Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Negima! Magister Negi Magi, Vol. 37

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By Ken Akamatsu. Released in Japan as “Mahou Sensei Negima!” by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics.

First off, I will admit that this reads a lot better in collected format than it did in weekly chapters. The parts of the story that really aggravated me are confined to the latter third of the book, and there is some honest attempt at character building and attempting to wrap things up. But overall, this is still Ken Akamatsu, after an exciting 18-volume arc of fighting and apocalypse, going back to Mahora Academy and simply coasting on fanservice for a while. And, at least in the West, he found himself up against a fandom that was now reading Negima almost entirely for the action and drama, and hated the fanservice. This is a big problem if you’re Ken Akamatsu.

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Where the story works well is when it’s capturing the fallout from the Magic World arc. Setsuna, as Eva points out, can’t deal with being a soldier in peacetime, and is still (still!) upset with her base desires for Konoka, not to mention finding out that Asuna is a princess. Her heroic self-loathing can be quite amusing, but it’s also a very annoying side to her, and so I was somewhat torn between laughing and wanting to smack her. Of course, all that class distinction goes right out the window when she finds out what Negi and Asuna’s plan for saving the magic world is. It’s a big but workable sacrifice for Negi, but a huge and appalling sacrifice for Asuna, and Setsuna is justifiably appalled that she’s avoiding telling anyone what she has to do. More on this in the final volume…

There are some other good chapters. Chisame spent most of the Magic World arc filling in for Asuna as Negi’s tsukkomi and adviser, and now that they’ve returned suddenly finds that she hates being out of the loop. Yue gets shorter shrift, but finally manages to recover the memories from the past year, ironically triggering them by confessing to Negi. Unfortunately, this then leads to the rest of the book, where Haruna and Misa (a truly disastrous combination who should never be allowed to plan anything together ever) decide that Negi ‘leading on’ all these girls by his natural-born charisma, and not responding to any of their love confessions (despite his age – I wonder if he’s turned 11 by now) makes him an enemy of women.

Earlier in the volume we had a chapter or so devoted to a giant fight between Negi and Eva, fanservice for those who like that sort of thing. And at the end of the manga we get a giant wacky chase, which Akamatsu loves to do (see my recent review of the 4th Love Hina omnibus) and which never fails to annoy me, as it always has people acting out of character for the sake of comedy schtick. Combined with far more nudity than usual (let’s just say Negi sneezes quite a bit this volume) and you have Akamatsu specializing in many of my least favorite scenarios.

There’s also the fact that Negima ends in the next volume, and there seem to be an insane amount of loose ends that still haven’t been tied up. Negi’s parents, the whole plan with Asuna – it won’t end the way it’s suggested, unless this series goes really dark – and of course which girl wins. And behind the scenes, Akamatsu and his editors at Weekly Shonen Magazine are (allegedly) having a bit of a tiff. How will this all shake out? Well… see you next time.

Pretty Guardian Sailor Moon, Vol. 9

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By Naoko Takeuchi. Released in Japan as “Bishoujo Senshi Sailor Moon” by Kodansha, serialized in the magazine Nakayoshi. Released in North America by Kodansha Comics.

I have so many things to say about this volume of Sailor Moon that I’m not even sure where to begin, so please forgive me if I start to ramble. For those of you wondering what’s going on, the Senshi are dealing with the Dead Moon Circus and Chibi-Usa’s getting visions of a pegasus who’s looking for the Legendary GOLDEN Crystal. Meanwhile, all the senshi have found themselves unable to transform and are wondering if this means their duties are over… and whether they can start to follow their dreams.

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The volume opens with each of the four Inner Senshi discussing their dreams of the future. Ami wants to follow in her mother’s footsteps and become a doctor, Rei likewise wants to succeed her grandfather (who I’d forgotten looks nothing like his anime counterpart) at the shrine. Makoto wants to be a wife and baker; and Minako of course dreams of being an idol singer. As we move on, it’s not limited to just them. Not only do the Outer Senshi find themselves living in a small bubble of ‘perfect happy family’ that seems like a dream, but even the Amazoness Quartet, this arc’s minor villains, use the same language – getting their freedom to move in the real world is referred to as their dream.

The first three chapters also remind us that many of the senshi have family issues. Ami’s mother is really too busy to give her the care she needs (though notably she seems to show remorse about it, unlike a lot of ‘education mama’ portrayals of Ami’s mother I’ve seen), and her father essentially ran away and divorced them a few years prior. Rei’s mother died soon after she was born, and her dad is a government minister who has no time for his daughter and has sent her off to live at the shrine. (As we’ll find in a later short story, he *is* as unpleasant as he sounds.) And Makoto’s parents are both dead, and she’s living on her own with the traditional manga “where the hell does she get the money to afford that place” apartment.

The Amazon Trio (who, this being the manga, are barely characterized and killed off right away) thus have no trouble finding ways to get into the girls’ heads and try to tempt them away from their true calling. Preying on Ami’s loneliness and abandonment issues, Rei’s sense of duty and how oppressive that can feel, and Makoto’s indecision and feelings of being weak. Naturally, in the end, each finds the inner strength to go on (in Jupiter’s case, MONSTER STRENGTH, a line that had me laughing hard) and are able to transform, power up, gain new attacks, and wipe out the enemy. (Though not, notably, the Quartet, who always get away. Maybe it’s because they always work in a group, rather than on their own like the previous minor villains. You’d almost think they were friends…)

And then there’s Minako, who has issues of her own. She’s supposed to be the leader of the Inner Senshi, after all (something the anime quietly dropped), and is rather upset that they can all now transform and she still cannot. What’s more, the other three are all mentioning the Outers more and more – how inspirational they find them, the good advice they received from them, and how it would be great if they could show up to help everyone out. This makes Minako even more annoyed, as she never really bonded with them the way the others did, and is unable to offer advice as she’s still powerless. We see in the previous chapters each Inner thinking of advice from their Outer mentor – Ami with Setsuna, Rei with Michiru and Makoto with Haruka. Clearly that would leave Hotaru for Minako, but as she’s a baby right now that doesn’t really happen.

