princess of convenient plot devices

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

I find it amusing how the author goes on in the afterword about the fun romcom parts of the book. Now, to be fair, there is a bit of that, but I… am I reading this book wrong? Are the bulk of the readers less interested in the intrigue than in seeing if Octavia and Klifford will realize they’re in love with each other?” Is this Earl and Fairy? Well, no, probably not, but it has to be said that the far more interesting part of the book is Octavia trying to discover the real past of previous generations while the narrative literally tries to sabotage her. The two plotlines converge when she finally decides on her fake boyfriend, and everything is ready for her to introduce him to her parents and finally get a clue as to how to resolve this and make everyone happy. Boy, sure hope that no one is trying to destroy her schemes! That would suck!

After a brief prologue showing us who our “villain” might be, though like half the cast they’re dealing with past memories and evil manipulation, we see Octavia trying to meet up with Hugh… only to find he’s been moved too a secret location. Unfortunately, Sirius is back to being brainwashed, so he’s no help. Her father the king knows where Hugh is and will tell her, but under one condition: she has to introduce her boyfriend to everyone in a week. You know, the fake boyfriend she still hasn’t nailed down. After briefly doing some boyfriend math, she settles on Derek, and he seems amenable to it. She also discovers a lot more about the relationship between Derek’s father and her own, and finds that her father may not be as happily married as she’d thought. Turns out just because a couple is hot and BL, it doesn’t mean they can’t be torn apart by… well, that’s still a secret.

Let’s get back to that romance. I think by now both Octavia and Klifford are very, very, unconsciously aware that they’re in love with each other. It’s the unconsciously that’s the problem. Octavia is held back by the whole “I will obey every order you give, please give me an order” thing coming from Klifford, and the climax of the book features him dragging her kicking and screaming into finally giving him a real order rather than one of her requests. And Klifford, as is pointed out by the king, is supposed to be unable to feel love like a real human being, though anyone who has read the previous six books might be snorting at that. It helps that immediately after this we get Klifford’s perspective briefly, where he wonders what these strange feelings are? The rest of the book was the usual excellent intrigue, though I am annoyed that the only way to get our leads to step up was the brainwash the opposition. If nothing else, that means one less ally, and Octavia needs allies, as the world is out to get her.

And now the words everyone dreads: we’re caught up with Japan, and Book 7 is not out there yet. So get ready to wait. But till then, yay, they’re fake lovers! Yay? Maybe?

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

As the afterword says, this is very much a “wrapping up the arc stuff that began in the previous book” type of story. Romance, for the most part, takes a back seat till the end, with the one exception (and possibly the funniest part of the book) where Octavia asks, in a written note, if Guy wants to be her fake boyfriend. Guy, who seems to be the only person who can obviously see how jealous Klifford gets of anyone who gets near Octavia, is understandably terrified at the suggestion, and makes the obvious suggestion as to who the perfect fake boyfriend would be. But Octavia cannot bring herself to do that – for some reason she can’t quite work out. It’s fitting, therefore, that at the end of the book Klifford also decides that he has no idea how he feels about Octavia except she’s like a weapon. These two broken dumbasses are going to take 15 more books to kiss.

The book features Octavia’s brilliant plan to smoke out the traitor, which involves going on a jaunt around the city and leaving really obvious openings for a traitor to attack, then relying on the prince’s well-trained bodyguards and her own (suspected traitor) Klifford to solve the problem. Astute readers who read the fourth volume will see the flaw in this plan. On the bright side, she gets to have a nice lunch with her friends, only slightly marred by someone dosing it with truth serum, and she also has a slight detour in order to meet her grandparents (who are *very* unhappy to see her) and ask some pointed questions… though it’s the answers to what she doesn’t ask that may be more important. Why is there a sibling no one wants to talk about? And does it tie into Sirius’ busted memories?

Last time I complained we didn’t really learn as much about Sirius as I wanted, but we’re definitely getting there. He seems to be fighting both deliberate brainwashing and a traumatic event in his past, and the dichotomy between the old Sirius and new Sirius is what actually ends up being the driving force behind the traitor, as well as the arc question “if you were given two conflicting orders, which would you obey?”. It’s pretty clear that the “good” Sirius is definitely on Octavia’s side, and would no doubt help her try to stop the way this kingdom runs, but the “bad” Sirius is being railroaded into the game plot, and Octavia interfering means that he distrusts and suspects her and everyone close to her. The scene at the very end between him and Klifford is the best scene in the book that isn’t funny, and really makes you want to read Book 6.

Fortunately, that book is out in a few months. This remains an entertaining thriller.

