though i am an inept villainess

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

So yes, there is a cliffhanger. Sorry. However, the cliffhanger does not mean this particular arc is ongoing. Everything hanging from the last few volumes about this arc is dealt with here, thankfully. But yeah, this was, from what I hear, supposed to be the finale, but the series got popular, so the author was asked to continue it. And it works pretty well, though I will admit that I do grow a bit weary of the “you can’t trust anyone, can you” aspect to some of this series. There is also a lengthy flashback explaining the Emperor’s past and why he’s been so gung ho about sorcerers. It’s well handled, but I’m going to be honest, I read this series for two characters, and the Emperor is neither of those two. Any time we cut away from Reirin and Keigetsu, I begin to lose interest. And that’s because they’re so dynamic and vibrant that I can’t look away.

After rescuing Reirin from her near drowning, the cast get together to check their notes and explain exactly what’s going on. We find that the Emperor’s older brother, the only sibling who actually gave a damn about him, was assassinated as part of the massive throne war that was going on. Assassinated by a sorcerer, who had been let out of prison expressly for that purpose. And the sorcerer then got away, so the Emperor has spent the last twenty-five years searching high and low. Fortunately, Reirin spots a way that they might be able to talk the Emperor down and convince him that Keigetsu can help him. But to do that, they’re going to need to pull off another really good acting job. Which is a shame, as everyone knows that when Reirin tries to imitate Keigetsu, she’s been failing miserably.

The main reason this book is fantastic is the fight that’s been coming for a while now between Reirin and Keigetsu. After the events of Book 8, Reirin thinks that Keigetsu is making other friends, and thus doesn’t need her any more. Which, unfortunately, triggers Reirin’s tendency to use “and then I sacrifice my life” as her Plan A all the time, which causes Keigetsu to lash out, scream in anger and say “I hate you”. We are reminded that these girls may be consorts in not-China, but they’re also teenage girls who have grown up unable to express emotions like normal kids. As a result, Reirin needs to be sat down and have it patiently explained to her that Keigetsu is, in fact, still her best friend and would be very upset if she died, and Keigetsu has to have it explained to her that Reirin has the emotional sensitivity of toast when it comes to their friendship, and thus cannot read between the “I’m worried about you!” lines that Keigetsu is throwing at her. They make up. It’s great. Reirin possibly overcompensates, but that’s not a surprise. But hey, everything solved…

…OK, no, there’s a cliffhanger, and so not QUITE everything is solved. Still, this was great, except the bits not about our two heroines, which was merely good.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

This was supposed to be the final arc of the series, but the author says in the afterword that it’s being extended, supposedly because there’s so many stories still to tell, but also probably because this sells quite well in Japan. That said, I get the feeling the bulk of this volume may have been written before the series got the OK to continue, as there’s very much a “headed into the final act” feel to this, with the danger ramped up even more, and with one of the most violent and hard to read sequences in the series so far, which is thankfully cut off by a series of punch the air moments. Honestly, this is a punch the air series much of the time, as the first half of the book shows us how dangerous things are going to be, and the second half sees Keigetsu managing to succeed somehow and Reirin simply blowing everything up and doing exactly as she pleases. That said, this one is gonna be hard to fix.

Our two heroines have still not been able to swap back to their own bodies, even a month after the 7th book. The reason for this is the Emperor is very suspicious, and wants to execute any magic users he finds. They try to figure out a way to do the switch during a ritual that’s coming up, but the Emperor figured out they were going to do that, and instead sends them all out into the poorer areas of the country to distribute food. Keigetsu (really Reirin) will be sent to the most dangerous, remote part of the country, a land that’s caught between two families and thus has no one taking responsibility for everything. He also sends an assassin after her. Meanwhile, the Emperor himself surprises the other four maidens by showing up at their own distribution site, and he’s determined to prove that Reirin is not Reirin. Which is going to be easy, as she isn’t.

This is the first volume where we’ve really had to dig into the Emperor himself, as mostly we’ve seen the generation after him – his son Gyoumei and the maidens. As it turns out, Genyou’s had it very rough as well, and is consumed by the idea of revenge – which is the main reason that he’s trying so hard to uncover Keigetsu’s magic. Elsewhere, as you’d expect, this volume is filled with Reirin doing jaw-droppingly amazing things, but it also has yet another instance of our two besties completely misunderstanding each other. Reirin has spent so much of her life at death’s door that she has no idea how to deal with things like depression, longing, and love – and let me tell you, this book may not be yuri, but even Reirin’s fiance AND her brothers agree that she’s head over heels in love with Keigetsu. Fortunately, they make up in the most overdramatic way. Unfortunately, they’ve sort of blown any chance of keeping things a secret.

