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The Bad Beginning by Lemony Snicket: A-

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From the back cover:
Dear Reader,

I’m sorry to say that the book you are holding in your hands is extremely unpleasant. It tells an unhappy tale about three very unlucky children. Even though they are charming and clever, the Baudelaire siblings lead lives filled with misery and woe. From the very first page of this book when the children are at the beach and receive terrible news, continuing on through the entire story, disaster lurks at their heels. One might say they are magnets for misfortune.

In this short book alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, and cold porridge for breakfast.

It is my sad duty to write down these unpleasant tales, but there is nothing stopping you from putting this book down at once and reading something happy, if you prefer that sort of thing.

With all due respect,
Lemony Snicket

Review:
There’s a lot of charm in this little book, and the few flaws I can find with it (evil-plan-proclaiming villain, obvious plot points…) probably are largely because I am not its intended audience. I liked the characterization of the two elder Baudelaire children quite a lot, especially that they are sensible thinkers.

Much has been mentioned about the style of writing in these books. I vacillate between appreciating the use and defining of possibly unfamiliar vocabulary for children and finding these interruptions irritating for getting in the way of the narrative. I do wonder if kids will have slightly incorrect ideas of what these words mean, in the way they are explained as regarding the action of the plot.

I have managed to remain completely unspoiled about this series, so I have no idea what to expect as I proceed. I shall confine my hopes to a villain with a little more depth.

Fushigi Yûgi 5 by Yuu Watase: A-

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From the back cover:
To save her newly adoptive country of Konan, Miaka must venture into the heart of the enemy’s capital. Her mission: to retrieve her true love, Tamahome; outwit the unscrupulous general Nakago; and confront Yui, the girl who was once her best friend but is now her vindictive rival!

Review:
Things have really started to come together in this volume, making it my favorite of the series thus far. In some respects, I wish I hadn’t seen the anime first, because I’d be free to be surprised by things again, but my memories of watching it (my first shoujo) are so fond, I can’t really wish too strenuously. Knowing what I do, I must question this choice of spoilery cover.

Miaka is actually not too stupid or annoying this volume, and I liked her scenes with Yui, especially. I actually felt for her at the end of the volume, which is rather unprecedented. In the squee department, I totally love Chichiri and Tasuki, and even Mitsukake’s kitty. It also seems to me, just from a few cute little panels where Mitsukake talks, that he might have more personality in the manga than the anime, which would be welcome.

This volume was good enough that I am considering a marathon read on this nice, long weekend. Perhaps I shall get all the way through the series.

The Murder Room by P. D. James: B+

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From the front flap:
The Dupayne, a small private museum on the edge of London’s Hampstead Heath devoted to the interwar years 1919-39, is in turmoil. The trustees—the three children of the museum founder, old Max Dupayne—are bitterly at odds over whether it should be closed. Then one of them is brutally murdered, and what seemed to be no more than a family dispute erupts into horror. For even as Commander Adam Dalgliesh and his team investigate the first killing, a second corpse is discovered. Clearly, someone at the Dupayne is prepared to kill, and kill again.

The case is fraught with danger and complexity from the outset, not least because of the range of possible suspects—and victims. And still more sinister, the murders appear to echo the notorious crimes of the past featured in one of the museum’s most popular galleries, the Murder Room.

Review:
Despite containing my absolute favorite of all the characters Dalgliesh has encountered in his investigations, The Murder Room was a bit of a disappointment after the previous two books, which were both excellent. I’m not sure exactly what about it failed to engage. True, it features another “institution on the verge of closure,” but it it isn’t derivative. It’s a quick read with a solid story and, as I mentioned, it includes Tally Clutton, who is an awesome character. She reminds me of my Grandma and what I might be like as an older woman.

Maybe it’s the fact that, for the first time, I actually had sussed out the identity of the culprit and found it surprisingly easy to do because of one rather glaring clue. Or perhaps it was all the telling without showing going on regarding Dalgliesh’s personal life. It isn’t that it was implausible, but it wasn’t presented in a way that had me fully convinced.

Commodore Hornblower by C. S. Forester: A-

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From the back cover:
The incomparable Horatio Hornblower has been designated commodore of his own squadron of ships, led by the two-decker Nonsuch and bound for the Baltic. It is 1812, and Hornblower has been ordered to do anything and everything possible, diplomatically and militarily, to protect the Baltic trade and to stop the spread of Napoleon’s empire into Sweden and Russia. Though he has set sail a hero, one misstep may ruin his chances of ever becoming an admiral. Hostile armies, seductive Russian royalty, nautical perils such as ice-bound bays, assassins in the imperial palace—Hornblower must conquer all before he can return home, as his instructions are to sacrifice every man and ship under his command rather than surrender ground to Napoleon.

Review:
Many things about this book were great. Hornblower’s personality has undergone some gradual changes since we last saw him, and the differences are handled with skill. One doesn’t feel that one’s being hit over the head with it, and he certainly continues to be as self-conscious and internally conflicted as ever. I also really liked the Baltic setting, the multitude of clever ideas Hornblower comes up with and executes, and many of the supporting characters introduced, particularly Lieutenant Mound, who takes up emulating Hornblower’s mannerisms and is at once competent and endearing.

