The Baby-Sitters Club: Kristy’s Great Idea | Novel: Ann M. Martin / Scholastic | Graphic Novel: Raina Telgemeier / Graphix
Kristy Thomas has a great idea — she and her friends can work together to give beleaguered a one-stop-shop for baby sitters. That’s how the Baby-Sitters Club is formed, with Mary-Anne, Claudia, and the new girl, Stacey. A few problems pop up—prank calls, crazy kids, and accidental dog-sitting among them—but the club can work through it all. Stacey has a secret, and Kristy’s dying to know what it is. But when she pushes her new friend too hard, she risks losing the club when it’s barely even started.
Kristy’s Great Idea, the very first book in The Baby-Sitter’s Club, was originally published in 1986. Since then there have been 131 novels (and that’s not including any of the spin-off series!), though original author Ann M. Martin only wrote the first 35 herself. In 2006, five years after the conclusion of the novel series, Scholastic’s imprint Graphix released a graphic novel adaptation by Eisner Award winner Raina Telgemeier. The books themselves went out of print in 2009, but recently, Scholastic began rereleasing the first several books for a new generation of fans.
Confession time—I was a HUGE Baby-Sitters Club fan. I owned half the novels, and continued getting the other half out of the library until I realized I was older than the characters I was reading about. I picked up the first Baby-Sitters Club book again with some trepidation. At the very least, it’s been 13 years since I last read a BSC novel, and as it tends to go with many things I loved as a child, I worried the book wouldn’t stand up today. I was wrong. Martin tells the story in simple but interesting prose, easily keeping her readers engrossed. And it’s funnier than I remembered, like when one child insists her cat, Boo-boo, has been bewitched by the creepy neighbor when the animal begins to freak out and streak across the yard. Now over 25 years old, the book has some quirks that date it in the 80’s (handwritten essays, overalls as a fashion statement), but much of the novel focuses on the girls and their relationships with both family and friends—universal problems with any preteen reader—so that the story still feels current and relatable. And although each of the characters has a particular role that she fills—the tomboy, the popular girl—within 150 pages Martin gives them enough depth so that we get realistic, fleshed-out characters instead of a group of stereotypes.
One thing I didn’t notice as a kid was the diversity in the book. A main character is Asian, many characters come from broken or mixed homes, and another deals with a disease. The Baby-Sitters Club covered a spectrum with its characters, but what’s really fantastic is how blended and natural this diversity is. Being a different race or having a non-traditional family doesn’t feel strange in this book, or forced as if Martin was trying to make a point. Instead it’s just natural—the way things simply are—a wonderful point of view for a children’s book to have.
Having now rekindled my love of Ann M. Martin’s series I went into Raina Telgemeier’s graphic novel with a decent level of excitement. From the front cover you can tell that this adaptation is crafted by a fan. The character designs are alive with personality, from Kristy’s wide grin to Mary-Anne’s perpetually nervous looks. She even manages to make Claudia look sufficiently more “grown up” than her friends while still making her believably 12-years-old. Characters’ faces carry a range of emotions that are more telling than some of the prose, like with the loaded looks Kristy gives Watson, her stepfather-to-be.
The graphic novel matches the quick pace of the novel, packing in all of the events without making the comic feel crowded and rushed. Like a lot of adaptations, Telgemeier transfers parts of the novel’s narration to the comic’s voice over, but it works better here than in most cases. The first person point of view keeps the narration sounding like Kristy’s telling the story. Also, Telgemeier is pretty wise in how she uses it, generally only inserting the narration when it would be too awkward or long-winded to put the information into dialogue or thoughts.
I was absolutely wrapped up in the world of The Baby-Sitters Club through elementary and middle school, and it’s with a glad heart that I say I can still recommend the novel today. The novel is funny and easy to relate to, and with the cute updated cover little girls might not notice that the book is three times as old as they are. Telgemeier’s graphic novel is also a great introduction to the series, so much fun and so well-crafted that I’m genuinely disappointed that only the first four BSC books received adaptations. Acknowledging my own bias, I lean more towards recommending the novel, but both are great books that I’d give to any little girl.
Have any graphic novel adaptations you think do a good job? Or a comic you want me to check out for you? Leave suggestions for future columns in the comments!
Ellie saysMay 13, 2012 at 1:36 pm
Oh man. SO much nostalgia from reading this post. Glad to see they’ve stood the all important time test though, and the graphic novel adaptions do them justice.
Angela Eastman saysMay 14, 2012 at 6:49 am
Honestly, I was very surprised that I still liked the book. It makes me feel better about my tastes as an 8-year-old. Of course, I have no idea how the later volumes that Martin didn’t actually write stand up…
CJ saysMay 13, 2012 at 5:02 pm
I was never a babysitters club kind of person, but you also suggested leaving ideas, so I’ll go with Cirque du Freak (aka Darren Shan outside of the US). Unlike most of the Yen Press “Little,Brown book to comic” thing they’ve been doing, Cirque is 100% manga and I think it was made without Yen’s involvement. Obviously they snatched rights to it due to their parent company, and got out the first 3 volumes in time for that god-awful movie which barely even follows the first three volumes, but the manga did make me go to the library and read the entire Cirque du Freak novel series. But I also kept buying the manga as they came out too, I quite liked the adaptation and I really hope that Yen Press (or anyone) licenses the artists’ newest work Arago. Sure, the artwork for Darren Shan can be rough at times in the early volumes, but he seems to get it down by the halfway point.
Angela Eastman saysMay 14, 2012 at 6:47 am
And that has the added bonus of being something I can get through my library! That’s definitely going on the list.
SR saysMay 14, 2012 at 5:26 pm
“…original author Ann M. Martin only wrote the first 35 herself.”
WHAT. My entire childhood just turned itself inside out. O_O
Wow, and I just realized that my manga collecting tendencies started as BSC collecting tendencies. I didn’t have every book from every series, but I was DAMN NEAR CLOSE. :D Now I guess I’ll check out the GNs, since I saw a few in my library.
Angela Eastman saysMay 14, 2012 at 8:27 pm
I KNOW right? I’m finding out that a lot of long-running series I read as a kid were ghostwritten by different people at one point. Which is shocking, but also makes sense since there was always a point where I didn’t like them anymore for some reason.
The only one who I think wrote all his books is R.L. Stine, because that man is a machine…
Babysitters saysAugust 4, 2012 at 1:57 am
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