Michelle Smith

Manga the Week of 11/20

November 15, 2013 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 4 Comments

SEAN: Another one of those weeks that brings something for everyone.

It has been a year and two months since the last volume of Berserk from Dark Horse. (This is the fault of the Japanese author, let’s note, whose reputation for breaks is limitless.) Now, at last, we have the next volume.

ASH: YES! Berserk is one of my favorites. Well, early Berserk is one of my favorites. But I’m always happy to see a new volume of the series released.

MJ: I have never read Berserk, but I’ll admit that Dark Horse’s announcement about the new volume made it all sound very exciting.

SEAN: Oh My Goddess 45 contains one of the most amazing, ballsiest retcons I have seen in ages. It set fandom alight, and I look forward to reading it in this new volume, also from Dark Horse.

Fairy Tail’s speedup is nearing the end, but not quite there yet, so here’s Vol. 32, which is still at the start of the Grand Magic Games arc.

Sherlock Bones also has its 2nd volume, which will feature more from the sort-of love interest of the boy (the dog does not, as far as I know, have a love interest).

ASH: Well, there is Takeru’s sister who reminds Sherdog an awful lot of Irene Adler…

SEAN: Picturebox is having a busy month. This week we get the second in their Ten Cent Manga series, featuring a well-known name – Osamu Tezuka, with The Mysterious Underground Men, one of his very first works.

ASH: I’ll admit, I’m a little burned out on Tezuka, but the Ten Cent Manga series is pretty great.

MJ: I’m with Ash here, but I’ll still probably read it.

SEAN: The longest Alice in the Etc. series to date comes to an end with the 7th and final volume of Cheshire Cat Waltz. Will Alice and Boris live happily ever after? Is happily ever after really a desirable result here? We shall see.

ANNA: I have to say, I don’t care very much about this series, but I just started Alice in the Country of Joker. That’s one thing to be said for all the many Alice in series, something for everyone.

Sickness Unto Death wraps up with its second volume. I reviewed it here.

Hey, remember Dogs? It’s at the ever popular yearly release schedule (not due to sales – Japan has a yearly schedule as well), and is sure to be stylish.

Sunny was a nicely introspective manga when the first volume landed in the spring, so I am quite looking forward to Vol. 2.

ASH: As am I! It’s a beautiful, deluxe release, too.

MICHELLE: Me, too! I’m reviewing it for the next Bookshelf Briefs, in fact!

ANNA: I very much enjoyed the first volume of this series and the deluxe format makes a nice holiday gift!

MJ: I really can’t wait to read this. Michelle & I adored Volume 1.

SEAN: I have run out of things to say about Yen’s BTOOOOM!, so I will note that since this is Volume 4 I added an extra O to the title.

MICHELLE: *snerk* I gave up after the craptacular second volume.

SEAN: A quick detour to the manwha side, as Vol. 8 of Jack Frost is out. I lost track of this back at the start. Is the girl still getting decapitated constantly?

MJ: Probably.

SEAN: Soul Eater 17 contains one of the most popular sequences in the entire series. I won’t say anything more, other than: Rule 63.

Lastly, speaking of yearly releases, it’s Yotsuba&! time. Featuring Halloween, camping, and Asagi’s friend (and that’s all she is, despite yuri fans everywhere wishing it were otherwise) Torako. Ever volume of this series puts a smile on my face.

ASH: I can’t believe how far behind I am with Yotsuba&!. I should address this issue immediately.

MICHELLE: Yay, Yotsuba&!.

ANNA: I am terribly behind as well.

MJ: New Yotsuba&! is always a welcome sight!

SEAN: What appeals to you most?

Pick of the Week: PictureBox & Other Stories

November 11, 2013 by Ash Brown, Sean Gaffney, Michelle Smith, Anna N and MJ Leave a Comment

ASH: Though there aren’t quite as many titles coming out this week as there were in the past couple of weeks, there are still plenty of manga to choose from. Personally, I’m torn between two releases: the first omnibus in Shigeru Mizuki’s Showa: A History of Japan from Drawn & Quarterly and the first volume in PictureBox’s new series Masters of Alternative Manga, Gold Pollen and Other Stories by Seiichi Hayashi. In the end, I think I’m leaning slightly more towards the beautiful hardcover edition of Gold Pollen. Alternative and underground manga aren’t often released in English; I’m happy to show PictureBox my support because I’d love to see more of it.

SEAN: I was going to pick Showa anyway, so no worries about it not appearing here. I’ve loved the Mizuki manga we’ve gotten so far from D&Q, and seeing a history of one of the most volatile periods of modern Japan, interspersed with more awesome yokai folklore, is simply too good to pass up. A must buy.

MICHELLE: I’m awfully glad we’ve got things like Gold Pollen and Showa coming out, but I can’t lie—my heart belongs to Blue Morning, volume three. Definitely my pick for best BL of the year.

ANNA: I’m glad we have those things coming out too, but to be honest, I’m probably going to read the latest volume of 07-Ghost before I read other things that are being released this week. So that is my pick!

MJ: It’s so tempting to fall back on an enduring standby this week, with the sixth 3-in-1 edition of Fullmetal Alchemist making its way to the shelves. There are few shounen manga that have occupied such a prominent place in my heart, and my admiration for its brilliant creator, Hiromu Arakawa, is steadfast and true. But comfort of old favorites is, this week, overshadowed by my excitement over PictureBox’s new collection of Seiichi Hayashi manga, Gold Pollen and Other Stories, so I must echo Ash’s pick. Not only does this release offer me a prolonged glimpse at an era of manga from which I’ve read very little, but it’s also a gorgeous, high-end release—large trim, hardcover, full-color. I can’t wait to take a close look at it. I’m thrilled, too, that this is just the first in PictureBox’s alternative manga series.

What looks good to you this week?

Bookshelf Briefs 11/11/13

November 11, 2013 by Sean Gaffney, Anna N and Michelle Smith Leave a Comment

This week, Sean, Anna, & Michelle look at recent releases from Viz Media and Vertical, Inc.

Knights of Sidonia, Vol. 5 | By Tsutomu Nihei | Vertical, Inc. – There is quite a good space battle towards the end of this, but as usual I’m focused on other things. The reason that I keep coming back to Sidonia is the balance it maintains between different aspects. I will never get over how this is still a wacky harem manga, complete with Nagate being a clueless dope and Izana running off in best cliched “I hate you!” form. But I will also never get over the scene with Tahiro’s possession – and, I have to assume, death – which is some of the sickest body horror I’ve ever seen, and is done slowly and silently so that you revel in its horribleness. These are both in the same manga! And yes, there is also a great Star Wars-style battle with SPEED GAUNA and Nagate showing off his awesome skills as well. It’s become a must-read title. – Sean Gaffney

Knights of Sidonia, Vol. 5 | By Tsutomu Nihei | Vertical, Inc. – I honestly never thought I’d love a mecha-centric manga like I do Knights of Sidonia, but then again, this is not your average mecha manga. Humanity’s desperate fight for survival never lets up—which isn’t to say the series is devoid of light moments, only that they are few and far between—and just when it seems they’ve possibly got a leg up on the enemy, the enemy grows more clever while an unknown threat begins to grow within Sidonia itself. The characters have become even more endearing, too, especially Izana Shinatose, Tanikaze’s “middle-gendered friend,” and this is the kind of series where people can easily end up dead—dead en masse, in fact—so watching them fly into battle can be a somewhat stressful reading experience, but oh so addictive and rewarding. I’m counting the days until volume six! – Michelle Smith

