earl and fairy

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Generally speaking, I try not to frame a character’s decision in a novel by “well, it’s just terrible writing”. For one thing, it’s lazy reviewing to do that. There are all sorts of reasons why a young woman who was not only raised as a commoner and is now engaged to an Earl but was raised as a commoner with a connection to fairies and thus grew up with basically no friends or peers, would, when sent off to a supposed friend’s household to learn about etiquette, then told she’s the new maid, given a room in an attic, and relentlessly bullied and physically abused, would not say “hey, I wonder if something is wrong here?”. But Lydia thinking “oh hey, this must just be some sort of nobility training I haven’t figured out yet, so I will endure it and not say anything” is, without a doubt, the stupidest she has ever been. The book gets much better in the back half. But I almost dropped this because of that plot point.

After the events of the last arc, Lydia and Edgar are finally engaged. She’s doing her best to try to trust that he loves her and not assume that he is romancing every woman in London. Unfortunately Lucinda, a young noble girl arrives at Edgar’s place and talks about how they’re engaged, mentioning a series of secret letters. She’s honestly so deluded hat even Lydia doesn’t really buy this, but Lydia is also dealing with a serious case of “I am but a lowly plain commoner”, so it really doesn’t help her mood. Edgar, meanwhile, is trying his best not to hit on any woman that looks his way. But it’s hard! It’s less hard with Lucinda, who is, not to put too fine a point on it, a brat. He also worries that Lydia accepted his proposal without any romantic feelings for him at all. This is a much more likely worry.

As with most Earl and Fairy books, things improve greatly once we’re dealing with fairies and not Lydia and Edgar acting exactly like the circa-2007 shoujo romantic leads they are. There are some nice reveals, and we can see why a series of annoying coincidences led to Lydia getting into the awful position she spends most of the book. It is somewhat darkly humorous that she’s at possibly her lowest ebb in the series, collapsing from starvation and fatigue, not from a fairy plot or from Edgar’s enemies, but from noble servants just being terrible people. When Lydia gets out of her head, she proves to be not only a capable Fairy Doctor, but also quite adept at actually handling noble society. The problem is that we spend a large bulk of the book in her head, as does she’ Sometimes reading self-loathing can be grueling. It is here.

I double checked to see when the inevitable shoujo “we’re in wedding outfits!” cover art is, and it’s Book 18, so I worry that each book before them will introduce a new girl to make everyone in the cast slightly unhappy. Recommended for those who loved Black Bird and Hot Gimmick when they came out from Viz.

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Even before the author explicitly stated it in the afterword, I was thinking “this has the feel of a season finale”. Which makes sense. It’s the 10th volume, and wraps up a lot of the longest-running plot strands while also introducing some new, worrying ones. That said, the start of it was difficult for me, mostly due to my own personal tastes: I hate amnesia stories. Lydia spends the bulk of this book without any memory of anything beyond Book One, so remembers Edgar only at his most annoying. What’s more, Kelpie, who may be a supernatural water demon but has “unlucky childhood friend” written all over him, is doing his best to make sure that does not change. It can be a bit frustrating and feel like “the author is trying to string out getting them together by adding complications”. Fortunately, it doesn’t last the book. Those who are here for the romance should be quite happy with how this one wraps up.

Lydia may be back in Scotland with amnesia, and the Prince on the verge of gaining a new younger body, but, priorities, before anything else Edgar has to track down Lydia’s father and try to get his permission to marry Lydia. There is one slight problem: no one seems to trust him when he says that Lydia agreed to this. Can’t imagine why. He does manage to get up to Scotland, but Kelpie’s spell is hard to get around, even if Lydia seems to really want to remember and believe him, but can’t think why. She’s also upset when she hears that he’s going back to London to deal with the Prince once and for all, and so she and Nico head there on a fairy path… which leads to her being trapped under London Bridge, and Edgar having to infiltrate a mansion where a mind-swapping ritual is about to happen. Oh yes, and there’s an Ark on the Thames, and it’s going to explode.