(Speaking of which, when did all these chats and bonding with the Outers actually happen? Between S and SuperS, or in the bits we didn’t see between S? Also, I know that Minako and Hotaru is quite a popular fanfic crack pairing, and I wonder if this might be a reason why.)

In many ways, this parallels an episode of the S anime, where Minako is frustrated that she’s the only one who hasn’t been attacked by the enemy. Here she charges forward into the enemy’s trap (and yes, she’s quite aware it’s a trap) in an attempt to make herself power up through sheer force of will. Unfortunately, what this leads to is her being dropped off of a tall platform, and the only thing holding her up is Artemis. Ignoring the physics of that for a moment, this resonates the best of the four Inner Senshi stories. Ami and Makoto had tiny little versions of themselves gibing them pep talks, and although Rei and Phobos and Deimos turn human briefly, we’d never seen her interact with her crows in quite the same way. But Minako and Artemis are partners (in a way that Usagi and Luna will never be), and when Minako thinks he’s been killed she’s heartbroken.

Artemis’s transformation into a white-haired handsome bishie would likely be less startling to those who read the manga when it first came out (they’d already seen a side-story where Luna did the same, which was adapted into the S movie), and it’s presented as sort of a powerup, much as the senshi go from Planet Power or Star Power to Crystal Power, Artemis is now strong enough to turn human in times of need. This is turn allows Minako to find the strength to make her own transformation.

In the meantime, as I noted, the Outers are living an idyllic life in a mansion somewhere. Haruka’s racing idiots on the highway, Michiru’s recording CDs (and getting hit on), Setsuna is doing important research, and Hotaru… now seems to be about 5 years old. And is quoting Yeats. The Senshi of Destruction quoting The Second Coming is never a good sign. She has her memories as Hotaru, her memories as Saturn, and these new memories of growing up with the Outers all in her head, and it’s turned her into quite the little prodigy. Of course, she also has her deep bond with Chibi-Usa, and knowing that she’s in trouble leads to her age up, again (this time to about 12, it seems), and unite the other Outers to do the same. It’s the sort of scene you want to see set to music, and is beautiful, inspiring, and a bit scary all at once.

In the meantime, what of our leads? Well, poor Mamoru is once again suffering by being the one who is always targeted. This time it’s shadows on the lung, which then becomes coughing up black blood – and even worse, it seems to be contagious, something we find at the very end of this volume when Usagi starts to cough as well. The ‘swapped bodies’ cliffhanger from last time is resolved fairly quickly (though not before Usagi tries to cuddle up with Mamoru in her chibi body, and finds that though he likes ’em young, that’s a little *too* young). Most of the book has Chibi-Usa trying to figure out what’s going on with Pegasus, which is a combination of ‘I want to save him from the bad guys’ and ‘he transformed into a hot guy what are these feelings in my heart?’. This, by the way, leads to the other big funny moment in the volume, where Chibi-Usa imagines talking about her unicorn wannabe-boyfriend with the other Inners, and quickly realizes Makoto is the only conversation that wouldn’t be a disaster.

I seem to have gone on a bit. Suffice to say this book was basically everything I wanted it to be, gave me tons of character stuff to analyze (giving lie to the anime fans saying the manga characters are too dull), and had huge roles for Minako and Hotaru, my two favorite senshi. And, if I recall, the next volume is just as good, and will wrap up the SuperS arc. Get it!

JManga the Week of 2/7

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SEAN: 3 new volumes next week, two of which are my own pets so… First of all, Vol. 4 of The Lucifer and Biscuit Hammer (yes, yes, Hoshi no Samidare), which, like Viz’s recent license One-Punch Man, seems to me to be an attempt to do Western-style superhero drama. Its combination of friendship and nihilism is quite addicting.

MJ: You make that sound oddly alluring.

MICHELLE: Indeed.

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SEAN: I’ve reviewed both volumes of Wonder! to date, and will no doubt be reviewing this one as well, as it has one of the absolute best qualities of any manga series: the ability to make me talk and talk at length about it. I do wonder if it will pick up the slight bombshell dropped at the end of Vol. 2, but suspect that may be another “Oh, Japan…” moment.

MJ: Well, now I feel like I should read it, too! I do like to talk.

MICHELLE: We could make it one of our tandem reads for a future Off the Shelf.

SEAN: Lastly, those first two series come out once in a blue moon, whereas we’ve already had 3 volumes of Crime and Punishment: A Falsified Romance in two months. This one’s on the fast track, and I suspect is a publisher favorite. Not sure if that’s JManga or Futabasha, though.

MJ: There are several series I’d like to see come out a bit faster at JManga—generally long shoujo or BL epics that inspire in me the urge to marathon. I suppose that isn’t the smartest way to put things out, but I wish they’d hit the fast track as well.

MICHELLE: I’m really grateful about the ones I follow that are on that track, but yeah, I am waiting on updates for some as well.

SEAN: Short but sweet. What are you downloading (or is it clouding)?

Manga the Week of 2/6

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SEAN: I knew there would be a pile this week, and indeed there is a pile. I already talked about the Kodansha stuff last week, as I anticipated this, so to sum up: Fairy Tail 23, the third and final Genshiken omnibus, the last Miles Edgeworth: Ace Attorney Investigations, the penultimate Negima, and a new and fantastic Sailor Moon.

Meanwhile, that still leaves a lot. Dark Horse has Vol. 26 of Gantz, which no doubt is filled with latex, boobs, and blood-soaked gore. I like one of the author’s other works a whole lot, but this series just never grabbed me.

MICHELLE: I was kept away from this one by reviews, and will probably be staying away.

MJ: Same here. It’s sad, too, because I generally like to support Dark Horse manga. I wish I thought I could like it.

