Archives for February 2011

Enter the Digital Manga Guild

February 1, 2011 by MJ 31 Comments

Back in November, I posted a quick blog entry about the Digital Manga Guild, asking readers what they thought of its pretty radical proposal. Not unsurprisingly, much of the response was wary. Prospective participants were unwilling to trust an untested system with admittedly sketchy details on things like process and payment.

With that in mind, I contacted the folks at Digital Manga Publishing to ask how they’d feel about having someone report from the inside. I proposed that I sign up and take the editor’s test, and if I passed, I’d enter the Guild as both a participant and a journalist, reporting my experiences at Manga Bookshelf, so that prospective Guild members could get a real feel for how the Guild works, where the kinks are, and how the process might evolve during its debut run. To their credit, DMP was very enthusiastic about my proposal, and eager to hear any feedback I might have for them along the way. They also gave me the go-ahead to reveal anything about the Guild I felt necessary, including details like payment.

Last night, I received notification that I passed the editor’s test, so I guess it’s time to begin! I have three important notes before going forward. First, in order to report accurately, I must treat my participation as seriously as anyone else going in. So I’ll be approaching the DMG as a job with hard deadlines and high standards. Secondly, as a journalist, I feel it would be inappropriate for me to accept payment from DMG, so anything I personally make on the job will be donated to the Comic Book Legal Defense Fund. And lastly, I want to assure any participants who end up working with me that I will never reveal their names in my reports, and that my intention is to report on the Guild and not them.

Unsure if I’d be going forward until I received the results of my test, I took a few notes along the way. We’ll start with those here, with more detailed reports to come as my experience really gets underway.

11/4/10 – Just submitted my pre-registration. The process was easy, though the information requested seems sparse. Since I’ve never edited manga before, I submitted links to my own website, with a bit of discussion on other writing and editing I’ve done. From the form, I get little sense of how much experience they’re really looking for, or if the only thing that really matters is the upcoming test. Time will tell.

11/9/10 – Submitted my editor’s test. Had a little trouble uploading, because the file format the test was delivered in is not one of the formats accepted by their uploader. The webpage promises I’ll be contacted “shortly” but discussion on the forums reveals that they have a high volume of submissions & it might take a while. It might be nice to have a little more clarity on this subject. Also confusing, they are asking people who registered as individuals to form groups on their own, even though we haven’t found out yet if we’ve passed the test. This seems backwards.

1/31/11 – Received notice of acceptance into the Guild!

Dear MJ,

Thank you for taking the test, and for your patience in our grading. We are happy to let you know that you have passed the test, and welcome you to the Digital Manga Guild! If you haven’t already, please begin forming a group of at least three (typesetter, editor, and translator) and choosing one member to be your representative. The group representative will handle all communication, projects, and payments, so choose wisely! Feel free to visit our forums (http://www.digitalmanga.com/forums/viewforum.php?f=56) to find other group members. We will be contacting you very soon with the next step, including more details on a Q&A teleconference in mid-February with our President and agreement forms. Congratulations and welcome to the Guild!

Sincerely,
Digital Manga Publishing

My next step is to try to find myself a group. Most of the groupless have gathered in this thread at the DMG forum to introduce themselves and spell out their experience. It’s immediately apparent that there are more homeless editors than anything else, so we may have some difficulty each finding a place. With this in mind, my initial feedback to DMG is that I think some of the groupless editors feel a bit lost at this point. Understanding that the DMP staff is pretty swamped, I hope they’ll be able to provide a little moderation and assistance should things get dicey for groupless participants.

I’ll be posting my credentials over there along with the rest. Anyone want to join up with me? Please let me know!

More updates to come!

ETA: I’ve (~~sort of, maybe~~ definitely) been invited to a group! More on this in the next installment!

Upcoming 2/2/2011

February 1, 2011 by David Welsh

No one should be surprised by my Pick of the Week, should they? With that out of the way, I thought I’d take a look at two of the titles on this week’s crowded ComicList. (Okay, they aren’t confirmed on the list, but they’re probably already available through sources other than Diamond.)

I’ve had a pretty good track record with comics about yokai, diverse supernatural creatures of varying degrees of menace. It’s a fairly popular genre, though, so you’re bound to come across a mediocrity from time to time. This week, the middling yokai are brought by Hiroshi Shiibashi’s Nura: Rise of the Yokai Clan (Viz). It’s about a dull boy whose one-quarter yokai heritage puts him in line to be the big boss of a motley group of minor demons. He’s surrounded by fabulously rendered, energetic creatures who spend too much time in the background in favor of his stereotypical human classmates.

Rikuo wants to emphasize his human heritage rather than his yokai legacy. He objects to the anti-human meanness of his prospective subjects, and he struggles to conceal his weird home life when he’s at school. Dangerous circumstances occasionally draw the yokai part of Rikuo to the forefront, and he becomes an assertive butt-kicker who bears at least a passing resemblance to InuYasha. This only serves to remind you that there’s better folklore-based manga out there for your perusal.

Even with a sprawling cast of frequently charming monsters at his disposal, Shiibashi can’t seem to devote much attention to them. He’s more interested in Rikuo’s secret-identity shenanigans, his generically flinty female friend, and the idiot rival who develops a boy-crush on Rikuo’s forceful alter ego. They’re a predictable group, as are their escapades. I’d much rather see what was happening at Rikuo’s yokai-packed family manse than follow this shônen-ready Marilyn Munster around.

On a happier, though still decidedly gothic note, I like the second volume of Kaori Yuki’s Grand Guignol Orcheastra (Viz) better than I did the first. It inches closer to becoming a Yuki title that I can fully embrace, balancing melodrama, a dizzying aesthetic, and weird spikes of both humor and gore.