Oresama Teacher, Vol. 15 | By Izumi Tsubaki | Viz Media – The class trip that I thought would take the entire volume only took half of it, but things are all the better for it. First, we get just enough time devoted to Mafuyu trying once again to hide her past, Yui realizing that his deep cover role is a lot deeper than I suspect he’s truly comfortable with, and Saeki once again being ridiculous. To my surprise, though, I also loved the second half. I didn’t think much of Shibuya when he was introduced, as he was putting up a very false front. Now, with everyone else off on the trip, we can delve closer into that, and see what happens when he runs up against someone he can’t read like a book. As for our latest mini-villain, Komari… well, she’s finding the exact same thing happening to her. Clearly these two are made for each other. Depth is always welcome in my favorite shoujo comedy. – Sean Gaffney

Oresama Teacher, Vol. 15 | By Izumi Tsubaki | Viz Media – I’m a bit in awe of the capacity of this series to seem absolutely silly and hilarious even as the cast grows and almost nothing happens in terms of forward-moving plot. The class trip is funny, and I especially enjoyed Saeki’s unholy obsession with ping pong. While sometimes the large cast gets a bit tricky to keep track of, the story shift in the latter half of the volume to Shibuya fending off Komari’s aggressive cuteness is both amusing and intriguing from a character development standpoint. It is always nice to have a manga to turn to that always makes me smile, and Oresama Teacher delivers every time. – Anna N

Slam Dunk, Vol 31 | By Takehiko Inoue | Viz Media – The final volume! It feels a bit like the end of an era. I didn’t think this basketball game could get any more intense, but the tension and strain were palpable as the underdog heroes of Shohoku High face the final minutes of their battle against Sannoh. There’s a bit of bittersweet resolution as Sakuragi and Rukawa acknowledge each other as teammates in the closing moments of the game. I feel like this series has just been a wonderful gift, seeing Inoue’s style and storytelling skills evolve and grow over the 31 volumes of this series serves as a master class in manga appreciation. I would happily have read 31 more volumes of this series, yet it is utterly appropriate that Sakuragi gets the last word, delivered with his characteristic confidence to conclude the volume. – Anna N

Strobe Edge, Vol. 7 | By Io Sakisaka | Viz Media – I would like to note that it is starting to beggar belief that every single ex of every single character is converging on the same school now. But, having gotten that out of the way, this was a solid volume of Strobe Edge. The focus on Sayuri was appreciated, and showed how experiences (and indeed lack of communication) from past relationships can affect future ones. I’d argue that even more than most shoujo manga, this series reads like a primer for first love, with the characters talking about their feelings out loud far more than we normally see. Sadly, Ninako and Ren are rather static right now, as they enjoy their close friendship and think “This is enough, right?” Well, no, it’s really not, and I think Ren is going to be the first to break. We shall see… – Sean Gaffney

Vampire Knight, Vol. 17 | By Matsuri Hino | Viz Media – For the past several volumes of Vampire Knight, I’ve noted that I’ve enjoyed its mood and flavor, but really haven’t been able to follow the plot from one volume to the next. That’s getting worse and worse, and this volume can only coast on style for so long before I start to skim. We’re clearly in endgame, but most of what’s happening involves Kaname trying to kill Sara and Yuki trying to stop him, and everything else here is pretty much added window dressing to those two things. There’s some attempt at development for Ichijo, and some romantic sacrifice by Souen, but honestly it’s been 17 volumes, I should not still be turning to the back to remember who everyone is. Still, the art is gorgeous, and everyone suffers beautifully. It’s the manga equivalent of Rococo art. – Sean Gaffney

Manga the Week of 11/13

November 7, 2013 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 2 Comments

SEAN: This week isn’t quite as bad as the previous two, but there’s still a chunky bit of stuff coming onto the shops.

Dark Horse has the 3rd of their Lone Wolf & Cub omnibuses. That’s a chunky item hitting the shops all by itself, and very good value for money it is too.

ASH: I’m happy to see Lone Wolf & Cub being re-released. The larger format means I have a better chance of actually being able to read the text, too.

MJ: I’ve been so happy to have a fresh opportunity to fall in love with this series. And fall in love, I have!

ANNA: Nice! I need to check this out again, I think I only read the first five or so volumes of the original series but I did enjoy it.

SEAN: We have a trio of releases from DMP. Lies Are A Gentleman’s Manners certainly wins the title of the week award, but I know nothing else about it. The description seems to involve LSD and blackmail.

ASH: I don’t know much about this one, either. But, megane alert!

MJ: Thanks to David Welsh, I’m thrilled to see anything from Opera, so count me in!

Moon and Blood 4 is still doing its mini-manga thing.

And Triton of the Sea finishes up with its 2nd omnibus. Are we getting near the end of print Tezuka releases, headed for a digital-only future?

ASH: I think we’re getting close. There are only two forthcoming Tezuka print releases that I’m currently aware of: The Mysterious Undergound Men and The Crater.

SEAN: Drawn & Quarterly has been putting out a lot of Shigueru Mizuki lately, and this is one of his big magnum opus projects. Showa 1926-1939: A History of Japan seems to actually be half history book and half yokai (come on, can we really expect no yokai in a Mizuki book?), as we switch between his childhood and the events that shaped Japan. I can’t wait for this one. There’s a sequel, covering World War II, out in the spring.

MICHELLE: Oh, that *does* sound interesting.

ASH: I’m very much looking forward to this series. If the first two omnibuses do well, we should see two more.

MJ: Ditto!

ANNA: This looks cool.

SEAN: Kodansha has Cage of Eden 12, with more extinct animals, action sequences, and naked teenage girls bathing in rivers.

Another intriguing debut is Black Bard, which One Peace Books is putting out as a done-in-one omnibus. From Media Factory’s oddball shoujo magazine Comic Gene, and the plot sort of sounds like Shoulder-A-Coffin Kuro, only less depressing.

ASH: I’m definitely checking this one out. I just can’t pass up the music and magic combo.

MJ: Again, what Ash said!

ANNA: I am reserving judgement until the first reviews get posted, but it does sound interesting.

SEAN: One Peace also has the 4th of the reissue volumes of Crayon Shin-chan, which has been their main manga product to date, though with Black Bard they’re starting to expand. Shin-chan is pure kiddie fun, though be aware it’s a kid’s idea of fun, not a parent’s.

Picturebox has been known for having some old-school seinen, and this week is no different with the release of Gold Pollen and Other Stories. Actually, instead of seinen, it’s more pure alternative, and sounds quite interesting in an “indie comix” way.

ASH: I’ve already got my copy of this one! Picturebox has been doing some really interesting manga releases this year and the production quality has been top-notch. Gold Pollen is the first volume in its Masters of Alternative Manga series; I’m very curious to see what else will be picked up.

MJ: I’m pretty anxious to see this!

SEAN: SubLime has the 3rd volume of Blue Morning, which I understand has garnered some praise from other corners of the Manga Bookshelf. Anyone want to chime in?

MICHELLE: I described it as “more like a genuine period drama than BL romance with some token period frills.” The characters are well developed and complex, too, and I really couldn’t recommend it more highly.

MJ: I’m really enjoying this series, and Michelle’s recent review has made me anxious to dig into this volume!

SEAN: “I am hot.” “I am also hot.” “And naked.” “I too am naked.” “We fight crime.” “In an erotic way.” “We are… Spiritual Police.” “From SubLime Manga, November 6.” “Revel in our hot bods.” “And sultry gazes.”

MICHELLE: Bwa-ha-ha!

MJ: <3

SEAN: Vertical dips into the world of post-apocalyptic sci-fi with From the New World Vol. 1. I really didn’t like the first volume, but others may disagree with me.

ASH: I’ve been told the manga follows the novels more closely than the anime adaptation, but I’m really not sure what to think about this series yet.