SEAN: Udon has a title that is not via Capcom (to my knowledge), but still seems to be video-game based: Sengoku Basara: Samurai Legends Vol. 2. It’s like Son Goku, only with an e! And… probably not a lot like the shoujo manga Basara at all.

MICHELLE: Probably not.

MJ: Heh.

SEAN: Vertical has Vol. 7 of GTO: 14 Days in Shonan, which is now in its last third. The twins arc may be wrapped up here, but that doesn’t mean things are back to normal. In fact, we may be getting even more serious than before.

MICHELLE: I am several volumes behind on this now. Bad me.

MJ: My eyes are filled with little hearts as I read this. Oh, GTO: 14 Days in Shonan, how I love thee! Thankfully, my crush on Eikichi Onizuka is slightly less embarrassing than the one I had on Morimoto Rockstar.

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SEAN: And the rest is GIANT PILE O’ VIZ. First off, Vol. 8 of Ai Ore!. The series apparently doesn’t end here, but as Mayu Shinjo is busy with many other projects, it’s on hold right now, so this will be the last for a while.

MICHELLE: Oh, really? Crap. I was hoping I could be finished with it once and for all.

MJ: Some nightmares never end.

ANNA: I feel like the lone apologist for Ai Ore!, but really the later volumes of the series that I’ve read have been pretty funny. And Demon Love Spell is a hoot. I seriously wish more Mayu Shinjo titles were translated over here. Oh! Maybe Viz will put Sensual Phrase on the iPad, that would be awesome.

SEAN: I generally like Ai Ore more the more that it comically abuses its hero. As for Sensual Phrase, I suspect it’d get M-rated off the tablet devices, unfortunately.

Bleach has an omnibus of Vols. 10-12, which if I recall are right in the middle of the Soul Society arc, so should be a lot of fun.

MJ: Oh, I really miss those days!

SEAN: Bleach also has Vol. 55 of its current run, which is the start of this current arc, I think. Kubo said a while back this would be the last arc, but that doesn’t mean he’s not taking his own sweet time about it as always.

Dawn of the Arcana hits Vol. 8, meaning I’m farther and farther behind. Ah well. At least digital manga doesn’t go out of print. (Yet – I don’t want that thrilling new trend anytime soon.)

MICHELLE: I’m planning to get caught up on Dawn of the Arcana this week, as a matter of fact.

MJ: I’ve suddenly gotten hooked on this series, so I’m quite happy about this!

ANNA: I like the way Dawn of the Arcana seems to be a bit more concerned with world building and geopolitics than romance, it makes it a little different from the average shoujo title.

SEAN: Devil and Her Love Song 7 its right in the exact middle of the series, and so things are clearly only going to get worse for our heroine. I do hope Anna sticks around, though, as I know there’s a good friendship with Maria buried somewhere deep deep DEEP down in there.

MJ: This is also a shoujo series I can’t seem to get enough of, though of course it’s very different.

ANNA: Always good to see another volume of this quirky series!

SEAN: Kamisama Kiss hits a dozen volumes, twice that of Karakuri Odette! This one’s still going strong, though, and apparently features cutie Himemiko, who finds dating is even harder when you’re a yokai.

MICHELLE: Here are a couple more shoujo series that I like but am behind on.

ANNA: Yay! Kamisama Kiss is one of my never-fail feel good shojo reads.

SEAN: Naruto also has a 3-in-1 with Vols. 10-12, which I’m sure I will catch up with ANY DAY NOW.

And as for Naruto 60, well, Sasuke’s back. That pretty much sums it up. Talk amongst yourselves.

Nura: Rise of the Yokai Clan left a lot of things hanging last time, and this volume… at least gets a little closer to them. Don’t expect the arc to end here, though. Shiibashi is no Kubo, but he’s still slow.

One Piece is one omnibus ahead of its fellows, as we get Vol. 13-15, which is starting the Baroque Works arc. These volumes have Mr. 3 and Miss Golden Week, two of my favorites from that group of villains. As well as Vivi, of course.

Pokemon Diamond and Pearl Platinum has hit 7 volumes, and I still know nothing about it.

And Skip Beat! has hit Vol. 30! Does this make it the longest running shoujo series from Viz? Red River was only 28… In any case, the danger of method acting rears its ugly head again.

MICHELLE: Nope. Boys Over Flowers was 37 (including Jewelry Box).

MJ: I can’t believe I read the whole thing…

ANNA: I do not regret reading 37 volumes of Boys Over Flowers and I will not regret reading 30+ volumes of Skip Beat!

SEAN: Do you realize there are only 6 more volumes of Slam Dunk to go? How has this snuck up on us all?

MICHELLE: I am all too aware of it! I like to save the series up and read it in chunks, so when I finished volume 26 for last week’s briefs I realized that the next chunk would also likely be the last chunk! I’m already going through withdrawal.

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SEAN: Stepping on Roses has come to a close with Vol. 9. One day I will get an awesome shoujo manga series about a girl who is forced to chose between two men and shogi, and chooses shogi. This is not that day.

MICHELLE: Oh, I forgot about this one! It’s pretty dumb, but I might as well finish it.

MJ: I gave this series up ages ago, and I don’t regret a thing! I am sad to hear, however, that it never turned into a shogi manga.

ANNA: I am sad that Stepping on Roses wasn’t as good as Tail of the Moon, because I love that series so much.

SEAN: Tegami Bachi: Letter Bee adds Volume 12 to its arsenal, and I add another shonen series I never really kept up with to my long, long list.

MICHELLE: I have a bunch of volumes I intend to read one of these days.

SEAN: Tenjo Tenge hits is final omnibus with Vol. 11, meaning it’s finally completely out uncensored. Though I suspect most of the guys who complained about CMX are merely clutching their scanlations to their bosoms and muttering “But the font wasn’t the right type! BOYCOTT!”

MJ: This seems certain.

SEAN: Lastly, Vol. 14 of Toriko introduces a new pretty boy into the cast – one who’s really good with knives! There’s something a bit strange about this pretty boy, though…

MICHELLE: …. aaaaand the same thing I said about Tegami Bachi applies to Toriko as well.

