together. Here Ninako’s holding back from confessing her feelings again for Ren due to her not wanting to hurt Ando, while Ren finally seems to be ready to force the issue. The next volume is the last, which seems about right for this series. Even though the plot elements are a bit predictable, Sakisaka’s execution of standard shoujo manga tropes is excellent, and I hope that more series from her get translated. – Anna N

Voice Over! Seiyu Academy, Vol. 3 | By Maki Minami | Viz Media – Most of this volume is devoted to the fact that Hime can’t do her ‘prince voice’ on command, and trying to make it come naturally to her. Unfortunately, this is easier said than done – to date, she’s only done it when the situation really needed it, which isn’t something that an actor can count on all the time. Luckily, she has her manager and friends to help her, even if it may also involve falling for her. (She’s contrasted with another actress who didn’t have the willpower to succeed Hime possesses.) We also get a closer look at Senri, and open one one of the classic genderbender plot t2wists – Hime is disguised as a boy and Senri can’t spot the difference. I expect this to lead to a lot of wacky and tragic misunderstandings. Not as eventful as the 2nd volume, but still fun. – Sean Gaffney

This week, Sean and Michelle look at recent releases from Yen Press, Seven Seas, and Viz Media.

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Alice in the Country of Joker: Circus and Liar’s Game, Vol. 4 | By QuinRose and Mamenosuke Fujimaru | Seven Seas – Another volume of Joker vs. everyone else in the battle as to whether Alice will live happily in denial or wake to reality and crushing guilt. Blood gets the cover, and it’s appropriate – of all Alice’s potential suitors, he’s the one that seems to understand why he loves her better than the others, who can’t move beyond ‘bafflingly attracted to her’. Like Ace, Blood enjoys seeing Alice’s changing facial emotions. Unlike Ace, he prefers those to be mostly centered around him and love – and if that means they’re all anger and venom, well hey. It also contrasts well with Peter’s overdevoted yet basically sexless love, and the ‘oneesama’ feelings of Vivaldi. Will we ever see Lorina’s fate in this series? Only if it heads towards a ‘bad end’, which I doubt. – Sean Gaffney

Inu x Boku SS, Vol. 2 | By Cocoa Fujiwara | Yen Press – While there is still an undercurrent of darkness to this title, I must admit I wasn’t expecting this volume to be quite as light and silly as it was. Carta, in particular, is a walking punchline, with ‘Peking Duck!’ probably being my favorite. Likewise the flamboyant lunacy of Kagerou, Ririchiyo’s fiance, means everything seems divided into nothing but masochism or sadism. That said, everything always gets dialed back when we focus on the cute yet arm’s length relationship between Ririchiyo and Soushi. The story of his upbringing is where the humor ceases, and his letter to Ririchiyo, as well as his realization of what they have meant to him, is very touching. Given the plot and the suggestive covers, I was expecting this to be a lot more fanservicey of a title. Instead, it’s proven quite sweet. – Sean Gaffney

Kamisama Kiss, Vol. 14 | By Julietta Suzuki | Viz Media – I spent an enjoyable weekend getting caught up on Kamisama Kiss, a manga I had neglected for far too long. Unfortunately, volume 14 isn’t the best representation of the series, since it’s largely introduction to an arc that finds Nanami paying a visit to Tomoe’s past in an attempt to save him from a 500-year-old curse in the present. That’s not to say there aren’t some very nice moments here—my favorite is the moment when Nanami realizes that her first plan would mean that Mizuki would never have come to their shrine, causing her to rush to his side and reassure him—but everything builds to the final moment, which promises some interesting developments to come. Just not, y’know, in this particular volume. Still, I like the series a lot in general, and have faith that the eventual payoff will be rewarding. – Michelle Smith

No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, Vol. 2 | By Nico Tanigawa | Yen Press – Sometimes I read this and it’s the funniest thing ever, where I take my time and savor each horrible moment. And then sometimes it just hits far too near the knuckle, and I find myself flipping ahead because I really don’t want to cringe as I read about Tomoko’s new humiliations. Balancing on that knife edge is what this series is, and I like the fact that it seems to be different for each reader – I had immense trouble with the entire arc with Tomoko’s cousin, but seeing Tomoko spying on a couple with two younger boys or her father catching her with a massager and a BL tape were hysterical. There’s something that every fan of dark comedy here will love, but buyer beware: each volume will also give you the creeping shakes at how horrible her life really is. – Sean Gaffney

Nura: Rise of the Yokai Clan, Vol. 19 | By Horoshi Hiibashi | Viz Media – There’s a wrap-up of the events in the past here, showing us Rihan supposedly taking out the Hundred Stories (as well as more of Otome’s psyche being quite fragile). However,k most of what we get here is complete chaos, as the Hundred Stories are back, and using the human tendency for rumors and mistrust to make life a living hell for our heroes. It’s impressive how well the author shows us things going completely to hell – you never quite lose track of what’s happening, but the sheer chaos of the sequences is fleshed out enough for you to care. Even Kana can’t escape the fact that Nura and his clan are yokai now, and it’s understandably making her a little upset. I anticipate next volume will have a lot of fighting, so it was good to see effective setup for that here. – Sean Gaffney

Toriko, Vol. 20 | By Mitsutoshi Shimabukuro | Viz Media – This volume mostly consists of a series of smaller short arcs meant to show Toriko and Komatsu on less life-threatening adventures. This ranges from Toriko playing Santa and delivering food to the hungry to the search for the stinkiest fruit in the world, the Durian Bomb. Having once been exposed to Durians, I can sympathize with this last one. This Durian also provides a healthy dose of humor, along with other one-shot gags such as the Full-course Meal of health-nut Aimaru. In the end, though, the best reason to read Toriko is also here in this volume: seeing Toriko obsess about food and be incredibly strong, and having Komatsu reveal how far he’s come as a character and show off his basic innate goodness. After 20 volumes, this title still makes me (sigh, sorry) hungry for more. – Sean Gaffney

This week, Sean and Michelle look at recent releases from Kodansha Comics, Viz Media, and Seven Seas.