SEAN: 07-Ghost Vol. 7 comes as close as it ever will to being symmetrical.

MICHELLE: Sigh. Somehow I am now really, really far behind on this.

MJ: I’m mesmerized by the near-symmetry.

ANNA: I need to get caught up! I enjoy this series.

SEAN: Fullmetal Alchemist 3-in-1 Vol. 6 introduces Olivier Armstrong, which is the best possible reason to buy it, as she is amazing.

MJ: Yes. Yes she is.

Speaking of omnibuses, Inu Yasha’s VizBIG Edition is up to Vol. 17, which I’m sure is also an exciting and thrilling part of the story, probably.

MICHELLE: I have actually never finished InuYasha. I have the last ten volumes hanging around, ready for me to read them, but I have been delaying it for years now. Kind of like how I never watched that one episode of TNG and thus it is not actually finished for me.

SEAN: Lastly, Rin-Ne ambles slowly along with lucky Vol. 13. Perhaps Sakura will show an emotion this time around… nah, never gonna happen. Still, it’s enjoyable spirit comedy.

MICHELLE: I have a warm spot in my heart for RIN-NE despite its lack of forward momentum of any kind.

SEAN: Any favorites?

BL Bookrack: Simply SuBLime

November 5, 2013 by MJ and Michelle Smith 3 Comments

Welcome to the latest installment of BL Bookrack! This time, MJand Michelle take a look at two titles from SuBLime Manga, The Man of Tango and Sleeping Moon. In Brief: Blue Morning, Vol. 3, Off*Beat, Ch. 14, and Tableau Numéro 20.

The Man of Tango | By Tetuzoh Okadaya | SuBLime Manga | Rated M (Mature) – So distant are the days when I found SuBLime’s selection of titles mostly unimpressive, that it’s a bit of a struggle to recall them. And, in face of a book like The Man of Tango, it’s hard to believe that I ever distrusted this imprint.

Though tango dancer Angie is irresistible on the dance floor (and in the bedroom), he’s never experienced any love approaching his passion for the dance until he meets Hiro, a biracial salaryman who finds himself unexpectedly drawn into Angie’s tango-focused world. Hiro is initially reluctant to become sexually involved with a man, but his growing passion for both Angie and the tango eventually wins him over, introducing him to a kind of warmth and happiness he’s never known.

On the face of it, this sounds like any average BL premise, even down to the reluctant “straight” man, but The Man of Tango is anything but average. Even its looks defy the norm, as the manga features bulky, muscular characters who skew more bara than BL, but given that the artist was influenced by bara legend Gengoroh Tagame, that’s no surprise. More unusual, perhaps, is the story’s fantastic female costar, Bene, whose dream of returning to Buenos Aires is ultimately left for Angie and Hiro to pursue. The self-made family created by the three of them is really at the heart of the story—perhaps even more than its romance—and this isn’t a negative thing by any means. Bene’s presence somehow brings more meaning to everything, including Angie and Hiro’s relationship.

That said, friendship and romance are hardly the volume’s only draw, which is to say that it’s pretty much teeming with sex—passionate, graphic, manly sex—the likes of which are seldom seen in BL, at least on these shores. You’ll find no grimacing, helpless uke here, which dramatically affects my perception of the story’s initial sex scene, in which Hiro is clearly too intoxicated to give consent. It’s a rare BL manga that can overcome my distaste for rape fantasy, but this is one of the rare few. Furthermore, I often complain that sex scenes get in the way of stories rather than genuinely enhancing them, but this could not be less the case with The Man of Tango. Not only do Okadaya’s sex scenes advance the story and the characters’ relationship, but they’re genuinely sexy, which is also surprisingly rare for BL manga.

In short, The Man of Tango is well-crafted, emotionally compelling, and downright hot. Recommended.

– Review by MJ

Sleeping Moon, Vols. 1-2 | By Kano Miyamoto | SuBLime Manga | Rated M (Mature) – I’ve read my share of Barbara Michaels novels, quite a few of which feature the heroine returning to her ancestral home to unearth family secrets. Sleeping Moon evokes that same feeling by sending its protagonist, 27-year-old graduate student Akihiko Odagawa, into the countryside to the home in which his father grew up, searching for the origins of a family curse that dooms the male descendents to die young. There, he reconnects with his younger cousin, Ren, but also takes dream journeys into the past, where he meets a scholar named Eitarou, for whom he soon develops feelings.

Sleeping Moon is complete in two volumes, which is a little bit of a disappointment, because it definitely seemed at first that there was enough meat to the premise for it to go on a little longer. That’s not to say the resolution is unsatisfying, though I do admit to being more interested in the origins of the curse itself than in Akihito and Ren’s rather rushed romance. Miyamoto-sensei sustains a nicely creepy atmosphere, and I definitely could’ve read lots more about the fox spirit attempting to protect the family.

I also really liked how Miyamoto depicted the home’s resident kitty. He just kind of wanders through scenes, stepping on people who are in the midst of having a conversation, etc. I hate, though, that his whereabouts are not accounted for at the end, and that no one, in fact, seems to care at all about whether he’s okay, given what happens. (How’s that for vague?) Do not introduce us to a cute kitty then not show him all safe and happy on the last page!
Anyway, Sleeping Moon is a solidly enjoyable supernatural yarn. The romance aspect is somewhat lacking, and it’s not exactly the most original story ever, but it’s still definitely worth reading.

– Review by Michelle Smith

In Brief:

Blue Morning, Vol. 3 | By Shoko Hidaka | SuBLime Manga | Rated M (Mature) – When I reviewed volume one, I wrote “Complex, dark, and a bit twisted, Blue Morning is the best BL I’ve read so far this year.” Happily, subsequent volumes of the series have only further cemented this impression. By volume three, Akihito and Katsuragi’s relationship has evolved as Akihito himself has matured and Katsuragi has begun to change in ways Akihito has yet to notice. Complications abound, however, and because so many of these arise due to the status-conscious society of the day, Hidaka-sensei spends a lot of time on this aspect of the story, with the result that Blue Morning feels more like a genuine period drama than BL romance with some token period frills. With characters this compelling and storytelling this nuanced and sure, there’s potential for much more riveting story to come, and I couldn’t be happier about that. This one is a keeper, for sure. – Michelle Smith

Off*Beat, Ch. 14 | By Jen Lee Quick | Chromatic Press | Rated YA – Because this series is American, it gets out of having to label itself “BL” (or not), but if there’s ever been a more gorgeously written love story between two teenaged boys, I certainly don’t know what it is. Part of what makes it work so well, of course, is that it reads as both YA and supernatural (or fringe science) mystery more than it reads as genre romance, and somehow that’s the magic formula for actual romance, at least in the hands of Jen Lee Quick. Her ability to capture her teens’ smart dialogue and awkward body language is, frankly, astounding, and volume 14 is absolutely fraught with these things, along with considerable romantic tension. Then she follows it up with a scene between Tory and his mother that had me nearly in tears. If you’re still holding out on this series… well, stop it. Dive in now. Highly recommended. – MJ

Tableau Numéro 20 | By est em | SuBLime Manga | Rated M (Mature) – Let’s be honest, this title pretty much had me at “est em,” but even among her rather generous English-translated catalogue, it ranks among my favorites, and that’s saying quite a bit. Her style here favors short manga, as is generally expected. The book’s title story, a wistful love story between a long-dead painter and his subject, is more fanciful than the author’s norm, but no less moving. Even so, it may not actually be the strongest of the bunch. I was especially fond of “Rasgueado,” a story about a young zapateado dancer who is pulled out of a rut by an older guitarist, but each of the volume’s five short stories is a splendid work of art. Like most of est em’s work, I would consider this book appropriate for any adult manga fan, regardless of his or her preferred genres. Absolutely recommended. – MJ

Other recent BL reviews from MJ & Michelle: Sleeping Moon, Vol. 2 (SuBLime), Off*Beat, Ch. 13 (Chromatic Press)

Pick of the Week: Addictive Shoujo

November 4, 2013 by Michelle Smith, MJ, Anna N, Ash Brown and Sean Gaffney 3 Comments

MICHELLE: I’m caught between two equally compelling options. On the one hand, there’s Skip Beat!‘s sixth 3-in-1 omnibus, but I’ve literally been telling people to read this for years, so even though it’s terrific, perhaps I should instead go for option number two, Strobe Edge. It’s more of an unknown quantity for me, but I’ve personally been enjoying it a lot. So… my official pick is… Strobe Edge (but also Skip Beat!).