SEAN: Isn’t that a lot of manga? What’s in your pile?

Bookshelf Briefs 1/30/13

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This week, MJ, Sean, and Michelle look at recent releases from VIZ Media, Yen Press, and Vertical, Inc.

arcana6Dawn of the Arcana, Vol. 6 | By Rei Toma | VIZ Media – I’m sadly behind on this series, but fortunately it’s turned out to be something that’s worth savoring. After a couple of relatively slow sections (perked up mainly by the introduction of more Ajin who are, frankly, damn cute), volume six begins with some real payoff, as Princess Nakaba finally learns why her ability to see the future is something likely to cause her tremendous grief and regret. This kind of internal struggle (by which I mean one that is finally more complex than just choosing between love interests) with its rather terrifyingly high stakes and potential for personal turmoil is exactly what Nakaba needed in order to become the best kind of shoujo heroine, and I’ll be forever grateful for it. What was once a casual read now moves to must-have status. Recommended. – MJ

limig3Limit, Vol. 3 | By Keiko Suenobu | Vertical, Inc. – Despite being incredibly angsty and no doubt corpse-filled eventually, this series continues to keep my interest simply by being really well-written. I admit I’m not wild over the new guy showing up, mostly as he hasn’t really been developed beyond ‘he’s a nice cute guy in class everyone likes’. But I’m sure later volumes will show his inner turmoil too. Speaking of which, Morishige’s backstory is incredibly horrible, and definitely explains much of her behavior. The goal here seems to be about surviving while not losing whatever humanity you have, as well as re-evaluating what true friendships are (something I wouldn’t wish on teenagers). As for the cliffhanger ending, I was hideously unsurprised, but I wasn’t really meant to be, and it looks like after a volume with some hope, things are going to go bad fast in Vol. 4. Definitely recommended.-Sean Gaffney

skipbeat30Skip Beat!, Vol. 30 | By Yoshiki Nakamura | VIZ Media – I hope no one’s tired of me talking about new volumes of Skip Beat! as they come out, ‘cos here’s another one. And, actually, it’s quite a bit different than most. Kyoko and Ren are still acting as the Heel siblings, but when Ren ends up breaking character in a rehearsed fight against a co-star who used to be a thug himself, Kyoko starts really worrying. What’s worse is that Ren didn’t realize that he’d done it at first, and subsequently spends a lot of time worrying if Kuon is just going to take over (as if he’s a completely different personality). The tense and freaky atmosphere of “something’s really wrong with Ren” is riveting and how Kyoko handles the situation has got me positively antsy to have the next volume ASAP. I didn’t think I’d be surprised by the thirtieth volume of a series, but with Skip Beat! I guess I should’ve known better. – Michelle Smith

slamdunk26Slam Dunk, Vol. 26 | By Takehiko Inoue | VIZ Media – The Shohoku baseketball team has advanced to the second round of the national championships, where their opponent is last year’s victors. Although the opposing team is largely forgettable—seriously, I could not remember any of their names despite reading them over and over—the volume’s still a really satisfying one, since Coach Anzai’s strategy involves letting different players on the team have the spotlight for a time. It starts with Mitsui, who deserves some glory after toiling in the background for a while, but then Anzai makes the radical decision to let Sakuragi take the lead and Sakuragi doesn’t screw it up. No, he hasn’t suddenly gotten mature or anything, but he’s been working so hard that he surprises everyone with his skills. I’m just a sucker for these sorts of sports manga “progress moments,” I guess, and having Sakuragi as someone the team can truly depend on makes me feel kind of sniffly. – Michelle Smith

souleater12Soul Eater, Vol. 12 | By Atsushi Ohkubo | Yen Press – There’s not as much weird art and architecture in this volume, which ends up being good as it makes me focus on the plot and characters a bit more. And remember a few more names! (Hi, Kilik!) And it’s a good plot,k too, as our heroes finally start to storm Arachne’s fortress… with their new adviser, Medusa. Which is as screwed-up as it sounds, and no one remotely trusts her a bit. They even remind us that she’s still possessing the body of a 5-year-old with her mind-snake things. Grlk. I also appreciate that no matter how dark and creepy tings get, there’s always an amusing gag just a few pages along – even from the villains. Especially from the villains. Yen seems to be releasing this series a bit faster now, which is good, as I really am starting to get addicted to it.-Sean Gaffney

Love Hina Omnibus, Vol. 4

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By Ken Akamatsu. Released in Japan by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics.

I admit I put this volume on the back burner for a while. If ever there was a series that reminded me how much one can change and grow in 10-12 years, it’s Love Hina, which has lost a lot of the luster it originally had. This is an omnibus of three parts, appropriately since it covers three volumes. The first is the best, as Mutsumi helps to draw Naru closer to Keitaro and he heads off to America for a sabbatical. The second volume is all about introducing Kanako, Keitaro’s adopted sister and reader identification figure. Lastly, Keitaro returns and everything goes south for Naru, as the final volume is a chase of epic proportions to try to get Naru to admit her feelings or die. Die being what she’d prefer, really.

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I tend to defend Naru a lot, mostly as the people who hate her tend to use sexist, horrible imagery in that hate, like many of the worst bashers in any fandom. Their hate is summed up by “she needs to be more nice to me… I mean him” and multiple uses of the word ‘bitch’. That said, Naru is certainly at her most frustrating here, dragging out the ‘do I really love him’ question to appalling lengths. Naru’s terrified of the future and things going wrong, and I completely identify with that. But add in Akamatsu’s comedic exaggeration and you want to cry at how much she can run away from her own problems. The end of this volume has her literally running away until there is no land mass left, to the northernmost tip of Japan.