After last volume’s one-volume breather, we’re back to a cliffhanger ending, but fortunately the 9th book came out in Japan a couple months ago. Also fortunately, this is going to continue. I want to read the stories the author says are still to be told.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

For the most part, the idea of romance has been about 4th or 5th on the list of reasons to read this series. We know that Reirin is loved by more than one man, but honestly until recently Gyoumei has not really had enough focus to make us care about him enough. But (perhaps because they realized that the readers were starting to wonder if this was going to be a yuri series given the relationship between Reirin and Keigetsu) this volume starts to concentrate a bit more on the romantic chemistry between some of the potential couples – indeed, we get new potential couples here. The other major aspect of this volume, which has again been touched on but not overused in previous books but they’re usually too serious to do it for long, is farce. The entire plot is that our party is split up and slowly converge at once place, and when they get there they all open doors at the same time. All it needed was a plate of sardines.

After the events of the last two books, Reirin and Keigetsu need to switch back to their own bodies. Unfortunately, the Emperor is apparently searching for evidence of magic practitioners, who are supposed to be dealt with with great prejudice. The main characters suspect the Emperor is just doing this for show, but they decide it’s safer to do the switch out in the outside world, so they all agree to leave the inner court, go to a restaurant, and switch there. They split up to avoid being obvious. Reirin, with Leelee (and Gyoumei trailing them) comes across a girl trying to find her mistress, who was sold to pay off debt. Keigetsu and Keishou walk around looking at jewelry, with Keigetsu in full “every word out of my mouth is full of spite and anger” mode, but find illicit goods. Tousetsu and Keikou hide out at a restaurant that turns out to be in the process of a shakedown by thugs. And Shin-u, joined by Unran, goes to a teahouse which they find is actually a brothel. All of this ties into one gambling house.

In case that lengthy description did not clue you in, this is a caper book, and decidedly lighter in tone than the previous six, though there is an ominous cliffhanger at the end that suggests the party is over. It reads a bit like a short story volume, and as such there are some that are better than others. the highlight of the book for me was the incredible fight/flirting/takedown of bad guys by Keikou and Tousetsu, as she realizes that he does not, like every other man she’s ever dealt with, hate women who can fight, and he realizes that she’s able to keep up with him. It’s also a hilarious scene. Speaking of which, as always Reirin is a hoot, ending up in a gambling den where she immediately disquiets everyone by throwing a knife at an erotic piece of art that penetrates the member of the rapist portrayed, causing every man there to feel… uncomfortable. She also has terrific chemistry with Gyoumei, though, much to Leelee’s horror, they don’t balance each other out but instead are like a gasoline fire and a bigger gasoline fire combining.

If you aren’t already reading this, I don’t know what more I can do to convince you. Every single volume is magical.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

There’s a lot of terrific humor in this volume, most of it stemming from the series’ premise. I’ve talked about this before, but it’s even more true in this book: both Reirin and Keigetsu are absolutely, 100% terrible at pretending to be each other. For the most part they’ve been helped in the past by a) no one knowing bodyswapping was a thing, and b) no one knowing the two well enough to be able to pick out the obvious poor performance. Now that both of these things are no longer true, the best gags in the book come from Reirin’s misplaced confidence that she’s got Keigetsu down pat, or Keigetsu’s inability to not let her cynical anger seep in through everything she does. That said, it’s a good thing that there’s some humor in this book, as the basic premise of this arc is evil and terrible, and the consequences, for some people, are rather chilling.

We pick up where we left off. Reirin has just been rescued from her attempted murder, and has swapped bodies with Keigetsu in order to repair all the damage she blames herself for and take back everything they’ve lost. In practice, this means finding out why exactly Kasui snapped and tried to kill Reirin, plus what she’s actually desperately looking for. She also needs to try to stop Reiga and Hourin from trying to kill her – or rather, using their maidens to try and kill her – and if the way to solve that problem is by getting the maidens on their side, then it’s something she’s going to have to do, even if it means allying with (ugh) Houshun. And then there’s Anni the shaman, the cause of everything that’s led up to this and possibly the most evil person we’ve seen in the series to date.