MJ: As I’m having trouble choosing something this week, I’ll also go with Strobe Edge! I was unimpressed by this series at first, but it had me hooked by the end of the first volume, and that has only intensified over time. It’s become a book I gobble up immediately upon the arrival of each new volume. Nothing quite beats addictive shoujo.

ANNA: I also adore both Strobe Edge and Skip Beat, but I’ll go ahead and make Skip Beat my pick, simply because I’m a big fan of omnibus editions for these long-running series. Skip Beat is the rare long series that manages to keep everything compelling and fresh.

ASH: I haven’t read any of Strobe Edge yet, but I have read and adored Skip Beat!. Great comedy, great characters, and a the omnibuses are a great way of getting into the series. So, despite some of the other intriguing titles being released this week, my vote goes to Skip Beat!, too.

SEAN: And instead of breaking the tie I will choose Oresama Teacher, which not only is that rare series about teenage delinquents that’s licensed in North America, and not only has an entire *cast* that can rival Special A for being dense and not understanding any nuance, and not only manages to have a reverse harem love quadrangle without making me actually take any sides about who will win, but is simply funny as hell. Will always love this.

What looks good to you this week?

Bookshelf Briefs 11/4/13

November 4, 2013 by Sean Gaffney, MJ, Michelle Smith and Anna N 1 Comment

This week, Sean, MJ, Michelle, & Anna look at recent releases from Seven Seas, Viz Media, Kodansha Comics, Yen Press, and 6 Degree Works, Inc.

Burning Love on the Aegean Sea | By Harumo Sanazaki | 6 Degree Works, Inc – This is a somewhat random Ohzora manga that I bought on impulse for my Kindle. It is a basic mishmash of Harlequin story tropes, without the elements of humor or lush art that makes romance manga more enjoyable to read. Christian is a man with anger issues and lush, long dark hair who comes back to a Greek island after being expelled with tons of money and revenge in his heart. Leda is the innocent heroine with a trampy older sister and ethically challenged father who is forced to stay on the island when her ex-lover appears, all while raising her sister’s son. Everything is very dramatic, and the illustrations of windswept hair and turbulent seas combine to underscore the tortured relationship of the two leads as they grow closer. Still, something this manga makes it feel more like it is going through the motions as opposed to telling an interesting story, and there’s plenty of other romance manga out there that will be more satisfying for most readers. Anna N

Haganai: I Don’t Have Many Friends, Vol. 4 | By Yomi Hirasaka and Itachi | Seven Seas – The majority of this volume continues the basic theme of the entire series, which is this group of misfits and outcasts having fun as friends without realizing that’s what they’re actually doing. They write a round-robin fanfic which basically involves torturing each others’ self-inserts, they play the world’s most ridiculous RPG, and they fail mightily at karaoke. There’s nothing particularly earth-shattering here, though the cliffhanger promises that next volume may ramp that up, as Kodaka is invited to meet Sena’s father. As it is, though, romance continues to sit on the back burner here, as the title is more concerned with seeing these broken people insult each other, mock each other, and likely form bonds they’ll cherish for the rest of their lives. -Sean Gaffney

Midnight Secretary, Vol. 2 | By Tomu Ohmi | Viz Media – As heroine Kaya becomes further dependent upon her vampire boss’ sexual attention (to the point of attempting to free herself by leaving his employ) and boss Kyohei is slowly driven mad by his feelings for a “mere human,” I’m aware that I should be fleeing the scene as quickly as possible. After all, it’s these tormented, controlling love interests I despise the most, isn’t it? Isn’t it?? Alas, I can’t deny that I’m enjoying Midnight Secretary, despite myself. I’m captivated by Tomu Ohmi’s tortured love story, her occasional humor, her clean artwork, but most of all, her competent, serious heroine, whose devotion to her work still trumps all, even sexy vampire bosses. Even for this grumpy old lady, sometimes trashy, over-the-top romance really hits the spot. Midnight Secretary is just that kind of romance. Recommended. – MJ

Pandora Hearts, Vol. 18 | By Jun Mochizuki | Yen Press – I had wondered how volume 18 could top 17, with its many answers and “um… whut?” ending, but I think it does, largely because Mochizuki manages to provide still more answers to long-standing questions in a way that’s unexpected but absolutely fits with what’s gone before. (Well, what I can remember of what’s gone before. At some point, I’d love to start over from the beginning and see how it all hangs together.) I love how everything is tilted on its head in ways that remind me a little of Loveless, actually. I know this is more fangirl gushing than a legitimate review, but hopefully that just goes to show how much I enjoyed it and how eagerly I await the next volume. “Where do we go from here?” indeed. – Michelle Smith

Real, Vol. 12 | By Takehiko Inoue | Viz Media – Oh, Real. I seriously love you so much. Why you come out so seldom? Anyway, this volume finds Togawa in pursuit of change—he’s not entirely sure what it is he’s lacking, but he’s banking on finding it at basketball camp. It doesn’t entirely turned out as planned, but some insights from Azumi on his rush-ahead attitude are very welcome. Meanwhile, Hisanobu continues to give rehabilitation his all, and once his formerly estranged father learns about his son’s goal of participating in wheelchair basketball, Inoue-sensei crafts a thoroughly lovely non-verbal sequence wherein the dad learns all about the game and then silently prays for his son’s dream to come true. Sniff. Okay, yes, this volume is full of unabashedly feel-good stuff, but it’s not cloying about it. There’s plenty of sweat, tears, and frustration, and everything is drawn beautifully. Even if you don’t like sports manga, you should make an exception for this one. – Michelle Smith

Sankarea, Vol. 3 | By Mitsuru Hattori | Kodansha Comics – The cover to Vol. 3 continues to show how this is being marketed to a very different sort of fan than you’d expect. Yes, there are still elements of harem comedy here, though Wanko is perhaps starting to realize that “I see you like a sister” is a hole that’s usually too big to crawl out of for the typical harem girl. Where the manga really succeeds is in the drama and horror, with the addition of the annoying but informative Darin, and the realization that being dead is not something that Rea can simply deal with and live the rest of her life as normal. The cover art shows this off, as she stares at the stump where her arm used to be. It’s put back, but it’s a sign of a more dangerous trend, which is that she really is a zombie, therefore happily ever after may not be an option here at all. – Sean Gaffney

Manga the Week of 11/6

October 31, 2013 by Sean Gaffney, Michelle Smith, Anna N and MJ 4 Comments

SEAN: Let’s just roll out, far too much to deal with this first week of November.

801 Media’s dates change on Amazon so often that I’m never quite sure whether I’ll say something is due out and then it’s changed again. But they do list Vol. 7 of Ze for this week. For those who like a bit of epic with your smut.

MICHELLE: I didn’t realize Ze was still coming out. Huh.

ASH: It is indeed! Although it has been a long while since we’ve seen a new volume in English.

