even a replica can fall in love

By Harunadon and raemz. Released in Japan as “Replica Datte, Koi o Suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

When I’d finished the first volume of this series, I felt it was very much a done-in-one, and felt a little wary that there was more of it. Then came the second volume, which had a couple of nasty cliffhangers at the end that made the reader desperately want to pick up the third, so I figured the author got a hold of where it was going. Having now researched it a bit, it appears that there are four main volumes and an “after story” volume. Which is good, because egads, that ending of the third book. But it’s also a bit of a shame, because if the third book had indeed been the last, the ending we get would have been an absolute banger, making desperate readers write into Dengeki Bunko saying that there’s a missing page and to find out how it actually ended. But, that’s not what’s happening. And honestly, that’s probably good, as there is still stuff to deal with.

As the book opens, Sunao has been doing the “going to school” thing, and is interacting with her classmates almost despite herself, as they prepare for the class trip… which is still going forward, despite the Student Council president vanishing in thin air in front of everyone and then ending up dead a week earlier. As for Nao, she is back at the house, unable to do anything except sit there every day and mourn Ryou. Fortunately, Aki and Ricchan stage an intervention and remind her that she is more than just a replica… or is she? As the book goes on and Sunao goes off on the class trip, Nao and Aki go on their own trip to the town where Ryou lived with her grandparents… and end up staying with said grandparents, where they get told something very shocking but also very obvious if you know what replicas REALLY are.

As with the first two books, it’s very difficult to talk about what’s really great about it without spoiling the whole thing, but let me once again take a whack. This volume gives us the biggest dose yet of Sunao, and we really get to see what’s making her tick and what she’s trying to do here. Her relationship with Nao is slowly killing her, and while I don’t mean that literally there are a few literary references in this book that allude to a story where it is taken literally. Sunao is not in a good place now, nor is Sanada, who is also back living everyday life while his replica stays home. Do we get to meet another replica in this book? No, bjut we meet someone who once had one, and that proves to be the key, as it shows not that Sunao and Sanada having replicas isn’t as unique as they think, but that the way they have replicas is uniquely wrong.

All this leads to one belter of a cliffhanger… sort of? Anyone who has read the series at all knows what Nao will say, but it’s the after that’s the important thing, so let’s see what happens next with Book 4. The writing remains excellent, and his is genuinely Harunadon’s best series in English right now.

By Harunadon and raemz. Released in Japan as “Replica Datte, Koi o Suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I was very curious to see what the author would do with this book. So was the author, to be fair. They’d written a story that wrapped up very neatly in one volume, and they weren’t that enthusiastic about writing another one. That said, fear not, this book is just as dynamite as the first one. And just as gut-wrenching, of course. Normally I don’t really worry about spoiling books in my reviews, as my readers ruefully know. But I need to discuss one of the bigger plot twists in this book a bit below. That said, I will keep the end of the book a surprise. Much of this book is cute and heartwarming, with an odd tinge of dread and melancholy. Which is exactly what I expected given the first. Then we get to the last few pages, which give us a punch to the heart and then a punch to the throat. Which, again, is exactly what I expected given the first.

Sunao has been spending all of her time in her room lately, seemingly doing nothing but study, and is content to leave Nao to get on with everything. Which includes the upcoming school festival. Unfortunately, the literature club gets hit with one of the standard high school romcom plotlines: they don’t have enough members, and will be shut down by the student council unless they show their worth by selling 100 copies of their book at the festival. Which is about 90-something more than the previous festival. Fortunately, one of the student council folks is the sole member of the drama club, which is also in danger of being shut down. So they team up. The literature club (well, OK, Ricchan) writes an adaptation of Princess Kaguya, and will also help perform it… if they can convince Mori, the other student council member, to go along. Oh yes, and someone is dumping paper all over the school that reads “there’s a doppelganger in our school’.

The first volume had me spend most of it wondering what replicas actually were. The second one seems to be digging into the question of WHY there are replicas. In Sunao’s case, it’s because she saw Nao as a convenience to get her out of things she didn’t want to do, and softens considerably at the end of the first book… well, so we thought. But one of the things I am going to spoil, mostly as you likely could have guessed it, is that there’s another replica introduced here, though the word “doppelganger” is used here as well. Replicas are very personal for each person who creates them, and that’s what we have here. But their existence, as we’ve seen, is fragile. The first book shows us Nao literally come back from the dead. The second book runs along a similar track, but that track pulls into a very different station.

So yeah, I’m still bad about not spoiling things. Suffice it to say, if you loved the first, you will love the second. Also, unlike the first, there’s a VERY nasty cliffhanger here. And we’ve got to wait till spring for the next book. (paces around)

By Harunadon and raemz. Released in Japan as “Replica Datte, Koi o Suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I admit that I have gotten rather blase about titles that have won or been nominated for awards in Japan. They seem to have a LOT of awards for manga and light novels, and there are so many titles that carry “award-winning” and “award-nominated” on it that it tends to pass me by. I had not really realized that this was the winner of the most recent Dengeki Grand Prize till I was about to start it. There have been a few Grand Prize winners in the past that I’ve admitted were excellent, such as Kept Man of the Princess Knight and 86. That said, these days that can’t even guarantee that you’ll get licensed in English at all – sorry, Many Sides of Voice Actor Radio. It was going to take a lot more than just winning an award for me to be blown away by this book. But I was unprepared. The book steps up and immediately proceeds to blow you away. I love it to bits, everyone should read it. It deserves its award.

Our heroine is a replica, created by Sunao Aikawa when she was seven years old. She looks and speaks exactly like her. The replica takes Sunao’s place when she’s feeling grumpy, tired, or is on her period. The replica has all of Sunao’s memories, but they’re sort of like reading a book that’s been smudged. (Sunao does NOT have her replica’s memories, which causes problems later.) The replica likes to read a lot more than Sunao, so she joins the literature club, where she reconnects with Sunao’s childhood friend Ricchan, a budding novelist. Then one day she interacts with recently injured basketball player Sanada, who seems captivated by her, and joins the literature club to get closer to her. But that’s a problem. After all, she’s a replica.

You know I really love a book when I try not to spoil it, but that also makes writing reviews harder. There are some really fantastic twists in this book, not least of which is what the hell a replica IS, something that we don’t really find out here. Before I read it I thought it was some sort of android – nope. Sunao can simply “unthink” her replica and she goes away till needed again. Then I wondered if it was dissociative identity disorder, but later events show that can’t be right either. As for the original, well, trust me when I say you will not be very find of Sunao throughout a lot of this book. But everything about her behavior makes sense, and she’s very quick to change when she realizes what’s really going on. Near the end of the book, there’s a terrifying tragedy that becomes an “oh thank God” moment of relief for everyone involved… except the replica, who now begins to despair. Again, for reasons I don’t want to spoil, but man, it’s so good. This book has serious thought put into its concept (which is echoed by the novel her friend is writing, a nice touch).

Like most grand prize winners of a contest, this works well as a stand-alone book. There’s more of it, though, and I am very happy to hear that, even as I worry – there was a lot of serious drama in this book, and I’m sure later books will have it too. But I’m desperate to read more. If only to see if we’ll be told what’s going on with the replica. Or if it matters in the end.