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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

magi

My Week in Manga: February 20-February 26, 2017

February 27, 2017 by Ash Brown

My News and Reviews

In a few more days and March will be here and in a few more days the winner of the Tokyo ESP manga giveaway will be announced. Never fear though, there’s still a little time left to enter for a chance to win the first omnibus in the series! Simply tell me a little about a favorite psychic/esper from a manga. (A quick note: Normally I announce giveaway winners on Wednesday mornings but, because I have an all-day job interview on the 1st, this time the announcement will likely be made sometime on Wednesday evening instead.)

As for some interesting things I came across last week: The National Museum of Modern Art in Tokyo has created an online archive of early Japanese animation. An English-language version of the site is currently in the works, but even if you can’t read Japanese if you click around enough you’ll find the some of the videos available for viewing. The University of Michigan’s Center for Japanese Studies recently hosted two master rakugo artists–Yanagiya Sankyo and Yanagiya Kyonosuke–and has posted a video of one of their events. The video includes a brief introduction to rakugo, a demonstration and performance, and a question and answer session.

There are also a few podcasts worth mentioning (though I haven’t actually had the opportunity to listen to most of them yet): The most recent episode of Comic Books Are Burning in Hell is devoted to the late Jiro Taniguchi. Tofugu started a podcast not too long ago and recently talked with Alexander O. Smith about What Makes a Good Japanese Translator? (Smith does a fair amount of video game translation but translates novels and manga as well. He’s also one of the founders of Bento Books.) Vertical Comics recently started a podcast, too, and the first episode of the Mangocast is now available for listening.

As for crowdfunding efforts for queer comics, the end of February has seen quite a few Kickstarter projects launch: The Husband & Husband campaign is hoping to publish the first volume of the cute and funny webcomic in print. The Dates anthology, which focuses on queer historical fiction, is back for a second volume. (Though I haven’t written a quick take for it yet, I have the first volume and it’s great.) The Go Get a Roomie! project is raising funds to print the second volume and reprint the first volume of the webcomic. And finally, Digital Manga’s most recent Kickstarter has launched–Juné Manga is working with Velvet Toucher, a Japanese artist living in the United States, to release Eden’s Mercy.

Quick Takes

Guardians of the LouvreGuardians of the Louvre by Jiro Taniguchi. I’ve read most but not quite all of Taniguchi’s manga that has been released in English, but his recent passing reminded me that I hadn’t yet read Guardians of the Louvre, the latest one to have been released. One of the most remarkable things about Guardians of the Louvre is its full-color artwork. The volume is actually part of the “Louvre Collection,” a series of comics commissioned by the Louvre that feature the museum and its collections. (Hirohiko Araki’s Rohan at the Louvre is part of the same series.) Taniguchi is an extremely versatile creator; while some of his manga are action-packed, others are more introspective. Guardians of the Louvre is definitely one of the latter. The story is a quiet and contemplative exploration of art and inspiration, following a manga creator who is visiting Paris on his own for a few days. He falls ill soon after he arrives but pushes through in order to visit the Louvre. And so when he seems to start slipping through time, meeting artists and historical figures associated with the museum, not to mention the embodiments of some of the works housed there, he’s never quite sure how much of his visit is based in reality and how much is a fever dream.

He's My Only Vampire, Volume 1He’s My Only Vampire, Volumes 1-3 by Aya Shouoto. While I don’t actively avoid vampire manga, I also don’t actively seek it out. Usually there has to be something a little “extra” to catch my attention. In the case of He’s My Only Vampire, I had decided to seek out more of Shouoto’s work available in English while waiting for more of The Demon Prince of Momochi House to be released. He’s My Only Vampire is kind of an odd series and at this point the manga doesn’t seem to have a clear direction. It’s as if Shouoto is either trying to do too much at once with the story or hasn’t quite decided where it should go yet. It can still be pretty entertaining from time to time, though. Shouoto’s artwork, even though anatomy seems to occasionally go out the window, can be lovely and sensual, too. So far the best part of the manga is the three main characters–Kana, the strong and spunky heroine, Aki, the titular vampire and Kana’s long-lost childhood friend, and Jin, a high-school delinquent who has recently discovered that he is at least part werewolf. Personality-wise and the relationship-wise they’re all sort of goofy and their interactions can be quite amusing. The story is taking some darker turns, but I think I prefer its humor.

Magi: The Labyrinth of Magic, Volume 1Magi: The Labyrinth of Magic, Volumes 1-4 by Shinobu Ohtaka. I know quite a few people who love Magi and have heard plenty of great things about the series but despite those facts it’s still taken me this long to finally get around to reading the manga. Magi more or less starts out as a dungeon crawl which, while highly entertaining, isn’t exactly the most compelling narrative for a series that’s already over thirty volumes and still ongoing. But after the first dungeon crawl (and I suspect that there will likely be more of those in the future) Ohtaka begins delving into the characters and their motivations while exploring the vast world in which the live. In part Magi is inspired by One Thousand and One Nights but Ohtaka does not strictly adhere to those stories and characters, instead creating a complex world that is reminiscent of but distinct from that work. Magi really is a great series, with plenty of magic, mystery, and adventure; I can easily understand why it’s so well-loved. The artwork is clear and attractive, the settings and characters are interesting and well-realized, and the story, worldbuilding, and action are engaging. I also particularly appreciate that the women can be just as badass as the men in the series and in some cases are even more so.

