Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Michelle Smith

Demons of Air and Darkness by Keith R. A. DeCandido: C+

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From the back cover:
Once they moved from world to world in a single step, through innumerable doors that spanned the galaxy. They were masters of space, and to those who feared them, they were demons of air and darkness. But long ago they left their empire and their miraculous technology behind. Now someone has found the key to it, and all those doors have been flung open.

A world near Deep Space 9, threatened with destruction from the distant Delta Quadrant, becomes the focus of a massive rescue effort as Colonel Kira Nerys, her crew, and some unexpected allies fight to avert disaster on a planetary scale. Meanwhile, as Lieutenant Nog and Ensign Thirishar ch’Thane search for a way to shut down the spatial portals forever, Quark becomes involved in a dangerous game that could determine, once and for all, who will control the Gateways.

Review:
This is kind of an odd entrant into the DS9 relaunch series, since it’s actually the fourth book in a different series. The Gateways series has a novel for each of the pre-Enterprise TV series, plus a couple from some original novel series. I was not interested enough in the concept to check out the other books, so missed how this business with the gateways all started. One gimmick is that each of the novels ends in a cliffhanger and all the endings are compiled in novella form in the seventh book of the series (entitled What Lay Beyond). So, basically, anyone reading the whole series got annoyed six times before having to shell out for one more book containing all of the conclusions. Irksome!

DeCandido was better at keeping thoughts in-character for the DS9 cast than he was in the Buffy book I read by him, so there were some good character moments, though the basic plot was pretty dull. The writing was also heavily reliant on dashes—like so—to the point where it became distracting. Also, if books like this even have editors, someone should inform them that “a isolinear rod” and “a instrument panel” are grammatically incorrect.

Like the others in the series, Demons of Air and Darkness ends on a cliffhanger. Its resolution is the novella “Horn and Ivory,” which basically just deals with Kira having taken a gateway to Bajor’s past and realizing that she needs to stop waiting for Sisko to come back and take the responsibility of running the station off her shoulders. Or something. I didn’t read any of the other novellas, so if there was a definitive conclusion to the events of the series, I don’t know what it was. And don’t really care.

A Great Deliverance by Elizabeth George: A-

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From the back cover:
To this day, the low, thin wail of an infant can be heard in Keldale’s lush green valleys. Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they’d hidden to escape the ravages of Cromwell’s raiders.

Now into Keldale’s pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth Earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely, Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father’s headless corpse. Her first and last words were, “I did it. And I’m not sorry.”

Yet as Lynley and Havers wind their way through Keldale’s dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.

Review:
I was quite surprised to discover, about halfway through this book, that Elizabeth George is American. I never would’ve guessed, as it seemed such a quintessentially English mystery to me. Stylistically, her writing reminded me of P. D. James: thorough, easily-visualized descriptions of places and people; well-defined detectives with class differences; and lots of words that required me to seek out the dictionary. Favorite new word: armigerous. One just has to love the way people talk in these books, too. A normal person might say “I’m just in time!” Here, however, an aristocratic lady appearing in time for breakfast exclaimed, “What a propitious arrival I’ve affected!”

While the mystery itself was okay, what really made the book special was the relationship between Inspector Lynley and Sergeant Havers. He’s an Earl, Eton-educated, and a “golden boy” with a reputation for appreciating the ladies. Havers, from a working-class background, is described as truculent and termagant (another for the dictionary!) and had actually been demoted back to the street on account of difficulties she’d had getting along with the inspectors with whom she’d previously been paired. I loved that the first appearance of Lynley is seen through Havers’ eyes: “He was the handsomest man she’d ever seen. She loathed him.” Hee hee. Watching them getting to know one another as they worked the case was of equal importance to the case itself.

About the only thing I didn’t like was the obnoxious American tourist with a propensity for demanding to be told “the poop.” I realized he was there to make our heroes cringe and all, but egads, he was repellent.

Specials by Scott Westerfeld: A-

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From the front flap:
“Special Circumstances.” The words have sent chills down Tally’s spine since her days as a repellent, rebellious ugly. Back then Specials were a sinister rumor—frighteningly beautiful, dangerously strong, breathtakingly fast. Ordinary pretties might live their whole lives without meeting a Special. But Tally’s never been ordinary.

And now she’s been turned into one of them: a superamped fighting machine, engineered to keep the uglies down and the pretties stupid.

