a tale of the secret saint

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

There are many examples in the light novel genre of “slow life” books, where the main character seemingly spends the entire book farming, or running a store, or petting fluffy animals, and not much of substance happens. After reading nine volumes of Secret Saint, I’m starting to wonder if the writer of this series is actually from another world, and was reincarnated in this one to live the slow life putting out the plot one drip at a time. The author actually anticipates this, writing defensively in the afterword about how we all have to be patient. But come on. It helps even less that, as usual, this book is 60% main plot and 40% side stories. We get one major plot beat here, which actually functions as a cliffhanger into the next book. Little sister is still in a coma. Fia’s cover is still not quite blown. Everything is moving forward very, very, very slowly. Fortunately, Fia is an airheaded savant, so it’s all very readable.

After the events of the last book, Fia is spending part of her days in the royal garden, trying to get the roses to have the magical power to wake Colette from her coma. She’s also meeting the other saints, who are… well, in a power struggle with each other, as the position of saint these days is very political and those whose powers don’t measure up find themselves sent to the remote countryside very quickly. Meanwhile, the Queen Dowager is returning to the capital. She’s the head saint, and she has chosen a woman who is sure to be the next head saint. This comes as a surprise to Fia, who was expecting the grumpy but good deep down Priscilla to get the job. That said, Fia is even more surprised by who the king reveals will be his candidate. (Fia is the only one surprised by this.)

The side stories in this book are based on the 2nd character poll, with the top 6 getting a story of their own. It includes the ZERO spinoff, so no surprises, Sirius is in first place. It actually feels a bit odd to see the younger, Serafina-focused stories in the main series now that she has her own spinoff to play around in. As for the book itself, it’s mostly fun, aside from the Queen Dowager, who has “end of level Boss” vibes to her, does not seem to like either of her sons, and I suspect will really not like Fia once she sees what Fia can do. There’s a ton of humor here, especially when Fia decides, for no good reason, that walking around with her pet dragon on her shoulder will be fine after all. Fia is all heart and no head, and that can be a bit frustrating, both for the reader (if she figured things out this series would be over by now) and for the romantic leads (she doesn’t recognize a date even when told “this is a date” and she’s given presents).

If you’ve been following this series, well, don’t expect huge plot and character development. But it’s fun.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Sarah Burch. Adapted by Melanie Kardas.

I should be used to this by now from this series, as well as its parent. Both have a very bad habit of only being half a book and then padding it out with side stories. This volume is 244 pages digitally, but only 141 of them are the main storyline. And that’s not even getting into the fact that the main storyline is also a bit of a short story collection that’s interconnected somewhat. It makes it hard to review, as the side stories after the main content tend to be of the “free when you buy at this bookstore” variety, i.e. not all that impactful. This volume also has a character poll, and the results should not surprise anyone. (It’s a poll of both this and the main series.) Serafina/Fia may be the star, but this is a series written for women, and as such the handsome men are going to grab most of the votes. Which means they get stories from their POV. Which take up more pages.

Serafina and her knights are ready to return from their seaside adventure, but ideally they’d like to fix the climate problem that have plagued the region… unless, as it turns out, Serafina has fixed the problem by accidentally befriending the spirit whose grief was causing the problem in the first place. On their return, Serafina’s father is delighted to see her, but we’re reminded of her general reputation… as well as her knights’… when we meet her older three brothers, all of whom seem to despise and belittle her. Indeed, other knight brigades fight it out with Serafina’s, as no one knows the extent of her powers except a scant few. She then goes with her knight Mirach to his village, which turns out to grow its own medicinal herbs… and does not trust saints, which is why it’s likely good that she’s incognito. Well, as incognito as Serafina ever gets.