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Arisa, Vol. 12 | By Natsumi Ando | Kodansha Comics – Yay, it’s over! Although this volume features a bomb, an over-the-top bitchy mom, several stabbings, and a healthy dose of redemption and forgiveness, none of it has any impact. It all just breezes past superficially. I’m kind of bummed that this is the sole example of shoujo mystery/suspense to come out in English in recent memory, because surely there must be better stories out there. One complimentary thing I can say about Arisa, however, is that the heroine (Tsubasa) does not get paired off romantically with the guy who helped with her investigation (Manabe). I thought for sure that would happen, but in the end, he actually likes someone else and Tsubasa derives closure from being able to get closer to her sister, and not from snagging a boyfriend. That counts for something! – Michelle Smith

A Devil And Her Love Song, Vol. 13 | By Miyoshi Tomori | Viz Media – It seems appropriate that the first third of this volume deal with the adversarial relationship between Ayu and Maria, given that this is where it all began. Sure, they’re good friends now, but that does not change the fact that Ayu still loves Yusuke, Yusuke still loves Maria, and Maria is in love with Shin. And sometimes there’s no real solution to those things. Maria, at least, refuses to abandon any of her friendships, and Ayu does come around. After this, it’s a refreshingly happy and positive final volume, as Maria continues to see her family, finds fresh resolve to become a singer, and of course strengthens her relationship with Shin. Even Anna is mentioned as moving forward. the darkness this series had throughout makes this ending all the sweeter, and it feels well-earned as well. A terrific title. – Sean Gaffney

Haganai: I Don’t Have Many Friends, Vol. 5 | By Yomi Hirasaka and Itachi | Seven Seas – First off, let’s note that, even amusingly censored as it is, this volume has a lot – a WHOLE lot – of nudity. FYI. As for the plot, Yozora tries her hardest (the horse head helps), and there’s the hint that our trap may not in fact be a trap at all, but for the most part this is a very Sena-focused volume. We see her loneliness and need to bond when everyone but her has a cell phone, and we see her obsession for cute things such as Kodaka’s sister. Mostly, though, we see that she’s really fallen for Kodaka, in a tsundere sort of way, and given that she’s slightly less socially inept than Yozora, probably has a better chance of getting together with him. Oh yes, and her family are insane, but I could have guessed that. This was a fun read for fans of harem comedies. – Sean Gaffney

Kamisama Kiss, Vol. 14 | By Julietta Suzuki | Viz Media – I sympathize with Nanami, I really do, given that the alternative is Tomoe’s death. But part of me just wants to grab her and scream “DO NOT MESS WITH TIME!” Yes, most of this volume takes place in the past, as Nanami resolves to stop Tomoe’s curse from killing him by preventing the curse from existing in the first place. The volume has plenty of magnificent Nanami moments, but fans of Kirihito and Mizuki will also find things to enjoy here. The other big attraction, though, is the evil past Tomoe, and how his history may already be changing just from meeting Nanami. (Or so we think – who knows? Do not mess with time.) This has the feeling of a multi-volume arc, so be prepared to spend more time in the past. Which I am fine with, as long as Nanami keeps being awesome. – Sean Gaffney

Strobe Edge, Vol. 8 | By Io Sakisaka | Viz Media – There is so much self-sacrificing going on in this volume I want to punch a kitten. Don’t get me wrong, it’s lovely to see the angst and people being considerate of each other’s feelings and all, but I can’t help wonder how much longer this is going to go on with Ninako lying to herself? (Checks volume count – two more to go.) I do like the addition of the blunt guy who has nothing to do with Ninako or any of their friends – he makes a good sounding board, and hopefully will not be dragged into any love triangles, even though I suspect jealousy is going to rear its ugly head. I’m still enjoying this, but it’s a shoujo where everyone is sad most of the time, and that means that it needs to run its course soon. You can’t sustain angst over 10+ volumes. Luckily, next time is the penultimate one. – Sean Gaffney

This week, Sean, Anna, and Michelle look at recent releases from Yen Press, Viz Media, Seven Seas, Kodansha Comics, and Vertical, Inc.

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Black Butler, Vol. 16 | By Yana Toboso | Yen Press – Ciel remains on assignment at Weston College, looking into the disappearance of one of Queen Victoria’s relatives. It’s been pretty fun to see Ciel in this environment, be it currying favor with prefects or befriending an earnest boy his own age. In this volume, he’s putting Sebastians talents to use in an attempt to perform well enough in the annual cricket tournament (despite a near-total lack of athletic ability) to earn an invitation to tea with the headmaster, who could hold all the answers. Okay, brilliant this isn’t, but I liked that it became a little like a sports manga (with players shouting out their moves, like “Rushing Violet Vapour, Purple Burnoutt!!”) and enjoyed the subtle Harry Potter references, like the appearance of a Hedwig clone and references to some of the actors from the movies. – Michelle Smith

A Bride’s Story, Vol. 3 | By Kaoru Mori | Yen Press – In this volume Mori shifts from mainly telling the story of Amir and her young husband Karluk to exploring what happens to the European researcher Mr. Smith when he travels to a town and has a chance meeting with Talas, a young woman who has been widowed many times. Talas’ mother in law views Mr. Smith as a last chance to ensure that Talas will be taken care of after she dies, and the young couple start developing a liking to each other in spite of all of the manipulations to throw them together. But as women Talas and her mother in law have very little autonomy or ability to decide how they are going to live their lives. As always, Mori’s painstakingly researched details combined with her facility for showing slice of live scenes in a market or herding sheep bring history to life. Amir and Karluk make a brief appearance, and we also see hints of the next Bride’s story as the young Pariya gets her own chapter as well. Delightful as always! – Anna N

Dictatorial Grimoire: Snow White, Vol. 2 | By Ayumi Kanou | Seven Seas – I must admit, I greatly enjoyed this volume while I was reading it. It’s a lot of fun, I really like the character of Hiyori, and the design of Rapunzel was incredibly striking. That said, there’s no denying that this is basically a series of shonen cliches wrapped up in a pretty-boys package, and so if originality is your goal, you can skip this. But as a tasty manga treat you’ll forget about 10 minutes after you read it, it’s pretty much dead-on. Snow White is amusingly snarky (the conversations between him and Hiyori are comedy gold), Otogi gets to find his missing resolve and start fighting again, and as a reward gets lots of BL tease with Cinderella. I’m actually very interested in what will happen i the next ‘arc, which seems to feature Red Riding Hood (also male, of course). – Sean Gaffney

Kimi ni Todoke, Vol. 18 | By Karuho Shiina | Viz Media – Sometimes when a volume of a manga gets too happy, I start to get worried. Let’s call this the Joss Whedon effect. Everything is going so well for Sawako and her friends and family in this volume that I actually checked to see whether the series was ending soon, because it definitely has that feeling. It doesn’t appear to be, so now I’m a little fretful. What’s going to happen to stir this all up?! I know; I really should be content with what we get here, because it’s been so well-earned. Sawako and Kazehaya are finally on the same page in their relationship, Ayane may finally have found the right guy, and Chizu is perhaps slightly less clueless than before. And I’m happy to see that the focus on female friendships is still going strong in Kimi ni Todoke, even with all the romance in the air. Unequivocally recommended. – Michelle Smith

Knights of Sidonia, Vol. 4, by Tsutomo Nihei | Vertical, Inc. – I really enjoy the way Nihei juxtaposes giant robots fighting giant gross aliens in space with hints of an overarching back story about the history of the colonization spaceship Sidonia. There’s a bit of the whole Battlestar Galactica “This has happened before, and it will happen again” theme in this volume as Tanikaze gets increased responsibility and is relied upon in battle more than ever, slowly acting more and more like he is going to live up to the legacy of his creator/father. The occasional bit of daily life on the Sidona is also included, making it clear that Tanikaze’s comments about loving the food, organisms, and people on the spaceship reflect his protective feelings. Hints of human and Guana experimentation continue to maintain the elements of horror that make this manga much more interesting than a simple space opera. Still highly recommended. – Anna N

