Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Archives for February 2008

Sand Chronicles 1 by Hinako Ashihara: A-

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From the back cover:
After her parents get divorced, Ann Uekusa and her mother move from Tokyo to rural Shimane. Accustomed to the anonymity of city living, Ann can’t get used to the almost overbearing kindness of the people in her mother’s hometown. But when personal tragedy strikes, Ann discovers how much she needs that kindness.

Review:
This was really good, with an original structure that made the story feel special. It started with Ann around age 26, packing and getting ready to get married and move overseas. A memento from her past triggered some memories, and the rest of the volume featured Ann at age 12, then at 14. The setting was also original, taking place in rural and snowy Shimane rather than an urban environment. The essence of a small town was captured nicely, and I swear the snowy scenes really looked cold.

The first story dealt with Ann and her mother in their new surroundings, with Ann meeting some kids her age as well as an old friend of her mother’s, who provided some background information. In the second, she and her friends went on a camping trip, which might sound like a set-up for lame filler, but which actually provided many good character moments. There were some things about the stories I didn’t like, like the predictable outcome of the situation with Ann’s mom in the first story or her obnoxious romantic rival in the second, but they were greatly outnumbered by the things I did like.

I thought it was interesting that the second chapter dealt in part with Ann’s menstrual cycle. That’s a topic I’d never seen in manga before, so it was pretty cool to see a character discussing it with her good friend and just boosted the realism of the series even further. There weren’t any wacky hijinks here, just an “honest girl with a strong will” making her way through some painful times while attempting to cherish each moment of life. I’m looking forward to the next volume.

A Shilling for Candles by Josephine Tey: B-

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From the back cover:
On a clear, sunny morning on the southern coast of England, the screaming gulls announce the location of a ghastly deed. The body of famous screen actress Christine Clay is found lying limp on the beach. Was it an accidental death, or murder? For Scotland Yard’s Inspector Grant, the case becomes a nightmare of too many clues and too many motives, as the world is full of people who wanted the movie star dead.

Review:
This really isn’t a big improvement over the last one. Coincidence still trumps actual investigation as a method for discovering facts. An example is the plucky girl who, convinced of someone’s innocence, goes off in search of an overcoat that will prove it. And just so happens to run into a lorry driver (at the first place she stops to inquire) who gave a lift to an itinerant china mender who’s well-known for nicking overcoats and boots. And whaddaya know, he leads her to the coat.

Two more holdovers from the first novel are the foreigner bashing (though less prevalent this time) and the idea of an actress so radiant that she outshines her leading men. The mystery itself is okay, I guess, though nothing really great. A couple of new characters are fun, though. I wouldn’t mind seeing Erica (the aforementioned plucky girl) again and crime reporter “Jammy” Hopkins is also a fairly interesting addition.

Another of Tey’s Inspector Grant mysteries, The Daughter of Time, has been much praised, but right now I’m having a little difficulty reconciling these first two books with something of such (alleged) calibre.

Three Men in a Boat (To Say Nothing of the Dog) by Jerome K. Jerome: B+

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From the back cover:
“There were four of us—George, and William Samuel Harris, and myself, and Montmorency.”

Three men, and a dog, in a boat on one of the prettiest waterways in the world—the Thames—in summer. Idyllic, wouldn’t you say? Perhaps, if George hadn’t insisted on camping, and if someone had remembered the can-opener, and if… well, maybe not idyllic, but certainly hilarious, as you’ll discover when you take the trip yourself with three men and their dog.

Review:
Typically, things deemed “hilarious” rouse in me only a smile, but this book really did elicit a large quantity of giggles and one all-out cackle. This last, however, was the result of a bit of creative license taken by the fabulous narrator, John Rainer (who sounded like a cross between Sylvester McCoy and Ringo Starr—a compliment, I assure you!), where he added some panting sound effects to a bit of doggy dialogue. I seriously rewound it, like, six times and made other people listen to it, too. His performance was responsible for making this book even funnier than it ordinarily would have been.

The premise of the book was simple: believing themselves to be generally ill, overworked, and in need of rest, a trio of friends decided it would be beneficial to their health to have a jaunt up the Thames. What followed was a mix of travelogue, silly mishaps and escapades, random and tangential musings, and the occasional rhapsodic ode to nature. The majority of the time, these were entertaining—I particularly liked the segments on “delights of early morning bathing” and “disadvantages of living in same house with pair of lovers”—but occasionally, especially in the case of the rhapsodic odes, it got rather dull. It seemed the end was especially laden with these episodes and so, in consequence, dragged.

I was a fan of British humor to begin with, but I definitely enjoyed this book more than I’d expected to. I’ve heard the sequel, Three Men on the Bummel, isn’t quite as amusing, but I’ll probably check it out all the same. Rainer doesn’t appear to’ve recorded it, alas.

Hornblower During the Crisis by C. S. Forester: B

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From the back cover:
Although unfinished at the time of C. S. Forester’s death, Hornblower During the Crisis delivers a full measure of action at sea—the hallmark of this incomparably exciting series of historical adventures.