This is a prequel to the main series, and I’m not sure how much you’re meant to compare the characters in the past with the ones from the main series, except for the ones who are obvious reincarnations. Most of the knight herd tend to be a bit similar to the knight captains Fia knows, but that’s less because of potential reincarnation and mostly because they’re all soldiers, and thus tend to act the same way. It is interesting comparing Serafina here to the Fia in the main series. In the main series proper, Fia is definitely written as an “airhead” character, unthinking, reacting on instinct a lot, and missing connections a lot while also picking out connections others don’t catch. Serafina in this series is the same, but it’s not written as “airhead” but as “I am six years old”. As such, those who find Fia a but, shall we say, dumb as a bag of hammers might be better off just reading the prequel, which otherwise offers the same amount of fun.

If you don’t mind the fact that you’re only getting half a book’s worth of plot every book, this series remains a lot of fun.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

I’ve talked before about how Fia has this odd canny intuition and ability to connect the dots combined with an absolute ironclad airheaded dumbassness. This may be the volume where the reader’s tolerance of this is pushed to the absolute limit, though things are not helped by others around her also failing to get a clue either. It’s not quite Airheadception, but I was thinking that. The main plotline in this book revolves around Fia simply not understanding, despite seeing evidence of it for the last seven books before this, that the saint powers are a lot less powerful than they were in the past. (Indeed, we hear in a side story that she was ludicrously more powerful in the past as well, but things HAVE decayed.) This means that all her attempts to brush off what she thinks are minor use of saint powers to heal someone up turn out to be astonishing miracles to everyone around her – including a crowd of commoners. She’s VERY close to finally blowing her cover.

We open with Fia and Charlotte meeting the current frontrunner to be Head Saint, Priscilla, and boy, she has a chip on her shoulder and does not like Fia at ALL. Fia barely notices this, of course. Fia then has a bit more of the world explained for her, but not enough to make much of a difference, as she suddenly decides o put on a show when she hears that Commander Saviz will be marrying a saint soon. And who better to ask for ideas about how to entertain then the jesters we met in the previous book… who are the literal king and the top duke in the country, but Fia barely pays attention to this. They have their own agenda, however, which is to dress Fia like a saint and parade her around. Their goal is to get more info about how she found the rose that supposedly had been extinct since 300 years ago, but everything goes to hell when they run into a noble with a dying daughter – a noble that the two jesters seem to hate.

As ever with this book, I tend to appreciate the moments when it gets a bit more serious. We hear about Duke Alcott’s younger sister, who supposedly died ten years past but in reality is in a coma, and is also the reason that the king has been getting younger by the year. We get a few flashbacks with Colette, and honestly she reminds me a lot of Fia – I bet they’d get along great. Unfortunately, when Colette was dying, an earl opposed them using the powers of a saint to try to heal her. As a result, now that the earl has a dying daughter (who is also a saint) himself, their first thought is petty revenge. Fortunately, Fia may be an airhead but she’s also airhead Jesus, so you know there’s no way she’s going to do anything other than heal her using ridiculously powerful magic and then hem and haw about how she did it. Fia is Big Dumb, but also Big Good.

Things are left a bit cliffhangerey, so it’s not clear if Fia is going to be able to wake up Colette, or if this is finally the straw that breaks the camel’s back and gives away that she’s a reincarnation. Recommended to those who love to see the most powerful tennen boke in the world.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Kim Morrissy. Adapted by Melanie Kardas.

One thing I’ve noticed about several light novels series that feature things that are supposed to be cute is that they can get surprisingly dark, at least at the start. I’ve talked before about Kuma Bear and its tendency towards horrific backstories filled with rape and murder for some characters, which we basically never get anymore. And, in the main series that this is a spinoff of, we get how Serafina died, and it also features rape and torture. That too, as the books went on, has been, if not removed, at least rarely mentioned unless it’s very plot-relevant. And the first novel in this spinoff was firmly on the site of cute and adorable, so I was expecting the same thing here. Imagine my surprise when I got another character with a tragic backstory that reads very much like a horror novel. Monsters exist here, and it turns out that they can lead to fates much worse than death.