Things are not helped at all by Kanako. I’ve mellowed a bit on Kanako over the years, and can see the appeal of a character who is designed to come in and call everyone out on the crap they’ve been giving Keitaro the last few years. Her naivete and hero-worship of her brother comes through quite well, and I liked the bond she forms with Naru (no surprise there, given Naru and Keitaro’s similarities). And given this was written in the late 90s rather than the early 10s, the incest subtext is meant to be creepy and wrong, for once. Kanako also gives us my favorite joke of the volume, where she dresses Mutsumi up as Keitaro to test everyone’s love… complete with ‘attachments’, so to speak. (“My brother’s would be at least that big.”)

I was reading this volume on public transport, which could be awkward at times. After a while, all the fanservice in Love Hina tends to mesh together so much you don’t notice it anymore, which is surprising given it’s everywhere. Characters are nude or near-nude through all three volumes of this, reminding me once more that Magazine skews much older than Jump or Sunday. And that’s not even counting the goth-loli Kanako, or everyone dressed as maids, or the Halloween costumes, or all the other service that’s here. Akamatsu works hard to please his audience, but you feel a little guilty about it all.

Honestly, any chance to read more Mutsumi is always welcome for me, but Love Hina is a classic example of what should have been a nine-volume manga dragged out to 14. Luckily, that means the next omnibus (only two volumes) is the last, and should wrap everything up for Naru and Seta. Oops, I mean Keitaro. Yeah, best save that little issue for Vol. 5’s review…

Pick of the Week: Guardians, Schoolgirls, & Brides

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Mori_A-Brides-Story-v4-205x300MJ: Midtown’s list this week includes a mix of genuinely new releases and a few Yen Press titles that most stores received a while ago, and I’m going to use that as an excuse to once again take up the call for Kaoru Mori’s A Bride’s Story, volume four of which is hitting Midtown’s shelves this week. This is a particularly fun volume, featuring two new characters who contribute considerable pep to this generally quiet series, without compromising any of its wistful charm. As a result, this is probably the series’ warmest volume so far—which is always a draw for me. And of course, it’s beautiful to look at as always.

sailor9MICHELLE: Because I am a terrible person and haven’t even started A Bride’s Story, I’m going to go off-list and note that Amazon lists volume nine of Pretty Guardian Sailor Moon as coming out this week. And can I ever resist the chance to pick Sailor Moon? No, I cannot.

SEAN: Yeah, given that this and Vol. 10 are my favorite parts of the Sailor Moon manga entirely, there’s no way I’m not picking it. It has chapter focuses for each of the Inners, and tops it off with a chapter devoted to the Outers that is flawless and perfect (it was so perfect the anime had to put it in the Stars anime sort of retroactively as it was simply impossible to not adapt). And it has the Amazoness Quartet, some of my favorite mini-villains. It is simply fabulous, limig3you will all buy it.

ANNA: I’ll just go with Limit #3. Since volume two ended on a bit of a cliffhanger I am particularly anxious to see what is going to happen next to the schoolgirl bush crash victims.

Readers, what looks good to you this week?

Don’t Disturb Me and Him, Please

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By Asuka Katsura. Released in Japan as “Soko Wa Bokura No Mondai Desu Kara” by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America by JManga.

I… am not sure where even to begin. What the heck was this? Not since Sasameke have I been left with such a feeling of vague confusion and disgust. This one didn’t have quite the kick in the balls ending that Sasameke did, but it certainly matches it for weird gag humor out of nowhere and appalling over-the-top grotesqueries being presented as comedic. Which, to be fair, works at first, but as the manga goes on and tries to also have a real plot, the flaws inherent in the entire work become more apparent.

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Given that the manga actually tries to have a plot, I suppose I should sum it up. Yaeko is a high school girl who reacts cutely whenever she’s tormented (or, more accurately, reacts in a highly amusing way), and thus has always been prey for perverts who want to dress her up, strip her, seduce her, or just rape her. Including her family. And her best friend, who in fact rapes her at knifepoint in the first chapter. While escaping said best friend by running nude through the streets at night, she’s helped by Rokuro, a gorgeous man carrying a teddy bear… who happens to match the description of a guy who’s been propositioning little kids around the neighborhood. After a series of misunderstandings, she injures his right hand, only to discover he has a high-stress job that absolutely needs doing. And so she moves in with him to be his right hand while it heals.

The reader, honestly, is meant to identify with the perverts here, as Yaeko’s reactions to everything are the best part of the manga. They are so over the top it goes beyond comedy into farce, and she frequently will be dressed as, say, a soldier or a Greek Statue for one panel only. She’s obsessed with proving that Rokuro is a lolicon, to the extent that she tries to frame him by going to a park and telling kids to pose for photos (realizing, a bit late, that this makes her a pervert – she’s even wearing the standard manga pervert outfit). Her complete lack of common sense is what drives the humor, along with her need to scream almost every line.

Sadly, Rokuro is not nearly as interesting – or indeed interesting at all. In the final chapter, we get an attempt at a backstory that explains his retiring personality and his tendency to chat up little kids, but for most of the story he’s a non-entity who exists to make Yaeko panicked and insane. He has a faux-girlfriend who (naturally) has a shotacon complex, who mostly seems to inhabit the manga so that the two of them have a third character to bounce stress off of. (Yaeko’s best friend, for obvious reasons, doesn’t fit this description. Which is a shame, as she was easily the most appalling (and therefore funny) part of this whole manga.)

I suspect this worked better serialized, but even them I think I’d be exhausted by the end of 20 pages or so. The author is better known for Blood+ and La Portrait de Petite Cosette, neither of which I believe are anything whatsoever like this. It has little to no internal logic, tries to tack on a heartwarming ending that is then ruined by both its heroine and hero, and is amazingly offensive at times (and by at times, I mean most of the volume). I will admit that I laughed at first at many of the situations, but by the time the final chapter rolled around, I was exhausted. (There were also several typos and misspellings, more than usual for a JManga release.)

I can’t possibly recommend this, as it’s bad, but if you’re in the mood to stare at your screen with your mouth open, you may want to try Chapter 1. If nothing else, it’s very different from anything else JManga has put out, and indeed any other Manga Erotics F titles I’ve seen.