MJ: I gave up this series a while back, as it had stopped intriguing me and started just making me uncomfortable (and a little bored). Did I give up too soon?

SEAN: In Kodansha land, the 2nd Air Gear omnibus catches you up a little more with this roller skating, fanservice, and gang violence manga.

Seven Seas has been expanding their reach lately, and it shows in the number of titles they’re doing per month now. We start with another Alice in the Country of Etc. spinoff, The Mad Hatter’s Late Night Tea Party. This looks more romance-oriented than mystery-oriented, and should be filled with innuendo give it’s Dupre, but I’ll give it a shot.

ANNA: I need to get caught up on some of these spinoffs. I do still like this franchise.

SEAN: Usually with Seven Seas licenses, particularly in their new fanservice-heavy phase, I tend to bat 1 out of every 3 in terms of “things Sean likes”. I have good hopes for A Centaur’s Life, though, which I hear actually tries to imagine what the world would be like in such a situations (monster high school, basically), and tones down after an ecchi first couple chapters. We’ll see how it compares to Monster Musume.

ASH: I don’t read many manga from Seven Seas outside of its yuri titles, but I’m really looking forward to giving A Centaur’s Life a try.

MJ: I can’t exactly say I’m looking forward to it, but I might give it a try anyway.

SEAN: If you’re still catching up on Seven Seas’ breakout title, Dance in the Vampire Bund, Vol. 4 covers Vols. 10-12 of the original.

There’s also Vol. 4 of Mayo Chiki.

Senran Kagura: Skirting Shadows is a manga based on a video game franchise, and apparently is about a Ninja High School, but with no input from Ben Dunn at all. It is apparently littered with fanservice. We shall see.

World War Blue continues to meld generic shonen fantasy with a history of 80s video game wars, which at least is not a commonly used plot device.

I’m not sure who Akiko Shimojima is, but she and Sean Michael Wilson are collaborating on a graphic novel about The 47 Ronin, which Shambhala Press is putting out next week. The cover makes it look like the style is Lone Wolf and Cub-by, which makes sense.

ASH: The Forty-seven Ronin are making quite a showing in the West this year with manga, comics, and film versions of the story all being released.

MJ: I could potentially get interested in this.

SEAN: Another omnibus catchup, Viz gives us the 2nd volume of D.Gray-Man, which collects Vols. 4-6.

Midnight Secretary was the more intriguing of Viz’s two new josei licenses, and I am highly looking forward to Vol. 2.

ANNA: Second volume was as good as the first, I am really enjoying this series.

MJ: What she said!

SEAN: I am about 58 volumes behind on Naruto, and given it’s at Vol. 63, unlikely to catch up anytime soon.

Speaking of catching up, if for some reason you haven’t read One Piece and want to buy 23 volumes at once, this box set takes you through to the end of the Alabasta arc.

Oresama Teacher 15 will make me very, very happy and I will laugh a whole lot. As should you all.

ANNA: Oresama Teacher is a hilarious gem of hilarity.

SEAN: Psyren 13. We should be getting near the endgame soon.

Skip Beat!’s 6th 3-in-1 is a great buy for this who missed this top-notch shoujo comedy first time.

MICHELLE: Buy eet!

ASH: Yes, do!

ANNA: Can’t go wrong with Skip Beat!

SEAN: Strobe Edge 7. Angst! Angst! We just can’t get enough! Get more here.

MICHELLE: I’ve fallen a couple of volumes behind with Strobe Edge and am really looking forward to getting caught up.

ANNA: This is one of those series that took a couple volumes to get solid, but is now consistently great.

MJ: Yeah, I’m wholeheartedly on board with this title. Bring it on!

I need some cute manga about reindeer. Sweet Rein seems like the perfect solution. Plus it’s from the author of Penguin Revolution and Land of the Blindfolded, the classic CMX titles (which need license rescuing digitally *cough*).

MICHELLE: It really is quite cute. And a good length (3 volumes) for its premise.

ANNA: It is mega adorable. Great manga for a feel-good pick me up.

MJ: Okay, I read an advance copy, like the rest of you, and I admit it lost me at “the power of Santa cures cancer” (roughly speaking). But maybe it’ll win me back over at some point?

SEAN: Tegami Bachi has reached Vol. 15, and is ‘Ant And Bee Deliver Letters’ gone horribly wrong. Or something.

Ultimo has hit Vol. 9, speaking of Jump Square titles. It’s by the creator of Shaman King, in case you’d forgotten. Oh, and Stan Lee.

Vampire Knight has now ended in Japan, so we’re ready for a big climax in the next couple of volumes. Here’s 17.

Lastly, Yu-Gi-Oh 5D’s 3. R U 3C 4 2 UGZ?

Are you going to buy any of this, or just stack it in a pile and die when it falls on you?

MICHELLE: I literally lol’d.

MJ: Same.

Pick of the Week: Old Favorites & New

October 28, 2013 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ 3 Comments

SEAN: There’s far too much stuff coming out this week, so something is bound to get lost in the shuffle. With that in mind, I will once again bang the gong for one of my addictive series. Higurashi: When They Cry continues to answer things, as we see the aftermath of Satoko and her parents, see how Rika lost her parents, and watch Miyo almost lose everything. The parallels between Miyo and Rika are emphasized even more. Definitely will be devouring this.

MICHELLE: And I’ll bang the gong for one of mine, Pandora Hearts. I’m not sure how much answering it’s going to do, but I’m sure it’ll be as riveting as it is occasionally baffling.

ANNA: I’m going to venture off-list and pick Vinland Saga again. Because today I’m finally going to head out to a physical bookstore to buy it as it seems to still be unorderable on Amazon.

ASH: Wow, there really is a lot of manga coming out this week! I’m particularly looking forward to the second volume of Mitsuhisa Kuji’s Wolfsmund which I would recommend for fans of dark and intriguing historically-inspired manga.

MJ: It’s an abundant shipping week, for sure, though for such a full week, there’s surprisingly little in it that appeals particularly to me. I’m planning to take a look at new Yen titles Another and No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, and I’m always happy to see a new volume of the visually stunning Bride of the Water God. But there’s only one book in this week’s batch that I absolutely can’t wait to read, and that’s volume 18 of Pandora Hearts. I’m a long-time fan of the series, as you know, and at NYCC I was reminded again of just how few of us there are in critical circles when a fellow journalist at the con asked me, “Who writes about Pandora Hearts?” I could think of very few. So, with that in mind, I’m happy to join Michelle this week in making it my pick!

What looks good to you this week?

Off the Shelf: Two from Vertical

October 27, 2013 by MJ and Michelle Smith 3 Comments

MICHELLE: One of us is sad and one of us is sick, but we’re still putting our woes aside to talk about some new manga this morning. I guess that makes us troopers, huh?

MJ: Or masochists, one of the two.

MICHELLE: I… had not thought about that possible interpretation.

MJ: That’s what I’m here for!

MICHELLE: MJ, dispensing disturbing interpretations since the 1970s!

MJ: You know it!

We’ve been away from this column for a while, for various reasons, and to crank things back up again, we thought we’d take a look at a couple of recent releases from one of our favorite publishers, Vertical, Inc. First on the docket is a rare classic from the late Satoshi Kon, Tropic of the Sea, written while Kon was still a college student, and first published in Japan over twenty years ago.

Yosuke is the teenaged son of a village priest, whose family has long guarded the secret of a mermaid’s egg, which was reportedly entrusted to his forebears in return for the continuing safety and bounty of their small fishing community. According to legend, the egg must be protected and watered regularly for sixty years, at which point it is returned to its home and replaced by a new one. As the next in line to care for the egg, Yosuke is charged with bringing fresh seawater up to the shrine in which it is kept, which he does both out of duty and a lingering fondness for the legend he believed as a child.