Serafina is out and about now that she can see, and she’s shown off her cook saint powers to Sirius. So it’s time for her to work with him in earnest, and that also means she needs a cohort of knights to guard her. What’s surprising to everyone but the reader, who knows that Sirius is absolutely obsessed with Serafina, is that the knights chosen are the best of the best, cream of the crop… and they’re wondering why the second princess needs so much more protection than, say, the FIRST princess. That said, she is pretty freaking adorable… and the “special medicine” she makes to cure Canopus’ fever works a bit TOO well. Clearly there’s only one thing left to do: go the the beach. Which, to be fair, also involves a bit of investigation, as this beachside community has been in an economic slump recently. It’s almost as if the spirit who blessed them is dying…

This is, out of necessity, a series where our heroine is six years old, so it lacks any of the romance that the main series hints at. Sure, Sirius is obsessed with Serafina, but that’s meant to be more of a dad/older brother thing, and honestly, she’s more his emotional crutch than he is hers. I did briefly wonder, though, if one of the guards was going to have a childhood friend romance with one of the saints, who turns out to be from his own hometown. Unfortunately, this isn’t a romance, and the guards only get to be as obsessed with Serafina as a powerful saint as Sirius is. Instead, the childhood friend’s plotline is a reminder of the dangers of feeling responsible for things you do as a kid that aren’t really your fault – easy enough to do here, when it turns out the things are so horrifying. (I was honestly a bit annoyed at the girl here. “I know you feel bad about your whole family being murdered, but did you know their souls may also be trapped in torment?”)

So overall, this was quite good, concentrating on the cuteness while also leaving in some darkness for those who like the contrast. It does have a dangling plotline, though, I hope that gets resolved whenever the third volume is out. We’ll get the main series first, though.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Faye Cozy and Kim Morrissy. Adapted by Melanie Kardas.

If you have a prequel series, it helps to have two really important things: a reason for the author to write it, and a reason for the reader to read it. The author explains in the afterword the reason that we’re getting this prequel: it’s a story they wanted to tell as flashbacks in the main series, but it rapidly got far too huge, so it was decided to make it a series of its own. As for the reader, I will admit I was a bit worried. The general premise of the main series is that, whether it be in the present as Fia or in the past as Serafina, our heroine is an extremely lovable goober who everyone adores. Technically that’s true here, but there’s a very important difference, which is that this is the story of Serafina at six, not sixteen (we get those flashbacks in the main series). As a result, she’s an ADORABLE lovable goober.

Sirius, the most powerful man in the kingdom of Nav, is sent out by the King to go gget the second princess, Serafina. Six years ago she was born blind, which is still frowned on when you’re royalty, and so she was sent to a detached house in the forest to stay so that she did not get bullied at the royal court. But circumstances have changed, and now she’s needed back at the palace. So Sirius and his beleaguered colleagues (who can’t keep up with him) head into the forest to find an extremely adorable six-year-old redhead. She can’t open her eyes, but she can apparently see spirits. When monsters attack, and prove too strong for most of the knights, a panicked Serafina calls on her Saint powers, regains her sight, and proves to be the Most Powerful Saint in the World.

This book has an agenda, and that agenda is CUTE. Sure, Serafina can still be a colossal airhead some of the time, but for the most part that’s explainable as her being a six-year-old who lived in a jungle all her life, rather than as her having none of the common sense of everyone she grew up around like the main series. Everyone who meets Serafina seems to adore her immediately, except (briefly) her brothers, who give in after Sirius trains them to death. We also meet Canopus here, and get a sense of the prejudice that he and his people go through… which ends up being steamrolled through the power of Serafina’s really liking him. And what do you know, he does indeed turn out to be really strong. She even manages to tame a griffon and a fenrir, which sort of serves as a replacement for the dragon she has in the main series. Basically, she’s a bundle of cute, and also packing ludicrous power, which Sirius is not yet ready to show off just yet. He’s too enraptured by her to do so.

