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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Unshelved

MMF: Fruits Basket – Shigure

July 26, 2011 by Sean Gaffney

“I want to spoil her rotten. I want to trample her to a pulp.”

When it came time for the Manga Moveable Feast to do Fruits Basket, I pretty much knew I would be writing about Shigure Sohma. He’s the character I keep coming back to even now, the little thorn in the side of the entire storyline, trying to free people from the bonds they have with their God by cutting into their flesh until they squirm free in their agony. He’s a manipulator, and you’d swear he finds people’s emotional pain amusing. The anime, sadly, never got to the point in the story where this really comes out, so we mostly just see him there as the goofy ‘yay, high school girls!’ guy who occasionally gives Tohru sage advice. No one who finishes the manga is left with that impression.

Hatori, who is one of the people who probably understand Shigure best, and he once noted that Shigure needed to be careful in all his manipulations that he didn’t break anyone. Which, in many ways, is what Shigure *is* trying to do. He’s trying to break the curse, even if it’s not directly – trying to get it to snap and crumble away from Akito. And well, if that means breaking other people, then so be it – at least they’ll have someone around to pick up the pieces. Right, Rin? (Chapter 107, which implies Shigure was aware of what Akito did to Rin and let it happen in order to prove a rather sadistic point, is probably his worst moment.)

Speaking of that chapter, Shigure and Rin discuss the curse, and note that it should break within their lifetimes. But that’s not good enough for Tohru, who is painfully aware of what Kyo’s fate is to be – and how easily he seems to accept it. After briefly running off, Shigure goes to get her – and delivers another stunning speech, clearly intended to push all of Tohru’s buttons and weak spots. It’s quite an interesting contrast to earlier volumes, where Shigure can be seen cheering Tohru up or giving her a gentle push in the right direction with a few kind words.

But if Tohru wants to save Kyo, time *is* running out, and Shigure can’t simply sit by and watch her stress out over whether Kyo is pushing her mother’s memory out of her life. He’s mean – talking about how the curse *is* a curse, and not just some cute ‘we turn into animals!’ thing. All the Zodiac feel horrible about it, and Kyo is, as Shigure notes, a reminder that it could be worse – they could be him. Tohru, notably, stops Shigure’s monologue with a hand outraised and her head down – she can’t bear to hear his words anymore. I was reminded of the way she stopped Akito from abusing Yuki very early in the series, when she and Akito first met. It’s probably my favorite Shigure scene in the series.

Of course, it’s not just about Tohru. All of Shigure’s actions, everything we see him set up throughout the book, is designed to drive people away from their God and break the curse – so that he can have Akito all to himself. Shigure is a very possessive lover, and does not take kindly to having to share. It’s quite telling that the only time we really see him filled with hatred for anyone, it’s for Kureno – the man who is currently closest to Akito. And so he pushes at Akito – harder than he does anyone else, really – and watches as she does break. There’s only one moment where I think Shigure wonders if he went too far – he asks, after Tohru falls from the cliff, whether Akito pushed her – but it all works out well in the end.

This is the odd thing about the series. Everything seems to work out well in the end. Shigure never apologizes for anything he does, but I think in his mind he doesn’t *have* to – after all, everyone ended up happy. The curse is broken. Tohru wasn’t seriously crippled and is now with Kyo. Hatori has gotten over his first love and is opening up to Mayuko. Rin has chosen to embrace Haru and stop trying to ‘protect’ him by shoving him away. Same with Hiro and his relationship with Kisa.

In a way, I’m strangely reminded of Usagi from Sailor Moon. I once discussed the Outer Senshi Haruka and Michiru with my friend John, who has mixed feelings about the two of them. In the real world, the two outers would be right – Usagi’s idealism and super purity would be ripe for abuse, and it’s sensible to be pragmatic like the two of them. But they fail to realize that they aren’t in the real world, they’re in Usagi’s manga, and she’s the star. Therefore she is always right, and they are forever proven wrong. Likewise, Shigure’s actions don’t seem wrong to him at all. I’m sure if anyone tried to call him on it, he’d note how happy everyone is after the end of the series.

That said, we do occasionally see stabs of regret. Shigure notes early on that he is ‘the filthiest’ of the Zodiac, and I think knows that his relationship with Akito – even post-curse – is not a healthy one, but doesn’t particularly care enough. He once wondered what would have changed if he’d dreamed about Tohru. Leaving aside the horror that fills me if I imagine Shigure with Tohru, I think that it’s one of those hypothetical questions that will never get a true answer. So much of what Shigure is – everything that drives him – stems from that dream of Akito, and his love of Akito, and his need to possess Akito. Perhaps, now that he has everything he wants, he can find the time to get in touch with the nice young man who gave Tohru advice on how to deal with multiple problems.

