Falling Drowning, Vol. 1 | By Yuko Inari | Kodansha Comics (digital only) – On the surface, Falling Drowning looks like cookie-cutter shoujo. Our protagonist, a high school student named Honatsu, is part of a love triangle with her protective childhood friend Toma and the surly new transfer student, Shun. There’s even a scene where Honatsu and Shun get stuck in a storeroom! However, there’s an element of mystery to this title that’s quite appealing. Six years ago, Honatsu lost her father in an accident (or was it an accident?) along with eleven years of memories. Now, she’s trying to learn as much as possible and become independent. She feels at ease around Toma, and it’s clear he likes her, but what he offers is the promise of safety. Shun, on the other hand, instinctively understands her desire to challenge herself. I enjoyed this first volume quite a bit and look forward to seeing how it develops from here. – Michelle Smith
Haganai: I Don’t Have Many Friends, Vol. 19 | By Yomi Hirasaka and Itachi | Seven Seas – At last, we get the answer to the question that every Haganai fan who despised the light novel ending has been asking: will the manga be different? Well, I’m not sure the actual ending will differ (he’s still avoiding all romance), but it’s definitely different on the Yukimura end, as he shoots her down here. Indeed, she’s not the only one he shoots down, as he admits to Yozora, who finally confesses, that he sees her only as a friend. I can’t wait to see how this ends when it comes out in… erm, what? I forgot to read this volume? The final volume is already out? Whoopsie! Well, in any case, even if it ends with him picking no one, it avoided the biggest hate sink of the novels, so that’s a plus. – Sean Gaffney
Love at Fourteen, Vol. 11 | By Fuka Mizutani | Yen Press – Remember when I said I liked the sad lesbian helping out her sad high-school equivalent? Well, the author did, and they then pulled the rug right out from under us. That said, it feels a lot like “I am pretending to be a terrible person for your own good” than “I was secretly evil all along,” so it would fit right in with the rest of this somewhat cursed manga, which is all about not acting on relationships that might be considered taboo in one way or another. As for Kanata and Kazuki, well, the ending is a sort of “lady or the tiger” cliffhanger, where we’re given an indirect answer to the question of “did these two finally go all the way.” Likely will be another six months till we get it confirmed. Sketchy soap opera. – Sean Gaffney
My Hero Academia, Vol. 30 | By Kohei Horikoshi | Viz Media – Whoops, it’s not just Haganai. I forgot this came out a month ago as well. Still, at least we’ve finally reached the end of the Paranormal Liberation War arc…. what’s that? We haven’t? It’s still going on? Well then. We do get some setup for villain-saving for both Shigaraki and Toga, though both seem to be of the “but we won’t actually be saved” variety. And we finally get all of Dabi’s tragic backstory, which might be a bit more tragic if it did not also feature liberal applications of “I am laughing like a madman.” In the end, I agree with Uraraka: if you want a chance at redemption, perhaps do a bit less murder when asking for it. It should end next time? Right? – Sean Gaffney
We’re New at This, Vol. 10 | By Ren Kawahara | Kodansha Comics (digital only) – In this volume of sweetness and light, the closest we get to conflict is Sumika having to face up to the fact that Ikuma can be attracted to other women who aren’t her (he doesn’t remotely act on it; it’s a TV show host), Ikuma’s mom dealing with the melancholy of her family having finally all moved out… and the despair when all three daughters end up moving back, and a fake tropical vacation (in their living room) that leads to oily massages and oily sex. The author really has done a good job of making this a series where the leads have a very active love life, that we see, but also making them a wonderful couple whose lives other than sex we also want to see. Sweat and Soap fans might try this one. – Sean Gaffney
When Pink Rain Falls | By Youyi | Star Fruit Books – In the opening pages of When Pink Rain Falls, twenty-something Hanao flees the church where his best friend (and longtime crush) is getting married. As luck would have it, Hanao bumps into Touma, a sensitive but hunky florist who just so happens to need an apprentice. But do they share more than just a passion for flower arrangement, or is their budding relationship strictly professional? This delightful one-shot is only 37 pages, but Star Fruit Books has given it the deluxe treatment with oversize trim (7” x 10”), glossy covers, and high-quality paper—a smart decision, I think, since it allows the reader to appreciate how much of the story is told through glances, gestures, and artfully designed bouquets. Though the plot hits familiar beats, the sincerity and simplicity with which Touma and Hanao’s romance unfolds more than compensates for a few cliché moments. – Katherine Dacey
WITCH WATCH, Vol. 1 | By Kenta Shinohara| Viz Media (digital only) – The author of this new Shonen Jump series is best known in North America for Astra: Lost in Space, but reading the first volume of WITCH WATCH tells you this is more like a return to his breakout hit (never licensed here), Sket Dance. Morihito is a sullen young man with fighting skills far too powerful for his own good. He’s somewhat horrified by the return of his ditzy childhood friend Nico, a witch-in-training who needs a bodyguard. Fortunately, Morihito (aka Moi) is an ogre, which is why he’s so strong. That said… this is a wonderful manga, but the plot is pointless. It’s an excuse for comedy, and the author does some very good comedy. Read this if you love laughs in your Weekly Jump. – Sean Gaffney
Young, Alive, In Love, Vol. 1 | By Daisuke Nishijima | Star Fruit Books – This minimalist comic focuses on two teenagers: Makoto, a teen who owns a Geiger counter, and Mana, a teen who sees spirits. After a meet-cute that’s anything but cute—Mana pukes on Makoto—the two become inseparable as they try to solve the mystery of the enormous power plant that looms over their town. My summary sounds relatively straightforward, but the story unfolds in a circular, sometimes cryptic manner that raises more questions than it answers. Contributing to the aura of mystery is the artwork, which borders on the abstract; the characters and their environment have a kind of studied naïveté that makes them look more like stick figures than people, an impression compounded by the elliptical dialogue. I can’t say that that this was My Thing, but I have a feeling that someone will find the unique rhythms of this story right up their alley. – Katherine Dacey