When Yosuke discovers that his father has sold out their family secret to land developers seeking to transform the village into a sprawling resort, he is mildly appalled, but not nearly so much as his grandfather, who, enraged by his son’s hubris, risks his life in an attempt to return the egg to the mermaids as promised. Meanwhile, the villagers wage their own battle with the land developers whose promises of luxury and prosperity threaten their way of life. As the volume continues, Yosuke must decide what he believes and what is really important as he watches his community and his family being torn apart over their land and the mysterious egg.

MICHELLE: Usually, stories about families who stop honoring their contracts with supernatural beings never end well, but I was pleased that this story took a slightly different route. That said, I often times found the pacing disjointed. Perhaps Kon was trying to cram as much story as possible into a limited number of chapters, but there were a few transitions that puzzled me. And in the end, it all just seems to zip by so quickly, and I got a much firmer sense of the awesomeness of Yosuke’s dog (Fujimaru) than many of the human characters.

MJ: I realize that it might be the decongestants slowing me down, I didn’t have quite the same experience. While some sections did feel a bit zippy—particularly the final confrontation and chase with the land developers, I appreciated way Kon slowly and quietly revealed his characters’ truths, particularly Yosuke’s. For instance, while it’s clear early on that Yosuke has some kind of painful past association with the water that makes him reluctant to swim, Kon avoids the sort of carefully manipulated drama that would normally accompany a hero’s childhood trauma. There’s obviously an issue—one that his close friends are distractedly aware of—but it results in none of the kind of drama I’d expect from most stories.

First of all, Yosuke is uncomfortable with swimming, but he still *does* it when he needs to, without any tortured posturing. Then, later, when we finally figure out what it’s all about, the drama of the reveal is overshadowed by the larger problems at hand. I found this somehow refreshing.

MICHELLE: I’m glad that it read a bit differently for you. I wonder if part of the problem for me is that I am usually a slow reader, but the art style (which I loved) and paneling and everything made it possible for me to read this much more quickly than usual. Whereas you’re used to reading stuff quickly. I dunno.

But I absolutely agree about the low-key approach to Yosuke’s trauma. I also really loved the final page of the volume, which would be an absolutely ordinary image to anyone who hadn’t read the story to learn its full significance.

MJ: I love the subtlety of that final image, too, and the way Kon consistently lets his artwork do the storytelling. And while I think that this strong instinct to “show, not tell” is probably part of what made it read so quickly for you, it’s also his greatest strength here. I’m not saying that I think this is a perfect work, by any means, and even as much as I enjoyed it, it very much feels like an artist’s early work. But I found a lot to appreciate in it.

So, would you like to introduce our second selection?

MICHELLE: Alrighty!

Helter Skelter is another one-shot from Vertical, and another sort of cautionary tale, as well. Currently popular model Liliko is much talked about but also, as we soon see, a wretched person. She’s obligated to her agency’s president, whom she calls “Mama,” who helped to transform her from an unattractive and overweight girl into a celebrity with a perfect, but nearly entirely fake, body. Liliko sought fame and adulation and made this choice herself, but is soon disillusioned with the life and dissatisfied with the work and yet terrified of the moment that it all ends. “What happens when I stop being sellable?” she wonders. “Everyone who pampers me now will leave me.”

Meanwhile, a prosecutor named Asada and his assistant are investigating the clinic where Liliko’s procedures were performed as well as a string of suicides committed by former patients.

MJ: Liliko makes for a troublesome heroine, as her disillusionment and fear has created in her a level of cynicism and raw desire that would ruin even the purest soul (which she is decidedly not). In a frantic bid to keep control of someone, even as she’s (literally) falling to pieces, she calls upon her remaining allure in order to emotionally enslave both an eager assistant and the assistant’s boyfriend. She’s cruel, manipulative, and every bit as terrifying as the technology that led her there. Yet, even as we witness her careful destruction of those around her, it’s impossible not to understand her. And perhaps that’s the most terrifying thing of all.

MICHELLE: I thought Okazaki did a great job at making Liliko sympathetic and understandable even while she’s doing utterly horrible things, like ensnaring/tainting Hada (the assistant) and Okumura (her boyfriend). She interrupts them together right after she learns that “Mama” has never sent money back home to her family as promised, and the narration makes it clear that there’s a direct correlation between the discovery and her subsequent actions. And later, after she has “punished” Hada for wanting to quit, she thinks, “I just want to play with bodies. And have fun wrecking others. How can I help it? Aren’t others making a wreck of me?”

And, of course, her jealousy of newcomer teen model Kozue is completely understandable, especially considering that Kozue has come by all of her beauty naturally and is able to be herself in public in a way that Liliko can never be. (One of the things that intrigues the prosecutor about her, after all, is that her responses in interviews are completely devoid of any hint of her actual personality or upbringing.) We can even understand why she might lash out at the woman who ended up marrying the rich guy Liliko had pegged for her safety net, though it’s less easy to understand why Hada and Okumura might do her bidding in actually carrying out an attack on the woman.

MJ: I admit I found them understandable as well, though identifying at all with them may actually be more disturbing than understanding Liliko. Their own relationship is so dysfunctional and lacking, I think harboring mutual shame becomes a sort of sick bonding experience for them. They’ll continue down their road with Liliko, because any attempt to go back only forces them to confront what their relationship has become, which is somehow more uncomfortable than just doing what they’re told. The deeper in they get, the less they resemble themselves, and this is actually a plus for them. That’s my interpretation, anyway.

You know, I was thinking as I read this… I’m always anxious for more josei manga, but I’ll admit that there’s a part of me that bristles at the notion that good stories for adult women must be those that prove that the world is a horrible place filled with horrible people. It’s an ugly, cynical view that doesn’t generally resonate with me at all. But though Helter Skelter is exactly that kind of manga, there’s an honest fury to it that makes me somehow thrilled that it exists. As disillusioned and cynical as Liliko is, Okazaki’s take on her circumstances reads to me as just plain angry. To her, Liliko matters, and as awful as she’s become, Okazaki is still furious on her behalf. Is that a strange thing to say? And my feelings about this were reinforced a million-fold by the way she ends the story.

MICHELLE: No, I think you’re spot-on with that. This isn’t an indictment of Liliko; it’s an indictment of the culture of disposable, commodified celebrity that helped create and destroy her. One of my very favorite pages is quite near the end, where the babble of fans/consumers is now obsessed with obtaining “That.” This just reinforces the idea that Liliko was never a person to them; just a thing to be interested in for a while until the next thing comes along.

And wow, that ending was so unexpected! I wonder whether we’re to take the “to be continued” literally, as in that Okazaki really will pick up the story again later, or if we’re only to take that as a sign that Liliko’s “curious journey of adventure” will continue.

MJ: I selfishly hope for the former, but my hopes may be in vain!

MICHELLE: I don’t know whether I want a sequel or not; I kind of like the ambiguous ending as it is. We will, at least, be getting more Okazaki in English soon, as Vertical will be releasing Pink next month!

MJ: I’m certainly looking forward to it!

Manga the Week of 10/30

October 24, 2013 by Sean Gaffney, Ash Brown, MJ and Michelle Smith 3 Comments

SEAN: Oh. My. God. Sooooooooo much stuff. Let’s break it down.

Because the Manga Bookshelf Team demanded it, Dark Horse is bringing you Vol. 14 of Bride of the Water God. I should probably read it at some point – I wonder if there are digital plans.

ASH: I have yet to actually read this, but the artwork is lovely.