Filed Under: UNSHELVED

Fruits Basket MMF: Monday links

July 25, 2011 by David Welsh

At Comic Attack, Kristin Bomba delivers a thoughtful look at the roles of Tohru Honda and Akito Sohma for the Fruits Basket Manga Moveable Feast:

I decided, rather than go all fangirl all over the place (which I could do, trust me, for HOURS), that I would take a more serious approach to the series. One of the things that really fascinated me about Fruits Basket was the relationship between Akito and Tohru, separately and together (meaning their literal relationship with each other, and how they otherwise affect each other throughout the story). While Tohru is very easy to read, Akito is a bit more complicated to understand.

Tons of ink has been spilled on compare-and-contrast between a certain boy wizard and another who apparently must not be named, and I think there’s a similar dynamic to be examined between Tohru and Akito, so thanks to Kristin for digging into that territory!

And thanks to everyone who’s thrown some links this way, like Johanna Draper Carlson of Manga Worth Reading, who has already contributed quite a bit to critical discourse on the subject of Fruits Basket.

Feel free to send me your own links via email to DavidPWelsh at Yahoo dot Com, or post them in the comments here. And thanks for reading!

 

Filed Under: DAILY CHATTER, Link Blogging

Fruits Basket MMF: Triangles

July 25, 2011 by David Welsh

There are many evolving relationships in Natsuki Takaya’s Fruits Basket (Tokyopop), familial and romantic. There’s the central love triangle consisting of brave and virtuous Tohru, princely Yuki, and black-sheep (or cat) Kyo. There’s the whole Sohma nightmare, with head of the family Akito trying to keep everyone’s relationships within and beyond the family under control, or at least unstable enough that they’ll never challenge the bonds of those who share the curse that helps drive the manga’s plot.

Of course, I’ve never been one to take sides in triangles. Few of them are especially plausible to me, because most of them require all choices be equal, which obviates the difficulty of choice (at least in a fictional context). In Fruits Basket, the putative triangle is so hopelessly stacked in the favor of one character that Takaya spends almost half of the series constructing consolation prizes for the odd man out. (It’s a generous impulse.)

But if the romantic geometry is a non-starter, there’s a different kind of triad that I love dearly, as illustrated below:

Love triangles may do nothing for me, but enduring platonic friendships put a lock on my attention as few other emotional dynamics can. That’s why I’m so crazy about Tohru’s never-say-die bond with former gang-girl Arisa Uotani and spooky psychic Saki Hanajima. Beyond being a nicely constructed blend of personality types – sweet, rambunctious, and eerie – Takaya makes their dynamic credible. It takes a while, but we learn how Tohru bonded with Uotani, and then Hanajima.

We also learn that Tohru’s mother, former gang-girl Kyoko, was central to these friendships. It’s a legacy of her loving bond with Tohru, that Tohru was able to extend those feelings to people who are so different from herself. It could be argued that Tohru’s ability to achieve such a rapport with Uotani and Hamajima proves that she can get through to anyone, even a creepy family that’s been cursed for centuries.

But that would diminish the pleasure of the friendship for its own sake. Takaya tries to insert a number of high-school mayhem into the narrative (when not expertly assaying family dysfunction), and very little of it works. Yuki’s fan club, the stupid student council, and so on… all of these aspects land with something of a thud, and it’s probably partly because Uotani and Hanajima are so eccentric and authentic at the same time, and their affection for Tohru is so sincere. Everything else that happens in the classroom feels like play-acting compared to this inseparable trio.

 

Filed Under: DAILY CHATTER

Saturday Spotlight

July 23, 2011 by MJ Leave a Comment

Though maintaining a blog is all about producing new content, day after day, sometimes it’s nice to reach into the archives and revisit something a bit older. An article’s shelf life can be tragically brief in the fast-paced comics blogosphere, despite its ongoing relevance.

With that in mind, welcome to Saturday Spotlight, a new weekly feature here at Manga Bookshelf dedicated to digging up these treasures from the gloomy depths of our database and bringing them back into the light.