This is a very Edgar-heavy book, and we sympathize with him, but it’s also very easy to see why everyone doubts him. The fact that he’s genuinely surprised that Raven didn’t really believe him when he said Lydia accepted his proposal says something about his levels of self-denial. And I am definitely worried about the new plot twist, which I’m sure will lead to more bad things down the line. Still, for now, he and Lydia are finally together and engaged. Indeed, the author seems to be in more of a romance mind that usual. Lotta, Edgar’s old companion, shows up again, and she’s still very much in “I am a boyish pirate captain” mode. Paul, Edgar’s sad-sack artist friend, is also here, and just as much of a chew toy as previous books. When the two of them first meet, you can almost hear the lightbulb go off over the author’s head, and the rest of the book contrives to put them in cute romantic situations. I have no doubt we’ll see more of this.

All this plus Ermine showing up to be vaguely mysterious and duplicitous. This was a very good “season ender”.

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

After the short story volume form last time, this book storms back with a vengeance, as if it’s determined to start actually resolving things. Are we getting near the end of Earl and Fairy? Hardly – we’re just over a quarter of the way – but we are at last allowed to actually resolve a few plot points and move forward others that have been simmering in the background since the first book. If you’ve been waiting for Raven to do more than be Edgar’s sounding board and occasionally attack random minor villains, I have some good news for you, as Raven and Ermine’s past is explored a lot more thoroughly here. The bad news is that this means that Raven spends a lot of the book as the damsel in distress, with a healthy dash of mind control as well. Now, you might think that it’s better that this happen to the relatively strong Raven rather than Lydia again. That’s the bad news. She’s damseled again, and it’s mostly her own fault.

There’s a serial killer murdering people around London Bridge, and Edgar is investigating, especially after a piece of green stone is found in the mouth of one of the victims. Meanwhile, I’m sorry to tell you, but everyone’s favorite revolving door traitor, Ermine, has run off again, after Raven confronts her about a green diopside stone that she seems determined to keep away from him, and which is tied to their past. Meanwhile, a student of Lydia’s father, Ulya, has appeared, telling her that her father is ill. Lydia accepts this and runs off to see him… and is captured, leading to her needing to be rescued, which leads to Raven being captured. Oh, and she’s abducted by Kelpie. Again. Twice. She’s really having a bad day.

This is a book with very little humor in it. Ulysses appears briefly, but we also see The Prince (or one of his body doubles), and if he’s meant to be a sort of evil Bertie (later Edward VII), it works pretty well. We get a fuller description of Raven and Ermine’s past with Edgar, which also means we hear about her being raped in front of Edgar just to upset him. As for Lydia and Edgar’s romance, things get off to a rocky start, but for once the “being an idiot about things” is tilted more towards the Lydia end of the scales, as Edgar is on good behavior here, having realized that he genuinely does have to treat Lydia differently if he wants to marry her. As for Lydia, she admits that she’s in love with Edgar, and while she won’t say this out loud to him yet, she at least agrees to marry him. Sort of. It’s a cliffhanger ending of sorts, after she’s abducted for the THIRD time in the book. Those kooky kids…

By now I hope everyone knows this is a series with a small but dedicated fanbase, and this volume hits all the right notes if you are in that fanbase.

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Sometimes I don’t read the blurbs before I start a volume, particularly if it’s a series I’ve been reading for a while. As a result, I came into this book not knowing that it was a short story volume. This is good and bad in some ways. It allows for less complicated narratives that better show off the two leads, and can also venture into other areas, such as Lydia’s pre-Edgar life. (All but the last short story were collected elsewhere, and the prologue was the first thing the author ever wrote for the series at all.) On the down side, without a big, action-packed and terrifying narrative to drive everything, we can sometimes be reminded a bit TOO much how irritatingly smug and possessive Edgar is, and how annoyingly naive and stubborn Lydia is. Fortunately, they’re only really at their worst in one of the short stories featured in this volume. So, of course, that particular story is the one that was used for the volume’s subtitle. Sigh.

