Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Michelle Smith

Striding Folly by Dorothy L. Sayers: A-

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Book description:
Lord Peter Wimsey’s last three baffling cases all demonstrate his unique detection skills at their most spectacular. The enigma of a house numbered thirteen in a street of even numbers. An indignant child accused of theft. A dream about a game of chess that uncovers the true story behind a violent death. Each of the stories introduces a different side of the twentieth century’s most ingenious detective hero.

Review:
Short as it is, Striding Folly is still, by far, my very favorite of the Lord Peter short story collections.

Of the three stories collected herein, the title story is of the least consequence. It’s chiefly about a country gentleman who is suspected of killing a neighbor who planned to sell his land to developers. Lord Peter comes in at the end and prevents a miscarriage of justice. The title, incidentally, refers to the more tangible sort of folly, that is “a whimsical or extravagant structure built to serve as a conversation piece [or] lend interest to a view.” This one happens to be located on a property known as Striding. I had always thought it referred to a bit of foolishness engaged in while ambling about.

In “The Haunted Policeman” we get our first glimpse of Lord Peter since the events of Busman’s Honeymoon. It’s just over a year since his marriage to Harriet, and Peter has just passed a sleepless night while his wife gives birth to their first son. Once all is declared well, his spirits are high and he desires some conversation, even though it’s three in the morning. A passing policeman fits the bill and tells Peter the story of how he came to be accused of drunkenness by his sergeant. The tale involves a murdered man inside a house numbered thirteen on a street with only even-numbered residences. Again, Lord Peter serves as a force of vindication. Though the solution to the mystery is fairly ridiculous, the depiction of Peter is really excellent. I love the notion that, when fretting especially about Harriet, he takes solace in the company of the servants, who allow him to polish the silver.

The second charmer in the collection is “Talboys.” A further six years have passed since the previous story and Peter and Harriet’s family has grown to contain three sons. The eldest, Bredon, confesses at the outset to having stolen two peaches from a neighbor. Peter punishes him and the matter is considered closed until the following morning, when all of the peaches are discovered missing. A visiting houseguest—friend to Peter’s notoriously censorious sister-in-law—persists in suspecting Bredon while Peter rather easily proves his innocence. Again, the mystery is not really the point here. Instead we get a truly wonderful portrait of Peter as father—always willing to have a roll with the dog, let his children clamber all over him, and participate in mischief. I might wish for more emphasis on Harriet in this situation, but her happiness is never in doubt.

Of all the Lord Peter stories, only these last two have ever tempted me to come back and read them again. I had wondered how any short story could provide a sense of closure to the Wimsey series, but in fact it works perfectly, since little time and effort need be expended upon a mystery which is only of secondary importance. I will probably end up reading Thrones, Dominations in the near future but I certainly see the rationale behind stopping here, too.

Déjà Dead by Kathy Reichs: B

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From the back cover:
In the year since Temperance Brennan left behind a shaky marriage in North Carolina, work has often preempted her weekend plans to explore Quebec. When a female corpse is discovered meticulously dismembered and stashed in trash bags, Tempe detects an alarming pattern—and she plunges into a harrowing search for a killer. But her investigation is about to place those closest to her—her best friend and her own daughter—in mortal danger…

Note: There are many, many different covers available for this series. I picked the attractive British version.

Review:
For those who aren’t aware, this is the first volume in the series of mysteries upon which the TV series Bones is based. But if you’re looking for a story with banter/sexual tension between two attractive leads and a supporting cast of quirky scientists, then you’re going to be disappointed. The only real similarities are that the main character is named Temperance Brennan and that she is a forensic anthropologist.

The story is set in June 1994 in Montreal. Dr. Temperance (Tempe) Brennan is working for the Province of Quebec, examining skeletal remains of various types discovered around the city. When she notices some similarities between dismembered murder victims, she becomes convinced there’s a serial killer at work and must convince the detectives—one highly skeptical (Claudel) and one more receptive (Ryan)—of her theory. There’s a lot of emphasis on forensic technique and quite a bit of detail on Tempe’s findings; though the squeamish might find the latter too abundant, they are at least never relished. Meanwhile, the killer is annoyed by Tempe’s interference and begins leaving grisly presents in her yard and targeting her friends and family.

