Nari Kusakawa

My Week in Manga: February 10-February 16, 2014

February 17, 2014 by Ash Brown

My News and Reviews

Not one, but two in-depth manga reviews were posted last week at Experiments in Manga. It wasn’t intentional on my part, though it did make me happy, but both manga deal with queer themes. The first review was for Takako Shimura’s Wandering Son, Volume 6. Even though it can be a somewhat difficult read for me personally since the subject matter often hits very close to home, I’m still absolutely loving this series. The seventh volume of Wandering Son is currently scheduled for release in August, which feels like a long ways off right now. As part of my “Year of Yuri” review project, last week I also took a closer look at Kiriko Nananan’s Blue, the only example of her long-form manga available in English. It’s a sweet and melancholic story of first love which follows the relationship of two young women who are classmates at an all-girls high school. The artwork in particular is very striking.

I’ve come across plenty of interesting reading and news over the last week. Brigid Alverson attended the Angoulême International Comics Festival this year and has been writing several reports on the experience. One of those explores the current state of the French manga market. In other festival news, The Guys with Pencils podcast interviewed Christ Butcher to talk about the fantastic Toronto Comics Arts Festival which he co-founded in 2003. Justin Stroman recently wrote two articles that I found to be particularly interesting: The Great Tumblr Industry Experience for Organization Anti-Social Geniuses and The Legal Manga Reading Sites You Don’t Know About for Manga Bookshelf. Finally, there has been some more movement on the licensing front. Yen press announced three new manga titles (Übel Blatt by Etorouji Shiono, Barakamon by Satsuki Yoshino, and Hiroyuki Aigamo’s adaptation of Accel World), as did Vertical (Gamon Sakurai’s Demi-Human, Ryū Mizunagi’s Witchcraft Works, and Midori Motohashi’s adaptation of The Garden of Words).

Quick Takes

Mister Mistress, Volume 2 by Rize Shinba. It’s been quite a while since I read the first volume of Mister Mistress, but I did enjoy it enough that I made a point to track down the now out-of-print second volume. (Happily, both volumes are now available digitally from SuBLime, though I don’t believe there are currently any plans to continue the series.) Mister Mistress works best for me when it sticks to being a comedy. Shinba introduces a somewhat tragic backstory for Rei in this volume, but fortunately it doesn’t take too long for this to be turned around and played for laughs. The series’ strength really isn’t its plot, but its humor. Fujimaru is a bit of a goofball who can’t quite decide what to do about Rei. He halfheartedly attempts to exorcise the incubus several times, but on occasion he actually appreciates having him around. Though I’m not entirely convinced by their developing feelings for each other, it can be rather convenient for a horny teenager to have a personal incubus to aid in the realization of his sexual daydreams. As such, the sex scenes in Mister Mistress tend to be a little unusual.

Sherlock Bones, Volumes 2-3 written by Yuma Ando and illustrated by Yuki Sato. I wasn’t sure after reading the first volume of Sherlock Bones, but after reading the second and third volumes it appears as though the series will be mostly episodic. Which is just fine and works pretty well. After the basic premise of the series has been established–Sherlock Holmes reincarnated as a mix-breed puppy–the mysteries tend to be fairly self-contained. I was pleasantly surprised by the first volume of Sherlock Bones and, if anything, I think these two volumes are even better than the first. Sherdog seems to always be present when a murder is taking place, so Sherlock Bones isn’t really a “whodunit.” Instead, the series focuses on outwitting the criminals and finding ways to reveal their attempts to cover up what they have done. For the most part this means relying on circumstantial evidence and pressuring the killers into confessing. Although murder seems to be the crime du jour, Sherlock Bones features some more lighthearted and silly investigations as well which take advantage of the fact that Sherdog is adorable.

