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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Shounen

Fullmetal Alchemist 1-2 by Hiromu Arakawa: B+

June 6, 2010 by Michelle Smith

I’ve been hoarding volumes of Fullmetal Alchemist for several years. Having heard it praised for its impressive storytelling, I decided to wait until it was nearer to being finished in Japan before starting it, with the idea that I might be spared some of the long waits between volumes that other fans have endured. But now, word is that the end is nigh, and with MJrecommending it to me so ardently, the time has finally come. Cracking open that first volume felt like quite the momentous occasion.

Edward and Alphonse Elric are unlike normal teenage boys. Both studied alchemy as children and when Edward found a way to bring their beloved mother back to life, the boys performed the ritual without a second thought, not realizing—in the “equivalent exchange” demanded by alchemy—that it would cost Edward his left leg and Alphonse his entire body. After exchanging his right arm for Alphonse’s soul, Edward grafted the soul into the one human-shaped thing that was handy at the time: a suit of armor. Edward is haunted by this mistake, not to mention the memory of what they actually managed to resurrect for their sacrifice, and his primary concern is regaining their original bodies. To that end, they travel the world looking for the Philosopher’s Stone, an alchemical power booster that might make this possible.

The brothers’ travels bring them into contact with trouble in various forms. Their first deed is to expose an alchemist posing as a religious figure, followed by freeing occupants of a mining town from the corruption of a military official and foiling a train hijacking. While this is going on, Edward is also trying to learn as much as he can about biological transmutation. In the second volume, his research leads him to a state alchemist who’s had some success in this area, which in turn takes the story down a very dark avenue involving human experimentation and a vigilante named Scar who takes it upon himself to execute alchemists who have violated the laws of nature.

I knew exceedingly little about Fullmetal Alchemist going into this, which is great. I knew about the brothers’ injuries, though not how they obtained them, and I knew they’d meet a mechanically inclined girl at some point. That’s it. As a result, I was surprised by a number of things as I read, including the presence of comedy. I’m not sure why I thought there wouldn’t be any, but having lighthearted moments sprinkled throughout is definitely welcome, especially once the story delves into more disturbing territory. I particularly love anything that shows that Alphonse, trapped inside a hulking steel shell, is really just a kid.

I was also surprised (and impressed) that the series tackles the religion vs. science question right away with the story of the fraudulent holy man. This also provides an opportunity to introduce Edward’s feelings about alchemy: because alchemists strive to understand the laws of nature, they are perhaps the closest to God that a human can achieve, but overstepping certain bounds—he likens this to the hubris of Icarus—leads only to sorrow and pain. His conflicted feelings resurface several times in these two volumes; one gets the idea that he would like to avoid the very kind of alchemy he’s been researching, but because it’s his best chance at bodily restoration, he’s got no choice.

Lastly, I was downright shocked by some things in the second volume. Somehow, I had expected the Elric brothers to save Nina, the child of a desperate alchemist about to lose state funding, from her father’s experimentation, but this was not to be. Similarly, I expected them to escape grievous bodily harm when fighting Scar so imagine my surprise when both are gravely injured in volume two. That’s just not normal! Shounen heroes are supposed to sustain wounds that would kill an average guy three times over and then get up for more!

I had originally planned to read three volumes for this review, but so much had happened by the end of volume two that I required time to digest it all. I’m used to a shounen manga’s second volume being the stage of the story where some wacky episodic hijinks introduce our hero to the rivals who’ll eventually become part of his entourage. It’s usually not until half a dozen volumes later that you glimpse the real meat of the story. Not so with Fullmetal Alchemist, which lulls you into expecting that episodic setup but makes with the buildup and continuity right away. I can already tell, and believe me that I mean this as a most sincere compliment, that this is going to be one challenging series.

Fullmetal Alchemist is published in English by VIZ. There are 22 volumes currently available, with volume 23 due out next month. We’re pretty close to being caught up to Japan, where volume 25 just came out in late April.

Filed Under: Fantasy, Manga, Shounen Tagged With: Hiromu Arakawa, VIZ

Dr. Slump 1 by Akira Toriyama: C+

March 24, 2010 by Michelle Smith

From the back cover:
When goofy inventor Senbei Norimaki creates a precocious robot named Arale, his masterpiece turns out to be more than he bargained for!

Basking in the glow of his scientific achievement, Senbei scrambles to get Arale in working order so the rest of Penguin Village won’t have reason to suspect she’s not really a girl. But first Senbei needs to find her a pair of glasses and some clothes…

Review:
This series was recommended to me after I enjoyed Toriyama’s COWA! so much. Unfortunately, this one’s not really my cup of tea. I had originally borrowed the first three volumes from the library, but struggled to make it through just one. To be fair, its advocate was completely forthcoming about the “cracktastic humor.” It just didn’t turn out to be the kind that works for me.