JManga the Week of 1/31

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SEAN: No new series on the last day of January, but we do get a new volume of a series I adore, even if I am seeing it for a 2nd time.

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Joshi Kosei, aka High School Girls, hits Vol. 5. Given that I’m reading more and more manga digitally these days, I am very pleased to see this series come out in that format. It’s big doofy fun, always prepared to sacrifice what little dignity the characters have for comedy, and reveling in female friendships.

MJ: I really should check this out, shouldn’t I?

SEAN: Yes. :)

Elemental Gelade hits Vol. 3 on JManga, which reminds me that Elemental Gelade has also hit Vol. 12 on Comixology. I guess they’re digitalizing the Tokyopop license? Different translations, I assume, but it’s quite weird to see the first digital vs. digital competition.

MJ: The Digital Manga Guild also has this, and I’m not sure if they’re all the same or not!

SEAN: Madame Joker, another in a long line of ‘Manga JManga is putting out that I should read as I’d love it but don’t have the freaking time as they’re putting out piles’, has hit Vol. 4. Madame Joker, AIALLO’MJMIPOTISRAILIBIDHTFTATPOP’ for short.

MICHELLE: I have benevolent feelings towards Madame Joker but I too haven’t found the time to read it. I feel bad having such a lackluster response to next week’s offerings, when I found so much this week to be grateful for, but that’s how it is, I’m afraid.

SEAN: And we also have Vol. 4 of Recorder and Ransell, which I’m sure is adorable and cute and moe, but I simply can’t get past the fact that its premise creeps me out.

So what’ll you have? (Pabst Blue Ribbon: The Manga.)

Manga the Week of 1/30

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SEAN: Let’s see if I can sort out this week, given my recent habit of taking Midtown’s list and then ignoring it horribly.

First of all, they’re finally getting in the Yen Press books that most of us got last week or this week. I’ve gone over those already, but FYI they are Black Butler 12, Black God 18, Book Girl and the Undine Who Bore a Moonflower, A Bride’s Story 4, The Disappearance of Nagato Yuki-chan 3, and Soul Eater 12.

Udon has a Super Street Fighter series debuting, with what seems to be Korean artists and American writers. Um… a must for Street Fighter fans? I dunno, I got nothing. How Do I Capcom?

MICHELLE: Yeah, sorry Udon, but this just doesn’t appeal to me.

MJ: I always want to like things with Korean artists, just on principle, but… meh.

limit3SEAN: Vertical has the 3rd volume of Limit, their shoujo experiment that is not selling all that hot so MORE PEOPLE should buy it as it’s excellent. Come on, doesn’t that cute young thing on the cover scream adorable shoujo? I bet there are some wacky misunderstandings in this volume!

MICHELLE: And probably it is Valentine’s Day!

ANNA: I like to think of Limit as a lovely violently cynical sorbet that cleanses the palate of manga readers who have been reading too much shoujo with wacky misunderstandings.

MJ: Mostly I’m just entertained here by all your commentary, but I’ll also note that I’m really looking forward to volume three of Limit.

SEAN: Meanwhile, Kodansha is releasing a lot of stuff next week via Amazon that’s not hitting comic shops till February or later. Given next week also has a pile of Viz, why don’t we run down Kodansha now? If nothing else, it will broaden the Pick of the Week a bit.

First off, Bloody Monday was out this week. It’s up to Volume 9 of about 11, which wraps up the ‘First Season’. I think, when asked about the Second and Third Seasons of the series, Kodansha made ‘well, buy more’ noises. So buy more if you want to read more of ’24: Japan’.

MICHELLE: I really do mean to read this one of these days.

MJ: I enjoyed the first volume, but I guess not enough to propel me further on. Should I feel regretful?

SEAN: Fairy Tail is starting to get ready to speed up, which means more volumes online on its digital Apple-only thing that I don’t use as I don’t have Apple (this grump brought to you by Android), but also print volumes about once a month or so. It hadn’t sped up quite yet, though. In the meantime, we’re still in Edolas, though we may be about to wrap that arc up.

MICHELLE: I occasionally forget that Fairy Tail exists, even though I’ve read 14 volumes of it.

MJ: I’ve never had any interest in Fairy Tail, yet I’d really like to develop some, if only because Hiro Mashima was so incredibly charming at NYCC a couple of years ago. Convince me?

SEAN: Um… it’s good solid shonen, and has finally, I think, stopped trying to be One Piece only for Kodansha. It has a few good female characters, though it waffles quite a bit on how strong they get to be (but that’s typical for most Japanese shonen). It’s quite funny at times, and not in a “boobs!” way. (That said, there are many, many stacked girls here.)

Mostly, though, I think it’s the sort of title that you start of hoping gets better and really improves by the time you’re 16 volumes in and invested in the world. It rewards long-term investment. Which can be a pain, I know.

MJ: Actually, that’s pretty persuasive. Thank you!

SEAN: Genshiken finishes off its Omnibus Releases with the 3rd, covering Vol. 7-9. Nice timing, as I suspect the new anime of Genshiken 2nd Season coming up may spark interest in the first again.

Another series bites the dust, as Vol. 4 wraps up Miles Edgeworth: Ace Attorney Investigations. Barring the appearance of an Apollo Justice manga (don’t hold your breath), this may be it for this franchise for the time being – at least in manga form.

Speaking of series almost being finished, 37 is the 2nd to last volume of Negima. I’ll have a lot to say about this volume and the next. A whole lot. That said, if you like an overabundance of fanservice in the best old-fashioned Akamatsu ways, this is the volume for you.

sailormoon9MICHELLE: Pass!

MJ: Thank goodness we have Sean to care about Akamatsu on our behalf.

SEAN: Aheh. Let’s just say that my comment that Negima should have ended with Vol. 36 will be followed up on. My *least* favorite part of Negima is the naked antics.

