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Reviews

Lady Bumpkin and Her Lord Villain, Vol. 5

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By Ageha Sakura and Kurodeko. Released in Japan as “Imokusa Reijou desu ga Akuyaku Reisoku wo Tasuketara Kiniiraremashita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Vasileios Mousikidis.

I’ve talked before about artifact titles, when you have a series with a title that was accurate for the first volume but proves increasingly wrong as the series goes on. Lady Bumpkin and Her Lord Villain is proving to be one of these, and not just because she’s now Madam Bumpkin. This series started with Agnes dressed in 80-year-old fashion and pancake makeup getting thrown to the wolves for the lulz by the “heroine”. Now, four books after that first one, Agnes is making everyone who meets her fall in love with her, much to the jealous annoyance of her husband, she’s able to use her powers to help the crops, throw yams that can take out an enemy, and still find time to research the legendary saint. Which she absolutely is not. Why, they have totally different names for their very similar sounding powers! There’s no way Agnes would be a saint! (cough)

Agnes is about four months pregnant, and is having to deal with everyone around her treating her like an invalid. Fortunately, her brother Paul will be graduating soon from school, so she and Nazel get to visit Polypstan… where they also plan to research some information about the saint, just in case. Unfortunately, Polypstan has been having trouble growing crops as well, so they are very interested in the sunchoke potatoes that Sutrena has been working on, which are able to grow without the help of Agnes and Nazel’s magic. Unfortunately, there are a few hiccups. Both a duke and the prince of Polypstan seem to have fallen for Agnes, and this is a nation that allows polyamorous relationships… even if all the parties don’t approve. More dangerously, Paul’s graduation test is interrupted by a swarm of what amount to very giant locusts who can punch people, and they’re possibly the ones responsible for the crop failure.

There’s a lot of cute stuff here, which is good given that I think that’s why most folks read this series. It’s nice to see Agnes meet several women and get along with all of them, even going so far as to make potato chips with the duchess. Nazel may spend most of the book being jealous, and trying to have Agnes sit and take it easy constantly, but it always feels fun rather than forced, and her flustered reaction whenever he gets too loving is adorable. That said, there are ominous rumblings for future books. Robin may escape soon, which is not great news for everyone who didn’t like his “mind control my way to power” ways. Moreover, I think it’s pretty clear Agnes *is* the saint, and they’re not going to be able to keep that secret forever, no matter how much they want to ignore it. Nazel needs to figure out a way to make it so Agnes cannot be taken away from him for the good of all mankind.

That said, escaped jerkass will likely come first. This is cute and fun, if not lights out.

Management of a Novice Alchemist, Vol. 6

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By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

So, a brief word of warning: if you were not fond of Sarasa’s cavalier and lethal attitude towards bandits in earlier books of this series, you’ll want to give this book a wide berth. Thanks to events in the last book, banditry is now prolific in her area, and when it comes to affect those close to her, she is going to be a little pissed off. There’s less actual brutal death than usual, but there’s a lot of violent beatings, and the two wannabe rapists get a somewhat apropos punishment that I will not go into here. She’s a holy terror. That said, for those of you who enjoy “Sarasa is amazingly overpowered at everything she does and also an asexual lesbian”, there’s plenty of that here as well. (OK, Sarasa pushes back when described as homosexual in the book, but she’s clearly now fine with not only Iris as her wife, but Kate as her “mistress”. Sorry, Lorea, you’ve been familyzoned.) There’s a lot of Sarasa being a lot.

Sarasa is headed off to the capital to pay her taxes. While there, she reconnects with her master Ophelia and Ophelia’s… partner, Maria (Sarasa is not sure if they’re married, but does give a toast to their eternal love), and also runs into her underclassman at alchemist school, Misty. Misty is there to become Sarasa’s new apprentice, and will not take no for an answer. What’s more, Sarasa also meets up with the workers at her parents’ old business, which is still going strong, and they want to help her in any way they can. So she heads back home with a new cast member and a new company to work with. Maybe two companies, as Misty is the heir to the Hudson’s Bay Company… erm, a shipping firm… though she’d really rather not be. Oh yes, and the prince appoints Sarasa as a knight and gives her rule over her small domain around the village and city. Provided she stop the bandit problem.

The last third of this book is so filled with revenge that it tends to distract from the goofy first two-thirds. Misty is a great addition to the cast, as she’s able to keep up with Sarasa’s alchemical miracles while also having common sense, and is not as pathetic as Maris is. (She also does not appear to have any designs on Sarasa romance-wise… if anything, she’s a rival to Lorea as the little sister figure.) The running gag of Sarasa not understanding how famous she is, not understanding how powerful she is, or just underreacting to everything in the book is always going to be funny. And I will admit, I don’t mind Sarasa getting really, really mad and going after bandits with bad intentions in mind. They killed her parents, after all. This is not like other LNs where our newly isekai’d hero is just like “oh, bad guy, stab”. She has motive!