There are five short stories in this book. 1) Before the events of the main series, a Lydia who’s just starting out meets a violinist plagued by a fairy, and makes a foolish decision that will need to be fixed by the man she’s trying to save. 2) We learn how Lydia first met Kelpie, as she helps to reunite Kelpie’s bookish brother with an elderly woman who romanced him in her youth; 3) Edgar takes Lydia to the opera, and they deal with a flower girl whose daisies are telling very accurate fortunes; 4) Lydia, having just read an exciting romance novel about a couple eloping, finds a young man being troubled by a lhiannan-shee, and decides to get involved despite Edgar, accurately, saying this is incredibly shady; 5) After the events of the 6th book, we see Edgar in London and Lydia in Scotland, both lonely at Christmastime.

The first three stories are all various shades of ‘pretty good’. The fourth annoyed me the most, as Lydia is even more naive than usual, which of course requires Edgar to be more possessive than usual, and they reinforce both their worst habits, especially as Lydia is still the sort of girl who will stubbornly jump off a cliff if Edgar tells her it’s a bad idea. That said, Lydia has heroine plot armor, unbeknownst to both of them, and therefore, of course, her naive ideas of romance and eloping turn out to be correct after all. The best story in the book is the final one, especially on Edgar’s side, as it shows him trying his best to try to fall for some other girl so he can let Lydia go and not involve her in his drama and failing miserably. The climax of the story, where fairy magic brings the two of them together for a brief period,. is the most romantic this series has gotten to date.

Next time we likely should get back to the main plot. Will we get Lydia firmly admitting her feelings with no backsies? That’s less likely. Will Edgar stop flirting with every single girl in London as part of his schemes? Even less likely.

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

I don’t want these reviews to get too similar, so let me start off with something that isn’t the tortured romance between Edgar and Lydia for a change. Perhaps the plot itself. This book really hammers home that we’re seeing a re-enactment of Shakespeare’s Richard II in Japanese light novel form here. Edgar wants to be the Blue Knight Earl. He acts like a proper English noble, which includes caring about those whose lives he governs. He’s a good person who’s trying to do what the Blue Knight Earl is supposed to do. And he gets the reward in the end. Unfortunately, Ulysses has the bloodline in his (borrowed) soul, and so all the magical guff actually works for him, whereas Edgar is left with a reward that he cannot actually see or access. The good guys do sort of win here, but it’s a bittersweet victory, comes with a death, and its only real success was getting Edgar to finally realize that “it’s OK if I die” is not a good way to live.

We open with Lydia back in Scotland, determined to separate herself from Edgar, but missing him nevertheless… and despite the multiple letters a week he writes her. However, circumstances end up reuniting them on the island where this all began, where they are dealing with a banshee who is related to the Blue Knight Earl of a hundred years ago… and has amnesia. Unfortunately, Edgar is feeling rather depressed and morose about his inability to get his feelings across to Lydia, so goes to his club, gets drunk (and, it’s implied, also smokes some questionable drugs), then goes home, and when Lydia tries to talk to him, it goes badly. (No, not like that… though he’s initially afraid it was like that.) Unfortunately, as all this is going on, Ulysses is ma,king everything worse, as usual.

Ermine continues to be interesting, though I’m not sure how long she can keep up being a double (triple?) agent without wearying the audience. The author is being pretty good about keeping us on our toes as well, but I can’t help but notice that most of the recent cliffhangers are all “Ermine does something that looks evil”. That said, after her resurrection, I don’t think the author is getting rid of her anytime soon. If only as she’s still able to completely torpedo any efforts at Lydia and Edgar to get over their hangups and talk to each other about their doubts and fears. Edgar makes his biggest declaration of lover ever this book, but it’s a drunken murmuring of Ermine’s name that Lydia takes to be his “true” feelings, partly as I think she’s scared of her own feelings for him. Certainly she’s ready to walk into a massive deathtrap for him, as well as save his life when even he doesn’t want that. But… yeah. Still not quite a couple yet.