Before I get to this week’s spotlight, however, a bit of sad news. With the English-language manhwa market having slowed to something slightly more lethargic than a crawl, I’ve decided to fold Manhwa Bookshelf back into the main site. This is heartbreaking for me, given that my intent in creating Manhwa Bookshelf was to help establish English-translated manhwa as a distinct entity. But with too little going on to provide regular content on even a monthly basis, whatever manhwa content Hana and I are able to muster in this climate is more likely to receive the attention it deserves in a higher-traffic venue. All existing Manhwa Bookshelf posts have now been redirected here to Manga Bookshelf, and can be accessed as a category here.

That said, it should be no surprise that this week’s subject of our Saturday Spotlight comes originally from Manhwa Bookshelf, now reformatted for and reposted here at the main blog.

Back in June of last year, Manhwa Bookshelf contributor Hana Lee wrote a wonderful article, An Introduction to Korean Webcomics. With Korean publisher iSeeToon (who adapt Korean webcomics for the iPhone) emerging as the most active publisher of new manhwa series in the English-language market, it seems especially appropriate to bring Hana’s article into the spotlight once more.

So please enjoy An Introduction to Korean Webcomics!

Filed Under: Saturday Spotlight, UNSHELVED

SDCC Round-Up

July 23, 2011 by Sean Gaffney

Yes, it may still have two days to go, but for most manga fans, the news is done now due to a heavily overbalanced schedule. And who better to give you a breakdown of all of it than me, a person who wasn’t there and mostly followed everything on Twitter! Onward!

First up we have Kodansha, who sadly did not have any new announcements. A bit worrying, given that they have really announced one new title since their debut – Code Name: Sailor V. Sailor Moon, Love Hina and Tokyo Mew Mew are all new editions of previously issued stuff, though I suspect Sailor Moon’s differences between Tokyopop and Kodansha will be large enough that it will seem new.

They did announce that the Negima omnibuses will continue “till they catch up with the new volumes”, which I presume means catching up to where the Nibleys began translating/adapting it. They also showed off the cover (as yet not online) for the first Love Hina omnibus, which will be 5 volumes, each containing 3 of the original (the last will have 2).

The other unsurprising but disappointing news is that they indicated that, due to poor sales and a poor economy, there are currently no plans to go back and grab other Del Rey series left hanging that aren’t already coming out. Yozakura Quartet and Pumpkin Scissors were mentioned specifically, but I expect this also includes titles such as Nodame Cantabile, Moyasimon, and School Rumble. They also indicated they have no digital plans at this time. Most likely as they’re still concentrating on getting back up to speed book-wise.

The big news of the weekend was the J-Manga panel, which debuts in North America in August. It’s a collective between 39 manga companies (basically everyone you can think of which the exceptions of Square Enix (who have their own initiative) and Mag Garden (no Aria for you!) to have their manga available here. To my surprise and happiness, this is *not* an Apple-only iPad app, but web-based. The price point will be determined by publisher, but they’re also trying to get a wider variety of content than just ‘Jump/Hana to Yume’ licenses that tend to come out over here. The readers can apparently message the authors, and there will be exclusive content, including videos. And yes, some brave soul did ask why we should care when we have scanlations. Brave soul. :) It’s web-only right now, but they’re working on mobile apps.

The site hasn’t debuted yet, but this was much more than I was expecting, so I am greatly pleased. There are still some unanswered questions (who’s doing the translation work? How are they being paid?), but I am now greatly looking forward to the opening of the site.

Speaking of online manga, Viz debuted their new web-based manga site Thursday evening. I have not yet had a chance to try it out, though I will do so this weekend, but all signs point to it being exactly what we asked them for – a non-iPad way to pay to read their manga online. The titles are mostly what you’d expect, being their best-sellers, along with a few Signature titles for ‘cool’ readers. I wonder in future if they might use it as a way to access volumes that are out of print and don’t sell well enough to justify a reprint (yes, I am thinking of Excel Saga). In any case, kudos to Viz!

Viz had two new manga licenses, both in the Shojo Beat line. The first I’m very excited about, and have been hoping Viz would pick it up. January sees the debut of Devil and Her Love Song, which is about a blunt, no-nonsense girl who was expelled from her classy all-girls’ academy and is now attending a public school. Her ‘devil’ personality causes her no end of problems, but does attract the attention of two guys – one cheery, one grumpy. No, it’s not the most original thing ever, but it’s great fun, and I can’t wait to see it in English.

The other one is Earl and Fairy, based on a very long (25 volumes and counting – don’t expect it to be licensed) light novel series about a woman who is attuned to fairies, and her interaction with a roguishly handsome young man seeking a legendary sword. It’s Victorian Fantasy, so no doubt will appeal to Black Butler fans, and its general feel should also draw in the Vampire Knight crowd.

