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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

japanese

The Blade of the Courtesans

January 25, 2009 by MJ 6 Comments

By Keiichiro Ryu
Vertical, 304 pp.

Matsunaga Seiichiro is a master swordsman, trained by the legendary Miyamoto Mushashi, who has spent his entire young life in the mountains of Higo province cut off from the rest of the world. At the age of 26, as directed by his now-deceased master, Seiichiro leaves the mountains with nothing but his sword and a letter of introduction and finds himself in Edo’s pleasure quarter, Yoshiwara. When he discovers that the man to whom the letter is addressed is no longer living, Seiichiro is momentarily lost, but he soon finds some purpose in defending those in the quarter against the Yagyu clan, a fearsome group of ninjas who are loyal to the shogun. Not everyone is as they seem and as the story goes on, much is revealed about both the society Seiichiro has wandered into as well as his own personal heritage.

Set at the beginning of the Edo period, The Blade of the Courtesans is painstakingly woven into the fabric of history. Keiichiro Ryu’s characters stand alongside well-known historical figures and the author obviously has an extensive knowledge and deep love of the period. Unfortunately, this attention to history is also responsible for one of the book’s greatest flaws. Ryu frequently pauses the story to explain terminology or expound on historical fact, which, while interesting, breaks the flow of the narrative to a nearly fatal point. These pauses increase as the book goes on, pulling the reader out of the story for pages at a time to offer detailed explanations of its historical context, most of which have only minimal impact on the plot. At times, Ryu instead uses his characters to deliver this information, which is just as clumsy and almost as distracting.

Also clumsy is the novel’s narrative mode, which spells out far too much of each character’s thoughts and feelings, saving the author from having to figure out how to reveal these things organically through action and dialogue. Some of this may be due to the difficulty in translation, but the result in English just reads as lazy writing. As with the huge chunks of historical background, what Ryu really reveals here is his lack of skill as a novelist.

The story itself is a strange, meandering thing, sometimes appearing to have gotten a bit lost, much like its protagonist. It is strongest in the beginning, before becoming too deeply mired in the long historical passages. Though it does gain some momentum just before the end, the conclusion feels quite rushed, as major characters are shunted quickly to the side with very little explanation.

For all its awkwardness, however, The Blade of the Courtesans has some truly stirring moments. Early on, one character delivers a sudden, fiery speech to Seiichiro as they lay on a rooftop, proclaiming, “Living ought to be something more magnificent. It’s so fantastic that just thinking about it makes you sigh, makes your blood rush. But if it’s like this… if that’s all it is, then I’ll cast it all aside. Any time, I’m ready to die!” It is in moments like this that Ryu is at his strongest, letting his passion run out over the page. He lends his passion to several of the supporting characters and even occasionally to the dully-virtuous Seiichiro, particularly in his encounters with elite courtesan, Takao, and in his art with the sword.

Unfortunately, some of that passion is marred by philosophies and biases that, while doubtlessly appropriate to the time period, are difficult not to find offensive today. Much of the novel’s philosophical emphasis is placed on the lifestyle and beliefs of the Kugutsu clan, a nomadic group of wandering puppeteers, who call themselves “companions of the way.” The Kugutsu pride themselves on their lack of worldly entanglements, and particularly on the strength and autonomy of their women, from whom many of the Yoshiwara courtesans were descended. It is difficult, however, to swallow a vision of female empowerment in which a woman’s liberty is measured only by the number of men she will share her bed with. The story constantly describes the power of women in the Yoshiwara society, yet in the midst of an impassioned explanation of how the women are able to come to Yoshiwara to “rinse away their origins” and escape from the persecution of their clans, it is revealed that they are indentured to the various houses in the pleasure quarter (all owned by men) until their 28th birthday, at which time they may choose to get married or to remain courtesans for the rest of their lives. That these women, shackled to a system that values them only for their skills in lovemaking, are held up as the pinnacle of female beauty and sovereignty is inexpressibly sad.

Though The Blade of the Courtesans offers a level of historical detail that anyone with an interest in Japanese culture would find genuinely fascinating, its difficulties as a fictional narrative are many, rendering it an ultimately unsatisfying read.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Filed Under: MANGA REVIEWS Tagged With: books, japanese

Food, food, delicious food

January 18, 2009 by MJ 6 Comments

So yesterday, on a bit of a whim, Paul and I decided to drive out to Cambridge (a good hour and forty minutes away) to go to the little Japan area at Porter Square, primarily to shop in the Japanese market they have there, though we ended up browsing other stores as well. I had no idea such a place existed, actually, until Paul found it online. What a lucky find!

At the market, we picked up lots of food, including snacks. My favorite find was their spicy tuna & mayo onigiri. If this is what convenience store onigiri tastes like in Japan, I can understand why everyone is always eating it. This is something I make at home a lot, but while the rice in my onigiri always gets hard and dry if I refrigerate it overnight, this onigiri’s rice remained magically perfect and moist, even after a night in my fridge. Yum, yum, yum.

While we were there, we picked up lunch at one of the many little restaurants, and I got to eat takoyaki (octopus dumplings, for those who are not obsessed with Japanese culture like I am) which was squishy and delicious!

The main reason for the trip, however, was to pick up ingredients for sukiyaki, which we had for dinner today! Paul got a portable gas stove for Christmas, just the thing for cooking food at the table, so with the perfect setup, we served up our sukiyaki (Kanto style), raw egg and all. It was extremely delicious, and will be a wonderful dish to share with family and friends!

Filed Under: REVIEWS Tagged With: food, japanese

this is a dog.

October 21, 2007 by MJ 7 Comments

The weekend is flying already. Yesterday, Paul and I took a trip up to Brattleboro, VT, where we met up with Dave & Ren, and had a lovely day exploring shops and enjoying a delicious dinner at India Palace. I picked up a tiny little book called Japanese in Thirty Hours, which promises great things. I took myself through the first lesson this morning, and can now point at Lucy and say, “This is a dog.” Very exciting.

Today, Paul will go hiking, and I will attempt to do some writing (with perhaps a bit of laundry on the side). I have a lot of ideas swirling around in my head, and I need to get them down before they flee.

Tomorrow I will be leaving the house before the crack of dawn to make it to NYC in time for auditions. We are booked solid (with a short lunch break) from 10-5, and we even have a waiting list, which is a very great thing, but makes for a long day. I will be lucky to make it back home by ten, at which time I intend to collapse on the couch with Lucy and anyone else who will join me. If I am still capable of speech at that point, I will point at her and say, “This is a dog.”

Happy weekend, folks!

Filed Under: REVIEWS Tagged With: food, japanese, lucy, weekend

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