Déjà Dead is at its best when slathering on the suspense. Probably my favorite scene in the book is a wonderfully spooky one in which Tempe hears a weird noise at night and must investigate its origins. And there are some genuine surprises, too. I didn’t expect that any real harm would come to anyone Tempe cared about, and I liked that the culprit was not easily predicted. The characters are memorable and I really like her kitty, Birdie. My favorite line in the book relates to his grooming process: “Birdie focused on inter-toe spaces.”

At its worst, Déjà Dead puts its heroine into situations where I am supposed to be concerned for her peril but am instead annoyed. Why, oh why, do you go investigate a possible burial site on a dark and stormy night? Why go loiter in the seedy part of town in the wee hours to tail a creepy perv? I guess this is supposed to show how brave and determined she is and that my disapproval shows what a stodgy prig I am. Also, having Claudel’s resistance to the serial killer theory persist for so long in the face of overwhelming evidence doesn’t make much sense. He’s not a stupid man.

Despite my few complaints, I did enjoy Déjà Dead overall. By the end, Tempe is getting along especially well with Ryan and it seems possible that she and the intriguing Claudel might interact more compatibly in the future. Both of these developments are welcome, and compel me to seek out the second installment.

Off the Shelf: Second Edition

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Welcome to our second edition of Off the Shelf with MJand Michelle!

Joining me again is Soliloquy in Blue‘s Michelle Smith. This week, we cover a pretty varied range of titles, from Tokyopop, Yen Press, CMX, and Viz Media. I’ve got all shonen on the brain, thanks to this month’s Shonen Sundays, while Michelle takes a more well-rounded approach.

MJ: So, Michelle, thanks for joining me here again! What’s your first item for tonight’s discussion?

MICHELLE: How about a trip to bishie land with Alice in the Country of Hearts? Actually, I feel somewhat guilty referring to the series as “bishie land” because, while that’s technically an apt description, there’s really a lot more going on here than I ever would have expected. I read the third volume this week and enjoyed it quite a bit. …

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In the Teeth of the Evidence and Other Mysteries by Dorothy L. Sayers: B

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From the back cover:
A fleeing killer’s green mustache. A corpse clutching a note with misplaced vowels. A telephone with the unmistakable ring of death. A hopeful heir’s dreams of fortune done in when nature beats him to the punch. A playwright’s unwatered-down honor that is thicker than blood.

In each case, the murder baffles the local authorities. For his Lordship and the spirited salesman-sleuth Montague Egg, a corpse is an intriguing invitation to unravel the postmortem puzzles of fascinating falsehoods, mysterious motives, and diabolical demises.

Review:
In the Teeth of the Evidence and Other Mysteries is a collection of short stories, not all of them technically mysteries. Two feature Lord Peter Wimsey, five star Montague Egg, and the other eleven tell of wanted criminals, murderous relations, unpleasant smells, and more!

The two Lord Peter stories, “In the Teeth of the Evidence” and “Absolutely Elsewhere,” are not very exciting. They’re better than some of the Wimsey stories in previous collections, but coming off a novel like Busman’s Honeymoon in which Peter’s character is explored in greater depth than ever before, they seem incredibly lacking by comparison. It’s like we’re seeing a mere shadow of the person we’ve come to know, and anyone could have taken his place without altering the story one bit.

Montague Egg’s stories are somewhat more entertaining, although they share the common trait of ending abruptly. The focus here is on Egg’s cleverness, and once the clues have been interpreted to work out the method of the crime or the culprit, the stories tend to just stop. I suppose it isn’t really necessary to show the criminal being apprehended, and perhaps this would grow repetitive after a while, but the suddenness of the conclusions is jarring all the same.