On the threshold of securing his first post as captain, Hornblower finds himself forced by the exigencies of war to fight alongside a man whom he has unintentionally helped to court-martial. And for the first time, Hornblower assents to engaging in espionage in his efforts to bring victory and glory to England in the Napoleonic Wars.

This extant fragment of Forester’s final Hornblower novel is followed by the author’s notes regarding the novel’s conclusion. Also included in this volume are two stories—”Hornblower’s Temptation” and “The Last Encounter”—that depict the great sea dog Hornblower in his youth and old age, respectively.

Review:
I liked what there was of Hornblower During the Crisis, but the best was probably yet to come. Hornblower had the opportunity for one daring exploit and to hatch one clever plan, but that was about it.

The short stories weren’t too exciting, either. The first, here called “Hornblower’s Temptation” but also known as “Hornblower and the Widow McCool,” initially reminded me a little of The Crying Game. Hornblower was appointed to oversee a captured deserter and, in his role as reluctant executioner, made a deal with the prisoner to convey a message to his widow. Things unfolded quite differently than expected, but since it all played out kind of like a Nancy Drew adventure game, the effect was less than amazing.

In “The Last Encounter,” Hornblower was 72 and was enjoying a post-prandial glass of port when a fellow turned up at his house claiming to be Napoleon Bonaparte. This story was short and kind of pointless, though it did have a couple of cute moments between Hornblower and his wife, Barbara.

If I’d been a Forester fan as he was writing, I surely would’ve been disappointed with this final collection of his Hornblower works. Happily, though, since I’ve switched to reading by internal chronology, I’ve got two further books to go that hopefully will be better than this.

Love*Com 2 by Aya Nakahara: A-

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From the back cover:
Risa’s getting really confused about her feelings for Ôtani—she doesn’t know if she wants to help him get back together with his ex-girlfriend or keep him all to herself!

Review:
I didn’t like this volume quite as much as the first, but it’s still really good. This volume hits several major holidays: Christmas, New Year’s, and Valentine’s Day. At this rate, I wonder how we won’t be through with the characters’ high school years in just a few volumes. I hope this won’t be one of those stories where the author just keeps the characters in the same year even though the seasons are changing around them.

The Christmas story is my favorite of the volume. Nakao, one of the group of friends, has acquired tickets to see some obscure band on Christmas day, and only Risa and Ôtani are particularly keen to go, so they make arrangements to do so. Then Ôtani’s ex shows up and desires to impart a special message to him at a Christmas party. Risa encourages him to go, but then feels all lonely when her all friends have other plans and she’s left to attend the concert alone. Of course, Ôtani shows up at the last moment to keep his original promise. It’s a great moment between them.

A new character appears in the last two chapters: Haruka, a childhood friend of Risa’s who has a hero-worshipping thing going for her. He belittles Ôtani every chance he gets, and I thought it was pretty out-of-character for Risa not to curtail that sooner than she did. There’s some good stuff between Risa and Ôtani near the end of the volume, but I still like these chapters least.

Love*Com 1 by Aya Nakahara: A

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From the back cover:
Risa Koizumi is the tallest girl in class, and the last thing she wants is the humiliation of standing next to Atsushi Ôtani, the shortest guy. Fate and the whole school have other ideas, and the two find themselves cast as the unwilling stars of a bizarre romantic comedy.

Rather than bow to the inevitable, Risa and Atsushi join forces to pursue their true objects of affection. But will their budding friendship become something more complex?

Review:
This is really good! It’s almost got kind of a Marmalade Boy vibe to it somehow, though I can’t really explain why. Maybe ‘cos it’s romance-centric without some other plot figuring in, too.

I like both the lead characters. They think and act the same way, and like the same things, and I’m surprised how much I actually want to see them end up together, though I hope it takes a long time. In this volume, they initially attempt to help the other secure the affections of a crush, but when the crushees take a liking to each other, they transfer their efforts to getting those two together so they can just move on, already.

The art is also neat. Sometimes it’s not super pretty, and hands can be a bit big, but there’s a lot of variety and subtlety in facial expression that I appreciate. Nakahara also draws some really cute hairstyles.

Onward to volume two!

Lunchtime ramble: there is no coincidence, only hitsuzen

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Work has been insane for me this week, as I prepare information for our company’s tax accountant, and it becomes impossible for me to leave work at work at these times of year, so I haven’t had a lot of time to think about anything, you know, fun. Fortunately, last night after visiting our own tax accountant (and by “our own tax accountant” of course I mean “the random accountant we were assigned to this year by H&R Block”), Paul and I had a nice, relaxing dinner, followed by a stroll to the local comic shop, and as a result, I came home with two shiny, new volumes of xxxHolic. I haven’t discussed xxxHolic much here, or anywhere else, leading some friends to believe that it is about porn (um, no), so since I did let myself read the first of my new volumes (volume seven) last night before bed, I thought I’d take a moment to talk about it.