The recent light novel rankings came out in Japan, and the main series placed a LOT higher than I had thought. Which explains the prequel. Fans of Fia will love seeing cute l’il Serafina wrap everyone around her finger.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

Sometimes I enjoy a good bit even if it’s obvious. Indeed, sometimes I love it because it’s obvious. And Secret Saint is, let’s face it, a series that runs on comedy, tragic backstories aside. So I have to inform you that I was smiling gleefully all through the main plot of this series, which was a perfect combination of Fia being intuitive and clever based partly on her instinct and partly on her past knowledge, and Fia being a complete dimbulb who has no idea how the world of 300 years later works and doesn’t bother to find out. There’s also an extended scene between the captains which basically serves as an excuse for Desmond to scream for 65 pages or so at the top of his lungs. That said, by the end of the book I had noticed that, despite having supposedly been the start of a brand new arc to move the story forward, not a hell of a lot happened and there were side stories galore.

Fia returns from her extended vacation to find that all the other new knights have met with the King, which is something that happens with all the first-year knights. Fia, having been absent, now has to have her turn. The king, Laurence Nav, looks about as you’d expect. What is perhaps unexpected is that he has THREE court jesters, all of whom take the opportunity to pour scorn on and belittle Fia. Ah ha! This must be one of those tests! It is indeed, and as you’d expect Fia breaks it wide open. After this, the captains all have a meeting to discuss the strange and terrifying events of the last few books – all of which deal with Fia. And then Fia is asked to meet with the current Great Saint, who is supposed to be marrying the king. That should go well. After all, Fia is a knight, not a saint.

So, apologies for giving away the obvious gimmick of this book, one of the jesters is the real king, and the other two are his closest advisors. Fia figures this out due to a combination of 300-year-old knowledge and her magical saint powers, but it’s the way she carries it off that makes this so fun to read. She’s forced to play a poker game that’s really an excuse for the king to wave his secret identity in front of the knights’ faces without giving it away, so is rather upset when Fia, in fact, figures it out and wins in her own way. I really enjoy this sort of Fia, and hope we see more of her in the next book, which I suspect may get a bit Villainess-ey. I admit I’m not as fond of Fia not realizing that her powerful dragon familiar disguising himself as a chibi-version does not really count as a disguise, or once again not understanding that things are very, very different 300 years later. But you can’t have one without the other, really.

I’m not sure when we’ll get Book 8, but I won’t have to wait long to read more about Fia. Or rather, about Serafina. Tales of the Secret Saint’s getting a prequel series, and it’s out soon. Till then, this was fun.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

This is not the first time I’ve seen this happening, but I am noticing that, having established the fact that Serafina was raped for weeks before she was murdered in the past, and that this is really the main source of the PTSD she still suffers, the novels are doing their best to dial that back so that they don’t have to make the reader think of it again. It’s become a sort of general demon trauma, but it’s also become specifically “that one guy”, who we (but not Fia) already know is not the “demon lord’s right hand man” at all. The front half of this book actually deals with that trauma, giving us an actual demon, and is quite good. Unfortunately, I think we have hot a new record, as the main part of the book ends just before the halfway point. We now have more side stories than regular plot.

Fia is still on vacation with Green, Blue, and Kurtis, and, since it came up when she returned to her childhood home, she goes into greater detail with them about her fear of demons. And it’s just in time, as while they’re up on the mountain they happen to run into a young woman with black hair and black eyes, who is clearly a demon but enjoys toying with them, calling herself a poor defenseless human. Unfortunately, she *is* a demon, “The Bird Cryer”, and much as they’d like to tell a panicked Fia to stay back and let them handle it, she’s more than the three others can handle. Fortunately, this is not the one demon Fia is traumatized by, so she’s able to pitch in. The rest of the book is, well, Fia being Fia. Which let’s be fair, might be why people are reading this book more than folks who are here for the plot.