The best and worst of the collection can be found in the stories with no detective character. Standouts include “The Milk-Bottles,” in which a week’s worth of milk bottles accumulating on a doorstep leads to suspicions of a terrible crime, and “Dilemma,” in which various tough decisions of the “which one would you save?” variety are debated. This last isn’t even a mystery at all, but just a really good story with a nice ending.

Several of the stories have amusing endings, in fact, though just as many have predictable ones, and a few seem absolutely determined never to end. One of the most tiresome for me was “Nebuchadnezzar,” which features a party attendee who becomes convinced that a group playing charades is about to reveal the fact that he murdered his wife. I think we spend too much time in his head as he freaks out, and it becomes annoying. Similarly, parts of “The Inspiration of Mr. Budd,” about a hairdresser who realizes that his customer is a wanted criminal, are irritating as the protagonist dithers about what to do, though this one redeems itself in the end.

While nowhere near as good or satisfying as a Wimsey novel, and barely offering anything about that noble sleuth, In the Teeth of the Evidence is still notable for containing some very good short stories by Sayers. I’m glad I read it.

Yokan 1: Premonition by Makoto Tateno: B-

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Akira is the lead singer of a visual kei band and has somewhat of an attitude. He doesn’t care about the fans’ enjoyment, only his own, and refuses to sing anything he didn’t write himself. That is, until he overhears mainstream entertainer Hiroya Sunaga singing one of his own compositions. For the first time, Akira’s obsessed by someone else’s music and makes it his mission to get Hiroya to abandon his “adequate” career and really sing seriously.

Once again, Makoto Tateno has crafted a BL story with a fair amount of plot and a minimum of romance. Yes, Akira and Hiroya eventually become lovers, but there’s always an atmosphere of challenge to their encounters. In dragging Hiroya back into a world he left behind, Akira is creating a rival for himself, setting up a standard to be surpassed.

While this concept is promising, Yokan is far from perfect. When Akira first expresses interest in singing his song, Hiroya demands payment. Readers expect this to be sex, but in fact, he only claims a kiss. This led me to hope the story would be free from a nonconsensual scene, but this is unfortunately not the case. The bonus story, “Sinsemilla,” is also pretty horrible, featuring one character dosing another with an aphrodisiac and said victim later suggesting that the drug made him gay. “I was completely hetero before!”

I liked Yokan well enough to continue to the second volume, but it probably won’t be everyone’s cup of tea.

Review copy provided by the publisher. Review originally published at Manga Recon.

Fullmetal Alchemist 1-2 by Hiromu Arakawa: B+

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I’ve been hoarding volumes of Fullmetal Alchemist for several years. Having heard it praised for its impressive storytelling, I decided to wait until it was nearer to being finished in Japan before starting it, with the idea that I might be spared some of the long waits between volumes that other fans have endured. But now, word is that the end is nigh, and with MJrecommending it to me so ardently, the time has finally come. Cracking open that first volume felt like quite the momentous occasion.

Edward and Alphonse Elric are unlike normal teenage boys. Both studied alchemy as children and when Edward found a way to bring their beloved mother back to life, the boys performed the ritual without a second thought, not realizing—in the “equivalent exchange” demanded by alchemy—that it would cost Edward his left leg and Alphonse his entire body. After exchanging his right arm for Alphonse’s soul, Edward grafted the soul into the one human-shaped thing that was handy at the time: a suit of armor. Edward is haunted by this mistake, not to mention the memory of what they actually managed to resurrect for their sacrifice, and his primary concern is regaining their original bodies. To that end, they travel the world looking for the Philosopher’s Stone, an alchemical power booster that might make this possible.

The brothers’ travels bring them into contact with trouble in various forms. Their first deed is to expose an alchemist posing as a religious figure, followed by freeing occupants of a mining town from the corruption of a military official and foiling a train hijacking. While this is going on, Edward is also trying to learn as much as he can about biological transmutation. In the second volume, his research leads him to a state alchemist who’s had some success in this area, which in turn takes the story down a very dark avenue involving human experimentation and a vigilante named Scar who takes it upon himself to execute alchemists who have violated the laws of nature.

