Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Reviews

The Bladesmith’s Enchanted Weapons, Vol. 1

by

By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

I usually try, when J-Novel Club announces their usual pile of licenses, to try one or two that I otherwise might not. With the ones announced in April, this one piqued my interest, mostly as it did not seem to involve “weak to strong”, revenge fantasies, or harems of elves and beastgirls, the current hot new subsubgenres. This seemed to be about a bunch of sword nuts, and had a likeable cover. Why not give it a shot. And I am happy to say this is definitely on the “good” end of the “give it a shot” spectrum, leaning towards “very good”, though that comes with a caveat I’ll get to later. The biggest surprise for me was that, while this was indeed a title that featured a bunch of sword nuts, it also has a really sweet and lovely romance at the center of it, which I was not expecting. When your “ah, slow burn, I wonder how long they’ll drag it out” turns out to be “twenty pages”, you know it’s a different sort of romance.

Lutz is a struggling smith who lives in the poorer areas outside the city, and he’s just forged an incredibly beautiful katana. Perhaps a bit TOO beautiful, as while examining it he almost kills himself with it. He’s not sure what to do with it, though, and doesn’t even sign or name it. Then he has to go rescue his friend and business partner Claudia from a bunch of thuggish knights who plan to sell her into slavery, and ends up trading the katana for her (afterwards, brought together by peril, a rescue romance, and them both being incredibly attractive, they quickly become lovers, then spouses). The katana ends up attracting the attention of an old enchanter, Gerhard, who is also fascinated by beautiful blades. And when they bring in an engraver who also falls madly in love with a sword created by Lutz, we have a combination that may prove far more dangerous than anyone could imagine.

I made that sound a lot more dramatic than the book actually is. While there are some tense, dramatic moments, such as Claudia getting rescued, or hero Ricardo facing off against some dangerous creatures, this ends up being a lot lighter and more goofy than you’d think. A lot of this is due to the fact that it’s a pretty horny book. Claudia and Lutz, once they hook up, are very sexually active, which is a refreshing change from most LNs that drag things out 15-20 books. But what I actually mean is Lutz’s weapon that ends up with Ricardo, which, well, makes people want to kill themselves, and also arouses them beyond belief. Erections are mentioned more than once. As is the word ‘ahegao’. It’s also a really sweet book. Lutz and Claudia’s love is adorable, even if Lutz would sometimes rather the adorable part not be revealed for all to see.

Basically, unlike almost everything else out there right now, this doesn’t pigeonhole itself easily into a subgenre. Even the “isekai” in the title isn’t quite right – this is a fantasy world, but no one’s here from Japan, at least not in Book 1. It’s worth your time, assuming you don’t mind a slight layer of eroticism over the whole thing. These blades enchant people. Yes, like that.

Spy Classroom: Annette and Her Many Knickknacks

by

By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

The author says in the afterword that this is an attempt to write a much lighter book after the events of the last arc, and I guess it is technically? There’s certainly a lot of wacky shtick going on here. There’s childhood marriage promises, There’s a search for PIRATE GOLD!, there’s Annette… being Annette, and there’s Thea… being Thea. That said, this is also darker than you’d expect, with even one of the jokes being an incredibly dark one about disposal of a corpse. There’s murders, there’s revolution, there’s tortured confessions getting brutally rejected. And there is Annette being Annette, because she is who she is, and despite the cover art changing for the first time to show her being all happy and a beachside setting, at the end of the day this is just a brief delay. We know, and Lamplight all gradually figure out, that these happy days are coming to an end, and it’s time for then to evolve further.

Lamplight are on an island resort (with an attached Naval base) taking a vacation after the events of the last three books. After partying on the beach on the first day, Klaus has one instruction for them: they can’t all gather together as one unit till the 13th day of their vacation. As a result, Grete ends up dealing with an island teenager who met Klaus years ago and wants to marry him; Thea and Sara investigate the naval base, as well as a grisly murder that is one of a string of grisly murders that have been happening every three months; Lily, Sybilla and Monika decide to try to find that legendary pirate gold, and discover a lot more than they had really planned, and Erna… fishes. (It’s OK, she gets the bulk of the prologue for the next arc.) As for Annette, she’s helping to plan a wedding at first, then loses interest and helps Thea at the naval base, then ends up finding the three pirate hunters, and then … vanishes?

The best part of this book is showing how the character development everyone got in the last few books has not vanished and is being built upon. Grete’s love of Klaus is not demeaned or made comedic, and he’s taking it seriously. We don’t know how Monika and Lily’s discussion went, but they’re treating each other the same as always, and a newly risen from the ashes Monika can now even be part of the goofy comedy relief when it suits her. Thea … OK, Thea has the grandest goal in mind for her future, but she also has the furthest to go, as this volume shows – but I did love the conflict between her and Sara and how it doesn’t damage their friendship at all. And Annette is still a sociopath, but she’s figured out how to use that as part of her job, and she’s also realized that she doesn’t want to get SO evil that her friends stop liking her. She’s growing up! They all are. The next arc, I expect, is gonna be dark again.