Otomen, Vol. 17 | By Aya Kanno | Viz Media – Well, I knew this volume was going to hurt, and sure enough, it did. Kiyomi’s emotional manipulation of her son reaches its zenith, and the fallout affects everyone around Asuka. Particularly Ryo. You know it’s a crisis when Ryo is suddenly cooking and sewing well. At the center of all of this is Asuka’s sense of identity, and how can he remain true to it and keep both his family and his love. Sadly, Asuka is making the wrong choices here, but then, it is the second to last volume of the series. It looks as if we’re setting up for a big finale speech, one that I suspect may get interrupted several times. The manga may be a bit melodramatic at times, but the characterization is solid (I’ve come to terms with every single male in the cast being a secret otomen by now) Bring on the final volume. – Sean Gaffney

Psyren, Vol. 14 | By Toshiaki Iwashiro | Viz Media – Oh dear, it’s an all-fighting volume of Psyren, where even the minimal word count I have to write for these briefs seems excessive. The writer enjoys trotting out the big book of shonen cliches, with “i was just holding back, now you’ve made me use my full power”, dead mentors, and “I can teach you how to do this, but it may destroy you.” Oddly, there’s also a subplot about how constant fighting is a bad end in itself, and when the main characters win, they think to themselves that destroying the other side is not a great feeling after all. Fighting to protect vs. fighting to destroy, fighting for a peaceful future world vs. fighting for the apocalypse that already exists… this is what Psyren’s been doing. I have a feeling next volume will be all fighting again, but as long as it heads towards that peaceful end, that’s fine.– Sean Gaffney

Sankarea: Undying Love, Vol. 4 | By Mitsuru Hattori | Kodansha Comics – The difference in cover art between the Japanese and American volumes has never been starker than it is here. And I honestly think I prefer this version, mostly as the moe antics are the least interesting part of this book. The best moments here are discovering more of Rea’s tragic backstory, and the constant war between Rea and her zombie desires – one she seems to lose more and more each time, despite the genuine love she seems to have for Furuya. It makes me curious to see how far this series can go. Given it’s also fond of fanservice and tsundere antics, can it really descend into pure horror and abandon its romantic comedy stance? And more to the point, will Rea actually kill anybody? That does seem to be a real turn=-off for many guys… though perhaps not Furuya, given his obsessions. – Sean Gaffney

This week, Sean, Anna, & Michelle look at recent releases from Seven Seas, Viz Media, SuBLime, and Kodansha Comics.

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Alice in the Country of Hearts: The Mad Hatter’s Late Night Tea Party, Vol. 2 | By QuinRose and Riko Sakura | Seven Seas – If this were the first Alice volume that a casual reader had read, I think they’d be pretty satisfied. At only two volumes, Alice and Blood not connecting doesn’t last long, there’s lots of discussion of the basic themes of this world, and we get some mafia madness with a few timely rescues. As someone who’s been following all the spinoffs, though, it’s all a bit same-y. It’s likely a lot easier with the game, where you can purchase one copy and explore all the different routes. Here, as individual manga series, it’s like starting over again each time, with a slightly diminished return. Some of the spinoffs make it worth seeing what they do to poor Alice, but while this is skillfully done, there’s nothing here we haven’t read before, so in the end it’s inessential. – Sean Gaffney

Crimson Empire: Circumstances To Serve A Noble, Vol. 3 | By QuinRose and Hazuki Futaba | Seven Seas – With the Alice series, while she’s quite a good protagonist, I tend to be more interested in her male partners. In this series, it’s the reverse – I find the men rather dull, but Sheila fascinates me. There’s a core of self-loathing to her that Alice simply doesn’t have, even with the tragedy in her life that she’s forgotten. Indeed, even after her lover wins the day, and the two admit they’re in love, Sheila still thinks nothing has changed, except now she’ll be bodyguard for a different man. Sheila IS her profession, which is assassin/bodyguard ninja maid. Anything else is just beyond her, both subconsciously and consciously. And that’ means that despite its happy ending, Crimson Empire seems a lot more melancholy than Alice in the Country of Hearts. – Sean Gaffney

Fairy Tail, Vol. 33 | By Hiro Mashima | Kodansha Comics – After a somewhat teeth-grinding Vol. 32, it’s nice to see *some* things go our heroes’ way in this volume. Mirajane wins, as expected, but she gets the comedic fanservice win – though it does end in a powerful finish. Elfman also impresses, taking the fight that was supposed to be Erza’s and managing to be the manlier man. There’s a few other amusing things here as well, which is good, because there are implications of very dark things to come. Saber Tooth and Raven Tail are looking like even worse guilds than we expected, and the way they’re treating their members (female, of course – Mashima tends to have his women suffer nobly) is horrid. And what does Lucy have to do with everyone’s plans? This volume has a good balance between ‘tournament battle’ and other plot, overall.. – Sean Gaffney

Natsume’s Book of Friends, Vol. 15 | By Yuki Midorikawa | Viz Media – I don’t even know where to begin in expressing my utter adoration for this series in general and this volume in particular. There’s just so much to love: the wistful tone, the episodic stories that still advance the overall plot; the comic relief provided by Nyanko-sensei; the yokai, who are often sweet, sad, and endearing; and, of course, Natsume himself, who is better able to discover the reasons for yokai activity at a former exorcist’s home than anyone else and single-handedly responsible for resolving things peacefully. As if all of this weren’t great enough (and it is), the last chapter in the volume is a special episode about Toko and Shigeru, the distant relatives who took Natsume in when the rest of his family had written him off as disturbed. It is simply lovely and prompted many a sniffle. Natsume’s Book of Friends is a true gem. – Michelle Smith

NightS | By Kou Yoneda | SuBLime Manga – Having enjoyed Kou Yoneda’s No Touching At All back in 2011, I was pretty eager to check out NightS, even though it’s a compilation of short stories, which aren’t really my thing. None of the stories included here is terribly unique in premise—an attraction between a “transporter” and a yakuza, a fairly standard high school romance, love blooming at the car dealership—but Yoneda fills her stories with intelligent, natural-seeming dialogue and characters (well, at least the adult ones) with interesting personality quirks and flaws that impact how they approach relationships. While the format prevents achieving much depth, and hence prevents the volume from matching No Touching At All for quality, it’s nonetheless an enjoyable read. – Michelle Smith

Pokemon the Movie: Genesect and the Legend Awakened | by Momota Inoue | Viz Media I have to admit, I am not really all that interested in Pokemon, but Pokemon fever is raging through my kids’ elementary school, so I read this book with them. This is a stand alone one-shot movie adaptation centering around the story of an ancient Pokemon called Genesect who has suddenly awakened, causing trouble for the present day Pokemon and their trainers. Mewtwo takes on an important role in dealing with the Genesect, although Ash and Pikachu also contribute. The art is consistent, my kids enjoyed spotting all the Pokemon, and they smuggled it out of the house to show off at school. So if you have young Pokemon fans, I feel safe in predicting that this manga will appeal to them! – Anna N

