management of a novice alchemist

By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

So, a brief word of warning: if you were not fond of Sarasa’s cavalier and lethal attitude towards bandits in earlier books of this series, you’ll want to give this book a wide berth. Thanks to events in the last book, banditry is now prolific in her area, and when it comes to affect those close to her, she is going to be a little pissed off. There’s less actual brutal death than usual, but there’s a lot of violent beatings, and the two wannabe rapists get a somewhat apropos punishment that I will not go into here. She’s a holy terror. That said, for those of you who enjoy “Sarasa is amazingly overpowered at everything she does and also an asexual lesbian”, there’s plenty of that here as well. (OK, Sarasa pushes back when described as homosexual in the book, but she’s clearly now fine with not only Iris as her wife, but Kate as her “mistress”. Sorry, Lorea, you’ve been familyzoned.) There’s a lot of Sarasa being a lot.

Sarasa is headed off to the capital to pay her taxes. While there, she reconnects with her master Ophelia and Ophelia’s… partner, Maria (Sarasa is not sure if they’re married, but does give a toast to their eternal love), and also runs into her underclassman at alchemist school, Misty. Misty is there to become Sarasa’s new apprentice, and will not take no for an answer. What’s more, Sarasa also meets up with the workers at her parents’ old business, which is still going strong, and they want to help her in any way they can. So she heads back home with a new cast member and a new company to work with. Maybe two companies, as Misty is the heir to the Hudson’s Bay Company… erm, a shipping firm… though she’d really rather not be. Oh yes, and the prince appoints Sarasa as a knight and gives her rule over her small domain around the village and city. Provided she stop the bandit problem.

The last third of this book is so filled with revenge that it tends to distract from the goofy first two-thirds. Misty is a great addition to the cast, as she’s able to keep up with Sarasa’s alchemical miracles while also having common sense, and is not as pathetic as Maris is. (She also does not appear to have any designs on Sarasa romance-wise… if anything, she’s a rival to Lorea as the little sister figure.) The running gag of Sarasa not understanding how famous she is, not understanding how powerful she is, or just underreacting to everything in the book is always going to be funny. And I will admit, I don’t mind Sarasa getting really, really mad and going after bandits with bad intentions in mind. They killed her parents, after all. This is not like other LNs where our newly isekai’d hero is just like “oh, bad guy, stab”. She has motive!

There’s a cliffhanger into the next book, which the author put in in order to advertise the anime that was coming out. So we’ll see you next time to see how Sarasa punches out plague.

By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

This book manages to have the plot that I thought we were going to have in the last book. Actually, this book sort of wraps up all the intertangled plots from the other four, and also tells us that some things that we thought were unrelated, such as the visit from Nord last time, were actually a clever scheme. That said, most importantly, Sarasa and Iris are now married. They go into this a lot in this book, to the point where I’ve stopped finding it baffling and finally get it. There is gay marriage in this world. It’s pretty rare. But Sarasa is, frankly, such a great catch that everyone is fine with Iris marrying her, including her family. Sarasa isn’t romantically interested in Iris (I get the feeling Iris is OK with it being romantic, but she doesn’t push), but this marriage allows her to basically stay with her new “family” forever. And she also gains the cutest little sisters in the world. Who like her more than their actual sister.

Sarasa’s shop has two surprise visitors, one more so than the other. The bigger surprise is Prince Ferrick, who makes everyone nervous as they’re all sensibly concerned with accidentally saying something wrong in front of royalty. He turns out to have a huge bald spot, and wants a hair restorer that will require going into the mountains during winter to get ingredients. Following this visit, Baronet Kahku shows up, and if you’ve ever read any light novel with evil nobles, you know exactly what he’s like. He tries to bully Sarasa, which does not work at all. But it does worry her enough that she takes Lorea with her when they all go hunting for ingredients. Unfortunately, the Baron is not finished trying to get his way, and may even resort to… murder. That said, Sarasa has taken out giant monsters and kicked hellflame grizzlies, so we shouldn’t worry too much.

Not to be a broken record, but the best part of these books for me is the dissonance between Sarasa’s somewhat laid-back, deadpan narrative voice and everything else about her. She tries to insist that she’s just a cute teenage alchemist just starting out, but everything she’s ever done belies this. Indeed, this was true even before the series started. Maris, an alchemist we briefly saw a while ago, is in this book, mostly as a kind of comic relief, but she’s also there to remind us how different Sarasa is from EVERYONE else. Maris calls her a “walking exception”, and it’s a fantastic name. There’s also the dissonance between Sarasa trying to pretend that she’s a cool, uncaring alchemist who only cares about making money and the fact that whenever anything happens when her loved ones can see it, she turns pretty soft. (Bandits will remember, of course, what she’s like when she’s on her own). Sarasa gaining a family is not only the best thing to happen to Iris, but to Sarasa as well. And Kate. And Lorea. Yay for an asexual, aromantic lesbian polycule!

The next volume suggests she’s heading back into the capital, so we may see her master again. That said, I’m sure she won’t stay away long. This is a weird but fun series.