So get ready for… short story collection? (sigh) Short story collection. This was excellent.

Reign of the Seven Spellblades, Vol. 13

by

By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

One of the memes that goes around about Reign of the Seven Spellblades – let’s be honest, it may be the only meme – has Fred from Scooby Doo in front of a villain with “Harry Potter” as a mask, and he says “Now let’s see who Reign of the Seven Spellblades *really* is!”, and removes the mask, showing Fate/Stay Night. I have, in fact, made this joke myself throughout these reviews. That said, no volume quite hammers this home as much as this one. Shirou and Saber… pardon me, Oliver and Nanao… are competing to see who can be the biggest death seeker (OK, that’s not quite correct, but both think death within a year or two is inevitable). Meanwhile, I’ve already talked about the ways, both physical and mental, that I think Chela is like Rin, but I wasn’t expecting her to also be Sakura. And of course, if you’ve played the original Fate game, you know how explicit it gets. This volume comes close to that.

In the aftermath of the last book, Guy has to distance himself from the rest of the Sword Roses, which is particularly devastating to Katie. To make things more annoying, they’re fourth years, and now is the time when they all have to essentially “choose a major” – decide what specific course they’re inclined to pursue in detail. Oliver has not really thought about his future at all, so simply goes along with Katie to keep an eye on her. Nanao accidentally forgets the most obvious path, mostly as she too is not bothering to think about the future. And Guy is seeing if he could be a good curse breaker, and also has the folks from Book 12 he fought with – including comedy relief Annie Mackley – trying to separate him from the Sword Roses. This all comes to a head when Katie gets so uptight she needs… relief, shall we say, and Chela asks for what is an obvious solution. Things go badly.

This book reminds us of two big things. The first is that our protagonists, the Sword Roses, are all thought of as huge freaks within the rest of the school. They’re literally described as ticking timebombs, and the main reason seems to be the fact that they’ve been so close knit since they first met at the start of their first year – most friend groups in this school drift apart. The second is that, despite all of this, there’s still a lot of secrets that have never been told between this friend group. Nanao learned one of Oliver’s worst tragedies from the past, but Chela didn’t, and that ends up blowing up in her face – mostly due to Chela’s OWN backstory, which we get another part of here, and – as Chela herself points out – she and Oliver are similar yet also opposite in some ways. I’d said that I wondered if this would end with just Oliver and Nanao dead or everyone dead. I now suspect this may be an all-or-nothing series – either the six survive or they all die.

All this plus a whole lot of… well, there’s no other way to put it, mutual masturbation… reminds us that this remains a really well-written, really horny, and really suspenseful series. I have no idea what’s going to happen next.

One Piece: Heroines, Vol. 2

by

Created by Eiichiro Oda. Written by Jun Esaka. Illustrated by Sayaka Suwa. Released in Japan by Jump Books. Released in North America by Viz Media. Translated by Stephen Paul.

Given the extreme shortness of the book, and my struggles with the first volume, I was a bit worried I would have even less to say about this one. But it’s honestly not that bad! You could argue that Shanks takes over Uta’s story the way that Koza took over Vivi’s, but unlike Vivi’s story Uta is present and correct throughout, so I think it’s fine. It’s also, with one obvious exception that the author can’t do much about, a bit better at showing off these are cool, admirable characters who are not the type to go nuts over a man or to trip while running and break a heel. (The exception is Boa Hancock, and it’s not a surprise that I find that story the weakest, but that’s Oda’s fault, not the author’s.) Even the last story, which is about Nami getting upset about a tiny zit on her face, is sympathetic towards her love of her own beauty and how she uses it.

As with the previous book, there are five short stories. 1) On the island of Amazons, one of their number who had been missing for two years returns, heavily pregnant. Now she has to be interrogated by Hancock… but does not realize what has happened to Hancock in the interim; 2) Smoker and Tashigi’s boat needs repairs, so they land on a tiny island which is beset by small-time pirates. Meanwhile, Tashigi befriends a young girl who wants to become a swordswoman, but who doesn’t like Tashigi’s self-deprecation; 3) The four non-Sanji siblings commandeer a ship, but forget to have a cook on board. Aside from Reiju, the POV character, they all try to cook and then give up. Once they get to their destination, Reiju learns how hard cooking can be; 4) Shanks and an Uta who is about 3-4 years old go ashore when she can’t sleep, and end up going on a shopping spree, where Shanks tries to tell Uta what “peas and tancrillity” is without telling her too much about himself; 5) As noted above, Nami finds a pimple and gets upset, and the others try to help her out.