And given the success of the shonen ‘omnibus’ formats (which, word of warning, will likely all end about 9-12 volumes in – these are teasers to make you buy, not full re-releases), Viz is now doing two popular shojo series in the 3-in-1 style: Hana-Kimi and Skip Beat! I never got a chance to take in Hana-Kimi back in the day, so will be looking forward to this.

The Shonen Jump panel following did announce a new chapter of a just-begun-in-Japan Jump title available in English – St&rs, which can be accessed from their website – but did not announce any new licenses. This is possibly as the one they announced last year, Psyren, still has yet to debut in graphic novel form. It’s also possibly due to the fact that the other ‘mid-range’ Jump titles running right now all have potential difficulties with NA sales. Sket Dance is a Gintama clone, and Viz just cancelled that. Beelzebub has a lot of Satanic backstory, and also has a naked baby and his naked penis in many, many chapters – Viz has already censored this sort of thing in titles like Dr. Slump. Kuroko no Basket is a basketball manga, at a time when they’re still putting out Slam Dunk. And Medaka Box… is Medaka Box. They may wait to see if the Gainax anime takes off to do something about that. :)

Onward to the Yen panel! They win the prize for total number of new licenses, piling up three. The first one was spoiled a bit ahead of time for some, but is not a surprise given the anime got a TV deal: Durarara!!, the manga adaptation of the light novel series about a group of Ikebukuro residents and their interactions and misadventures, centering around several rival gangs and a young woman searching for a missing past – and her missing head. It’s from Square Enix, and runs in their female-oriented shonen magazine GFantasy, home of Black Butler and Pandora Hearts. It just finished ‘Stage one’ in 4 volumes, but will be restarting a second arc soon.

Then there is Kore Wa Zombie Desu Ka?, a comedic title that just started last year in Kadokawa Shoten’s fanservicey shonen magazine Dragon Age. Also based on a light novel that won’t come out over here (DRRR!! is a far more likely pickup, though still very unlikely), it’s about a young man who gets killed, then resurrected as a zombie by a silent young necromancer woman. Then he runs into a magical girl with a chainsaw – and accidentally steals her powers. Now he has to deal with the trials of being a zombie cross-dressing magical girl. Didn’t I read this plot on Fanfiction.net with Naruto and Usagi?

Lastly, we have what appears to be another omnibus, but a bit more high-end than Dragon Girl and Sasameke were. Olimpos is from the author of Utahime, which DMP put out over here, and is apparently based around the mythical Greek Gods. It ran for 2 volumes in Ichijinsha’s josei magazine Comic Zero-Sum (and its sister publication Zero-Sum Ward), and I suspect will be the most ‘blogger-friendly’ of the titles announced at SDCC. Yen also mentioned a 4-volume color omnibus for High School of the Dead, and noted they were working on an Android app for their stuff.

The last thing I heard about was the Best and Worst manga of 2011, which I was delighted to hear spent so much time talking about the best that they barely managed to mention the worst. Always a good thing, IMO.

That’s it for now! Otakon will be a much easier write-up, as there’s only one manga industry panel there – Vertical. And as for New York Comic Con, I will actually be present at that one. :)

Filed Under: UNSHELVED

Talk amongst yourselves

July 22, 2011 by David Welsh

Between a rather frenzied real life and preparations for the upcoming Manga Moveable Feast — Sunday, July 24, to Saturday, July 30, featuring Natsuki Takaya’s Fruits Basket (Tokyopop) — I need to excuse myself from this week’s regularly scheduled license request.

But…

So Viz has thrown off the shackles of platform to launch VizManga.Com. Which treasures from Viz’s relatively vast catalog would you be interested in reading digitally? (Legally digitally, obviously. You can probably read all of them digitally at this point, but that’s not what I’m talking about in these circumstances.)

 

 

Filed Under: DAILY CHATTER

Looney Tunes Platinum Collection announced

July 22, 2011 by Sean Gaffney

To go along with my post on the new Tom & Jerry Golden Collection collector’s set, Warners has announced their first Looney Tunes Blu-Ray release. Unlike Tom & Jerry, this one is Blu-Ray only. Most likely because, while the T&J set will have restorations not out on DVD yet, this first LT collection will feature a lot of cartoons previously restored on DVD. That said, Jerry Beck and company have indicated the picture quality is really incredible, as one would expect from the new medium, and this is really more ‘Warners dipping its toe into Blu-Ray’ than anything else.