Stone, Volumes 1-2 by Sin-ichi Hiromoto. In 2004, the editor of the English edition of Hiromoto’s short manga series Stone called it a “tribute to all of the fantastic sci-fi/action/fantasy films of the past thrity-odd years.” That seems to be a fairly accurate description of Stone. Hiromoto borrows and remixes elements from many films and franchises along with his own creations to devise something entirely his own. I was frequently reminded of Waterworld and to some extent Dune, and I definitely caught nods to Hellraiser and Star Wars. I get the feeling that there were references that I completely missed, too. Stone is a quickly paced manga with plenty of action set in a post-apocalyptic world in which the planet has been covered in a literal sea of sand. My favorite parts of Stone are the nightmarish sand creatures that Hiromoto has designed. Zizi, a fiesty young woman and the series’ lead, is also pretty great. I did prefer the series’ beginning over its end. As the manga becomes increasingly chaotic as the story progresses. The artwork remains visually interesting and engaging, but the plot makes less and less sense as it goes along.

Two Flowers for the Dragon, Volumes 5-6 by Nari Kusakawa. I have now reached the point in this series where I must lament the fact that the final volume wasn’t able to be released in English before CMX folded. These two volumes form the climax of Two Flowers for the Dragon and include some extraordinarily significant plot developments and betrayals. The direction the story has taken was definitely foreshadowed, but that doesn’t make it any less heart-wrenching to see play out. I thought it was all very well done. One of the things that I like the best about Two Flowers for the Dragon is how well-developed and complicated the main characters are. They all have their strengths and their weaknesses, flaws as well as redeeming qualities. The supporting cast is likewise well-rounded, though at this point the series’ true villain unfortunately seems to be less so. The characters and their interactions are a highlight of Two Flowers for the Dragon, but I’m really enjoying the story as well. I like the mix of action, fantasy, romance, and intrigue. So much so, that I’m tracking down a copy of the last volume in Japanese. I want to know what happens!

My Week in Manga: January 27-February 2, 2014

February 3, 2014 by Ash Brown

My News and Reviews

I only posted one review last week, but there were a couple of other posts as well. As for the review, I took a look at Haruki Murakami’s award-winning Kafka on the Shore. Of the two Murakami novels that I have so far read, this is my favorite. Still, at times I found it to be a rather frustrating reading experience, although there were parts of the novel that I absolutely loved. For the few people who are actually interested, I also posted January’s Bookshelf Overload last week. But, perhaps most importantly, my first manga giveaway of the year is currently in progress! I accidentally ended up with two copies of the second Vinland Saga omnibus, so now you have a chance to win one for your very own! The winner will be announced on Wednesday, so there’s still some time to enter the giveaway.

On to other things online! Matt Thorn has tracked down the interview with Inio Asano that sparked the whole discussion about his gender identity among fandom and offers some of his own comments. Over at All About Manga, Daniella Orihuela-Gruber writes about Hetalia’s Version of History: What Does It Offer Readers?. The fourth episode of Fujojocast has been posted, which takes a look at some award-winning and award-nominated manga. And speaking of honor-worthy manga, Wandering Son made the Rainbow List again this year and quite a few manga appear on YALSA’s 2014 list of Great Graphic Novels for Teens (which is actually a great list of graphic novels for anyone, not just teens). Finally, Seven Seas has had a week full of license announcements, including Vampire Bund doujinshi, Kokoro Connect, and it’s newest yuri acquisition Citurs.

Quick Takes

Attack on Titan, Volume 11 by Hajime Isayama. To be honest, I’ve recently been a little worried reading Attack on Titan due to the sheer number of plot twists that seem to be included in every volume. While this does make for some exciting (and occasionally confusing) storytelling, it also makes the series feel like Isayama barely has it under his control. Fortunately, the eleventh volume of Attack on Titan is relatively the free of any “big reveals.” (At least in comparison to previous volumes.) Instead, the characters must deal with the fallout from some of the most recent developments–there are a surprising number of Titans who have come out of the 104th Corps. So, while there aren’t many dramatic plot twists in the eleventh volume, there is a major Titan battle between Eren and some of the people he once considered to be his comrades. Some nice character development comes out of it, too, as well as some more hints regarding what the Titans really are and who is behind it all. I’m still sticking with the series at this point.