If you love exquisitly frustrated romance and supernatural action thrillers, this remains a must read.

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

This feels like it was inevitable. Throughout the series we’ve seen our two leads struggle with everything about their love affair, mostly the fact that it exists at all, but also Edgar’s attempts to be a better person (he keeps failing, but he’s making an attempt, and makes it far more often this book) and Lydia’s self-doubt in regards to not only everything Edgar does but also his past and her own life. Her confession halfway through the book that she worries that she’s a changeling feels a bit out of nowhere at first, but gradually the reader comes to realize that it’s informed a lot of her actions in this series. If Lydia can’t trust her own self, can’t even believe that she’s human, then there’s no way she can trust Edgar, and no amount of reassurances and reenactments of the Orpheus legend are going to change that. This leads to a cliffhanger ending that sure feels like, if this series was not a runaway success (which it was), would lead to the 7th book being the last.

Some more of Edgar’s past is catching up with him – this time a pirate crew, which includes Lotte and Pino, two young people who were with him in America. They watched him toy with Betty, another young woman in their group, who apparently turned out to be a long-lost princess, but more importantly, is also missing, and allegedly kidnapped. This also ties in with a request form one of Edgar’s holdings to look into a baby kidnapping which might be down to fairies. Edgar and Lydia, with Raven and Ermine in tow, thus head off to the village, where they find that Ulysses had not only been there before, but was much better at pretending to be the heir than Edgar is – particularly when it comes to getting the village to commit atrocities in the name of “prosperity”. Now Edgar and Lydia have to rescue Betty, defeat a giant dragon wyrm, and also somehow resolve their tortured courtship. Two of those things end up happening.

I appreciated that Ermine got more to do here, and I also appreciate that she’s still not 100% trustworthy. Leaving aside Lydia’s belief that Edgar/Ermine is the real OTP, which has more to do with her own self-image than anything else, there’s the scene with her and Kelpie, shown to the reader but very pointedly not revealed to either Edgar or Lydia. There’s something else going on with her, and I hope it doesn’t lead to her dying – again. Her own fluid identity between selkie and human, and the fact that she doesn’t see herself as anything other than human unless forced, also serves as a mirror to Lydia, whose every move in this book seems to be about resolving what she believes – that she’s a fraud, a fake, and that once she returns to the fairy world everything will be fine and happily ever after. Lotte may set off the cliffhanger in this volume, but honestly I think she did both Lydia AND Edgar a great service. These two need a break.

This was one of the stronger volumes in the series, really showing off the reasoning behind both leads being basket cases. I really want to see what happens next.

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Once again, as I read this series I am reminded just how far shoujo has come in the last twenty years, and how different it is. Everything going on between Edgar and Lydia in this series is intensely familiar to anyone who read the popular titles of the day back then… and yet it already feels like it’s from a hundred years ago, with Lydia’s inability to think anything but the worst of Edgar and his own inability to show Lydia what his love actually means feeling more frustrating than romantic. There’s also the “Lydia is kidnapped every volume, and threatened every volume, or both” problem. There’s consent issues. That said, once more, if you read this as a supernatural thriller and try to ignore the romance, there’s gold to be found here. Every volume brings a new creature that I have to google and find fascinating, and this one is no exception. We’re also getting a lot more contextualization about Edgar’s goals… and what he will and won’t do to get them.

Lydia is, unfortunately, at a society tea party, where she is forced to deal with a lot of hot gossip, most of it about Edgar, who now is rumored to have an entire harem of women. Of course, Lydia almost immediately believes this – if there’s one thing we know about Victorian England, it’s that rumors are true unless proven false. And, of course, Edgar *does* appear to be going to what is very carefully not described in this book as an opium den, but, well, is an opium den. He seems to be visiting a mysterious woman who lurks in a corner of the room… and he’s not the only one, as a marquess is also very interested in the same woman. What does this have to do with a paired diamond, black and white, which is mysteriously connected to Edgar’s family? And will Edgar and Lydia ever truly understand each other?