Rurouni Kenshin: Restoration, Vol. 2 | By Nobuhiro Watsuki | Viz Media – This wraps up the revisiting of Rurouni Kenshin prompted by the recent live action movie. Really, the original series was so great, revisiting the series in a slightly different form wasn’t really all that necessary. Still it was nice to be reminded of Watsuki’s facility with character design, especially the villians, and most characters from Kenshin got a little bit of a showcase. This second volume featured more turns from Saito and Yahiko, as they also battle in the Meiji era. Even Watsuki’s author notes seem to indicate that he was going through the motions a little bit, pointing out small things that he changed that he ended up regretting. Really, the original series is so much more charming than this version, most people would be better off just picking up some of the VizBig versions if they are interesting in reading this shonen classic. – Anna N

This week, Michelle & Sean (okay, mostly Sean) look at recent releases from Viz Media, Kodansha Comics, Seven Seas, & Vertical, Inc.!

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Dengeki Daisy, Vol. 13 | By Kyousuke Motomi | Viz Media – Dengeki Daisy is at its best when focusing on the romance between its leads, Teru and Kurosaki. Unfortunately, the past several volumes have focused on the “code virus” that Kurosaki created back in his hacker days and the search for information on the nebulous baddies who sought to use it. Although I have the feeling that we’re supposed to find all this cyber espionage stuff very exciting, the details are so vague that it ends up being rather boring. It’s better than episodic randomness, though, and I have to give the series credit for its heroine being able to get herself out of tricky situations and for a central romance where the age gap is acknowledged as an issue. Plus, there are a few nice, quiet moments here that are almost enough to make me overlook the ridiculousness of the last couple of chapters. I’ll probably keep reading this one to the end. – Michelle Smith

Fairy Tail, Vol. 32 | By Hiro Mashima | Kodansha Comics – The danger of telling a story where injustice happens to our heroes and they’re meant to be angry and frustrated with it is that the reader may end up being a little TOO angry and frustrated in sympathy, to the point where it affects their enjoyment of the volume. That’s where I ended up in this volume of Fairy Tail, which starts going though its tournament arc. I was expecting losses – after all, every hero/team has to come back from adversity. The combination of cheating from the other side and the extra dollops of humiliation felt a little too real, sadly, though you could argue that this is because I’ve come to care about these characters so much. I am hoping that Volume 33 (already out, I’m running behind) will help to balance the scales a bit. – Sean Gaffney

Kimi ni Todoke, Vol. 18 | By Karuho Shiina | Viz Media – The cover art pretty much describes the mood of this volume – it starts with a kiss, and doesn’t let up on being romantic and heartwarming for the entire length. Sawako and Kazehaya have resolved their lack of communication problem, Ayane and Kento are now officially a couple, and as for Chizu… well, she’s working on it. Slowly. I loved the fact that the majority of this was just given to telling everyone what’s been going on in their lives – after seeing Sawako and Kazehaya’s guessing games recently, it felt even more satisfying. Even her father seems to have finally admitted to the fact that Sawako is growing up and has a boyfriend. I expect the next volume will be more devoted to college and the future, so I will enjoy this for what it is: a celebration of how we got here. – Sean Gaffney

Knights of Sidonia, Vol. 6 | By Tsutomu Nihei | Vertical, Inc. – The harem antics continue in Sidonia’s 6th volume – more and more characters are falling for Tanizake, and we even get ‘walking in on naked girls’ and ‘comedic choking of the hero’ here as well. However, this plotline exists, I think, to emphasize further the sense of wrongness that exists throughout this universe. There’s just so many things that already feel off about everything going on, even discounting the evil body horror antics of Kunato. The artwork, which I’m still getting used to, helps further by continuing to use characters who look a lot alike, particularly during battle. This can be annoying, but also contributes further to the sense of distance and otherness that emerges from this series. The goal is to do all this while still retaining reader interest, which Nihei has absolutely done. Also, poor Izana. – Sean Gaffney

Midnight Secretary, Vol. 3 | By Tomu Ohmi | Viz Media – Having set up the premise of this series over the previous two volumes, Ohmi now begins to tear it apart for dramatic effect, as first Erde, the company Kaya was reassigned to, asks her to stay permanently, and then Kyohei resigns from his own position, striking out on his own. All of this, of course, plays second fiddle to the real story here, which is that these two are falling deeply in love and cannot keep their hands off each other. I’m actually surprised that the vampire part of this story isn’t playing a larger role – this could be edited to be non-supernatural fairly easily. Also, this title is rated M and lets you know it – the sex is red hot, and at one point you see Kaya staggering down the street, barely able to walk straight after their intense lovemaking. Right now, this tops Happy Marriage?! as Viz’s spiciest title. – Sean Gaffney

Natsume’s Book of Friends, Vol. 15 | By Yuki Midorikawa | Viz Media – It struck me as I read this new volume how segmented Natsume’s relationships with all of his (human) friends are. For all that the series has shown Natsume starting to open up, trust and appreciate people again after so long being closed up, he still tends to keep everything to himself – and more importantly, take on everything himself. I fear this may get him in trouble soon, and not just him (there’s a suggestion in this volume that Taki’s spell circle is far more dangerous than it seems – and it’s seemed pretty dangerous). This is, however, balanced out by the 2nd half of the book, which is adorable, heartwarming, and shows the strengths of both humans and yokai. Darker tones may be arriving soon, but for now I will continue to enjoy this shoujo yokai manga’s relaxed and unhurried pace. – Sean Gaffney

Zero’s Familiar, Vols. 6-7 | By Noboru Yamaguchi and Nana Mochizuki | Seven Seas – As you might expect, I enjoyed the dramatic plotline that wrapped up here more than the attempts at fanservice and wacky harem antics. The discovery of the Dragon’s Raiment is a nice tie-back to the start of this series, and it was also a relief to see what we knew would eventually happen – Louise finds the magic that she is truly suited for, and turns out to be terrific at it. (That said, an entire battleship VANISHED, but no loss of life? Keep telling yourself that, princess…) The pacing sometimes suffers here, and I find the art, particularly in dramatic moments such as the side story with the Princess and late Prince, does not always convey emotional turmoil very well. Still, as an adaptation, this is probably good enough, and we’ll get another portion of it later this spring. – Sean Gaffney

This week, Michelle, Anna, & Sean look at recent releases from Yen Press and Viz Media.