I knew exceedingly little about Fullmetal Alchemist going into this, which is great. I knew about the brothers’ injuries, though not how they obtained them, and I knew they’d meet a mechanically inclined girl at some point. That’s it. As a result, I was surprised by a number of things as I read, including the presence of comedy. I’m not sure why I thought there wouldn’t be any, but having lighthearted moments sprinkled throughout is definitely welcome, especially once the story delves into more disturbing territory. I particularly love anything that shows that Alphonse, trapped inside a hulking steel shell, is really just a kid.

I was also surprised (and impressed) that the series tackles the religion vs. science question right away with the story of the fraudulent holy man. This also provides an opportunity to introduce Edward’s feelings about alchemy: because alchemists strive to understand the laws of nature, they are perhaps the closest to God that a human can achieve, but overstepping certain bounds—he likens this to the hubris of Icarus—leads only to sorrow and pain. His conflicted feelings resurface several times in these two volumes; one gets the idea that he would like to avoid the very kind of alchemy he’s been researching, but because it’s his best chance at bodily restoration, he’s got no choice.

Lastly, I was downright shocked by some things in the second volume. Somehow, I had expected the Elric brothers to save Nina, the child of a desperate alchemist about to lose state funding, from her father’s experimentation, but this was not to be. Similarly, I expected them to escape grievous bodily harm when fighting Scar so imagine my surprise when both are gravely injured in volume two. That’s just not normal! Shounen heroes are supposed to sustain wounds that would kill an average guy three times over and then get up for more!

I had originally planned to read three volumes for this review, but so much had happened by the end of volume two that I required time to digest it all. I’m used to a shounen manga’s second volume being the stage of the story where some wacky episodic hijinks introduce our hero to the rivals who’ll eventually become part of his entourage. It’s usually not until half a dozen volumes later that you glimpse the real meat of the story. Not so with Fullmetal Alchemist, which lulls you into expecting that episodic setup but makes with the buildup and continuity right away. I can already tell, and believe me that I mean this as a most sincere compliment, that this is going to be one challenging series.

Fullmetal Alchemist is published in English by VIZ. There are 22 volumes currently available, with volume 23 due out next month. We’re pretty close to being caught up to Japan, where volume 25 just came out in late April.

Ristorante Paradiso by Natsume Ono: B+

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Twenty-one-year-old Nicoletta arrives in Rome with the intention of confronting her absentee mother, Olga, and revealing the fact of her existence to Olga’s husband, Lorenzo, who had believed his wife to be childless. Instead, she becomes entranced by her mother’s world and ultimately finds a place in it.

Olga and Lorenzo run a restaurant, and though the food is excellent, many of the patrons come just to see the waiters, a staff of mostly older men who all wear glasses (whether necessary or not) to indulge Olga’s whim. At first Nicoletta is perplexed by the multitude of women swooning over these men until she begins to notice the particular charms of Claudio, the head waiter. Claudio is graceful, sexy, and very kind, though he’s still hung up on his ex-wife and continues to wear his wedding ring. Although Nicoletta originally wrangles a job as a kitchen apprentice in order to be near him, she proves to be genuinely good at cooking. She becomes part of the restaurant’s family, and her relationship with Olga improves as a result.

Ristorante Paradiso is a completely different kind of story than not simple, the other Natsume Ono title currently available in English. It’s happy, for one thing, with a cozy, slice-of-life storytelling style and the kind of predictable yet comforting conclusion that would be perfectly at home in an Italian holiday kind of chick flick. Things between Nicoletta and Olga work out too easily, but most of the focus is on the guys anyway, so I’m not as annoyed as I otherwise would be.

Let’s talk about those guys for a minute. Sexy Claudio is definitely the star among them, but grumpy yet kind Luciano is another standout, as is Gigi, Lorenzo’s eccentric half-brother who seems to have a completely unspoken thing for the boss’s wife. Nicoletta is continually upstaged by these men—and by Olga, whose zeal for life makes her a sympathetic character despite the mistakes she made in the past—and it’s no wonder that Gente, the prequel/sequel series due from VIZ in July, focuses on them and not her. Nicoletta starts out as a directionless twenty-something in search of her place in the world, but we just don’t get to know her well enough to find her journey truly compelling. That said, I did appreciate her confidence in certain situations and she has a terrific final line.