There’s a cliffhanger into the next book, which the author put in in order to advertise the anime that was coming out. So we’ll see you next time to see how Sarasa punches out plague.

In Another World with Household Spells, Vol. 2

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By Rika and HIROKAZU. Released in Japan as “Isekai ni Kita kedo, Seikatsu Mahou shika Tsukaemasen” by Mag Garden Novels. Released in North America by J-Novel Club. Translated by sachi salehi.

I try to give authors the benefit of the doubt, but sometimes it’s a little easier to tell that their hot new series is not “I have a brilliant idea for a story that just won’t go away” and more “what’s hot and trending that I can whip up fast?”. The first volume of this already had a noble girl at a magical academy where she’s more OP than most everyone around her, but was mostly content to stay in that lane. While this second volume also hangs around in that genre, there are signs that it wants to branch out. The moment that Patience asked who those people were and was told they were from The Adventurer’s Guild, I groaned a bit. Then there was monster hunting. Did you know monster meat is delicious, milady? Would you like me to pass it to you? That said, while that may impact future volumes, here we’re just content to do genre-related things like inventing sea salt and pound cake.

Patience is spending a large chunk of her summer with Princess Margaret and the royal family, mostly as the Queen has figured out that Patience is the only one who can actually motivate Princess Margaret. She gets to see the sea, and as I noted before, she and Prince Richard come up with ways to get sea salt, which will stop the kingdom being so dependent on rock salt. After this it’s back to school, and coming up with more songs that she has “written” for everyone to play, as well as fending off Albert, who is not into 11-year-olds but wants her creativity around him his whole life. She’s also trying to figure out what happened with her father losing his job, and near the end of the book, we finally get that answer, and it proves to be the best part of the book as well.

I find it amusing that while the series frames Patience’s dad as being the one noble willing to stand up for the common man, even to the point of sacrificing nearly everything, in reality he’s kind of weedy and pathetic, and you get the sense that a lot of his arguments with his sisters are less “they are horrible and overbearing” and more about him being non-confrontational to a ridiculous degree. Now, they are confrontational and overbearing, but mostly for Patience that proves to be a good thing. She also proves to be a fantastic teacher, as when blackmailed into teaching her cousin, who has many issues with studying, she’s able to find ways to get him interested, identify the problem, and set him up for future success. No wonder everyone wants her, Right now she’s still a lady’s maid, but in future…

She’s off to “college” in the next volume, and I expect, given the foreshadowing, this series to branch out a bit. Hopefully no dungeon diving. This remains “pretty good”.

The Hero and the Sage, Reincarnated and Engaged, Vol. 5

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By Washiro Fujiki and Heiro. Released in Japan as “Eiyū to Kenja no Tensei Kon: Katsute no Kōtekishu to Konyaku Shite Saikyō Fūfu ni Narimashita” by HJ Bunko. Released in North America by J-Novel Club. Translated by Joey Antonio.

All I ask is for this book to be relaxing good fun, and this volume delivers in spades. It helps that we get a heaping helping of Millis, who I adore. She manages to be a ditz, a tsukkomi, and a savant all at the same time. Here we discover that her inscribing skills are self-taught, and that with proper training she could be legendary. We discover that, in the alternate universe that our cast go to in order to beat up the bad guys, her making friends with alternate-universe Eluria may have saved the world. And we also discover that she apparently has negative abilities when it comes to sensing her own love life, as even when the answer is handed to her about who her alternate self marries she still doesn’t figure it out. She’s goofy in the best ways, and I hope we get more of her in the next volume.

Raid and Eluria are now ready to go to the other world in order to take care of the Emperor whose fault this all is, Raid’s old boss. They’re taking Millis, Wisel and Alma, but that’s it – this is not an invasion, but a small force. Which is fine, because honestly Raid and Eluria are pretty much good enough to beat anything on its own. That said, the other world is on its last legs, poisoned by the mana left by Eluria’s alternate self, who was feeling really disillusioned. Fortunately, there’s a haven in the middle of this, called Paradise, which turns out to be Millis’ hometown. Her alternate self befriended the demon lord, and now years and years later her descendants help to keep this little slice of normal land active. Honestly, they’re better than the current regime. Why not switch the two?

There’s some attention paid to motivations here which I liked. One of the heroes in the alternate world is the daughter of the guy who betrayed and killed Eluria, and she’s trying to make up for being a family of traitors. That said, when talking with Eluria, it’s pointed out that defending your family honor is not going to mean much if the world ends, while betraying her superior AGAIN would actually be the better moral decision. Especially because this series is not really big on moral greyness. Most everyone in it is either good, or following the orders of a very bad guy of pain of death. Raid and Eluria are trying their damnedest NOT to have a lot of casualties – apart from the emperor, of course, who is scum. And for those who worried there would not be a lot of flirting in this book, fear not, these two are still adorable, in love, and planning to have seven kids. Which appalls the innocent Millis.