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Demon Love Spell, Vol. 5 | By Mayu Shinjo | Viz Media – Miko’s father allows his daughter and Kagura, the lecherous incubus, to move out together, but not only will he be withholding financial support, he also places a curse on Kagura’s nether regions that prevents the advent of sexy times. Miko is determined to become more powerful than her dad so that she can break the curse, and it’s nice to see both her abilities improving and a teenage girl with a healthy interest in getting it on with her hot boyfriend. Briefly it seems that she and Kagura will be opening a demon consultation office, but this gets derailed when Kagura becomes a pop idol to earn money and various jealousies and complications ensue. Demon Love Spell may not be the best shoujo manga I’ve read, but it’s definitely the best Mayu Shinjo manga I’ve read, by a wide margin. I think I might even go so far as to recommend it! – Michelle Smith

Magi, Vol. 3 | By Shinobu Ohtaka | Viz Media – Morgiana graces the cover of Vol. 3, but she really only appears at the end (there’s also a surprise reappearance of Layla from Chapter One). That said, she makes good use of her minimal screen time, deciding to effectively become Batman/El Santo in order to stop some bandits. As for Aladdin, he’s still trying to figure out his purpose in life, which is given new direction by defining our title – well, semi-defining it. Magi are those who can choose a king. I have a sneaking suspicion that I know who will be chosen by the end of this series, but let’s leave that aside for now. The rest of the volume deals with noble Queens, evil Viziers, and the benefits and drawbacks to your village coming under protection. Not quite as awesome as the first two volumes, but still solid. – Sean Gaffney

Nisekoi: False Love, Vol. 1 | By Naoshi Komi | VIZ Media – The back cover blurb for this debut volume describes Nisekoi as a “laugh-out-loud feel-good manga series,” but I only mustered a smile once and halfway through wanted nothing more than to be able to stop reading it, already. Getting tired of a premise and characters 100 pages in is not a good sign! Raku Ichijo and Chitoge Kirisaki are the children of rival gangsters, but they don’t realize this until their fathers force them to pretend to be in love in order to prevent all-out gang war. But there’s nothing amusing about their pretense, because practically all they do is hurl insults at each other until finally one of them does something fractionally nice, causing the other to reevaluate them a tiny bit. I think my synopsis makes it sound less grating than it really is, actually. Suffice it to say that Nisekoi is definitely not my cup of tea. – Michelle Smith

Soulless: The Manga, Vol. 3 | By Gail Carriger and REM | Yen Press – After her werewolf husband reacts badly to her should-be-impossible pregnancy, Alexia and friends flee London to escape both the ruthless gossip and the vampire assassins intent on preventing the birth of her child. As someone who is not steeped in the mythology of the novels upon which Soulless: The Manga is based, I sometimes find the adaptation to be a bit confusing and disjointed. Such is the case in volume three, which has the added problem of an antagonist who is glimpsed only briefly. (Seriously, a scene-stealing yappy dog makes more of an impression.) Still, I thoroughly enjoyed the read! The dialogue is witty (a line about hedgehogs made me laugh out loud) and I like the characters. REM is also especially good at drawing amusing facial expressions and portraying werewolves’ personalities while they’re in their lupine forms. I may feel a bit lost sometimes, but I’m always entertained! – Michelle Smith

Strobe Edge, Vol 8 | By Io Sakisaka | Viz Media – I have to confess that this is the point where I started feeling a tiny bit impatient with Strobe Edge Ando’s ex shows up and as one might expect, immediately throws an obstacle in the progression of Ninako and Ren’s budding romance. She tells Ninako that Ren and Ando used to be best friends until she came between them, and now the love triangle with Ninako will make things even worse. Ninako is determined to suppress her feelings yet again, just when she was on the verge of confessing to Ren. The couple prevented from getting together because of good intentions and lack of communication is a shoujo staple, and I’m starting to wish that this series would start wrapping up even though I do like reading it. Sakisaka’s art gets better and better, and while the plot might be a little pedestrian, this is one of the prettiest and most visually well-executed shoujo titles out there. Still recommended! – Anna N.

Toriko, Vol. 19 | By Mitsutoshi Shimabukuro | Viz Media – Most of this volume is dedicated to two things: 1) Watching Toriko eat food no matter what the cost to his body (with a brief break to beat up a giant bear monster) and 2) Everyone loving Komatsu, and I do mean everyone. Here his devotion to food and food preparation help to turn a man who specializes in cheating, draining memories and generally being evil towards the light side simply by sheer virtue of Komatsu’s… well, virtue. (Mustn’t forget about Coco, who also does a terrific job here as the brains of the team.) The fact that this is a very popular manga with BL fans should surprise absolutely no one. All that said, we are basically watching a giant game of Memory for an entire volume, so be prepared for a bit less action and punching than previous volumes. But just as much food. -Sean Gaffney

It’s all Viz this week, as Michelle, Sean, & Anna take a look at several recent releases.

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Arata: The Legend, Vol. 16 | By Yuu Watase | Viz Media – It’s hard to describe “that Shounen Sunday feel” to someone who’s never read a series from that particular magazine, but boy does Arata have it! This volume is a perfect example, in that the gang is theoretically doing something pivotal in collecting ancient musical instruments to battle a “demonized” Sho who uses sound as a weapon, but the majority of the enterprise is portrayed comedically, with one gag revolving around enemy attacks that gradually destroy the characters’ clothes, leading to a panel where Arata makes a heroic declaration whilst clad in barely there short-shorts. The whole thing has a certain Rumiko Takahashi vibe, where the interplay between the characters seems to be the main point, so it’s pleasant enough, but renders the cliffhanger ending kind of ho-hum. I’ll probably have forgotten all about it by the time volume 17 comes out in March. – Michelle Smith

Dengeki Daisy Vol 13 | By Kyousuke Motomi | Viz Media – Dengeki Daisy has settled into a bit of a formula, but fortunately it is a formula that I love. The McGuffin in this volume is the last will and testament of M, but the team realizes that they’ve actually been manipulated into searching for it despite their misgivings. Kurosaki and Riko have a significant talk, and Teru finds one secret hidden in her cell phone, leading to the team getting some suitably bizarre, funny, and useful information from her dead brother, even though he did set up a strange funhouse scenario to put everybody through their paces. Dengeki Daisiy is reliably quirky and at times very serious and suspenseful, which is hard to find in shoujo manga land. Still very highly recommended. – Anna N

A Devil And Her Love Song, Vol. 12 | By Miyoshi Tomori | Viz Media – Having wrapped up most of Maria’s issues in the last volume, we’re left with Shin, who is disgusted and ashamed with himself for not being totally self-sacrificing and pure. Thus, as he’s got to go to America anyway to get operated on, he decides this is a perfect time to split with Maria – this despite the fact that he notes to others he’ll love her for the rest of his life. Sigh. Needless to say, Maria is sad, frustrated and angry in equal measure, which all comes out at what may be the best Ave Maria performance we’ve seen the entire volume. It’s not all angst and depression – Maria asking her friends for advice about sex is quite funny, and I am intrigued to see how Maria’s burgeoning YouTube career will go. Still, it’s a good thing we’ve one volume to go – I want these kids to be happy, dangit. -Sean Gaffney