It might just be an illusion, but Natsume Ono’s art looks a little more traditional here than in not simple. There’s no way you’d mistake her work for anyone else’s, but the characters seem more normally proportioned and she really does a great job in conveying Claudio’s gentle demeanor and appeal whenever he appears. While the “show don’t tell” rule gets broken on several occasions, there are still a few examples of good nonverbal communication, too. My one artistic complaint is that I wish we could have seen more of the food! Then we might have had something like the Antique Bakery of Italian cuisine. The subtle inclusion of a hilariously oversized ravioli made by Olga is some compensation, however.

In the end, Ristorante Paradiso is definitely worth reading. The plot won’t knock your socks off, but the experience will likely put a smile on your face nonetheless.

Review copy provided by the publisher. Review originally published at Manga Recon.

Off the Shelf with MJ & Michelle

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Welcome to the first edition of a new weekly feature here at Manga Bookshelf, Off the Shelf!

Joining me in this venture is Soliloquy in Blue‘s Michelle Smith. Each week, Michelle and I will chat about manga we’re reading and see where the conversation goes! This week, we discuss titles from Bandai Entertainment, Viz Media, and the recently deceased Go!Comi … Michelle?

MICHELLE: So…. what’s a nice reviewer like you doing in a feature like this? Blog here often? Read any good books lately?

MJ: I have, actually! This week I’ve spent some time with three different manga, all written for women or girls. And I think this ties in a bit with recent discussion of what female readers look for in comics, because despite the fact that these are all written for female readers (and two of them are romances), they couldn’t be more different….

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Breaking Down Banana Fish, Vols. 3-4

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Welcome to the second installment of the Banana Fish roundtable!

This month, we discuss volumes three and four of this classic shojo series, in which Ash gets out of jail, Eiji and Ibe overstay their visas, and everyone ends up on an ill-considered road trip to L.A., just in time to fall into the hands of a Chinese mafia family’s secret weapon. Topics this round include what makes a shojo manga, thoughts on the series’ few female characters, and everyone’s take on new bad guy, Yut-Lung.

Once again, I’m joined by Michelle Smith (Soliloquy in Blue), Khursten Santos (Otaku Champloo), Connie (Slightly Biased Manga), Eva Volin (Good Comics For Kids), Robin Brenner (No Flying, No Tights), and Katherine Dacey (The Manga Critic), all of whom graciously found time in their incredibly cramped schedules to indulge me in this discussion. …

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How to Control a Sidecar by Makoto Tateno: B-

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In this spin-off of How to Capture a Martini, stoic bartender Kiyohito Kousaka is pursued by a pair of guys looking to recruit him for a three-way relationship. He initially wants nothing to do with them, but when one of them goes missing, he cares enough to want to get to the bottom of the mystery.

There are definitely some good things about How to Control a Sidecar. The relationship between the two men—Fumi and Kanashiro—is not exactly what it seems, and I like that the title story ends differently than I’d been expecting. Even the regrettable inclusion of a nonconsensual scene is tempered somewhat by the fact that the victim collects evidence and sees a doctor, though stops short of filing a police report, and that all parties involved acknowledge the act for what it was.

It’s the second story, “How to Subdue a Stinger,” that I found most disappointing, since it completely negates the unconventional ending of the title story and endows Kousaka with a near-total personality transplant. The impression I get from it is that Tateno’s readers were dissatisfied with the original ending and that she wrote this to appease them. That’s really too bad, because it was much better the first way.

Review copy provided by the publisher. Review originally published at Manga Recon.