I suspect the next book may be the last, but who knows? I do feel we’re not getting back to magical academy days anytime soon, though. This is fun.

The Apothecary Diaries, Vol. 15

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

One of the things that comes up both in this latest light novel volume and in the recent anime season is that this is one of those “sort of ancient China emperor, inner court with consorts” series. There are more of them than you’d expect. And a subplot in a lot of them is that, if someone does something that attacks the country or the Emperor, not only are they killed, but everyone in their family, and their servants, and everyone even remotely connected to them is also killed. This seems a bit excessive to some people. Someone asked what happened to all Loulan’s servants after Jinshi interrogated them, and well, sorry, they were all killed by the state. This is because the Emperor is not merely a head of state in this genre, he is a divine being of sorts. He is not meant to be human like everyone else, and trying to make him human is a hideous crime. Even if, say, that crime involves trying to save his life.

Maomao is one of several physicians given a medical exam to show how good they are at their job, with the winners being assigned to various seemingly unrelated places. Maomao is assigned to help with testing out a new drug, meant to deal with intestinal disorders. They also have to research better and safer ways to give anesthesia, which requires Maomao to go to Ah-Duo’s residence and talk with a dead woman who is, of course, not so dead – Suirei. All of this turns out to be for a very good reason – it’s the Emperor who has the intestinal disease, and it may kill him. What’s even more annoying, there’s no guarantee it’s that – it could also be appendicitis, which would be better… unless it bursts. Basically, surgery needs to be done. Unfortunately, Luomen serves as an example of what happens to doctors who do surgery on imperial family, and everyone worries the reward will be execution even if they do succeed.

For those concerned that JinMao is not a factor in this book, fear not. Even though Jinshi doesn’t appear till about halfway through, the crux of the book is still the fact that he’s in love with Maomao. (And she with him, though that’s so understated one could argue it’s nonexistent… which has led to arguments on social media.) There’s a lot of people who would rather have Jinshi be Emperor after the current Emperor dies. But that would mean he’d have to have consorts, and visit them. And that brand he gave himself back in Book 8 (which dwells on Maomao’s mind constantly in this volume, which should reassure folks who saw my earlier statement that understated is NOT nonexistent) is vital to showing how much he does NOT want the job. If he gets it, he would rather give Maomao up forever than order her to be his consort, which she would have to acquiesce to. This gets back to discussions the series had back at the very start about the relationship between Maomao and Jinshi, and its evolution is important to them both. (Fortunately, the success of the surgery means this can be put off a while.)

All this plus Tianyu at his most irritating. Who could ask for anything more?

A Tale of the Secret Saint ZERO, Vol. 3

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Sarah Burch. Adapted by Melanie Kardas.

I should be used to this by now from this series, as well as its parent. Both have a very bad habit of only being half a book and then padding it out with side stories. This volume is 244 pages digitally, but only 141 of them are the main storyline. And that’s not even getting into the fact that the main storyline is also a bit of a short story collection that’s interconnected somewhat. It makes it hard to review, as the side stories after the main content tend to be of the “free when you buy at this bookstore” variety, i.e. not all that impactful. This volume also has a character poll, and the results should not surprise anyone. (It’s a poll of both this and the main series.) Serafina/Fia may be the star, but this is a series written for women, and as such the handsome men are going to grab most of the votes. Which means they get stories from their POV. Which take up more pages.

Serafina and her knights are ready to return from their seaside adventure, but ideally they’d like to fix the climate problem that have plagued the region… unless, as it turns out, Serafina has fixed the problem by accidentally befriending the spirit whose grief was causing the problem in the first place. On their return, Serafina’s father is delighted to see her, but we’re reminded of her general reputation… as well as her knights’… when we meet her older three brothers, all of whom seem to despise and belittle her. Indeed, other knight brigades fight it out with Serafina’s, as no one knows the extent of her powers except a scant few. She then goes with her knight Mirach to his village, which turns out to grow its own medicinal herbs… and does not trust saints, which is why it’s likely good that she’s incognito. Well, as incognito as Serafina ever gets.