So yeah, Fia is a giant silly person, who doesn’t get that she is obvious and unsubtle and super powerful. She hands out potions that can restore someone’s health from a coma without thinking about it. She hands Blue and Green (and yes, despite them giving it away several times, she still doesn’t know they’re royalty) a curse-destroying hairband for their sister, not thinking anything of it that she’s basically given her peace of mind and stopped the trauma. She gets her commanding officer one of the most powerful griffons in the land. Accidentally. She rediscovers magical hearing restoration potions as she didn’t realize that in the 300 years since she made them, they became unknown. If she put her mind to it, she could easily take over the world. Everyone but her knows this. Fortunately, she is 100% avoiding this. She’s just a knight, after all!

I really wish we had more main story and less side stories, but this remains funny and cute.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

I have to be honest, I should not enjoy this series as much as I do. It really does a lot of things wrong. At its core is broad humor involving a heroine who misunderstands almost everything everyone says to her, and that’s fine. In fact, it’s almost a genre in itself. And she’s really, really good at not getting it. But it also manages to bring up her very real PTSD that comes from her actual death and everything leading up to her death, to the point where she’s actively repressing the worst memories of it. This is also quite well written and handled with care, but the two plotlines really should not co-exist next to each other as well as they do. In addition, this volume once again is 2/3 of an actual book, followed by endless extra side stories that either tell other character’s POV of what Fia narrated for us, or Fia’s wacky adventures as Serafina in the past. Where we find she was also a giant ditz.

After the events of the previous two books, Fia is now officially a knight, but before she can get down to the business of protecting the royal family, she’s given some time off. She uses this to go north to visit her older sister, aka the one sibling that did not treat her like hot garbage growing up, and also check in with Zavilia, who is no longer a tiny little dragon familiar but has become King of the Mountain – literally. He even has his own dragon cult, though there’s some implication that this is mostly due to pure terrifying force of will. Unfortunately, when she gets back to her home, she’s also met by Guy Osbern, who used to “tease” her as a kid by calling himself a legendary demon. Sadly, he had no real way of knowing the very real trauma that she had in the past from demons, and seeing him again brings it all back.

Again, for the most part this is hilarious. Before she sets off on her journey she runs into “Green” and “Blue”, the royals from the neighboring kingdom who are still just random adventurers to her, and she takes them with her on her journey. Literally everyone except Fia can see they’re Very Important People, but she does not care. She also has a nice dose of accidentally using her saint powers and having to pretend that it’s for some random reason, though fortunately she doesn’t have to restore any severed arms here. Amidst all this, we do get actual plot, if only a bit. The past history of the kingdoms does not quite match up with Fia’s memory of her past from 300 years ago, and Kurtis knows why but does not want to upset Mia too much. What’s more, it turns out that they may not have defeated the real demon lord – and “the demon lord’s underling” is the one part of Fia’s memories that she’s still running away from in terror.

So: this is hilarious You will laugh. But there’s an odd current of deep tragedy also rolling through it, and the resulting taste should not work but does.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

I’ve talked before about how this series frequently can’t decide if it’s just pure comedy or if it has true tragedy embedded within it, but in one way it definitely fills the comedy mode, and that’s because the reader is left wondering, after four volumes, how long Fia can possibly be able to keep her reincarnation a secret given how absolutely lousy she is at hiding anything about it? The difficulty is that this is half of the humor (the other half just being Fia in general, unrelated to her past). So I suspect the answer is “it will get revealed right before the series comes to an end”, and it’s still ongoing as both a webnovel and a light novel. So this means I will have to put up with the fact that it is increasingly unbelievable that no one else picks up on this except the OTHER guy who has reincarnated memories. I mean, that’s the gag. It’s just a really belabored gag.

We pick up right where we left off 2/3 of the way through Book 3 (which is to say the end of the main plot), with Fia having to deal with the fact that her former bodyguard from her previous life, Canopus, has regained his memories and is now Captain Kurtis of the Thirteenth knights. Fortunately, he seems willing to go along with whatever she says. UN-fortunately, that’s because he’s just as obsessed with her sainthood as the rest of the Sutherland people, if not more. Things are not helped by the fact of Fia constantly accidentally doing Saint things while completely failing to realize they’re abnormal. The third volume was about the drama that surrounded Cyril and his homeland, but this volume is surrounded by an utter LACK of drama. With Fia around, everything’s fine.