Nura: Rise of the Yokai Clan, Vol. 18 | By Hiroshi Shiibashi | Viz Media – Because we need to get the backstory for the Hundred Stories group, this entire volume takes place in Edo Japan at the time when Nura’s father was a young and brash man stating to take up his new role as leader. It’s refreshing to see a few more glances at some other characters, particularly Rihan’s first wife Yamabuki, who seems to have a permanent attack of the melancholics, as well as a group of young kids who, because it’s easier to draw, bear a striking resemblance to our normal human cast. In amongst this walks Sanmoto, one of the more loathsome and disgusting villains we’ve seen in a series with no small amount of loathsome and disgusting villains. He’s entirely human, too… at least until the cliffhanger. A good solid volume for Nura fans. -Sean Gaffney

Skip Beat! Vol 32 | By Yoshiki Nakamura | Viz Media – Each new volume of Skip Beat! makes me cackle with fangirl glee. Emotions are running high in this volume as Sho exhibits his jealousy about Kyoko’s relationship with Ren, not that Kyoko will pick up on that. Ren’s carefully constructed psychological barriers are beginning to crumble, and Kyoko with her trademark insight into anyone but herself is able to quickly see that he’s not acting like “Ren” or “Cain” but as a third party that she doesn’t even recognize. While Ren is in a panic over Sho and Kyoko being in close contact again, he reveals his own insight into her personality, pointing out that she is in no way equipped to deal with men, and he knows that she still has some deep emotional wounds to heal from.Ren’s actually acting like himself for the first time in many years, which has me eagerly awaiting the next volume. – Anna N

Voice Over! Seiyu Academy, Vol. 2 | By Maki Minami | Viz Media – I just can’t explain what it is about Voice Over!… As with volume one, the second is undeniably generic, but I can’t help liking it. Things get off to a slightly aimless start, with a plot in which the “stragglers” of the voice-acting program must help a visual artist find a new crush so that she’ll be inspired to create an anime for them to dub, but this ends up dovetailing into a new direction for Hime, whose talent for princely male voices is at odds with her desire to voice cute female characters. I’m not sure she’s ready to embrace her obvious true destiny yet, but she’s determined to make something of herself and cease being a disappointment to her mother, which leaves me cautiously optimistic that this series is about to get a little more focused; for now it’s earned a third volume read, at least! – Michelle Smith

This week, Sean and Michelle look at recent releases from Yen Press, Seven Seas, and Viz Media.

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Bloody Cross, Vol. 1 | By Shiwo Komeyama | Yen Press – Has there been something missing in your life ever since JinJun Park’s Raiders came to an end? Well, you’re in luck, because Bloody Cross is here to fill that void! Seriously, with its stark black and white artwork and religious themes, I was getting some major Raiders flashbacks while reading this! Tsukimiya and Hinata are mixed-race angels who have been placed under a deadly curse by God and they’re working together to break it, even if it means double-crossing each other at every opportunity. There are some elements I’m not fond of—Tsukimiya is a half-vampire angel because of course she is, not to mention the random fanservice and infantile female demon foe—but I was genuinely surprised by the way the volume ended and I think I may have to check out volume two just to see how Tsukimiya and Hinata get out of that predicament. Not quite recommended, but not bad, either. – Michelle Smith

Demon Love Spell, Vol. 5 | By Mayu Shinjo | Viz Media – I am beginning to suspect, especially given the cute little omake at the end of this volume, that this will be one of Shinjo’s titles where the sex doesn’t arrive till the very end. Which is fine, particularly if the storyline remains as strong as the one we see here. Kagura and Miko move out to their own place, but that doesn’t necessarily mean they’re getting it on – her father is still wary of trusting an incubus. But Kagura is easily the least jerk-like of the Shinjo heroes we’ve seen translated over here – ironic, given he’s a demon – which makes it easier to deal with both of them getting jealous over the course of this book. All this and an interesting dovetailing of demonic possession and the entertainment industry, where people will likely not realize you’re different. This is Shinjo’s best Viz series to date. – Sean Gaffney

RIN-NE, Vol. 13 | By Rumiko Takahashi | Viz Media – “Pleasant but pointless” is how I would sum up this most recent volume of RIN-NE. True, one might apply that label to most of the series, but volume twelve did have the Black Cat Ranking Exam, which was a nice change of pace. Volume thirteen features one-chapter cameos by antagonists like Masato the devil and Rinne’s deadbeat dad and introduces a supremely unfunny sibling duo that specializes in scythe modifications, including one made of bonito flakes that helps cat spirits pass on. (That bit, at least, was kind of cute.) Nothing is outright bad, but I do have to wonder how Takahashi’s editor keeps from yawning when ideas for new chapters are proposed. Perhaps Takahashi is so revered—and her sitcom stylings so familiar and comforting—that no one minds when her stories go nowhere. And, really, I guess that’s why I’m still reading, too. – Michelle Smith

The Sacred Blacksmith, Vol. 3 | By Isao Miura and Kotaro Yamada | Seven Seas – There’s a fair bit of fanservice here, and gratuitous dressing up as maids (very common in fantasy not-quite-medieval stories). But there’s also a lot of worldbuilding, as the arrival of a young woman and her entourage proves to be far more serious than I had initially thought. The selfish ojou front quickly drops away from Charlotte, as we see the desperate young woman beneath, and the bond between her and her three guardians is very well told. There’s also some excellent action sequences here, as Cecily takes on said guardians in an indoor battle that destroys the building but saves the day. All this plus an ominous warning of a future bad guy. Of Seven Seas’ recent fantasy titles, this has been far and away my favorite. -Sean Gaffney

Voice Over!: Seiyu Academy, Vol. 2 | By Maki Minami | Viz Media – I was pleased that the first half of this volume fleshed out Hime’s group of ‘misfits – indeed, the male love interest barely appears in this volume at all. Instead, we continue to show that despite her dreams, Hime is at her best with male roles – something underlined by her posing as a male at the end in order to satisfy her producer’s plans. On the more dramatic front, her mother proves to be the classic horrible shoujo mother as seen in so many series, and the sadness comes from seeing how Hime has grown so used to it that it doesn’t even register as sorrow anymore – just a weary determination to one day show her mother she’s not useless. Even Haruka, the aforementioned producer, is taken aback – and knows that to succeed, the first step for Hime is to get out of that house. Mission accomplished. -Sean Gaffney

This week, Sean, Anna, & Michelle look at recent releases from Seven Seas and Viz Media.

