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long story short i'm living in the mountains

Long Story Short, I’m Living in the Mountains, Vol. 4

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By Asagi and Shino. Released in Japan as “Zenryaku, Yama Kurashi wo Hajimemashita” by Kadokawa Books. Released in North America by J-Novel Club. Translated by N. Marquetti.

The author reminds us once again in the afterword that this is not a romance nor is it going to turn into one. And no, the chickens are not going to become cute girls either. I get it, as I imagine that the audience for this series is looking at the cute girl in the cast, joined in this volume by her younger, also cute sister, and shipping is just happening naturally. That said, if the author really didn’t want any romance I think they could shut things down a bit more. Sure, here Sano states outright that he’s not interested in Rie (good, as she’s underage), but much of the relationship between him and the Katsuragis consists of him basically being a perfect catch except for his horrible depression and self-loathing, and the two of them noticing it. And that’s not even considering the ho yay he’s ignoring between him and Aizawa. Or hell, the fact that he has a chicken wife and a jealous chicken mistress. Romance kind of worms its way in anyway.

As noted above, we get another cast member in this volume. Katsuragi’s younger sister Rie is dealing with a stalker who went from “let’s date” to “what are you doing right now?” to “I need to know where you are 24-7 or I will kill us both” very quickly, so her parents agreed that having her stay with her sister is for the best. Rie is a gyaru in Sano’s eyes, but I think “normal 17-year-old who possibly bleaches her hair a little” is more accurate. Elsewhere in the book, there’s a lot of killing of boars; Sano goes to the very top of his mountain and finds a dilapidated shrine, which he tries to fix up a bit; he learns how to get lotus roots straight from the source, though he doesn’t enjoy it; and he begins to prepare for the winter, which given his remote mountain will mean going to ground, possibly for a month or two.

There’s a very interesting bit about 2/3 of the way through the book where Sano realizes that he hasn’t really prepared for winter fast enough or done enough, and thinks ruefully that he’s always slow to pick up on things like this and maybe that’s why his old fiancee left him. About five pages later, he’s hearing how Rie is finding Katsuragi’s place too cold and worries over it, workshopping solutions and eventually coming over and helping the two of them to insulate it. Sano’s depression is all internal – he still hates it when people tell him not to pay them back – and anytime he has to deal with something that affects only himself (see: his chapped hands), he puts it off or ignores it, but when it’s about anyone else, he basically becomes the perfect boyfriend. Something Katsuragi is deliberately ignoring, and which Rie does not ignore but she’s still 17, so…

The book implies that Sano is going to be alone for several months – given this cast is doing its level best to make sure this fragile guy is part of a community, I highly doubt that. Next time: more now, more chickens, and probably less not-romance.

Long Story Short, I’m Living in the Mountains, Vol. 3

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By Asagi and Shino. Released in Japan as “Zenryaku, Yama Kurashi wo Hajimemashita” by Kadokawa Books. Released in North America by J-Novel Club. Translated by N. Marquetti.

I’ve talked a lot about this series as a slow life series, and about the romance or lack thereof, and even a bit about how it’s sort of a bizarre fantasy only not quite. But this volume really hammers home the title of the book, which is that Sano and his fellow emotionally damaged neighbors have bought a mountain and are living on it now. And sometimes this can be difficult. Mountains require a lot of maintenance, you need to keep an eye out for dangerous animals and insects, and there’s always the danger of a typhoon coming through or a harsh winter. And sometimes having a mountain with animals on it can be useful, especially when you’re feeling smothered and still trying to avoid your core issues, so your visit to your parents can take place in less than an hour before you beg off and flee once again to the middle of absolutely nowhere.

Life goes on for Sano, though he finds he needs to be more careful and perhaps also get more exercise at several points during this book. While cutting grass he gets a very bad cut, and has to get some help from others to get it stitched up. He visits his parents, as I said before, and then comes right back the same day. He makes sure that the murder hornets on Katsuragi’s mountains are taken care of, mostly thanks to his chickens wanting to eat them. He deals with chestnuts, and excess crayfish. A typhoon is coming, and he has to manage preparations, calm his animals, and then deal with the aftermath, which can sometimes involve huge trees on your mountain path. And, as the book ends, he prepares for his first real winter on the mountain (he arrived near the end of the last one).

Aside from “owning a mountain is hard”, we also see Sano’s desperate desire to be left alone and not owe anyone anything, which does not come up explicitly in his dialogue but is implicit with everyone else. He seems baffled by the fact that people keep offering him dinner, or stuff to take back home, or that they’ll help him free of charge. He needs there to be a transaction of some sort, and that just isn’t going to happen on this mountainside. There’s also the bizarre harem he’s acquiring – not in a romantic way, mind you, but both Katsuragi and Aikawa are angling to become a person who is close to him, someone he can open up to. So far Aikawa is winning, but that’s mostly due to underlying sexism on Sano’s part. That said, it’s also due to hsi chickens. One of whom is essentially acting like his wife. Add this to the lamia who is acting as Aikawa’s girlfriend, and you can see that the fantasy animals in this series are sort of psychological trauma write large… or the solution to said trauma.

Next time we apparently introduce a new regular, which might shake things up a bit. Till then, this is slow life for slow life fans, with no pesky danger or plot twists getting in the way.