I continue to absolutely love Ran Houshun, even though she’s also possibly the most terrifying of the maidens. I’m used to hearing Reirin rattle off “Though I am an inept villainess” when she’s gloating over her supposed attempts at being bad, which usually are nothing of the sort. With Houshun it’s chilling when she utters the same phrase, because she’s about to let her Consort and “mentor” be beaten nearly to death by all of her court ladies. And yet it’s also triumphant, because Hourin is a piece of shit who’s spent years abusing and torturing those same court ladies, and for once vigilante justice feels like (at least narratively) the correct answer. As for the others, Kasui gets the closure that is all she can get, really, and can finally achieve a real bond with her own (non-evil) consort. And as for Seika and Reiga, they also get a good scene, but it pales next to Houshun, who’s simply better at this. You can see why Reirin hates her.

I enjoyed this so much I will forgive the use of a deus ex machina “this gets people so drunk they tell everyone the plot out loud” device, though I do hope this is the last we see of it. The next volume promises to be lighter in time, and (theoretically?) only one volume rather than an arc. Can’t wait.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

In the last volume we saw that discovering the wonders of living inside a healthy and hale body broke down Reirin’s emotional reserve, to the point that when she was confronted with a horrible tragedy she broke down in tears. In this volume we see that the experience of having a friend who doesn’t spoil her and treat her like she’s made of fragile glass has broken her reserves even more without her knowing it. Unfortunately, this friend is also the sort of person to have every single emotion, no matter what it is, come out as “anger”. And this is very unfortunate, because for once in her life, Reirin is completely unable to cope. As for said friend, Keigetsu, well, she’s throwing wild tantrums and raving that she’ll never, ever apologize, but that’s far less surprising. Unfortunately, the timing on this is really awful, as the maidens are having a competition for the Top Spot, and the knives are coming out.

Three months have passed since the events of the last book, and it’s now time for Rite of Reverence, where the five maidens all compete to see who can show the most devotion to the Emperor. This is a hotly contested battle, with the respective house fortunes rising and falling depending on the placement of said maidens. As such, Keigetsu is even more stressed out than usual. And she’s not the only one, as we get a good look at the other three maidens in the series. Seika is trying to do this in an honorable way, but is cowed by her consort’s power and threats. Houshun is discovering that her cutely incompetent act is starting to show its cracks, and her own consort can see them. And Kasui is on a detective mission, desperately trying to find out what happened years ago that led to the death of her sister and the mere mention of her name being forbidden in the inner court. As for Reirin? She’s fiiiiiiiiine.

This is an amazing book in an amazing series, frankly, and I am desperate to read the next one because, of course, it ends on a cliffhanger. Reirin and Keigetsu get into a huge fight, and you can absolutely sympathize with both of them. After four books of finding Keigetsu’s tantrums cute and funny, Reirin is finally hurt by them, and finds her powers of observation and judgment severely curtailed. Of course, that may also be the fact that she’s getting progressively more ill after getting her foot burned in a murder attempt and diving into an icy lake to try to save Keigetsu’s poetry. I think everyone else in the cast was too stunned at seeing the supposedly deathly ill Reirin doing these things to bother to be angry at her. Keigetsu, though, expresses all her emotions through rage. Including worry, and concern, and guilt. Not great. Especially when Reirin genuinely screws up in a conversation with Kasui and ends up beaten up and dying at the bottom of a well.

That said, the cliffhanger is not “will Reirin be found before she dies?”, because the author is aware we know she will. Also, this is a book where the main premise is bodyswapping. So the cliffhanger is, instead, how are we going to stop Reirin’s Roaring Rampage of Revenge this time? Everyone, I beg you, read this.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

Sometimes when you’ve lived a certain way your entire life, and are suddenly shown that there are other ways to live, it can be very very difficult to go back to what you have always done. That’s what Reirin is dealing with in this book, as a consequence of the body swaps. For the most part, she’s held this in, because, well, that’s the sort of person she is, but the stress of the situation in this book and the fact that, for the first time, someone might be dead because of her actions, makes her have a breakdown and admit – she hates being in constant pain. She hates being at death’s door. She never used to worry about not waking up every time she fell asleep, now she does. And it terrifies her. It terrifies her so much that she misses something else – why is her sickly, dying body now so utterly healthy whenever Keigetsu is in it? I mean, this is new, right? It wasn’t the case in the first book. What’s going on?

We pick up right where we left off with the previous book. Reirin, in Keigetsu’s body, is trying to deal with the outbreak in the village, while she and her allies also try to figure out how to stop the entire village, AND the maiden, being burned to the ground as a “necessary measure”. Meanwhile, Keigetsu (in Reirin’s body) is having to deal with her reputation being tanked so hard that there will be no way for her to come back from it, and now she has to give a tea party with three of the other maidens, including the one behind all of this. Fortunately for both of them, they have actual allies this time around, including the Emperor. Which helps a lot, let me tell you. But is it going to be enough?