NewsPrintsNewsPrints by Ru Xu. My introduction to Xu’s work was through the beautifully illustrated webcomic Saint for Rent. However, NewsPrints is her debut graphic novel. Published by Scholastic the comic is aimed towards middle grade readers but it can be appreciated by older readers, too. NewsPrints, while still being very approachable, actually tackles some pretty weighty subject matter–war, propaganda, identity, and so on. The comic is about Blue, an orphan who is hiding the fact that she is a girl so that she can work as a newsboy for the Bugle, one of the only newspapers that actually reports the truth. The Bugle has taken in and cares for other orphans as well, but Blue is afraid that she won’t be able to hide her secret much longer and may lose her newfound family because of it. The city she lives in has very firmly entrenched ideas about what is and is not appropriate for girls to do. Blue is embroiled in an extremely dangerous situation when she meets and becomes friends with Crow who is also hiding a secret, one that could greatly influence the course of the war. Though NewsPrints tells a complete story the ending is left fairly open. Apparently a sequel is currently in the works; I’m very curious to see where Xu takes the comic next.

Filed Under: FEATURES, My Week in Manga Tagged With: Aya Shouoto, comics, He's My Only Vampire, Jiro Taniguchi, magi, manga, Ru Xu, Shinobu Ohtaka

Magi by Shinobu Ohtaka Vols 1-3

May 5, 2015 by Anna N

I know that Magi is a favorite shonen manga among the MangaBookshelf crew, so I’ve been meaning to read it for a long time. I finally set aside some time to read the first three volumes, and I’m glad I did!

The first volume introduces Aladdin, a young boy with mysterious powers. Aladdin seems to be obsessed with food, boobs, and making new friends. He has a magical flute through which he can summon the body of a djinn whenever trouble comes. The catch is that only the body, and not the head of the djinn manifests, so since Aladdin wears the flute around his neck, often it looks like his head is perched on a giant muscly body that then proceeds to take care of whatever danger threatens Aladdin. Aladdin says that the djinn Ugo helps him out because instead of using his wish to ask for gold or any other typical wish, he simply asked the djinn to be his friend. Aladdin is a bit of a cipher at first, but he quickly decides to help out a local caravan, meeting a caravan girl and her best friend who turns out to be an undercover bandit. Ohtaka plays with proportion a great deal as she shows the djinn appearing to help out Aladdin. There’s plenty of slapstick humor, but as one might expect Aladdin’s seemingly simple personality is a bit of a distraction from his true mystical power.

Even though there are plenty of references to Arabian Knights, Magi isn’t a straightforward adaptation. Soon, a teenage Alibaba shows up and when he gets a glimpse of Aladdin’s power, he promptly decides to use his new friend to raid dungeons! The dungeons are a bit of a more typical shonen manga monster of the week type plot convenience, as they mysteriously pop up in various places in the desert landscape, filled with treasure, monsters, and traps. Only a great hero can expect to venture into a dungeon and come out alive with plenty of riches. Aladdin tends to get exhausted after any sort of battle involving the djinn, and he passes out after he and Alibaba have entered the dungeon. Alibaba realizes that he’s gone into danger with a boy he knows little about, and is determined to find out more about his new friend when he wakes up. The adventures are interrupted by the despotic ruler of the local town, Jamil who kidnaps the sleeping Aladdin and forces Alibaba to walk in front of him as a dungeon trap detector. Jamil is accompanied by a slave girl named Morgiana with super strong legs and a bodyguard called Goltas. Alibaba uses his trademark cleverness to ditch Jamil and reunite himself with Aladdin again, and as they explore the dungeon they discover an entire underground kingdom.

Aladdin isn’t an ordinary boy, and it becomes clear that he has magical abilities way beyond someone who can only summon a djinn. He’s a fabled sorcerer or Magi who has the power to crown a king, and Jamil is disappointed when Aladdin doesn’t find him worthy. Aladdin, Morgiana, and Alibaba get sent out of the cleared dungeon by the resident djinn, and while Alibaba and Morgiana end up back in their town Aladdin is far away. Alibaba uses his newfound fortune to free the slaves of the town and sets off to find his friend.

The first couple volumes set up a possible team of adventurers in Aladdin, Morgiana, and Alibaba, and the third volume delves more into some background aspects of Aladdin’s power. He wakes up in a faraway land with a horse tribe who promptly adopts him as one of their own. The shaman of the village is a wise woman named Baba who tells Aladdin that she can also see Rukh, the force that binds souls together. Ohtaka does a good job at establishing new characters in a quick way that still carries a great deal of depth. The horse tribe is represented mostly by a brash young warrior named Doruji who conspicuously deflates whenever he’s around Baba’s serene granddaughter Toya. The horse tribe is about to encounter an invading force, but the Princess Hakuei Ren who is the acting general is determined to pull a country together by winning hearts and minds and not by force. Her views are not shared by her underlings, which leads to complications.

It turns out that Hakuei Ren is another dungeon conqueror, with her own djinn. One mysterious part of Magi is the way the djinns seem to get together to gossip a bit whenever they see each other, and Aladdin isn’t able to make out what they are saying. There are flashbacks now and then to Aladdin’s time trapped with his djinn in a room, and while Baba tells Aladdin some of the legends of the Magi that she knows, he still has a lot of gaps about his own background that he wants to fill in.

The first three volumes set up this series well, there are plenty of concrete plot details and humor to enjoy and at the same time there’s a general sense of Ohtaka’s world building gradually unfolding as more information about the Magi are slowly revealed. Aladdin’s bluntness and naivete combined with his power makes him an interesting leading character, and his overwhelming desire for friendship and need to understand his own history when he already possesses plenty of mystical power makes him very sympathetic. Ohtaka has plenty of humorous moments, even if many of them rely on the sight gag of a djinn running around the countryside with a flute for a head. I enjoyed the first three volumes of this series very much, and I’ll be reading onward to see if the adventurers end up together again.

Filed Under: REVIEWS Tagged With: magi

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