This is a prequel to the main series, and I’m not sure how much you’re meant to compare the characters in the past with the ones from the main series, except for the ones who are obvious reincarnations. Most of the knight herd tend to be a bit similar to the knight captains Fia knows, but that’s less because of potential reincarnation and mostly because they’re all soldiers, and thus tend to act the same way. It is interesting comparing Serafina here to the Fia in the main series. In the main series proper, Fia is definitely written as an “airhead” character, unthinking, reacting on instinct a lot, and missing connections a lot while also picking out connections others don’t catch. Serafina in this series is the same, but it’s not written as “airhead” but as “I am six years old”. As such, those who find Fia a but, shall we say, dumb as a bag of hammers might be better off just reading the prequel, which otherwise offers the same amount of fun.

If you don’t mind the fact that you’re only getting half a book’s worth of plot every book, this series remains a lot of fun.

Adachi and Shimamura, Vol. 12

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By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

It should not be a surprise to the reader that, despite saying this is a 12th volume rather than a short story collection or whatever “Volume 99.9” was, this is essentially the same as the previous few books. There has been a running theme of Yashiro trying to unite all Adachis with all Shimamuras to save the universe, and that reaches its culmination here, allowing us to get back to the main story at last. Not that there’s much to the main story, except Shimamura starting to think seriously about what her life will be like going forward, and that it will probably be with Adachi. As for Adachi herself, well, she’s gotten better, but the poster child for “vibrating ball of gay” is still exactly what’s on the tin. If there’s an issue here it’s with the author. As this arc has gone on, we had three volumes of My First Love’s Kiss, in the same universe, come out, and that poisoned me so much against the author that I can’t give them the benefit of the doubt with questionable scenarios anymore.

There are four short stories here, along with two mini-short stories. In the first, Adachi is a school teacher in her early 20s who is teaching 6-year-old Shimamura, who wants them to get married. In the second, Adachi is a best-selling author and Shimamura is the lead actress in the movie adaptation of her book. These are both part of the “Yashiro searches for Shimamuras” plot. In the third story, she rescues Shimamura for almost getting hit by a car, only to realize that by doing so she messed up Shimamura meeting Adachi, and now the world is ending. Only donuts can solve this. In the final story, we’re back to the “main” timeline, and the present day (i.e. high school), as Adachi asks Shimamura on a date to the beach. (The two micro stories are Hino and Nagafuji fluff and Adachi and Shimamura’s mothers fluff.)

As I said, My First Love’s Kiss was a toxic series that featured multiple characters preying on children. As such, the first short story, which is written as if we’re supposed to go “awwww”, gave me the creeps. Adachi tries to think of reasons not to marry a six-year-old, and the only one that she can think of that stops her is she’d be arrested. There’s soulmates and then there’s ick. Fortunately that’s the only ick in the book. The other AU was genuinely cute, mostly as they were both adults. I also like seeing the ongoing repair of Adachi’s relationship with her mother, no matter what timeline. The third story is basically an excuse to write the “canon” Adachi and Shimamura meeting in a different way. The final story really does feel like a continuation of the series, and is filled with adorable yuri moments. It feels very much like the anime.

This was supposed to be the final volume, though the author hasn’t had afterwords lately. But there’s a Short Stories 2 due out in a couple of months, so this cash cow continues onward. If it keeps the author away from creepy shit, I’m OK with more of it.

Earl and Fairy: The Future Bride in a Labyrinth of Roses

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Generally speaking, I try not to frame a character’s decision in a novel by “well, it’s just terrible writing”. For one thing, it’s lazy reviewing to do that. There are all sorts of reasons why a young woman who was not only raised as a commoner and is now engaged to an Earl but was raised as a commoner with a connection to fairies and thus grew up with basically no friends or peers, would, when sent off to a supposed friend’s household to learn about etiquette, then told she’s the new maid, given a room in an attic, and relentlessly bullied and physically abused, would not say “hey, I wonder if something is wrong here?”. But Lydia thinking “oh hey, this must just be some sort of nobility training I haven’t figured out yet, so I will endure it and not say anything” is, without a doubt, the stupidest she has ever been. The book gets much better in the back half. But I almost dropped this because of that plot point.

After the events of the last arc, Lydia and Edgar are finally engaged. She’s doing her best to try to trust that he loves her and not assume that he is romancing every woman in London. Unfortunately Lucinda, a young noble girl arrives at Edgar’s place and talks about how they’re engaged, mentioning a series of secret letters. She’s honestly so deluded hat even Lydia doesn’t really buy this, but Lydia is also dealing with a serious case of “I am but a lowly plain commoner”, so it really doesn’t help her mood. Edgar, meanwhile, is trying his best not to hit on any woman that looks his way. But it’s hard! It’s less hard with Lucinda, who is, not to put too fine a point on it, a brat. He also worries that Lydia accepted his proposal without any romantic feelings for him at all. This is a much more likely worry.