Busman’s Honeymoon by Dorothy L. Sayers: B+

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From the back cover:
Murder is hardly the best way for Lord Peter and his bride, the famous mystery writer Harriet Vane, to start their honeymoon. It all begins when the former owner of their newly acquired estate is found quite nastily dead in the cellar. And what Lord Peter had hoped would be a very private and romantic stay in the country soon turns into a most baffling case, what with the misspelled “notise” to the milkman and the intriguing condition of the dead man—not a spot of blood on his smashed skull and not a pence less than six hundred pounds in his pocket.

Review:
Busman’s Honeymoon is the final Lord Peter novel written exclusively by Dorothy L. Sayers. (Two collections of short stories follow, as well as a pair of novels completed by Jill Paton Walsh based on material written by Sayers.) Therefore, while there is a case to be solved, the real focus of the book is on giving beloved characters Peter and Harriet a fitting send-off.

After six years of struggle, Peter and Harriet have finally managed to get married and have gone off to Talboys, a country cottage in the village Harriet lived in as a child, for their honeymoon. Concerns about safely transporting Peter’s stock of port or unclogging some terribly sooty chimneys give way to investigation when the body of the former owner is discovered in the cellar.

There’s not actually a lot of emphasis on the case. Investigation mostly consists of some interviews, a few theories, and then sudden inspiration that leads to the reconstruction of the crime and a ready confession. At one point I was surprised to realize I was 75% of the way through the book and so little had actually happened on the detecting front. Instead, more attention is paid to Peter and Harriet as they make peace with being so happy, an emotion that actually produces some unease, and it’s a testament to the likability of these characters that reading about their contentment is actually interesting.

The end of the book is also fairly intriguing, though a bit odd. Peter catches the culprit, and that’s usually where these things end. This time, there’s a random visit to the Wimsey family home—complete with matter-of-fact discussion about ghostly residents—followed by a depiction of Peter’s descent into guilty despair because he has, through his efforts, sent someone to the gallows. We’ve heard about his dark moods before, but never really seen him in the throes of one. Harriet must learn how to deal with these episodes in a way that doesn’t belittle Peter and, indeed, much of the process of getting used to one another involves recognizing temptations to exert influence and forcing oneself to allow the other to remain fully independent.

As a final installment, it works pretty well. That said, though I had originally been on the fence as to whether to read the Sayers/Walsh novels, I now think that I won’t be able to resist getting another glimpse at the Wimseys. Heck, I don’t even need there to be a mystery, really. As Busman’s Honeymoon proved, with these characters, a case is not necessary for the result to be enjoyable.

Kimi ni Todoke: From Me to You 4 by Karuho Shiina: A-

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When Sawako Kuronuma was ostracised by her class due to her gloomy disposition and resemblance to a character from a horror movie, she never would have guessed that there are so many nuances to interactions with other people. Because of her inexperience in this area, she hasn’t learned to be distrustful, and so accepts as genuine the friendly advances of Kurumi, a girl who wants Kazehaya-kun for herself.

Kurumi does everything within her power to convince Sawako, who is growing increasingly curious about the depth of her feeling for Kazehaya, that what she feels for him isn’t anything special, and that she ought to try chatting up some other guys for the sake of comparison (then arranges for Kazehaya to witness this, of course). Things backfire for Kurumi, though, as Sawako manages to interpret this advice in the best possible light and ends up confirming and accepting that what she feels for Kazehaya is genuine love.

This is a huge step for Sawako, and her happiness at this achievement in self-discovery is contagious. In fact, the depiction of her thought process as she works this out is simply terrific throughout, as is that of Kazehaya as he realizes that, no matter what he may personally feel, Sawako is still not ready to begin dating anyone. The skill with which nonverbal and internal storytelling convey these revelations to the reader elevates Kimi ni Todoke beyond other sweet love stories and into the realm of great manga.

Review copy provided by the publisher. Review originally published at Manga Recon.

Kimi ni Todoke: From Me to You 3 by Karuho Shiina: A

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From the back cover:
Sadako finally becomes friends with her classmates, instead of scaring them off. Even Kurumi, the cutest girl in school, wants to be her friend. But will this new friendship make Sadako realize that her feelings for Kazehaya might be more than just friendly?