Sake Jock: Comics from Today’s Japanese Underground edited by Adam Glickman. Published in 1995, Sake Jock is described as being “the first collection of Japanese alternative artists to appear in English.” Sadly, this slim volume from Fantagraphics can be rather difficult to find nowadays. Sake Jock collects seven short manga, most if not all of which were originally published in the influential alternative manga magazine Garo. Some of the creators I was already familiar with from other underground comics anthologies while others I was encountering for the first time. I was particularly happy to see a work by Kiriko Nananan included since I love her style. Overall, I appreciated and enjoyed the manga collected in Sake Jock. I’m not sure that the collection will hold much general appeal except to those who already have an established interest in alternative manga; there have since been other anthologies published that would make a better introduction. It’s kind of a cool artifact, though, and I am glad to have it as part of my collection.

Two Flowers for the Dragon, Volumes 2-4 by Nari Kusakawa. It’s actually been a few years since I read the first volume of Two Flowers for the Dragon, but I remember being quite taken with it so I figured it was about time to get around to reading more of the series. I’ve rediscovered that I really enjoy the manga. It’s a wonderful mix of fantasy and romance with great character dynamics. There’s also a bit of court intrigue and some assassination plots for good measure.(And some unexpected gender-bending, too, for that matter.) Shakuya, the princess and heir of the Dragon Clan, has two fiancés vying for her affections. Kuwan is a capable but somewhat arrogant captain of the guard while Lucien is a kind-hearted young man who has lost many of his memories. The two of them obviously care for her dearly and are understandably a little antagonistic towards one another. Much to her dismay, Shakuya has developed feelings for both of them to varying degrees. But trying to figure out the workings of her own heart is only one of her many concerns.

The Tyrant Falls in Love, Volume 7-8 by Hinako Takanaga. Volumes seven and eight of The Tyrant Falls in Love form the last story arc in the series although Takanaga does promise that she hasn’t completely abandoned the story and characters. She plans on creating more manga–side stories, epilogues, and so on–but The Tyrant Falls in Love forms a complete story on its own, even considering the fact that it was a sort of follow-up to her debut series Challengers. Throughout The Tyrant Falls in Love, Morinaga and Souchi’s communication has been absolutely terrible. Their relationship is an extraordinarily rocky and volatile one; I honestly wasn’t sure what sort of ending Takanaga was going to go for. Overall, I was very satisfied with the series’ conclusion and I think it works. The only thing I wasn’t entirely convinced by is the direction that Masaki’s relationship with Morinaga’s older brother seems to be taking. Granted, that particular development did set in motion a pretty critical realization on Morinaga’s part.

The Palette of 12 Secret Colors 4 by Nari Kusakawa: B+

February 16, 2009 by Michelle Smith

This is the story of Cello, an aspiring Palette or “color magician,” who has had to repeat her first year of training school because her abilities are a bit different than those of her fellow students. The Palette of 12 Secret Colors is a very episodic series, and this volume is no exception. On the agenda are a separation from her avian partner that prompts Cello to strive to be her best, a rampaging drunken ostrich, and a swimming competition.

I’m not a fan of episodic tales in general, but Kusakawa manages to incorporate modest development for her lead characters and their relationship even while hijinks are ensuing. Over the course of the previous volumes, Dr. Guell (the school doctor) has helped Cello out on numerous occasions and now secretly harbors romantic feelings for her. The episodic nature of the story contrives to put the two of them together, occasionally in ridiculous situations, but also provides the opportunity for many warm and fuzzy moments. The final scene between them in volume four is anything but ridiculous or fuzzy, however, and may be just what Cello needs to finally begin to see the stoic doctor in a new light.

That said, this story is certainly progressing at a leisurely pace for one with only two volumes left. I can’t help but wish for a more dramatic storyline or more tangible evidence of Cello’s progressing skills. Aww-inspiring it may be, but it’s currently too mellow to generate anything akin to awe.

Review copy provided by the publisher. Review originally published at Manga Recon.