As with most Earl and Fairy books, things improve greatly once we’re dealing with fairies and not Lydia and Edgar acting exactly like the circa-2007 shoujo romantic leads they are. There are some nice reveals, and we can see why a series of annoying coincidences led to Lydia getting into the awful position she spends most of the book. It is somewhat darkly humorous that she’s at possibly her lowest ebb in the series, collapsing from starvation and fatigue, not from a fairy plot or from Edgar’s enemies, but from noble servants just being terrible people. When Lydia gets out of her head, she proves to be not only a capable Fairy Doctor, but also quite adept at actually handling noble society. The problem is that we spend a large bulk of the book in her head, as does she’ Sometimes reading self-loathing can be grueling. It is here.

I double checked to see when the inevitable shoujo “we’re in wedding outfits!” cover art is, and it’s Book 18, so I worry that each book before them will introduce a new girl to make everyone in the cast slightly unhappy. Recommended for those who loved Black Bird and Hot Gimmick when they came out from Viz.

D-Genesis: Three Years after the Dungeons Appeared, Vol. 3

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By KONO Tsuranori and ttl. Released in Japan as “D Genesis: Dungeon ga Dekite 3-nen” by Enterbrain. Released in North America by J-Novel Club. Translated by JCT.

I mentioned before how this story is written by and for nerds, but really, I don’t think I emphasized it enough. Miyoshi is obviously a massive math nerd, and while Keigo tries to present himself as “the everyman”, every time he makes a reference to books that the author has to add a footnote for, his true self shines through. Moreover, the actual author is the same, getting distracted by explaining things like how curry restaurants work or taking a detour to Comiket. This book, the third in the series, seems to be the last of the “setup” volumes, as Book Four promises they’ll finally step into the spotlight. Yet the part of the book that has everyone the most excited is when D-Powers discovers not only that telepathy exists, but is something that ANYONE with a dungeon card can do. The ramifications of this have zero to do with how it will work in the dungeons – instead, it’s National Exams that are the concern. Cheaters!

Kei and Miyoshi continue to experiment in the dungeons, along with occasionally defeating god-tier enemies with Kei’s tricked-out stats. Meanwhile, the government wants a stat-measuring device, which would be able to quantify the strength of explorers and thus prevent accidental deaths in the dungeon… but further divides the haves and have-nots, making D-Powers worry about a class war. There’s the telepathy, which I mentioned above, and which manages to panic almost everyone. There’s the fact that they’ve released the translation of the dungeon inscriptions for free online, which has America and Russia a bit grumpy. Heck, even Keigo training his actress/model pair is causing them to attract the wrong kind of attention. If they were trying to deliberately cause as much chaos as they could, they still might not have done as well as this.

This can occasionally get a bit dark, but it’s always in a vaguely amusing way. Miyoshi’s treatment of the entertainment guy sent to spy on Saito verges on cruel… OK, no, it *is* cruel, as she tries to deliberately drive him a bit mad in order to scare him off of trying to go near them again. And there’s Asha, who returns to Japan to hang out with her crush and his partner, and ends up getting addicted to BL and asking her baffled father what “topping all the bottoms in an all-out attack” means. Actually, I said BL there, but there’s even a discussion of the sort of doujinshi she’s buying – it’s made clear it’s porn, “yaoi”, rather than the milder BL that is seen in bookstores. As I said, nerds. I will admit there is slightly less food and drink in this volume, but that’s only a matter of degree. But by the end of it we get a minor cliffhanger that seems to imply that D-Powers are going to have to be slightly less anonymous to survive. The government is putting pressure on again.

If you saw “dungeon title” and backed away slowly, rest assured that this series does still have OP fights and a harem that the male lead is oblivious to. It justifies its stats, though. Recommended for the converted.

The Tiny Witch from the Deep Woods, Vol. 2

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By Yanagi and Yoh Hihara. Released in Japan as “Mori no Hashikko no Chibi Majo-san” by TO Books. Released in North America by J-Novel Club. Translated by Nathan Macklem.

Last time I was wondering if this would turn out to be a disgraced noble book in disguise, or a slow life book, or a mystery, and it leaned more on the mystery at the end. This second volume is, till the nasty cliffhanger, a far more relaxed affair. Misha has moved to another kingdom, and for the most part, gets treated like a savior. She responds to this well, by… well, if there is a problem with this kingdom, she is going to solve it, as she takes on princesses with poor health, herb gardens with weak effects, and secret royalty who are kind of tsundere. (She may have more difficulty in the third book – see aforementioned nasty cliffhanger.) But after the trauma of the first book, and while she’s still dealing with her mother’s death, with affects her throughout, this book is all about making Misha happy and content. Everyone loves her.