MJ: The artwork is certainly the highlight of this series, which can be a bit of a mess at times, otherwise, but I’m very happy to see that Dark Horse continues to put it out. It would, indeed, be a great candidate for digital release, especially as it’s gotten so long! I’ll be picking this up for sure.

SEAN: Also from Dark Horse is Vol. 29 of Gantz, which I’ve run out of things to say about, but apparently it sells really well to the direct market. (stares at cast in latex rubber-style combat suits) For some reason.

Speaking of things I’ve run out of words for – and indeed speaking of Volume 29s – we have Air Gear from Kodansha.

Attack on Titan 8 is where those who have only seen the anime should start off, as towards the end of the volume we start treading into unanimated waters. Also, the first spoiler that everyone knows gets revealed here. I’ve discussed it here.

ASH: I’m glad that Kodansha was able to speed up the release for this series.

MJ: After NYCC, I’m even more torn over having left this series behind after the first volume. I feel like I’ve missed hopping on the greatest bandwagon of all time.

SEAN: Fairy Tail 31 shows how much of a pain in the ass a time skip can be, and starts a tournament arc.

MICHELLE: All this stuff, and so far there’s a bunch of series I haven’t read and one that I am terribly, terribly far behind on.

SEAN: In case, for some bizarre reason, you did not buy Sailor Moon Vol. 7-12 the moment it hit bookstores and devoured every single page with your eyes, there is now a box set for you to crack open and engulf.

ASH: It also comes with stickers!

MJ: Ooooo… stickers…

SEAN: Sankarea Vol. 3 continues to walk a fine line between servicey romantic comedy and disturbing zombie manga, and to my surprise doesn’t do that bad a balancing job.

ASH: I’ve actually been pretty surprised by Sankarea as well.

I may not have really been tempted to get Wolfsmund from Vertical, but buzz from the not-mes has been excellent. They’ll appreciate that Vol. 2 is due out this week.

MICHELLE: I have volume one; I just need to find the time to actually read it.

ASH: I really enjoyed the first volume. I think it’s definitely worth checking out for people who enjoy historically inspired manga like Vinland Saga.

MJ: I never picked up the first volume, but I guess I should!

SEAN: Another of those giant done-in-one omnibuses that Yen has favored lately, here’s the complete Another manga, based on the light novels that Yen released digitally this summer. Creepy high school horror catch your eye? This is for you. Also, as a bonus, I’m pretty sure it doesn’t have any survival games.

MJ: Heh. I suppose I’ll read it, then.

SEAN: Yen has licensed some interesting stuff lately, probably thanks to the success of Black Butler, which has Vol. 15 drop this week. Is the entire cast damned yet?

Higurashi is in its final arc, but it’s the longest one yet. Vol. 2 of Festival Accompanying Arc contains Vols. 3 and 4 of the Japanese release, and also has my vote for the most horrifying scene in the entire series (it involves Rika’s mother).

Inu x Boku SS is the first of two Yen debuts this week, and has yokai demons and bodyguards, thus allowing me to add another series to my ‘look how popular yokai are in North America now’ list.

ASH: Yokai are the best!

SEAN: Is This A Zombie? 6 is coming out. So there’s that.

K-On! finally wraps up with its High School manga, hoping that fans are as interested in Azusa trying to keep the light music club alive as they were in the original cast’s college adventures.

The Melancholy of Haruhi Suzumiya’s manga adaptation finally gets to one of the most interesting novels, as Sasaki and company debut here.

MICHELLE: Another whole mess of stuff I have nothing to say about. Bad manga reviewer! Bad!

MJ: Hmmm… perhaps this is the time for me to pick this adaptation back up again.

SEAN: Oh god, don’t read the mediocre adaptation, read the original novels! Books 9-11 are this arc. 10 and 11 come out here next month.

As featured on a giant banner at New York Comic Con, Yen’s other big release this week is No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular!, Vol. 1. Just call it WataMote like everyone else. I discussed Vol. 1 here.

ASH: I’m looking forward to giving this series a try, even though I can never seem to remember the title.

SEAN: Pandora Hearts 18. MJ?

MICHELLE: Finally, something to go “woo” over!

MJ: Oh, Pandora Hearts, dear, heart-stomping Pandora Hearts. It just won’t be satisfied until I’ve been utterly destroyed. This, of course, is awesome.

SEAN: Puella Magi Oriko Magica wraps up, I believe, with this second volume. But don’t fear, I’m sure there are other Madoka Magica spinoffs out there to have cute girls suffering for your enjoyment.

Lastly, there is Vol. 4 of Triage X. I used up my lack of enthusiasm with Is This A Zombie?, so this can’t even get that much.

Surely with all this, there must be something you want. What is it? (And be warned, it gets no better the week after.)

Pick of the Week: Juicy Cider, No. 6, Summer Wars

October 21, 2013 by Michelle Smith, Ash Brown, Sean Gaffney and MJ Leave a Comment

MICHELLE: There’s not a lot to choose from this week, but I think I’m going to go with Juicy Cider. Yes, the plot sounds generic, but I have enjoyed other BL works by Rize Shinba (most notably Intriguing Secrets), so I suspect it will be better than it seems.

ASH: I think I’m going to have to go with No. 6 this week. I would describe the manga as a “traditional” dystopia and there doesn’t seem to be very many examples of these in English. Plus, I’m really enjoying watching the relationship between Rat and Shion develop.

SEAN: Summer Wars for me. The characters look cute, the premise is intriguing, and I haven’t seen the movie it’s based on, so am relatively unspoiled. For once.

MJ: I’m rather torn this week, though not from an abundance of choices, but rather from a lack of them. Still, I feel pretty confident going with Summer Wars. I greatly enjoyed the filmmakers’ earlier work, The Girl Who Leapt Through Time, as well as Vertical’s demonstrated taste in manga adaptations, namely 5 Centimeters Per Second, so I’m optimistic, for sure. This book is definitely on my list.

What looks good to you this week?

Bookshelf Briefs 10/21/13

October 21, 2013 by Sean Gaffney, Michelle Smith and Anna N 2 Comments

This week, Sean, Michelle, & Anna look at recent and upcoming releases from Seven Seas, Vertical, Inc., and Viz Media.

Alice in the Country of Clover: Cheshire Cat Waltz, Vol. 6 | By QuinRose and Mamenosuke Fujimaru | Seven Seas – Despite the fact that once again this is half the main story and half a side story, it feels like a complete book because the side story also features Alice and Boris, rather than Crimson Empire. As for the main story, as always Ace steals every scene that he’s in. Ace and Boris contrast very well here, given that Boris, despite his jealousy, just wants Alice to be happy and at peace. Whereas, as Ace says flat out, he finds Alice most interesting when she’s stressed, vacillating, and indecisive. If you recall that this manga is sourced from a visual novel, this works quite well: Boris (and some of the others) want Alice to finish the game and find an ending, Ace wants anything but that. We’ll see how this resolves in 7, the final volume. – Sean Gaffney

A Devil And Her Love Song, Vol. 11 | By Miyoshi Tomori | Viz Media – I had thought that the issues with Maria’s voice would be easily solved at the start of this volume, but nope. This volume turns out to be the one where most of the plot ends regarding Maria’s past are tied up, as we see that the tragedy in her past that has caused her such pain has also effected everyone else connected to that tragedy – her father, her grandparents, everyone. I found the way the last name “Cross” was tied into the plot to be a bit mind-numbingly coincidental, but hey, it’s a shoujo manga. So with Maria’s issues now mostly resolved, and Shin finally realizing that he can’t keep using his hand with it injured like that, we wrap up here, right? Wrong. Two volumes to go, and the cliffhanger for this one, with Maria saying “nothing can possibly go wrong now”, is very ominous. – Sean Gaffney