Review:
I was bowled over by the surfeit of cute in this volume of Kimi ni Todoke. Let us count the ways!

1. Sawako has begun doing things after school with Yano and Yoshida, and is absolutely thrilled. Her parents are also adorably excited for her.

2. Sawako is beginning to realize that Kazehaya is a boy, and that she likes him in a way that is different from how she likes her other new friends. This results in her being somewhat flustered in his presence, which leads to him being flustered right back. Seriously, when these two are together, they just glow, and the art and pacing really make these moments special.

3. Yano and Yoshida are extremely awesome, and nudge Sawako into doing things like calling Kazehaya on the phone or dropping the -kun when she addresses him. Her reactions are cute, but Kazehaya’s are especially telling. Yano and Yoshida are kind of evil in how much they tease him, but their machinations result in a story that shows these characters’ feelings for each other rather than simply telling us about them.

4. Sawako’s friends have to inform her that she has earned the right to call them by their first names, because she’d never presume to do so otherwise. In fact, there’s a lot of emphasis on honorifics in this volume, making it a great candidate to prove why it’s necessary to retain them in translations.

I continue to love that friendship is so important to Sawako. Though she’s finally beginning to realize her romantic feelings for Kazehaya, her friends play a big part in that, encouraging her to reach out to him a little more and putting the two of them in situations where they can interact. Yano and Yoshida are at least tied with Hanajima and Uotani from Fruits Basket in the category of Best Best Friends.

A rival for Kazehaya’s affections—Kurumi, a girl he knew in junior high—also appears in this volume. I like that she’s not as over-the-top villainous as some rivals have been, but is still somewhat scheming. Happily, Sawako balks at Kurumi’s request to help her get together with Kazehaya; it’s evident that Kurumi thought Sawako was so self-effacing she’d just bend over backwards to accommodate her new friend’s request. It’s clear, too, that Kurumi knows exactly how Kazehaya feels about Sawako, thanks to some more excellent nonverbal storytelling.

In the end, this volume solidly establishes Kimi ni Todoke as one of my current shoujo favorites. I liked the first two volumes a lot, but now that Sawako and Kazehaya are hesitantly moving closer to a relationship, it has escalated to a new level of greatness.

Review copy provided by the publisher.

Beast Master 2 by Kyousuke Motomi: A-

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From the back cover:
Leo Aoi looks like a crazy animal with wild eyes, and he goes berserk whenever he feels threatened or sees blood. That doesn’t stop animal lover Yuiko Kubozuka from befriending him, however. In fact, Yuiko is the only person Leo will listen to when he has one of his violent fits…

Leo’s 18th birthday is around the corner, but celebrating seems impossible as someone is after Leo’s life! Can Leo overcome the dangers of his past? Or will this beast-like boy be separated from his beloved “master”… forever?

Review:
I suppose there’s not anything terribly original about these final three chapters of Beast Master. In the first, we get a little more information on Leo’s backstory, including the revelation that he’s worth billions and began living in the wild in the first place to avoid his murderous relations. In the second, Leo’s dad reenters the picture and, after another attempt on his son’s life puts him in the hospital, suggests a move overseas. Finally, Yuiko develops insecurities about how Leo feels about her upon seeing how popular he’s become with other girls.

What makes this series so special, then, is how truly sweet it is. Not some cloying and irritating approximation of sweetness, either, but something truly genuine and moving. After Yuiko witnesses Leo being hit by a car, it makes sense that she’d support his father’s plan to relocate him someplace safer, and the scene where she attempts to maintain a brave face as she bids him good-bye, only to break down as he drives off is perfectly painful. Although we, as readers, can expect him to return, Yuiko’s sadness is nicely portrayed, as she realizes that simply knowing he’s safer will not make her miss him any less.

The final chapter’s a nice spin on the “I don’t know how he feels about me” idea, too. It works here because Leo is so child-like, Yuiko has to wonder whether he even realizes that there are different levels of liking someone. He can “like” a girl classmate who loans him some CDs, but does he feel anything more than this for Yuiko? Well, of course he does, and his eventual shy confession is so adorable it made me sniffly.