However, I have to take issue with a few things. Firstly, there are two instances where Hornblower suffers a prolonged bout of stupidity, first where he can’t identify a sound and later when he fails to realize another man’s intentions, which just came across as really out of character. Secondly, it is strongly implied that Hornblower did something for which he, judging from behavior in the past, should have had raging guilt and regret but apparently does not.

While these flaws were certainly annoying, the story was strong enough to overcome them, and I ultimately enjoyed it very much.

Death in Holy Orders by P. D. James: A

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From the back cover:
On the East Anglican seacoast a small theological college hangs precariously on an eroding shoreline and an equally precarious future. Then, the body of a student is found buried in the sand, and the boy’s influential father demands that Scotland Yard investigate. Adam Dalgliesh, the son of a parson, once spent happy summers at the school. A detective who loves poetry, a man who has known loss and discovery, Dalgliesh is the perfect candidate to look for the truth in a remote, rarified community of the faithful—and the frightened. For when one death leads to another, Dalgliesh finds himself steeped in a world of good and evil, of stifled passions and hidden pasts, where someone has cause not just to commit one crime, but to begin an unholy order of murder…

Review:
Every so often, there’s a book in this series where Dalgliesh goes off on holiday to Suffolk or some other coastal surroundings and does a bit of unofficial investigating. Although his subordinates are well-defined and interesting characters, I do tend to prefer the books that feature more of his point-of-view, so it shouldn’t be surprising that I liked this one very much.

Having read so many books by P. D. James, it’s impossible not to spot the familiar tropes that appear in her stories. Sometimes I wonder if these elements are tossed into a hat and withdrawn at random. Most notably here are the secluded coastal community (like in The Black Tower) and the institution threatened with possible closure or substantial and unwelcome change (Original Sin). It’s a little irritating, but the result is so satisfying that it’s hard to be strongly annoyed by it. There are certainly enough variations to keep anything from being predictable.

The plot is very tidily structured, with revelations coming about logically and frequently enough that there aren’t any lulls. With the extra bits of introspection into Dalgliesh’s personality and not quite so much focus on random potential suspects, I think this would be a very good place to start for someone interested in getting into the series and getting to know its main character.

A Stitch in Time by Andrew J. Robinson: B

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From the back cover:
For nearly a decade Garak has longed for just one thing—to go home. Exiled on a space station, surrounded by aliens who loathe and distrust him, going back to Cardassia has been Garak’s one dream. Now, finally, he is home. But home is a world whose landscape is filled with death and destruction. Desperation and dust are constant companions and luxury is a glass of clean water and a warm place to sleep.

Ironically, it is a letter from one of the aliens on that space station, Dr. Julian Bashir, that inspires Garak to look at the fabric of his life. Elim Garak has been a student, a gardener, a spy, an exile, a tailor, even a liberator. It is a life that was charted by the forces of Cardassian society with very little understanding of the person, and even less compassion.

But it is the tailor that understands who Elim Garak was, and what he could be. It is the tailor who sees the ruined fabric of Cardassia, and who knows how to bring this ravaged society back together. This is strange, because a tailor is the one thing Garak never wanted to be. But it is the tailor whom both Cardassia and Elim Garak need. It is the tailor who can put the pieces together, who can take a stitch in time.

Review:
I haven’t much experience in the realm of Star Trek novels, but this strikes me as a particularly ambitious one. It succeeds in some areas, not so much in others, but ultimately offers a generally plausible background for Garak, filling in some of the questions about his past, his character, and his outlook. Some of the subplots were a little clunky; I think one existed only so Garak could give another story about a shuttle incident discussed on the show.

I liked best the parts about his school and the eventual consequences of relationships forged there. The author avoided having Garak meet characters from the series while in school, giving him original characters as important influences and factors in his life, which I appreciated. How all these things tie in with his position as DS9’s “plain and simple tailor” was also pretty neat.

The not so great… Some of Garak’s school exploits are a little bit twinky, such as learning valuable Wilderness (always capitalized) skills from a lizard. No, really. Also, sometimes the writing got to be rather repetitive, like Robinson found a favorite word to describe something and kept reusing it over and over (example: sartorial).

All things considered, I waffle regarding actually giving it a recommendation. To a select audience, perhaps, and one who has recently seen all of Star Trek: Deep Space Nine and is therefore more likely to understand/remember the various references.

Sweet Sixteen Princess by Meg Cabot: B+

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From the inside flap:
Mia doesn’t always have the best luck with parties, so even though it’s her sweet sixteenth, she doesn’t want a birthday bash. As usual, Grandmere has other ideas, and thinks a reality TV special is just the thing in order to celebrate royally. The whole scheme smacks of Lilly’s doing—Lilly, whose own TV show is still only limited to local cable viewers.

Will Mia be able to stop Grandmere’s plan? Will her friends ever forgive her if she does stop it, since it involves all of them taking the royal jet to Genovia for an extravaganza the likes of which would turn even Paris Hilton green with envy? Why can’t Mia get what she really wants: an evening alone with Michael?