Long Story Short, I’m Living in the Mountains, Vol. 2

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By Asagi and Shino. Released in Japan as “Zenryaku, Yama Kurashi wo Hajimemashita” by Kadokawa Books. Released in North America by J-Novel Club. Translated by N. Marquetti.

So I am here to tell you that the “slow life” part of this series is back in this volume and bigger than ever. You will see lots and lots of food preparation. You will see shopping. You will see vaccinating your animals and the importance thereof. The big dramatic plot point in the middle of the book is a village-wide effort to pick up the litter on the mountain. It’s Slow Life with a capital Slow. The good news is that the other half of the series is also present and correct, and it’s also bigger than ever. Fortunately, Katsuragi’s past catching up with her seems to be dealt with by the end of this book, though it may not stop all her problems. But Aikawa’s fear of women remains, even if he tries to push past it when it’s an emergency. As for Sano… honestly, he is still dealing with not only depression but some serious anger issues. Fortunately, he has his emotional support chickens.

Sano continues to live on his mountains with his beloved chickens, who honestly seem to be monitoring him as much as he is raising them. They’re also getting bigger. Sometimes he goes to visit the villagers he’s gotten to know. He also goes to visit his platonic friend Aikawa, who have a very strong bromance. But he’s not gay. So he says. He gets the village to organize a litter-picking-up event over the course of three non-consecutive days, because these mountains are a tourist trap in the worst sense. And he attends a festival, which everyone tries to get him to attend with Katsuragi, even though he has no interest in her. Speaking of Katsuragi, there’s a mystery man who’s driving around the area looking for her, and he may be related to her abusive ex.

The best part of this book remains the interpersonal drama, which manages to interest me enough that I can put up with the slow life, which is frankly boring. The anti-romance between Sano and Katsuragi is possibly the funniest part of the series. Everyone is trying to ship them, she seems up for it, even as she’s clearly not emotionally ready. But he’s DEFINITELY not emotionally ready, as it’s been six months and even thinking of his ex-fiancee sends him into such a rage he loses track of time. Frankly, he’s more romantically involved with one of the chickens. (I’m kidding, this is not that kind of book.) I also really liked the end of the book. Katsuragi has been tormented not only by her ex, but by her ex’s friend, who it turns out is also in love with her. In the middle of the book she’s basically hiding in her house. Which the village and Sano are definitely justified in getting rid of this loser, she musters her courage, goes out, and confronts him (it helps to have a massive lizard at her side). Hopefully she can be the first of these mountain owners to heal. (But don’t hook up with Sano.)

So yeah, good trauma recovery series, less good “let’s watch everyone make egg dishes” series. But it’s both of those at once.

Long Story Short, I’m Living in the Mountains, Vol. 1

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By Asagi and Shino. Released in Japan as “Zenryaku, Yama Kurashi wo Hajimemashita” by Kadokawa Books. Released in North America by J-Novel Club. Translated by N. Marquetti.

As I’ve said before, I tend not to read the blurbs for books before I start them. As a result, I started this book assuming that it took place in some fantasy world a la every other isekai, with giant chickens being one of the commonplace things you see around there. Then our protagonist starts talking about getting TV and internet, and I reasoned, oh, hey, I was wrong, it’s just a normal Japan novel, only a bit weird. As the author states in the afterword, this turns out to not be correct either. This seems to be a strange mostly-Japan world, but with unseen gods, who seem to be selling mythological animals to anyone who happens to buy a mountain and be dealing with severe psychological issues. Does it work? Yes, mostly, though I think how much you enjoy this will depend on how much you like straight up “slow life”. This is not a slow life fake out, at least not yet. We’re here for the man and his birds.

Sano Shokei has just been dumped by his fiancee. It was a big enough thing, we find out later, that he got a sizeable payoff from her family as an apology. As a result of wanting to get the hell away from anyone who knows who he is and might pity him, he proceeds to buy two mountains and move to one of them. He also buys three checks that he gets at a spring festival, who weirdly have lizard tails. Also weirdly, they grow very big very fast, and they seem to like eating snakes. And bugs. And boars. Are they really chickens? What’s more, there are other mountains on either side of his, both of which are owned by someone fleeing a bad relationship and both of whom have animals that seemed to be normal but may actually be mythological monsters. But does it really matter in the end? They’re good birds.

The author straight up says in the afterword this is not going to have romance in it, which is a very good thing, I think, especially after meeting Sano and the other owners of the various mountains. At one point Sano wonders if he’s suffering from depression, and after seeing him through this entire book, putting down his appearance and personality and breaking down in tears when he gets drunk and thinks about his ex, I’d have to say yes. Aikawa, meanwhile, had a stalker after him for so long he has a violent fear of women (which makes it ironic that he has a lamia as one of his pets). And Katsuragi is prone to panic attacks and had an abusive boyfriend, though her behavior when she sees the very attractive Aikawa… as well as her behavior when she sees Aikawa’s friendship with Sano… suggests she may be the comic relief of this series. Well, when it isn’t the birds.

This is 8 volumes and counting in Japan, and a glance at future covers suggest it’s not really going to change from what it is. If you want to read a man tending his mountain with his giant chickens, this is right up your alley. If you’re not fond of the giant chicken genre, this won’t change your mind.