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

The plot of this book can basically be summarized as “fallout from the previous book”. Octavia wakes up to find herself back in her room at the castle, which is good… but she’s not allowed to leave the room, which is bad. What’s worse, Klifford is also being confined, and not “in his room”. Not only was Octavia wounded while he was guarding her, which is something that normally leads to being punished, but there’s a conspiracy to attack the royal family, and Octavia’s brother Sirius is convinced that Klifford is part of it. There is, to be fair, some evidence, but for the most part the main reason is just “I hate him”. Now Octavia has to talk herself out of her room, talk Klifford out of the dungeons, and go on the city tour that she was supposed to do before the party from the last book went all pear-shaped. And, oh yes, the King has revealed she discovered the True Crown.

This gives us a much closer look at Sirius and what his deal is… is what I’d like to say, but because so much of this is from Octavia’s POV, and she’s still having trouble figuring him out, it’s less than I’d like. This is not helped by the fact that she’s still trying to lay over the characters she knows from the BL series and the actual people that she has met as Octavia. One example is Hugh, Sirius’ guard, who in the series was one of Octavia’s allies in her support for her brother and Sil’s hot romance, but here is a lot more mysterious figure. In fact, he could stand to be a bit less mysterious. There’s a mystery culprit in this book that we don’t find out about, except it’s super obvious. In fact, probably deliberately obvious, given brain teaser questions like “what if your master gives you two opposing orders, which one do you follow”?

There is, of course, also the romance part of this book. We get occasional stabs at Octavia trying to find a “fake boyfriend” to save herself from a terrible life, but her lack of awareness about Klifford and his feelings is starting to seem very familiar to those readers who dread “oblivious” protagonists. I mean, they’re even sharing each other’s dreams! This actually leads to one of the scarier parts of the book, as Octavia dreams of Klifford being beaten nearly to death and then literally tossed in the water in a sack to drown, and it’s harrowing (she wakes up and can’t even hide from her maids the fact that she had a terrible nightmare). As for Klifford, he sees a young Octavia stare at this world’s equivalent of a Sakura tree – except it’s not the Sakura tree she knows, it blooms in autumn. He is despairing seeing her mourn the family that she has lost forever, even though he’s not sure why.

So yeah, still good, and the next book might wrap up this arc? Maybe?

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

Again, my favorite part of this series is just out of my reach, which is everything that is happening in it, minus Octavia’s internal blathering. Don’t get me wrong, her narration is not all that annoying once you get used to it, and helps to drive home the fact that 95% of the time she’s improvising desperately rather than having a grand master plan. But I do love seeing her from the outside. Without that narration, she looks exceedingly crafty, mysterious, powerful, and possessed of knowledge that she just should not have. She does not behave the way than anyone thinks she should, her support for her older brother leaves much to be desired, and she comes across as… well, as a villainess. She’s trying to get a fake boyfriend so that she isn’t used as a womb to give her older brother an heir, but to others, she’s… well, trying to become Queen. Which is worrying, given the kingdom’s secret history.

After the revelations of the previous book, Octavia is a lot less keen to make Rust Byrne her fake boyfriend, given who he resembles. Unfortunately, he’s now very interested in her, in particular because she doesn’t react the way almost everyone else has when they see his face. To her surprise, the King is another one who reacted the same way that she did. Unfortunately, as they try to have a chat, traitors are trying something at the party, and have to be put down by armed guards. What are they after? And why is Sil now missing? The answer will draw Octavia into (pardon me, I’m so sorry) a web of mayhem and intrigue. Because there’s a secret room that has a passage to a different, even more secret room. And there are even more traitors there… including Sil? Maybe?

So many villainess books have some variation of “you can’t fight fate” built into them, with the villainess trying hard to change her destiny and the story itself fighting back as much as it can, even when that makes no sense in terms of how reality actually works. Here we see the past starting to repeat itself, despite Octavia’s intentions. And there’s no denying that Queen Idealia, the queen who was written out of history, has a lot in common with her. Hopefully not including being murdered by her brother. And of course there’s also the past of Klifford’s family, which everyone is still boiling mad over. What this means, I suspect, is that at the end of the day everyone’s going to see Octavia finding the tomb of the missing powerful and beloved Queen, discovering the *real* royal crown, and asking her uncle to present it to the King himself but say that she found it, as a massive power ploy. Not exactly what she’s intending.

Basically, if you like gambit pileups and a lot of handsome men, this is a fun little series. I read it for the bits in between the text.