The contents list reads very much like ‘what would a cartoon fan want in a ‘best ever’ Looney Tunes set, along with some lesser cartoons that star such fan favorites as the Tasmanian Devil and Marvin Martian, both of whom have popularity that far outweighs the few cartoons they were in. Some contents are apparently not announced yet, but here’s what we have. I’ll note which DVD collection the cartoon first appeared on if applicable (and when I say new to DVD, I mean new to Blu-Ray, of course, but also not on a DVD collection before):

DISC ONE
1) Hare Tonic (1945, Jones) (Golden Collection 3)
2) Baseball Bugs (1946, Freleng) (GC1)
3) Buccaneer Bunny (1948, Freleng) (GC5)
4) The Old Grey Hare (1944, Clampett) (GC5)
5) Rabbit Hood (1949, Jones) (GC4)
6) 8 Ball Bunny (1950, Jones) (GC4)
7) Rabbit of Seville (1950, Jones) (GC1)
8) What’s Opera, Doc? (1957, Jones) (GC2)
9) The Great Piggy Bank Robbery (1946, Clampett) (GC2)
10) A Pest in the House (1947, Jones) (GC5)
11) The Scarlet Pumpernickel (1950, Jones) (GC1)
12) Duck Amuck (1953, Jones) (GC1)
13) Robin Hood Daffy (1958, Jones) (GC3)
14) Baby Bottleneck (1946, Clampett) (GC2)
15) Kitty Kornered (1946, Clampett) (GC2)
16) Scaredy Cat (1948, Jones) (GC1)
17) Porky Chops (1949, Davis) (GC1)
18) Old Glory (1939, Jones) (GC2)
19) A Tale of Two Kitties (1942, Clampett) (GC5)
20) Tweetie Pie (1947, Freleng) (GC2)
21) Fast and Furry-ous (1949, Jones) (GC1)
22) Beep Beep (1952, Jones) (GC2)
23) Lovelorn Leghorn (1951, McKimson) NEW TO DVD
24) For Scent-I-Mental Reasons (1949, Jones) (GC1)
25) Speedy Gonzalez (1955, Freleng) (GC1)

DISC TWO
1) One Froggy Evening (1955, Jones) (GC2)
2) Three Little Bops (1957, Freleng) (GC2)
3) I Love to Singa (1936, Avery) (GC2)
4) Katnip Kollege (1938, Hardaway/Dalton) (GC2)
5) The Dover Boys (1942, Jones) (GC2)
6) Chow Hound (Jones, 1951) (GC6)
7) Haredevil Hare (1948, Jones) (GC1)
8) Hasty Hare (1952, Jones) NEW TO DVD
9) Duck Dodgers in the 24 1/2th Century (1953, Jones) (GC1)
10) Hare-Way To The Stars (1958, Jones) NEW TO DVD
11) Mad As a Mars Hare (1963, Jones) (BB:HE)
12) Devil May Hare (1954, McKimson) (GC1)
13) Bedevilled Rabbit (1957, McKimson) (BB:HE)
14) Ducking the Devil (1957, McKimson) (DD:FF)
15) Bill of Hare (1962, McKimson) NEW TO DVD
16) Dr. Devil and Mr. Hare (1964, McKimson) (BB:HE)
17) Bewitched Bunny (1954, Jones) (GC5)
18) Broom-Stick Bunny (1956, Jones) (GC2)
19) A Witch’s Tangled Hare (1959, Levitow) NEW TO DVD
20) A-Haunting We Will Go (1966, McKimson) (GC4)
21) Feed the Kitty (1952, Jones) (GC1)
22) Kiss Me Cat (1953, Jones) (GC4)
23) Feline Frame-Up (1954, Jones) NEW TO DVD
24) Fram A to Z-Z-Z-Z (1954, Jones) (Academy Award Collection)
25) Boyhood Daze (1957, Jones) (GC6, special features)

As one can see, the cartoon set above has some fantastic cartoons, but it is also very conservative. Nothing in black-and-white, no cartoons with controversial ethnic gags (save Chow Hound), and a lot of Chuck Jones, whose films are here 3-1 over everyone else. The first set has the LT stars, with Bugs, Daffy, Porky, Tweety, Roadrunner, Pepe, and Speedy cartoons. The second starts with famous one-shots, and then throws in a bunch of Marvin Martian, Tasmanian Devil, Witch Hazel, Pussyfoot and Ralph Phillips cartoons to appeal, my guess is, to the casual fan. Still. Dear WB, stop appealing to the casual fan. There’s only 3 cartoons here from the 1930s, as well. At the same time, it’s hard to begrudge the set, as it’s filled with the very best WB cartoons, as you would expect from a debut Blu-Ray set. Aside from Porky Chops (which Jerry has always loved, for some weird reason) and Katnip Kollege (ditto, though I love this one too), everything before the Marvin cartoons start is a bona fide Looney Tunes masterpiece.