The strength, the speed, and the clarity and focus of her thinking feel better than anything Tally can remember. Most of the time. One tiny corner of her heart still remembers something more.

Still, it’s easy to tune that out—until Tally’s offered a chance to stamp out the rebels of the New Smoke permanently. It all comes down to one last choice: listen to that tiny, faint heartbeat, or carry out the mission she’s programmed to complete. Either way, Tally’s world will never be the same.

Review:
Specials is big on story and premise, small on emotional impact. The chief fault of this series (characterization) hasn’t changed. Tally’s in a constant state of flux: she’s this, she’s that, she thinks this, she thinks that, she feels this, she feels that. One can’t really identify with a protagonist whose true nature is so hard to pin down.

The plot and the setting, however, made this an enjoyable read. I was surprised by the direction of the story on a couple of occasions, and though Tally’s ultimate fate is a little odd, it also kind of brings things full circle, so I’m okay with it.

Ultimately, I’d recommend the series, but as a library selection. At this time, I don’t intend to purchase my own copies to have on hand, which I usually do with true keepers.

Pants on Fire by Meg Cabot: B

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From the back cover:
Katie Ellison is not a liar. It’s just that telling the truth is so… tricky. She knows she shouldn’t be making out with a drama club hottie behind her football-player boyfriend’s back. She should probably admit that she can’t stand eating quahogs (clams), especially since she’s running for Quahog Princess in her hometown’s annual Quahog Festival. And it would be a relief to finally tell someone what really happened the night “Tommy Sullivan” was spray-painted on the new wall outside the gymnasium—in neon orange, which still hasn’t been sandblasted off. After all, everyone knows that’s what drove Tommy out of town four years ago.

But now Tommy Sullivan has come back. Katie is sure he’s out for revenge, and she’ll do anything to hang on to her perfect (if slightly dishonest) existence. Even if it means telling more lies than ever. Even if, now that Tommy’s around, she’s actually—no lie—having the time of her life.

Review:
From the book description, it sounded like this book would be very annoying, but it actually wasn’t bad. Oh sure, Katie could be irksome, but she was at least distinctly different from the rest of Cabot’s heroines. And yeah, the plot was totally predictable, but it was satisfying in a romantic comedy kind of way.

There was more of the “re-explaining” that has bugged me in Cabot’s other books. In this case, it was where the circumstances of the awfulness of Tommy’s return were reiterated. Yes, he ticked off some people in a highschool-football-crazy town by exposing some jocks for cheating on their SATs. Yes, they lost their scholarships. Yes, Katie is now dating the younger brother of one of said jocks, who is still angry about the whole thing. I got all that the first time it was revealed and (gasp!) made all the necessary connections without having to be led through it on a string. I’m quite sure most teens can manage the same.

Also, like most Cabot heroines I’ve thus far encountered, Katie had a hobby that she was serious about pursuing. I think I need to make a list.

Princess Diaries — Mia is into writing.
All-American Girl — Sam is into art.
Pants on Fire — Katie is into photography.

Suze from the Mediator series didn’t have a hobby that I remember, but she had a sort of job/destiny thing, so I guess that qualifies. Their friends are usually into something specific, too. It’s kind of a character shortcut in many cases (this one’s a cheerleader, no need to establish more about her), but it’s better than girls with no aspirations, at least.

Anyway, I shouldn’t be surprised that Cabot books are formulaic and occasionally padded with needless rehashing: it’d be difficult to crank them out at her current pace if she had to come up with something entirely new each time. It was still a fun read and I’m sure I’ll be back for more Cabot when the need for fluff resurfaces.

Carpe Demon by Julie Kenner: B-

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From the back cover:
Lots of women put their careers aside once the kids come along. Kate Connor, for instance, hasn’t hunted a demon in ages. That must be why she missed the one wandering through the San Diablo Wal-Mart. Unfortunately, he managed to catch her attention an hour later—when he crashed into the Connor house, intent on killing her. Now Kate has to dispose of a dead demon and pull together a dinner party—all without arousing her family’s suspicion. Worse yet, it seems the dead demon didn’t come alone. It’s time for Kate Connor to go back to work.

Review:
This book has been described as “what would happen if Buffy got married and kept her past a secret.” It bugs me when characters are compared to Buffy purely based on the fact that they have killed or do currently kill vampires and demons. They’re never really anything like her. Kate is far too flat a protagonist for any comparison to be valid. Sure, she kicks some butt, but she’s still pretty bland. Good supernatural horror should be used as a catalyst to explore character. Buffy did that. Carpe Demon does not.