Misha and her entourage finally arrive at the Kingdom of Redford’s palace, where she greets its king, who was not expected to be king but became one after a combination of a plague – which no one ever really figured out – and various countries trying to take advantage of all the death. He’s a young man who affects a sunny, pleasant personality but is not above using people for his own ends – though he knows before he even meets her that Misha needs to be handled with kid gloves. She makes a great first impression, as it turns out that medicine in this kingdom is not all that great – the idea of a stethoscope astonishes them. That said, can she win over tougher customers, like the King’s sister, who has been ill for most of her life – wait, is she still ill? Are we sure she’s not just spoiled?

I will note that folks who are somewhat tired of the sunshine girl arriving in a new community and magically healing everyone through a combination of niceness and gumption may find this book hard going, as it leans into that cliche pretty hard. Misha does arrive with her elf – sorry, person of the forest – mentor, but she quickly goes away to do other stuff, mostly leaving Misha on her own. The kingdom does its level best to make her happy – sure, you can stay in the gardener’s shed out back instead of our lovely palace, just try not to pay attention to how expensive your “simple” furniture is. I also enjoyed the scenes with Caro, who is suffering from a classic case of child with too many expectations, and finds Misha treating him like the kid he is – complete with the standard “let’s play around with the poor commoner children” scene – a breath of fresh air.

So the first book was somewhat fraught and tragic, and this book was mostly relaxing and happy. There is that cliffhanger, though, and I’m pretty sure the third volume will swing things the other way. For fans of cute girls doing cute medical things.

Private Tutor to the Duke’s Daughter: The Celestial Spear, Successor to the Star

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

Aside from the incredibly complicated plot, and the “who will Allen end up with” parts, for the most part this series’ most interesting subplot has been “when will everyone finally succeed at making Allen into a noble?”. Admittedly, one of the biggest obstacles to pulling this off has been Allen himself, whose genuine low self-esteem is matched only by his crafty ability to try to escape getting credit for things. Because he has experienced what people think of the beast tribe, and also what people think of him personally. Man, a lot of people just hate Allen on site, don’t they? Allen tends to be famous for a few things: 1) being the one who made Lydia who she is today (and is now doing the same with Tina); 2) Allen solving every single major incident of the last year or so; and 3) Allen having a very small amount of mana. That last one, possibly even more than his bloodline or lack thereof, is what leads folks to be absolutely furious at him. And in this book, that proves fatal.

Despite the aftermath of the previous volume, the aforementioned fatalities, and a really big fight near the end, for the most part this is the relaxing volume I had hoped for. The entire cast ,minus Ellie (who gets a scene showing how far she’s come but you still sense the author doesn’t know what to do with her) and Cheryl (back being a princess) are headed to the Yustinian capital, there to meet an Alice who is increasingly getting unable to perform her hero-ly duties (and trying to hide it) and her brother Igna, who has a bad case of jealousy and envy, and it’s all pointed at Allen. Also coming along is Lily, and we get a lovely flashback showing how they first met, and giving a little more insight into Lily’s desire to be a maid (which, I remind you, in this world is basically “assassin/spy/soldier who serves tea”). Oh yes, and the Emperor wants to see Allen and Caren, commoners or no. That might be hard.

I was actually faked out by one scene in here showing Lydia, Stella and Alice all agreeing to something after looking through ancient laws no one uses anymore. A lot of folks have been divided into camps in terms of “which girl will win”, and we know which camp I’m in. I had assumed this was some sort of polygamy thing, and was surprised Lydia went along. But in fact it’s nothing of the sort. If Allen can’t get a title or a noble house in his own country, well, let’s give him one from a different country. He really can’t weasel out of this, though he tries. It’s not helped that his sister is over the moon about it (and we’re also reminded how much she’s done to save the world – really everyone in Allen’s generation is a superhero. Caren knows that an Allen with a title is an Allen who will get the recognition he deserves. Though she may be less wild about Allen needing to get married, which I think may also be an issue.

And bad news to fans of the books: if you’ve seen the anime running this summer, you now have to preface recommending them with “It’s better than that, I promise”. Still, readers of Book 16 will definitely enjoy Book 17.

Imperial Reincarnation: I Came, I Saw, I Survived, Vol. 3

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By Masekinokatasa and Kaito Shinobu. Released in Japan as “Tenseishitara Koutei deshita: Umarenagara no Koutei wa Konosaki Ikinokoreru ka?” by TO Books. Released in North America by J-Novel Club. Translated by Jason Li.

I appreciate that even now that we’ve had our coup and Carmine is allowed to not act like an idiot all the time, the best scenes in the book are still either him trying to be very clever and then realizing everyone was already way ahead of him, or him realizing that he’s kind of screwed up but can’t say anything about it. The latter is possibly the most darkly funny moment of the book, when his imprisoned mother pushes her lover out of the tower to his death, and everyone wonders why there were no bars in the window, and Carmine quietly realizes he removed them when it was Vera-Sylvie’s tower and forgot to replace them. OOPS. More awesomely, when Carmine points out (and you can see his logic) that he has to be on the battlefield leading the charge, he immediately gets some extra help he really does not want, because they know what he’s like, and “I might need to sacrifice myself” would be on the table unless they take it off.