Rounding out the volume is “Cactus Summer Surprise,” a short story about a body-swapping cactus. Yes, you read that right. In a nutshell, Akira is a cactus fan who once gave her prized plant to her middle-school crush, Kaito, who told her that he threw it away. They’ve been enemies ever since—though, of course, it’s obvious they really fancy each other—and through the machinations of a middle-aged female spirit who transitions from the cactus in which she resides into possessing Kaito’s body, they manage to patch things up. Again, like Beast Master, this story ends with a particularly adorable scene of a guy trying to get his feelings across.

When I finished this volume, my first thought was, “That was good! I’d like to read something longer by Kyousuke Motomi.” And my second thought was, “Oh yeah! Dengeki Daisy is coming in two months!” Thank you, VIZ!

There’s Something About Sunyool 1 by Youngran Lee: B

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Sunyool Lee first met her father, a powerful politician, six months after her mother’s death. He’d been unable to have children with his wife, and so acknowledged Sunyool as his daughter. The arrangement gave Sunyool access to the finer things in life, but also required a number of sacrifices, including giving up the freedom to choose her own spouse. For her part, though, Sunyool is practical about the necessities of an arranged marriage, and is more than willing to check out the candidates her father has chosen. In the end, she chooses a gentlemanly young man named Sihyun Park and the two are married.

At first, one is led to believe that There’s Something About Sunyool will be a romantic comedy in which the two leads marry as strangers but learn to love each other—akin to something like Goong: The Royal Palace—but in actuality, they quickly discover that they are highly compatible, and that a happy future is not only possible but likely. Of course, such perfect bliss cannot last for long and—through no fault or desire of the newlyweds—the marriage is ultimately short-lived. The story picks up four years later with Sunyool living in another town and poised to embark on entirely new adventures.

It’s not until one reaches the final chapter that one realizes that this change of direction is coming and that the first volume is really serving as a prologue to a story that has hardly begun. These events establish Sunyool’s character and will presumably set up an overarching plot for the series, but the story cuts off at such a random point in her new life that it’s difficult to see how the events have changed her, if at all, and without any substantive hints about the story’s direction from here, it’s a pretty abrupt and lackluster conclusion.

Gripes about plot structure aside, though, this is still an engaging read, largely because of the strong and quirky protagonist. Sunyool faces life honestly and without pretension, which enables her to accept the idea of an arranged marriage without difficulty, saying, “Well, it’s not like I have some lofty dreams for the future… It might be nice to marry whoever (sic) Assemblyman Lee says to and live a life of comfort. I’ve been at the bottom and it was not pretty.” Too, her father gives her some advice—“Be brave and confident in any circumstance”—that she takes to heart and uses to get her through the tough times resulting in the dissolution of her marriage. While some guys are intimidated (or simply turned off) by her lack of feminine mystique, her fearlessness is largely responsible for Sihyun growing to love her so swiftly, and suggests she’ll land on her feet no matter what happens.

Lee’s art is attractive, featuring the pointed chins and pouty lips that would enable those familiar with manhwa to recognize its origins pretty immediately. Her style here is a little more cute than in Click, an earlier series from this creator also published by NETCOMICS, but not as frantically sparkly as it could’ve been. Unfortunately, there are a couple of errors in the script—mostly in the form of the wrong word being chosen rather than typos or general awkwardness—that I hope will be corrected for the print edition. There aren’t so many as to ruin the reading experience, but they’re distracting nonetheless.

Ultimately, I am very intrigued by There’s Something About Sunyool and eager to see where the story goes from this point. Happily, the series updates regularly at the NETCOMICS site, with several chapters of volume two already available.

There’s Something About Sunyool is being simultaneously released in the US and Korea, with new chapters appearing regularly at the NETCOMICS site. Amazon also lists a print edition of the first volume, due in June.

Review copy provided by the publisher. Review originally published at Manga Recon.