The plot was pretty disjointed, and sometimes I just had to shake my head and go “Wha?”, like when Kate spontaneously decided to spring an old dude from a nursing home to come live with her family, or when she concluded based on no evidence that the nurses there were demon minions, or when it’s revealed she spent her orphaned childhood at the Vatican. Did she never discuss her childhood with her husband? Did she feed him lies? If so, this is never specifically addressed.

It wasn’t all bad, though. I did like the parts where Kate ponders the void in her second marriage (second hubby doesn’t know about her past, but the first one was a fellow demon hunter) and seriously worries that the threads of her past life will unravel her cozy present. Sometimes the writing was amusing, but also employed tired old clunkers like, “I’d tell you but I’d have to kill you.” Also, the demon voices on the unabridged audio were nifty and freakin’ creepy!

Though this book really wasn’t that great, it entertained me well enough that I’ll check out the second in the series for free from the library.

Twilight by Meg Cabot: B

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From the back cover:
Suze Simon finds it difficult to come across as an average teenager when she’s constantly visited by ghosts. Suze is a mediator, you see. And her boyfriend Jesse is, well, a ghost himself—from the 19th century!

Fellow mediator Paul Slater has figured out how to travel through time and alter Jesse’s future so he and Suze will never meet, leaving Suze in a conundrum. Does she let Paul succeed so Jesse lives an ordinary life in his own time period, leaving Suze with no memory of him? Or does she stop Paul and force Jesse to be a ghost forever? And all the while, Suze must cope with the perils of a normal teenage life.

Review:
This book was really ticking me off until the last hundred pages, but at least it ended the way it should have.

The problems:
1) Suze had never been more annoying. I swear I actually yelled at the audiobook when she was dallying in calling an ambulance at one point. She was also very slow to grasp the ramifications of stuff that’s happening.

2) Bits of the plot were super obvious. Fellow mediator Paul needed an artifact from the past to travel there. (Me: Gee, that random mention of a belt buckle found in Suze’s attic a few chapters ago totally makes sense now! La la la, wait for the story to catch up with my surmise.) Also, by the halfway point, I had completely guessed how the happy ending would be occurring.

3) Re-explaining. Two characters would be having a phone conversation, and something would be pointed out to Suze and she’d realize that it was true. And then she had to explain again why what has just been said was really true.

The good:
Pretty much anything Jesse, particularly seeing him in the past. The ending, though predictable and a little too convenient, was still satisfying.

Ultimately, I don’t really think the series lived up to the potential it showed originally. If Cabot could’ve resisted making Suze incredibly dense at pivotal moments, it would’ve gone a long way toward making this a truly stellar series. Still, even with its flaws, it is recommended.

The Sandman 1: Preludes & Nocturnes by Neil Gaiman: B+

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From the inside flap:
Enter a dark and enchanting world of dreams and nightmares and meet the Sandman, master of dreams, and his kin—the Endless.

This first collection of Neil Gaiman’s unique and multi-award-winning Sandman saga introduces key themes and characters, combining myth, magic, and black humor.

Review:
This volume collects issues #1-8 of the Sandman comics. Morpheus, the Lord of Dreams, was inadvertently captured by some occultists who were attempting to trap and contain his sister, Death. They imprisoned him for 70 years and stole his stuff, and when he finally escaped, he wanted it back. He took the next few chapters to complete the quest.

I was occasionally lost when the story veered too far into mythological territory, and one story called “24 Hours” was incredibly disturbing, but on the whole I liked it. The best, however, was the last story, called “The Sound of Her Wings.” In it, Morpheus was a bit mopey because he’d completed his quest and his spunky sister came to drag him out of his doldrums. And throw bread at him.

As seems to be the case with comic books, the physical appearance of Morpheus was pretty inconsistent. I decided to think of him as Stephen Rea with blue hair, and that worked pretty well.

Haunted by Meg Cabot: B

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From the back cover:
Suze is used to trouble, but this time she’s in deep: Ghostly Jesse has her heart, but Paul Slater, a real flesh-and-blood guy, is warm for her form. And mediator Paul knows how to send Jesse to the Great Beyond. For good.