Are there extras? Of course there are! Behind the Tunes mini-documentaries (most likely taken from the DVD sets), Chuck Jones documentaries (ditto), the 1944 FDR propaganda cartoon Hell-Bent for Reelection (by Chuck Jones, and I believe NEW TO DVD), the 1955 Army short A Hitch in Time (Jones again, also NEW TO DVD), the antiwar WB short The Door, from 1968, directed by Ken Mundie (also NEW TO DVD), and 2 new documentaries on Marvin and Taz. Plus no doubt a few more unannounced goodies.

It can be hard to take when technology moves so quickly. Especially in a crappy economy, where the WB Golden Collections were scrapped for poor sales. Having to not-only re-buy cartoons you have but also invest in a new player to view them (I don’t have Blu-Ray myself yet, though obviously will be getting a player soon) is asking a lot of the hardcore cartoon fan. Still, it’s not surprising to see this as the debut set, and more are promised. Hopefully the set will do well, and we’ll see cartoons like Porky in Wackyland and some more unreleased to DVD stuff in the future.

Filed Under: UNSHELVED

Feature attractions

July 21, 2011 by David Welsh

Kate (The Manga Critic) Dacey has come up with an excellent group activity for the Manga Bookshelf gang: a review roundup of comics from places other than Japan. It’s called “Not By Manga Alone” and debuted yesterday. Go take a look!

Filed Under: Link Blogging

Moon and Blood Volume 1 by Nao Yazawa

July 19, 2011 by Anna N

Moon and Blood Volume 1 by Nao Yazawa

Despite the general cultural mania for vampires that has overrun popular culture recently, I still enjoy a good vampire manga. Moon and Blood by Nao Yazawa seems like a slight format experiment from Digital Manga Publishing. The online and print versions of this volume are around half the size and price of a typical manga. As a result, this volume just feels like the very start of the story, with all the characters and conflicts established but not elaborated on.

Sayaka is a normal cheerful teenage girl who is coping with everyday life after the loss of her mother. She fends off the advances of boy next door Takeshi and deals with her father and brothers. One morning when she’s getting ready for school she comes downstairs to find a handsome boy sitting with her family. Her father makes the announcement that Kai is the son of an old family friend and he’s going to be living with them for awhile. Sayaka immediately starts building up scenarios of romance in her head, but when she gets to school she finds that Kai seems very disaffected and sleepy. He naps through math class, but when the teacher calls on him to demonstrate a problem Kai has no difficulties at all. When the other boys tease him during PE, he manages a slightly hungover slam dunk. Kai takes refuge in a school closet and sleeps the day away. At home, Sayaka gets a glimpse of a possibly kinder boy as he helps her with cooking and goes on moonlit walks with her. Kai tells Sayaka not to get too close to him, because they are opposite types of people. Kai is a vampire, and his vampire mother is a young girl who sometimes has the form of a cat. She enjoys feeding on Sayaka’s male relatives, and wonders why Kai isn’t taking advantage of his closeness to the girl. There’s an undercurrent of melancholy romantic tension in the way Sayaka and Kai deal with each other, and while she thinks he’s odd she doesn’t seem to suspect his true nature yet.

Yazawa has the type of deceptively simple but expressive art style that I enjoy. Takeshi is like an energetic puppy dog bouncing around Sayaka. Sayaka exhibits all the mood swings of a typical teenage girl, but she exhibits genuine concern and caring when she thinks Kai is lonely. Kai’s otherworldly nature is signaled by his more angular eyebrows and slightly smaller pupils eyes. Kai isn’t above goading Takeshi when he can, but it seems like his attempts to distance himself from Sayaka aren’t going to work. Moon and Blood seems like a good choice for people wanting a simple paranormal shoujo romance without all the overblown angst of Vampire Knight

Access to electronic copy provided by the publisher.