There are three scenes in this book which should make every reader sit up and cheer. The first is the tea party itself, where Keigetsu finally manages to apply al of the observational skills she’s never really tried to use before to manipulate the conversation away from the master manipulator and swing things back her way. The second I mentioned above, where Reirin (who is noted beforehand to have never cried before) breaking down, a scene which is probably the first time I actually though that she and the Emperor could be a good couple after all. But the final scene is magical. Everyone is doing their best to stop Reirin’s roaring rampage of revenge, and they fail miserably. But it’s actually Houshun who’s the MVP here, as all this has done is make her FAR more interested in Reirin than she was before. She’s clearly one of those “anything but a boring life” villainesses, and now that Keigetsu is effectively a dual heroine, we needed a really great bad guy. We have one now. “I’ve taken a liking to you” is like a white glove thrown to the ground. Let the duels commence.

That said, our dual heroines may be in trouble with Book 5, which promises (in the author’s afterword) to break them up. This remains one of the best series I’ve read this past year, and is recommended to everyone, even if you think you’re tired of villainess books.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

In my review of the first volume, I simply didn’t like her, so didn’t talk much about Keigetsu. In the second review I liked her far more, but Reirin basically bulldozed my talking about anything else. But now it’s finally time for me to talk about Keigetsu, now that she’s finally getting a separate plotline of her own. To be fair, the book holds the reader’s hand near the end in case they missed it, pointing out that for all that Keigetsu spends her time whining, complaining, and fretting, she doesn’t run away from anything for more than a few minutes. More importantly for her future in the Court, though, Reirin notices that the amount of magical talent she has to not only bodyswap them without any complications, but do also potentially bodyswap, say, just a hand or an eye, means she has probably more power than anyone else around. She’ll need it, because there’s a new villainess in town, and I don’t mean Reirin.

Reirin and Keigetsu have bodyswapped a few minor times since the end of the second book, and nothing seems to have come of it. But things are a bit too dangerous now for any swapping to take place: the Harvest Festival will be held in the Shu lands, with Keigetsu in charge of hospitality ad also a performance to the Gods. Which is a problem being that everyone in the Shu palace is quitting. Things get worse when you go to the Shu lands themselves – a group of villagers are being riled up to kidnap and torture Keigetsu, in hopes that, because rumor has it her terribleness is the reason for recent bad weather, her murder will mean everything will improve again. All this stress, unfortunately, combined with a double dose of bullying, means Reirin and Keigetsu do bodyswap at the worst possible time. Now Reirin has to fight for her life.

This third book may also run on “who’s in what body?”, but everything has changed now that folks are aware of the possibility – in fact, it leads to many of the funniest moments in the book, as Reirin thinks that her impersonation of Keigetsu is perfect, when in fact it’s utter garbage. She also has stronger allies this time, as one of her brothers comes along for the kidnapping ride, and the Captain of the Eagle Eyes also shows up relatively quickly. Unfortunately, this is not just a matter of Reirin winning over her enemies by “doing it with a bang” – someone really wants the Shu destroyed, and they’re using people who are using other people who are using other people to do it. The cliffhanger is a double one, but for once the threat of half the cast dying of the plague is not as chilling as realizing who the new bad girl in town is.

The author again apologizes for this needing to run to two books to complete the arc. Honestly, I’m glad – this book is already very long, any longer and we’d be getting into Horizon in the Middle of Nowhere territory. Till then, please enjoy Reirin learning what it feels like to live, and Keigetsu learning what one must do to survive. Or vice versa.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

I want to be able to talk about the rest of the cast when I review these books. After all, it can’t ALL be about Reirin. I could talk about Keigetsu, and how my opinion of her went way, way up with this book, when we finally get to delve deeply into how she’s being used as a tool. I could discuss the wonderful flashback showing us Kenshuu and Gabi, which takes a mystery with a rather obvious culprit and turns it into a sad tragedy. I could mention Leelee, who goes from reluctant servant and straight man to … well, less reluctant servant and straight man, to be fair, but she does it beautifully. Hell, even the prince, who is literally said to be most appealing to Rinrin when he’s weak and pathetic, manages to carry off some really good moments. That said, all of this is going to have to get around the insurmountable wall that is Reirin, because OH MY GOD, Reirin.