The Palette of 12 Secret Colors 3 by Nari Kusakawa: B

February 15, 2009 by Michelle Smith

From the back cover:
Cello meets Fenne, a fellow Palette-in-training who’s been having problems with his abilities ever since his bird-partner died. Despite his sarcastic attitude, Cello is determined to both help him find a suitable new bird and to become his friend. Then Olga—Dr. Guell’s jealous bird—decides that Cello is taking up way too much of Dr. Guell’s time. So now she’s determined to make sure that Cello quickly completes her Palette training.

Review:
Just as I was wishing to know more about Cello’s progress, she makes a remark in one chapter about how she has cleared “about half” of the first twelve colors. That’s a step in the right direction, I suppose.

Unfortunately, none of the stories in this volume really do much for me, though none is bad or anything. A new character, Fenne, is introduced and ropes Cello into helping him adapt one of the migratory birds that visit the island to be his new partner. At first he mocks her for having to repeat her first year, but comes to like her, which bothers Dr. Guell, who is coming to realize that Cello occupies his thoughts rather a lot.

The story with Olga serving as Cello’s tutor misses the mark for amusing and instead ventures into the territory of “too silly for me.” The same can be said for the chapter in which Cello’s father pursues an outrageously ridiculous plan of making up with his wife, with whom he’s had a fight. About the only one I really like is the one about Cello’s birthday, and how Dr. Guell sweetly buys her a present. Not only that, he’s clearly paid enough attention to her to know exactly what kind of present she would like best.

The relationship between Dr. Guell and Cello is the most interesting thing about the series at the moment, but I do rather wish for a more serialized story line. This is the halfway point of the series and though it’s very pleasant and guaranteed to foster some warm fuzzies, it feels like something more should be happening by now.

The Palette of 12 Secret Colors 2 by Nari Kusakawa: B+

February 15, 2009 by Michelle Smith

From the back cover:
It’s Christmas time on the island of Opal, and a visiting young Prince introduces holiday traditions to its residents. What could be more festive than the powers of the color wizards unleashed upon the season? But Dr. Guell is jealous of the relationship between the Prince and Cello and adds a sour note to the happy celebration. Then, find out more about Cello’s family and learn how she first bonded with Yoyo, her very special bird.

Review:
The episodic adventures continue in this volume, including a story about a visiting prince with a predictable secret, the tale of how Cello first met Yoyo, and a chapter about Cello’s family and her dad’s attempts to get some kind of facial expression out of terminally cool Dr. Gruell. Each of the episodes has something amusing about it, or some particular insight on character, but some are also a bit dull; I’m already kind of tired of seeing the triplet little girls turn up again and again.

The second story is my favorite, and not just because of Yoyo’s cuteness, though I suppose that is a factor. Mostly, though, I like it for the continuity. In an offhand remark in volume one, Cello mentions that she used to like climbing trees until she fell from one, and now she’s afraid of heights. This chapter includes that incident. It’s a minor thing, but I’m happy to see the seeds for it planted in advance.

While the current story structure is not short on charm, I still keep wanting this to be like a shounen manga somehow, with Cello acquiring mastery of new colors and her progression in skill clearly mapped. So far, she has improved enough to do well on a mid-term exam, but that’s sort of nebulous; the idea of knowing exactly how many of the twelve colors she can control and how many she has left has definite appeal.

The Palette of 12 Secret Colors 1 by Nari Kusakawa: A-

February 12, 2009 by Michelle Smith

From the back cover:
On the island of Opal live the world’s most colorful birds. The birds have attracted a school for aspiring “Palettes”—wizards who have the ability to borrow color from one object and paint its qualities on to another. Young Cello has the potential to be a great Palette, but she just can’t seem to control her power. As the end of freshman year approaches she’s on the verge of failing, so she’s going to need all the help her bird Yoyo can provide.

Review:
This is the story of Cello, a sixteen-year-old studying to be a Palette, or artisan with the power to control colors. It seems like a silly skill to have, but the volume shows different ways in which it can be useful. Cello is smart and aces the written assignments, but her practical abilities need work: she has the unique ability to manipulate color from a distance, but not the fine control required to craft the fine goods that fetch high prices from outsiders. Her problems with control result in her being splattered with color pretty frequently, requiring multiple visits to the infirmary to see the young school doctor, Dr. Guell.