Filed Under: UNSHELVED

Upcoming 7/20/2011

July 19, 2011 by David Welsh

There isn’t a ton of material shipping via Diamond this week. Highlights are Natsume Ono’s professional debut, La Quinta Camera (Viz), which I reviewed here, and my current Pick of the Week, the sixth volume of Fumi Yoshinaga’s Ôoku: The Inner Chambers (also from Viz).

Another book on my radar is the third volume of Natsumi (Kitchen Princess) Ando’s Arisa from Kodansha. I quite enjoyed the first volume of this mystery series back when Del Rey released it, and it’s always been my intention to continue with it, but I haven’t had any luck finding it on bookstore shelves, so I guess I’m just going to have to buck up and order the second and third online. (I sometimes get fixated on the notion that I should be able to find a given series in a brick-and-mortar shop. I should probably never assume that about anything, should I?)

Speaking of books that aren’t all that easy to find, this week also sees release of the sixth and final volume of Time and Again by JiUn Yun (Yen Press). I really wish Yen would add this series to its iPad application, as I would happily pay to read it by those means.

I did read the ninth volume of Kiyohiko Azuma’s Yotsuba&! via the app, and I found the experience entirely equivalent in terms of delight to the dead-tree approach, with the slight advantage that I didn’t have to kill any trees to do so. I wrote a (belated) blurb about the book for this week’s Bookshelf Briefs, also discussing the fourth book in Viz’s release of Mitsuru Adachi’s Cross Game, which collects the eighth and ninth volumes of the series. Someone else sharing the Adachi love this week is Christopher (Comics212) Butcher for Robot 6’s latest round of What Are You Reading?

Elsewhere in the world, The Japan Times unveils a rich vein of Osamu Tezuka manga made available to iPad users.

And for those of you wondering what Bryan Lee O’Malley would do next now that Scott Pilgrim (Oni) has reached its conclusion, we at least know (courtesy of Publishers Weekly Comics Week) that he’ll be publishing it through Villard.

Filed Under: DAILY CHATTER, Link Blogging

Random weekend question: critical condition

July 17, 2011 by David Welsh

As I prepare for the Manga Moveable Feast featuring Natsuki Takaya’s Fruits Basket (Tokyopop), one nagging thought keeps slightly tinging the pleasure of revisiting the series. I always felt that Fruits Basket was critically under-appreciated. Sure, the series always had its partisans who approached it with the seriousness I felt it deserved, but, on the whole, it seemed like it got dismissed as cute romance, which it stopped being about halfway through the third volume. That critical response might have been because of its demographic, and it might also have been because of its commercial success. (I think there’s a natural and often correct implication to look at an entertainment that makes a lot of money and be suspect of its likely quality. Still, there are plenty of examples of things that are both wildly popular and really good.)

So, for this random weekend question, which comics do you think are critically under-appreciated? What books do you think don’t get the admiration they deserve?

(As a reminder, the Fruits Basket Manga Moveable Feast will run from Sunday, July 24, 2011, through Saturday, July 30, 2011. If you’d like for me to host a piece here, I’d be more than happy to do so.)

 

Filed Under: DAILY CHATTER

Kamisama Kiss Volumes 3 and 4

July 13, 2011 by Anna N

I’m a big fan of Julietta Suzuki. I hosted the Manga Moveable Feast for Karikuri Odette, so it isn’t a surprise that I’m finding her latest series Kamisama Kiss absolutely delightful. In some ways Karakuri Odette, with its android protagonist and the way it explored romance without leading to a typical shoujo manga conclusion, was an anti-shoujo shoujo manga. Kamisama Kiss is a little more typical as Nanami, the human girl turned shrine goddess struggles with her feelings towards her shrine’s protector, the fox spirit Tomoe. While the storyline may be a bit more expected, Suzuki seems to be stretching her artistic skills a little bit more in this series. The characters are cute, with a bit of an edge. The opportunities to portray spirits attached to different types of landscapes allows for some refreshing character designs from Suzuki.

The third volume shows Nanami struggling with the realization of her feelings for Tomoe. They have to go on a visit to see swamp goddess Himeneko, but Nanami opts to attend in her school uniform instead of taking fashion advice from Tomoe. Himeneko’s underwater palace is bright and luxurious, with fish swimming by as Nanami admires the decor. Three bitchy carp princesses immediately attach themselves to Tomoe, while Himeneko takes Nanami aside for a bit of a makeover. Tomoe tells Nanami that she’s beautiful and she’s overcome with emotion. He keeps vowing to never fall in love with a human, so Nanami continues to suffer. A rival for Nanami soon appears when she gets rid of a white snake at her shrine. It leaves a mark around her wrist which is the equivalent of a snake engagement ring. Mizuki is a lonely snake spirit, and he’s selected Nanami as his new companion. There’s a hilarious story later in this volume, as Tomoe uses his powers of disguise to attend school as Nanami when she’s back at the shrine nursing a cold. Tomoe-Nanami has some interesting encounters with Nanami’s school friends, and Nanami’s hair starts whipping around almost like tentacles when Tomoe’s temper accidentally shows through his disguise.