The Hancock story relies on Hancock being a) horny and b) dumb as a rock, so I wasn’t a fan. The Tashigi story is much better. Her tiny charge is happy to learn from Tashigi till she admits she’s much weaker than other swordsmen out there, whereupon the kid is like “oh, well, you suck then”. After getting captured (natch), Tashigi is able to show that while she can’t take on the sword powerhouses of the series, she’s still really strong in general. It also has her, again, reflecting on what the navy is supposed to do. The Reiju story is the most character driven of the four, being entirely an excuse to remind us that she’s the nice one of the siblings and also the only one who is vaguely sensible. Shanks and Uta’s story requires you to have seen the Red movie, but really, who picks up a One Piece novel and hasn’t seen Red? (Stop looking at me like that.) The Nami story shows that, even though it’s about something like a pimple, everyone knows that her appearance is important to her and no one really makes fun of her at all except to note they can barely see it. And Robin is 100% in her corner.

So a definite must for One Piece fans, and for casuals who know the series, pick up a copy of Red as well.

I Could Never Be a Succubus!, Vol. 7

by

By Nora Kohigashi and Wasabi. Released in Japan as “Watashi wa Succubus Ja Arimasen” by Hero Bunko. Released in North America by J-Novel Club. Translated by Roy Nukia.

I feel a bit guilty that I don’t think this series is going far enough anymore? I mean, I was getting mad at it for going too far only a few volumes ago. But man, this seems tame compared to the “Girl Time (in Darkness)” robots from the prior books. And I say this despite the fact that part of the climax (hah) of the book involves everyone in the Hero’s party who does not have memory loss all having far too much sex with each other in order to lower their libidos. There are two “past” chapters here, fewer than ever before, and both are devoted to being law abiding in your fetishes. Lolicon play is fine provided everyone involved is over the age of majority. Exhibitionism is fine only when you can get away with it being an “accident”, such as a public pool. The hero’s party are all law-abiding heroes, it’s just they’re also really into sex thanks to their succubus. Who, alas, is still mostly sans memories.

Liz is being taught how to use her powers by fallen angel Lilith, which mostly involves throwing her into near-fatal situations and having her try to use both her holy and hell powers without going berserk and losing her mind. They’re also still trying to figure out what’s up with Cain’s sword, which researchers have managed to figure out almost nothing about. Cain mostly uses it on instinct. The next step is to take on an ultra-hard SSS dungeon, which is rumored to have a way to get to the demon king (current) if they beat it. Unfortunately, once they reach Level 50, they discover the level is actually… Hell! Even more unfortunately, once they hit level 60, this turns into a completely different sort of parody.

I jokes about the lack of sex jokes compared to prior volumes, but there’s also a distinct lack of Liz in this book, as she gets some stuff to do at the start but for the most part is functioning as a narrator as the most interesting things are happening to Cain. Cain is, for the most part, defined by his general grumpiness and also his lack of curiosity about much of anything besides “fight villains win”, and it comes back to haunt him. The back half of this book is a massive parody of Japanese game shows, something for which Cain is singularly ill-equipped, and I admit it is fun seeing him get more and more angry. It also forces him to actually strategize, and when he does things go much better. More importantly, he has a sword that seems to be the same as the demons are using and a very vague background. He is literally prevented from winning the dungeon because he doesn’t know enough about himself. It’s a good, if somewhat heavy-handed, lead-in to the next book.

…which isn’t out in Japan yet. Time to wait! Let’s hope Liz gets to go a little more wild next time.

My Fiancé Cheated, But a New Love Rings!, Vol. 2

by

By Ehito and Koyukomu. Released in Japan as “Konyakusha no Uwaki Genba wo Michatta no de Hajimari no Kane ga Narimashita” by Mag Garden Novels. Released in North America by J-Novel Heart. Translated by Chris Craigo.

Lately I’ve really been getting blindsided by picking up Volume 2 of a series and discovering that the series actually ends there. It makes sense. Especially in the genre of books we see with J-Novel Heart, long-runners are not the norm. Romance novels don’t really need three-volume tournament arcs to drag things out, and those that do run forever, like Bakarina, tend to be popular for reasons other than who Katarina will end up with. On the down side, this means we are essentially done with Sophie’s old kingdom, and we do not return to see how they manage to fix things now that Sophie has abandoned it. On the bright side, this means we get a lot more of the two eccentric characters we met last time, and find out exactly what their deal is. As you can imagine, things are very fraught and complicated. Fortunately, Sophie is finding that she’s not only a magic powerhouse but also enjoys sociopathy. In small doses.

Yes, that’s right, as the cover shows, Sophie picks up a new animal familiar, and they’re huge. As Sophie, Livio, Vyce and Lunetta make their way out of the town that had the monster attack, they come across an injured monster bear, and Lunetta asks Sophie to heal it to see exactly what her magic potential is. When Sophie manages to do so, it turns out that the injured bear is really an injured god, and it’s now content to get named by Sophie and become her cuddly but powerful bear familiar. Sophie and Livio want to go to the country of not-Japan, off to the East, so that they can eat delicious food. But Vyce wants them to stop by his kingdom first, partly as Sophie is making her first friend with Lunetta, who is making her first friend with Sophie, but also has he wants to recruit them. Unfortunately, we may have to deal with Lunetta’s tragic past first.