Paul claims he won’t do anything to Jesse as long as Suze will go out with him. Fearing she’ll lose Jesse forever, Suze agrees. But even if Suze can get Jesse to admit his true feelings for her, what kind of future can she have with a guy who’s already dead?

Review:
Haunted was a bit of a disappointment after the previous installment, Darkest Hour, was so good. Not a lot happens, really. Paul shows up at Suze’s school and throws her into turmoil. Suze is convinced that Jesse does not return her feelings. Then Jesse beats Paul up. That’s kind of the whole plot. Well, and Suze learns she might actually be something called a Shifter instead of a Mediator, which comes with more dangerous powers.

Suze is pretty annoying in this book. At any one point there are three or four things she’s not telling anyone, she goes to the house of a boy she dislikes and distrusts and ends up smooching him, and she also is able to convince herself that Jesse hates her, which is obviously untrue. I rolled my eyes at her fairly regularly.

The blurb on the back of the book is also wrong. Suze agrees to let Paul teach her the Shifter skills he knows after extracting a promise from him that he’ll leave Jesse alone. There really isn’t any coerced dating going on, though they’ll obviously have to spend some time together.

Despite not being thrilled with this particular installment, I still must know how the story ends. One volume to go!

Section 31: Abyss by David Weddle and Jeffrey Lang: B

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From the back cover:
Section 31. They are the self-appointed protectors of the Federation. Amoral, shrouded in secrecy, answerable to no one, Section 31 is the mysterious covert operations division of Starfleet, a rogue shadow group commited to safeguarding the Federation at any cost.

Mere days after the startling events of Avatar, Doctor Julian Bashir faces his darkest nightmare when Section 31 compels him to undertake a mission to stop one of their own. But this renegade is no ordinary agent. Like Bashir, Dr. Ethan Locken is genetically enhanced, a human superior in body and mind. But Locken dreams of remaking the galaxy in his own image—and creating a new human empire based on the example of the infamous Khan Noonien Singh.

And as he begins to understand the terrifying truth about his opposite number, Bashir will learn more about himself than he ever wanted.

Review:
I’m continuing to enjoy the DS9 relaunch series. Perhaps the greatest compliment I can pay the book is that, for the most part, I could easily see this story playing out over a few episodes of the show. Some little reveals wouldn’t have been possible in a visual medium, though.

Mostly, the interaction between the characters was good and felt in character. I appreciate that the series isn’t just about plot advancement, but about character development, too. None of the plot threads that were introduced in the first two books was abandoned, though some of them only had a chapter devoted to them. The main story kept my interest, though I thought the very ending wrapped up too tidily. I don’t understand how Commander Vaughn knew of the existence of some indigenous alien folk that needed rescuing. Especially after Kira was just telling Julian that he isn’t superhuman and shouldn’t expect to be able to save everyone.

I am also very intrigued by the character of Taran’atar. Taran’atar is a Jem’Hadar who is not dependent upon Ketrecel White. He’s also very old by their standards (22) and more wise than usual. He was sent by Odo to learn about the Alpha Quadrant by observing, and has been told to follow Kira’s orders. He is the catalyst for and participant in some interesting conversations, and is also a very capable guy to have around on a secret mission. I look forward to seeing what will happen with him down the line.

I Am the Messenger by Markus Zusak: B+

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From the back cover:
Ed Kennedy is an underage cabdriver without much of a future. He’s pathetic at playing cards, hopelessly in love with his best friend, Audrey, and utterly devoted to his coffee-drinking dog, the Doorman. His life is one of peaceful routine and incompetence until he inadvertently stops a bank robbery.

That’s when the first ace arrives in the mail.

That’s when Ed becomes the messenger.

Chosen to care, he makes his way through town helping and hurting (when necessary) until only one question remains: Who’s behind Ed’s mission?

Review:
Doesn’t this sound like the premise for a geeky TV show or movie? It certainly had that sort of vibe at first, with narration and dialogue that prompted me to mentally cast Simon Pegg in the role of Ed and Nick Frost as his annoyingly childish friend, Marv.

Pretty soon, though, things got a lot more serious. The cards Ed received sent him on a variety of missions, from kind of sappy things like spending time with a lonely old lady and rustling up a congregation for a priest to more dangerous ones, like dealing with a drunken lout who abuses his wife. I liked that the messages for Ed’s three best friends were the last tasks he had to complete, and that it forced him to take the scary steps of breaking through the pattern of superficial interaction he’d had with them and finding out their secrets, fears, and what it was they really needed. The resolution of Marv’s message was particularly moving.