Nanami continues to struggle with her feelings for Tomoe in somewhat superficial ways, testing his devotion to her and trying to get him to go out on a date with her. But when she asks Tomoe to go into the sea even when it is forbidden to him in order to rescue one of her friends, she starts displaying her feelings for him in a very substantial way. When Tomoe enters the sea he alerts a vengeful god who he tangled with years ago. The sea god promptly kidnaps Tomoe as payment for past wrongdoings, but agrees to a bargain with Nanami. If she can find the eye that Tomoe stole from him long ago, he will restore Tomoe to her. Mizuki the snake comes along on Nanami’s quest and she shows how far she’s willing to go to protect Tomoe. It seems like Mizuki is going to be sticking around for some time, so I’ll be looking forward to Tomoe’s reaction to that in the next volume.

The textiles of the yokai outfits and the undersea backgrounds in this volume were very detailed. When combined with Suzuki’s charming knack of rendering her facial expressions just exaggerated enough for humor but still realistic enough to inspire sympathy from the reader, Kamisama Kiss provides great summer escape reading.

Review copy of volume 4 provided by the publisher.

Filed Under: UNSHELVED

Wandering, not lost

July 13, 2011 by David Welsh

I had a great time discussing the first volume of Takako Shimura’s Wandering Son (Fantagraphics) for the latest Manga Out Loud podcast, though I bailed before the talk switched to the anime, as I’m avoiding spoilers. Speaking of that marvelous book, Glen Weldon includes it on his list of “Five Recent Graphic Novels You Really Shouldn’t Miss” for NPR’s Monkey See blog.

In other news, Viz triggered mild panic when it listed the fourth volume of Mitsuru Adachi’s Cross Game as the final volume on its Facebook page. After panicked inquiries from overly invested geeks like me, a Viz rep hastened to reassure us that it was a typo and that they will publish the series in its entirety. PHEW!

 

Filed Under: DAILY CHATTER, Link Blogging

Upcoming 7/13/11

July 12, 2011 by David Welsh

I generally like to highlight different titles in the Manga Bookshelf Pick of the Week and in these trawls through the ComicList, but sometimes I just have to repeat myself.

Even if this week didn’t mark the inaugural Pick of the Week contribution of Sean (A Case Suitable for Treatment) Gaffney, I’d still be in lockstep with his choice, the fourth collection (containing the eighth and ninth volumes) of Mitsuru Adachi’s Cross Game from Viz Media. Viz is publishing some other perfectly likeable manga this week, but it’s hard for anything not to pale in comparison to Cross Game. To avoid repeating myself, I’ll simply link to myself: here are my reviews of the first, second, and third collections, and here’s my contribution to the Cross Game Manga Moveable Feast.

Speaking of Manga Moveable Feasts, you all know that I’m hosting the July installment on Natsuki Takaya’s transcendent Fruits Basket (Tokyopop), right? The feast will start on Sunday, July 24, and end on Saturday, July 30. I’d be happy to host pieces here, if that would work better for you. Just drop me a line.

And, speaking of critical examination of manga, there’s a jam-packed edition of Bookshelf Briefs for your perusal. I take an look at Natsume Ono’s La Quinta Camera and a feels-belated look at the second Kekkaishi 3-in-1 collection by Yellow Tanabe. Most importantly, Kate (The Manga Critic) Dacey reads the second volume of Ai Ore! so I don’t have to. EVER.

 

Filed Under: DAILY CHATTER, Link Blogging

To note, or not?

July 10, 2011 by David Welsh

I was lucky enough to take part in a lively discussion on Takako Shimura’s Wandering Son (Fantagraphics), which will air at Manga Out Loud sometime soon. We all took a few minutes to ponder the usefulness of end notes. I’m very pro on the subject. I think they almost always add value and let the translator and adapter focus on flow and voice rather than info-dump. But I wanted to throw the topic out for discussion. Notes: yay, nay, or depends?

 

Filed Under: DAILY CHATTER

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