SEAN: Lastly, Pluto graces the cover of Sailor Moon Vol. 9, and I think she actually even shows up in this, though not till the end. In the meantime, we’re really delving into the Super S arc now, which means dreams, and mirrors, and unicorns, and lots of Chibi-Usa (though less than you’d expect).

MICHELLE: Yay, Sailor Moon! I might’ve said this last time—probably I did—but the manga version of Super S differs from the anime in that the outer senshi are in it, so it’s worth reading even if that season of the anime wasn’t your favorite. The next volume of the series also includes something nifty that was missing from the anime.

ANNA: More volumes of Sailor Moon are always a thing to celebrate!

MJ: Agreed!

SEAN: There you go, that’s plenty of manga to chew over. What’ve you got?

Book Girl and the Undine Who Bore a Moonflower

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By Mizuki Nomura. Released in Japan by Enterbrain. Released in North America by Yen Press.

One of the main themes of the Book Girl series has been elements of the past seemingly overlaying with elements of the present, and our heroes and other protagonists finding themselves trapped in a seeming reimagining of past crimes. Konoha, our hero, is especially notorious for seeing his relationship with Miu mirrored and kaleidoscoped in virtually everything he interacts with, but it also plays out with Takada, Akutagawa, and the other members of the cast. Including a girl from the 2nd novel named Hotaru Amemiya, whose presence is felt in this 6th book of the Book Girl series.

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This novel takes place chronologically between books 2 and 3 (Famished Spirit and Captive Fool), during Tohko and Konoha’s summer break. That said, it reads better having come after the others, and has significant foreshadowing for the last two books, so it’s well-placed here. It also delves into the story of Maki Himekura, which isn’t too surprising, given she’s the one remaining main cast member who didn’t get a book of their own. I had worried that Famished Spirit would be all we saw of her, but that was Amemiya’s book, and its consequences play out a bit here, as we see Maki unchained, to a degree. Or rather, that’s what she wants to be.

Each Book Girl novel focuses on a specific work, and this one is no exception. I admit I’ve never read Kyoya Izumi’s play Demon Pond (I’m not even certain if it’s available in English), but its plot it helpfully laid out by Tohko along the way, so there’s no real need to. This book is also heavily imbued with demons and the supernatural, just like Famished Spirit, and even though most all of the ghostly elements are eventually explained as being all too human, the book has an atmosphere of tension, sort of like the old haunted castle romances of the turn of the 20th century.

This book takes place at the Himekura summer estate, so Takeda, Akutagawa and Kotobuki are absent. We do get to see Ryuto, however, Tohko’s cousin, and it becomes clear that Maki isn’t the only one deeply affected by the events in Famished Spirit. He and Maki clash immediately, with physical as well as verbal abuse. Not a surprise given how they’re both extroverted, flamboyant characters. As for Maki herself, she’s trapped in a situation that fans of Japanese manga with rich girls will know all too well – her life is already laid out for her and she can’t escape the thumb of her all-controlling grandfather. This helps explain (though not excuse) some of the rather unpleasant things she does in this book.

As for Konoha and Tohko, things are seemingly the same as ever. We get a classic Konoha panic attack here (though he’s just been kidnapped and is lost in a forest during a downpour, so I’ll grant him this one), and Tohko once again has a long speech at the end where she lays everything out for the cast, something that always seems a bit affected in these books, but fits the character perfectly. However, we also get a few hints of the final two books. Ryuto gives Konoha some prompts that, when eaten, given Tohko an altogether different attitude, and the final few pages of the book show Tohko in a highly melancholic state over the fact that soon she won’t be able to be with Konoha anymore. (The answer being ‘she’s graduating’, but given who Tohko is and the way this scene is written, it makes it *sound* as if she may have some wasting disease or something. I doubt the series is that downbeat, however.)

All five previous books of this series have bold type showing the inner monologue of the volume’s protagonist or antagonist, be that Takeda, Akutagawa, or whoever. Interestingly, the epilogue to this book’s bold type not only gives us a hint of Maki’s eventual fate (not sure how I feel about it, but that’s just the shipper in me talking), but reveals who the actual author of these pieces may be. If you’ve been reading along, it’s not much of a surprise, but the fact that we’re seeing it shows that we’re definitely getting all the cards laid out now. All that’s left is the final Book Girl story, which is so epic it will take two books to cover.

A Bride’s Story, Vol. 4

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By Kaoru Mori. Released in Japan as “Otoyomegatari” by Enterbrain, serialization ongoing in the magazine fellows!. Released in North America by Yen Press.

I reviewed the two previous volumes of this series as Bookshelf Briefs, but continued to have the same issues I had with Volume 1. The quality was excellent, but I had trouble connecting with many of the characters due to Kaoru Mori’s standard operating procedure of placid people with vaguely repressed emotion. This was not helped by the release of her Something And Anything collection, which showed she could write loudmouths and comedy as well as the rest of them. And so, seeing this new volume was coming out and had a slightly more upbeat cover on it, I wondered if it would get me more involved emotionally.

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Oh yes. Hyperactive tribe of loudmouths for the win! Actually, we do start off in Amir’s area, with ominous foreshadowing about her family’s clan, as well as a cute little story where the tribe’s resident tsundere, Pariya, finally meets a guy who may not be terrified of her. But the bulk of the story continues to follow Dr. Smith as he heads towards the West slowly (and thankfully does not run into the well-written but depressing angst that Vol. 3 gave us). Here he meets the twins of the title, who are rambunctious hellcats who can’t sit still and who are so much of a pair that a suitor for them would almost have to involve a pair of brothers so they aren’t separated. The bulk of this volume is dedicated to their trying to catch themselves a man, and their family’s eventual success at this task.