For those who have forgotten, it’s about a traveling group of magicians who battle the zombies that have overrun their sort-of period, kind-of European country. Their leader and vocalist, a guy named Lucille, has dark secrets and likes to dress in drag. Their pianist, a girl named Eles, has a tragic past and disguises herself as a boy. Their companions are seedy, and the government line on their efforts is ambivalent on the best days.

In the second volume, Yuki seems to find both a more assured narrative rhythm and more underlying heft to her story. The back story she reveals about Lucille adds necessary layers to the character without undermining his essential ridiculousness. It also provides a strong, underlying subplot to fuel future stories.

Yuki’s penchant for the absurd and just slightly perverse is still on unapologetic display. Our protagonists go undercover in a convent, looking for a sacred relic and investigating the grisly murders of young nuns. This mini-arc is shaping up to be both creepy and very funny, provided you find secretive nuns committing and subjected to unexpected violence funny, which, I assure you, I do.

Grand Guignol Orchestra is still a bit on the bubble for me, but it’s sliding off of it and onto firmer ground. It’s not a singular kind of story, but Yuki’s work is as coherent as I’ve seen it while still displaying the quirkiness that’s made her a sort of superstar.

(Comments are based on review copies provided by the publisher. Nura is currently running in Shueisha’s Weekly Shônen Jump, and it’s up to about 14 volumes, so maybe it gets better. Grand Guignol Orchestra ran for five volumes in Hakusensha’s Bessatsu Hana to Yume.)

As for books that will be available through Diamond, the highlight has to be the 13^th volume of Osamu Tezuka’s medical melodrama, Black Jack (Vertical). In the perfectly understandable excitement over Vertical’s announcement of the licensing of Tezuka’s Princess Knight, we shouldn’t forget this often gruesome, frequently moving, creepily funny classic.

Another excellent arrival is the 22^nd volume of Hikaru no Go (Viz), written by Yumi Hotta and illustrated by Takeshi (Death Note, Bakuman) Obata. This marvelous series about a young man who dreams of becoming a great Go player ends with volume 23, I think, but it’s worth starting from the beginning if you haven’t yet done so.

I haven’t read the first volume yet, but various enthusiastic reviews have persuaded me that I need to catch up with Yuuki Fujimoto’s The Stellar Six of Gingacho (Tokyopop), second volume due Wednesday, about a group of kids, all children of local shopkeepers, who try and reestablish their waning friendship. In my defense, Tokyopop’s marketing is often confusing to me, and I’m never sure if I’m going to get The Secret Notes of Lady Kanoko or KimiKiss.

PotW: Shounen Manga FTW!

February 1, 2011 by Katherine Dacey, Michelle Smith, MJ and David Welsh 3 Comments

Though MJkicks off this week’s Picks with a new shoujo favorite, the theme of the week is resoundingly shounen, according to David, Kate, and special guest Michelle Smith!

From MJ: There’s quite a bit of new shoujo on Midtown Comics’ list this week, including favorites like Kimi ni Todoke and Seiho Boys’ High School! But the one I most consider an absolute must-read is volume two of previous Pick The Story of Saiunkoku, art by Kairi Yura, adapted from the novels by Sai Yukino. The series’ first volume charmed me completely with its smart, capable heroine and compelling palace intrigue, even earning itself a place on my list of Best Manga of 2010. Don’t believe me? Check out David’s recent review, fully as delightful a read as the book itself. A strong opening volume can be a tough act to follow, so I look forward to discovering what Yura and Yukino have in store.

From David: I’m going to take this opportunity to remind people of my abiding love for Eiichiro Oda’s One Piece and pick the 56th volume of this sprawling, hilarious pirate saga. It would probably not be wise to recommend that someone who has never picked up a volume of this series start with the 56th volume, unless that person is a fan of great action cartooning. Our hero, Luffy D. Monkey, is staging a massive jailbreak, battling sinister jailers and gathering an ever-larger gang of allies along the way. The chief joy in these giant set pieces is to see how Oda manages to combine wildly improbable action, comedy, and heart in a mad jumble that always seems on the verge of spinning out of control, but never does.

From Kate: My choice is Nura: Rise of the Yokai Clan, a new shonen series that VIZ has been promoting up a storm. The story focuses on a young teen whose grandfather leads a demon clan. Gramps wants Rikuo to follow in his footsteps, but there’s a catch: Rikuo is only one-quarter demon, and can’t control when or for how long he turns into a yokai. Not surprisingly, Rikuo’s iffy powers don’t inspire much confidence among the full-blooded yokai, and various factions try to prevent Rikuo from succeeding his grandfather. The story hasn’t quite found its groove: the comic relief scenes aren’t particularly funny, and the characters haven’t come into their own yet. But the pacing is smart and the yokai designs nifty (think Gegege no Kitaro meets the Hokusai Manga), so I think it’s worth pursuing, especially for readers who liked Kekkaishi and Natsume’s Book of Friends.

From Michelle: It’s another wallet-busting week for manga! I’m definitely excited about new volumes of some Shojo Beat favorites, as well as volume three of Bakuman, which I realize isn’t everyone’s cup of tea, but honestly, the one release on this list that has me going, “Eee!” more than any other is volume fourteen of Slam Dunk. Why? Because I’m allowed to read this one! You see, this is a series that benefits from being read in multiple-volume chunks, which occasionally requires me to bide my time and sit on some books until I have amassed enough to read them. I’ve been doing that with volume thirteen. Honestly, two volumes really aren’t enough to satisfy one’s appetite, but it’s better than nothing! And yes, I know, I know. I really should read Inoue’s REAL, which is, I’m sure, the better manga, but that doesn’t keep me from loving Slam Dunk whole-heartedly.

Amazon.com Widgets

So, readers, what is your must-buy manga this week?