Despite my grousing in the first paragraph, this is still an enjoyable volume, mostly because Fia is so fun and likeable. We’ve seen flashbacks that show that this is not just a function of her past memories interfering with her present ones – she was always like this. So we get things like her trying to explain to the local healer how to make the cure for their deadly disease by essentially saying “here are the ingredients, the actual amounts used are up to you” and having everyone stare at her in a sort of daze. I am slightly less enamored of the additions to her reverse harem, especially as we now have TWO who are a bit too obsessive for my liking, but honestly, Fia’s obliviousness is also something that will probably last until the final volume (and Cyril, let’s face it, has a very big lead on the others). Fortunately, this also ends this arc, so we’ll start a new one in the next volume, possibly involving those color-themed royals from previous books.

This is never going to be in any best of the year lists, but if you like Katarina Claes-types who are also far, far too powerful for their own good, this is definitely one to keep up with.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

I think I’m going to have to give up and accept that this series is never going to be quite what I want it to be. It will continue to have broad comedy and horrible tragedy rubbing elbows with each other, and not always be successful at blending. It will also consist of about half the actual book I want to read, and half side stories and extra stories. That said, now that I have done that, this was a pretty good book, giving us an extended flashback showing us exactly what life with Serafina was before her tragic end. Unsurprisingly, she’s a lot like Fia. We also meet Serafina’s aide, the Blue Knight, and learn of a near tragedy that happened a few years before said tragic end, which involves a pandemic and an uncaring government doing nothing to stop it because racism. Again, I think this was written before COVID, but…

That’s Serafina on the cover, by the way, rather than Fia, as well as Canopus, her Blue Knight. The book starts in the present, though, with Fia being invited to join Cyril as he returns to his homeland of Sutherland… which is also the homeland of Canopus, so Fia is interested in going so she can visit his grave. Unfortunately, Cyril’s parents were both of the Bad Royal variety, and as a result the populace has a seething hatred for knights in general and Cyril in particular. This may change with the arrival of Fia, who happens to look exactly like the sacred saint that they venerate. Can Fia manage to keep her true identity a secret, find out about Cyril’s tragic past, and attempt to assuage the population? Especially given there’s a return of the pandemic she fixed three hundred years earlier…

The answer to at least one of those questions proves to be no, though it also ties in with a rather vicious cliffhanger, so I won’t talk about it much here. (The cliffhanger is on Page 177 of 225, which is why I find the side stories kind of aggravating). There’s a rather serious look at racism here as well, especially in the “300 years ago” sections. The Sutherland people are actually an island people who moved there, and they have darker skin as well as slightly webbed hands – which, as you might imagine, leads to a lot of rage and disgust – the ever popular “filthy” gets used – and also gives us a hint as to why Serafina’s family ended up betraying her in the end (hint: because they’re bad people and she is not). I will admit that the introduction of the 13th Brigade Captain, which I honestly barely noticed at first, proves to be a bit convenient – but that’s only in hindsight, so I’ll have to give it a pass.

Fia is still deeply dippy a lot of the time, but that may change with the next book, which might force her to be more serious. Till then, this was better than the first two volumes.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

At least I can respect its consistency, as the 2nd volume of Secret Saint has exactly the same flaws as the first volume did. It can be a lot of silly fun, especially when Fia is forced to be the straight ma in the group despite the fact that she is an airhead 100% of the time. This even holds true, mostly, for the fighting scenes when our heroes are battling the most deadly monsters they’ve ever seen before and Fia reacts the same way you would if you spotted a blue tit in your bird book. On the other hand, it does mean that when we get to the more serious stuff involving the pasts of both Fia and Zavilia, it feels out of place. It’s written well, don’t get me wrong, but out of place. Also not helping things is that this book is technically only 130 pages – the other 80 or so are side stories, interludes and bonus stories, meaning we don’t get much of the main plot.