The entire volume consists of the aftermath of Carmine taking power and trying to consolidate it, figure out who he can trust and who he has to execute, and preparing for war, as the sons of the folks he just murdered are declaring themselves independent and amassing armies. He can’t even really trust his own allies – his spymaster, at one point, deliberately makes himself less trustworthy to remind Carmine not to trust even those he’s closest to 100%. He’s always going to be the Emperor, which means he’s always going to be at risk of getting killed. His biggest concern besides allies is money and weapons, as well as an army to use those weapons. Money is the biggest worry, which is why he has to try to make a deal with the largest merchant company in the world right now. Fortunately, she, um, comes to him and offers a great deal? Not suspicious at all!

The most interesting part of the book was probably the meeting between Carmine and Hilaire Fechner, the head of the Golden Sheep Trading Company. Her behavior throughout the exchange, and even the interior art, makes you think of her as basically Mikuru from Haruhi, the sort who’s always crying and apologizing – she literally comes in apologizing in such a Japanese style Carmine suspects she too is reincarnated from Japan. Then of course we see her making deals and revealing secrets that essentially end up with everything going the way she wanted. You would expect most authors to at least confirm a little that she’s really crafty and this is an act, or have a side story from her POV later. But no, all we have is Carmine’s realization that she’s putting one over on them – the act doesn’t drop even for the reader, and it could be that she’s really like that. I want to see more of her.

You really, really need to be prepared for the lead character to ramble on about military alliances and trade agreements for 250 pages. If that’s your cup of tea, and you don’t mind that Carmine is still too young to have this series get TOO harem-ey, this could be right up your alley.

Welcome to Olivia’s Magic Jewelers, Vol. 2

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By Rinrin Yuki and Suzaku. Released in Japan as “Olivia Maseki Houshokuten e Youkoso: Ka to Mise wo Oida Sareta no de, Outou ni Mise wo Kamaetara, Naze ka Moto Konyakusha to Gimai no Kekkonshiki ni Dero to Iwaremashita” by Mag Garden Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

I enjoyed this a great deal more than I did the first volume, though I do feel a bit guilty about that, as the main reason I enjoyed it was I kept waiting for Olivia to finally break down. We already knew she was an earnest young woman with a low opinion of herself, and we saw, at the start of the first book, her treatment at the hands of her abusive adopted father, cheating fiance, and terrible stepsister. But she ran away to the capital, made a name for herself, has a shop, and also has the most attractive man in the city in love with her, though she has not quite cottoned on to that last one. That means that this book, where she is forced to go home, be a witness at her sister’s wedding to her ex-fiancee, and then discuss her birth father’s old shop with evil adopted father – well, she reaches her snapping point.

Things start off well. Olivia now has her shop, and is satisfying customers once she manages to get out of her own head and stop stressing. She has a capable assistant who tries to make her rest (with limited success). She has her friends who helped her when she first came to the city. And she has Elliot, who sure seems to show up an awful lot around her. When she gets the letter telling her to return home for the wedding, everyone springs into action. She’s given a fashion and makeup upgrade, and Elliot decides to start taking her out to fancy restaurants and the theatre – not for any ulterior motives, of course, just as a pal. He’s also agreed to go with her when she returns home. Because the one thing Olivia and all her friends agree on is that this is a giant trap.

The third quarter of this book is dedicated to getting on Olivia’s last nerve. Her father’s shop sits abandoned and covered in weeds. The one employee who used to work there, but had to retire due to injury, is missing. At the wedding itself, her stepsister proves to be a shrieking harridan, demanding Olivia publicly apologize. The noble who controls the area – her ex-fiance’s father – decides to have Olivia marry him after all. And when she refuses, thanks to the help of Elliot, who the noble is terrified of for some reason, they go with Plan B, which is to knock her out, kidnap her, and say she’ll be imprisoned for life making artifacts. Apologies for all the spoilers, but this is a good way of showing that when we learn Elliot’s true identity (which should not surprise any reader who’s paid attention), she just gives up and goes back home by herself. The definition of the final straw.

Now, of course, they make up, which is the last quarter of the book. And there’s a third book which implies that Olivia’s low nobility status (which means she can’t marry Elliot) may soon be fixed by a secret in her family’s past. But for me, the best part of this book was seeing Olivia suffer. It was very realistic and well handled. Sorry, Olivia.