As I noted, this entire tribe seems a lot more lively than Amir’s. It’s not just the twins – their parents may be more mature, but they’re just as over-the-top. Indeed, the mother’s reaction to her children being unable to sit still for even two seconds is comedy gold. And for all that it looks as if the twins are trying totally stupid things to get themselves noticed and married off, when their mother and aunt talk about how they both got married, the stories are based off of coincidence and luck. This does not help to provide a good influence. And of course the couples contrast nicely, as each girl is matched up with a quieter, more cynical young man (childhood friends, of course) and the two couples learn how to take their own path and be slightly different. It’s only slight, too – I liked how it’s shown the two twins really are nearly alike, even in personality, and only differ in subtle ways that have to be picked up on.

Not all is sweetness and light, thought. I already noted the ominous first chapter with Amir’s tribe, but there’s a constant reminder here at how many folks die young – particularly women in childbirth. Pariya’s suitor notes her attitude, and his father says that the girls with ‘too much energy’ are the best. Likewise, the twins’ mother gives them one last request – stay healthy, above everything else. This is very much a series from another time, and it gives a poignancy to all these matchmakings.

Vol. 5 only came out in Japan recently, I think, so it may be a while before it hits here. In the meantime, we have a wedding to attend. Let’s hope this one is filled with more unambiguous joy than the others we’ve had so far. Though I have a feeling that, even as this series focuses on ‘different’ brides every arc, that we’ll soon be wandering back to Amir’s village.

Pick of the Week: The Flowers of Evil

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flowersofevil4SEAN: It’s a fairly slim week of stuff, but there are some intriguing titles. My pick of the week is Vol. 4 of the dark shounen series Flowers of Evil. I admit I’m about a volume or so behind on this one, but it’s worth my catching up on. The cover design has turned darker, and the book seems to be trending the same way. I can’t say I enjoy reading the volumes, but I’m utterly fascinated by them, and want to know what happens next so I can be repelled against my will again. Which is a recommendation, in case anyone was unsure.

MJ: I’m going to go with Sean on this one. The Flowers of Evil is the only print volume I’m really interested in this week, but it should be noted that even in a stronger week, it’d have a good chance with me. I find this series very compelling, and I’m pretty psyched to read more of it. From my review of the last volume, “Volume three is unexpectedly moving as Kasuga comes to the surprisingly insightful realization that putting his dream girl on a pedestal is not the same thing as loving her, and as all three of the series’ main characters are faced with truths they weren’t quite prepared for. If this series’ first volume read mainly as “better than Sundome” its third proves that it is really so much more.”

Readers, what looks good to you this week?

JManga the Week of 1/24

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ningenSEAN: It’s getting harder, I admit, to find things to say every week, mostly as JManga’s really sped up some releases ridiculously. As such, there’s new Crazy for You and Pride! Excited, but I’ve talked about those so much already.

ANNA: I can’t believe I’m two volumes behind with Crazy For You now! Crazy for You and Pride are for sure the titles I’m most excited about this week. I really really hope that they are doing well enough that we’ll see some similar titles coming out soon.

SEAN: There’s also a new Ekiben Hitoritabi manga, where the ongoing question has been “which cute young thing will he travel around with this time around?”

MICHELLE: I’ll definitely be reading the latest volumes of Crazy for You, Pride, and Ekiben Hitoritabi, but I admit I’ve kind of run out of new ways to say “Yay!” about them, too. Definitely glad to see them continuing to come out, and this’ll be the penultimate volume of Crazy for You, as well, which is pretty insane in terms of getting the whole series out in record time!

SEAN: Mythical Detective Loki has reached Vol. 3, which is also the last English release that came out back in the day via ADV. (Remember ADV?) From here on, it’s chapters new to North America…

The debut this week is another BL title from Fumiko Shusai. Ningen no Ichiban Muboubi na Bubun, aka Where a Person Is Most Vulnerable. It’s from Libre Shuppan, and I’ll be honest, its cover looks quite cute. More covers like this, please!

Anything catch your appetite?

Manga the Week of 1/23

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SEAN: It’s a quiet week at Midtown, which to my surprise still doesn’t have the Yen Press titles that I got this week and, um, apparently no one else did. This does not mean that nothing is being released there, however.

flowersofevil4Vertical has the 4th volume of Flowers of Evil, aka Baudelaire for Shonen Manga. The covers have turned black and so has the story, with its three protagonists going to darker and darker places. Who’s for joining them?

MJ: *raises hand* Out of everything on this short list, Flowers of Evil is really the only thing that interests me.

MICHELLE: I keep saying that I’m not sure I’m going to continue with this series, but then I keep continuing with it.

SEAN: And Viz has its Signature Series, which makes this Blogger Love week. Afterschool Charisma has hit Vol. 7. I must admit I’ve lost track of it, but, um… clones!

ANNA: Oh, Afterschool Charisma! I really enjoyed the first three volumes or so. I should get caught up.

MICHELLE: I intend to get caught up soon, too. Maybe I can even manage to talk about the series on Off the Shelf, finally!

SEAN: There’s the penultimate volume of Jormungand, which is filled with action, gunplay, awesome moments and likely a huge pile of grey and grey morality amongst its cast.

MJ: I am ashamed to say that I don’t read either of these. Um.

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SEAN: And just when you thought it was safe to stop buying 20th Century Boys, Viz brings us 21st Century Boys! This one’s only 2 volumes, though. Still, 21st Century Boy doesn’t scan! You’re making Marc Bolan sad!

MJ: Heh.

ANNA: I loved 20th Century Boys but just fell way behind on that series. One of these days…..

MICHELLE: I literally laughed out loud at your Marc Bolan reference, Sean! I’m a fairly serious Bolan/T. Rex fangirl, so was filled with glee when the opening pages of the manga feature the protagonist playing “20th Century Boy” over the morning announcements.

Anyway, I too fell way behind but it was kind of on purpose. I did the same with Urasawa’s Monster, reading the first couple volumes and then just waiting until all the rest of it was out before indulging in a huge marathon. Soon, I’ll do the same with this series.

SEAN: Any picks from you folks? Aaron, if you pick Gunslinger Girl for a 3rd straight week, I’m sending you to the corner…