This is not quite as good as the first book, mostly as it does not have the sheer lunacy of Sophie’s family and royalty back in her old kingdom. Vyce and Lunetta are very likeable characters, but they’re also very familiar types, so there’s far fewer surprises. Even Lunetta’s tragic past, which turns out to go back many, many generations, is less about how awful it was and more about allowing Lunetta to show real emotions and let off some steam so that she can stop being an emotionless magic nerd drone. The main reason to enjoy this series, like the previous book, is the absolute syrupy sweetness of Sophie and Livio’s love affair, which is just sugary as hell, deliberately so, and also to see Sophie gradually start to accept that she does in fact have positive qualities and is not in fact a terrible person, which, given she’s about three weeks away from a lifetime of abuse, is slow going.

Now, the webnovel is ongoing, so certainly more volumes could be in the cards. But I dunno, this feels like the end of the published version. For fans of really schmoopy couples and bear gods who are not named Shardik.

The Trials and Tribulations of My Next Life As a Noblewoman: Ruination and Resolve, Part 2

by

By Kamihara and Shiro46. Released in Japan as “Tensei Reijo to Sūki na Jinsei o” by Hayakawa Shobo. Released in North America by J-Novel Heart. Translated by Hengtee Lim.

This is the second half of what was originally a one-part 500+-page monster, and as such it definitely feels different than the first half. Which makes sense. If you look at the subtitle of this book, the first half was all about the ruination, so it makes sense that the second half would be about the resolve. As such, there’s not QUITE as many tribulations in this book compared to the first two? At least in terms of piles of death and threats of death. That said, Karen certainly does suffer a large number of shocks here. She allies with Reinald, which is the best thing to do to protect Conrad and those she lost, as well as those she still has, but it does make a whole lot of people think of her as… something impolite. What’s more, after the shock of her parentage that started the series, we now get more revelations about it, which may become a bigger problem down the road, as everyone’s packing up and moving.

That’s right, they’re doing new covers for us! It looks pretty great. That said, Reinald’s sister sort of comes and goes like a storm, and is not the actual focus of this book, which remains squarely on Karen. The kingdom itself is done for, and it turns out that this was actually very deliberate on Reinald’s part – he’s the son of the Emperor of Arrendle, who declares that only those who do amazing things can succeed him, and “overthrow a country next door for me” is one of those things. Karen is given some new land to oversee, mostly as the fall of Conrad was engineered very carefully by the Empire and the country on the other side – but things are rough, and Wendel is getting bullied at school. As such, a large chunk of the family makes the decision to move to the Empire.

As ever, Karen is the highlight of the book, and I get the feeling that a lot of people who like her try to compete to see who can make her show an actual emotion – though that may be unreliable narration on her part, as we see at points that her face is showing emotions that she is deliberately trying not to tell the reader about. It was also nice to see Ern again, who apparently went to the Empire and became a mad scientist – not as eccentric as Six, but still plenty eccentric, to be honest. She’s on the cover of Book 3-1, so I’m sure we’ll see more of her. On the other hand, I have to feel bad for Gerda. She loved her sister so much she married a man she didn’t want to to save Karen’s reputation, and now here she is, with a husband she loved dead, and Karen clearly knew it was coming. It’s a quiet note of tragedy in the books, where a lot of times things happen that are sad but no one can quite do anything about. I suspect she and Karen will never meet again.

This ends the second book proper, so you can be assured the main story ends with a very nasty cliffhanger, as Karen is seemingly caught in a magical trap. For those who love seeing bad things happen to good people when it’s well written.

Lady Bumpkin and Her Lord Villain, Vol. 4

by

By Ageha Sakura and Kurodeko. Released in Japan as “Imokusa Reijou desu ga Akuyaku Reisoku wo Tasuketara Kiniiraremashita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Vasileios Mousikidis.

In the first three volumes we saw how Agnes, as well as many, many other noble girls, were abused by their families physically, mentally and emotionally, causing them to either be broken shells or else turn towards evil. I had wondered if this was the norm for the nobility in this series. Well, in this new volume we meet a whole passel of noble girls who don’t appear to have suffered any of this. Unfortunately, they’re all either examples of the sort of vacillating, both sides have a point person who only wants to end up on the winning side, or they’re the sneering catty bitches sort who always tend to be in these sort of books, usually shoving the heroine to the ground and doing that laugh with the hand covering the mouth. I really want a nice girl with a loving family who ends up being fine. Just one?