After the events of the first book, it’s clear that Quentin, at least, has figured out who Fia’s tamed familiar really is. Unfortunately, that makes him into goofy airhead #2, as when he’s talking about powerful monsters he gets obsessive and over the top. The knights are going to set out on a mission to try to drive out the black dragon that is presumed to be in the forest and send it back to its lair, thus solving the “why are so many monsters hovering around here lately?” problem. There are two issues with this plan: 1) the reason the powerful monsters are coming around is they’re drawn to Fia; and b) the powerful black dragon is in fact the familiar that she’s putting bows on to make it look cuter. Still, I’m sure nothing will go wrong, even if it means forcing all the soldiers to deny everything they just saw.

While they feel awkwardly out of place, I will admit that the more serious parts of the story are also the most memorable. Zavilia’s past is the Ugly Duckling gone horribly wrong, and its moral is basically “people are assholes even if they’re dragons”. Far more impactful is Zackary, the most sensible of the captains, trying to get Fia to confess who she really is. She almost does, and feels like she can trust him, but when she starts to do so she has a complete panic attack. This is quite well handled, and Zackary does a good job of helping her recover and backing off, but it’s clear that the trauma of her past life is not remotely something she has gotten over, and therefore allies are going to need to either rely on good faith or assume that the world has turned weird.

I’d argue that if you’re looking for fun overpowered dimwitted swordswomen, Reborn to Master the Blade is probably a better choice. This is still pretty good, thogh, I do hope volume 3 gives us a bit less “let’s pad out the book with other people’s POV”.

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

It has to be said, I have a type. They don’t necessarily have to be the heroine (though they certainly are here), but if you get a really strong woman, usually holding a sword, who’s also kind and brave and cheerful… and a bit dumb? Let me tell you, that is my meat and potatoes. So as you can imagine, I was delighted to find that Secret saint offered me a full-course mean of ditzy strong girl. Now, this doesn’t mean the book is excellent. Like a lot of light novels of this sort, if you try to examine the actual plot it ends up having a lot of holes to poke through. But if you don’t, you get the story of a young girl who, near death, ends up getting memories of her past life as a powerful Saint, and her attempts to secretly use that power to help herself while also keeping it a secret from everyone else. Except… she’s terrible at this.

Fia, the youngest daughter in a family of knights, has not had a very good life so far. She’s trying to follow in her siblings’ footsteps, but despite training constantly, she’s not a great knight. Her father ignores her, her brothers disparage her. Then when she goes on her coming-of-age ceremony, she ends up accidentally healing a monster… who then tears a big hole in her. She then remembers her past as a Saint… and now knows how far Saints have fallen in the last three hundred years. Fortunately, with the knowledge from her past, she not only passes her ceremony with flying colors, but also ends up as a knight guarding the royal family! With her ability to make extra strength healing potions, keen instinct for both monsters and humans, and complete lack of common sense, can she keep everyone from knowing who she is now?

As noted above, the fun part of the book is Fia’s increasingly hilarious attempt to pretend that everything she’s doing is perfectly normal and not suspicious at all. No one really buys it… but she never QUITE lies, and they aren’t really able to read her enough to get a bead on her. Her personality made me happy. That said… first of all, her backstory, both as Fia and in her past life, seems far too brutal for a light, fluffy story like this one. “I can put up with an abusive knight captain because it’s nowhere near the abuse I got from my brothers” is not a good punchline, and it occasionally jars. There’s also the fact that the narrative is not good at telling us how much of this is Fia herself and how much is Fia’s past memories. The implication is that her observational talents and sudden tactical genius is all because of her past, but you could also argue that it merely unlocked something in her all along. It’s confusing and I wish it was delineated better.

But honestly, if you don’t think too hard about it, this is a winner. Fans of My Next Life As a Villainess who wonder what Katarina in an RPG would be like can read this and see: she’s be much the same.