Welcome to Monstrous Miss Sophie’s Enchanted Salon of Healing, Vol. 2

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By Sachi Konzome and Harenochihareta. Released in Japan as “Bakemono Jou Sophie no Salon: Gokigenyou. Kawa Ichimai nara Naosemasu wa” by Mag Garden Novels. Released in North America by Cross Infinite World. Translated by Dawson Chen.

Endings are hard, especially when a book is only two volumes long. Honestly, I think this might have worked better as one big brick, but I can guess why the publisher didn’t want that – these are chunky books as it is. But the main issue is that the first volume was alternating between Sophie and Kurt and their budding love and Sophie essentially having a new customer every chapter with a scar and a story. The second volume also starts out this way, but it almost reads like the author was told to wrap things up, as a little over a third of the way into the book, we end up dealing definitively with Sophie’s skin issues and disfigurement, as well as her self-loathing which is preventing her from accepting Kurt’s love now that he has finally realized what emotions are and that he has them. It’s still a good book, but it feels unbalanced.

The book starts with Sophie still taking care of clients with issues. We meet two kids who claim to be lost princesses but the truth is something far more tragic and well-worn; a clown following in his grandfather’s footsteps who wears his tragedy on his face; a beastman gatekeeper who is struggling to bring up a wayward daughter; and a bartender who is troubled by her past as a pirate. Throughout this we also get Kurt, who is going off to help fight a monstrous dragon, a task so dangerous that he gives Sophie half his dog tags, something you usually only give to your wife or fiancee. She’s very, very worried about him. Then, he returns, with a nasty scar (which she heals of course), and a proposal. She rejects him bitterly due to her condition. Can something be done about that?

The book wears its heart on its sleeve, sometimes a bit too much. Sophie’s cure amounts to finding a doctor who knows what it actually is, and the psychological component of it all, which I was sure might cause her to reject an immediate cure, does not come into play – at least not like that. The little girls’ story is tragic, but also somewhat incomplete – I was expecting the story to circle around to the mother and daughters once more, but it never did. The back half of the book is almost pure fluff – the one cure Sophie administers is to a literal living magical creature that makes people happy. It’s an emotional book, but I wish it had a bit more heft to it. Everything here happens pretty much exactly as you could have guessed. And they all lived happily ever after.

Still, it wasn’t that long, and I enjoyed Sophie essentially collecting tragedies and then upending them. That’s what I’ll remember this series for the most.

Babel: The End of the Journey to Restore Language

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By Kuji Furumiya and Haruyuki Morisawa. Released in Japan as “Babel III: Torikago Yori Izuru Youki” by Dengeki Bunko. Released in North America by Yen On. Translated by Amelia Imogen.

The final volume of this series delves deeply into the question of what drives humanity to succeed. In the past of this world, humanity was pushed to the brink, and feared powerful witches. These days there are no more witches, and things are relatively peaceful. But will humans make the same mistakes they made before, just because they don’t remember what it’s like to life in fear and thus innovate? If you’re nodding along to this, congratulations, you agree with the villain of this book. If you’re staring and wondering what the hell this teenage history logic is, you’re a lot more like Shizuku, who has to try to deal with this while also finding a way to return home and also deal with the fact that – as we’ve occasionally noticed since the very first book when she looked at that forbidden tome – there’s something a bit off with her. Fortunately, she has Erik by her side this time, as opposed to written out by the author.

Shizuku continues to work on her language learning aids, but there’s a new problem. Some of the kids at the castle, after hanging around the older children, regain the innate language abilities. Does this mean the thesis that she and Erik have been so carefully working on is completely wrong? That said, she has other things to worry about. She’s apparently staying up for hours at night reading the blue-covered book she has, though she never remembers doing this. A neighboring country invites her there as they want that book, and are… well, not willing to kill her, but willing to hide her body if she gets killed by something else. Worst of all, a witch has appeared and recreated a very familiar witch’s tower (well, familiar if you read Unnamed Memory), and wants people to challenge it. And she’s also going around slaughtering women and stealing their souls. That’s bad.

I have to admit, I enjoyed this series more for the plot and worldbuilding than the characterization. Shizuku and Erik’s relationship can best be described as “kinda nice”. She and Ortea (and, for that matter, she and Lars) had a much more interesting back and forth. I also note that she only says “I love you” to Ortea in this book. But no, dull love prevails. Ah well. This also sort of gives away that she does not return to Japan, though if any reader is surprised by that they must not read many series like this. The best part of the book is what is actually up with Shizuku, and how they manage to use it to save the day. That said, while I would not call her behavior suicide ideation, we do get a lot of “I must sacrifice myself to save everyone” and she jumps off a very high building – again – with worse consequences this time. You can see why Lars finds her frustrating.

There’s a sequel to Unnamed Memory that is apparently also a sequel to this, but I’ve no idea if it will be licensed given the UM anime was a dud over here. Fans of the author will enjoy this.