Having settled in as Sutrena’s top lady, Agnes feels she now has to try to go back and achieve what she could not do in the first place: become a high society noble in the capital. She knows that negotiating tea parties and gossiping is how a true lady wields her power, and the fact that she hates that sort of thing is neither here nor there. Fortunately, the Queen sends her an invite to a tea party she’s having to try to make nice with the noblewomen. Unfortunately, the whole thing shows off that the Queen has very little support – in fact, it may just be Agnes. As if that weren’t bad enough, a reporter publishes an article saying Agnes is cheating on Nazel with his brother, someone keeps trying to kidnap Ralph, Princess Mia’s child who is now living as the son of a count, and Agnes finds herself in the midst of a conspiracy. Again.

I have to say, sometimes these books set in the standard “nobility and commoners” universe make me uncomfortable. The reporter who libels Agnes is a commoner with a tragic backstory, which involves abuse and abandonment. She is also a thoroughly unpleasant person, and by the end of the book she is thrown in prison, with more serious punishment implied. Meanwhile, there are also several nobles in this who are also thoroughly unpleasant people whose actions lead to terrible things, and they are… either sent to a convent or exiled. Indeed, the fate of the villain of the book is to end up on the same island as Princess Mia, and he regards it as something of a happy ending. No one really notices this double standard, mostly as the entire cast, almost, consists of nobles or those who work closely with nobles. Sigh. Anyway, aside from that, Agnes sure gets put into peril a lot in this book, possibly to disguise the fact that her magic can now do almost anything.

The end of the book comes with something that’s not too much of a surprise given how often Nazel takes his new bride up to bed. Maybe we can finally justify that chibi on the covers. Recommended for those who don’t think too hard about class struggle in villainess books.

Even a Replica Can Fall in Love, Vol. 3

by

By Harunadon and raemz. Released in Japan as “Replica Datte, Koi o Suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

When I’d finished the first volume of this series, I felt it was very much a done-in-one, and felt a little wary that there was more of it. Then came the second volume, which had a couple of nasty cliffhangers at the end that made the reader desperately want to pick up the third, so I figured the author got a hold of where it was going. Having now researched it a bit, it appears that there are four main volumes and an “after story” volume. Which is good, because egads, that ending of the third book. But it’s also a bit of a shame, because if the third book had indeed been the last, the ending we get would have been an absolute banger, making desperate readers write into Dengeki Bunko saying that there’s a missing page and to find out how it actually ended. But, that’s not what’s happening. And honestly, that’s probably good, as there is still stuff to deal with.

As the book opens, Sunao has been doing the “going to school” thing, and is interacting with her classmates almost despite herself, as they prepare for the class trip… which is still going forward, despite the Student Council president vanishing in thin air in front of everyone and then ending up dead a week earlier. As for Nao, she is back at the house, unable to do anything except sit there every day and mourn Ryou. Fortunately, Aki and Ricchan stage an intervention and remind her that she is more than just a replica… or is she? As the book goes on and Sunao goes off on the class trip, Nao and Aki go on their own trip to the town where Ryou lived with her grandparents… and end up staying with said grandparents, where they get told something very shocking but also very obvious if you know what replicas REALLY are.

As with the first two books, it’s very difficult to talk about what’s really great about it without spoiling the whole thing, but let me once again take a whack. This volume gives us the biggest dose yet of Sunao, and we really get to see what’s making her tick and what she’s trying to do here. Her relationship with Nao is slowly killing her, and while I don’t mean that literally there are a few literary references in this book that allude to a story where it is taken literally. Sunao is not in a good place now, nor is Sanada, who is also back living everyday life while his replica stays home. Do we get to meet another replica in this book? No, bjut we meet someone who once had one, and that proves to be the key, as it shows not that Sunao and Sanada having replicas isn’t as unique as they think, but that the way they have replicas is uniquely wrong.

All this leads to one belter of a cliffhanger… sort of? Anyone who has read the series at all knows what Nao will say, but it’s the after that’s the important thing, so let’s see what happens next with Book 4. The writing remains excellent, and his is genuinely Harunadon’s best series in English right now.

The Villainess Is Dead! Long Live the Empress! Redoing the Story After a Poisonous End, Vol. 2

by

By Iota Aiue and Tsukasa Kuga. Released in Japan as “Shokeisareta Akujo wa, Taikoku de Kouhi no Za wo Tsukamu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Mac B. Gill.

There was a lot of this that I liked, but the middle part made me want to start flicking throughn it, and it’s mostly due to the big villain. Look, as evil beyond evil villains go, this guy is pretty good at avoiding the absolute worst. He doesn’t have a bowl haircut or an arrogant laugh. He’s not trying to sexually assault any of our cast. For light novel standards, he’s subtle. Likewise, his punishment is very apropos for this kinda on the cynical end of the spectrum world. But man, he’s a bummer. Whipping his daughter, murdering thousands with poison dresses and flowers, also providing the poison used to kill our main villainess, drove a family to suicide and enslavement… there’s a very definite reason why the emperor is giving Westalia a chance, even though it looks like he’s not. There’s a very real chance that if Elizabeth wins the competition, the country is doomed. Bit of a bummer, honestly.