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Alice Love Fables: Toy Box | By QuinRose and Mamenosuke Fujimaru | Seven Seas – This is pretty much what it sounded like, a series of short stories, all romance-themed, on QuinRose’s 3 properties. Arabians Lost is the first (and dullest), Alice in the Country of (blank) gets the majority, and Crimson Empire rounds it out. I’m most familiar with Alice, so those were the most enjoyable, even if they lack the twisted core I like in my Wonderland. She gets stories with Peter and Grey as love interest, something we haven’t gotten books for yet. And the Blood story is really adorable and sweet. As for Sheila, she’s the most interesting of the three heroines, but is rarely served as well by her male leads, so her stories don’t really gel as much. Still, nothing here truly bothered me, and it’s a good stocking stuffer for Alice fans. – Sean Gaffney

Dengeki Daisy, Vol. 13 | By Kyousuke Motomi | Viz Media – By now everyone knows that this is one of the best shoujo manga coming out today, with laughs, thrills, excitement, and frustratingly unconsummated romance that gets even more tantalizing here. Heck, even Akira, who’s been a horrible thorn in the side of our heroes, looks like he may get a bit of redemption after all, once we hear of his tragic past. (You know, the one every character in this series has.) What I really noticed in this volume was the way the art has matured. There’s a scene with Riko receiving something belatedly from Soichiro, and it’s made even more intimate by our never seeing what it is (even though we know). It shows a lovely subtlety that contrasts with the wacky “what color are Teru’s favorite panties” schtick that’s going on next door. I will be so sad when this ends. – Sean Gaffney

Kimi Ni Todoke, Vol. 18 | By Karuho Shiina | Viz Media – This volume, set during Christmas, is the perfect manga to read while curled up by a fire and enjoying some hot chocolate. Lack of communication has caused some issues with Sawako and Kazehaya’s budding relationship. They have a breakthrough around Christmastime, and finally acknowledge how much they care about each other. Sawako and her friends Ayane and Chizu get together for some post-date gossip, as each girl has new romantic developments to report. The whole gang gets together at Sawako’s house for a party, and even Sakako’s overprotective father begins to acknowledge how good Kazehaya is for his sheltered daughter. This slice of life manga works through plenty of emotional developments in a warm and cozy manner, making it the perfect volume for some winter relaxation. – Anna N

Midnight Secretary, Vol. 3 | By Tohmu Ohmi | Viz Media – Things continue to be hot and heavy in the 3rd volume of this josei paranormal romance series. Kaya’s extreme competence as a secretary allows her to work for a subsidiary office by day and then return to her lover/ex-boss and vampire Kyohei at night to serve his secretarial, carnal, and blood bank needs, but her double life begins to take a toll on her. Kaya collapses, and it results in Kyohei trying to rearrange his life to accommodate their new unusual lifestyle. Along the way he begins to realize that he might actually care for Kaya, even though she is a human woman. This series is top notch paranormal romance for those who enjoy that kind of thing, which I certainly do! – Anna N

Skip Beat!, Vol. 32 | By Yoshiki Nakamura | Viz Media – For those who love the love triangle between Ren, Kyoko and Sho, you will revel in this volume and all its glorious horribleness. Sho in particular is in fine form, showing off both his consummate skill at reading Kyoko and his complete and total immaturity when it comes to what she wants or needs. (I could do without Shoko starting to fall for him, though.) He tries the same mental manipulation on Ren, and while it may not work while Sho is there in person, Ren’s distrust of himself is enough to make it niggle regardless. This all comes to a head in the hotel room, where a phone call from Sho causes Ren and Kyoko to both fall out of character… or maybe, given the incestuous subtext between Cain and Setsu, the character and the self may be bleeding together. I warn you, the cliffhanger will drive you nuts. Can’t put this down. -Sean Gaffney

Skip Beat!, Vol. 32 | By Yoshiki Nakamura | Viz Media – What a dramatic volume! It definitely feels like the beginning of the end here, with Kyoko getting an inkling of what might’ve happened in Ren’s past, Sho pushing her buttons expertly and getting her to declare that she’ll never fall for Ren (lest she lose herself even more than she did with Sho), and then Sho promptly informing Ren of this fact. Poor Ren’s barely hanging on by a thread (a thread named Kyoko) and with two guys out to possibly snag her affections, he snaps and breaks character when they’re supposed to be on assignment as the Heel siblings, scaring her with the darkness he’s desperately trying to hide. It’s not that I want this series to end, but these developments definitely have me excited for a grand finale to come! – Michelle Smith

This week, Sean, MJ, & Michelle look at recent releases from Kodansha Comics, Yen Press, Seven Seas, and Viz Media.

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Cage of Eden, Vol. 12 | By Yoshinobu Yamada | Kodansha Comics – There really is an awful lot of being threatened by giant predatory animals in this series – indeed, that makes up about half of this volume – so it’s nice to see a return to the basic question posed by the series. Where are they, why is the entire place filled with animals from conflicting time periods, and can they even escape at all? A rather disturbing stone monument is found, with words the cast can’t read, not being fluent in Latin, but we can – Requiescat In Pace. The idea that everyone is, in reality, dead and this could be a rather horrific afterlife is a downbeat one, and I’m fairly sure that it won’t turn out to be quite that bad. Still, we get another death here, and one worries that soon we may start running out of young, nubile teen girls to bathe naked in rivers. -Sean Gaffney

The Infernal Devices 2: Clockwork Prince | By Cassandra Clare & Hyekyung Baek. | Yen Press – This adaptation of Cassandra Clare’s prequel to her popular The Mortal Instruments series began as seemingly perfect girls’ “manga” fodder—so much so, in fact, that its careful adherence to shoujo manga tropes made it feel a little cold and emotionally manipulative. In this second volume, the series out-shoujos itself, with its increasingly spunky heroine and a cruelly dramatic love triangle. But while you might expect all this to reinforce the first volume’s contrived feel, in actuality, it finally gives the series some real heart. Clare’s supernatural world is still less interesting than the people she’s placed in it, but that hardly matters in the face of true romantic torture. I’m officially hooked. – MJ

Oresama Teacher, Vol. 15 | By Izumi Tsubaki | Viz Media – Just when I start to think that Oresama Teacher maybe isn’t for me, along comes a volume like this one. The first couple of chapters were pretty boring school trip hijinks, but then I found myself unexpectedly captivated by the attempts of a doll-like member of the student council to win over Shibuya (the Public Morals Club’s newest member) with her finely honed cute act. Probably it’s because I enjoy skewering the transparent schemes of manipulative people, but I actually really liked their chapters together and now kind of want them to end up as a couple. I didn’t expect much at all from Shibuya when he first appeared, but now I definitely find him more interesting than Kurosaki, the main character, which doesn’t exactly bode well for the series. Still, it’s enough to keep me reading, if not rereading. – Michelle Smith

Slam Dunk, Vol. 31 | By Takehiko Inoue | Viz Media – To properly convey how much I love sports manga in general and Slam Dunk in particular, I kept a tally of how many times this volume made me verklempt. The total? Eight. I just find it so moving when someone finds the thing that they love and the “unwavering resolve” to go after it, changing the trajectory of their life in the process. True, the series doesn’t end like I had expected, but I actually think the most important thing that needed to happen occurred a bit earlier on—Sakuragi and Rukawa finally recognized each other as trustworthy teammates. There’s a great moment where Sakuragi recovers a loose ball and trusts Rukawa to deliver on it, a gesture that’s later repaid when a blocked-in Rukawa counts on Sakuragi in a crucial moment. The change in their eyes as they regard each other is so palpable it gives me goosebumps to contemplate it. I heart this series like whoa. – Michelle Smith