Edgar’s enemy in this, of course, is “The Prince”, and is trying to prove a closer heritage to being the future King of England than the current residents on the throne. Victoria is never mentioned here, nor is “Bertie”, the Prince of Wales at the time of this series (which seems to be set in a vague “somewhere between 1837-1901” time), but the general attitude of the bad guys is basically that they are, perhaps, not quite as British as one would like in a monarch. Perhaps a bit too Saxon. That said, I doubt we’re really going for any critique of the English monarchy here, but instead the series is using the time period as an obvious place where a large number of people would still believe in the fairies that are Lydia’s bread and butter, and who litter this series,. on both sides. Again, it’s all about the thriller.

The 6th book in the series is not scheduled yet, so there may be a bit of a break next. Perhaps it will allow Lydia to realize that not everything she hears about Edgar is true, and for Edgar to realize that confessing his love doesn’t amount to much if he has no future to offer her.

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

This review, by necessity, features major spoilers for this volume, and I recommend not reading it till you finish it. I will put the cover (which does not spoil) first to allow you to avoid the spoiler.

Earl and Fairy’s first volume was clearly written as a one-shot. Most series are. Not everything is created to be a massive hit without having to actually sell the books first. And sometimes authors look back at decisions they made in the first book, when they were not expecting it to be, say, a 33-volume behemoth, and think “man, why did I do that plot twist? It worked great for a single book, but I could have done so much more with the character?” Mizue Tani was clearly thinking exactly that when she was writing up the plot of this volume, which features… well, come on, you have to guess what I’m talking about given I’m discussing major plot twists from the first book. She’s back, there’s a supernatural explanation, and it’s cool.

Edgar has been attending a seance held by a suspicious medium (one who seems to recognize him) that is meant to help a mourning woman marry off her late daughter’s ghost. Oddly, someone else is also attending the seance pretending to be him… and creating nasty rumors in the tabloids, rumors that Lydia (who doesn’t trust Edgar more than she can throw him) immediately believes. She’s also annoyed that she has to pretend to be engaged to him for reasons we saw in the last book. Then she’s promptly kidnapped (again, it’s that sot of series) and when Edgar and Raven track her down, she seems to genuinely be possessed by the spirit of the woman’s dead daughter. Well, possibly her daughter. And also only possessed half the time. Is this another of Ulysses’ clever plots?

So yeah, Ermine’s back. Arguably this ruins the tragedy of her death in the first volume, but frankly I always found her death in the first volume rather annoying, so I don’t really mind this all too much. She’s now a selkie, as apparently this is how she was saved from death in the first place. Unfortunately, having betrayed Edgar and Raven in Book 1, she’s got to do it again, this time because Ulysses has her “skin”, in the form of a glass bead, which if destroyed will kill selkies for real. We’ll see how long she lasts this time around before what I suspect will be a slightly better death. As for Lydia and Edgar, he is at least starting to get why she doesn’t trust him in the least – he has to stop treating her like a solution to his problems. That said, I think most of the readers are siding with him more than her right now – we do want a romance novel, after all.

I greatly enjoy the writing in this series, because (I have observed) it’s nothing like modern light novels. Anyone looking for something different, come get this.

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

If you’re looking at that subtitle and thinking to yourself “Oh good, we’re going to move past the shoujo “bad boyfriend but so hot” tropes and have them get together, I have some very bad news for you. This series is 3 volumes into a 33-volume run (in Japan, I’m not expecting miracles from JN-C), and the closest you’re going to get in this volume is Lydia saying she will “think about” falling in love with Edgar. And honestly, it would be far too fast right now, given where the characters are. This is an old series that came out back in the day when you could greenlight something long, so the development is slow and languorous. Edgar is still trying to figure out where to prioritize getting revenge for everything that’s happened to him and what he feels for Lydia. Lydia, meanwhile, cannot fathom ANYONE being interested in her, and still regards everything Edgar says as false. Which is not 100% true – but is not quite a lie either.