In the chapters that follow, she and Guell foil two separate attempts to steal the village’s precious birds and also supply some fun for some little girls’ birthday. It’s true that these adventures are episodic, but they really don’t feel that way because they’re not pointless. In the wrong hands, I’d dislike the chapter with the random little girls, but Kusakawa uses it to reveal details about Guell’s background as well as to illustrate what a kind person Cello is.

I also like that romance is not the focus of the story. Cello has definite goals that she’s working towards and acquiring a boyfriend is not among them. That said, there are a few subtle moments that hint that she and Guell are starting to at least admire and appreciate one another.

What I love most, however, is Yoyo, Cello’s bird. I love Koh from Silver Diamond because he talks and is amusing, but a lot of Yoyo’s cuteness is because he is silent. He’s clearly intelligent, but must get his point across mutely. One of the most endearing things he does is kick Cello (cutely, I swear) every time she thinks or says something self-pitying or overly self-critical. I heart him.

Kusakawa’s distinctive artistic style is the same here as in Two Flowers for the Dragon, and I find it quite appealing, though the evolution of Dr. Guell’s appearance between the beginning and end of the volume is pretty major. It’s interesting how different the settings are for the two stories—Two Flowers is set in an oasis in the middle of a desert, while Palette takes place on a semi-tropical island, complete with palm trees and lush vegetation. Also, I really, really love the covers to this series. So much, in fact, that I’m gonna have to link to them. There’s an online preview at that site as well, if your curiosity is at all piqued.

The Palette of 12 Secret Colors is published by CMX. Four volumes have been released so far, with the fifth due on February 18, 2009. The series recently ended serialization in Japan and is complete at six volumes.

Two Flowers for the Dragon 3 by Nari Kusakawa: B+

February 2, 2009 by Michelle Smith

Shakuya, the heir to the dragon clan that rules an important desert oasis, has a rather complicated life. Not only does she turn into a dragon when her feelings grow too strong, but she also has two fiancés since the original one, who was missing for five years, suddenly returned with most of his memory missing. This third volume finds Shakuya being sent to a neighboring oasis to help regulate the flow of water that allows their crops to grow. Both fiancés and a bevy of squeeful handmaids, who delight in their mistress’s love triangle, accompany her.

The regulation of the water and the attempt to dispel a dangerous sandstorm takes a back seat to more personal drama, as Lucien encounters the woman who took him in when he was lost in the desert, who might also be the person with whom Shakuya’s father had an affair that resulted in his banishment from the dragon clan. The ultimate outcome of this meeting is kind of predictable, but it also introduces some new mysteries about Lucien’s time away from the village and the extent of Shakuya’s dragon powers.

I find Two Flowers for the Dragon to be a very fun read. The art is cute, the characters are likable, the women aren’t helpless, and the dialogue is great. In addition to that, it’s funny. Not so much in volume three, perhaps, with all its action, but I typically giggle several times per volume. Also, I think Kusakawa has some of the most amusing sidebar material I’ve ever seen.

Review copy provided by the publisher. Review originally published at Manga Recon.

Two Flowers for the Dragon 2 by Nari Kusakawa: B+

February 1, 2009 by Michelle Smith

From the back cover:
A mysterious old snake charmer compelled Shakuya to assume her dragon form and flew away on her back to his desert retreat. Now he is holding her captive and plans to marry her off. Needless to say, no one is happy about that, least of all Shakuya’s two fiancés, Lucien and Kuwan.

They’ve put aside their rivalry to join forces, head out into the desert and try to save the girl they both love. But their alliance may soon unravel when the tattoo on Shakuya’s arm representing Lucien begins to grow—a sign to Kuwan that he may be losing the competition for the Princess’s love.

Review:
Like volume one, this cover blurb has a phrase that’s a different color and font from the rest. This time it’s “two fiancés.” I wonder what it’ll be next time. “Turns into a dragon,” perhaps?