Happy Marriage?!, Vol. 2 | By Maki Enjoji | Viz Media – The line between miscommunication being a necessary tool to tell the plot of your shoujo manga and miscommunication being the last straw that makes your reader give up and drop the title can be very fine indeed, and the fact that I’m only 2 volumes into a 10-volume series and already vacillating on it doesn’t bode well. Not that I don’t understand the characters. Despite being husband and wife, it’s a paper marriage, so there’s that sense of ‘I should give her some space’ on Hokuto’s part – which is easy for him anyway, as he’s the sort to be very subtle and oblique. Meanwhile, Chiwa’s idea of working for another company isn’t bad, but one run by a former flame? That’s bad. This is the volume where Happy Marriage?! had to make its plot longer, and sometimes you can see the stretching. – Sean Gaffney

Midnight Secretary, Vol. 2 | by Tomu Ohmi | Viz Media – I’m still enjoying this supernatural romance about Kaya, an unusually dedicated secretary and her developing feelings for her vampire boss Kyohei. This volume centers around Kaya acknowledging her feelings for her boss and deciding to pull away, because there’s probably not much future for a woman with extra tasty blood and a man who regards human women largely as snacks. This doesn’t go well, as Kyohei likes to have Kaya around for more reasons than he is willing to admit to himself. The woman brimming with emotions and her emotionally withholding target of affection is a fairly common romance scenario, but the moody art, emotional turmoil, and paranormal elements combine to make this manga very enjoyable. – Anna N.

Sickness Unto Death, Vol. 2 | By Hikaru Asada and Takahiro Seguchi | Vertical, Inc. – Well, that didn’t go the way I expected at all. Which was, of course, the point. One of the best things about this serieds is the way it sets up situations and then pulls the rug out from under you. There’s also some really terrific analysis of coping with trauma, and I like how it shows Kazuma trying to help as a therapist but still being far too close to the situation (there’s really an awful lot of sex in this book, probably to attract Young Animal readers). As for the ending, I found it rather disquieting, and it made me ask lots of questions I’m not sure I wanted the answers to. Which I’m pretty sure is absolutely 100% intentional. I’m not sure this is a series that can be easily loved, but I think it has a high reread quality, and I’m very pleased Vertical put it out. – Sean Gaffney

Strobe Edge, Vol. 7 | by Io Sakisaka | Viz Media – This is really one of my favorite currently running shoujo series, with sympathetic characters and an engaging supporting cast that helps divert me from noticing that the relationship between naive Ninako and super-popular and enigmatic Ren is developing very slowly. Now that Ren is no longer in his previous relationship and Ninako, Ren, and Ando are all in the same classroom at school the potential for love triangle developments is high. This volume focuses a bit more on Sayuri and her old boyfriend, who it turns out was Yutaro, Much of the volume deals with Ninako’s struggles with continuing to relate to Ren as a friend only, while Sayuri and Yutaro finally achieve a bit of unexpected but welcome closure. – Anna N

Sweet Rein, Vol. 1 | By Sakura Tsukuba | Viz Media – If the name Sakura Tsukuba looks familiar, that’s because CMX published two of her series (Land of the Blindfolded and Penguin Revolution) back in the day. And that probably explains why Sweet Rein feels kind of like CMX shoujo to me. It’s a short series (complete in three volumes, it looks like) that works for all ages and has some fluffy fantasy elements, but which is still a little off the beaten path. For example, the leads in this series are a bonded Santa/reindeer pair. Yup. So far, drama comes from sad little kids with cancer in need of miracles and bishounen grandpa ghosts warning the reindeer boy that what he feels for his master isn’t genuine love. It may inspire mockery, but the overall feel so far is kind of cozy and old-school and the chibi reindeer are insanely cute. I think that’s enough to sustain me for three volumes. – Michelle Smith

Manga the Week of 10/23

October 17, 2013 by Sean Gaffney, Michelle Smith, MJ and Ash Brown 2 Comments

SEAN: Be thankful for the small amount of manga coming out this week. The three weeks after this are absolutely brutal, with over 15-20 titles each week from various companies. But this week — lull!

We welcome back Digital Manga Publishing with some new BL fare. Unfortunately, Juicy Cider’s synopsis sounds so mind-numbingly generic that I can barely stay away to get through its four lines. There’s childhood friends, unrequited crushes, and from the looks of the cover one quiet and serious boy in glasses and one happy go lucky boy. Which sounds nothing like any other BL title ever.

Priceless Honey is the other DMP offering, being a collection of short stories that are “steamy”, and where the happy go lucky boy has been replaced by a smirking, slightly older guy.

MICHELLE: I wish I had something to say about either of these two, but alas, I do not.

MJ: I admit they don’t look promising to me. Not promising at all.

ASH: Like Juicy Cider, it would appear that Priceless Honey has a megane danshi as well. Shiuko Kano has had a lot of her manga released in English by multiple publishers, so I assume that she has at least a small following.

SEAN: I probably should not mock DMP’s yaoi given that I’m still enjoying Kodansha’s Missions of Love. It’s such a guilty pleasure – Volume 5’s cover looks more like softcore porn than any of the previous ones, making me continue to boggle that this runs in Nakayoshi. But as long as the cast continues to be unlikeable, I’ll continue to be fascinated. It’s like the opposite of everything else I enjoy.

No. 6, Vol.3 continues to confuse numerologists and bookstore shelvers everywhere. It’s also Kodansha. Between this title and Disgaea 3, my ability to make World Cup jokes will live on forever.

MICHELLE: I didn’t hate the first volume, but I somehow never managed to buy/read volume two.

ASH: I’m actually rather fond of No. 6 and its leads. I found the second volume to be better than the first, so I hope the trend continues with the third!

SEAN: Lastly, Vertical debuts another manga based on a movie, with the first volume of Summer Wars, from the creators of The Girl Who Leapt Through Time. Vertical had a lot of success with 5 Centimeters Per Second, so it’s no surprise they’d get this. I personally hope it’s less melancholy.

MJ: I’m looking forward to this for sure. I loved The Girl Who Leapt Through Time, and though I wasn’t necessarily crazy about the manga adaptations of the same story, the fact that I haven’t actually seen this movie may help me on that front. And y’know, I trust Vertical. I really enjoyed the manga adaptation of 5 Centimeters Per Second, so I’m counting on their good taste to bring us a winner.

SEAN: Taking a week off before the deluge? Or trying out something new?

Pick of the Week: Spheres & Spirals

October 14, 2013 by Ash Brown, Michelle Smith, Sean Gaffney and MJ 1 Comment

ASH: There are plenty of great manga releases to choose from this week. But as happy as I am to see Junji Ito’s Uzumaki receiving the deluxe treatment, my pick unquestionably goes to Takehiko Inoue’s Real. I honestly consider it to be one of the best series currently being released in English.

MICHELLE: Yep, I’m going to have to award my pick to Real, too. I love Knights of Sidonia, but I’ll have several more chances to pick it in the coming months whereas Real seems to be yearly these days. If you thought sports manga was goofy and formulaic, Real will change your mind.

SEAN: I’ll go with Uzumaki, then. A terrific re-release, showing people who may have missed it the first time what a completely creepy and fascinating story it is. Another “I don’t normally like horror, but…” title.

MJ: And I actually do like horror, at least some of the time, so despite my own deep love for Real (and that love is pretty deep), I’ll also go with Uzumaki as my pick for this week. I am one of those people who missed it the first time around, and it’s been raved about by readers and my fellow bloggers alike. I simply can’t miss it again! Plus… I like spirals. I just do. I’m all in for Uzumaki.

What looks good to you this week?