Edgar and Lydia’s back and forth, will-they-won’t-they is soon joined by a new inhabitant of Edgar’s house: Paul, an artist who Edgar has decided to give a bit of patronage to. They seem to have a past history, which is very interesting given Edgar’s past. Indeed, Paul is not even sure if this is the same boy, given that the last he’d heard the boy and his entire family were all dead. There’s also a fairy with a moonstone ring, trying to get Edgar to accept it so that he can be married to the Queen of the Fairies. Unfortunately, the ring has been stolen by a kelpie, who has known Lydia a long time and wants to use the ring to have HER return with him to Fairyland forever. As for Lydia, she mostly just wishes everyone would go away and let her get on with her work.

The frustration is the point, of course. At many points in this volume you want to strangle both Edgar and Lydia. Crucially, it’s rarely at the same time. Edgar ends up coming across much better when he stops pressing so hard, but he simply can’t find it in hiself to keep that up, and when he presses too hard he comes across as a bit scary. Lydia is already a girl who rarely dealt with real humans as a kid, and the one party she went to had the classic “boy who likes her pretends he asked her as a joke because it’s too embarrassing” plotline, and it’s twisted her entire viewpoint of herself. (The red hair doesn’t help – remember, redheads are still abused in this period.) But when push comes to shove, they will both sacrifice themselves to save the other, and that’s what really matters.

I don’t think it will take 30 more volumes to get a confession, but I suspect we’ll have the status quo for a bit. If you like old-school shoujo with good worldbuilding, this is perfect.

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

I was very excited when Earl and Fairy debuted from J-Novel Heart, but I will admit that I underestimated the backlash that the series got from some areas of the community. This is an old-school shoujo series, and it stars an old-school shoujo love interest. If you don’t know what that means, look up “Black Bird” or “Hot Gimmick”. Though Earl and Fairy does not go nearly as far as those two series, it is definitely in the school of romance that is “he starts off as the worst, but gradually gets better due to the influence of our heroine”. And given this is a long-running series, it’s going to be very gradual. Edgar is not going to suddenly soften up and tell Lydia his deepest secrets. Moreover, given that he thinks Lydia would be perfectly happy to walk off and never see him again, don’t expect him to stop giving affectionate overtures that may be unwelcome. That’s how these series roll. Tender romance will be along in a bit.

Lydia has been hired by Edgar as his Fairy Doctor, meaning that she’s now living in London. Of course, this being a supernatural mystery series as well as a romance, trouble is following her around. Or, more accurately, following her employer around. A young woman has disappeared, and was last seen in a carriage with none other than Edgar. There’s a bogey-beast in the vicinity, and it’s not clear who its master is. Rosalie, cousin to the missing girl, is very much attracted to Edgar, and thus very annoyed that he only seems to have eyes for Lydia. The fog, always terrible in London of vaguely Victorian times, is even worse because of the threat of the Fogman. And possibly worst of all, Lydia is finding herself wanting to get closer to Edgar, and she has absolutely no idea why.

Lydia, I will admit, does suffer from some of the worst traits of a shoujo heroine. When she blithely walks into an abandoned warehouse with a girl that she already knows is antagonistic towards her, you will want to smack your forehead. She’s no shrinking violet, but sometimes that gets her into trouble as well – her desire to take quick and decisive action is what gets her soul trapped near the climax of the book. As for her relationship with Edgar, she’s not close enough for him to open his heart to, but that also means that she’ll never take any affectionate overtures he makes seriously. Nico, Lydia’s walking, talking, sarcastic cat (just throwing that out there for those who are still on the fence about this series) tells Edgar if he wants to win Lydia over he needs to stop lying to her. Unfortunately, Edgar has been hurt so much by so many people – and had nearly everyone who trusted him die – that this may not even be possible.

To sum up” great shoujo potboiler. Lydia is naive but awesome. Have patience with Edgar. Give Nico some tea and fish.