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

This is one of those “everything is the same as the previous volume, until it isn’t” volumes. For the most part, the first three-quarters of Book 2 are the same as most of Book 1. Octavia is attending a ball in the hopes to find a (fake) boyfriend, and has someone in mind who will be there. Unfortunately, she’s dealing with the fact that everyone else sees her thinks she’s some sort of evil spectre with supernatural influence on the lives of everyone she meets. Most of this volume deals with her learning about this, and trying to use it for her own ends, with limited success. (Octavia’s life can sometimes be described as the “I’m a Genius!… Oh no!” meme.) Then we get to the point where she’s about to achieve her goal and meet the guy she’s come there to see… and actually seeing him terrifies her so much that she flees immediately. Then… the rest of the book happens.

Octavia, with her bodyguard Klifford about about 8 other guards (she *is* a princess, after all) is on her way to a ball held by noble Rosa Reddington, where she will hopefully get to meet Rust Byrne, the person she’s tagged for her “get a fake boyfriend” plan. On the way there, though, she meets up with Sil, who is about to have a tragic carriage accident, and rescues him. Sil is going to the ball as well, without telling his lover Sirius. He wants to find out about his real family… something he says that Octavia secretly inspired him to do. (This is true, but it was mostly by accident.) Once at the ball, it becomes apparent that Rosa has engineered for Octavia to dance with someone, because it turns out that any dance partner she’s ever had has either risen to glory or fallen to destruction. This is news to Octavia. And then there’s the man she supposedly came to meet…

Of all the light novels I ever thought I would comp[are this series to, The Saga of Tanya the Evil was certainly not one of them. The last quarter of the volume, though, reminds ,me quite a bit of the start of Tanya. Octavia recalls her death, and has the obligatory meeting with “God” afterwards. Except that God is an asshole. And says her death was an accident, but he can’t be bothered to revive her because her soul isn’t that important. This causes her to get angry… and the negotiation that follows upends this entire series. That said, the biggest takeaway that we get is that Octavia, whose attempts at bettering her life were mostly centered around herself, is now going to try to better her life by changing the entire kingdom. That’s definitely going to put her up against her brother, and probably the majority of the nobility, but it’s also the only way to get back at God. She may even have to become a villain.

So yeah, still loving this series a lot more than I expected. Can’t wait for the third book.

By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Henshaw.

When you’re talking about a genre, it’s never quite just the same thing. No, not even isekai series starring Potato-kun protagonists. There’s mix and match, there’s variations, there’s ways to make this different enough that we don’t get sued. And some genres cross over with others. For example, one genre I quite like is “everyone thinks that the protagonist is being ridiculously clever and crafty, when they’re really just improvising and winging it”. Tearmoon Empire is probably the best current example, but we’ve seen a few others. And, of course, there are BL fantasy novels, where true love is found even if you have to rewrite reality so that the kingdom is predominately gay. And, of course, there are villainess books, where our heroine ends up being accused of things she either never did, or only did in the source material. Put them all together and you’ve got this series, which asks: how would a kingdom run on BL really work out?

Maki was a girl who loved BL novels, particularly a series called The Noble King. It features a kingdom where the king is married to another man, and his son the prince is also in love with a man. In the novels, the prince’s younger sister, Octavia, was a big supporter of theirs, a perfect side character for a BL series. But now Mari has died and is reincarnated *as* Octavia, and has to deal with how the writer manages to have a working dynasty with all the nobility being gay: she will be married off (possibly to a not-gay man, possibly as a beard), produce a child, and then give him to her older brother and have him raise the child as his own. Needless to say, this does not delight Octavia AT ALL. She’s going to find a man of her own! There’s just one slight problem… everyone else thinks she has designs to take over the throne. And is possibly evil.

Octavia, in this first volume, is not an airhead like Katarina Claes. She sees her problem and takes actions to solve it. But she’s also not a clever genius like a lot of other Villainess heroines. Most of her action taking is spur of the moment and improvised, and sometimes quickly regretted. She is, in other words, a normal person reacting the way a normal person would to being in a novel that she’s very familiar with… to a point. (She died after Book 5, so has missed some later stuff.) Unfortunately, to a noble family who are used to everyone acting like they were born into nobility and set in very defined roles… she’s incredibly hard to read, and her actions frequently make no sense. Such as hiring as her new bodyguard a man who is likely an assassin. Or being ambivalent about her older brother’s relationship. Or… in political terms, she’s a bomb that hasn’t gone off yet. This provides terrific tension, which is offset by her narrative voice, which is very “chatty teen girl”.

Basically, this is excellent. It also moves a lot slower than I expected, as we only cover about three days in this first book. We don’t even get a ball where Octavia can be publicly shamed! Possibly next time?