Now that Westalia and Elizabeth have tied in the Empress competition, there has to be a run off. The Emperor decides that the two of them will gather artificial flowers. They get a budget and a warehouse, which they have to fill with them. Given Elizabeth’s family is in textiles, this is obviously very biased towards her, but Westalia suspects the Emperor has a bigger reason for doing this – he wants the Reyn family’s secrets uncovered and to see them destroyed – without Tiberio, Elizabeth’s father and head of the family, getting out of it and pinning it on someone else, as he’s done before. What’s worse, Elizabeth seems to be falling ill with symptoms that seem very similar to poisoning, and Paige recognizes Tiberio as the man who destroyed her family and sold her into slavery. Westalia is really, really starting this event in a hole.

There are, of course, reasons I did enjoy this book. Every time Westalia loses her temper and gets mad is not only kind of scary but actually comedy gold, especially when she gets the official scribe to implicate the villain but fails to realize that the scribe will also be describing her own acts as well. More importantly, though, this is a book about people who have been abandoned and broken by loved ones learning how to reach out and accept help. Westalia is trying to do things on her own, and it doesn’t work, she needs to work with and trust everyone, even after dying once. Paige has to get past her rage and despair about the death of her parents and learn how to work trough this positively. And Elizabeth has to realize that fighting back against her father is better than ruling as a puppet while she slowly dies. (That last one is harder than it seems, defying your abuser requires a lot of gumption.)

Fortunately, everyone lives happily ever after and recovers from being poisoned, except that one guy. And so the series is over, and it’s a good end. That said, only get this if you get all the villainess books.

The Legendary Witch Is Reborn As an Oppressed Princess, Vol. 5

by

By Touko Amekawa and Kuroyuki. Released in Japan as “Shiitagerareta Tsuihou Oujo wa, Tenseishita Densetsu no Majo deshita: Mukae ni Koraretemo Komarumasu. Juuboku to no Ohirune wo Jamashinaide Kudasai” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Jeremy Browning.

I admit to being quite surprised that this volume wasn’t the final one. Frankly, all the plot guns and secrets have now been well and truly revealed (and yes, I will have to spoil a lot of them further down this review), and yet there is a 6th and final book that is going to wrap things up. I am worried that the final book will just be a big fight, but that’s future Sean’s problem. As for what IS in this book, well, as you’d expect, Claudia wakes up three years later, but it’s everything else that manages to be the surprise. We’ve got multiple master plans being carried out at the same time. We’ve got alternate universes. We’ve got even more reincarnations. We’ve got concealed backstories. And yes, we do have a bit of cool fighting, though even that is made up of “you fell for it!” gambits.

Three years after the fourth book, Claudia remains in a state of suspended animation, basically dead but her body remains as it is and doesn’t decay. Meanwhile, Noah has risen to become Commander of the knights, and spends his spare time meeting with all the other allies and friends Claudia has made in the previous four books to find out how to revive her, as it’s taking a long time. They’re a bit hurried as Lemilsia’s “mourning period” is almost up, and everyone knows the moment it is Sieghart is going to invade. And sure enough, he does, muttering constantly about making Adelheid his and being controlled by a mysterious person. As for Claudia, she has in fact woken up… in an alternate universe where her magic is still suppressed and everyone knows who she is. And in this world, Leonhard is her enemy.

If I had a nickel every time that a reincarnated noble who was formerly one of the most powerful witches in the country ends up fighting against what turns out to be one of her former minions who was deeply in love with her and that love has turned to possessive need and a complete disrespect for what she actually wants, I’d have two nickels. In fact, call it three, as this is also very similar to one of the previous books in this series. But yeah, if you’ve read The Countess Is a Coward No More, this might seem a bit familiar. That said, this series is better written than that one, and there are a lot more surprise twists, mostly involving Claudia’s mother, who we get to know here, and who turns out to be trying to look out from her daughter beyond the grave, which involves a complex memory spell that only lets people remember things when it’s needed. Handy, that. As for the identity of the person behind all this… well, yes, it’s her obsessive minion, but it’s who they’re possessing that’s the other big reveal. We’re getting the family back together for a reunion.

As of this writing, the 6th and final book is not out in Japan yet, so it will be a long wait. Ah well, there’s a new 7th Time Loop by the same author that just came out in Japan. That’s something, right?

The Hero-Killing Bride: The God-Killing Maiden

by

By Aoikou and Enji. Released in Japan as “Yuusha-goroshi no Hanayome” by HJ Bunko. Released in North America by J-Novel Club. Translated by Faye Duxovni.

I spoil one of the major “surprises” of this book in the third paragraph, just letting folks know.