By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

So remember that angry local lord plot I said would probably happen in this book? Nah. Not even brought up, aside from a brief bit where Sarasa notes that there really should not be as many bandits attacking this village as there are. Instead we get a return to the Salamander plot, and also a return to the marriage subplot. as, even though Lorea says she’s not into girls either, and Sarasa in fact seems to be quite ignorant about most everything sexual (not a surprise given her life), it’s very clear that Sarasa is an amazing catch. A powerful alchemist who is the apprentice of the Master Alchemist, and looks like she’ll surpass her one day. A woman – well, still girl – who can fill the “wife” role in the family and also be Sarasa’a apprentice, who looks to be a very quick study. A powerful knight who’s also pretty and practical. And Zoidberg… erm, and Iris. Who tries very hard. Mostly to seduce Sarasa, which she thinks is the way to get this going. It feels like the author read about yuri in a book once years ago.

A monster researcher, Nordrad, has arrived at the village looking for bodyguards to help him with his latest research project – examining the nest of the Salamander that Sarasa took out last time. Now that the salamander is gone, it’s the perfect time to get a lot more details about it that are otherwise impossible. And he really is offering a lot of gold to just stay with him while he does this, so Iris (happily) and Kate (reluctantly) agree to help him. While they’re gone, Lorea and Sarasa, des;pite both saying they’re not into women that way, propose to each other, Lorea moves in, and Sarasa essentially has a “please be good to my daughter” discussion with her parents. Also, Lorea asks to be her apprentice, but that seems to be secondary to her moving in. And it may just be the two of them, as Iris and Kate are… in trouble.

In a series that already features a very, very eccentric lead character in Sarasa, it would take a lot to top her, and Nord, trust me, is a lot. You want to punch him about eighty times in this book, and I was disappointed that he mostly got what he wanted and then took off, despite trapping himself, along with Iris and Kate, inside a volcanic mountain for over a month because of his research stupidity that said things like “what if I got another salamander to come here, what would happen then?”. That said, there is one benefit, which is that it allows Sarasa to show that, even if she pretends not to be all that interested in them, she will absolutely move heaven and earth to help them if their lives are in danger. She spends a LOT of money and makes a LOT of things in this book, most of which we only hear about in passing, all for the sake of finding her two other not-yet-wives and getting them out of Certain Death Cavern. It’s sweet.

I suspect this book requires a lot more tolerance of weird bullshit than most light novel series, but if you can put up with it, and don’t mind the author avoiding everyone’s barely disguised fetish, it’s quite good.

By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

As I noted earlier, I watched the anime of this series before I read the novels, and I’m rather surprised at how a) the anime did a whole lot of adding/cutting and pasting in a different place, and b) how it usually worked pretty well. The anime is paced like an anime, and gives viewers a reason to be really sympathetic to Sarasa from the get go. The light novel doesn’t bother with either of those, and Sarasa can be quite a morally ambiguous character. Here, we see her having to struggle with the fact that she has friends she cares about and wants to help, even if it might lose her money. There’s never any doubt she’s going to, but just seeing her inner monologue is revealing. She cannot stop thinking of how much everything in her life costs, and how much ingredients cost, etc. It’s not quite presented as a savant thing, but she certainly would do much better with more sensible people around her. Good news there!

After the events of the last book, and a comedic interlude with raw honey and horrible diarrhea, our intrepid gatherers, along with Sarasa, go on a mission to find out why the Hellflame Grizzly stampede happened. This takes them to an inactive volcano which has fire lizards, which they can harvest, with some difficulty, for materials, but also a far more dangerous salamander further up the mountain, which isn’t being hostile so Sarasa ignores it. But when Iris’ father, a noble in charge of two villages, arrives to tell her that in order to solve their own hideous debt (separate from Iris and Kate’s debt to Sarasa), he has to marry her off, Sarasa recognizes the husband Iris is getting paired with as being related to the corrupt merchants she took out last book, and, eventually, makes a decision to help with the debt by going after that salamander after all.

When the anime aired, I heard some talk that the books were yuri, but when I investigated, the answer seems to be “eeeeeh, kinda?”. Having read this volume, I get that. On the one hand, in this world, men can marry men, and women can marry women, There are even (very expensive!) potions to allow you to change sex temporarily for the purpose of siring an heir if you are an LGBT couple. And, to solve their issues, Iris is clearly VERY happy to marry Sarasa, offers Kate as Wife #2 (which Kate seems OK with), and says “your preference might change, who knows?” On the other hand, Sarasa says she’s not interested in women multiple times, and also says she’s too young to get married. I suspect what we’re going to get by the end of this series is Sarasa married to her three wives (no way Lorea’s not getting in on this) in a familial marriage with no sexual aspect to it. I have no idea if that’s yuri or not. But it’s fine, I’m much happier with these four as a family.

Sarasa was a little less terrifying this volume, and we’re starting to see that being in the village is very good for her. Unfortunately, she seems to have pissed off the local lord, which I have a feeling will be the plot of Book 4. This is the last one that had the anime mine it for materials, and it was pretty good.

