a certain magical index

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

I’m afraid that I just have to say it at this point: Kamachi is simply not very good at writing comedy. Deliberate comedy, like the events of the first 3/4 or so of this book, seems like it should be something of a success for him, but he gets tripped up by his own overly wordy prose, and also the tendency to rely on familiar cliches and character types – “tee hee, she’s embarrassed to admit her feelings” pretty much defines Mikoto, but it’s not funny per se. The anime actually improved much of this by cutting it down and removing the musty prose, and it’s one of the few times I recommend watching the anime as it handles the material better than the source. Unfortunately, as most of this book is a “cooldown” book, we’re left with another even-number volume curse. It certainly picks up speed by the cliffhanger ending, though.

Introduced in this volume: Amata Kihara. For the most part, this is catching up with old characters and seeing how they’re doing. Kihara is a nasty piece of work, and keep an eye out for his last name in future volumes, as he’s party of a family of nasty pieces of work. We’ve also seen another Kihara, Gensei, as one of the main villains in a Railgun arc. Speaking of Railgun, take those timelines and crumple them in a ball, as we see Mikoto run into Uiharu here, and she barely knows who she is beyond “Kuroko’s friend”. The anime corrected this, of course, since it already took place after Railgun’s first season. This is the trouble with sprawling continuities with multiple spinoffs – you’re going to get contradictions like this. (Uiharu is also OOC here, still being in the “I aspire to be a pure young maiden” stage.) Obviously, this also takes place immediately after Vol. 11 of Index, as Vento of the Front has arrived in Academy City and is here to kick ass and chew bubblegum.

The main conceit of this book, however, is to reintegrate Accelerator into the main events of Academy City. After his seeming heel-face turn in Vol. 5 (though he’d be the first to deny that was what it was), he’s been getting healed in a hospital, and he and Last Order are finally able to move out. Not that they’re going far, as they’re moving in with Yomikawa and Yoshikawa, who continue to have vaguely yuri subtext if you bother to hunt closely for it. Accelerator is quite grumpy about the fact that he can’t use his power for more than 15 minutes anymore, and can’t use it at all – even to keep himself coherent – without the help of the remaining Misaka clones he hadn’t killed off. His understandable self-hatred is a running theme, as he doesn’t really believe he can ever be redeemed (many fans would agree). As for Last Order, she’s still pretty much a brat here, stealing Misaka 10032’s goggles and taking off.

The highlight of the book, deliberately, is the crossing of heroines. Touma is out on a “date” with Mikoto as his punishment game for losing at the Athletic Festival, and Accelerator is out and about trying to find where Last Order has run off. As a result, they each run into the other’s main girl – Last Order has a chat with Touma, and Accelerator comes across a very hungry Index, who he proceeds to feed hamburgers, which may be a mistake. This is not really the highlight per se, of course – as I indicated earlier, the comedy is not as good as it could be, and the anime did it better. What makes it a highlight is the end of the book, where things turn serious – Kihara is here to take back Last Order, and nullifies Accelerator’s powers. Meanwhile, Vento of the Front has invaded and is taking out all of the security forces with apparent magical powers. As a result, at the end of the book the heroines have shifted once more – Index is here to rescue Accelerator (somehow), and Last Order is tearfully asking Touma for help.

It’s a nifty cliffhanger, and should be resolved next time. We also may get even more old faces, as Aleister talks about using Hyouka Kazakiri (remember her?) to help wipe out the Roman Orthodox Church invasion. Somehow – how he plans to use a meek, busty, somewhat nonexistent girl is something that will have to wait for another time. In the end, this isn’t the best volume of Index, but I suspect it needs to be judged when read with Vol. 13, due out in November.

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

The Index series is very fond of building on previous volumes and showing us that nothing takes place in a vacuum – there are no “stand alone” novels, everything impacts something else. And so this volume ends up being something of a direct sequel to the 7th volume, as Touma and Index win a trip to Italy (that was clearly rigged, though that’s not made explicit) and barely manage to arrive in a small city near Venice before they are once again embroiled in the Roman Orthodox’s attempts to regain power whatever the cost. This also follows up on events from Vols. 9 and 10 = Lidvia failed, and so the church is even more desperate, and looking for scapegoats. And what better scapegoats than the group of nuns who failed in the 7th book, led by Agnes Sanctis, who it turns out is far too similar to Touma and Orsola for her own good. For a book that goes to Italy and back in under 24 hours, there’s a lot going on here.

Introduced in this volume: Biagio Busoni, Itsuwa, Pope Matthai Reese, Vento of the Front. The latter two are not explicitly named. Busoni is the villain of the volume, but like Lidvia he ends up being another in a series of failures. Itsuwa is the most important introduction here, but you wouldn’t guess it from her small and pointless appearance in this volume, where she spends the entire time handing Touma hot towels and harboring an obvious crush on him, which the other Amakusa Catholics encourage and get frustrated by. (So she clearly saw Touma in action in Book 7, even if she wasn’t named – the anime adding her makes total sense.) The Pope and Vento appear in the final cliffhanger scene, and make it clear that the Church is not going away. Timeline-wise, it’s the end of September, and the festival has mostly ended but school hasn’t started up yet, which is why Touma and Index can go to Italy. In the Railgun timeline, we’re starting the Dream Ranker arc, though honestly at this point it gets harder to mesh timelines – Railgun hasn’t hit books after this one yet.