This volume picks up with Shakuya in the custody of kidnappers who want to marry her to their lord so he’ll have control of the Oasis of the Dragon, an important stop for desert travelers. Her reaction to all of this is great. Instead of weeping or despairing, she thinks, “This is infuriating!” and begins planning her own escape rather than waiting for one of the guys to rescue her.

Later in the volume, Shakuya decides that she wants to get to know Lucien and begins to ask him questions about his time in the desert. This nicely fills in some narrative holes while showing the progression of Shakuya’s feelings toward her suitors. Later still, the circumstances of Shakuya and Kuwan’s first meeting is also revealed. I started out preferring Kuwan to Lucien, since I tend to like serious and quiet characters, but he’s kind of getting on my nerves now. It seems he only makes an effort to be nice when he’s trying to beat Lucien and not particularly out of any true affection for Shakuya. Lucien, meanwhile, shows that he understands Shakuya pretty well. I’m quite interested in learning what exactly happened to him while he was missing.

One thing I didn’t mention in the review for volume one is that this series has really great dialogue and a good translation, to boot. Characters actually say things that sound intelligent and use a much broader vocabulary than typical manga characters do.

This volume also included a short story called “The Cogwheelers” about a non-human guy who’s responsible for building cogs that represent cause and effect for everything that happens on Earth. He’s having trouble grasping the ramifications, so breaks the rules and goes down to Earth to see what it’s really like. I typically don’t enjoy these kind of volume-padding short stories, but this one is quite good, especially considering it’s only the second thing Kusakawa had published.

Two Flowers for the Dragon 1 by Nari Kusakawa: A-

February 1, 2009 by Michelle Smith

From the back cover:
Shakuya is the heir to the Dragon Clan and next in line to rule the land. Oh, and she also happens to have two fiancés! Lucien won Shakuya’s love and her hand in marriage, but he disappeared before the wedding day. So the princess did what any woman would do—replaced him. Kuwan stepped in as her new soon-to-be-husband, and everything was fine until fiancé number one came back to town—with everything but his memory. What is a girl to do?! Now, Shakuya must choose who she wants to marry, using her two magical tattoos that change to reflect her feelings for each of the suitors!

Review:
I find it simultaneously amusing and perplexing that the words “magical tattoos” are in a different color and font than the rest of the text, as if that is the most important aspect of the story. I make my own fun by imagining purchasing decisions being made solely on a basis of “Ooh, magical tattoos! That settles it, then.”

Back cover mockery aside, I really, really like this. It’s cute, it’s funny, and I like the characters. Shakuya is far more sensible and intelligent than most shoujo heroines, and is perfectly fine with the necessity of a political marriage, though she’d prefer it if she and her spouse could also be in love. Kuwan is serious and sometimes kind, though not very merciful, and while Lucien begins as cocky and teasing, he also has a more gentle and affectionate personality.

I like the way Kusakawa handles the story’s gimmicks, namely Shakuya’s ability to turn into a dragon when her “feelings needle swings into the red zone” and the magical tattos that serve as a gauge for her feelings for each fiancé. The positive and negative aspects of her transformation ability are both explored well. The growth of the tattoos is nicely integrated into the story and, as Shakuya’s feelings for Lucien bloom ever so slightly, I found my own opinion of him shifting as the story wore on and more of Kuwan’s flaws became apparent.

Too, I like how little things show how well the stories are thought out. Like, early on Shakuya mentions how she has difficulty braiding her own, very long hair. Later, when her handmaid has skipped out on her duties in order to attend a market day, Shakuya must dress herself and appears with her hair in mere pigtails. It’s a very minor thing, but somehow impressed me immensely. Also, the final chapter, with its plot about snake charmers who kidnap Shakuya, could’ve been ridiculously silly but was instead unique and quite exciting.

I’m sure some will not be fans of the art, but I like it a lot. Kusakawa has a distinctive style and I have no complaints about it. In fact, now I feel compelled to read everything by her that I own.