By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

It has to be said, either you are reading this series because you cannot get enough of Sarasa, or you dropped the series in disgust after this volume because of what Sarasa does in it. There’s not really a happy medium here, you’re not going to find anyone who mildly likes Sarasa but has some issues. The issues are the reason to read this. She is, on the surface, a brilliant young alchemist whose odd sense of modesty manages to somewhat hide the fact that she’s a huge powerhouse who (to the shock of everyone in the cast) is apprenticed to the most famous alchemist in the country. In the first volume, we saw her overpoweredness, and also her ruthlessness with money. Here we also see her merchant side. We still don’t get that anime flashback, but we know her parents are dead, and were merchants. This is why, towards the end, when she is accosted by bandits, she beats the shit out of them. And then, when they beg for their lives, she murders them all. And takes their stuff. This is your heroine, please get used to it.

After spending the first part of this book fixing up her shop after the damage from the hellflame grizzlies, she decides to add a few necessities to the house, such a a magic stove, a fridge/freezer, etc. To Sarasa, these are sensible items. To everyone else, they’re mind-boggling luxury, and the inn owner they know is absolutely willing to pay through the nose for a magic stove if it means she and her husband don’t have to constantly get new wood all the time. Sarasa is also after frostbite bat fangs, which she can essentially use to make portable fans for hats. This involves going to a very smelly cave and killing a lot of bats, some hilarious but dangerous consequences. Unfortunately, Sarasa looks like she stepped out of the pages of a Kirara manga. Which means a rival merchant is in town, and is treating her like a sucker. But it’s fine. Sarasa’s not the type to crush someone. Oh, wait, he’s actually a louse who’s blackmailing others. OK, yeah, destroy his ass.

Lest people think that this title is filled with nothing but Sarasa being ruthless, rest assured the bulk of it is still cute girls doing cute things. Lorea firmly sets herself up as not only Sarasa’s shop assistant but also her conscience, and we get a crash course in why shop assistants tend to stick with alchemists forever (along with a smidge of no homo, which I will blithely ignore for the moment, the one potential marriage partner we meet in this book spends his entire page count getting emasculated b y his childhood friend). Kate is cool, Iris is goofy, and the two of them are absolutely not from a suspicious background that they’re not talking about right now, nope. There’s also a lot of talk of how alchemy works, how business pricing works, and how the two combine. It’s pretty nerdy, actually, but very readable.

If a cute 15-year-old girl killing ten bandits because they tried to rob her and they may prey on others bothers you, this is not the series for you. On the other hand, I know it’s fiction, and frankly, I find Sarasa too delightfully weird (in a good way) to worry too much.

By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

It’s been a while since I’ve come at a light novel series from this direction. Lately, the Japanese companies are getting clever, and getting an English-language company to license a series several seasons before the anime is announced, so that the anime can drive up sales of the book. But when Management of a Novice Alchemist came out in the Fall of 2022, the novel and manga were both absent here, meaning the anime was many people’s first exposure, including mine. Well, “many people” in quotes. This is not exactly Chainsaw Man. There was a small following who enjoyed a mostly laid-back series with the occasional monster battle. And now, a year and a half later, we have the novels, and good news! The same vibe carries through to the books. That said, the anime either added a lot to the start of the series, or else it was brought in from future books. Sarasa’s past is not important here. The shop is all.

Sarasa Feed has just graduated from the Royal Alchemist Academy, and is now able to call herself one of that rare profession. Her master decides to give Sarasa a gift to celebrate her graduation (and also her saving and scrimping to buy the ludicrously expensive 10-volume Alchemy Encyclopedia) and gets her her very own shop at a low low price, where she can start selling potions and remedies. There is one slight snag – the shop is in the middle of a very remote village. And is a bit of a fixer-upper. That said, the core of it is still excellent, and Sarasa is an orphan girl who’s spent her entire life surviving on pluck and guts, so Sarasa settles in, cleans up, orders furniture, and opens shop. Soon she has a shop assistant, a girl two years younger than her 15 (the age of maturity here), and she’s able to find a nearby city where… well, at least one of the shops is not there to rip her off. Most importantly: Sarasa is a totally normal, ordinary garden-variety alchemist. And not an insanely talented terrifying prodigy at all.

Sarasa is pretty much THE main reason to read this. Her matter-of-fact, blase narration sucker punches the reader as well into underestimating her, but we do notice right off the bat that she spent her entire school life studying and making no friends, that her mentor is a Master Alchemist revered the world over, and that she’s not only terrific at alchemy but, when she physically strengthens herself, can easily lift huge logs and take out grizzly bear monsters. She is essentially Twilight Sparkle as a human light novel girl. Two warnings, though, which the anime watchers noticed as well. First, this is another series where the lead cares far more about breast size than I ever will (she’s relatively flat, of course), and it does not go away. More importantly, Sarasa believes everything has a cost, and she will be enforcing that, even if you bring in an adventurer who’s lost an arm and is on the verge of dying. We do not do things out of the goodness of our heart here. Well, mostly. She is a bit of a softy. But the girl still owes Sarasa a huge amount of money for saving her life.

If you liked the anime, you’ll like this. If you never tried it, this is a good one for girls who say they’re typical but are anything but, misers, and a slow life that really isn’t.