There’s an implication in the afterword of this third volume that there will be more, as the author says this is the end of the first “arc”, talks about an online-only prequel, and tries to blackmail readers into buying enough copies to justify more of the series by implying they’ll throw sex in later. That said, it definitely has the feel of a final volume, and al the plot beats and secrets are revealed for all to see, so I won’t be surprised if we don’t get more. Alicia is still Best Girl, but I admit I was less wild about this volume than I was the first two, mostly because, in order to wrap things yup, it ended up being over 50% fighting against an annoying bad guy. As a general rule, anytime I can read a scene and have the bad guy say “Don’t you understand? Your weapons are USELESS against me!” a la MST3K and have it work perfectly, your bad guy is too over the top.

Now that Alicia’s mentor (and her beloved cat) have disappeared, Alicia and Cion are going around trying to stop the demons and negotiate with their leaders. This does not go particularly well. It goes even worse when the saint is also kidnapped, and there’s a huge wolf guy who is reminding Cion a lot of her missing mentor. And then there’s the guy we meet in the prologue, a former slave who tried to destroy everything ten years ago or so and has now reappeared and is trying to do all that over again. That said, the bad guy is very good at making our two heroines doubt themselves. Cion, who admits in the heat of battle that she loves Alicia without actually realizing it, is thrown off her game by almost anything, but especially the idea that Alicia may actually be an assassin sent to kill her. That can’t be right, can it?

And then there’s Alicia. She’s always been able to do most anything involving mana, even as she complains about running out of it. She’s survived being dead. Twice. And when she got a transfusion she grew animal ears and a tail. Funny, that. Oh yes, and she’s an orphan. Now we get the big reveal that she is in fact the daughter of the demon lord, which allows the bad guy to twist the relationship between her and Cion (who, y’know, killed the demon lord). That said, Alicia’s ancestry was never really why we read this book – and if I’m being honest, whether Alicia and Cion end up as a couple is not the reason either. We’re reading this to see if Alicia can meld her intense cynicism and bitterness over religion and the world they live in with the kind, pure heart and desire to save people. Which she finally does, trying her damnedest to save everyone, even the villain who has already murdered a WHOLE LOT of people. Fortunately, she gets a reward of “ignoring her boss and going on a vacation with her girlfriend and cat” at the end.

So yeah, good series, but too much fighting and it felt like a “you’re being cancelled, wrap it up” volume. For fans of Executioner and her Way of Life, as always.

Sword Art Online, Vol. 28: Unital Ring VII

by

By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

And here we are, almost two years later. I’ve talked before about how I think the author is trying to do too much with this arc, where they have a perfectly good plotline with Unital Ring (it’s in the title!), but they also can’t resist going back to Underworld for more battles that could actually kill people rather than just log them out. But it’s not just the main series, it’s everything. Right now Reki Kawahara has going on, at the same time, Sword Art Online (last JP volume June 2024), Sword Art Online Progressive (last JP volume March 2025, almost four years after the last one), Accel World (new volume due out next month, but has only had four since 2020), Demons’ Crest (last JP volume November 2024), and The Isolator… wait, did I only imagine The Isolator? Does it really exist? it’s been so long… anyway, my point is, if he tries to juggle any more series I may have to start calling him Ryohgo Narita. As for this volume? It’s good, but needs focus. Surprise!

We pick up with the cliffhanger from the last volume, and it does not go well. Kirito is simply too overstretched, and Eolyne is kidnapped. Meanwhile, the villains are doing their damnedest to destroy Central Cathedral, with only Alice and Fanatio there to try to stop them. In order to fix things… and this sounds sillier than it actually is… Asuna will need to convince her father to drive her to Rath in the dead of night to log in and help them. Meanwhile, in Unital Ring, everyone’s still trying to figure out how to go to the next level without abandoning their beloved cabin. And Kirito, now back from Underworld, has to fight in a mock duel, because everyone still sees him as their leader. As for who’s behind everything in Underworld and Unital Ring… could it be the same person?

I’ve said this before, but a lot of the time in SAO the most interesting parts are what’s happening in the real world. I loved Asuna’s talk with her dad, who has very good reasons not to want her to keep diving into potentially lethal VR all the time, but also understands that she’s pretty much an adult now and she has to rescue those she loves. Then there’s the whole scene with her and Argo/Tomo at the cafe near her old school, which also brings back bittersweet memories, but allows her to reunite with another face from the past. It’s a reminder that not everyone who was in SAO was allowed to go off to the school designed for survivors, and some simply were told to resume their normal life only with FAR MORE PARENTAL CONTROL. Which, again, understandable, especially given the difference between Kawahara’s idealized AI of this world and our current AI woes. And it also allows him to tie things in to his movies as well. Because of course. And hey, Kizmel gets mentioned once!

If you have to read all things SAO to keep up, this is a quick, easy read, even if I did have to google some names to remind myself. As for what’s next? Probably Progressive sometime next year, but for the franchise, we’re back to GGO in the fall, so Swords Down, Guns Up.