World War Blue, Vol. 3 | By Anastasia Shestakova and Crimson | Seven Seas – Any goodwill I may have possessed towards this series is gone by now, as it tries to tell a story with cute video game references but can’t rise above the most hackneyed cliches. So we have aggrieved siblings who chafe at the policies of their peaceful country and strike off on their own; we have the ‘weak’ member of the party reminded that war is hell and that she has to contribute and stop worrying that she’s useless (she’s even slapped, because of course), and the tragic narration “this was the last time we would ever fight together” setting up future events that I don’t care enough about. Even the side story, about a female slave with ridiculous strength who is rescued by a rather casual hero, leaves a bad, somewhat sexist taste in the mouth. It’s a shame, this started off with promise. – Sean Gaffney

Yotsuba&!, Vol. 12 | By Kiyohiko Azuma | Yen Press – I’ve said before that I enjoy Yotsuba as a catalyst more than an actual character. Luckily, she’s rarely on her own in this volume, and her interaction with everyone else drives the humor and the heart. Torako is learning to be just as good as Asagi at handling Yotsuba, even if it’s in a grumpy truculent way. Fuuka and Shimau are hilariously weird and cute as a team, spotting the potential of Yotsuba and awkward pumpkin costume straight away. And the camping trip that takes up the 2nd half is filled with exactly what we want in the series: the wonders of everyday life, people being adorable dorks, and lots of cute. Yotsuba’s final page quote makes one think the series is ending (it isn’t), but honestly there’s far more that can be done here The wonders of childhood are limitless. – Sean Gaffney

Yotsuba&!, Vol. 12 | By Kiyohiko Azuma | Yen Press – New volumes of Yotsuba&! are sadly few and far between these days, but at least each one is solidly consistent and guaranteed to raise a smile. True, nothing much changes, but the series does have its own internal slice-of-life continuity, with Yotsuba’s newfound fascination with tying bows factoring into future chapters not to mention the repercussions of her naughty adventure with paint. “Everyone gets blue hands sometimes!!” on its own might not read as much of a punchline, but Azuma’s excellent (as ever) depiction of Yotsuba’s body language effortlessly communicates how embarrassed she is by her predicament, and it’s nice to see how her dad handles her misbehavior. Too bad it’ll probably be at least another year before volume thirteen. – Michelle Smith

Voice Over! Seiyu Academy, Vol. 2 | By Maki Minami | Viz Media – As pleasantly sugary as Hana to Yume series are known to be, I admit that I found the first volume of Voice Over! Seiyu Academy to be more sickly than sweet. Its perky, dim heroine and and obvious romantic setup, though certainly no grave sins in the context of current shoujo manga, languished within a lackluster premise. Volume two begins pretty much the same way, as heroine Hime and her gang of student seiyu “stragglers” trudge through a tired plotline involving the value of friendship. Fortunately, a late-volume twist changes things for the better, utilizing an equally overused trope that somehow feels just right here. Can a shoujo manga live or die on its precise combination of clichés? Time will tell. Tentatively recommended. – MJ

This week, Sean and Michelle look at recent releases from Viz Media.

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Midnight Secretary, Vol. 2 | By Tomu Ohmi | Viz Media – As ever with the josei series we’ve seen Viz license in Shojo Beat, this second volume is dedicated to much angsting and lying to oneself. Unlike most Shojo Bdeat series, all the angsting ends in a fairly hot sex scene, which actually feels earned, mostly as we do get to see both Kaya and Kyohei making the same journey. Kaya “But I’m just a secretary” drives the first half, and Kyohei’s “Vampires should not love humans” drives the second, but they’re essentially the same concerns; each is losing themselves to the other, and it’s scary. I am pleased that we continue to focus on how good the two of them are at their jobs, and I suspect that Kyohei’s family will play a larger role as things go on. In the meantime, enjoy all the fretting and frothing leading to a whole lot of pleasure for all concerned. – Sean Gaffney

Psyren, Vol. 13 | By Toshiaki Iwashiro | Viz Media – I like the fact that so much attention is given in Psyren to showing us how the villains came together as a team. Usually the heroes band together with the power of friendship, etc., so it’s nice seeing it coming from the other side, with folks having agendas other than ’cause we’re evil like that’. Also, given Jump action series almost never really focus on the romance, I also liked seeing Sakurako freaking out at what her alternate self did with Ageha, even if it was played for the broadest comedy. (As was Maria being jealous, which was also very cute). Then it’s back to the Psyren world for more fighting, as things get livened up by the addition of a genuinely unhinged serial killer on the villain’s side – the flashback to his victims being found is chilling. Hopefully the series cam keep the momentum going, next volume looks like all fighting. – Sean Gaffney

Rin-Ne Vol. 13 | By Rumiko Takahashi | Viz Media – Never let it be said that Rumiko Takahashi’s comedy hasn’t been consistent as we travel from UY to Ranma to Rin-Ne. Her characters are funny because they are all gloriously selfish asses who are truly horrible to each other for the most petty reasons. There is the occasional heartwarming bone thrown here, but even then you never know when it will be yanked away from you, as with the chapter with Rinne’s horrible father. Even Sakura gets in on the act, not having issues with Rinne being a thief, but musing he wouldn’t be so bad at it if he were. Even the ghosts everyone is helping are petty, vindictive and shallow. If I hadn’t been reading Takahashi for almost 20 years now, I’d be fairly repulsed at this entire cast. As it is, it feels like putting on your favorite old electric blanket. – Sean Gaffney

Strobe Edge, Vol. 7 | By Io Sakisaka | Viz Media – One of the things that makes Strobe Edge so great it’s that it’s often sweet, but never sappy. Some of the best moments occur when mature-seeming character show their vulnerabilities and insecurities to the select few they care about, which means these scenes area always firmly rooted in character. The primary focus of this volume is the growing closeness between Ren and Ninako and the latter’s unwillingness to let go of their friendship to try for something more, especially since she knows Ren is still sad after breaking up with his girlfriend, unlike the other girls in school, who are eager to nab him without truly knowing him. Then there’s Ninako’s friend, Sayuri, who is worried that her current boyfriend has fallen for another girl just like her last one did. I suppose there’s nothing really new here, but it’s done so well that I just don’t care. – Michelle Smith

Sunny, Vol. 2 | By Taiyo Matsumoto | Viz Media – How does one craft something that’s sad but simultaneously uplifting and charming? Introspective and yet a page-turner? I have no clue, but thankfully Taiyo Matsumoto does and has instilled those qualities in Sunny. I especially love that the kids in this series (who live together in a group foster home) are not idealized. They tell lies, act tough, fail to show gratitude for their caretakers, and hang out with the wrong crowd but Matsumoto shows us the vulnerabilities that make them behave this way. One can’t help but feel for them, with the painful truths they’re confronting at such a young age. My favorite chapter involves relative newcomer Sei taking the latest arrival under his wing, only to say goodbye when the boy’s mother actually keeps her promise to come for him. It’s just beautifully done all around, which is yet another reason why you should be reading Sunny. – Michelle Smith