The writing was often funny, but sometimes a little too pretentiously poetic. Example: “Voices slam and the door shouts shut.” Things like that disrupted the narrative flow of the story with their clunky construction. Plus, they conjured memories of high school creative writing assignments, which is seldom a good thing.

The ending was weird and very disappointing. The identity of the person behind Ed’s mission made very little sense. Zusak apparently felt the need to reinforce the already-obvious point that Ed’s not actually the messenger, but the message, and it concluded things on a rather confusing note.

Pretties by Scott Westerfeld: B

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From the back cover:
Tally has finally become pretty. Now her looks are beyond perfect, her clothes are awesome, her boyfriend is totally hot, and she’s completely popular. It’s everything she’s ever wanted.

But beneath all the fun—the nonstop parties, the high-tech luxury, the total freedom—is a nagging sense that something’s wrong. Something important. Then a message from Tally’s ugly past arrives. Reading it, Tally remembers what’s wrong with pretty life, and the fun stops cold.

Now she has to choose between fighting to forget what she knows and fighting for her life—because the authorities don’t intend to let anyone with this information survive.

Review:
This was definitely the best of the Scott Westerfeld books I’ve read so far, though the first two-thirds of it just felt like exposition.

Tally learns more about her world in Pretties, including the existence of a secret reservation where the violent tendencies of unaltered humans are studied in a tribal setting. It’s pretty interesting, and there really weren’t any particular parts that dragged.

I wouldn’t say the characters were more fleshed out than the previous volume, really, but with the introduction of Zane, Tally’s boyfriend as a pretty, there forms a romantic triangle that I actually quite like. Usually with these, there’s one boy that is my clear favorite, but that’s not the case here. I’m kind of surprised that Westerfeld managed to get me that interested in it.

Therefore, it’s with some renewed hopes for the series that I continue on to its third installment.

So Yesterday by Scott Westerfeld: C+

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From the back cover:
Ever wonder who was the first kid to keep a wallet on a big chunky chain, or wear way-too-big-pants on purpose? What about the mythical first guy who wore his baseball cap backwards? These are the Innovators, the people at the peak of the cool pyramid.

Seventeen-year-old Hunter Braque is a Trendsetter, on the second level of the pyramid. His job: find the newest, coolest thing for the retail market. His MO: observe, don’t get involved. But from the moment he meets Innovator Jen James, he can’t help getting involved in a big way.

Part love story, part mystery, part stinging satire, Scott Westerfeld’s spellbinding novel will make you question everything you’ve ever believed about how to be cool.

Review:
So Yesterday isn’t bad, it’s just boring. For such a short little book, it took me a while to make it through.

Cons: The plot is very silly, involving a missing friend, some apparently amazing shoes, and preserving the sanctity of “the cool pyramid.” The word “cool” is used approximately 412.9 times. There’s a mistake regarding whose cell phone called whom that no editor seems to’ve caught. The main characters are shallow and uninteresting. Because of something the lead character states at the beginning of the story, the supposed bad guys never project any true menace.

Pros: It’s occasionally amusing. Um… that’s about the only one I can think of.

This is the second book I’ve read by Scott Westerfeld, and so far I am not impressed. And yet, I’ve just started the second book in one of his series. No one can say I’m not giving this dude a chance! I do have to wonder whether actual young adults like this book or are insulted by the implication that they’re all obsessed with being “cool.” Maybe they are, and I’m just too old now to remember how it was.

Innocent Blood by P. D. James: B

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From the back cover:
Philippa Palfrey, adopted as a child, exercises her legal right to apply for a copy of her birth certificate when she becomes eighteen. Although she has always had a fantasy of being the illegitimate daughter of an aristocratic father and now dead mother, she soon learns the shocking truth about her parents—and finds that her mother is about to be released from prison.

With this knowledge, Philippa moves into an alien world that is to prove more dangerous and terrifying than any she could imagine. For there is someone else interested in her mother’s release—someone who has dedicated his life to seeking out and destroying her.

Review:
Innocent Blood is rather odd. The story is intellectually interesting, but not much beyond that. The characters aren’t exactly unlikable, but they’re very aloof and remote. By the time they experience something provoking a powerful emotional response, it’s hard to care very much.