This is the story of a socially inept inventor named Senbei Norimaki and the girl-shaped robot he creates. It begins promisingly enough, with a fun sequence detailing Arale’s creation, but quickly derails into zany, juvenile humor as Senbei ventures into a department store to buy undies for his creation. Some chapters are kind of fun—like when super-strong Arale is hounded by every sports club at school or when she finds a camera Dr. Norimaki invented that takes photos of the future—but many feature boogers, butts, and boobies.

I’m sure this would delight the young male audience for which it was intended, and it’s not as if COWA! was completely devoid of this kind of humor itself. The thing is—COWA! had real heart. I think I’ll always fondly remember the scenes of the monster kids and their wonderment as they took in the human world, but there are no similar moments in Dr. Slump, at least so far. That said, some of the gadgets are intriguing enough—like the camera—that I might give it another chance at some point. I do think, though, that it’s going to be one of those series that’s best in small doses.

Filed Under: Manga, Sci-Fi, Shounen Tagged With: Shonen Jump, VIZ

Black Cat 1-2 by Kentaro Yabuki: B+

June 17, 2009 by Michelle Smith

blackcat11 Black Cat is the story of Train Heartnet, who used to work as an assassin for a powerful organization called Chronos. After an encounter with a female bounty hunter (a.k.a. sweeper) named Saya (whom we only glimpse near the end of volume two), his outlook changed and he gave up that life. Now it’s two years later and Train has become a sweeper himself, collecting bounties on criminals with his partner, Sven. Train’s motto is “more money, more danger… more fun!” and his pursuit of the latter two usually means the duo doesn’t get much of the former.

Though the idea of the “protagonist who used to be a killer but has now become more kind” is not new to shounen manga, it’s employed a little differently in Black Cat. While many such heroes have made it their pledge never to kill again, Train has no problem with offing the criminal element, though he’s scrupulous about not harming innocents. This allows for the potential of a deadly showdown with his former partner, Creed, who was responsible for Saya’s death and upon whom Train has sworn to exact revenge.

After going after a few minor targets, Train and Sven are approached with a proposition by Rinslet, a notorious female thief. She’s been hired to steal some research data from a criminal bigwig, and wants Train and Sven to help make her job easier by capturing the bigwig first. They get the reward; she gets the loot; everybody’s happy. Of course, things don’t exactly go as planned, since the bigwig invokes Creed’s name and makes Train go rather nuts. Ultimately, Train and Creed confront each other, inflicting enough wounds to prove they are well matched as opponents but living to fight another day.

These first two volumes skillfully introduce Train’s past, his current circumstances, and the lingering threat of Creed and his band of revolutionaries (who seek to overthrow Chronos and want Train to join them) without inundating the reader with information. One of the best things about this series is the nebulous notion of “pacing,” which to me means that when I read it, it feels like I am watching a television show, with a variety of perspectives and camera angles and a natural flow to scenes and conversations. The story is also structured similarly, with the introduction of a villain who then retreats into the background for a bit while the protagonists get on with the daily grind of their occupation, calling, and/or duty.

My favorite aspect of the series, however, is the strength of the partnership between Train and Sven. It’s clear that these two trust each other professionally, but it goes deeper than that, as exemplified by Train’s reaction when Sven gets wounded during an attempt to apprehend a target. Their relationship actually reminds me some of Ban and Ginji in GetBackers, with the energetic but extremely powerful guy using the nickname –chan to refer to his more cerebral partner who possesses some sort of eye-related power (though this is only a hint so far in Sven’s case). That’s a pretty superficial comparison, but the overall affectionate feel is pretty similar.

Thankfully, the similarities between Black Cat and GetBackers do not extend to the art. Yabuki’s illustrations are clean and easy on the eyes, with a minimum of screentone and quite a lot of speed lines. Even without looking at the cover, one could probably tell that this series ran in Shonen Jump. Speaking of the cover, that’s the one area where Yabuki’s art becomes unattractive. Rinslet in particular looks much, much better in the interior art. One artistic element that does puzzle me is Train’s coat. What exactly are those brown things?! They look like miniature life boats but I have a sneaking suspicion they’re meant to be cat nipples.

Bizarre sartorial choices aside, what it all boils down to is that Black Cat is a lot of fun. The well structured story and the camaraderie between the leads elevates it beyond typical shounen fare and I’m definitely looking forward to seeing how the rest of it plays out.

This review was originally published at Comics Should Be Good.

Filed Under: Manga, Shounen Tagged With: Shonen Jump, VIZ

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