With a little luck, this sweet sixteen princess might just get her wish—a birthday that’s royally romantic.

Review:
What a crazy long description for a book this dinky!

This book was really cute. It’s a small little episode in their lives, and really makes me see the potential for this as a TV show (in which Disney plays no part). Mia continues to display maturity, particularly regarding some of her actions towards Lilly, so yay for that. I really liked the last few pages, especially a possible romantic pairing that is hinted at. I’d love to see that come to fruition in the next installment. Not that either of the characters involved are particularly well-developed, but still.

My one very nitpicky gripe is that Mia twice mentions that Malfoy and Snape wear capes. The only mention of capes I could find is that fur ones are part of the Durmstrang uniform.

If you like the series, you’ll like this.

A Certain Justice by P. D. James: A

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Book description:
Venetia Aldridge is a criminal lawyer of large talents and small personal charm, working at a venerable London firm. As she tries to save a young lower-class tough who is accused of murdering his prostitute aunt, it is revealed that she is in a position to ruin a number of professional lives, and is of precisely the temperament to do it. When she is found dead—discovered in her locked chambers in a particularly gruesome tableau—Dalgliesh guides his staff through the interviews that unweave the tangled web of multiple deceit and mixed motive.

Review:
This was the best P. D. James I have read in a long time. I’m actually kind of hard-pressed to think of which was last this good. A Taste for Death, perhaps? It had a flawed but admirable victim, just the right amount of small little clues that one forgets until the end when they suddenly make sense, a mystery that one didn’t even know was a mystery ’til it was solved, much more Dalgliesh point-of-view than her last effort, and some new character types that reminded me a lot of Ruth Rendell’s A Sight for Sore Eyes (in a good way). On top of that, there’s thoughtful commentary on the English justice system and the burden of proof.

I would even consider giving the book an A+ were it not for the fact that there are a few obvious similarities to Original Sin, the book immediately preceding this one in the series. Some peculiarities about the condition of the body, the speculation it provokes, the method to narrow time of death, and one character’s possible motive all have parallels in the earlier work. They are used to much better effect here, however, and are not so crucial as to render the entire novel in any way derivative.

Although there are references to some backstory with Dalgliesh and his team, I think this would do alright as a stand-alone, and exhibits some of James’ finest storytelling.

The Murder on the Links by Agatha Christie: B

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From the back cover:
“For God’s sake, come!” Unfortunately, by the time Hercule Poirot received Monsieur Renauld’s urgent plea, the millionaire was already dead—stabbed in the back, lying in a freshly dug grave on the golf course of his adjoining Merlinville estate. There’s no lack of suspects: his wife, whose dagger served as the weapon; his embittered son, who would have killed for independence; and his mistress, who refused to be ignored—and each felt deserving of the dead man’s fortune. The police think they’ve found the culprit. Poirot has his doubts. A second murder proves him right.

Review:
The most applicable adjective I seem to be able to apply to this book is—diverting. It’s clever, certainly, but it lacked depth to me. Perhaps I’ve been spoiled by too much James, and a mere difference in style becomes almost a disappointment.

There were a few points in the tale that I found to be obvious, one that was telegraphed from the start, and another that I began to put together about ten pages before Poirot finally bludgeoned Hastings over the head with it. Hastings himself is a little smackworthy at times, and I wonder if the reader is really supposed to be misled into believing his theories, when he so clearly neglects to factor in crucial bits.

I did not, however, work out all the details, nor the actual perpetrator of the crime. Fans of twists and turns galore will appreciate the conclusion. All in all, the mystery is decent, Poirot is fastidious and both irritating and ingenious, and Hastings needs to take multiple cold showers.

Full Moon o Sagashite 1 by Arina Tanemura: A

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From the back cover:
Young Mitsuki loves singing and dreams of becoming a pop star. Unfortunately, a malignant tumor in her throat prevents her from pursuing her passion. However, her life turns around when two surprisingly fun-loving harbingers of death appear to grant Mitsuki a temporary reprieve from her illness and give her singing career a magical push start.

Review:
This is the first manga I’ve read by Tanemura, and I’m extremely impressed by both plotting and art. It’s super cute. I mean, really really cute, but it manages not to be obnoxious. The super cutest thing is Guu-chan, a pet pig, but though I tried and tried to find a screencap to link here, I couldn’t do it.

I’ve seen the anime for Full Moon, and I rather wish I hadn’t. The memory of all that dreadfully monotonous filler kept intruding as I began this volume, but gradually dissipated as the story lines began to diverge. Acts and motivations are ever so much clearer in the manga, so I will try to forget everything about the anime except for Ogata Megumi as seiyuu for one of the characters.

Like the best kind of stories, there may be some outer conventions that seem really silly, but the story is about a lot more than some twelve-year-old girl getting transformed into a pop star. Characters make tough choices, some rather dark fates may be looming on the horizon, et cetera. If pressed for a complaint, I’d say that it’s rather hard to care about plot twists regarding Mitsuki’s career when all that aforementioned looming is going on.