Not a lot happens until the last hundred pages or so, where the man with a grudge gets closer to exacting his revenge. I was curious to see whether he’d succeed but again, not very invested in the fates of the characters. I liked how revelations about Philippa’s adoption precipitated the events of the novel’s conclusion.

The writing is quintessential James, complete with thoughtful insights and the exceptionally vivid physical descriptions of the characters that I love so much. I liked it, but I’m not sure whether I’d reread it. I don’t rule it out.

The Book Thief by Markus Zusak: A+

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From the back cover:
“It’s just a small story really, about, among other things: a girl, some words, an accordionist, some fanatical Germans, a Jewish fist fighter, and quite a lot of thievery…”

Narrated by Death, Markus Zusak’s groundbreaking new novel is the story of Liesel Meminger, a young foster girl living outside of Munich in Nazi Germany. Liesel scratches out a meager existence for herself by stealing when she discovers something she can’t resist—books. Soon she is stealing books from Nazi book-burnings, the mayor’s wife’s library, wherever they are to be found.

With the help of her accordion-playing foster father, Liesel learns to read and shares her stolen books with her neighbors during bombing raids, as well as with the Jewish man hidden in her basement.

Markus Zusak has created an unforgettable novel about the ability of books to feed the soul.

Review:
I’m no particular World War II buff, but found The Book Thief to be exceptional and fascinating. The endearing, deftly drawn characters themselves are what I loved the most. The tale’s not as glum and dire as one might expect: there are many funny bits, heart-warming bits, and mischievous children. There are also some incredibly sad bits, which oughtn’t be surprising given the subject matter.

The story is uniquely told by Death, who is a droll storyteller. He’s weary, and he gets no particular relish from his job. To him, war is nothing to revel in—it’s just more work heaped upon him. The narrator of the audiobook, Allan Corduner, renders him excellently and thoroughly Britishly.

There’s not really a linear plot, just a variety of incidents occurring to the families living in one little neighborhood over a period of several years. In fact, Death sometimes jumps ahead in time to fill one in on a character’s eventual fate, which then made for bittersweet reading when one returns to the narrative in which they are so vibrantly alive.

My favorites of the wonderful, memorable characters, in ascending order of preference: Liesel’s foster mother, Rosa, yells a lot but has a big heart. The scenes where the fierce love she has for Liesel is most obvious are very moving. Liesel’s best friend, Rudy, is a brave, energetic boy (always pestering her for a kiss) who’s perpetually hungry. But absolutely stealing the show is her new “papa,” Hans Huberman. I absolutely adore Hans, as he’s one of those sweet, patient dads who knows the right things to say and is absolutely a good man through and through.

The Book Thief is technically a young adult book, but doesn’t really feel like one. It could just as easily have been marketed as adult fiction. There are many things to recommend it (and I do, highly) but the vivid characters alone are enough.

Uglies by Scott Westerfeld: B-

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From the back cover:
In the not-so-distant future, Tally Youngblood is quickly approaching her 16th birthday and the mandatory pretty-making surgery that accompanies it. But when Tally’s best friend Shay refuses the surgery and runs away to the Smoke, Tally must choose between friendship and beauty.

When a top-secret organization forces Tally to spy on the rebels of the Smoke—or risk being an Ugly forever—she reluctantly gives in. As the rebels befriend her, she learns that the pretty-making surgery may change more than just her looks. The people of the Smoke are working on a cure. But they need someone to become Pretty to find out if it works.

Review:
Uglies reminds me of Feed, with futuristic teens (encouraged to party rather than think) and new slang and gadgetry. Oh, and lesions.

Tally and Shay are friends who get up to various tricks and go exploring and stuff. Tally is gung-ho to become Pretty, but Shay is not enthusiastic. After Shay runs off to avoid the surgery, Tally is drafted to track her down and help the government round up the rebels.

After an extremely boring travel segment (who believes that an imperiled heroine will really die less than halfway through the book?), Tally arrives at her destination. Once there, she feels kinship with the rebels and is completely annoying by not just coming out with the truth and getting it over with. More stupidity—and rationalization for not confessing—follows, and I didn’t like that so much of the plot hinged on the protagonist being a moron.

I’m not sure what to make of this series. The characters are kind of flat. Part of the problem might’ve been with the narrator of the audiobook, who imbued Tally’s friends with dry, nasal voices that made them sound stoned or whiny. Some plotting elements annoyed me and more than once my attention drifted. I probably liked the futuristic setting enough to continue on to the next book, at least.