As you might be able to tell by the cover, Index gets significant time in this book, even though Agnes is the heroine that Touma is saving this time around, and arguably Orsola gets more to do. I have a bit of a reputation as an Index apologist, but even her detractors would have to admit that she’s at her best in this book, showing off her knowledge of Europe and ability to speak multiple languages, saving Touma and Orsola from a sniper attack, and continuing to use magic despite characters literally saying she can’t use magic mere pages later. (I understand what they’re trying to say – Index herself has no magic ability, she’s just using the books within her. But it’s semantics at this point, given she’s speaking spells that alter the trajectory of bullets and the like.) Actually, the one big flaw in this book is Touma, who spends most of it being far grumpier and angrier than he has any right to be – Index does bite him a couple of times, but the prose makes it very clear that he was asking for it heavily.

And once again we have the Roman Orthodox Church as villains, though Orsola exists to show off the goodness that can still exist within them. Of course, she’s off to join the English Puritans, and from a strictly religious standpoint, this could be disquieting – but this is a fantasy where magic is thrown around like candy, so there’s no need to examine it too hard. As always, the book goes out of the way to avoid using the word “Catholic” in regards to this church, even though we have the Russian Catholic Church mentioned. Indeed, for a book with as much religion as this one has, Jesus Christ is never named explicitly – which could be a simple translation choice, but also makes sense, given that these Roman Catholics seems to place far more faith in powerful tools, such as the Cross that Jesus died on (Crossist is used a lot) than Jesus’ teachings, which only Orsola seems to take to heart. Again, Index is fascinating in many ways, but devout Catholics may want to skip it.

This volume ends with a cliffhanger, but I’m not sure that we’ll see it resolved in the next book, as Touma’s punishment game should take center stage. Also, isn’t it about time we see Accelerator again? In any event, this is a very good volume that will please casual light novels readers.

By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

This picks up immediately after the end of the previous volume, as befits a two-part arc. In fact, Kamachi helpfully provides a recap for anyone who may have somehow skipped the previous book. I had wondered if we’d get more athletic events for the festival, but no, sadly the festival is mostly offscreen for Touma, as he spends 4/5 of the volume chasing after Oriana Thomson, watching her nearly kill his friends, and arguing with her on the nature of doing good and how it’s impossible for everyone to share the same view, ethics, or religion – it’s all influenced by their own head. Luckily, the Roman Catholic Church is coming to the rescue to change everyone’s minds into their own! For some strange reason, Touma objects to this…

Introduced in this volume: no one! Given this is the second in a two-parter, we get no new characters. That said, Lidvia certainly gets a lot more to do here, and she’s really not a pleasant person at all, though when given Lady of the Tiger choice she at least attempts to do the right thing by choosing Lady AND Tiger. We also see Laura Stuart (or rather hear Laura Stuart) at her most devious and cunning – Lidvia has a long way to go to get to Laura’s level. Himegami also gets a larger role in this book, and it once again reflects on her status as a “failed heroine” – she wants to do romantic things with Touma, but he’s too busy saving the world, and in the end she ends up an innocent victim who Touma doesn’t even have the time to rescue – Stiyl and Komoe-sensei have to do it. (I will simply ignore the ship tease between Stiyl and Komoe in this book, because eurgh.)

Luckily she’s cheered up by Index, who also gets very little to do this book, but that’s by design, as most of the Magic Side know that Index is a plot maguffin and so they have to keep an eye on her to see what’s going to happen. Of course, finding out Touma is once again getting himself hospitalized without her knowing anything makes her grumpier. I find Index far more tolerable in prose form – no offense to Yuka Iguchi, but I think Index herself simply sounds less stupid in the books as opposed to the anime. She’s the emotional core of the series, and it’s her purity that inspires many other characters – most obviously Touma and Stiyl here. (She also gets a great line about Peter Pan when looking at the youthful looks of Touma and Mikoto’s mothers, which the anime sadly cut.)

The book itself does its level best to conceal its big secret: this entire runaround was pointless, and chasing after Oriana was meant to be a distraction. Luckily, like follows like, and pointless follows pointless – for all that Lidvia succeeds in her ritual, it’s useless due to Academy City’s fireworks show lighting up the sky. I think one reason Index is so upset is that she could have saved him a lot of running around and injuries by simply having hm ask her, but then when you’re a walking magic wikipedia… In any case, a good volume, and less magic theory than the 9th book (though we still get some, mostly related to astrology). Next time, Index Does Italy!