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Shade’s Children by Garth Nix: B+

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From the back cover:
In a brutal city of the future, human life is in the hands of the evil Overlords who have decreed that no child live a day past his fourteenth birthday. On that Sad Birthday, the child is the object of an obscene harvest—his brains and muscles are used to construct machine-like creatures whose sole purpose is to kill.

The mysterious Shade—once a man, but now more like the machines he fights—recruits the few children lucky enough to escape. He gives them food, shelter, and the training they need to fight the Overlords. But Shade’s sent many children out on missions—and fewer of them are coming back.

By luck, cunning, and skill, four of Shade’s children—Ella, Drum, Ninde, and Gold-Eye—have come closer than any to discovering the source of the Overlords’ power—and the key to their downfall. But the closer the children get, the more ruthless Shade seems to become…

Review:
My friend at work loaned this to me many months ago, and I’ve finally managed to read it. Happily, it was good, so polite dissembling on that point won’t be required.

I definitely enjoyed the book. The Overlords were really creepy and neat, and there were some good surprises along the way. I particularly liked Ella; she kind of reminded me of Buffy at times. She even pondered using a rocket launcher against her foes!

But… I wanted more. I wanted to see more of society both before and after this Change occurred. I wanted to see more of the rest of Shade’s Children (both past and present), to see more missions, to delve more deeply into the characters. Gold-Eye is kind of the protagonist, for it was through his newbie eyes that Shade’s organization was revealed to the reader, but he had the least personality of the four kids. He liked girls. That was about it.

Ultimately, although Shade’s Children afforded more of a glimpse of a world rather than its exploration, it was still completely worth reading and made me want to seek out more by Nix. Thanks, work buddy!

Pride and Prejudice by Jane Austen: A+

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From the back cover:
“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” Thus memorably begins Jane Austen’s Pride and Prejudice, one of the world’s most popular novels. From the initial friction between the opinionated Elizabeth Bennet and the arrogant, wealthy Mr. Darcy, this witty comedy of manners dips and turns through its interlocking plots to reach an immensely satisfying conclusion.

Filled with highly entertaining dialogue, Pride and Prejudice is, in the words of Eudora Welty, as “irresistible and as nearly flawless as any fiction could be.”

Review:
There isn’t much that I can say in praise of Pride and Prejudice that hasn’t already been said often and better. So, instead I shall just enthuse on various things.

I love that Darcy secretly despises those who constantly court his approval, and loves Elizabeth for her liveliness of mind and playful, unaffected manner.

The writing is snarky and very cleverly wrought, with sentences like: “Their indifference towards Jane, when not immediately before them, restored Elizabeth to the enjoyment of all her original dislike.”

I adore Mr. Bennet, especially his amusement in the foolish behavior of others. Best line (occurring in a scene where his wife expects his cooperation in furthering her aims): “Your mother will never see you again if you do not marry Mr. Collins, and I will never see you again if you do.”

There are many great scenes, but my favorites are possibly those at the Netherfield ball, where most of the members of the Bennet family behave in a highly embarrassing fashion and where Darcy and Elizabeth have a conversation about Wickham whilst they dance. I also quite enjoy his bungled first proposal.

The minor characters are often very amusing. They’re also capable of grating on the nerves, though, especially Lydia and her absolute lack of repentance after her scandalous behavior with Wickham.

So, I find I concur heartily with the quote above. “Nearly flawless,” indeed.

History of a daydreamer

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In my last post, I talked about how I tend to experience fiction by total immersion. Then for two days after, I proceeded to immerse myself once more by reading all 21 volumes of Please Save My Earth. It was like a nostalgic visit to my very own young teen brain, and that’s something pretty incredible. Four volumes in, I said to friends, “It’s like they removed my teenaged brain and stuck it on paper for all of Japan to read.” This only became more true as I continued through the series.

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Total immersion

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As you may have noticed, when it comes to fiction, I most often opt for total immersion. There’s really nothing I love more than completely losing myself in a fictional world (mine or otherwise). And, actually, I think “losing myself” is the wrong term to use, because this process is *such* a personal, intimate experience for me, and when I am immersed in a world this way, I feel entirely *present* in a way I often do not feel in “real life.” I think I am, in many ways, more myself in these moments, when I am able to interact with someone else’s inner life through my own.

All that is really just a complicated lead-up to the fact that I have spent the last few days pretty much immersed in the Black Cat universe, and what will probably turn out to be a long-winded description of just how much I enjoyed that. The weekend was spent with the Black Cat anime, followed by a day or two of rapturous flailing, followed by rapid consumption of the manga, which took another two days, and which pretty much blew my obsession with the anime right out of the water. Not all of it is blown, mind you. I’m still haunted by the music and glorious imagery of the anime, especially in the first six or seven episodes, and there are elements of the anime that I probably love more than the manga, though I love the manga much more overall.

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