We pick up immediately where we left off at the end of the first volume. Someone else may have figured out that Reirin is in Keigetsu’s body, but that does not really help things because there’s far more to it than just that. Even if Keigetsu was willing to undo the bodyswap and blithely go off to get tortured and executed, it rapidly becomes clear that, as with Leelee, someone is manipulating things behind the scenes to make sure that, somehow, Reirin dies. And when that doesn’t happen, we actually get a worse outcome, as the next in line for vengeance is the Empress herself. Can Reirin manage to fix things so that no one dies – not her, not the Empress, not Keigetsu, not even the actual culprit? And can she do this despite almost everyone now realizing that she’s in the wrong body?

Last time I wondered how on earth this was going to be spun out into an entire volume given that the secret was out, and kudos to the author for managing to do it. It helps that we would honestly read 89 volumes of this if it meant to got to experience the tornado that is Reirin some more. Her attempts to pretend to be Keigetsu are laughable, especially as she is describing herself as a villainess, but by the end of the book it’s pointed out that she really *is* one – in that she has everyone wrapped around her finger with no idea that that’s what she’s doing. Including the two hottest men in the palace. She may be most attracted to Gyoumei when he’s pathetic, but we love Reirin most when she’s being strong, righteous, and kickass. You get the sense that the reason she’s so desperately ill all the time is that without that handicap, she’d have taken over the world by now. And filled it with potatoes.

The original story ended with this volume, but apparently it was such a success that the author is continuing it with more, and I’m glad, even as I know that this will likely mean more bad things happening to our heroine. Oh well, at least she has a friend now, in addition to her cadre of family and attendants who would absolutely die for her if she asked them. The friend is more important.

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

As I think I’ve said before, I’m not the biggest fan of bodyswap stories. It’s just a personal squick, and always makes for uncomfortable reading, particularly when one of the people swapped is responsible for it. And also a terrible person. So, as you can imagine, the premise of Though I Am an Inept Villainess did not fill me with glee. That said: villainess book, one of my big genres. Also recommended by the authors of Bookworm AND Apothecary Diaries AND Saint’s Magic Power Is Omnipotent. This book had a huge amount of expectations for me. As always with my reading, it would probably depend on the lead character. How does she react to this? How does she fight back? Also, unique to bodyswap stories: how does the rest of the cast not immediately sense something is off? Especially in a world where bodyswapping IS possible? Well, good news all round: the book passes both tests with flying colors. In fact, the book is amazing.

Reirin is a beautiful court lady beloved and doted on by everyone, though also suffering from illness frequently. A butterfly. Keigetsu is a gangly, freckled, bitchy court lady that everyone hates, mostly as she’s terrible to anyone she doesn’t have to suck up to. A sewer rat. Then one day Keigetsu pushes Reirin over a balustrade… and Reirin wakes up in Keigetsu’s body. Which is now in prison, awaiting execution. She’s been bodyswapped! Worse, thanks to the nature of the swap, she’s physically and mentally unable to explain this to anyone. So, now she’s got to somehow avoid execution – which involves being eaten by a starving lion – and then somehow make a life where everyone hates her and she’s in this… wonderful, healthy, robust body? Meanwhile, Keigetsu discovers that Reirin isn’t just sick a lot, she’s at death’s door most of the time. Whoops.

Reirin is astonishingly good. Her combination of joy and guilt over being able to suddenly do ordinary things like eat fried potatoes all the time is hilarious, of course, but she also gets to unleash the tempered blade that is her personality, honed under years of training to not die from fever at any given moment, and use it to do things like show righteous fury, or spend an entire night sewing a new robe for her attendant (the old robe was damaged when the attendant tried to murder her). We also get the sense that she’s not fully formed yet – there’s a realization towards the end of the book that she always tried to keep everyone at arm’s length and made every conversation as if it would be her last, and she’s just realizing now how sad that is. As for the swap itself, I appreciate how everyone IMMEDIATELY realizes that there’s something up, as Keigetsu’s personality has done a complete 180, but it takes till the end of the book to actually figure out HOW. This means there’s less annoying bodyswap humor, which I always dislike. I will admit I wasn’t as fond of Keigetsu in Reirin’s body, but that’s because her character journey is “oh fuck (slowly begins to die)”.

There is a particularly vicious cliffhanger at the end of this volume, not helped by the extended short story that follows (though the short story is excellent, giving much needed backstory to several characters.) It is going to make waiting rfor the next volume a chore, though, especially as I’m not sure how they’ll keep the bodyswap up. Regardless, I found this book a wonderful read.