Sword of the Stallion, Vol. 1

by

By Gakuto Mikumo and Manyako. Released in Japan as “Sword of Stallion: Taneuma to Yobareta Saikyou Kishi, Ringoku no Oujo wo Netore to Meijirareru” by Dengeki Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

This wasn’t too bad a book, especially given the author’s tendency for light novel by the numbers, but I will admit to disappointment that it did not remotely live up to its premise. Now, I’m no fool, I was not expecting a book filled with our hero banging the entire cast. But I mean, we’re told that he’s spent the last two years in brothels sleeping with any woman that moves… and then we find out that the women he supposedly slept with were all abuse victims or being blackmailed, that the brothel is really a training facility for knights, etc. I lay you even odds by the end of the series we find he didn’t actually have sex with anyone. Anyway, if I can get past that gripe, this isn’t too bad, and allows the author to play around in the mecha genre. There may also be a villainess subplot! When genres collide.

Two years ago, our hero, Ras Talion (get it? Rapscallion?) defeated a potentially country-destroying dragon, but in the process the princess of the country – and his fiancee – was killed. He promptly resigned his commission and went to the pleasure district, where rumor has it he’s spent the next two years screwing anything that moves to try to get over his lost love. (Yeah, I spoiled you, but it’s really goddamn obvious, so I don’t feel bad.) One day, he is accosted by a beautiful knight and a mysterious young woman, who manages to knock him unconscious. He wakes up in the royal palace, where the prince – twin to the lost princess – is running things because of the king’s ill health. The prince (also Ras’ old friend from school) asks him… can he seduce the princess of the next country over? To save their own country?

First of all, given that I’ve frequently complained that the author’s sense of humor in Strike the Blood amounted to “oh no, I accidentally groped you and now everyone is mad at me and I run away as the sun sets” anime humor, I appreciated there was a very funny joke here. I appreciated it because when I saw the setup, I thought “that would make a great joke” and the author actually followed through – well done. As for the cast, Ras is a likeable guy who is not nearly the rogue he pretends to be. I also really liked the princess he’s supposed to seduce, who seems to be trying very hard to get everyone to dislike her, and is absolutely not going to play along with Ras. There are also some cool fights – honestly, action scenes are the thing this author does best, so I wasn’t too worried there. Oh yes, and in case you noticed the artist is ALSO the same as Strike the Blood, I assure you the 2nd volume has a different girl on the cover.

So this is basically “for fans of shonen action stuff and the author”, but if you like that it’s pretty good. Just… don’t expect sex. Even offscreen. He’s a faux-stallion.

To Sir, Without Love: I’m Divorcing You, Vol. 1

by

By Kori Hisakawa and Airumu. Released in Japan as “Haikei Mishiranu Danna-sama, Rikonshite Itadakimasu” by Media Works Bunko. Released in North America by Yen On. Translated by Carley Radford.

This sure went places. Judging by the cover art and title, I was expecting a certain type of book, and I definitely got it, but it went to some odd and spiky areas. Speaking of which, I will put in a brief content warning that this book has what might be framed as a “reluctant” first time, and there is also discussion of an (off-screen) rape of a man by another woman. There is also an abusive husband and father, though he is very quickly “reformed”, by which I mean he gets the crap beaten out of him. We see, throughout the book, the rumors swirling around our main character that she is a loose cannon, and also a loose woman. She shrugs off the rumors because they suit her purposes, but once they no longer do that they become the toxic nastiness they’ve always been. And, as always, our two leads don’t talk to each other at all, so have to guess what the other is thinking, and it always goes badly.

Byletta Holland is horrified to find that her parents have engaged her to some soldier. After an Academy life where she gained a horrible reputation, all she wants is to start her own business and make a name for herself. However, as a noble’s daughter, she has to marry, and she’s now headed off to the Swagwan estate, where she will marry Arnald, the eldest son. She arrives… to find that war has gone badly, so Arnald went off to the front, leaving a message that his wife can do what she wants. Realizing that this could work in her favor, she accepts the marriage and decides to stay… and quickly finds that her father in law is a drunken lout who beats his second wife and menaces his 6-year-old daughter and the servants. Something will have to be done.

Byletta is the main reason to read this book. She’s smart, does not suffer fools gladly, and can beat her father in law so badly in a sword fight that he actually sobers up and stops hitting his family. (This is probably unrealistic, but given the alternative I handwaved it. He remains a jerk, though.) In the eight years between her wedding and her husband returning home, she does start a highly successful business, she has connections all over the city, and she is ready to be divorced. Sadly, her husband is one of those “what are these things called emotions” types, and when he hears the rumors about her, he assumes she’s sleeping with half the town. After their first night together, he realizes he was wrong, and starts to actually observe his wife more closely… and realizes that she’s his ideal woman. Unfortunately, these two don’t talk to each other, and it’s frustrating. They also have enemies, who set up the cliffhanger of this book. It’s definitely on the “potboiler” end of the spectrum.

This is nine volumes and counting in Japan, and it appears it will have a lot more drama in the future. If you like the genre, and don’t mind a bit more non-con than these books usually get into, this is a very good read.